The Eagle
The Eagle 鹰
by Alfred,Lord Tennyson 吴耀娟译
He clasps the crag with crooked hands;
那铁钩般的鹰爪紧扣着峭壁
Close to the sun in longly lands,
寂然的领地直接璧日1
Ringed with the azure world,he stands.
蓝天的环抱下它屹立如是
The wrinkled sea beneath him crawls；
脚下如皱的海浪缓缓流逝
He watches from his mountain walls,
它于山墙上注视
And like a thunderblot he falls.
恍若雷霆下之
初读此诗，呈现在我们眼前的是一只孤傲的雄鹰。诗的第一节刻画的是一幅静态的鹰之图。陡峭的山岩、广袤的蓝天、耀眼的日光无不突显出鹰的威风凛凛。诗的第二节描绘的是一幅动态的鹰之画。山脚下海浪涌动，山巅上鹰眼犀利，而诗的最后鹰之陡然降落更让人措手不及，恰烘托出鹰的速度之快，并给人以视觉和听觉的双重冲击。
再读此诗，除了形式及音乐美，我们不难发现诗人在遣词上的用意之深。诗人连用"clasps""crag""crooked""close"等粗重拗口的以"c"为首音的单词，使人读诗的时候似与鹰栖居之地环境的恶劣产生共鸣。鹰虽高高在上，但它的周遭只有尖利的乱石与山崖，可为了生存它不得不以自己裸露的双爪去攀抓，挺立的背后是血和汗水的付出。但是，尽管它成功地站在了最高处，如日中天，却始终是孤独的，所谓高处不胜寒吧！一个"lands"更是将塔的孤寂无限延伸，一个"world"更显出鹰周围的空旷和它的突兀。
海本是波澜壮阔的，潮起潮落当是迅速有力的，但是诗人却说海浪因潮汐运动而耸起的脊梁如皱纹，海水的涌动也变得柔缓了，这是只有从傲立于峰顶的鹰的视角才能看到的景象，由此鹰的姿态更高、更远，高得接近太阳，远离尘嚣。这就又从侧面烘托出鹰内心的孤寂。它是那样的注视着，诗人没有用"look at（有意识地看）"也没有用"see（强调看的结果）"而是用了"watch"，它是在俯瞰自己广阔的领土吗？是在凝视猎物的动静吗？还是端详自己的未来呢？抑或是悲悯自身的落寞呢？最妙的是诗的最后一句呀！晴空霹雳般一声巨响将读者从遐想中拉回，重新聚焦于鹰的身上。可偏偏诗人没有用"flies（飞落）"而是用了"falls （坠落）"我们不禁又陷入冥想：鹰是飞下来巡视自己的领土呢？还是俯冲下来捕食猎物呢？还是因为年老体衰而坠落的呢？更或者它是终不堪这份孤寂而纵身跳下的吧？
诗人清晰地描绘了一副鹰的图景，也成功地创造了多重想象空间，巧妙地让读者在现实1直接璧日：无限接近于太阳。
与想象中来回往复，每个人都能寻找到那只属于自己的“鹰”。
当我们走出迷惘再次品读这首诗的时候似乎又会有新的发现。诗人频频使用"hands（手而非爪）""stands（特指人的站立）""he（他而非它）"这些拟人的词语，在诗人的心中恐怕这不仅仅是自然界中一只以动物形态出现的鹰，而是一个个鲜活的人的形象。更有可能这是一名老者。为何这样说呢？诗的第一句写"crooked hands（蜷曲的手）"那是何等的沧桑！诗的第二句写太阳与鹰和栖居地无限接近，此处的太阳恐怕不会是从海面冉冉升起的诞曜而是日薄西山、流景扬辉。海水的流逝也是青春时光的流逝。那高高的山墙更像是层层筑起的心墙。但是诗却在最激动人心的一刻戛然而止了，留给我们无尽的想象空间，也正因为这样，这首诗便有了积极与消极两种截然相反的解读。也许它象征的是一位坚持不懈的长者，老骥伏枥，不坠青云之志；也许它象征的是一位高高在上的王者在孤独中看到了自己的迟暮，最终选择高傲地死去。
不久前看到这样一则希腊神话：代达罗斯与儿子伊卡洛斯用蜡和羽毛造的双翼逃离克里特岛时，伊卡洛斯因飞得太高，双翼上的蜡被太阳融化而跌落海中丧生。代达罗斯怀着悲痛继续飞行，他在西西里岛受到礼遇，并培养了许多有名的艺术家，成为西西里岛文化的奠基人。但由于儿子惨死海中，他多年来一直心怀内疚、闷闷不乐以致抑郁而终。看完这则故事我不禁想起丁尼生的《鹰》，那只无限接近太阳却始终远离太阳的鹰。或许它预示着没有谁是能永远站在顶峰的，人切忌骄傲自满、好高骛远，不然爬得越高摔得越重。相反，海壮阔绮丽，但它却总以缄默来淡薄自己的美丽，却反而能源远流长，永不止息。从代达罗斯的身上我们也可以看到，生活不是水晶楼梯，尽管我们能像鹰一样克服种种生活中的挫折，但是心灵的伤和空洞是永无弥补的，我们要活在当下，不使自己后悔！
虽然这首诗只有短短六句，但却意蕴无穷。在不同的心境下看此诗总会有不一样的体会。以上仅是个人感受，未知作者本意如何。
PS:此为文学理论作业。原诗有多个译本。
鹰
丁尼生作郭沫若译
扭曲的鹰爪扣紧山岩，
头接孤峰上的太阳，
身披如洗的蓝天。
脚下苍海绽微澜，
傲立峰头闲看，
划然落，却似雷霆下九天。
sonnet 18 莎士比亚的作品《第十八行诗》赏析 英文版
The speaker of the poem opens with a question that is addressed to the beloved, "Shall I compare thee to a summer's day?" This question is comparing her to the summer time of the year. It is during this time when the flowers are blooming, trees are full of leaves, the weather is warm, and it is generally thought of as an enjoyable time during the year. The following eleven lines in the poem are also dedicated to similar comparisons between the beloved and summer days. In lines 2 and 3, the speaker explains what mainly separates the young woman from the summer's day: she is "more lovely and more temperate." (Line 2) Summer's days tend toward extremes: they are sometimes shaken by "rough winds" (line3) which happens and is not always as welcoming as the woman. However in line 4, the speaker gives the feeling again that the summer months are often to short by saying, "And summer抯lease hath too short a date." In the summer days, the sun, "the eye of heaven" (line 5), often shines "too hot," or too dim, "his gold complexion dimmed" (line 6), that is there are many hot days during the summer but soon the sun begins to set earlier at night because autumn is approaching. Summer is moving along too quickly for the speaker, its time here needs to be longer, and it also means that the chilling of autumn is coming upon us because the flowers will soon be withering, as "every fair from fair sometime declines." (Line 7) The final portion of the sonnet tells how the beloved differs from the summer in various respects. Her beauty will be one that lasts forever, "Thy eternal summer shall not fade." (Line 9), and never end or die. In the couplet at the bottom, the speaker explains how that the beloved's beauty will accomplish this everlasting life unlike a summer. And it is because her beauty is kept alive in this poem, which will last forever. It will live "as long as men can breathe or eyes can see." (Line 13)On the surface, the poem is on the surface simply a statement of praise about the beauty of the beloved woman and perhaps summer to the speaker is sometimes too unpleasant with the extremes of windiness and heat that go along with it. However, the beloved in the poem is always mild and temperate by her nature and nothing at all like the summer. It is incidentally brought to life as being described as the "eye of heaven" with its "gold complexion". The imagery throughout the sonnet is simple and attainable to the reader, which is a key factor in understanding the poem. Then the speaker begins to describe the summer again with the "darling buds of May" giving way to the " summer’s lease", springtime moving into the warmth of the summer. The speaker then starts to promise to talk about this beloved, that is so great and awing that she is to live forever in this sonnet. The beloved is so great that the speaker will even go as far as to say that, "So long as men breathe, or eyes can see," the woman will live. The language is almost too simple when comparing it to the rest of Shakespeare’s sonnets; it is not heavy with alliteration or verse, and nearly every line is its own self-contained clause, almost every line ends with some punctuation that effects a pause. But it is this that makes Sonnet18 stand out for the rest in the book. It is much more attainable to understand and it allows for the reader to fully understand how great this beloved truly is because she may live forever in it. An important theme of the sonnet, as it is an important theme throughout much of the poetry in general, is the power of the speaker's poem to defy time and last forever. And so by doing this it is then carrying the beauty of the beloved down to future generations and eventually
经典英文诗歌赏析(全)
经典英文诗歌赏析(全) 一 nothing gold can stay 1简介：《美景易逝(Nothing Gold Can Stay)》罗伯特弗罗斯特 的代表作之一。此诗于1923年写就，即于当年十月在《耶鲁杂志(The Yale Review)》上刊印出版，随后就被收录到弗罗斯特的一本名为 《新罕布什尔州(New Hampshire)》的诗集中。 2诗歌翻译： Nothing gold can stay 岁月留金 Nature's first green is gold, 大自然的第一抹新绿是金， Her hardest hue to hold. 也是她最无力保留的颜色.。 Her early leaf's a flower; 她初发的叶子如同一朵花,; But only so an hour. 不过只能持续若此一刹那。 Then leaf subsides leaf, 随之如花新叶沦落为旧叶。 So Eden sank to grief. 由是伊甸园陷入忧伤悲切， So down gose down to day, 破晓黎明延续至晃晃白昼。 Nothing gold can stay. 宝贵如金之物岁月难保留。 3诗歌赏析：这首诗揭示了一切真切而美好的事物最终定会逐渐消失的哲理。它同时也使用了独特的技巧来表现了季节的变化。想到了 小时了了，大未必佳。一切都是转瞬即逝的，浮世有的仅仅转丸般的 繁华。 二 the road not taken 1诗歌简介：这首名诗《The Road NotTaken》形式是传统的抑扬 格四音步，但音步可变(含有很多抑抑扬的成分);每节的韵式为abaab 。
莎士比亚十四行诗第十八首赏析
莎士比亚十四行诗第十八首赏析 摘要：莎士比亚是英国文学史上泰斗级人物。他创作的的154首十四行一向为时人推崇。十四行诗达到了登峰造极的程度，成为英诗史上璀璨的明珠。这理所要赏析的是莎翁十四行诗的第十八首，其热烈的情怀，精致的措辞和美妙的比喻，，不知令多少学者和诗人叹服，赏析文字者莫不称颂其妙。 关键词：莎士比亚十四行诗第18首 诗人一开头就把他的爱友比作美好的“夏天”，其中“夏天”一词颇有争论，很多学者认为应该翻译成春天，但以我个人的观点，还是应该译成夏天。因为英国的夏天相当于我国的春天或春末夏初，这是一年中最美好的季节，风和日暖，枝头绿叶冒新芽，百花含苞待开放，大地充满一派生机活力，迷人可爱。开篇第一句便直入主题，用一问一答得方式毫不含蓄的点名她的美。虽然夏天如此美丽，但仍然不及她之美。作者意不在提出疑问，而是通过疑问句，引出第二句肯定的回答，恰如其分地达到赞赏的目的，诗人如此煞费，说明她的美丽不仅令他赞赏，而且还令他崇敬。这比开篇便用一陈述句更有说服力。 接着第3456句，诗人进一步解释为什么“你比它可爱也比它温婉”，那是因为“狂风”会把“五月的嫩芽摧残”，“夏天的期限”太过于短暂，阳光过于“强烈”，有时却也会被“遮掩”。这一系列的意象，为我们勾勒出一副副夏景图，引人遐想。其中不难看出，作者对这一副副图景产生的是一种怜惜之情，这时让我们不禁思考，那诗人对她的怜爱，该有多么深沉。 后接着的两句：“世上娇艳之物都会凋零，受机缘或大自然的局限”，为我们阐释这样一个哲理：世界上所有美丽的事物都会有遵循着大自然的规律，随着时间的流逝而消失。这虽为一个众所周知的事实，却令古今多少文人墨客所感叹。 接着，诗人用一个转折，说“你的长夏永远不会消逝，永不会失去迷人的光彩；不会在死神阴影中漂泊”这的用暗喻的手法，将她的美丽比作“长夏”，意为有夏天的美丽，而且比夏天更长，有取夏天之长，补夏天之短的意味。后面接着补充，他的美丽不会时间而失去光泽，永远留存。 “这诗将与你同在，只要人活着，眼睛还能看。这诗将永存，赋予你生命。”到最后，诗人转向写诗歌，说诗歌是永存的。从这里我们不难看出，诗人内心是矛盾的，他大肆笔墨去描写他的美，去高歌他的美是永存的，事实上他只是在欺骗他自己，他深知“世上娇艳之物都会凋零，受机缘或大自然的局限”，当然他的美丽也属于“世上娇艳之物”，可是诗人不愿意承认，他无法说服他自己去接受这个事实，于是他想把他的美丽长存于他的心中，但是每个人都会到死神那里报到，怎么办呢?这时，他知道了，永存的，只有诗歌，他只有将他的美丽写入诗歌，才能永恒。 本诗的主题思想为：爱和美。这首诗以夏天的意象展开了想象，我们的脑海会立即浮现出绿荫的繁茂，娇蕾的艳丽。夏日既表示诗人的友人可爱，让人感到可意，又暗指他的友人正处于年轻、精力旺盛的时期，因为夏天总是充满了生机和活力。万物在春季复苏，夏天旺盛，所以夏天是生命最旺盛的季节，诗歌前六句，诗人歌颂了诗中的主人公“你”作为美的存在，却把“夏天”、“娇蕾”和“烈日”都比下去，因为它们不够“温婉”、“太短暂”、“会被遮暗”，所以“你”的魅力远远胜于夏天。第七和第八两句指出每一种美都会转瞬即逝，禁不住风吹雨打，而第九句到第十二句指出“你”的美将永驻，连死神都望而却步，与时间同长的美才是永恒的美。因为“你”在诗歌中永恒，千百年来天地间只要有诗歌艺术的存在，诗歌和“你”就能够永生。所以“你”的美永不枯凋，这是一种生命的美，艺术的美，永驻人间。 这首诗语言优美，不仅体现在用词的精确上，而且还体现在表达方法的多变上，
莎士比亚sonnet18 原创赏析
李政颖13麻醉二班110520130082 When I first read this poem in our class,I feel strange that not only for it’s some grammers I have even seen but also the feeling of the poet can not be touched by me.However when the teacher sounded about this sonnet and played the video that someone declaimed it,I felt something choicest and miraculous that I have not had in my heart. In the first of this poem,it take “you”compare with summer,incredible,I can not image that how a human have a commonality with it.But I am wrong.We know that when the nature is in summer,the world is all around green that everything grow to thrive and luxuriant tree cover the sunshine,it is the best time of the nature life.The green and the colorful,the sun and the shelter make summer so beautiful that it is believed as a marvel.Nevertheless, “you” are “more lovely and more temperate” that “rough wins do shake”the scene, the period of summer is “all too hot a date”and sometime too hot due to the heaven shines.The miraculous marvel can not put the same level with “you”.If you want to write such a sentence you must have a strong imagination. And “every fair from fair sometimes declines”, “by chance or nature’s changing ourse untrimmed”.(That is said the summer’s beauty that can not compare with yours).But “you”can overcome these disadvantages.your “eternal summer shall not fade”and your honor will be everlasting.Your are immortal, “nor shall death brag thou wand’rest in his shade,you are not going to die.You will get ensuring life in the poem while generation people is dying.You are live in the poetry described by the author,you exist in the poet’s heart also in ours though this expressive way,poem.----or you are the spirit of the poetry,you are the soul of human being. With this the poet is able to accomplish what many have done in poetry and that is to give the gift of an eternal life to someone that they believe is special and outshines everyone else around them. Perhaps it is because of a physical beauty that the speaker see, but I believe that it is more because of the internal beauty as seen in line 2,
英文诗歌赏析翻译
《英语诗歌欣赏》课程教学诗选 Types of Poetry Unit one Nature The Pasture Robert Frost (1874–1963) I’M going out to clean the pasture spring; I’ll only stop to rake the leaves away (And wait to watch the water clear, I may): I shan’t be gone long.—You come too. I’m going out to fetch the little calf That’s standing by the mother. It’s so young, It totters when she licks it with her tongue. I shan’t be gone long.—You come too. 牧场 罗伯特·弗罗斯特 (1874–1963) 我去清一清牧场的泉水， 我只停下来把落叶全耙去 （还瞧着泉水变得明净—也许）； 我不会去得太久。—你也来吧。 我去把那幼小的牛犊抱来， 它站在母牛身边，小得可怜，一摇一晃，当母牛给她舔舔；我不会去得太久。—你也来吧。 （方平译） Daffodils William Wordsworth (1770-1850) I wondered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils;
莎士比亚-sonnet-18-29-66的中文翻译及评析
18莎士比亚的十四行诗总体上表现了一个思想：爱征服一切。他的诗充分肯定了人的价值、赞颂了人的尊严、个人的理性作用。诗人将抽象的概念转化成具体的形象，用可感可见的物质世界，形象生动地阐释了人文主义的命题。 诗的开头将“你”和夏天相比较。自然界的夏天正处在绿的世界中，万物繁茂地生长着，繁阴遮地，是自然界的生命最昌盛的时刻。那醉人的绿与鲜艳的花一道，将夏天打扮得五彩缤纷、艳丽动人。但是，“你”却比夏天可爱多了，比夏天还要温婉。五月的狂风会作践那可爱的景色，夏天的期限太短，阳光酷热地照射在繁阴班驳的大地上，那熠熠生辉的美丽不免要在时间的流动中凋残。这自然界最美的季节和“你”相比也要逊色不少。 而“你”能克服这些自然界的不足。“你”在最灿烂的季节不会凋谢，甚至“你”美的任何东西都不会有所损失。“你”是人世的永恒，“你”会让死神的黑影在遥远的地方停留，任由死神的夸口也不会死去。“你”是什么？“你”与人类同在，你在时间的长河里不朽。那人类精神的精华——诗，是你的形体吗？或者，你就是诗的精神，就是人类的灵魂。 诗歌在形式上一改传统的意大利十四行诗四四三三体，而是采用了四四四二体：在前面充分地发挥表达的层次，在充分的铺垫之后，用两句诗结束全诗，点明主题。全诗用新颖巧妙的比喻，华美而恰当的修饰使人物形象鲜明、生气鲜活。诗人用形象的表达使严谨的逻辑推理变得生动有趣、曲折跌宕，最终巧妙地得出了人文主义的结论。 二十九首就是其中的一首。 这首诗热情地歌颂爱情,诗人在创作这首诗 时,充分发挥了十四行诗的长处,采用了“先抑后 扬”手法,层层推进,波澜起伏,道出了诗人的思想 感情发展变化过程,开头四句这样写道: When ,in disgrace with Fortune and men’ eyes , s I all alone beweep my outcast state , And trouble deaf heaven with my bootless cries , And look upon myself ,and curse my fate , 从这四句我们可以读出,一开始诗人悲悲切切地 唱出自己的悲惨处境“in disgrace with Fortune and , men’ eyes (失去了幸福,又遭人白眼。”,慨叹自 s )
初中英文诗歌带翻译赏析
初中英文诗歌带翻译赏析 【篇一】初中英文诗歌带翻译赏析 A Coat by William Butler Yeats I made my song a coat Covered with embroideries Out of old mythologies From heel to throat; But the fools caught it, Wore it in the world’s eyes As though they’d wrought it. Song, let them take it, For there’s more enterprise In walking naked. 外套 威廉?巴特勒?叶芝(着) 我用古老的神话作为衣料， 为我的歌缝制一件外套， 上面铺满刺绣， 层层秘密，从头到脚; 可是愚蠢的人们把它夺去， 穿起来在世人面前炫耀， 似乎是他们亲手织造。
让他们拿走吧，歌啊，没有衣服更好， 因为裸体行走， 需要胆识更加高超。 【篇二】初中英文诗歌带翻译赏析 初恋的感觉 I never was struck before that hour With love so sudden and so sweet Her face it bloomed like a sweet flower And stole my heart way complete My face turned pale as dealy pale My legs refused to walk away And when she looked” what could I ail?”. My life and all seemed turned to clay. 我在这之前从未如此之震惊 这份爱情是如此的突然如此的甜蜜 她的脸庞像一朵盛开的鲜花 将我的心儿全部个的偷走了 我的脸颊变得像死者似地苍白 我的腿再也迈步不出任何步伐 但当她看我的时候我怎能感到丝毫的痛苦 我的生命以及一切都变的犹如黄土 And took my eyesight qyite away.
十四行诗18英文赏析-莎士比亚
莎士比亚的第18首十四行诗的英文赏析 我能否将你比作夏天？ 你比夏天更美丽温婉。 狂风将五月的蓓蕾凋残， 夏日的勾留何其短暂。 休恋那丽日当空， 转眼会云雾迷蒙。 休叹那百花飘零， 催折于无常的天命。 唯有你永恒的夏日常新， 你的美貌亦毫发无损。 死神也无缘将你幽禁， 你在我永恒的诗中长存。 只要世间尚有人吟诵我的诗篇， 这诗就将不朽，永葆你的芳颜。 这首诗的艺术特点首先是在于它有着双重主题：一是赞美诗人爱友的美貌，二是歌颂了诗歌艺术的不朽力量。其次就是诗人在诗中运用了新颖的比喻，但又自然而生动。 Sonnet 18, often alternately titled Shall I compare thee to a summer's day?, is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare. Part of the Fair Youth sequence (which comprises sonnets 1-126 in the accepted numbering stemming from the first edition in 1609), it is the first of the cycle after the opening sequence now described as the Procreation sonnets. Most scholars now agree that the original subject of the poem, the beloved to whom the poet is writing, is a male, though the poem is commonly used to describe a woman. In the sonnet, the poet compares his beloved to the summer season, and argues that his beloved is better. The poet also states that his beloved will live on forever through the words of the poem. Scholars have found parallels within the poem to Ovid's Tristia and Amores, both of which have love themes. Sonnet 18 is written in the typical Shakespearean sonnet form, having 14 lines of iambic pentameter ending in a rhymed couplet. Detailed exegeses have revealed several double meanings within the poem, giving it a greater depth of interpretation. Sonnet 18 is a typical English or Shakespearean sonnet. It consists of three quatrains followed by a couplet, and has the characteristic rhyme scheme: abab cdcd efef gg. The poem carries the meaning of an Italian or Petrarchan Sonnet. Petrarchan sonnets typically discussed the love and beauty of a beloved, often an unattainable love, but not always.[5] It also contains a volta, or shift in the poem's subject matter, beginning with the third quatrain. A facsimile of the original printing of Sonnet 18.The poem starts with a line of adoration to the beloved—"Shall I compare thee to a summer's day?" The speaker then goes on to say that the beloved being described is both "more lovely and more temperate" than a summer's day. The speaker lists some things that are negative about summer. It is too short—"summer's lease hath all
最好的最全的最专业的英语诗歌鉴赏
一nothing gold can stay 1简介:《美景易逝（Nothing Gold Can Stay）》罗伯特?弗罗斯特的代表作之一。此诗于1923年写就，即于当年十月在《耶鲁杂志（The Yale Review）》上刊印出版，随后就被收录到弗罗斯特的一本名为《新罕布什尔州（New Hampshire）》的诗集中。 2诗歌翻译: Nothing gold can stay 岁月留金 Nature's first green is gold, 大自然的第一抹新绿是金， Her hardest hue to hold. 也是她最无力保留的颜色.。 Her early leaf's a flower; 她初发的叶子如同一朵花,； But only so an hour. 然而只能持续若此一刹那。 Then leaf subsides leaf, 随之如花新叶沦落为旧叶。 So Eden sank to grief. 由是伊甸园陷入忧伤悲切， So down gose down to day, 破晓黎明延续至晃晃白昼。 Nothing gold can stay. 宝贵如金之物岁月难保留。 3诗歌赏析:这首诗揭示了一切真切而美好的事物最终定会逐渐消失的哲理。它同时也使用了独特的技巧来表现了季节的变化。想到了小时了了，大未必佳。一切都是转瞬即逝的，浮世有的只是转丸般的繁华。 二the road not taken 1诗歌简介:这首名诗《The Road NotTaken》形式是传统的抑扬格四音步，但音步可变（含有不少抑抑扬的成分）；每节的韵式为abaab 。弗罗斯特写诗最大的特色就是善于运用眼前看似平淡无奇的事物，去表达一个深刻的哲理。这正如他在一首诗中写的：“黄色的树林里有两条岔开的路／可惜我不能在同一时间走两条路／我选择了少人行走的那条／这就造成了一切的差异。”诗人选择了诗歌，放下了在一所师范学校教书的职业以及那可能平坦，安稳的生活。他对自己说：写诗吧，穷就穷吧，于是他们就来了英国，在离伦敦不远的一个村子里找到了一座木板茅屋作为新家。 罗伯特弗罗斯特堪称美国20世纪90年代最受欢迎的诗人之一，是美国非官方的桂冠诗人，他一生致力于诗歌的创作，主要写作并出版了10部诗集，这一首是其第三部诗集《山的间隔》中的名篇。 2诗歌翻译: The Road Not Taken Robert Frost 未选择的路罗伯特?弗罗斯特 Two roads diverged in a yellow wood, 黄色的树林里分出两条路 And sorry I could not travel both 可惜我不能同时去涉足 And be one traveler, long I stood 我在那路口久久伫立 And looked down one as far as I could 我向着一条路极目望去 To where it bent in the undergrowth; 直到它消失在丛林深处 Then took the other, as just as fair, 但我却选择了另外一条路 And having perhaps the better claim, 它荒草萋萋，十分幽寂 Because it was grassy and wanted wear; 显得更诱人，更美丽 Though as for that the passing there 虽然在这两条小路上 Had worn them really about the same, 都很少留下旅人的足迹 And both that morning equally lay 虽然那天清晨落叶满地 In leaves no step had trodden black. 两条路都未经脚印污染 Oh, I kept the first for another day! 呵，留下一条路等改日再见 Yet knowing how way leads on to way, 但我知道路径延绵无尽头
Sonnet 18(英文赏析)讲解学习
S o n n e t18(英文赏析)
Sonnet 18 By William Shakespeare Shall I compare thee to a summer’s day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometimes too hot the eye of heaven shines And often is his gold complexion dimed; And every fair form fair sometimes declines, By chance or nature’s changing course untrimmed; But thy eternal summer shall not fade, Nor lose possession of that fair thou ow’st; Nor shall death brag thou wander’st in his shade. When in eternal lines to time thou grow’st: So long as men can breathe,or eyes can see, So long lives this,and this gives life to thee. 十四行诗（其十八） 威廉·莎士比亚 我能把你比作夏日吗？ 尽管你更可爱、更温和； 夏日的狂风可能会摧残五月的花儿，
汉语诗与英语诗翻译欣赏之比较
汉语诗与英语诗翻译欣赏之比较 诗歌是语言的结晶，诗歌往往以其精炼的形式、和谐的音韵和节奏给人们带来巨大的精神享受。汉语诗、英语诗的欣赏也不是一件易事。英语诗歌在其一千多年的演化过程中发展出了丰富的诗体。这些诗体都有各自的规律、音韵、主题和表现方式，它们是一道道难以逾越的障碍。尽管诗歌能满足人们内心的渴望，但还是有许多人对它敬而远之，觉得诗歌晦涩、奇怪，难以理解。欣赏诗歌就要欣赏语言的节奏及形式特点，欣赏诗歌格律的韵律、音节及句式。不管英语还是汉语诗歌，都是按照一定的规律在句子中的排列，其目的是为了声韵和谐。同类的乐音在同一位置上的重复，能产生声音回环的美，同样，作为语言艺术的诗歌，汉语诗歌行中韵母相同或相近的字在一定位置上重复，也能产生音乐美的听觉效应。英语诗歌与汉语诗歌作为不同民族的诗歌种类，在诗歌的语言形式上有着自己的独有的习惯和风格。 1）汉语诗歌的格式韵律、音节、押韵很规范。而英语诗歌的韵律、音节格式变化很大。如： 朝辞白帝彩云间，千里江陵一日还。 两岸猿声啼不住，轻舟已过万重山。 ——（李白《下江陵》） 又比如： 白日依山尽，黄河入海流。 欲穷千里目，更上一层楼。 ——（王之涣《登黄鹤楼》） 如：波西·比希·雪莱的《Music，When Soft V oices Die》（《轻柔的声音寂灭后》）： Rose leaves，when the rose is dead， Are heaped for the beloved’s bed； And so thy thoughts，when thou art gone， Love itself shall slumber on. 根据英语诗歌的优美韵律，按汉语诗歌的韵律翻译如下：
英文诗歌鉴赏-The-road-not-taken
The road not taken 1诗歌简介:这首名诗《The Road Not Taken》形式是传统的抑扬格四音步，但音步可变(含有不少抑抑扬的成分);每节的韵式为abaab 。弗罗斯特写诗最大的特色就是善于运用眼前看似平淡无奇的事物，去表达一个深刻的哲理。这正如他在一首诗中写的：“黄色的树林里有两条岔开的路/可惜我不能在同一时间走两条路/我选择了少人行走的那条/这就造成了一切的差异。”诗人选择了诗歌，放下了在一所师范学校教书的职业以及那可能平坦，安稳的生活。他对自己说：写诗吧，穷就穷吧，于是他们就来了英国，在离伦敦不远的一个村子里找到了一座木板茅屋作为新家。 罗伯特弗罗斯特堪称美国20世纪90年代最受欢迎的诗人之一，是美国非官方的桂冠诗人，他一生致力于诗歌的创作，主要写作并出版了10部诗集，这一首是其第三部诗集《山的间隔》中的名篇。 2诗歌翻译: The Road Not Taken ——Robert Frost 未选择的路罗伯特?弗罗斯特 Two roads diverged in a yellow wood, 黄色的树林里分出两条路 And sorry I could not travel both 可惜我不能同时去涉足 And be one traveler, long I stood 我在那路口久久伫立 And looked down one as far as I could 我向着一条路极目望去
To where it bent in the undergrowth; 直到它消失在丛林深处Then took the other, as just as fair, 但我却选择了另外一条路And having perhaps the better claim, 它荒草萋萋，十分幽寂Because it was grassy and wanted wear; 显得更诱人，更美丽Though as for that the passing there 虽然在这两条小路上 Had worn them really about the same, 都很少留下旅人的足迹And both that morning equally lay 虽然那天清晨落叶满地 In leaves no step had trodden black. 两条路都未经脚印污染Oh, I kept the first for another day! 呵，留下一条路等改日再见Yet knowing how way leads on to way, 但我知道路径延绵无尽头I doubted if I should ever come back. 恐怕我难以再回返 I shall be telling this with a sigh 也许多少年后在某一个地方Somewhere ages and ages hence: 我将轻声叹息把往事回顾Two roads diverged in a wood,and I, 一片森林里分出两条路
英文诗歌翻译与赏析
我是生物工程专业学生###,虽然我是理科生,但是我也同样喜欢文学,喜欢语言,喜欢诗歌,因此选了学习这门课,我经常用这句话来激励自己:沧海横流,方显英雄本色;说真心话,做真心人;只要是合理的,就没有做不到的事. 二. the road not taken 1诗歌简介:这首名诗《The Road NotTaken》形式是传统的抑扬格四音步，但音步可变（含有不少抑抑扬的成分）；每节的韵式为abaab 。弗罗斯特写诗最大的特色就是善于运用眼前看似平淡无奇的事物，去表达一个深刻的哲理。这正如他在一首诗中写的：“黄色的树林里有两条岔开的路／可惜我不能在同一时间走两条路／我选择了少人行走的那条／这就造成了一切的差异。”诗人选择了诗歌，放下了在一所师范学校教书的职业以及那可能平坦，安稳的生活。他对自己说：写诗吧，穷就穷吧，于是他们就来了英国，在离伦敦不远的一个村子里找到了一座木板茅屋作为新家。 罗伯特弗罗斯特堪称美国20世纪90年代最受欢迎的诗人之一，是美国非官方的桂冠诗人，他一生致力于诗歌的创作，主要写作并出版了10部诗集，这一首是其第三部诗集《山的间隔》中的名篇。
2诗歌翻译: The Road Not Taken Robert Frost 未选择的路罗伯特?弗罗斯特 Two roads diverged in a yellow wood, 黄色的树林里分出两条路 And sorry I could not travel both 可惜我不能同时去涉足 And be one traveler, long I stood 我在那路口久久伫立 And looked down one as far as I could 我向着一条路极目望去 To where it bent in the undergrowth; 直到它消失在丛林深处 Then took the other, as just as fair, 但我却选择了另外一条路 And having perhaps the better claim, 它荒草萋萋，十分幽寂 Because it was grassy and wanted wear; 显得更诱人，更美丽 Though as for that the passing there