喜福会观后感
喜福会观后感（附英文观后感）简介：《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。.喜福会观后感（附英文观后感）正文：" The Joy Luck Club" is about the four Chinese immigrant women and their children grew up in the United States between the respective story. The title of the novel" the Joy Luck Club" is the original mothers played mahjong party. These women moved to the United States for decades, but they still think constantly of raised by traditional education, abide by the Chinese for thousands of years the penetration in the blood, women have become almost feudal patriarchal ideology nature. Their common ideal is to strict education, over his daughter, so they can escape their this generation of women's destiny, they become the eyes of a happy woman. However, the mother of the bundle, the girls in their different ways a revolt, in this race, class, gender inequality in American society, two generations of women staged a fight each other to reach the same goal by different routes, by mutual recognition of tragicomedy. In the tragedy and comedy, the deepest impression is not character mouth lay things, but they cannot speak, those unable to touch, carefully conceal mentioning things, is the silence behind something. Here, silence has become a symbol, its huge destructive power to destroy the existence of female self-esteem, self-confidence and courage, so that they are suppressed in the heavy loss of the ability to survive. However once the silence is broken, the destructive power will immediately disappear, have been suppressed for a long time will be the recovery of human nature, the relationship between balance and harmony will be restored. " The Joy Luck Club" in they and most of the tales are silent and breaking the silence on the main line of weaving together
The Joy Luck Club,"" to give our inspiration: in the United States, is one of the so-called multicultural, namely sub-culture and mainstream culture to maintain a consistent pattern, essentially just a trick to cover other's eyes and ears, and cultural assimilation and psychological aggression cover. Then, with the other minority women, Chinese women only to regain the original self, breaking the silence and gender culture of silence, in their own way to self-esteem, self-confidence, independent life, to enter the " joy and happiness".
《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。这些妇女移居美国已有几十年，但她们仍念念不忘从小受过的传统教育，恪守着中国几千年来渗透于妇女血液之中、几乎已成为天性的封建男权的思想。她们共同的理想就是要严格教育、管束自己的女儿，使她们能逃脱自己这一辈女人的命运，成为她们眼中幸福的女人。然而，对于母亲的管束，女儿们则以各自不同的方式一味反抗，在这个种族、阶级、性别不平等的美国社会里，两代女性上演了一出由相互争斗到殊途同归、相互认同的悲喜剧。在这出悲喜剧中，给人留下印象最深的不是人物口中道出的事情，而是那些她们无法启口、无法触及、讳莫如深的事情，是沉默背后的东西。在这里，沉默已经变成了一个象征，它那巨大的毁灭性力量摧毁着女性赖以生存的自尊、自信和勇气，使她们在沉重的压抑之中丧失生存的能力。然而一旦打破沉默，这毁灭性的力量就会立刻消失，被压抑已久的人性就将得到复苏，平衡和谐的关系就会得到恢复。《喜福会》中母女们的悲欢故事大部分都是以沉默和打破沉默这条主线编织起来的。
《喜福会》给我们的启示之一就是：在美国，所谓的多元文化，也就是亚文化与主流文化保持一致的新格局，从本质上来说不过是一场掩人耳目的把戏，是对亚文化的同化和心理侵略的掩盖。那么，与其他少数民族的女性一样，华裔女性只有重新找回原本的自我，打破
文化的沉默和性别的沉默，按照自己的方式自尊、自信、自主地面对生活，才能最终进入“喜与福”的境界。
喜福会观后感
喜福会观后感（附英文观后感）简介：《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。.喜福会观后感（附英文观后感）正文：" The Joy Luck Club" is about the four Chinese immigrant women and their children grew up in the United States between the respective story. The title of the novel" the Joy Luck Club" is the original mothers played mahjong party. These women moved to the United States for decades, but they still think constantly of raised by traditional education, abide by the Chinese for thousands of years the penetration in the blood, women have become almost feudal patriarchal ideology nature. Their common ideal is to strict education, over his daughter, so they can escape their this generation of women's destiny, they become the eyes of a happy woman. However, the mother of the bundle, the girls in their different ways a revolt, in this race, class, gender inequality in American society, two generations of women staged a fight each other to reach the same goal by different routes, by mutual recognition of tragicomedy. In the tragedy and comedy, the deepest impression is not character mouth lay things, but they cannot speak, those unable to touch, carefully conceal mentioning things, is the silence behind something. Here, silence has become a symbol, its huge destructive power to destroy the existence of female self-esteem, self-confidence and courage, so that they are suppressed in the heavy loss of the ability to survive. However once the silence is broken, the destructive power will immediately disappear, have been suppressed for a long time will be the recovery of human nature, the relationship between balance and harmony will be restored. " The Joy Luck Club" in they and most of the tales are silent and breaking the silence on the main line of weaving together The Joy Luck Club,"" to give our inspiration: in the United States, is one of the so-called multicultural, namely sub-culture and mainstream culture to maintain a consistent pattern, essentially just a trick to cover other's eyes and ears, and cultural assimilation and psychological aggression cover. Then, with the other minority women, Chinese women only to regain the original self, breaking the silence and gender culture of silence, in their own way to self-esteem, self-confidence, independent life, to enter the " joy and happiness". 《喜福会》所讲述的是四位华人移民妇女和她们在美国长大的儿女各自之间的故事。小说的题目《喜福会》原是母亲们打麻将的聚会。这些妇女移居美国已有几十年，但她们仍念念不忘从小受过的传统教育，恪守着中国几千年来渗透于妇女血液之中、几乎已成为天性的封建男权的思想。她们共同的理想就是要严格教育、管束自己的女儿，使她们能逃脱自己这一辈女人的命运，成为她们眼中幸福的女人。然而，对于母亲的管束，女儿们则以各自不同的方式一味反抗，在这个种族、阶级、性别不平等的美国社会里，两代女性上演了一出由相互争斗到殊途同归、相互认同的悲喜剧。在这出悲喜剧中，给人留下印象最深的不是人物口中道出的事情，而是那些她们无法启口、无法触及、讳莫如深的事情，是沉默背后的东西。在这里，沉默已经变成了一个象征，它那巨大的毁灭性力量摧毁着女性赖以生存的自尊、自信和勇气，使她们在沉重的压抑之中丧失生存的能力。然而一旦打破沉默，这毁灭性的力量就会立刻消失，被压抑已久的人性就将得到复苏，平衡和谐的关系就会得到恢复。《喜福会》中母女们的悲欢故事大部分都是以沉默和打破沉默这条主线编织起来的。 《喜福会》给我们的启示之一就是：在美国，所谓的多元文化，也就是亚文化与主流文化保持一致的新格局，从本质上来说不过是一场掩人耳目的把戏，是对亚文化的同化和心理侵略的掩盖。那么，与其他少数民族的女性一样，华裔女性只有重新找回原本的自我，打破
review on joy luck club喜福会影评
Review on the Joy Luck Club
喜福会观后感
喜福会 ——“我们宛如上楼梯，一步又 一步，或上或下，永远重复着相 同的命运。” 总序 一个女人带着曾买下的天鹅过江越海，直奔美国。“到了美国，我就要生个女儿，她会很像我。但在美国，她却无须仰仗丈夫鼻息度日。我会让她讲上一口流利漂亮的美式英语。她将……”然而她刚一踏上这块土地，移民局让她只能留下了一根羽毛。 现在这个女人已垂垂老矣。她有了三个女儿。女儿已长大成人了，只会说英语，咽下的可口可乐要多于悲伤。好久以来，这个老妇一直想把这根天鹅羽毛留给女儿，并跟她说：“这根羽毛似很普通，然而所谓千里鹅毛一片心呀！”如是冬去春来，年复一年，她一直期待着有一天，她能以流畅的美式英语，把这个故事告诉她的女儿。
母亲与旧封建社会 自古以来不乏对女性美貌的描写，什么“领如蝤蛴，齿如瓠犀”， 什么“美目盼兮，巧笑倩兮”但实际上， 女人的美貌从来只是其中的一部分筹 码，尤其是在封建社会时期，“三从四德” 才是长久之道，婆媳之间、夫妻之间的 不平等都会在婚后慢慢显露。这四位母 亲就是在旧社会或有切身经历或有耳濡 目染的人。 琳达四岁就定下要嫁到黄家做媳 妇，在家中时母亲再也不将自己看作家里人，而是对待别家人一般客气。临行前对她说“永远不要忘记自己是谁！”于是在她遇见年幼无知的丈夫、面对苛刻的婆婆后，精明的利用了婆婆的迷信换来一张通往上海的车票，离开了让她所不想要的家庭，从而寻找自己的生活。 相比之下莺莺的经历更添了些无奈，少了些自主权。开始总是美好的，金风玉露一相逢，便胜却人间无数。俊男美女，一曲夜来香跳出了缠绵悱恻、跳出了暗波流动。可奈何一夕红颜老，你认儿子却只道我是妓女，在外面你有成群的莺燕，一纸婚约显得那么可笑，我恨、我怨，心中怨着怨着出了神竟错手杀了自己的孩子。 可悲，可叹。悲当时重男轻女、叹这痴人一个。 同样如莺莺一般也错手失去了孩子的还有苏，在和众人一起逃离
喜福会观后感(英文版)
《喜福会》观后感（英文版） The first time I saw the title of the film, the Joy Luck Club, I thought that it would be a film filed with joy, luck and happiness. However, out of my expectation, in the film, I saw many unpleasant things—conflicts, hardship, disappointment, sorrow, hurt, torture etc. Of course there were some moving parts, and fortunately, it was a happy ending. Anyway, I enjoyed it very much. It made me have a penetrating thinking. The Joy Luck Club tells about the conflicts between Chinese immigrant mothers and their American-raised daughters and their struggling to understand each other. The film shows us these topics: the misunderstanding of love between the mothers and the daughters, the clash between the generations and cultures, and the struggle for the women to fight for equity. Now I am going to show you my understanding of them, emphasizing on the first topic. 1.what's the cultural differences? answer : These four cases reveal that the women begin to release themselves from the restrains of being oppressed by the men and the old-fashioned thoughts as well as some Chinese traditional characters. Eventually, the women find their true value and win their own happiness. Maybe it is a common Phenomenonin america, In the United States, multicultural so-called, is to maintain the new patternconsistent sub culture and the mainstream culture, in essence, is nothing but acover up the trick, is a cover for the sub cultural assimilation and psychologicalaggression. So, like other minority women, Chinese women have only to regain the original self, to break the silence and gender culture of silence, self-esteem, self-confidence, independence in their own way to face life, to eventually enter the "joy and blessing" of the realm. 2.What impress me mostly? Answer: Take Waverly and her mother Lindo as an example. Waverly tries her best to please Lindo in everything. Whether her mother approves or not becomes the master of all her choice. Even Waverly marries a Chinese man because Lindo likes Chinese, while she doesn’t love. Waverly doesn’t understand why Lindo disapprove or criticize whatever she has done. On the other side, Lindo thinks that her daughter is ashamed of her, which is her continual internal injury after Waverly’s winning that chess contest, when Waverly shouted to Lindo if Lindo wanted to show off, won the chest by herself. Every time, Lindo’s disagreement with or indifference to Waverly directly results from the thought that Waverly feels it shameful to be her daughter. Both
喜福会英文背景及人物赏析
The Joy Luck Club (1989) is a best-selling novel written by Amy Tan. It focuses on four Chinese American immigrant families in San Francisco, California who start a club known as "the Joy Luck Club," playing the Chinese game of mahjong for money while feasting on a variety of foods. The book is structured somewhat like a mahjong game, with four parts divided into four sections to create sixteen chapters. The three mothers and four daughters (one mother, Suyuan Woo, dies before the novel opens) share stories about their lives in the form of vignettes. Each part is preceded by a parable relating to the game. In 1993, the novel was adapted into a feature film directed by Wayne Wang and starring Ming-Na, Lauren Tom, Tamlyn Tomita, France Nguyen, Rosalind Chao, Kieu Chinh, Tsai Chin, Lisa Lu, and Vivian Wu. The screenplay was written by the author Amy Tan along with Ronald Bass. The novel was also adapted into a play, by Susan Kim, which premiered at Pan Asian Repertory Theatre in New York. Characters Mothers Suyuan Woo During the Second World War, Suyuan lives in China while her husband at the time served as an officer in Chungking (Chongqing). She starts the original Joy Luck Club with her three friends to cope with the war. There is little to eat, but they pretend it is a feast, and talk about their hopes for the future. On the day of the Japanese invasion, Suyuan leaves her house with nothing but a bag of clothes, a bag of food, and her twin baby daughters. During the long journey, Suyuan contracts such severe dysentery that she feels certain she will die. Fearing that a dead mother would doom her babies' chances of rescue, she reluctantly and emotionally leaves her daughters under a barren tree, together with all her belongings, along with a note asking anyone who might find the babies to care for them and contact the father. Suyuan then departs, expecting to die. However, she is rescued by a truck and finds out her husband has died. She later remarries, comes to America, forms a new Joy Luck Club with three other Chinese female immigrants she met at church, and gives birth to another daughter. But her abandonment of the twin girls haunts her for the rest of her life. After many years, Suyuan learns that the twins were adopted, but dies of a brain aneurysm before she can meet them. It is her American-born daughter Jing-mei who fulfills her long-cherished wish of reuniting with her elder twin half-sisters. As Suyuan dies before the novel begins, her history is told by Jing-mei, based on her knowledge of her mother's stories, anecdotes from her father, and what the other members of the Joy Luck Club tell her. An-Mei Hsu An-Mei is raised by her grandparents and other relatives during her early years in Ningbo after her widowed mother shocks the family by becoming a concubine to a middle-aged wealthy man after her first husband's death. This becomes a source of conflict for the young An-Mei, as her aunts and uncles deeply resent her mother for such a dishonorable act. They try to convince An-Mei that it is not fitting for her to live with her disgraced mother, who is now forbidden to enter the family home. An-Mei's mother, however, still wishes to be part of her daughter's life. After An-Mei's grandmother dies, An-mei moves out to live with her mother in the home of her mother's new husband, Wu-Tsing. An-Mei learns that her mother was coerced into being Wu-Tsing's concubine through the manipulations of his Second Wife, the favorite. This woman arranged for An-Mei's mother, still in mourning for her original husband, to be raped by Wu-Tsing. The stigma left An-Mei's mother with
喜福会 英文简介 读后感
2011—2012—2英语阅读（4）期中作业姓名田小星班级英语1103班学号 1101901307 得分 The Joy Luck Club The author of The Joy Luck Club is Amy Tan, who was born in Oakland, California, in 1952. Besides this book, she hasalso written other famous novels, such as The Kitchen God's Wife, The Hundred Secret Senses, The Bonesetter's Daughter and Saving Fish From Drowning. In response to the widely held opinion that she writes with a social aim—to portray the Chinese American experience. Through her writing, Tan approaches issues that are universally applicable to all groups of people. She explores themes of family and memory, as well as the conflicts of culture that arise in so many American communities. The Joy Luck Club contains sixteen interwoven stories about conflicts between Chinese immigrant mothers and their American—raised daughters.The novel consists of four sections,each section contains four separative narratives. In the first section, four mothers, Lindo, Ying ying, and An mei, recollect their relationship with their nature mothers clearly one by one. However, their daughters' recollection of them will never be so clear. In the second section, these daughters, Waverly, Jing mei,Lena, and Rose recollect their childhood relationship with their mothers respectively. They tell their childhood stories so clearly and touchingly that it can powerfully prove what their mothers worry about at least is partially unnecessary and unimportant. In the third section, the four daughters narrate their adult dilemmas—troubles in marriages and with their careers. Although they believe that their mothers' antiquated ideas do not have anything concerned about their own American lifestyles, but their search for solutions inevitably brings them back to their relationships with the older generation. In the final section, the mothers come up with some practical solutions and support their daughters, in the process learning more about themselves.
喜福会读后感
喜福会读后感 导读: 喜福会读后感（一） 一直以来很少有机会看电影。这次完整地看了一部荣获柏林电影节银熊奖的《喜福会》，让我深受感染，华裔导演与演员，也可算是中国式的好莱坞片吧。 影片讲述了四对母女的命运与生活，纯真的自我心理剖析让听了很了然。四个苦命的中国女人在国内历经磨难分别去美国，再跟美国人创造的第二次婚姻后又有了各自的女儿。恰好，四个女人也成了多年的朋友，各自情谊都很深，影片开始真正切入主体是母亲对各自女儿谈起早年的时光，悲惨的命运，吃人的礼教，薄薄的人情，不公正的婚姻，赤裸裸的封建压迫与惨昧的性，把整个近代中国社会刻画得淋漓尽致。总之，个个故事都是悲喜交加，从母亲的母亲再到婆家的家史，从逃沦的岁月到安逸的晚年，从中国的重庆到美国的旧金山，画面不停地在两地之间转换，故事也一个比一个更惨，更出人意料，把整个人的心都和剧中人物连接了起来，这她们担心，为她们惋惜，为中国的过去悲哀，也为人性感到惨淡，剧中的光线也跟周围环境谐调的很好，明就亮的出奇，像一面镜子，暗时凄凉可怕，病态的中国也许就是这样吧！ 这四个母亲都是在中国出生成长的，在中国遭到不平等待遇，有的是公婆家的劣待，有的是娘家的排斥，有的是亲丈夫的暴力对待，在这样一个大黑锅下容易使人的性格变质，温柔的也会变为严酷的，
渐渐地，她们觉得自己不适合这个时代，这个环境，于是走上了逃亡与流浪之路，从中国一直漂到美国，再也不回中国，把自己的后半辈寄托在他乡，把自己的生命延续到了异乡。她们不能让自己的后代重蹈自己的前辙，于是当她们的女儿长大成人时，母亲对女儿的婚姻格外观注，生怕女儿会走错。母亲毕竟走过坎坷比女儿多，于是第二段故事就出来了。女儿的不幸与母亲的担忧构成了一网他乡的浪清，更是对资本主义社会加以揭露，人情与金钱，善恶与美丑，挚热与冷漠，从面构勒出现代社会的不幸，现代人之间的沟壑，这种不幸的生活遭遇达到一定程度就会爆发的资本主义社会的弊端，终究会穿过极限，整个影片也加以预示，最后在一片亲人的眼泪中结束了影片。 这是一部生活性戏剧，揭露性十分强烈的影片。 喜福会读后感（二） 飞鸿早期的片子看得不多，多半都是从这里的视频中看个片段。出於各种原因，对大多数角色印象不深。今天看了喜福会，终於看到了飞鸿表演里程上的闪光点。 盈盈这个角色本身并不讨喜，却有着很多挖掘和发挥的空间。飞鸿也仅仅出演了她的青年时代，在我看到的飞鸿为数不多的片段中（也许已是她所有的出场次数了），她将盈盈几个不同阶段的心态表现得淋漓尽致：少女情怀的朦胧和克制，（顺便提一下，她的少女装扮十分清丽，惊艳！）遭遇激情时的幸福与盲目，接受婚姻不幸后更为复杂的心理：克忍，反抗，直至麻木和绝望。在对白不多的情况下，飞鸿用她的眼神，表情和肢体语言将这一系列的变化刻划得丝丝入
关于《喜福会》中TWO KINDS 英文读后感
The first time I saw this title of film, I felt it must be a enjoyable film which filled with love, luck, happiness, but out of my expectation, in this film I saw so much unpleasant things such as conflicts, diseases, violence, sorrow, hardship and disappoint. I was feeling very pity for thiese charactors in this film because living that society women were not equar to men, this deem to happen many unforturnate things to women and make women’s lives tragedy. Associate with the modern society, almost every woman to make their daughter succeed. They always make their daughter do as their advices and ignore their daughters’ feeling.Each daughter unwilling to obey. Once a time, my mother told me to learn to how to acting before audience, I was so afried that I ususlly went out to play with my classmates instead of attending the class which make my mother lose her temper. She said angrilyYou make me so disappoint that from now on you can do whatever you like. Hearing these words I was rather happy at that time,but several years later I am feeling regret espeacially now, because I realize that everyting my mother did is making the preparetion for my future life. Now I just want to say sorry to my mother.
《喜福会》读后感
从隔阂到相知 ——从《喜福会》中探索美籍华裔母女关系的转变 华裔文学作品已经逐渐赢得了西方文学评论家的认可，这些很大程度上归功于华裔女性作家的作品。最近，我重温了华裔著名作家谭恩美的一部极具代表性的作品《喜福会》，其中探索了四位ABC（American Born Chinese）女儿们与母亲们的文化冲突，以及母女关系的转变。 喜福会这个名字是四位第一代华人移民的四个母亲，在生活工作之余组成的麻将小组名字。小说分别描写了，这四位各自走出命运阴影的母亲们漂洋过海来到异乡的国土，为了适应新环境，不得不在传统的中国文化上形成自己的人格，但是在骨子里渗透着的还是几千年来传统的教育和思想；而同时，第二代ABC女儿们虽然有着同样的黄皮肤、黑头发的东方特征，他们从小的教育环境为他们注入的是西方的文化气质。这些反差使母女之间产生了不少隔阂，无论是在教育、生活、工作还是婚姻上都出现了诸多冲突。有趣的是，在种种因素的促成下，特别是传统文化的诱因下，母女关系得到了改善，真正走上了相知相容。 其中，最主要的原因是母亲和女儿们成长的环境背景的不同。母亲们生长在解放前的旧中国，深受中国传统文化的影响，各自背后都有一些不为人所知的痛苦经历。虽然来到异乡，但是内心的保有的仍然是中国传统女性的特性——相夫教子、贤惠守理。相反的，女儿们却生活在女权运动的美国社会，倡导的是男女平等、自由开放，在这样的欧美文化占主流的社会中，他们不可避免地认同这种文化，因而在看到家庭、工作等问题上与传统的母亲们截然想法。其次，生活在白人社会的美国，黄皮肤黑头发的女儿们虽然内心认同西方的文化，但是外貌特征的不同，让他们多少产生些许身份认同的困惑，他们心中视美国为自己的祖国，竭力想摆脱华人身份，成为地道的美国人。这些促使他们反抗母亲强加给他们的中华文化价值观，努力工作融入西方社会主流。特别表现在在择偶婚姻上，她们更倾向于嫁给金发碧眼的白人，而不是中国人。对于母亲们一直提到的中国，感到的只是陌生和不解。可以说，母女的关系冲突，更多的是中国传统文化价值观和西方主流价值观之间的碰撞。 可喜的是，在小说的最后，四位母亲和女儿们的关系回归到相知相亲。从小说中，不难读出谭恩美认识到文化差异、身份认同的困惑等问题，但是她坚信文化融合是最终趋势。尽管母女之间有着种种冲突，她们之间的亲情纽带终究带来了和谐。女儿们在经历了各自人生的挫折和困惑后，在经历婚变等问题后，在母亲的帮助下，在中国博大宽容的文化的影响下，逐渐找到了作为第二代华人在欧美社会中的身份认同，纷纷投入母亲的怀抱，倾听母亲的苦难故事，汲取生活的力量，真正成为自立、自主、自尊的女性。 母女关系无论在哪个文化中，都是存在着冲突和相知的；对于生活在大洋彼岸的华人们，这层关系更加体现了一种中美文化的差异。相信，随着岁月的流逝，中国深远的文化终究会渗透到远离家乡的华人们的心中，老一代的华人会带着这种优秀的文化底蕴在异乡扎根壮大，新一代华人更会继承这种优良的文化底蕴，认同主流文化的同时确定自己的身份，坚定地生活的成长。
律政俏佳人影评
律政俏佳人影评 律政俏佳人影评（一） 最近稍微偷一下懒，找了一部电影来看，感想良多啊。 在电影中，艾丽是律政俏佳人中的女主角。美丽，时尚的她却被追求事业的男朋友抛弃了。为此，她决定考进哈佛法学院去追回男朋友。 艾莉凭借自己的努力考取了哈佛法学院。但是保守、甚至迂腐且以男性目光建构的法学院是不会接受这样的一个女生的。在法律课堂上，教师总是会找茬来质问她是否课前预习了功课。法学院的老师和学生都对她有偏见，看不起她。如果她表现出色，他们甚至会感到惊讶。 艾丽在分手后不断地从自己身上找原因，将赢得爱情与婚姻作为自己进入律政行业的动力。艾丽看似是在主动追求自己的爱情，实际上却只是为了让男友注意到自己，她一直受着男性思维的禁锢。此外，影片中
女性之间的竞争和比较也是围绕着男性的，女性的成功与否是以是否获得男性欢心来衡量的。艾丽的情敌维维安常在艾丽面前故意炫耀自己手上的钻戒，或者对沃纳示好。当被艾丽狠损了之后，维维安伸手看着手上的钻戒，其女友也对她说，“至少你得到了戒指”。从中可以看出，爱情的允诺与婚姻的保证还是女性最看重的，电影塑造的女性都要受限于“被爱”、“家庭”等传统女性角色定义。 这部电影虽说是彰显女性在法律界的地位，但仍存在着种种不平等。首先，电影大部分内容体现了爱情、婚姻和家庭是女性的第一要务，影片的女主角按照男性社会的价值观念调整自己的生活。塑造的女性形象表现了传统女性具有的“女性特质”，是被动的、顺从的、被观赏的、感性的、被情感支配的，她们的领域被限制在依赖于男性的社会范围中。其次，胜诉的背后也是因为她发挥了自己的女性特长，对同性恋的洞察力，以及关于烫发的美容常识；在很大程度上，她是凭借女性的感性思维和直觉才“意外”
喜福会英文观后感
My Reflection of The Joy Luck Club I wonder that when seeing the name The Joy Luck Club most people would treat it as a story filled with happiness and love. In fact, besides love, it is also about the cultural conflicts between four daughters and their mothers. The film is based on the best seller by Amy Tan of the same name. It shows us the lives of four Chinese women who were immigrants to America during the 1950s. As a mother, each of them has a lot of problems with their daughter because of cultural conflicts. The misunderstanding of love between the mothers and their American-raised daughters, the clash between the generations and cultures, and the struggle for the women to fight for equity touch every audience’s heart. Though I was also attracted by something with extensiveness——I want to talk about some points about the language. I had learnt that what are high context communication and low context communication and what is different between them. The former is one in which most of the information is internalized in a person, while very little in the coded, explicit, transmitted part of the message——we must guess what the real meaning of the words is; while the other is the opposite. Chinese just the stands for the former and English is the representative of the latter. An interesting scene in the movie just shows us this. When Waverly’s boyfriend Richie had a dinner with Waverly’s big Chinese family for the first time, he made some stupid mistakes. He brought his typical American habit when the they were eating and he couldn’t understand what Lindo( Waverly’s mother) mean when she said “ He has an a ppetite”. When Lindo brought a dish which she was very proud of, as a Chinese, she still said some formulae that the dish was not salty enough and it was too bad to eat; that suggested that everyone around the table should speak highly of her dish after their first degustation; while Richie didn’t understand that Chinese all like to be modest and he criticized Lindo’s cooking, just saying what he thought in his mind directly. What Richie did led to a very embarrassing atmosphere in the dinner and made Lindo very disappointed and