银川海派英语托福听力Ragtime Music
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Ragtime介绍了一种流行于美国十九世纪左右名为ragtime的音乐，能够表现年青人的活力(spirit of youth)之类的，此乐流行是由于piano的关系，因为两者真是太搭配了。在那个年代，在各种场合都用钢琴。此乐当时流行程度，(like Rock & Roll在某一时期一样)。这里出现考点，女学生说了一堆后，来了一句I just don't get it，意思是要教授explain，还说piano 之所以当时那么受欢迎，一是因为它能与音律产生和谐，另一是因为当时它算一种财富地位的象征什么的symbol of wealth and status。再加上，那个年代，大家都没钱，就去public concert or restaurant什么的听音乐，而piano声音够响亮，又和ragtime music rhythm搭配的天衣无缝，所以，两者相得益彰这个音乐年轻人很喜欢，因为很有激情。除了到处演出啊，park演出等不用钢琴，因为难搬(出现考点)because of transportation problem。同时，此乐也是jazz的前身，因为演奏者不按牌理出牌，一首曲七个人弹，弹出七种调。这种regtime音乐影响很远啊，例如现在的jazz 就是从那发展来的。
Ragtime 拉格泰姆音乐(1890-1915期间在美国流行的一种音乐)
Ragtime is an American musical genre which enjoyed its peak popularity between 1899 and 1918. It has had several periods of revival since then and is still being composed today. Ragtime was the first truly American musical genre, predating jazz. It began as dance music in popular music settings years before being published as popular sheet music for piano. Being a modification of the then popular march, it was usually written in 2/4 or 4/4 time (meter) with a predominant left hand pattern of bass notes on odd-numbered beats and chords on even-numbered beats accompanying a syncopated melody in the right hand. A composition in this style is called a "rag". A rag written in 3/4 time is a "ragtime waltz".
Ragtime is not a "time" (meter) in the same sense that march time is 2/4 meter and waltz time is 3/4 meter; it is rather a musical genre that uses an effect that can be applied to any meter. The defining characteristic of ragtime music is a specific type of syncopation in which melodic accents fall between metrical beats. This results in a melody that seems to be avoiding some metrical beats of the accompaniment by emphasizing notes that either anticipate or follow the beat. The ultimate (and intended) effect on the listener is actually to accentuate the beat, thereby inducing the listener to move to the music. Scott Joplin, the composer/pianist known as the "King of Ragtime", called the effect
"weird and intoxicating". He also used the term "swing" in describing how to play ragtime music: "Play slowly until you catch the swing...".[1] The name swing later came to be applied to an early genre of jazz that developed from ragtime. Converting a non-ragtime piece of music into ragtime by changing the time values of melody notes is known as "ragging" the piece. Original ragtime pieces usually contain several distinct themes, four being the most common number.
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银川海派英语【外贸英语】运输(3) (三) We think it necessary to move the articles by way of combined transportation. 我们认为联运货物十分必要。 Sometimes， the way of combined transportation has the complicated formalities. 有时联运的手续十分繁琐。 The two sides agreed to employ “combined transportation” to ship the goods. 双方决定联运货物。 Since there is no direct vessel， we have to arrange multimodal combined transport by rail and sea. 由于没有直达船只，我们只好安排海陆联运。 I don't like this kind of combined transportation. 我并不喜欢这种联运方式。 It's easy to cause a delay in shipment or even lose the goods completely when we arrange such combined transport. 这种联运方式货物容易丢失，也常误期。 It's simpler and cheaper for both of us to arrange multimodal combined transport. 安排联运对我们双方都既简单又经济。 Insurance covers both sea and overland transportation. 保险应包括水陆两路的运输。 If the goods are to be transshipped from one means of transportation to another during the course of the entire voyage， it's called “combined transport”。 如果货物在运输途中交换交通工具，这便是“联运”。 Words and Phrases Train-Air-Truck (TAT;TA) “陆-空-陆”联运;或“陆空联运” combined transportation 联运
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银川海派英语【BEC听力】专项听力原文(4)
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宁夏银川一中2020-2021学年高二上学期期末英语试题
宁夏银川一中2020-2021学年高二上学期期末英语试题 学校:___________姓名：___________班级：___________考号：___________ 一、阅读选择 My color television has given me nothing but a headache. I was able to buy it a little over a year ago because I had my relatives give me money for my birthday instead of a lot of clothes that wouldn’t fit. I let a salesclerk fool me into buying a discontinued model. I realized this a day later, when I saw newspaper advertisements for the set at seventy-five dollars less than I had paid. The set worked so beautifully when I first got it home that I would keep it on until stations signed off for the night. Fortunately, I didn’t got any channels showing all-night movies or I would never have gotten to bed. Then I started developing a problem with the set that involved static (静电) noise. For some reason, when certain shows switched into a commercial, a loud noise would sound for a few seconds. Gradually, this noise began to appear during a show, and to get rid of it. I had to change to another channel and then change it back. Sometimes this technique would not work, and I had to pick up the set and shake it to remove the sound. I actually began to build up my arm muscles (肌肉) shaking my set. When neither of these methods removed the static noise, I would sit helplessly and wait for the noise to go away. At last I ended up hitting the set with my fist, and it stopped working altogether. My trip to the repair shop cost me $62, and the set is working well now, but I keep expecting more trouble. 1．Why did the author say he was fooled into buying the TV set? A．He got an older model than he had expected. B．He couldn’t return it when it was broken. C．He could have bought it at a lower price. D．He failed to find any movie shows on it. 2．Which of the following can best r eplace the phrase “signed off” in Paragraph 1? A．ended all their programs B．provided fewer channels C．changed to commercials D．showed all-night movies 3．How did the author finally get his TV set working again? A．By shaking and hitting it. B．By turning it on and off. C．By switching channels. D．By having it repaired.
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0401 W: Hey Steve, got any plans for tonight? M: Hi, Jane. No, I don't think so. Why? Got any suggestions? W: In fact, I do. I just got two tickets to the opening of the exhibit of the reprints by Julia Margaret Cameron. I would have tomention it earlier, but I was on the waiting list for these tickets and I wasn't sure I'd even get them. M: An exhibit, huh? I like such things. But I don't know who Julia…… W: Margaret Cameron! She was a photographer in the 1800s. She is interesting to art-historians in general and students ofphotography in particular because she ... how should I say, change the aesthetics for photography. M: What do you mean? W: Well, her specialty was portraits and instead of just making a factual record of details like most photographers did, you know, justcapturing what a person look like in a dispassionate thought of way. She, like a portrait painter, was interested in capturing hersubject's personality. M: Interesting! How did she do that? W: She invented a number of techniques that affect the picture. Like one of these things she did was blur images slightly by using asoft focus on the subject. That's pretty common now. M: Yeah, seen that. Who did she photograph? W: Famous people of her day, Alfred Lord Tennyson, Henry Wadsworth Longfellow, Charles Darwin, I don't know who else. We'll seeat the exhibition. M: You really pick my curiosity. I am going to enjoy this. 31. What is the conversation mainly about? (A) A famous photographer 32. What did Julia Margaret Cameron emphasize in her portraits? (C) Her subject's personality 33. According to the conversation, what unique photographic technique did Margaret Cameron use? (D) Soft focus 34. What will be the subject of the pictures at the exhibit? (C) Well-known people M: Do you want to the movies with on Saturday? W: Thanks, but I have to study my research project. I'm taking that same anthropology course you took with Prof. Grady. M: The one on ethnographic interviewing? Oh, good! I'm sure you'll get a lot out of it. W: I have to admit the word "ethnography"(人种学) scared me a little at first. It seems so technical. But then when she explained that it's what anthropologists do, you know, how they investigate and record aspects of a culture, I didn't seem so intimidating! M: Yeah, it's all part of the fields work anthropologists conduct and it's good to start doing that now before you become a graduatestudent and have to conduct large projects yourself. Who are you going to interview? W: You know the publishing office where I used to work? Vivian, the woman I worked for, she's been a manager there for over 30years and had seen a lot of changes in the industry. I thought I'd start out by interviewing her about how the people in the officeinteract with each other and with outside clients. M: Isn't it funny how we use the thing that anthropologists study to foreign cultures and had the travel halfway across the world to doit? The best part of that course is that it shows you that ethnographic research can also be done on a familiar ground. W: Yeah. I got the idea from my project from reading Robert Marshal's study of office life and I