新发展大学英语阅读与写作3课文翻译VAGUE THOUGHTS ON ART模糊思考艺术
V AGUE THOUGHTS ON ART
Art is that imaginative expression of human energy, which, through technical concretion of feeling and perception, tends to reconcile the individual with the universal, by exciting in him impersonal emotion. And the greatest Art is thatwhich excites the greatest impersonal emotion in an hypothecated perfect human being.Impersonal emotion! And what--I thought do I mean by that? Surely I mean: That is not Art, which, while I, am contemplating it, inspires me with any active or directive impulse; that is Art, when, for however brief a moment, it replaces within me interest in myself by interest in itself. For, let me suppose myself in the presence of a carved marble bath. If my thoughts be "What could I buy that for?" Impulse of acquisition; or: "From what quarry did it come?" Impulse of inquiry; or: "Which would be the right end for my head?" Mixed impulse of inquiry and acquisition--I am at that moment insensible to it as a work of Art. But, if I stand before it vibrating at sight of its colour and forms, if ever so little and for ever so short a time, unhaunted by any definite practical thought or impulse--to that extent and for that moment it has stolen me away out of myself and put itself there instead; has linked me to theuniversal by making me forget the individual in me. And for that moment, and only while that moment lasts, it is to me a work of Art. The word "impersonal," then, is but used in this my definition to signify momentary forgetfulness of one's own personality and its active wants.
So Art--I thought--is that which, heard, read, or looked on, while producing no directive impulse, warms one with unconscious vibration. Nor can I imagine any means of defining what is the greatest Art, without hypothecating a perfect human being. But since we shall never see, or know if we do see, that desirable creature--dogmatism is banished, "Academy" is dead to the discussion, deader than even Tolstoy left it after his famous treatise "What is Art?" For, having destroyed all the old Judges and Academies, Tolstoy, by saying that the greatest Art was that which appealed to the greatest number of living human beings, raised up the masses of mankind to be a definite new Judge orAcademy, as tyrannical and narrow as ever were those whom he had destroyed.
This, at all events--I thought is as far as I dare go in defining what Art is. But let me try to make plain to myself what is the essential quality that gives to Art the power of exciting this unconscious vibration, this impersonal emotion. It has been called Beauty! An awkward word--a perpetual begging of the question; too current in use, too ambiguous altogether; now too narrow, now too wide--a word, in fact, too glib to know at all what it means. And how dangerous a word--often misleading us into slabbing with extraneous floridities what would otherwise, on its own plane, be Art! To be decorative where decoration is not suitable, to be lyrical where lyricism is out of place, is assuredly to spoil Art, not to achieve it. But this essential quality of Art has also, and more happily, been called Rhythm. And, what is Rhythm if not that mysterious harmony between part and part, and part and whole, which gives what is called life; thatexact proportion, the mystery of which is best grasped in observing how life leaves an animate creature when the essential relation of part to whole has been sufficiently disturbed. And I agree that this rhythmic relation of part to part, and part to whole--in short, vitality--is the one quality inseparable from a work of Art. For nothing which does not seem to a man possessed of this rhythmic vitality, can ever steal him out of himself.
And having got thus far in my thoughts, I paused, watching the swallows; for they seemed to me the symbol, in their swift, sure curvetting, all daring and balance and surprise, of the delicate poise and motion of Art, that visits no two men alike, in a world where no two things of all the things there be, are quite the same.
Yes--I thought--and this Art is the one form of human energy in the whole world, which really works for union, and destroys the barriers between man and man. It is the continual, unconscious replacement, however fleeting, of oneself by another; the real cement of human life; the everlasting refreshment and renewal. For, what is grievous, dompting, grim, about our lives is that we are shut up within ourselves, with an itch to get outside ourselves. And to be stolen away from ourselves by Art is a momentary relaxation from that itching, a minute's profound, and as it were secret, enfranchisement. The active amusements and relaxations of life can only rest certain of our faculties, by indulging others; the whole self is never rested save through that unconsciousness of self, which comes through rapt contemplation of Nature or of Art.
Yes, Art is the great and universal refreshment. For Art is never dogmatic; holds no brief for itself you may take it or you may leave it. It does not force itself rudely where it is not wanted. It is reverent to all tempers, to all points of view. But it is wilful-- the very wind in the comings and goings of its influence, an uncapturable fugitive, visiting our hearts at vagrant, sweet moments; since we often stand even before the greatest works of Art without being able quite to lose ourselves! That restful oblivion comes, we never quite know when--and it is gone! But when it comes, it is a spirit hovering with cool wings, blessing us from least to greatest, according to our powers; a spirit deathless and varied as human life itself.
模糊思考艺术
艺术是富有想象力的表达人类的能源,通过感觉和知觉的技术结核,趋向于协调个人与宇宙,在他没有人情味的情感通过刺激。和最伟大的艺术是最没有人情味的兴奋情绪甚少涉及到在一个抵押完美的人。没有人情味的情感!我想做什么,我的意思是什么?当然我的意思是:这不是艺术,虽然我是考虑它,激发我任何活动或指令脉冲,这是艺术,当,然而短暂的一刻,它取代在我自己的兴趣,兴趣本身。因为,我想自己在存在雕刻大理石浴。如果我的想法是“我可以买那?“冲动的收购;或:“从采石场做的来吗?“冲动的调查;或:“这是我的头右端?“混合脉冲调查和采集——我在那一刻的意志它作为艺术品。但是,如果我站在它振动一看见它的色彩和形式,如果非常小和永远如此短的时间,unhaunted任何明确的实用思想或冲动——在那种程度上,那一刻它偷了我走了我自己,让自己有相反;已经联系我theuniversal通过让我忘记在我的个人。和那一刻,只有在那一刻持续,对我来说一件艺术品。单词“客观的”,那么,在这我的定义,而是用表示短暂的忘却自己的个性及其活跃的希望。
所以,我认为,艺术是,听说,读,或看着,而不产生指令脉冲,温暖一个无意识的振动。我也不能想象任何意味着定义什么是最伟大的艺术,没有hypothecating完美的人。但因为我们永远不会看到的,或者知道如果我们确实看到,理想的生物——教条主义被驱逐,“学术”死了的讨论,甚至比托尔斯泰离开它改过自新后他著名的论文“什么是艺术?“对,毁坏了所有的老法官和学院,托尔斯泰,说最伟大的艺术,可以吸引最大数量
的生活的人类,人类的兴起群众是一个明确的新法官orAcademy,残暴,窄如以往被那些他摧毁了。
这一点,在所有的事件——我以为是据我敢去定义什么是艺术。但让我试着让自己什么是显而易见的基本品质,给予艺术的力量,令人兴奋的这种潜意识的振动,这个没有人情味的情感。它被称为美女!一个尴尬的词——一个永恒的乞讨的问题;太现行使用,完全太模棱两可;现在,现在太宽太窄,一个字,事实上,太油嘴滑舌的,知道这意味着什么。和危险的一个词——经常误导我们进入衬板与外来floridities原本在自己的飞机,是艺术!是装饰,装饰并不适用,是抒情,抒情性是不合适的,必定会破坏艺术,不实现它。但这基本品质的艺术也,更令人高兴的是,被称为节奏。和,什么是节奏如果不是神秘的部分和部分之间的和谐,和部分和整体,给所谓的生活;thatexact比例,哪个是最好的神秘,在观察叶子抓住生活一个栩栩如生的动物当基本关系的部分整个已经充分扰动。我认为这有节奏的关系部分的一部分,部分整体——简言之,活力——是一个质量离不开一件艺术品。对于事情似乎并没有一个人拥有这种有节奏的活力,能偷他自己。
到目前为止,已经在我的思想,我停了下来,看着燕子,因为他们似乎我的标志,在他们的快速,当然curvetting,所有大胆、平衡和惊喜,精致优雅与运动的艺术,没有两个相象的访问,在世界上没有任何两个事物的所有东西的存在,是完全一样的。
是的,我想,这种艺术是人类能量的形式在整个世界,它真的适合联盟,破坏了男人和男人之间的壁垒。它是持续的、无意识的更换,但是短暂的,自己被另一个;真正的水泥的人类生活,永远的茶点和更新。因为,什么是痛苦的,dompting,残酷的,对于我们的生活是,我们被关在自己的欲望,自己出去。和被偷了远离自己的艺术是一个短暂的放松,瘙痒,一分钟是深刻的,因为它是秘密,释放。活动娱乐和消遣之一的生活只能休息某些我们的能力,由于纵容他人;整个自我是从不休息,无意识的自我保存通过,而这是来源于自然或全神贯注的思考的艺术。
是的,艺术是伟大的和普遍茶点。对于艺术从来不是教条主义,认为自己没有短暂你可能需要它或者你可以离开它。它不强迫自己,这不是想要的粗鲁。它是虔诚的所有脾气,所有的观点。但它是故意的——非常风在来来往往的影响力,一个uncapturable逃犯,参观我们的心在流浪的,甜蜜的时刻,因为我们经常站甚至在最伟大的艺术作品没有能够完全失去自我!那宁静的遗忘来临时,我们不知道什么时候,它是不见了!但当它来了,它是一种精神与酷的翅膀,盘旋在祝福我们从至少最大的,根据我们的力量,一种精神不死和多样的人类生活本身。
新编大学英语3读写译课文翻译
Unit 1 Personality 羞怯的痛苦 对许多人来说，羞怯是很多不愉快的起因。各种各样的人——矮的、高的、愚笨的、聪明的、年轻的、年老的、瘦的、胖的——都说自己是羞怯的。羞怯的人会焦虑不安，感到不自然；也就是说，他们过分地关注自己的外表和举止。脑海中不断盘旋着一些使自己不安的想法：我给人留下的是什么印象？他们喜欢我吗？我讲话是不是傻里傻气？我长得难看。我穿的衣服毫不引人注目。很显然这种不安的感觉会对人产生不利的影响。一个人的自我看法反映在自己的行为方式之中，而一个人的行为方式又影响他人的反应。通常，人们如何看待自己对他们生活的各个方面都会产生深刻的影响。例如，具有积极的自我价值观或很强自尊心的人往往表现出自信。而由于自信，他们不需要他人不断地称赞和鼓励，也能使自己感觉良好。自信者热情、自发地投入生活。他们不因别人认为他们“该”做什么而受到影响。有很强自尊心的人不会被批评所伤害；他们不会把批评看作是人身攻击。相反，他们认为批评是一种提醒他们改进的建议。相比之下，羞怯的人自尊心较弱，往往消极被动并且容易受他人影响。他们（是否）在做“该做的事情”需要得到别人的肯定。害羞的人对批评非常敏感；他们觉得批评正好证实了他们比别人差。他们也很难因别人的赞美而高兴，因为他们相信自己不值得称赞。羞怯的人也许会用这样的话来回答别人的赞美之辞：“你这么说只是为了让我感觉好一些。我知道这不是真的。”显然，尽管自我意识是一种健康的品质，过分的自我意识却是不利和有害的。能否彻底消除或者至少减轻羞怯感呢？幸运的是，人们能够通过坚持不懈的努力建立自信从而克服羞怯。由于胆怯和缺少自尊是密切相关的，因此正视自己的弱点和正视自己的优点一样重要。例如，大多数人希望每门功课都得A。如果仅仅因为在某些领域有困难，就把自己列为差生，这不恰如其分。人们对自己的期望必须现实。老是想那些不可能的事情会令自己觉得无能，甚至产生嫉妒。当我们嫉妒比自己成绩好的学生时，我们正在自我否定。如果你害羞，这里有些具体有效的步骤帮助你树立信心并克服羞怯感：１．认清自己的优缺点。每个人既有优点又有缺点。随着对自我的不断认同，羞怯感就会自然减弱。２．确定合理的目标。例如，在聚会时和一群陌生人在一起，你也许会怯场。不要以为你必须和每个人交谈。集中精力，仅和一两个人交谈，你会感到更自在些。３．内疚和羞耻感是消极的情感。不要把时间和精力浪费在这上头。假设你伤害了某人的感情，（光）感到羞愧是无济于事的。相反，应该承认你犯了个错误，并决心在将来更加善解人意。４．所有问题都有许多种解决办法。很少有完全正确或完全错误的意见。要敢于公开表达自己的观点。５．不要对自己做消极的评论。这是一种自我否定。千万别把自己描述为愚蠢的、丑陋的，或者一个失败者。注重自己积极的方面。６．接受批评时要缜密思考。不要把批评理解为人身攻击。例如，如果一位朋友抱怨你的烹饪技术，要把这当成对你的烹饪技术而不是对你本人的评价而接受下来。放心，你们还是好朋友，但你的烹饪技术也许确实有待改进。７．记住，每个人都会经历一些失败和挫折。要把它们作为增长见识的经历，从中受益。挫折往往会成为转机，随之而来的将是一段美妙绝伦的经历。例如，你可能被你所中意的大学拒之门外。然而，在你就读的大学里，你可能发现这里教育的某一特点比你料想的好得多。８．有些人会使你感到自己无能，不要和这种人交往。去设法改变他们对你的态度或者改变你对自己的态度，要不就脱离这种关系。伤害你的人并不关心你的最大利益。９．留出时间休息，享受自己的业余爱好，并且定期地重新审定自己的目标。为此所花费的时间有助于更好地了解你自己。１０．多在社交场合中锻炼。不要把自己同他人隔离开来。设法一次结识一位朋友；最终你将能够娴熟而自信地在众人中周旋。我们每个人都是独一无二、难能可贵的个体。我们自有吸引人的地方。我们对自己了解得越多，就越容易充分发挥自己的潜力。不要让羞怯成为阻碍我们拥有丰富和成功生活的绊脚石。 Unit3 Social Problems
新视野大学英语3课文翻译
新视野大学英语3课文翻译 第一课无限的爱 我哥哥吉米出生时遇上难产，因为缺氧导致大脑受损。两年后，我出生了。 从此以后，我的生活便围绕我哥哥转。 伴随我成长的，是“到外面去玩，把你哥哥也带上。” 不带上他，我是哪里也去不了的。因此，我怂恿邻居的孩子到我家来，尽情地玩孩子们玩的游戏。 我母亲教吉米学习日常自理，比如刷牙或系皮带什么的。 我父亲宅心仁厚，他的耐心和理解使一家人心贴着心。 我则负责外面的事，找到那些欺负我哥哥的孩子们的父母，告他们的状，为我哥哥讨回公道。 父亲和吉米形影不离。 他们一道吃早饭，平时每天早上一道开车去海军航运中心，他们都在那里工作，吉米在那搬卸标有彩色代号的箱子。 晚饭后，他们一道交谈，玩游戏，直到深夜。 他们甚至用口哨吹相同的曲调。 所以，父亲1991年因心脏病去世时，吉米几乎崩溃了，尽管他尽量不表现出来。 他就是不能相信父亲去世这一事实。 通常，他是一个令人愉快的人，现在却一言不发，无论说多少话都不能透过他木然的脸部表情了解他的心事。 我雇了一个人和他住在一起，开车送他去上班。然而，不管我怎么努力地维持原状，吉米还是认为他熟悉的世界已经消失了。 有一天，我问他：“你是不是想念爸爸？” 他的嘴唇颤抖了几下，然后问我：“你怎么看，玛格丽特？他是我最好的朋友。” 接着，我俩都流下了眼泪。 六个月后，母亲因肺癌去世，剩下我一人来照顾吉米。 吉米不能马上适应去上班时没有父亲陪着，因此搬来纽约和我一起住了一段时间。 我走到哪里他就跟到哪里，他好像适应得很好。 但吉米依然想住在我父母的房子里，继续干他原来的工作。我答应把他送回去。 此事最后做成了。 如今，他在那里生活了11年，在许多人的照料下，同时依靠自己生活得有声有色。 他已成了邻里间不可或缺的人物。 如果你有邮件要收，或有狗要遛，他就是你所要的人。 当然，母亲的话没错：可以有一个家，既能容纳他的缺陷又能装下我的雄心。
大学英语精读第三册一到三单元的课文翻译
大学英语精读第三册一到五单元的课文翻译 一个年轻人发现，漫无目的地在街上闲逛也会带来涉及法律问题的麻烦。一种误解导致另一种误解，直到最终他必须在法庭上接受审判。 法律小冲突 我生平只有一次陷入与法律的冲突。被捕与被带上法庭的整个经过在当时是一种令人极不愉快的经历，但现在这却成为一个好故事的素材。尤其令我恼怒的是我被捕及随后在法庭上受审时的种种武断情形。 事情大约发生在十二年前的二月，那是我中学毕业已经几个月了，但要等到十月份才能上大学，所以当时我仍在家中。 一天上午，我来到离我住地不远的、位于伦敦郊区的里士满。那是我正在找一份临时的工作，以便赚点钱去旅游。由于天气晴朗，又没什么急事，我便悠然自得得看着商店橱窗，逛逛公园，有时干脆停下来四处观望，一定是这种无所事事的样子使我倒了霉。 事情发生在十一点半左右，我在当地图书馆谋职未成，刚从那出发，就看到一个人从马路对面走过来，显然是想跟我说话。我原以为他要问我时间，想不到，他说他是警官，要逮捕我，开始我还以为这是个玩笑，但接着又来了身穿警服的警察，这下我无可置疑了。 “为什么要抓我？”我问。 “四处游荡，有作案嫌疑。”他说。 “做什么案？”我又问。 “偷东西。”他说。 “偷什么？”我追问。 “牛奶瓶。”他说，表情十分严肃。 “哦。”我说。 事情后来是这样的，这一带经常发生小偷小摸案件，尤其是从门前台阶上偷走牛奶瓶。 接着，我犯了个大错。那时我才十九岁，留着一头凌乱的长发，自认为是六十年代“青年反主流文化”的一员。因此，我想对此表现出一种冷漠，满不在乎的态度，于是用一种很随便无所谓的腔调说：“你们跟踪我多久了？”这样一来，在他们眼里，我是惯于此种情形的，这又使他们确信我是一个彻头彻尾的坏蛋。 几分钟后，来了一辆警车。 “坐到后面去，”他们说，“把手放在前排的座椅上，不许乱动。” 他俩分坐在我的左右，这下了不是闹着玩的了。 在警察局，他们审问了我好几个小时。我继续装作老于世故，对此事习以为常的样子。当他们问我一直在干什么时，我告诉他们在找工作。“啊哈！”这下我可看到他们在想，“无业游民”。 最后，我被正式指控，并得到通知下周一到里士满地方法院受审。他们这才让我走。 我本想在法庭上作自我辩护。但父亲一弄清事情的原委后，就为我请了一位很不错的律师。就在那个星期一，我们带着各种证人出庭了，其中包括我中学的英语老师作为我品行的见证人，但法庭并没有传话他作证。对我的“审判”也并没有进行到那一步，开庭才十五分钟，法官就驳回了此案，我被无罪释放。可怜的警察毫无胜诉的机会。我的律师甚至成功地使警察承担了诉讼费。 这样，我没有留下犯罪记录。但当时，最令人震惊的是我被无罪释放所明显依赖的证据。我有标准的口音，有受人尊敬的中产阶级的父母来到法庭，有可靠的证人，还有，很明显我请得起很好的律师。想到这次指控含混不清的特点，我敢断定，如果我出生在一个不同背景的家庭，并真失了业，则完全可能被判为有罪。当我的律师要求赔偿诉讼费时，他的辩词很明显地围绕着我“学习成绩优秀”这一事实。 与此同时，在法庭外面，曾经逮捕我的警察中的一个正沮丧地像我母亲抱怨说，又有一个小伙子要与警察做对了。他以责备的口气对我说：“我们抓你的时候，你本来可以帮帮忙的。” 他这话是什么意思？也许是说我应该做出大发雷霆的样子，并说：“喂，你知道是在和谁说话吗？我是品学兼优的高材生。你们怎敢抓我？”那样的话，他们也许会向我道歉，可能还会脱帽致意，让我扬长而去。
新编大学英语4课文翻译(包括课后文章翻译)和答案
Reading comprehension 1略 2 BDCAC AADBB Vocabulary 1. 1) A. entertaining B. entertainment C. entertained D. entertainer 2) A. recognizable B. recognized C. recognition 3) A. tempting B. temptation C. tempt 4) A. reasoned B. reasoning C. reasonable D. reason 5) A. analyzed B. analytical C. analyst D. analysis 6) A. valuable B. valuation C. valued/values D. values 7) A. humorist B. humor C. humorous D. humorless 8) A. understandable B. understanding C. understand D. misunderstood 2. 1) a sense of responsibility 2) a sense of safety/security 3) a sense of inferiority 4) a sense of superiority 5) a sense of rhythm 6) a sense of justice 7) a sense of shame 8) a sense of helplessness 9) a sense of direction 10) a sense of urgency 3. 1) Lively behavior is normal 2) Fast cars appeal to 3) diverse arguments 4) I asked my boss for clarification 5) sensitive to light 6) Mutual encouragement 7) made fun of him 8) persists in his opinion/viewpoint 9) to be the focus/center of attention 10) we buy our tickets in advance 4. 1）certain/sure 2) involved 3) end 4) behavior 5) disciplining 6) agreed 7) individually 8) first 9) response 10) question 11) attempt 12) voice 13) directly 14) followed 15) trouble Unit 2 便笺的力量 Reading comprehension 1略 2 FFTFTFTFTTFTFT Vocabulary 1. Creating Compound Words
大学英语教程3课文翻译
Unit 1 1. I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. 我在里德学院读了6个月就退学了，但是作为旁听生又在那里待了18个月左右，然后才真正离开学校。 2.My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. 我的生母是个年轻未婚的研究生，因此她决定把我送给别人收养。 3.It was pretty scary at the time, but looking back it was one of the best decisions I ever made. 这在当时看来非常可怕，但现在回头看看，那是我做过的最棒的决定之一。 4.And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. 我依照好奇心和直觉做事，大多事后证明是非常值得的。 5.None of this had even a hope of any practical application in my life. 这一切在我的生活中是否有用，我不抱希望。 1.Every time I saw the straw hat(每当我看到那顶草帽), it reminded me of the tour I made years before 2.This is the most wonderful time that I have ever had(我度过的最美好的时光). 3.I’m honored to attend the closing ceremony of the conference(我很荣幸能参加大会闭幕式) and give you the speech. 4. Bill Clinton has helped to get the two American journalists released and he seems to have a hope of making peace(有希望调解) between North Korea and the US. 5. One friend of mine has decided to quit his/her well-paid but demanding position (辞去那份工资高但要求也高的工作) recently. Unit2 1. However, if that weren’t a popular notion, millions of dollars wouldn’t roll in every time there was a lottery somewhere. 然而，这种想法非常普遍，否则每次彩票抽奖也就不会有数以百万计的美元滚滚而来。 2 .It took him five years to diligently create a business and generate that large sum of money. 他花了5年时间，努力工作，并开办了一家公司，终于赚足了这么一大笔钱。 3.With great disbelief, he stared at his investment of valuable gems, now turned to stones, and wondered what it all meant. 约翰眼睁睁地看着自己投资买来的宝石变成了石头，他难以置信，百思不得其解。 4.The inscription read, “If one achieves this quest, they will have transformed their mind by the use of their faith and will from then on have the power to overcome in all things and nothing will be impossible to them.” 这些文字是：凡历此功成者，必脱胎换骨，身心俱新，无坚不摧，无所不能。 1. Once know as the Pairs of the Middle East(曾经拥有中东巴黎的美誉),this seaside city fell into chaos during Lebanon’s p rolonged civil war.
全新版大学英语综合教程3课文原文及翻译6-8
unit 6 The Last Leaf When Johnsy fell seriously ill, she seemed to lose the will to hang on to life. The doctor held out little hope for her. Her friends seemed helpless. Was there nothing to be done? 约翰西病情严重，她似乎失去了活下去的意志。医生对她不抱什么希望。朋友们看来也爱莫能助。难道真 的就无可奈何了吗？ 1 At the top of a three-story brick building, Sue and Johnsy had their studio. "Johnsy" was familiar for Joanna. One was from Maine; the other from California. They had met at a cafe on Eighth Street and found their tastes in art, chicory salad and bishop sleeves so much in tune that the joint studio resulted. 在一幢三层砖楼的顶层，苏和约翰西辟了个画室。“约翰西”是乔安娜的昵称。她们一位来自缅因州，一 位来自加利福尼亚。两人相遇在第八大街的一个咖啡馆，发现各自在艺术品味、菊苣色拉，以及灯笼袖等方面趣 味相投，于是就有了这个两人画室。 2 That was in May. In November a cold, unseen stranger, whom the doctors called Pneumonia, stalked about the district, touching one here and there with his icy fingers. Johnsy was among his victims. She lay, scarcely moving on her bed, looking through the small window at the blank side of the next brick house. 那是5月里的事。到了11月，一个医生称之为肺炎的阴森的隐形客闯入了这一地区，用它冰冷的手指东 碰西触。约翰西也为其所害。她病倒了，躺在床上几乎一动不动，只能隔着小窗望着隔壁砖房那单调沉闷的侧墙。 3 One morning the busy doctor invited Sue into the hallway with a bushy, gray eyebrow. 一天上午，忙碌的医生扬了扬灰白的浓眉，示意苏来到过道。 4 "She has one chance in ten," he said. "And that chance is for her to want to live. Your little lady has made up her mind that she's not going to get well. Has she anything on her mind? “她只有一成希望，”他说。“那还得看她自己是不是想活下去。你这位女朋友已经下决心不想好了。她有 什么心事吗？” 5 "She -- she wanted to paint the Bay of Naples some day," said Sue. “她――她想有一天能去画那不勒斯湾，”苏说。 6 "Paint? -- bosh! Has she anything on her mind worth thinking about twice -- a man, for instance?" “画画？――得了。她有没有别的事值得她留恋的――比如说，一个男人？” 7 "A man?" said Sue. "Is a man worth -- but, no, doctor; there is nothing of the kind." “男人？”苏说。“难道一个男人就值得――可是，她没有啊，大夫，没有这码子事。” 8 "Well," said the doctor. "I will do all that science can accomplish. But whenever my patient begins to count the carriages in her funeral procession I subtract 50 per cent from the curative power of medicines." After the doctor had gone Sue went into the workroom and cried. Then she marched into Johnsy's room with her drawing board, whistling a merry tune. “好吧，”大夫说。“我会尽一切努力，只要是科学能做到的。可是，但凡病人开始计算她出殡的行列里有 几辆马车的时候，我就要把医药的疗效减去一半。”大夫走后，苏去工作室哭了一场。随后她携着画板大步走进 约翰西的房间，口里吹着轻快的口哨。 9 Johnsy lay, scarcely making a movement under the bedclothes, with her face toward the window. She was looking out and counting -- counting backward. 约翰西躺在被子下几乎一动不动，脸朝着窗。她望着窗外，数着数――倒数着数！ 10 "Twelve," she said, and a little later "eleven"; and then "ten," and "nine"; and then "eight" and "seven," almost together. “12，”她数道，过了一会儿“11”，接着数“10”和“9”；再数“8”和“7”，几乎一口同时数下来。 11 Sue looked out of the window. What was there to count? There was only a bare, dreary yard to be seen, and the blank side of the brick house twenty feet away. An old, old ivy vine climbed half way up the brick wall. The cold breath of autumn had blown away its leaves, leaving it almost bare. 苏朝窗外望去。外面有什么好数的呢？外面只看到一个空荡荡的沉闷的院子，还有20英尺开外那砖房的侧墙，上面什么也没有。一棵古老的常青藤爬到半墙高。萧瑟秋风吹落了枝叶，藤上几乎光秃秃的。
全新版大学英语综合教程3课文原文及翻译
unit 4 Was Einstein a Space Alien? 1 Albert Einstein was exhausted. For the third night in a row, his baby son Hans, crying, kept the household awake until dawn. When Albert finally dozed off ... it was time to get up and go to wor k. He couldn't skip a day. He needed the job to support his young family. 1. 阿尔伯特.爱因斯坦精疲力竭。他幼小的儿子汉斯连续三个晚上哭闹不停，弄得全家人直到天亮都无法入睡。阿尔伯特总算可以打个瞌睡时，已是他起床上班的时候了。他不能一天不上班，他需要这份工作来养活组建不久的家庭。 2 Walking briskly to the Patent Office, where he was a "Technical Expert, Third Class," Albert w orried about his mother. She was getting older and frail, and she didn't approve of his marriage to Mileva. Relations were strained. Albert glanced at a passing shop window. His hair was a mess; he had forgotten to comb it again. 2. 阿尔伯特是专利局三等技术专家。在快步去专利局上班的路上，他为母亲忧心忡忡。母亲年纪越来越大，身体虚弱。她不同意儿子与迈尔娃的婚事，婆媳关系紧张。阿尔伯特瞥了一下路过的商店的橱窗，看见自己头发凌乱，他又忘了梳头了。 3 Work. Family. Making ends meet. Albert felt all the pressure and responsibility of any young h usband and father. 3. 工作，家庭，维持生计——阿尔伯特感受到了一位年轻丈夫和年轻父亲所要承担的全部压力和责任。 To relax, he revolutionized physics. 他想放松下，却使物理学发生了突破性进展 4 In 1905, at the age of 26 and four years before he was able to get a job as a professor of physic s, Einstein published five of the most important papers in the history of science--all written in his " spare time." He proved that atoms and molecules existed. Before 1905, scientists weren't sure abo ut that. He argued that light came in little bits (later called "photons") and thus laid the foundation for quantum mechanics. He described his theory of special relativity: space and time were threads in a common fabric, he proposed, which could be bent, stretched and twisted. 4. 1905年，在他被聘为物理学教授的前四年，26岁的爱因斯坦发表了科学史上最重要论文中的五篇——这些论文都是他在“业余时间”完成的。他证明了原子和分子的存在。1905年之前，科学家们对此没有把握。爱因斯坦论证说光以微粒形态出现（后来被称为“光子”），这为量子力学奠定了基础。他把狭义相对论描写为：时空如同普通织物中的线，他提出，这些线可以弯曲、拉长和交织在一起。 5 Oh, and by the way, E=mc2. 5. 对了，顺便提一下，E = mc2。 6 Before Einstein, the last scientist who had such a creative outburst was Sir Isaac Newton. It ha ppened in 1666 when Newton secluded himself at his mother's farm to avoid an outbreak of plagu e at Cambridge. With nothing better to do, he developed his Theory o f Universal Gravitation. 6. 在爱因斯坦之前，最近一位迸发出如此创造性思想的科学家当数艾萨克牛顿
Unit 7 The Joy of Travel新编大学英语第二版第三册课文翻译
Unit 7 The Joy of Travel Transformative Travel Twenty-five years ago I felt like a wreck. Although I was just 23, my life already seemed over. The future appeared as much like a wasteland as the emptiness I could see while looking back to the past. I felt lost, without choices, without hope. I was stuck in a job I hated and trapped in an engagement with a woman I didn't love. At the time, both commitments seemed like a good idea, but I suppose it was the fantasy of being a successful, married businessman that appealed to me far more than the reality. I decided to take a class just for the entertainment value. It happened to be an introductory counseling course, one that involved personal sharing in the group. We were challenged to make commitments publicly about things we would like to change in our lives, and in a moment of pure impulsiveness, I declared that by the next class meeting I was going to quit my job and end my engagement. A few days later I found myself unemployed and unattached, excited by the freedom, yet terrified about what to do next. I needed some kind of transition from my old life to a new one, a sort of ritual that would help me to transform myself from one person into another. So I did something just as impulsive as my previous actions: I booked a trip for a week in Aruba. In spite of what others might have thought, I was not running away from something but to something. I wanted a clean break, and I knew I needed to get away from my usual environment and influences so as to think clearly about where I was headed. Once settled into my room on the little island of Aruba, I began my process of self-change. I really could have been anywhere as long as nobody could reach me by phone and I had the peace and quiet to think about what I wanted to do. I spent the mornings going for long walks on the beach, the afternoons sitting under my favorite tree, reading books and listening to tapes. Probably most important of all, I forced myself to get out of my room and go to meet people. Ordinarily shy, I now decided that I was someone who was perfectly capable of having a conversation with anyone I chose. Since nobody knew the "real" me, the way I had always been, I felt free to be completely different. It took me almost a year to pay off that trip, but I am convinced that my single week in Aruba was worth three years in therapy. That trip started a number of processes that helped me to transform myself. This is how I did it: I created a mindset that made me ready for change. I expected that big things were
新视野大学英语3第三版课文翻译
新视野大学英语3第三版课文翻译 Unit 1 The Way to Success 课文A Never, ever give up! 永不言弃！ As a young boy, Britain's great Prime Minister, Sir Winston Churchill, attended a public school called Harrow. He was not a good student, and had he not been from a famous family, he probably would have been removed from the school for deviating from the rules. Thankfully, he did finish at Harrow and his errors there did not preclude him from going on to the university. He eventually had a premier army career whereby he was later elected prime minister. He achieved fame for his wit, wisdom, civic duty, and abundant courage in his refusal to surrender during the miserable dark days of World War II. His amazing determination helped motivate his entire nation and was an inspiration worldwide. Toward the end of his period as prime minister, he was invited to address the patriotic young boys at his old school, Harrow. The headmaster said, "Young gentlemen, the greatest speaker of our time, will be here in a few days to address you, and you should obey whatever sound advice he may give you." The great day arrived. Sir Winston stood up, all five feet, five inches and 107 kilos of him, and gave this short, clear-cut speech: "Young men, never give up. Never give up! Never give up! Never, never, never, never!" 英国的伟大首相温斯顿·丘吉尔爵士，小时候在哈罗公学上学。当时他可不是个好学生，要不是出身名门，他可能早就因为违反纪律被开除了。谢天谢地，他总算从哈罗毕业了，在那里犯下的错误并没影响到他上大学。后来，他凭着军旅生涯中的杰出表现当选为英国首相。他的才思、智慧、公民责任感以及在二战痛苦而黑暗的时期拒绝投降的无畏勇气，为他赢得了美名。他非凡的决心，不仅激励了整个民族，还鼓舞了全世界。 在他首相任期即将结束时，他应邀前往母校哈罗公学，为满怀报国之志的同学们作演讲。校长说：“年轻的先生们，当代最伟大的演说家过几天就会来为你们演讲，他提出的任何中肯的建议，你们都要听从。”那个激动人心的日子终于到了。温斯顿爵士站了起来——他只有5 英尺5 英寸高，体重却有107 公斤。他作了言简意赅的讲话：“年轻人，要永不放弃。永不放弃！永不放弃！永不，永不，永不，永不！” Personal history, educational opportunity, individual dilemmas - none of these can inhibit a strong spirit committed to success. No task is too hard. No amount of preparation is too long or too difficult. Take the example of two of the most scholarly scientists of our age, Albert Einstein and Thomas Edison. Both faced immense obstacles and extreme criticism. Both were called "slow to learn" and written off as idiots by their teachers. Thomas Edison ran away from school because his teacher whipped him repeatedly for asking too many questions. Einstein didn't speak fluently until he was almost nine years old and was such a poor student that some thought he was unable to learn. Yet both boys' parents believed in them. They worked intensely each day with their sons, and the boys learned to never bypass the long hours of hard work that they needed to succeed. In the end, both Einstein and Edison overcame their childhood persecution and went on to achieve magnificent discoveries that benefit the entire world today. Consider also the heroic example of Abraham Lincoln, who faced substantial hardships,
新编大学英语3 课文翻译及习题答案 unit9
Unit 9 Music In-Class Reading Music to Your Gear 参考译文 音乐与开车 安迪·埃利斯 1 尽管音乐能使你胸中的怒气平息，但是开车时听音乐也会损害你的健康。近期研究表明，听声音很响的音乐会严重地影响司机的注意力，而且心理学家也提醒人们，不断地在车里放这种音乐是很危险的，尤其是处于车流中或在高速公路上开车时。 2 音乐有两个极端，任何一个极端都有可能带来危险。重金属音乐以其强烈的节奏会使人莽撞驾驶，而聆听处于另一个极端的优美的、令人舒心的音乐，会使司机过分放松，以至于丧失安全意识，陷入迷迷糊糊的欲睡状态。 3 英国汽车协会一直关注道路安全，它委托搞了一个项目，研究严重车祸与音乐之间的关系。这项研究发现，17至25年龄段的男人是最危险、最易产生车祸的群体。研究还发现，这个群体的人70%的开车时间都在听音乐。 4 快节奏或重金属音乐要是放得很响，会使人易怒好斗，开起车来就会冲劲十足，这种司机也就更容易去冒险。开车的速度受到了音乐的速度和节奏的控制。 5 在试验中，给那些自愿参加实验的司机听声音很响的音乐，他们说尽管他们不一定感到非要开快车，但的确发现自己换档更快了，加速也快了，刹车更急了。若是让这些司机听慢节奏的抒情曲，他们承认经常感到自己走神，他们在高速公路上长途开车时，至少有两位参试的司机发现自己不知不觉地在跨越车道标记。 6 这些自愿参试的司机（有些刚刚拿到驾驶执照）所发表的意见非常说明问题。十八岁的西蒙告诉英国汽车协会，“《走出地狱的蝙蝠》里的快节奏摇滚乐真会让人送命的。我发现自己不知不觉地越开越快。” 7 另一名自愿参试的司机一直在听ZZ Top乐队最流行的曲子，他说，“我一直在快速行驶，扯着嗓门唱歌，没有看见也没有听见那辆一直想超过我的消防车。” 8 还有些人说：“我陷入了深思”…… “人的感觉会变得麻木” …… “听不见别的汽车是个问题”，“我一直在随着音乐的节奏加快速度。” 9 一些慢节奏的背景音乐，如肖邦的音乐，会刺激人的大脑，使思维模式发生变化，激发阿尔法脑波，使人有一种舒服愉快的感觉。处于放松状态在大多数情况下对我们有好处，但开车时则不然。心理学家雪利?费希尔教授提醒人们说：“最大的危险是疲劳驾驶。有些音乐会使你无法集中注意力，甚至陷入轻度睡眠状态，那样就会造成可怕的惨祸。” 10 “问题的关键在于根据具体情况选择合适的音乐。刺激性的音乐适合在漫长、枯燥的道路上听，但是当交通状况糟糕时，或是交通拥挤时，这种音乐会分散你的注意力。” 11 然而，音乐也有其好的一面，正如英国汽车协会的心理学家罗伯特?韦斯特所指出的那样：“如果有些音乐影响我们安全行驶，那么反过来也是有道理的。