【自考】2012英美文学选读试卷【附答案】
2012英美文学选读试卷
Ⅰ.Multiple Choice(40 points in all, 1 for each)
Select from the four choices of each item the one that best answers the questions or complete the statement. Mark your choice by blackening the corresponding letter A, B, C or D on the answer sheet.
1. Antonio, Bassanio and Portia are the characters in .
A. The Merchant of Venis
B. Much A Do About Nothing
C. Twelfth Night
D. A Midsummer Night’s Dream
2. John Milton wrote B to expose the ways of Satan and to ―justify the ways of God to men.‖
A. Paradise Regained
B. Paradise Lost
C. Samson Agonists
D. Areopagitica
3. The work written by Daniel Defoe brought him into jail and made him go through public pillory.
A. The Shortest Way with the Dissenters
B. The True-born Englishman
C. Robinson Crusoe
D. A Journal of the Plague Year
4. In the first part of Gulliver’s Travels, Gulliver told his experience in .
A. Brobdingnag
B. Lilliput
C. Flying Island
D. Houyhnhnm
5. For his contribution to the establishment of the form of the
modern novel, C has been regarded by some as ―Father of the English Novel‖.
A. Daniel Defoe
B. Jonathan Swift
C. Henry Fielding
D. Charles Dickens
6. William Blake’s was composed during the climax of the French Revolution and it plays the double role both as a satire and a revolutionary prophecy.
A. Songs of Experience
B. Songs of Innocence
C. Marriage of Heaven and Hell
D. Poetical Sketches
7. maintained that the scenes and events of everyday life and the speeches of ordinary people were the raw material of which poetry could and should be made.
A. William Blake
B. William Wordsworth
C. T. S. Eliot
D. William Shakespeare
8. Prometheus, the hero in Shelly’s poetic drama Prometheus Unbound, is a figure in B
A. The Bible
B. Greek Mythology
C. A German Legend
D. Arabian Nights
9. Jane Austen’s first novel is B
A. Pride and Prejudice
B. Sense and Sensibility
C. Emma
D. Persuasion
10. All of the following statements are true of Dickens’later
works EXCEPT
A. There are fewer jokes and the comedy becomes harsher
B. There is always happy ending
C. The novels are of great compactness and concentration
D. Most of the works present a criticism of the more complicated and yet most fundamental social institutions and morals of Victorian England
11. Charlotte Bronte’s most autobiographical work, C is largely based on her experience in Brussels.
A. Jane Eyre
B. Shirley
C. Villette
D. The Professor
12. All of the following novels by Thomas Hardy reveal the conflict between the traditional and the modern EXCEPT D A. The Mayor of Casterbridge B. Tess of the D’Urbervilles
C. Jude the Obscure
D. Under the Greenwood Tree
13. Much of Shavian drama is constructed around the B of
a conventional theatrical situation.
A. tradition
B. inversion
C. bordering
D. distortion
14. As an important prose writer, in his famous essay, Tradition and Individual Talent, Eliot put great emphasis on the importance of both in creative writing and in criticism.
A. change
B. creativity
C. ethic
D. tradition
15. D. H. Lawrence’s novel C is a remarkable novel in which the individual consciousness is subtly revealed and strands of themes are intricately wound up.
A. Sons and Lovers
B. The Rainbow
C. Woman in Love
D. Lady Chatterley’s Lover
16. All of the following plays are among Shakespeare’s four greatest tragedies EXCEPT C 。
A. Hamlet
B. Macbeth
C. Romeo and Juliet
D. Othello
17. The work shows how mankind, in the person of Christ, withstands the temper and is established once more in the divine favor.
A. Paradise Regained
B. Paradise Lost
C. Samson Agonistes
D. Areopagitica
18. As one of the greatest masters of English prose, B defined a good style as ―proper words in proper places.‖
A. Henry Fielding
B. Jonathan Swift
C. Daniel Defoe
D. William Blake
19. Dickens’best depicted characters are those innocent, virtuous, persecuted and helpless .
A. child characters
B. females
C. Laborers
D. farmers
20. The author of the work The Return of the Native is A .
A. Thomas Hardy
B. D. H. Lawrence
C. Charles Dickens
D. George Bernard Shaw
21. ―The Love Song of J. Alfred Prufrock‖, Eliot’s most striking early achievement presents the meditation of an aging young man over the business of A .
A. proposing marriage
B. pursuing the truth
C. losing idealism
D. making a choice
22. D. H. Lawrence’s two novels, B and Woman in Love, are generally regarded as his masterpieces.
A. Sons and Lovers
B. The Rainbow
C. Kangaroo
D. Lady Chatterley’s Lover
23. Hemingway’s To Have and Have Not is one of many to show his characteristics pattern of struggling against nature and the environment.
A. a military army
B. a vulnerable group
C. a human society
D. a lonely individual
24. According to Hawthorne, there is evil in every human heart, which may remain latent, perhaps, through the whole life; but _B___may rouse it to activity.
A. music
B. circumstances
C. memory
D. love
25. A is best-known as the author of his mighty book, Moby-Dick, which is one of the world’s greatest masterpieces.
A. Herman Melville
B. Mark Twain
C. Ernest Hemingway
D. Virginia Woolf
26. Walt Whitman is a poet with a strong sense of mission, having devoted all his life to the creation of the ―single‖ poem, C
A. Innocents Abroad
B. The Lost Paradise
C. Leaves of Grass
D. The Waste Land
27. While Mark Twain and Howells seemed to have paid more attention to the ―life‖of the Americans, Henry James had apparently laid a greater emphasis on the ― B ‖ of man.
A. outer world
B. inner world
C. physical world
D. domestic world
28. Greatly and permanently affected by the A , Hemingway formed his own writing style, together with his theme and hero.
A. war experiences
B. love experiences
C. marriage
D. education
29. Emily Dickinson’s poetry is unique and B in its own way. For example, her poems have no titles.
A. traditional
B. unconventional
C. ordinary
D. unbelievable
30. Theodore Dreiser entitled his greatest work___D__ with intending to tell us that it is the social pressure that makes Clyde’s downfall inevitable.
A. Death in the Woods
B. Tender is the Night
C. The Sound and the Fury
D. An American Tragedy
31. Robert Lee Frost’s won him the first Pulitzer Prizes, which includes ―Stopping by Woods on a Snowy Evening‖.
A. North Boston
B. The Gift Outright
C. New Hampshire
D. A Boy’s Will
32. Fitzgerald is a great in American literature and his style is closely related to his themes.
A. poet
B. critic
C. essayist
D. stylist
33. It is Henry James’novels and his that make him a fascinating case in the American literary history and a conspicuous figure in world literature.
A. literary essays
B. travel accounts
C. poems
D. plays
34. The major concern of Faulkner’s is primarily about the South as a state of mind.
A. The Sun Also Rises
B. Light in August
C. The Fable
D. The Mansion
35. Compelled by an unceasing interest in the ―interior of the heart‖of man’s being, Hawthorne discusses B in almost every book he wrote.
A. love and hatred
B. sin and evil
C. frustration and self-denial
D. balance and self-discipline
36. The purpose of Melville’s fictional tales, exotic or philosophical, is to penetrate as deeply as possible into the metaphysical, theological, moral, psychological, and social truths of A .
A. human existence
B. politics
C. religion
D. arts
37. According to Whitman, poetry could enable Americans to celebrate their release from the Old World and the rule.
A. academic
B. official
C. colonial
D. legislative
38. Being a boy’s book specially written for the adults, __D___is Mark Twain’s most representative work, describing a journey down the Mississippi undertaken by Huck and Jim.
A. Innocents Abroad
B. The Gilded Age
C. Life on the Mississippi
D. Adventure of Huckleberry Finn
39. One of Henry James’ literary techniques innovated to cater for the psychological emphasis is his .
A. narrative ―point if view‖
B. rhetorical devices
C. way of using metaphors
D. way of using symbols
40. More than five hundred poems Emily Dickinson wrote are about nature, in which her general about the relationship between man and nature is well-expressed.
A. skepticism
B. belief
C. appreciation
D. passion PART TWO ( 60 POINTS)
II. Reading comprehension (16 points in all, 4 for each ) Read the quoted parts carefully and answer the question in English. Write your answer in the corresponding space on the answer sheet.
41. Into this fence or fortress, with infinite labour, I carry’d all my riches, all my provisions, ammunition, and stores, of which you have the account above; and I made me a large tent, which, to preserve me from the rains that in one part of the year are very violent there, I made double , viz. one smaller tent within , and one larger tent above it , and covered the uppermost with a large tarpaulin which I had saved among the sails. Questions:
A.Identify the author and the title of the novel from which this
passage is taken.
B.Who is the narrator?
C.What are the narrator’s characteristics and whom does he
represent?
42.MRS. WARREN . after looking at her helplessly , begins to whimper> Vivie---VIVIE.
MRS. WARREN.
MRS. WARREN
A.Identify the author and the title of the play from which the
which the part is taken.
B.Summarize the theme of the play in one or two sentences.
C.What kind of person is the protagonist Vivie?
43. I celebrate myself, and sing myself,
And what I assume you shall assume,
Questions:
A.Identify the poet and the title of the poem from which the
stanza is taken
B.What does the word ―you‖ refer to?
C.What does the poet express in the stanza?
44. We slowly drove---He knew no haste,
And I had put away
My labor and my leisure too,
For His Civility---
We passed the School, where Children strove
At recess---in the ring
We passed the fields of Gazing Grain
We passed the Setting Sun----
A.Identify the poet and the title of the poem from which the
above stanzas are taken.
B.What figure of speech is used in Line 1 and Line 4?
C.What do ―the School‖, ―the Fields of Gazing Grain‖and
―the Setting Sun ‖ represent?
III. Questions and answers
45. What is the theme of Jane Austen’s Pride and prejudice?
46. What does the poem‖ The Chimney Sweeper (from songs of Experience)‖ reveal?
47. What is ―Hemingway Code Heroes‖?
48. Give a brief analysis of Emily Grierson , the protagonist of A Rose for Emily by Faulkner.
IV. Topic discussion
49. Discuss briefly Thomas Hardy’s literary achievement in terms of the setting, the literary tendency and literary features.
50. Comment briefly on Robert Frost’s nature poetry.
参考答案及解析
01—05：ABABC 06---10：CBBBB
11---15：CDBDC 16---20：CABAA
21---25:ABDBA 26---30:CBABD
31---35 :CDABB 36---40: ACDAA
41.
A. From Daniel Defoe’s Robinson Crusoe
B. Robinson Crusoe
C. Robinson is a typical 18th century English middle-class man , with a great capacity
for work , inexhaustible energy, courage, patience and persistence in overcoming obstacles, in struggling against the hostile natural environment. He is the very prototype of the empire builder, the pioneer colonist.
42.
A. George Bernard Shaw, Mrs. Warren’s Profession
B. the play is about the economic oppression of women
C. Vivie is a kind of new woman, intelligent and well educated, with a strong sense of injustice and a passion for honest work
43.
A. form Walt Whitman’s Song of Myself
B. the democratic ―en-masse‖ of America
C. the genuine participation of a poet in a common culture was to behave as a supreme individualist; however, the poet’s essential purpose was to indentify his ego with the world, and with the democratic ―en-masse‖ of America
44.
A. from Emily Dickinson’s Because I could not stop for death
B. personification
C. they represent three stages of life: ‖the School‖–youth; ―the fields of Gazing Grain‖—mature period; ―the setting Sun‖---end of life
45.Pride and Prejudice, originally drafted ad ―first Impressions‖ in 1796 , is the most delightful of Jane Austen’s works. The title tells of a major concern of the novel: pride and prejudice
46. The two ―Chimney Sweeper‖poems are good examples to reveal the relation between an economic circumstance, i. e. the role played by religion in making people compliant to exploitation. The poem from the Songs of Experience reveals the true nature of religion which helps bring misery to the poor children
47. Hemingway’s world is limited. He deals with a limited range of characters in quite similar circumstances and measures them against an unvarying code, know as ―grace under pressure‖, which is actually an attitude toward life that Hemingway had been trying to demonstrate in his works. Those who survive in the process of seeking to master the code with the honesty, the discipline , and the restraint are Hemingway Code Heroes
48. Set in the town of Jefferson in Yoknapatawpha , the story focuses on Emily Grierson, and eccentric spinster who refuses to accept the passage of time , or the inevitable change and loss that accompany it . As a descendent of the Southern aristocracy, Emily if typical of those in Faulkner’s Yoknapatwapha stories who are the symbols of the Old South but the prisoners of the past.
49.
A. Hardy’s novels are all Victorian in date. Most of them are set in Wessex, the fictional primitive and crued rural region which is really the home place he both loves and hates, such as The Return of the Native, Tess of the D’Urbervilles and Jude the Obscure. These works, known as ―novels of character and environment‖, are the most
representative of him as both a naturalistic and a critical realist writer
B. Living at turn of the century, Hardy is often regarded as a transitional writer. In him we see influence from both the past and the modern. The pessimistic view of life predominates most of Hardy’s later works and earns him a reputation as a naturalistic writer. Though Naturalism seems to have played an important part in Hardy’s works, there is also bitter and sharp criticism and even open challenge of the irrational , hypocritical and unfair Victorian institutions , conventions and morals
C. He tells very good stories and he is a great painter of nature. His heroes and heroines, those unfortunate young men and women in their desperate struggle for personal fulfillment and happiness, are all vividly and realistically depicted. And all the works of Hardy are noted for the rustic dialect and a poetic flavor well into their perfectly designed architectural structures. They are the product of a conscientious artist
50.
A. Unlike his contemporaries in the early 20th century, Robert Frost did not break up with the poetic tradition nor made any experiment on form. Instead , he learned from the tradition, especially the familiar conventions of nature poetry and of classical pastoral poetry, and made the colloquial New England speech into a poetic expression
B. Many of his poems are fragrant with natural quality. Images and metaphors in his poems are drawn from the simple country life and the pastoral landscape that can be easily understood. But is would be a mistake to imagine that Frost is easy to understand because it is easy to read
C. Profound ideas are delivered under the disguise of the plain language and the simple form, for what Frost did is to take symbols from the limited human world and the pastoral landscape to refer to the great world beyond the rustic scene
D. These thematic concerns include the terror and tragedy in nature, as well is hand has its beauty, and the loneliness and poverty of the isolated human being. But first and foremost, Frost is concerned with his love of life belief in a serenity that only came from working usefully, which he practiced himself throughout his life
T
如何学习《英美文学选读》
要通过《英美文学选读》这门课考试，不是考前“冲刺”一类的短训能奏效的。这门课难就难在它的阅读量很大，它包括英国和美国的诸多作家的诸多作品，而每一部作品就是一部书。现行统一教材在作家和作品的选取方面尽管已经是精而又精了，但还是不得不采用节选的办法来压缩篇幅。即便如此，为了更好地理解作品，考生还不得不在对整部作品了解的基础上，在教师指导下反复阅读节选，才能对节选部分的内容以及思想有较好的理解。不过文学阅读也有规律可循。下面的文字就“选读”课的性质、阅读时读取什么信息、现行试题各个部分的考查点是什么、如何回答简单论述题等问题，给考生一点提示，希望能对考生学习、复习《英美文学选读》课提供一些帮助。 第一部分《英美文学选读》课的性质 一、《英美文学选读》课的重点是作品顾名思义，“英美文学选读”是有选择地阅读英美文学史上有影响作家的重要作品，熟知作品内容，了解大多数批评家和读者已经接受的对这些作品主题的表述，并能从作品中找到、列举出证明这些表述的细节。这样的定义里有三个要注意的问题。一是作品内容，二是作品里的细节，三是节作品主题。三个同等重要，学习者不能只取其一。以小说为例，所谓作品内容，是指情节(plot)、场景(setting)、人物(characters)、语气(tone)、以及语言(style)。情节是指故事里所展示的事件和这些事件按作家意愿有序的安排，如事件发生的背景、事件中涉及的人物、事件本身(即冲突)、以及解决冲突的办法和结果。情节就是故事；没有情节就没有故事；熟知情节是理解文学作品，特别是小说和戏剧的第一、也是不可缺少的一步。不掌握故事情节，对作品进行深入分析就无从谈起。有故事当然就有人，对人物的分析是对作品分析的核心。语气是指作者在他／她刻画人物、安排情节、描写场景时所持的态度，而作者的态度直接影响我们对作品思想的理解。作者要表达自己对人物、事件的态度，只有通过文字才能与读者交流，而不同的作家使用语言的风格(style)是不一样的。如果掌握了以上内容，就掌握了细节，之所以把细节单列出来，是因为多数考生只记得大概情节，考试中不能用具体的细节进行人物或思想分析、评述，空话太多。劳伦斯小说《儿子与情人》(Sons and Lovers)里，成年的保罗是如何仍然生活在他母亲的掌控之下的细节，是分析这部作品里的人物和主题的关键，不能引用相关细节作为根据，分析就失去了基础。阅读文学作品一定要在一般性的了解情节的基础上，尽量记一些细节，细节显示考生对作品的熟悉程度。主题是对作品思想的高度概括。教材里作家作品概述和作品简介(斜体部分)，对作品主题已有简明准确的表述，考生不可不读。对这些表述的理解，又是以考生对作品内容、细节的掌握为基础的。作品内容、细节、主题是考生学习的重点。 两点说明： (一)这里我们姑且不讨论新批评对作者和作品关系的观点，也不去讨论接受美学和读者反映理论，本科阶段没有开设文学批评理论课，没有必要进行那样的讨论，教师也不要引入类似的话题，以免造成不必要的困惑。 (二)从历年考题来看，作家的生卒年月、家庭背景、接受教育情况、作品发表年代等都不在考察范围，考生不必在这些方面浪费时间。目前市场上有一些英美文学教材和辅导材料在作家生平上花费了相当的篇幅，有的甚至远远超过了对文学作品本身的介绍和分析，这类书籍对考生复习没有多大帮助。教育部组织专家编写的现行教材尽管可以再修改、完善，但它的最大好处是它给考生提供了学生最需要的作品概要和精确而恰当的分析(教材里作品前的斜体部分)，对考生从作品全貌理解文学作品很有帮助。 二、文学作品与文学史的关系关于文学作品和文学史哪个在先、以及哪个更重要的问题，我们还是留给专门的学者去争论，我们要搞清楚的是考生学习过程中应该以哪一个为重点的问题。前面讲选读课的性质时已经讲过，《英美文学选读》课的重点是作品，以往考试所包括的内容也充分说明了这一点，似乎没有争论的必要。但我们不得不考虑另一个无法回避的问题：如何对待教材中每个文学阶段前对该时期影响文学作品的经济、文化、社会、思想思
全国2014年4月自考英美文学选读真题
绝密★考试结束前 全国2014年4月高等教育自学考试 英美文学选读试题 课程代码：00604 请考生按规定用笔将所有试题的答案涂、写在答题纸上。全部题目用英文作答。 选择题部分 注意事项： 1．答题前，考生务必将自己的考试课程名称、姓名、准考证号用黑色字迹的签字笔或钢笔填写在答题纸规定的位置上。 2．每小题选出答案后，用2 B铅笔把答题纸上对应题目的答案标号涂黑。如需改动，用橡皮擦干净后，再选涂其他答案标号。不能答在试题卷上。 I. Multiple Choice(40 points in all, 1 for each) Select from the four choices of each item the one that best answers the question or completes the statement. Mark your choice by blackening the corresponding letter A, B, C or D on the answer sheet. 1. Shakespeare has established his giant position in world literature with his ______ plays, 154 sonnets and 2 long poems. A. 27 B. 38 C.47 D. 52 2. john Milton’s literary achievement can be divided into three groups: the early poetic works, the middle prose pamphlets and the last ______. A. romances B. dramas C. great poems D. ballads 3. The novels of ______ are the first literary works devoted to the study of problems of the lower— class people. A. John Milton B. Daniel Defoe C. Henry Fielding D. Jonathan Swift
自考英美文学选读要点总结第一章
Chapter I The Renaissance Period Definitions of the Literary Terms: 文艺复兴时期的界定 1. The Renaissance: The Renaissance marks a transition from the medie val to the modern world. Generally, it refers to the period between the 14 th & 17th centuries. 历史文化背景It first started in Italy, with the flowering of painting, sculpture & literature. From Italy the movement went to emb race the rest of Europe. The Renaissance, which means "rebirth" or "reviva l," is actually a movement stimulated by a series of historical events, such as the re-discovery of ancient Roman & Greek culture, the new discoverie s in geography & astrology, the religious reformation & the economic expa nsion. The Renaissance, therefore, in essence is a historical period in whic h the European humanist thinkers & scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that e xpressed the interests of the rising bourgeoisie, & to recover the purity of the early church from the corruption of the Roman Catholic Church. 2. 文艺复兴到英国比较晚的原因The Renaissance was slow in reaching Englan d not only becaus e o f England?s separation from the Continent but also be cause of its domestic unrest. It was not until the reign of Henry VIII that the Renaissance really began to show its effect in England. With Henry VII I?s encouragement the Oxford reformers, scholars and humanists introduc ed classical literature to England. 15th century, began the English Renaissa nce, which was perhaps England?s Golden Age, especially in literature. 人文主义H umanism: Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the ancient author s and is frequently taken as the beginning of the Renaissance on its consci ous, intellectual side, for the Greek and Roman civilization was based on s uch a conception that man is the measure of all things. Through the new l earning, humanists not only saw the arts of splendor and enlightenment, b ut the human values represented in the works. Renaissance humanists fou nd in the classics a justification to exalt human nature and came to see th at human beings were glorious creatures capable of individual development in the direction of perfections, and that the world they inhabited was thei rs not to despise but to question, explore, and enjoy. Thus, by emphasizin g the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the bea uty of this life, but had the ability to perfect himself and to perform wond ers. Thomas More, Christopher Marlowe and William Shakespeare are the b est representatives of the English humanists. The first period of the English Renaissance was one of imitation and assimi lation.
自考英语本科英美文学选读教你投机取巧过英美文学整理加强版
美文学这门科目庞大之极，堪称英本自考之最。自己一个人看那么厚的一本书，不用说能不能看下来，能记住多少实在不好说！ 我在复习的时候，总结了一些规律，与大家分享，望对你有用，帮你顺利通过！ 1.题型分析： 一般来讲，肯定是这种类型：a.单项选择题（40道，40分） b.引文简析（无非就是问问作者是谁，出自哪个作品，主题意象什么的，4道，16分）c.简答题（4道，24分）d.论述题（无非就是分析加读后感，20分） 经验：你应该可以看出来了，重点当然是单选了，分数大，又好得分，实在不行还可以蒙。建议尽可能把书看一遍，但不要看作者生平，那肯定不会考。有个印象就可以了，不用去背，如果你汉语文学功底好，可以省去不少时间。 2.比例分析 据本人统计，历年来英美文学的国考试卷中英国文学占52%，美国文学占48%。（2003年4月例外，其中英国部分58%）其中，可以看出 单选题：前22题肯定为英国部分，其余为美国部分。 大题部分：基本上是一人一半，各占50% 经验：书上共652页，英国411页，美国241页。英国作家共38位，美国15位。其中，美国部分中，诗歌作品也比较少，比较好确认。结论：死学美国，顺带英国。 3.内容分析 历年命题的趋势逐渐由课文内容向选读作品转移，选读的比重越来越大。 经验：课文内容作到大体了解，但要特别重视作家艺术特色。选读部分加大力度，多注意书上的注释及选文大意和某些细节，尽量作到能用英语复述。实在不行，也至少作到能用汉语复述。 4.真题解析及预测 自学考试的一大特点就是重复率高，所以历年试题是必惫的复习材料，不可缺少。有人说：“一套真题等于3套模拟题！”这话绝对没错。所以要花大力气在上面。记得我考那回就有一道10分大题和前一年的一模一样。 注：马克吐温的《哈克贝里费恩历险记》的分析在2000~2002年中，连续考了三次。 经验：注意历年真题，尤其是去年的。去年的10分大题大致如下： a.《傲慢与偏见》中的三种婚姻 b.《白鲸》选文作品复述几分析象征意义。 ================================================ 4月14日]投机取巧教你过英美文学[压题篇] 本文是投机取巧过英美文学的最后一篇，收录北京市2004年4月10日英美文学考试的试题(除选择题外)，是我在北京自考论坛处网友处所得，特此对提供帮助的朋友表示感谢。 二、1、Thomas Gray：Elegy in the Country Churchyard的第一段 2、Yeats的Down by the sallen garden，考的是他俩站在河边，那个女孩*在他肩头，他觉得自己年轻懵懂，而且泪流满面。 3、Emyly Bronte的Whuthering Heights里面Hethcliff在他lover临死之前的那段表现，还问了narrator 是谁 4、Emlily Dikinson的I Heard a Fly Buzz--When I died，问那个blue Buzz是什么意思
英美文学选读试题详解3
英美文学选读-阶段测评3 成绩：87.5分 一、Multiple Choice 共40 题 题号: 1 本题分数:2.5 分 https://www.360docs.net/doc/b428917.html,wrence’s novels( )are generally regarded as his masterpieces. A、The Rainbow，Women in Love B、The Rainbow，Sons and Lovers C、Sons and Lovers，Lady Chatterley’s Lover D、Women in Love，Lady Chatterley’s Lover （P370.para2）劳伦斯的成名作是《儿子和情人》，而其代表作是《虹》和《恋爱中的女人》 标准答案：A 考生答案：A 本题得分：2.5 分 题号: 2 本题分数:2.5 分 T.S.Eliot’s poem( )is heavily indebted to James Joyce in terms of the stream - of -consciousness technique,also a prelude to The Waste Land. A、―Prufrock‖ B、―Gerontion‖ C、The Hollow Men D、Lyrical Ballads （P358.para3）―Gerontion‖是一部用戏剧式独白写成的诗歌，是《荒原》的前奏曲，也采用了意识流派的文风。 标准答案：B 考生答案：B
本题得分：2.5 分 题号: 3 本题分数:2.5 分 https://www.360docs.net/doc/b428917.html,wrence’s autobiographical novel is( ). A、The Rainbow B、Women in Love C、Sons and Lovers D、Lady Chatterley’s Lover （P369.para1）劳伦斯的作品大多都是从心理上去探求让人的本能的，同时也反映人性中最内在的东西。其作品《儿子和情人》真实地反映了自己在童年时期的家庭状况，被视为其半自传体小说。 标准答案：C 考生答案：C 本题得分：2.5 分 题号: 4 本题分数:2.5 分 The typical representatives of G.B.Shaw’ s early plays are( ). A、Man and Superman，The Apple Cart B、Widowers’ House，Mrs. Warren’ s Profession C、Candida，Mrs. Warren’ s Profession D、The Apple Cart，Widowers’ House （P321-322）。萧伯纳的第一步剧作是Widowers’ House，写于1892年；第二部剧作是Mrs. Warren’ s Profession，写于1893年。 标准答案：B 考生答案：B 本题得分：2.5 分 题号: 5 本题分数:2.5 分 It was only after the publication of( )that https://www.360docs.net/doc/b428917.html,wrence was recognized as a prominent novelist.
自考英美文学选读 第一章 文艺复兴时期(英国)(课文翻译)
英美文学选读翻译（英语专业自考） 第一部分：英国文学 第一章文艺复兴时期 文艺复兴标志着一个过渡时期,即中世纪的结束和现代社会的开始。一般来说,文艺复兴时期是从十四世纪到十七世纪中叶。它从意大利兴起,伴随着绘画、雕塑和文学领域的百花齐放,而后文艺复兴浪潮席卷了整个欧洲。文艺复兴,顾名思义即重生、复苏,是由一系列历史事件激发推动的,其中包括对古希腊罗马文化的重新发现。地理天文领域的新发现,宗教改革及经济发展。因此,文艺复兴从本质上是欧洲人文主义者竭力摒弃中世纪欧洲的封建主义,推行代表新兴城市资产阶级利益的新思想,并恢复早期宗教的纯洁性,远离腐败的罗马天主教廷的一场运动。 文艺复兴浪潮影响到英国的速度比较慢,不仅因为英国远离欧洲大陆,而且还因为其国内的动荡不安。乔叟去世后的一个半世纪是英国历史上最动荡不安的时期。好战的贵族篡取了王位,使英国走上自我毁灭之路。著名的玫瑰之战就是极好的例子。后来理查三世的恐怖统治标志着内战的结束,在都铎王朝的统治下英国的民族情感又成长起来。然而直到亨利八世统治期间(1509-1547),文艺复兴的春风才吹入英国。在亨利八世的鼓励下,牛津的改革派学者和人文主义者们将古典文学引入英国。基于古典文学作品及《圣经》的教育重获生机,而十五世纪就被广泛传阅的文学作品则更加流行了。自此,英国的文艺复兴开始了。英国,尤其是英国文学进入了黄金时代。这个时期涌现出莎士比亚、斯宾塞、约翰逊、锡德尼、马洛、培根及邓恩等一大批文学巨匠。但英国的文艺复兴并未使新文学与旧时代彻底决裂,带有十四、十五世纪特点的创作态度与情感依然贯穿在人文主义与改革时代。 人文主义是文艺复兴的核心。它源于努力恢复中世纪产生的对古希腊罗马文化的尊崇。人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以"人"为中心,人是万物之灵。通过这些对古代文化崭新的研究,人文主义者不仅看到了光彩夺目的艺术启明星,还在那古典作品中寻求到了人的价值。在中世纪的社会中,个人完全隶属于封建统治,没有独立和自由可言;在中世纪的神学理论中,人与周围世界的关系仅仅是人消极适应或消极遁世,不允许追求快乐,以备死后灵魂得以超脱。然而人文主义者们却从古代文化遗产中找到了充足的论据,来赞美人性,并开始注意到人类是光荣的生命,人自己可以不断发展,至善至美,而且人们生存的世界是属于他们的,供他们怀疑、探索以及享受。由此,人文主义者通过强调人类的尊严、强调今生今世的重要性,喊出了他们的信仰,即人类不仅有权利在今生今世美好生活,而且还有能力完善自我,创造奇迹。人文主义遍布英国思想领域的。标志是荷兰学者伊拉斯谟先后到牛津大学与剑桥大学讲授古典文化研究。托马斯·漠尔、克利斯朵夫·马洛和威廉·莎士比亚是英国人文主义的代表。
自考英美文学选读要点总结整理出考点26位作家完整教学内容
英美文学选读要点总结精心整理(只考26位作家) [英国』Chapter1 The Renaissance period（14世纪至十七世纪中叶）文艺复兴 1. Humanism is the essence of the Renaissance.人文主义是文艺复兴的核心。 2. the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心，人是万物之灵。 3. Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.人文主义者们却从古代文化遗产中找到充足的论据，来赞美人性，并开始注意到人类是崇高的生命，人可以不断发展完善自己，而且世界是属于他们的，供他们怀疑，探索以及享受。 4. Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English humanists.托马斯.摩尔，克利斯朵夫.马洛和威廉.莎士比亚是英国人文主义的代表。 5. Wyatt introduced the Petrarchan sonnet into England.怀亚特将彼特拉克的十四行诗引进英国。 6. The first period of the English Renaissance was one of imitation and assimilation.英国文艺复兴初期只是一个学习模仿与同化的阶段。 7. The goals of humanistic poetry are: skillful handling of conventions, force of language, and, above all, the development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief.人文主义诗歌的主要目标是对传统习俗的熟练运用，语言的力度与气概，而最重要的是发展了修辞模式，即将格律，韵脚（式），组织结构，意象（比喻，描述）与议论都结合起来勾画出情感主题，并将其极为鲜明生动的表现出来。 8. The most famous dramatists in the Renaissance England are Christopher Marlowe, William Shakespeare, and Ben Jonson.文艺复兴时期英国最著名的戏剧家有克利斯朵夫.马洛，威廉.莎士比亚与本.约翰逊。 9. Francis Bacon (1561-1626), the first important English essayist.费兰西斯.培根是英国历史上最重要的散文家。(III)William Shakespeare威廉.莎士比亚 17. The first period of his dramatic career, he wrote five history plays: Henry VI, Parts I, II, and III, Richard III, and Titus Andronicus; and four comedies: The Comedy of Errors, The Two Gentlemen of Verona, The Taming of the Shrew, and Love’s Labour’s Lost.在他戏剧创作生涯的第一个阶段，他创作了五部历史剧：《亨利六世》，《理查三世》，《泰托斯.安东尼》以及四部喜剧：《错误的戏剧》，《维洛那二绅士》，《驯悍记》和《爱的徒劳》。 18. In the second period, he wrote five histories: Richard II, King John, Henry IV, Parts I and II, and Henry V; six comedies: A Midsummer Night’s Dream, The Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, and The Merry Wives of Windsor; and two tragedies: Romeo and Juliet and Julius Caesar.在第二阶段，他写了五部历史剧：《理查三世》，《约翰王》，《亨利四世》，《亨利五世》以及六部喜剧《仲夏夜之梦》，《威尼斯商人》，《无事生非》，《皆大欢喜》，《第十二夜》，《温莎的风流娘儿们》，还有两部悲剧：《罗密欧与朱丽叶》和《裘利斯.凯撒》。 19. Shakespeare’s third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus. The two comedies are All’s Well That Ends and Measure for Measure.第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧（或悲喜剧），悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。两部喜剧是《终成眷属》和《一报还一报》。 20. The last period of Shakespeare’s work includes his principle romantic tragicomedies: Pericles, Cymbeline, The Winter’s Tale and The Tempest; and his two plays: Henry VIII and The Two Noble Kinsmen.最后一个时期的作品主要有浪漫悲喜剧：《伯里克利》《辛白林》《冬天的故事》与《暴风雨》。他最后两部剧是《亨利八世》与《鲁克里斯受辱记》。21. Shakespeare’s sonnets are the only direct expression of the poet’s own feelings.这些十四行诗都是莎翁直抒胸臆的成果。 22. Shakespeare’s history plays are mainly written under the principle that national unity under a mighty and just sovereign is a necessity.莎翁的历史剧都有这样一个主题：在一个强大英明的君主统领下的国家，统一是非常必要的。 23. In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic elements are
《英美文学选读》模拟试题(1)答案
《英美文学选读》模拟试题（一） 一、单项选择题 1.The excerpt from Chapter 10 of Sons and Lovers ends with the conflict between Paul and his mother. The conflict is possibly caused by Paul and his mother’s different views towards _____. A. Paul’s father B. art C. life D. Paul’s brother 2.The _____ can be regarded as one of the themes of Joyce’s story “Araby”. A. loss of innocence 在所有有關童年故事中，孩子都是同叔叔同姨媽同住，父母則不在身邊—這便是一種象征，象征父母與孩子之間骨肉親情的隔絕和一種正常關系的缺 失. B. childish love C. awareness of harsh life D. false sentimentality 錯誤的多愁善感 3.After reading “Araby”, one more feel the story has a _____ tone. A. joyous B. harsh C. solemn D. painful 4.In “Araby”, Joyce’s diction evokes a sort of _____ quality that characterizes the boy on this otherwise altogether ordinary shopping trip. A. religious B. moral C. sentimental D. vulgar 5.The major concern of _____ fiction lies in the tracing of the psychological development of his characters and in his energetic criticism of the dehumanizing effect of the capitalist industrialization on human nature. A. D. H. Lawrence’s B. J. Galsworthy’s C. W. Thackeray’s D. T. Hardy’s 6.The mission of _____ drama was to reveal the moral, political and economic truth
英美文学选读试题A
西安外国语大学考试试题（A）编号: 2012-2013学年第 1 学期系（院、部）：英语教育学院专业：英语 课程：英美文学选读班级：09级本科/11级专升本命题时间：12.3 命题教师：肖婉丽 以上栏目由命题教师填写，下栏由考生填写 学号：姓名：系（院）：专业：班级： I. Multiple Choice (30 points in all, 1 for each) Select from the four choices of each item the one that best answers the question or completes the statement. Mark the corresponding letter A, B, C or D on the answer sheet. 1. The most important contribution of ______ is that he not only started the modern poetry, but also changed the course of English poetry by using ordinary speech of the language and by advocating a return to nature. A. William Blake B. William Wordsworth C. G. G. Byron D. John Keats 2. “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”This humorous speech is from__________. A. Jane Austen’s Emma B. Jane Austen’s Pride and Prejudice C. Charles Dickins’The Great Expectation D. Charlotte Bronte’s Jane Eyre 3. In the Victorian Period ______ became the most widely read and the most vital and challenging expression of progressive thought. A. poetry B. novel C. prose D. drama 4. Thomas Hardy’s ______ view of life predominates most of hi s works and earns him a reputation as a ________ writer. A. pessimistic, naturalistic B. pessimistic, humorous C. romantic, realist D. determinist, stylistic 5. “Do you think, because I am poor, obscure, plain, and little, I am s oulless and heartless? ... And if God had gifted me with some beauty, and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. ” The quoted lines are most probably taken from ________. A. Great Expectations B. Wuthering Heights C. Jane Eyre D. Pride and Prejudice 6. Jane Austen’ s first novel ________ tells a story about two sisters and their love affairs. A. Sense and Sensibility B. Pride and Prejudice
自考英美文学选读课文翻译 莎士比亚
威廉-莎士比亚 威廉-莎士比亚（1564-1616）是世界有史以来最著名的作剧家和诗人之一。凭着38部作品，154首十四行诗和2首长诗，他建立了他在世界文学史中的赫赫威名。他也被全世界各式各样的学者和评论家给予了最高的赞誉。在过去4百年间，关于莎士比亚的书籍和文章还不断大量出版。 莎士比亚可能出生于1564年4月23日埃文河畔斯特拉特福城的一户商人家庭。他的父亲的职业被传为是卖手套的、羊毛商人、农夫或者是屠夫，是一个镇上有点地位的人，并多次当选为镇委员会的成员。莎士比亚在哪个美丽的贸易小镇度过了他的童年并上了斯特拉特福语文小学。他真正的老师是大自然和周围的百姓。1587年，莎士比亚娶了大他几岁的安妮-哈撒韦为妻。妻子为他生了3个孩子，苏珊娜和双胞胎朱迪斯和哈姆尼特。也许由于要养活不断壮大的家庭，莎士比亚在1586或1587年离开斯特拉特福去了伦敦。 莎士比亚去了伦敦一处为戏剧发展提供了优越环境的地方。他既当演员又做作剧家，为张伯伦家族做事，张伯伦家族后来又成为了王族。莎士比亚的事业发展得如此的好以致被誉为‘大学才子’之一的罗伯特-格林气极败坏地地称呼他是只‘向上扑腾的乌鸦’。 大约从1591到1611年间，莎士比亚到达了他戏剧生涯的顶峰，他的作品一部又一部地不断问世。莎士比亚没有把他的天赋局限于戏院里，在1593和1954年，他发表了2篇叙事诗，《维纳斯与阿多尼斯》和《路易斯受辱记》，都是写给南安普顿伯爵的。1609年他也写了短诗并出版了。到1597年时莎士比亚已经很有钱了，他在斯特拉特福买套大宅子作为新居。大约于1610年莎士比亚从伦敦退隐回了斯特拉特福，即便如此他还是坚持写作了一段时间。他卒于1616年4月23日。 由于对莎士比亚的许多作品的创作准确时间仍然存有争议，评论家们对把莎士比亚戏生涯的戏剧作品划分阶段方面存有不同的观点。但总体来说他的戏剧生涯可以分为4个时期。 莎士比亚戏剧创作生涯的第一个阶段是创作早期。他写了5部历史剧：《亨利六世》的第一、二、三部，和《泰特斯·安特洛尼克斯》；4部戏剧：《错误的戏剧》，《维罗纳的2位绅士》，《驯悍记》和《爱的徒劳》。 第二个阶段，莎士比亚的创作风格和方式变得极具个性。在不同的人物之间、现象和现实之间，莎士比亚构造了复杂的典范，他对人类各种缺点进行了精妙的诠释。在这个时期他写了5部历史剧：《理查二世》，《约翰国王》，《亨利四世》第一、二部和《亨利五世》;6部戏剧：《仲夏夜之梦》，《威尼斯的商人》，《无事生非》，《皆大欢喜》，《第12夜》和《温莎的风流妇人》；2部悲剧：《罗密欧和朱丽叶》和《裘里斯凯撒》 莎士比亚的第三时期作品包括他最杰出的悲剧和所谓的黑色喜剧。这个时期的悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》，《麦克白》，《安东尼与克利奥帕特拉》，《特洛伊罗斯与克雷西达》和《科里奥兰纳斯》。2部喜剧是：《终成眷属》和《争锋相对》。 莎士比亚最后时期的作品包括他主要的烂漫悲喜剧：《伯利克里》，《辛白林》，《冬天的故事》和《暴风雨》；和他最后两部作品：《亨利八世》和《两个贵亲戚》。 莎士比亚真正的跟戏剧五官的是个主要是两首叙述长诗：《维纳斯和阿多尼斯》和《路易斯受辱记》，和他的154首系列短诗。莎士比亚的十四行诗都单是
历年英美文学选读真题及答案
2004年4月高等教育自学考试全国统一命题考试 英美文学选读试题 （课程代码0604） 全部题目用英文作答，并将答案写在答题纸相应位置上，否则不计分。 PART ONE （40 POINTS） Ⅰ.Multiple Choice (40 points in all, 1 for each) Select from the four choices of each item the one that best answers the question or completes the statement. Write your correct answer on the answer sheet. 1.“And we will sit upon the rocks, /Seeing the shepherds feed their flocks,/By shallow rivers to whose falls/Melodious birds sing madrigals.” The above lines are taken from ______. A. Milton’s Paradise Lost B. Marlowe’s “The Passionate shepherd to His Love” C. Shakespeare’s “Sonnet 18” D. John Donne’s “The Sun Rising” 2.The English Renaissance period was an age of ______ . A. poetry and drama B. drama and novel C. novel and poetry D. romance and poetry 3.Here are four lines taken from Edmund Spenser’s The Faerie Queene: “But on his brest a bloudie Crosse he bore,/The deare remembrance of his dying Lord,/For whose sweete sake that glorious badge he wore,/And dead as living ever him adored.” Who is the “dying Lord” discussed in the above lines? A. Beowulf B. King Arthur C. Jesus Christ D. Jupiter 4.In Shakespeare’s Merchant of Venice, Antonio could not pay back the money he borrowed from Shylock, because ______. A. his money was all invested in the newly-emerging textile industry B. his enterprise went bankrupt C. Bassanio was able to pay his own debt D. his ships had all been lost 5. Which of the following statements best illustrates the theme of Shakespeare’s Sonnet 18? A. The speaker eulogizes the power of Nature. B. The speaker satirizes human vanity. C. The speaker praises the power of artistic creation. D. The speaker meditates on man’s salvation. 6. In English poetry, a four-line stanza is called ______. A. heroic couplet B. quatrain C. Spenserian stanza D. terza rima 7. “Let not Ambition mock their useful toil,/Their homely joys, and destiny obscure;/Nor Grandeur hear with a disdainful smile /The short and simple annals of the poor.” The above lines are taken from . A. Alexander Pope’s Essay on Criticism B. Coleridge’s “Kubla Khan” 1word版本可编辑.欢迎下载支持.