Sample Lesson Plan 1
Sample Lesson Plan 1:
I. 教学内容
In a Fast-food Restaurant
Waiter: Hello, can I help you?
Mum: Yes. What would you like, Dick?
Dick: I’d like a hamburger.
Mum: Me, too.
Waiter: Would you like something to drink?
Mum: Oh, yes. Two glasses of orange juice, please.
Dick: Mum, can I have an ice-cream?
Mum: Sure. Two hamburgers, two glasses of orange juice and an ice-cream.
Waiter: OK. Here you are. 38 yuan, please.
Mum: Here the money.
Waiter: Thanks.
生词：fast-food / restaurant / hamburger
句型：What would you like?
Would you like something to eat/ drink?
II. 教学目标：
1. 能听、读、说fast-food／restaurant／hamburger，并了解其含义；
2．能灵活运用重点句型，并清楚其运用的场合和语气；
(1) What would you like?
(2)Would you like something to eat／drink?
3．能模仿本文对话，并能在一定的语境中运用所学语言进行交际；
4．培养学生的注意力和观察力，激发学生积极思维，挖掘学生运用语言的创造能力。
III. 教学重难点：
1．重难点句型：
（1）What would you like?
（2）I’d like ．．．
（3）Would you like something to eat／drink?
（4）…，please．
2．掌握有关食物名称的词汇。
III、教具准备：
食物图片：ice-cream, hamburger, cake, bread, juice, milk, water, hot-dog, French fries等。
食物和饮料：hamburger，cake，bread，milk，orange juice，cola等。
道具：服务员工作帽、围裙、托盘。多媒体课件一套。
IV、教学过程：
Step 1．Warm-up activities
(1)Do it! (学生按教师的指令做动作)
T：Stand up!／Sit down!／Sit down!／Stand up! (教师辅以手势)
T：Walk!／Stop!／Jump 5 times!／Stop!／Push!／Stop!／Run!／Stop!
(教师和学生一起做，每个动作持续一段时间后，教师突然说：“Stop!”
要求学生立刻停下来。)
(2) Do as I do? (教师做动作并表达，引导学生边做边说：“Me，too．”)
教师做睡觉状，并用低缓语调说：“I’m tired．”引导学生说：“Me，too．”
教师做笑脸状，并用欢快语调说：“I’m happy．”引导学生说：“Me，too．”
教师做干渴状，并说：“I’m thirsty．”引导学生说：“Me，too．”
教师手摸肚子，并说：“I’m hungry. ”引导学生说：“Me，too．”
(3) Listen and act! (学生按教师的指令做动作。)
教师说：“Let’s eat!" (做吃东西状)，学生跟着做动作。
指令依次为：Eat slowly!／Eat fast!／Let’s drink!／Drink slowly!／
Drink fast! ／Eat fast! (通过此活动，操练对话中的有关单词，例如：eat，drink，fast。)
Step 2．Revision and presentation
(1)教师问：“What do you like to eat?”让学生根据自己的喜好，用已学句型
“I like…”回答。
(2) 教师出示卡片hamburger，并问：“Do you like a hamburger?”
(3) 学生学说hamburger一词，教师板书单词，并抽查一组学生，学生
快速读词。
(4) 出示有关食物的卡片(hamburger，cake，ice-cream，juice，milk，…)，
让学生认读。
(5) 做游戏：“What’s missing?” (教师从卡片中任意抽掉一张，再让学生
看卡片读单词，然后让学生说出拿掉的是哪一张卡片。)
Step 3．Pattern drills and dialogue teaching
(1)选取单词卡片4—5张，同时出示给学生，并提问：“What would you like?”
引导学生回答：“I’d like…”教师把该卡片送给说出正确答案的学生。
(2) 教师把手中卡片送完后摊开双手说：“No food left! But don’t worry，
let’s go to the
restaurant．You can choose whatever you like．”
(3) 屏幕上出现单词RESTAURANT及三幅食物图片：noodles，fish，
rice。教师提问：“What would you like?'’让学生用“I’d like ．．．”回答。
当学生选中一种食物时，教师点击该图，出现该食物的价格。教师对该
生做手势并说：“20／30 yuan，please．'’引导学生说：“Here’s the money．”
当屏幕上显示的是免费食物时，教师则带领全班学生对该学生说：
“Congratulations!”
(noodles—20 yuan；fish—free；rice—10 yuan)
(4) 屏幕上出现单词BAR和三幅图片：wine，coffee，juice (wine-600
yuan，coffee-30 yuan，juice-free)，教师请一学生提问并操作(练习方式
同上)。
(5) 教师指着，juice说：“I’d like juice very much．I even drink juice on
my birthday．”屏幕上出现Happy Birthday to you! 和一只蛋糕。教师
说：“Suppose today was your birthday，what would you like?” 引导学
生用“I’d like…”句型表达自己的愿望。
(6) 屏幕上出现一叠叠钱的画面。教师问：“If you had lots of money，
what would you like?'’让学生继续用“I’d like．．．”句型回答。教师引
导学生说：“A car? A computer?”等，拓展学生的思维。
(7) 教师说：“If I had lots of money，I’d like to open a big fast-food
restaurant．”自然引出对话主题。教师出示快餐店图片，并介绍说：
“Look，this is a fast-food restaurant．A big nice fast-food restaurant! We
sense hot-dogs，hamburger，salad，French fries…” (出示食物图片)
(8) 让学生模仿跟读单词fast-food restaurant，并选1、2组学生朗读，
教师板书该词。
(9) 教师系上围裙，拿起装有食物(cake，hamburger，bread，juice，milk，
water，ice-cream)的托盘，扮演服务员，并说：“Are you h ungry? Would
you like something to eat? What would you like?” 让学生回答，回答正
确的学生可以得到该食物。
(10) 当食物分完后，教师解下围裙，做出疲倦状，并说：“Oh，I’m tired
and hungry.” 引导学生说：“Would you like something to eat? What
would you like?” 教师收回学生所选的食物后说：“I’m full．I’m not
hungry．But I’m thirsty now.” 教师继续引导学生说：“Would you like
something to drink? What would you like?”
(11) 教师说：“I’m not hungry and thirsty now．Thank you，boys and
girls．You’ve done a very good job today．”
Step 4. Communicative practice
(1) 屏幕上出现招聘服务员的海报，教师扮成快餐店经理，并说：“Our
fast-food restaurant needs a waiter or a waitress．Who’d like to have a try?'’
(2) 邀请几位学生上来，给他们戴上服务员的帽子，并让他们站成一排；然
后，教师(扮演经理)对“应聘者”发指令：“Line up! Turn left! Turn right!
Smile and say：Welcome! Can I help you? What would you like? Would you like something to eat?” 每做几个动作，就请不合要求的“应聘者”回去，最
后剩下两位“应聘者”。
(3) 教师对全班学生说：“Who’s the best one? Please discuss in pairs．”引导
学生两人一组讨论，以确定最后被“录用者”。
(4) 请几组学生扮演顾客，来快餐店购物，比较两位应聘者所提供的服务。
(5) 最后选出最佳“服务员”。
(6) 教师说：“Now 1et’s open our fast-food restaurant．”教师出示有关食物，
引导所选的“服务员”与全班同学进行以下对话：
W：Can I help you?
Ss：Yes.
W：What would you like?
Ss：I’d like a hamburger.
W：Would you like something to drink?
Ss：Two glasses of orange juice.
W：OK．Here you are．48 yuan, please．
Ss：Here’s the money．
W：Thanks．
Step 5．Dialogue practice
屏幕上出现课文对话。教师让学生先听对话并跟读，然后分角色朗读。
Lessonplan详细版教案.docx
Lesson plan Unit 5 Traveling Abroad Period 1 Warming-up and reading Time: 45 minutes The number of students: 50 The grade of students: grade two in high school 1.The analysis of teaching materials: This unit formsa part of high school English teaching material, Student’s Book 7. This unit can be divided into three parts: warming-up, reading, listening about language. Its main topic is traveling abroad and it contains two reading materials, studying in foreign country and traveling in foreign country. Today,we will learn the first part, studying in a foreign country. In this unit, it tells students what problems they will meet in foreign countries and how to deal with these problems. Also, it introduces the benefits and difficulties of studying abroad through the story of Xie lei. 2.The analysis of students: As high school students, they have learned English for several years and they have a basic command of English. Students will be interested with a certain topic easily, such as traveling, sports healthy life and so on, which adapts to their physical and psychological characteristics. Additionally, students are weak in English speaking, so in my class, I will design some questions and activities for them to practice their pronunciation.
2020年6月大学英语四级考试真题及答案
2014年6月大学英语四级考试真题及答案(完整版) Part I Writing (30 minutes) Directions: You should write atleast 120 words but no more than 180 words. Supposea foreign friend of yours is coming to visit your hometown, what is the mostinteresting place you would like to take him/her to see and why? Part III Reading Comprehension (40 minutes) Section A Questions 36 to 45 are based onthe following passage. Global warming is a trend towardwarmer conditions around the world. Part of the warming is natural; we haveexperienced a 20,000 -year -long warming as the last ice age ended and the ice 36 away.However, we have already reached temperatures that are in 37 withother minimum-ice periods, so continued warming is likely not natural. We are 38 toa predicted worldwide increase in temperatures 39 between 1℃and 6℃over the next 100 years. The warming will be more 40 in some areas, less in others, and some placesmay even cool
新标准大学英语综合教程3课文原文
We all listen to music according to our separate , for the sake of analysis, the whole listening process may become clearer if we break it up into its component parts, so to certain sense we all listen to music on three separate lack of a better terminology, one might name these: 1) the sensuous plane, 2) the expressive plane, 3) the sheerly musical only advantage to be gained from mechanically splitting up the listening process into these hypothetical planes is the clearer view to be had of the way in which we listen. The simplest way of listening to music is to listen for the sheer pleasure of the musical sound is the sensuous is the plane on which we hear music without thinking, without considering it in any turns on the radio while doing something else andabsent-mindedly bathes in the kind of brainless but attractive state of mind is engendered by the mere sound appeal of the music. The surprising thing is that many people who consider themselves qualified music lovers abuse that plane in go to concerts in order to lose use music as a consolation or an enter an ideal world where one doesn’t have to think of the realities of everyday course they aren’t thinking about the music allows them to leave it, and they go off to a place to dream, dreaming because of and apropos of the music yet never quite listening to it. Yes, the sound appeal of music is a potent and primitive force, but you must not allow it to usurp a disproportionate share of your sensuous plane is an important one in music, a very important one, but it does not constitute the whole story. The second plane on which music exists is what I have called the expressive , immediately, we tread on controversial have a way of shying away from any discussion of music’s expressive not Stravinsky himself proclaim that his music was an “object”, a “thing”, with a life of its own, and with no other meaning than its own purely musical existenceThis intransigent attitude of Stravinsky’s may be due to the fact that so many people have tried to read different meanings into so many knows it is difficult enough to say precisely what it is that a piece of music means, to say it definitely to say it finally so that everyone is satisfied with your that should not lead one to the other extreme of denying to music the right to be “expressive”. Listen, if you can,to the 48 fugue themes of Bach’s Well-tempered to each theme, one after will soon realize that each theme mirrors a different world of will also soon realize that the more beautiful a theme seems to you the harder it is to find any word that will describe it to your complete , you will certainly know whether it is a gay theme or a sad will be able, on other words, in your own mind, to draw a frame of emotional feeling around your study the sad one a little closer. Try to pin down the exact quality of its it pessimistically sad or resignedly sad; is it fatefully sad or smilingly sadLet us suppose that you are fortunate and can describe to your own satisfaction in so many words the exact meaning of your chosen is still no guarantee that anyone else will be need they important thing is that each one feels for himself the specific expressive quality of a theme or, similarly, an entire piece of if it is a great work of art, don’t expect it to mean exactly the same thing to you each time you return to it. The third plane on which music exists is the sheerly musical the pleasurable sound of music and the expressive feeling that it gives off, music does exist in terms of the notes themselves and of their listeners are not sufficiently conscious of this third plane. It is very important for all of us to become more alive to music on its sheerly musical all, an actual musical material is being intelligent listener must be prepared to increase his awareness of the musical material and what happens to must hear the melodies, the rhythms, the harmonies, the tone colors in a more conscious above all he must, in order to follow the line of the composer’s thought, know something of the principles of musical to all of these elements is listening to the sheerly musical plane. Let me repeat that I have split up mechanically the three separate planes on which we listen merely for the sake of greater clarity. Actually, we never listen on one or the other of these we do is to correlate them—listening in all three ways at the same takes no mental effort, for we do it instinctively Perhaps an analogy with what happens to us when we visit the theater will make this instinctive correlation the theater, you are aware of the actors and actresses, costumes and sets, sounds and these give one the sense that the theater is a pleasant place to be constitute the sensuous plane in our theatrical reactions. The expressive plane in the theater would be derived from the feeling that you get from what is happening on the are moved to pity, excitement, or is this general feeling, generated aside from the particular words being spoken, a certain emotional something which exists on the stage,that isanalogous to the expressive quality in music. The plot and plot development is equivalent to our sheerly musical playwright creates and develops a character in just the same way that a composer creates and develops a to the degree of your awareness of the way in which the artist in either field handles his material will you become a more intelligent is easy enough to see that the theatergoer never is conscious of any of these elements is aware of them all at the same same is true of music simultaneously and without thinking listen on all three planes. It is not surprising that modern children tend to look blank and dispirited when info rmed that they will someday have to “go to work and make a living”. The problem is that they cannot visualize what work is in corporate Americ a. Not so long ago, when a parent said he was off to work, the child knew very well what was about to happen. His parent was going to make something or fix something. T
lessonplan.docx
Lesson Plan School:Jincai High School Northern Campus（进才中学北校）Teacher:Shirley (刘莉 ) Subject:English Material:Oxford English 6B, Page 42-43 Topic :Module 2Changes Unit 6seasonal changes Class:Class 1 Grade 6 Teaching Aims: 1. Language focus: . Using the simple present tense to express simple truth e.g. Many flowers grow in the garden. Using connectives to give reason e.g. Not many students like playing in the playgroun because it is hot. Using connectives to link similar ideas e.g.Many srudents like having ice cream and soft drinks. Using the simple present tense to express sinple truth e.g.It helps them keep warm 2. Ability aims: To make the students pay attention to the seasonal changes in school and say them out. To train the students ’ability of listening. To help the students to listen for specific information about seasons. To let the students to open an interaction by asking and answer questions. To help the students to observe the different scene in the school to get information and write a report about their school life. 3. Emotion aims: To arouse the students ’interest in learning English. To help the students know about the seasons and love the nature. Main points: 1. Using many,not many to show quantities. https://www.360docs.net/doc/b51301505.html,ing the simple present tense to ask and answer questions. 3.Make the students know how to give reason.
人教版高中英语Book6Unit1ArtPeriod1---AlessonplanforReadin
TeaChing DeSign BOOk 6 Unit 1 Art PeriOd 1: A IeSSOn PIan for Reading (A ShOrt HiStOry Of WeStern Painting) I TeaChing aims ?TO arouse StUdelits, interest in IeanIing about art. ?TO develop StUdents, Some basic reading skills. ?TO know about the IliStOIy Of WeStenl painting. ?TO enable the StlIdentS to talk about the StyIeS Of WeStenl paintings. II TeaChing important & CIiffiCUlt POintS ?How to get a general idea Of the PaSSage ?How to get a good UnCierStanCling Of the different WeStenI Painting styles. ?How to tell the histoιy PenOd Of a Pailltmg according to its StyIeS? IΠ TeaChing aids ?CAI equipment Witil a multi-media CIaSSrOOm ?some famous paintings. IV TeaChing PrOCedUreS SteP 1. Warming UP ?Purpose: TO Iead in the topic (StyleS and themes Of PaintingS)? Γ) talk about SOme ChmeSe PaintingS.(themes/StyIeS) 2) Talk about SOme WeStenl paintings, (themes/StyIeS) Paintmg themes and StyIeS Were SO different in different PeriOdS Of time in WeStenI histoιy SteP 2. Pre-reading ?Purpose: TO arouse the SnIdentS to Ieanl the PaSSage to SOIVe the PrOblem. Question: WhiCh PeriOdS Of time do these WeSterII PaintingS belong to?
大学英语四六级考试分数解释
大学英语四、六级考试分数解释 大学英语四、六级考试（CET）分为四级（CET-4）和六级（CET-6）两个级别。大学英语四、六级考试的设计参照了《大学英语课程教学要求》（以下简称教学要求）。四级参照《教学要求》中规定的“一般要求”；六级参照《教学要求》中规定的“较高要求”。大学英语四、六级考试的分数报道采用常模参照方式，不设及格线。四级考试的常模群体选自全国16所高校的约三万名非英语专业的考生；六级常模群体选自全国五所重点大学的约五千名非英语专业的考生。每次考试等值后的卷面分数都参照常模转换为报道分。四、六级考试报道总分为710分，计算公式为： 公式中TotSco表示总分，X表示每位考生常模转换前的原始总分，Mean表示常模均值，SD表示常模标准差。每次四、六级考试等值后的卷面分数都将参照此常模公式转换为报道分数。 四、六级考试单项成绩有四个部分，这四个部分以及所占的分值比例为：听力占35%，阅读占35%，翻译和写作占30%。各单项报道分的满分为：听力249分，阅读249分，翻译和写作212分。各单项报道分之和等于报道总分。 每位考生的报道分在常模群体中都有一个相应的百分位位置。下面的表1 和表2是大学英语四、六级考试报道分数常模百分位对照表。举例说明表1的使用方法如下（表2的使用方法和表1相同）。 例1：某考生四级报道总分是450分，从表1可以查到其在常模群体中的相应百分位是25%，表示这名考生的英语成绩优于常模群体中25%的人，但劣于75%的人。
例2：某考生四级报道总分是500分，从表1可以查到其在常模群体中的相应百分位在44%～55%之间，表示这名考生的英语成绩至少优于常模群体中44%的人，但不会优于55%的人。 例3：某考生四级报道的听力单项分是140分，从表1可以查到其在常模群体中的相应百分位在12%，表示这名考生的听力成绩优于常模群体中12%的人。 例4：某考生四级报道的阅读单项分是140分，从表1可以查到其在常模群体中的相应百分位在17%，表示这名考生的阅读成绩优于常模群体中17%的人。 表 1：大学英语四级考试报道分数的常模百分位对照表
Lesson plan(reading
Teaching Plan Unit 9 Lesson 1 On Your Bike Type: Reading 外国语学院09级本科3班 徐兆云
Unit 9 Wheels Lesson 1 On Your Bike Ⅰ.Background Information Topic: On Your Bike Type: Reading Time Duration: 40 mins Students: students of senior high school Grade 1 Teacher:Xuzhaoyun Ⅱ. Teaching Methods:Task-based Language teaching Ⅲ.Teaching Aims: By the end of the lesson, students should be able to learn the following: Knowledge Aim: (1) New words: benefit,flat, hopeful , therefore ,convenient,parking,insert, thief (2) Expressions: save energy,reduce pollution,thanks to (3) Grammar Point: The Present Perfect Continuous Tense (4) Know about the great benefits of using bicycles. Ability Aim: (1) Improve the ability of fast reading, using the reading skills: scanning and skimming. (2) Improve the ability of fast reaction, judgment and imagination. (3) Improve the ability of retelling the text according to the key words. (4) Master the reading strategies: dealing with difficult words to guess the part of speech and the meanings from the context. Moral Aim:From the text,we should learn from the people of Amsterdam to do something that can help to save enegy,reduce pollution and the traffic safety. Ⅳ.Key points: 1.New words (e.g. convenient, hopeful) 2.Expressions (e.g. save energy,thanks to) 3. Grammar Point: The Present Perfect Continuous Tense Difficult points: The Present Perfect Continuous Tense Ⅴ.Teaching aids: blackboard、chalks、pictures Ⅵ.Teaching procedure: Pre-reading (5 minutes) Questions: 1.How do you parents go to work everyday?(cars,motorcars,buses,etc.) 2.Do you know which country is called “Kingdom of bicycles”and “City of bicycles”?(Netherland and Amsterdam)
2020年6月大学英语四级考试真题及答案
大学英语四级考试真题及答案(绝对完整） Part I Writing (30 minutes) Directions: For this part, you are allowed 30 minute to write a short essay on the topic of students selecting their lectures. You should write at least 120 words following the outline given bellow: 1. 越来越多的博物馆免费对外开放的目的是什么？ 2. 也会带来一些问题 3. 你的看法？ Part II Reading Comprehension (Skimming and Scanning) (15 minutes)Directions: In this part, you will have 15 minutes to go over the passage quickly and answer the questions on Answer Sheet 1. For questions 1-7, choose the best answer from the four choices marked A),B),C) and D). For questions 8-10, complete the sentences with the information given in the passage. How Do You See Diversity? As a manager, Tiffany is responsible for interviewing applicants for some of the positions with her company .During one interview, she noticed that the candidate never made direct eye contact. She was puzzled and somewhat disappointed because she liked the individual otherwise. He had a perfect resume and gave good responses to her questions, but the fact that he never looked her in the eye said “untrustworthy,” so she decided to offer the job to her second choice. “It wasn’t until I attended a diversity workshop that I realized the person we passed over was the perfect person,” Tiffany confesses. What she hadn’t known at the time of the interview was that the candidate’s “different” behavior was simply a cultural misunderstanding . He was an Asian-American raised in a household where respect for those in authority was shown by averting(避开) your eyes. “I was just thrown off by the lack of ye contact; not realizing it was cultural,” Tiffany says. “I missed out ,but will not miss that opportunity again.” Many of us have had similar encounters with behaviors we perceive as different. As the world becomes smaller and our workplaces more diverse, it is becoming essential to expand our under-standing of others and to reexamine some of our false assumptions . Hire Advantage At a time when hiring qualified people is becoming more difficult ,employers who can eliminate invalid biases(偏爱) from the process have a distinct advantage .My company, Mindsets LLC ,helps organizations and individuals see their own blind spots . A real estate recruiter we worked with illustrates the positive difference such training can make .
新标准大学英语5~6课文原文
It was a horrible joke, but Doc Daneeka didn't laugh until Yussarian came to him one mission later and pleaded again, without any real expectation of success, to be grounded. Doc Daneeka snickered once and was soon immersed in problems of his own, which included Chief White Halfoat, who had been challenging him all that morning to Indian wrestle, and Yossarian, who deciede right then and there to go crazy. "You're wasting your time," Doc Daneeka was forced to tell him. "Can't you grant someone who's crazy?" "Oh, sure. I have to. There's a rule saying I have to graound anyone who's crazy." "Then why don't you ground me? I'm crazy. Ask Clevinger." "Clevinger? Where is Clavinger? You find Clevinger and I'll ask him." "Then ask any of the others. They will tell you how crazy I am." "They are crazy." "Then why don;t you ground them?" "Why don't they ask me to ground them?" "Because they're crazy, that's why." "Of course they're crazy," Doc Dneeka replied. "I just told you they are crazy, didn't I? And you can;t let crazy people decide whether they are crazy or not, can you?" Yossarian looked at him soberly and tried another apporach."Is Orr crazy?" "He sure is,"Doc Daneeka said. "Can you ground him?" "I sure can. But first he has to ask me to. That's part of the rule." "Then why doesn't he ask you?" "Because h's crazy," Doc Daneeka said. "He has to be crazy to keep flying combat mission after all the close calls he's had. Sure, I can ground Orr. But first he has to ask me to." "That's all he has to do to be grounded?" "That's all. Let him ask me." "And then you can ground him?" Yossarian asked. "No, then I can't ground him." "You mean there's a catch?" "Sure there's a catch," Doc Daneeka repled. "Catch-22. Anyone who wants to get out of combat duty isn't really crazy." There was only one catch that was Catch-22, which specified that a concern for one's own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be frounded. All he had to do was ask; and as soon as he did, he would no longer be crazy to fly more missions. Orr would be crazy to fly more missions and sane if he didn't, but if he was sane he had to fly them. If he flew them he was crazy and didn't have to; but if he didn't want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whitsle. “That’s some catch, that catch-22,” he observed. “It’s the best there is,” Doc Daneeka agree.