英美文学史及选读期末考试常用名词解释
英美文学名词解释整理版
英美文学名词解释1. Allegory: A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities. An allegory is a story with two meanings, a literal meaning and a symbolic meaning.寓言：用诗歌或散文讲的故事，在这个故事中人物、事件或背景往往代表抽象的概念或道德品质。
所有的寓言都是一个具有双重意义、文学内涵或象征意义的故事。
2.Alliteration: The repetition of the initial consonant sounds in poetry.头韵：诗歌中单词开头读音的重复。
3.Allusion:A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to. An allusion may be drawn from history, geography, literature, or religion.典故：文学作品中作家希望读者能够认识或做出反应的一个人物、地点、事件或文学作品。
典故或来自历史、地理、文学或宗教。
4. American Naturalism: American naturalism was a new and harsher realism. American naturalism had been shaped by the war; by the social upheavals that undermined the comforting faith of an earlier age. America’s literary naturalists dismissed the validity of comforting moral truths. They attempted to achieve extreme objectivity and frankness, presenting characters of low social and economic classes who were determined by their environment and heredity. In presenting the extremes of life, the naturalists sometimes displayed an affinity to the sensationalism of early romanticism, but unlike their romantic predecessors, the naturalists emphasized that the world was amoral, that men and women had no free will, that lives were controlled by heredity and environment, that the destiny of humanity was misery in life and oblivion in death. Although naturalist literature described the world with sometimes brutal realism, it sometimes also aimed at bettering the world through social reform.美国自然主义：美国自然主义是一种新的、更具批判性的现实主义。
英美文学名词解释整理版
英美文学名词解释1. Allegory: A tale in verse or prose in which characters, actions, or settings represent abstract ideas or moral qualities. An allegory is a story with two meanings, a literal meaning and a symbolic meaning.寓言：用诗歌或散文讲的故事，在这个故事中人物、事件或背景往往代表抽象的概念或道德品质。
所有的寓言都是一个具有双重意义、文学内涵或象征意义的故事。
2.Alliteration: The repetition of the initial consonant sounds in poetry.头韵：诗歌中单词开头读音的重复。
3. Allusion: A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize and respond to. An allusion may be drawn from history, geography, literature, or religion.典故：文学作品中作家希望读者能够认识或做出反应的一个人物、地点、事件或文学作品。
典故或来自历史、地理、文学或XX。
4. American Naturalism: American naturalism was a new and harsher realism. American naturalism had been shaped by the war; by the social upheavals that undermined the forting faith of an earlier age. America’s literary naturalists dismissed the validity of forting moral truths. They attempted to achieve extreme objectivity and frankness, presenting characters of low social and economic classes who were determined by their environment and heredity. In presenting the extremes of life, the naturalists sometimes displayed an affinity to the sensationalism of early romanticism, but unlike their romantic predecessors, the naturalists emphasized that the world was amoral, that men and women had no free will, that lives were controlled by heredity and environment, that the destiny of humanity was misery in life and oblivion in death. Although naturalist literature described the world with sometimes brutal realism, it sometimes also aimed at bettering the world through social reform.美国自然主义：美国自然主义是一种新的、更具批判性的现实主义。
(完整版)英美文学名词解释最全版
01. Humanism(人文主义)1>Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)1>The word “Renaissance”means “rebirth”, it meant the reintroduction into western Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)1>Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn from actual life.04. Classicism(古典主义)Classicism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)1>Enlightenment movement was a progressive philosophical and artistic movement which flourished in France and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in England were those great writers like Alexander pope. Jonathan Swift. etc.06.Neoclassicism(新古典主义)1>In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic, restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)1>The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present ,with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)1>Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron’s chief contribution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)1>Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism（美学主义）1>The basic theory of the Aesthetic movement--- “art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life, and holds that life should imitate art, not art imitate life.3> According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism and commercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)1>In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2> although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actual improvement of the society.4> Charles Dickens is the leading figure of the Victorian period.13. Modernism(现代主义)1>Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. fresh ways of looki ng at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’s fragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。
英美文学史：术语定义总结期末考复习
英美文学名词解释Epic（史诗）: a long narrative poem in elevated style recounting the deeds of a legendary or historical hero.叙事诗一种长篇的叙事诗，风格高雅，叙述传奇或历史英雄的事迹Ballad（民谣）：A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of British and Irish popular poetry and song from the later medieval period until the 19th century and used extensively across Europe and later North America, Australia and North Africa. 民谣是诗歌的一种形式，通常是音乐的一种叙述。
从中世纪晚期到19世纪，民谣是英国和爱尔兰流行诗歌和歌曲的特色，在欧洲、北美、澳大利亚和北非广泛使用。
Romance（浪漫，冒险风格作品）: a medieval tale based on legend, chivalric love and adventure, or the supernatural.一个基于传说、骑士爱情和冒险或超自然的中世纪故事。
Renaissance（文艺复兴）: the transitional movement in Europe between medieval and modern times beginning in the 14th century in Italy, lasting into the 17th century, and marked by a humanistic revival of classical influence expressed in a flowering of the arts and literature and by the beginnings of modern science.从14世纪的意大利开始，一直持续到17世纪的欧洲中世纪到现代的过渡运动，以人文主义的复兴为标志，这种复兴体现在艺术和文学的繁荣以及现代科学的开始。
英美文学名词解释
英美文学名词解释英美文学是指英国和美国地区的文学作品和文学传统。
在这个领域中，存在着许多特殊的术语和概念，有助于我们理解和欣赏这些文学作品。
本文将解释和介绍一些常见的英美文学名词，以帮助读者深入理解和掌握这些文学作品。
一、1.文学流派（Literary Genre）：指文学作品按照特定主题、风格或结构的类别进行分类。
常见的文学流派包括小说、诗歌、戏剧、散文等。
不同的文学流派具有独特的特点和写作风格，反映了不同的文学趣味和审美观念。
2.现实主义（Realism）：是19世纪中期兴起的一种文学流派，强调对现实生活的逼真描写和展示。
现实主义文学追求真实、客观和可信的表达方式，通过描绘日常生活和社会环境来反映现实社会的不同层面。
3.自然主义（Naturalism）：自然主义是现实主义的一种延伸，强调环境和遗传因素对人的行为和命运的决定性作用。
自然主义文学突出了人类生存环境对人性的影响，对人类行为进行科学观察和探索。
4.浪漫主义（Romanticism）：浪漫主义强调个体情感、想象力和超验的体验，追求自由和独立的精神境界。
浪漫主义文学追求充满激情、抒发个人感受和探索内心世界的形式。
二、1.象征主义（Symbolism）：象征主义是19世纪末20世纪初出现的一种文学和艺术运动，强调使用象征性的意象和隐喻来表达深层的情感和思想。
象征主义文学倾向于表达个体的情感体验和心灵探索。
2.现代主义（Modernism）：现代主义是20世纪初兴起的一种文学和艺术运动，强调对传统形式和观念的挑战和颠覆。
现代主义文学追求形式上的创新和实验，探索自我意识、哲学思考和社会变革。
3.后现代主义（Postmodernism）：后现代主义是现代主义的继承和超越，强调文化多样性、相对主义和戏仿。
后现代主义文学打破传统的叙事和结构规则，以戏仿和颠覆的方式探索权力、真实性和历史观念。
4.现实主义小说（Realistic Novel）：现实主义小说以真实的描写和社会批判为特征，通过塑造现实人物的经历和命运来反映社会问题。
英美文学名词解释
1.古英语：（Old English或Anglo-Saxon）是指从450年到1150年间的英语。
古英语和现代英语无论在读音、拼写、词汇和语法上都很不一样。
古英语的语法和德语比较相近，形态变化很复杂。
公元410年，罗马人结束了对英国的占领，随后，来自德国北部平原的三个日耳曼部落：昂格鲁人（Angles），撒克逊人，和朱尔特人开始到不列颠定居．英语就是盎格鲁_撒克逊的人的语言．语言史家一般把英语的历史分为三个时期：古英语，中英语，现代英语．古英语的名词有数和格的分别。
数分为单数、复数；格分为主格、所有格、与格、宾格。
因此一个名词加起来共有8种变化形式。
此外，名词还分阳性、中性和阴性。
但是比较奇怪的是，这些性的区分并不是以性别来判断的，而且没有性别的事物也未必是中性。
例如妇女就是阳性的。
2. 头韵(Alliteration)：是英语语言学分支文体学的重要术语。
头韵是英语语音修辞手段之一,它蕴含了语言的音乐美和整齐美,使得语言声情交融、音义一体,具有很强的表现力和感染力.从应用范围、结构特征以及审美价值三个方面对其进行分析讨论,将有助于我们理解和欣赏这一辞格. 头韵在英语里叫alliteration，又叫initial rhyme，或head rhyme，是从拉丁语短语ad literam (根据字母)转化而来的，指两个单词或两个单词以上的首字母相同，形成悦耳的读音，最常见的押头韵的短语有：first and foremost（首先）、（with）might and main (尽全力地)、saints and sinners （圣人与罪人）、（in）weal and (or) woe（无论是福是祸）。
若追本探源的话，恐怕押头韵手法可以上溯到古英语(Old English)时期。
大约五世纪时，盎格鲁萨克逊( Anglo-Saxons)入侵者给英国人带来了作为现代英语(Modern English)基础的盎格鲁萨克逊语，或许就在那时还带来一种新的诗歌形式，其主要特征就是频繁使用押头韵手法。
英美文学期末复习名词解释
1、international theme国际主义James often wrote the pattern of the conf1ict both amusing and serious between American and Eur opean manners and customs.2、metaphysical school玄学派Metaphysical poetry is a derogatory term invented by John Dryden and later adopted by Samuel Johnson describing a school of highly intellectual poetry marked by bold and ingenious conceits, incongruous imagery, complexity of thoughts, frequent use of paradox, and often by deliberate harshness or rigidity of expression. The main themes of the metaphysical poets are love, death, and religion.3、Realism现实主义The tradition of the brilliant school of critical realism in the 19th century continued its development in the early 20th century by the novelists such Butler. Meredith, Wells and Galsworthy. In their works criticism of the bourgeois world reaches considerable depth and poignancy. Their books condemned the capitalist order of things and uttered cries of suffering and protest.4、the “Lake Poets”or the “Lakers”They are Wordsworth, Coleridge and Southey, who have often been mentioned because they lived in the lake district in the northwestern part of England. They shared a community of literary and social outlook in their work. They traversed the same path in politics and in poetry, beginning as radicals and closing as conservatives.5、Local Colorism地方文学A. It is a unique variation of American literary realism.B. It is concerned with and emphasizes the characteristics of a small and well-defined region or province.C. Humor, tall-tales and vernacular are the sources of local colorism writing.6、Free Verse自由体诗is poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse structure,( or poetry without a fixed beat or regular rhyme scheme.) instead, it uses the cadences of natural speech. While it alternates stressed and unstressed syllables as stricter verse forms do, free verse does so in a looser way. Though free verse had been used before Whitman it was he who pioneered the form and made it acceptable in American poetry.7、sonnet十四行诗a short song in the original meaning of the word. Later it became a poem of 14 lines, usually in iambic pentameter with various rhyming schemes. It was first written by the Italian poet Petrarch who wrote sonnets to a lady name Laura.8、blank verse无韵体诗Verse without rhymes. It is typically in iambic pentameter, the dominant verse form of English dramatic and narrative poetry since the mid-16th century. The first practitioner of English dramatic blank verse is Christopher Marlowe.9、Imagism in Poetry诗歌意象派Imagism is the name given to a movement in poetry, originating in 1912 and represented by Ezra Pound, Amy Lowell, and others, aiming at clarity of expression through the use of precise visual images. (when speaking of images in poetry we generally mean a word or sequence of words that refers to any sensory experience. Often this experience is a sight, but it may be a sound or a touch. It may be an odor or a state or perhaps bodily sensation such as pain, or the perception of something cold.。
《英美文学史》名词解释资料讲解
英美文学史名词解释1.English Critical RealismEnglish critical realism of the 19th century flourished in the forties and in the early fifties. The realists first and foremost criticized the capitalist society from a democratic viewpoint and delineated (portrayed) the crying (extremely shocking) contradictions of bourgeois reality. The greatness of the English realists lies not only in their satirical portrayal of bourgeoisie and in the exposure of the greed and hypocrisy of the ruling classes, but also in their sympathy for the laboring people. Humor and satire are used to expose and criticize the seamy (dark) side of reality. The major contribution of the critical realists lies in their perfection of the novel. Charles Dickens and William Makepeace Thackeray are the most important representative of English critical realism.2.The "Stream of Consciousness"The "stream of consciousness" is a psychological term indicating "the flux of conscious and subconscious thoughts and impressions moving in the mind at any given time independently of the person's will." In late 19th century, the literary device of "interior monologue" was originated in France as an application of modern psychological knowledge to literary creations. In the 20th century, under the influence ofFreud 's theory of psychological analysis, a number of writers adopted the "stream of consciousness" method of novel writing. The striking feature of these novelists is their giving precedence to the depiction of the characters' mental and emotional reactions to external events, rather than the events themselves. In doing so, the novelists abandoned the conventional usages of realistic plot structure, characterization and description, and their works became successions of "fleeting images of the external world mingled with thoughts and half-thoughts and shadows of thought attached to the immediate present or moving back and forth in memory." James Joyce and Virginia Woolf are the two best known novelists of the "stream of consciousness".3.TranscendentalismTranscendentalism is the summit of the Romantic Movement in the history of American literature in the 19th century. Transcendentalism has been defined philosophically as "the recognition in man of the capacity of knowing truth intuitively". Transcendentalists place emphasis on the importance of the Over-soul, the individual and Nature. The most important representatives are Ralph Waldo Emerson and Henry David Thoreau.4.RenaissanceRenaissance in European history refers to the period from 14thcentury to 17th century. "Renaissance" means "revival", the revival of interest in Ancient Greek and Roman culture and getting rid of conservatism in feudalist Europe and introducing new ideas that express the interests of the rising bourgeoisie. It started in Italy and ended in England and Spain. Renaissance has two striking features. One is a thirsting curiosity for the classical literature; the other is the keen interest in the activities of humanity. Humanism is the key-note of the Renaissance. Thomas More and William Shakespeare are the best representatives of the English humanists.5.6.Passive RomanticismEnglish romanticism began when Lyrical Ballad was published in 1798 and ended in 1832. It in effect is a revolt of the English imagination against the neoclassical reason. The romanticists who saw both the corruption of the feudal societies and the inhumanity of capitalism and felt that the society denied people their essential human needs. They were discontented with, and opposed to the development of capitalism. Some romantic writers reflected the thinking of classes ruined by the bourgeoisie, and by way of protest against capitalism development turned to the feudal past, i.e., the "merry old English", as their ideal, or, "frightened by the coming of industrialism and the nightmare towns ofindustry, they were turning to nature to nature for protection." These were the elder and sometimes called passive or escapist romantics, represented by Wordsworth and Coleridge.6. ImagismImagism is a Movement in U.S. and English poetry characterized by the use of concrete language and figures of speech, modern subject matter, metrical freedom, and avoidance of romantic or mystical themes, aiming at clarity of expression through the use of precise visual images. It grew out of the Symbolist Movement in 1912 and was initially led by Ezra Pound, Amy Lowell, and others. The Imagist manifesto that came out in 1912 showed three Imagist poetic principles: direct treatment of the “thing” (no fuss, frill or or nament), exclusion of superfluous words (precision and economy of expression), the rhyme of the musical phrase rather than the sequence of a metronome (free verse form and music).7. The Local Color MovementThe local color movement came into particular prominence in America after the Civil War, perhaps as an attempt to recapture the glamour of a past era, or to portray the sections of the reunited country.Local color as a literary school emphasizes its setting, being concerned with the character of a district or of an era, as marked by its customs, dialects costumes, landscape or other peculiarities that have escaped standardizing cultural influences. In local color literature, one finds the dual influence of romanticism and realism since the author frequently looks away from ordinary life to distant lands, strange customs, or exotic scenes, but retains through minute detail a sense of fidelity and accuracy of description. Mark Twain is a representative of the American Local Colorism.8. The Lost GenerationThe Lost Generation is applied to the American writers who fought in the First World War, voluntarily exiled to Paris, and associated with the informal literary saloon of Gertrude Stein’s Paris home for a certain period of time. They were all disillusioned with the American Tradition of writing as well as the post-war American society. The most eloquent spokesman of the group is Earnest Hemingway. Other writers are Ezra Pound, Fitzgerald, etc..。
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1.Alliteration：Alliteration is the repetition of a speech sound in a sequence of nearby
words. The term is usually applied only to consonants, and only when the recurrent sound begins a word or a stressed syllable within a word. In old English alliteration is the principle organizing device of the verse line.
2.Romance：Romance is a long composition, sometimes in verse, sometimes in prose,
describing the life and adventure of a noble hero. Romance was characteristic of the early feudal age, as it reflected the spirit of chivalry. The content of romance was usually about love, chivalry, and religion.
3.Soliloquy is a dramatic speech delivered by one character speaking aloud while under
the impression of being alone. The soliloquist thus reveals his inner thoughts and feelings to the audience. It is also known as interior monologue.
4.sonnet: A sonnet is a short song in the original meaning of the word. Later it became a
poem of 14 lines, usually in iambic pentameter with various rhyming schemes.
5.Conceit--- a kind of metaphor that makes a comparison between two startling different
things. A conceit may strike the readers weird at first glance, but proves appropriate in the end.
6.The name applied to an intellectual movement which developed in Western Europe
during the seventeenth century and reached its height in the eighteenth. The common element was a trust in human reason as adequate to solve the crucial problems and to establish the essential norms in life, together with the belief that the application of reason was rapidly dissipating the remaining feudal traditions. It influenced lots of famous English writers especially those neoclassic writers, such as Alexander Pope, Samuel Johnson etc..
7.Renaissance refers to the period between the 14th and mid-17th centuries. It makes a
transition from the medieval to the modern world. It started in Italy with the flowering of painting, sculpture and literature, and then spread to the rest of Europe. The term Renaissance means rebirth or revival. The Renaissance period was marked by a reawakening of interest in learning, in the individual and in the world of nature. The revival of learning led scholars back to the culture of Greece and Rome. The rebirth of interest in the individual gave rise to a new appreciation of beauty, to a desire for self-expression in varied activities and to the creation of art. The renewal of curiosity about the nature word ultimately drew men to discover new lands and new scientific truths.。