简奥斯汀
百度，输入诺觉桑寺，找到读书的网络
作家简介：
简·奥斯丁，（1775—1817）英国女作家，18世纪末19世纪初英国杰出的现实主义大师，被誉为“道德教育家”。出生于英格兰汉普郡的斯蒂文顿村，父亲是教区的主管牧师。在父兄的熏陶下，奥斯丁从小就阅读了大量的文学作品。她16岁时开始写作，是第一个通过描绘日常生活中的普通人，使小说具有鲜明现代性质的小说家。奥斯丁一生中共创作了6部长篇小说《理智与情感为（1811）、《傲慢与偏见》（1813）、《曼斯菲尔德庄园》（1814）、《爱玛》（1815）、（诺桑觉修道院》和《劝服》（后两部出版于她去世后的1818年）小说内容多是刻画当时英国乡村的风俗民情、社交和男女恋情等。她的创作开启了19世纪30年代的现实主义小说高潮，在英国小说的发展史上具有承上启下的意义。
作品目录
·《傲慢与偏见》
《傲慢与偏见》是奥斯丁的代表作。这部作品以日常生活为素材，一反当时社会上流行的感伤小说的内
容和矫揉造作的写作方法，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世
态人情。这部社会风情画式的小说不仅在当时吸引着广大的读者，时至今日，仍给读者以独特的艺术享受。
·《理智与情感》
简·奥斯丁在她诞生地汉普郡的斯蒂文顿繁荣而稳定的乡间长大，十二三岁就开始写作。她早期的习作
都是中短篇，光是十五六岁时写的，后人就编成了两部集子。一七九七年，简二十二岁，完成第一部长篇小
说《第一面印象》。接着开始写《埃莉诺与玛丽安》。这两本都是书信体小说，十多年后，分别改写成用第
三人称叙述的长篇小说《傲慢与偏见》和《理智与情感》。后者于1811年出版，等到前者于两年后问世时，后者于同年再版。所以，尽管《傲慢与偏见》的原始本子写作在前，她第一部出版的作品却是《理智与情感》。
·《爱玛》
发表于1818年，英国女作家，奥斯丁小说。女主人公爱玛是一个“从来不在外面住宿的天下少有的女人”，孤零零的，但是充满了感情与思想，她经过一系列误会后，与男主人公先生终成佳偶。小说情节紧奏，细节描写生动、鲜明，语言就像作者歌颂...
·《曼斯菲尔德庄园》
范妮是个出身贫寒的少女，10岁时被姨父母伯特伦爵士夫妇收养。在姨父母家，除了二表哥埃德蒙处处
呵护她外，受到众人的冷落，过着寄人篱下的日子。但她始终有颗温柔善良的心肠，辨是非，明大理。她坚
决抵制大表哥等人要在家里排演有伤大雅的情节剧，毫不动摇地顶住了纨绔子弟克劳福德的无理纠缠，始终
不渝地暗恋着埃德蒙，特别是在克劳福德小姐对埃德蒙“旧情复发”时，她告诫表哥不要被她的假象所迷惑，
最终，她的高尚人品赢得了伯特伦爵士的器重和埃德蒙的爱，小说以范妮和埃德蒙喜结良缘为结局。
·《诺桑觉寺》
痴迷于哥特式恐怖小说的乡村牧师之女凯瑟琳，有时把现实生活也当成传奇故事中的虚拟世界。她被带着去巴思社交场合见世面，结交了虚情假意的索普兄妹，并与正直英俊的富家子弟亨利一见钟情后，受亨利的父亲蒂尔尼上将盛情相邀前去他家做客。在诺桑觉寺这所幽深、古老的宅子里，凯瑟琳脑海里浮现出恐怖小说中的可怖情景，上演了一幕幕可笑的历险记。嫌贫爱富的蒂尔尼上将听信索普的谗言，出尔反尔，对凯瑟琳冷酷地下了逐客令。然而爱情的忠贞最终占用小人的谎言：教堂的钟声响了，人人都喜笑颜开。
·《劝导》
主人公安妮·埃利奥特是个出身贵族家庭的小姐，与青年军官温特沃思真心相爱，并私自订下终身。安妮的父亲和教母认为温特沃思出身卑微，因此极力反对两人交往。安妮被迫中断了与温特沃思的恋情，但对他的感情却依然如故。八年后，温特沃思上校荣归故里，与安妮旧情难忘，在历经曲折后，有情人终成眷属。作家简介：
余秋雨，上海戏剧学院教授，曾任上海戏剧学院副院长、院长、荣誉院长，国际知名的学者和作家。其文化散文集，在二十世纪九十年代至二十一世纪初的中国大陆最畅销书籍中占据了非常重要的地位，在台湾、香港等地也有很大影响。现任《书城》杂志荣誉主编。
作品目录
《中国文脉》
中国文脉，就是指中国文学几千年发展中最高等级的生命潜流和审美潜流。《中国文脉》以中国文字起源为引，从《诗经》讲起，到春秋战国时期的“百家争鸣”及楚辞，再到秦汉时期的大一统与书同文对文学的影响，汉赋及“无韵离骚”《史记》，魏晋时期的三曹及“竹林七贤”等文人雅士的诗作文采，再到唐宋诗词，元曲及明清小说，一气呵成，使历史与现实相沟通，文理与形象相交融，为广大读者解读了中国文化的演化过程。第一核心篇目《中国文脉》，酣畅地通论了三千年中国文学的精神主脉和美学主脉。
《中国之旅》
15年前，余秋雨先生因困惑于书斋著述与实际发生的文化现象严重脱节而走出书房。在旅行了大半个中国后，踏足亚欧大陆，叩访两河流域、埃及、以色列、阿拉伯半岛、希腊、罗马、伊朗、印度等古文明发祥地以及众多欧洲国家。在行走中洞察，在触摸中感悟，在跨越中思索，在烛照中叙述……
《借我一生》
《借我一生》是秋雨先生的生命之旅，是他蔑视灾难、不断突破的精神历程，是以散文笔调贯通成的一
部家族史诗。他独创的文体交糅了体验与论述、激情与冷静、宏观与细节等诸多对立性因素，呈现全方位的表现力度。
《出走十五年》
作为一个写作者，我记录下自己的所见所闻，把我对于自然景观的思考和体验，用散文的形式进行收藏，它们是我对生命、文化和历史的体会，也是我作为一个行者的责任。我愿意与读者一起分享内心对文化的渴念……
《山居笔记》
《山居笔记》一书的写作，始于一九九二年，成于一九九四年，历时两年有余。为了写作此书，我辞去了学院的行政职务，不再上班，因此这两年多的时间十分纯粹，几乎是全身心地投入。投入那么多时间才写出十一篇文章，效率未免太低，但我的写作是与考察联在一起的，很多写到的地方不得不一去再去，快不起来。
《文化苦旅》
本书为当代著名散文作家、世界级文化学者余秋雨的文化散文专集。余秋雨的散文素以文采飞扬、思维敏捷、知识丰厚、见解独到而备受万千读者喜爱。
《行者无疆》
从去年8月到今年1月，历时6个月，余秋雨走过了26个国家96个城市，《行者无疆》记录了这一不同凡响旅程的全部感受。据《北京晚报》报道，此次推出的新书《行者无疆》是作为考察西方文明的记录。
《霜冷长河》
本书分为四辑，主要内容讲：第一辑：壮士、中秋、琉璃、垂钓、老师、长者；第二辑：关于友情、关于名誉、关于谣言、关于嫉妒、关于善良、关于年龄、最后的课程；第三辑：绑匪的纸务、智能的梦魇、文化敏感带、这样的男人、大桥的寓言、遗憾的真实、氢弹的部件、乱世流浪女、裉色的疑问、膨胀的雪球、心中的恶狼、为自已减型；第四辑：灯下回信、掩卷沉思、秋千架。
《笛声何处》
中国历史充斥着金戈铁马，但细细听去，也回荡着胡笳长笛。只是，后一种声音太柔太轻，常常被人们遗忘。遗忘了，历史就变得狞厉、粗糙。这本书要捕捉的，就是曾经让中国人痴迷了两百年之久的昆曲的笛声。
《千年一叹》
一个当代人心中的中国文化史和世界文化史，第一流的美文，第一流的深度。全新版的《文化苦旅全书》共分六册。其中两册是有关中国的，两册是有关世界的，两册是有关自己的。此次推出的是有关世界的，《文化苦旅全书：千年一叹》、《行者无疆》。《文化苦旅全书：千年一叹》经过余秋雨先生大幅度修改，几十篇文章都是第一次发表。
简奥斯汀
百度，输入诺觉桑寺，找到读书的网络 作家简介： 简·奥斯丁，（1775—1817）英国女作家，18世纪末19世纪初英国杰出的现实主义大师，被誉为“道德教育家”。出生于英格兰汉普郡的斯蒂文顿村，父亲是教区的主管牧师。在父兄的熏陶下，奥斯丁从小就阅读了大量的文学作品。她16岁时开始写作，是第一个通过描绘日常生活中的普通人，使小说具有鲜明现代性质的小说家。奥斯丁一生中共创作了6部长篇小说《理智与情感为（1811）、《傲慢与偏见》（1813）、《曼斯菲尔德庄园》（1814）、《爱玛》（1815）、（诺桑觉修道院》和《劝服》（后两部出版于她去世后的1818年）小说内容多是刻画当时英国乡村的风俗民情、社交和男女恋情等。她的创作开启了19世纪30年代的现实主义小说高潮，在英国小说的发展史上具有承上启下的意义。 作品目录 ·《傲慢与偏见》 《傲慢与偏见》是奥斯丁的代表作。这部作品以日常生活为素材，一反当时社会上流行的感伤小说的内 容和矫揉造作的写作方法，生动地反映了18世纪末到19世纪初处于保守和闭塞状态下的英国乡镇生活和世 态人情。这部社会风情画式的小说不仅在当时吸引着广大的读者，时至今日，仍给读者以独特的艺术享受。 ·《理智与情感》 简·奥斯丁在她诞生地汉普郡的斯蒂文顿繁荣而稳定的乡间长大，十二三岁就开始写作。她早期的习作 都是中短篇，光是十五六岁时写的，后人就编成了两部集子。一七九七年，简二十二岁，完成第一部长篇小 说《第一面印象》。接着开始写《埃莉诺与玛丽安》。这两本都是书信体小说，十多年后，分别改写成用第 三人称叙述的长篇小说《傲慢与偏见》和《理智与情感》。后者于1811年出版，等到前者于两年后问世时，后者于同年再版。所以，尽管《傲慢与偏见》的原始本子写作在前，她第一部出版的作品却是《理智与情感》。 ·《爱玛》 发表于1818年，英国女作家，奥斯丁小说。女主人公爱玛是一个“从来不在外面住宿的天下少有的女人”，孤零零的，但是充满了感情与思想，她经过一系列误会后，与男主人公先生终成佳偶。小说情节紧奏，细节描写生动、鲜明，语言就像作者歌颂... ·《曼斯菲尔德庄园》 范妮是个出身贫寒的少女，10岁时被姨父母伯特伦爵士夫妇收养。在姨父母家，除了二表哥埃德蒙处处 呵护她外，受到众人的冷落，过着寄人篱下的日子。但她始终有颗温柔善良的心肠，辨是非，明大理。她坚 决抵制大表哥等人要在家里排演有伤大雅的情节剧，毫不动摇地顶住了纨绔子弟克劳福德的无理纠缠，始终 不渝地暗恋着埃德蒙，特别是在克劳福德小姐对埃德蒙“旧情复发”时，她告诫表哥不要被她的假象所迷惑，
走进简-奥斯汀的世界
走进简·奥斯汀的世界 ――从《傲慢与偏见》《爱玛》《理智与情感》中认识简·奥斯汀 论文概要：本文分为初识简·奥斯汀，认识简·奥斯汀，爱上简·奥斯汀，简·奥斯汀与我们四部分，从简·奥斯汀的三部作品来介绍，逐渐深入，层层剖开简·奥斯汀的世界，着重于在特定的社会背景下分析作品中的重要人物和事件，并联系简·奥斯汀的人生经历解析作品的内涵，探索简·奥斯汀的文学世界。 初识简·奥斯汀 既无曲折离奇的情节，也无波澜壮阔的场面，小小的天地，普通的男女，但就是这样的内容的作品却把它们的作者推进世界文学史上一流作家的行列，而这位作者只活了四十二岁，一生只写了六部小说，生前出的作品都用笔名，死后才公布了她的真名和身份，她，简·奥斯汀，一个响亮的名字。 简·奥斯汀于1775年出生在英国汉普郡一个名叫斯蒂文森的村子里，父亲是一位乡村牧师。她没有受过多少正规的教育，却在父亲的影响下大量涉猎各种书籍，获益良多。十四五岁就开始写短剧，小品，娱乐家人，简在二十二岁前就已经完成了两部小说，即《理智与情感》《傲慢与偏见》，后来相继写出《诺桑觉寺》《曼斯菲尔德花园》《爱玛》《劝导》等不朽的杰作。简·奥斯汀所写的都是英格兰乡村和邻近地区中产阶级的生活，完全限于自己所熟悉的那个很小的生活圈子，但她的观察细致入微，构思巧妙合理，人物刻画细腻生动，写作风格朴实无华，清秀隽永，表面上琐碎的叙述读起来颇耐人寻味。她的作品被评论家誉为“简约的艺术”。她的作品里没有声势浩大的东西，但充满理性的光芒。故事情节说不上跌宕起伏，却丝丝入扣，不断荡漾着“茶杯里的风波”。 从18世纪末到19世纪初，庸俗无聊的“感伤小说”和“哥特小说”充斥着英国文坛，而奥斯汀创作的小说则是一反常规地展现当时尚未受到资本主义冲击的英国乡村中产阶级的日常生活和田园风光。简·奥斯汀之所以能成为十九世纪最杰出的小说家之一，不仅是因为她小说天衣无缝的结构和精湛精确的刻画技巧，而且也是因为她的小说有着深刻丰富的思想内容和在英国文学史上的开创性意义。她是第一个现实地描绘日常平凡生活中平凡人物的小说家。她的作品反映了当时英国中产阶级生活的喜剧，显示了家庭文学的可能性。她以女性特有的细致入微的观察力和对细腻情感的把握，生动真实地描绘了自己周围世界的小天地，她多次探索青年女主角从恋爱到结婚中的自我发现过程，这种着力分析人物性格以及女主角和社会之间紧张关系的做法，使她的小说摆脱十八世纪的传统而接近于现代的生活。正是这种现代性，加上她的机智和风趣，她的小说能长期吸引读者。 认识简·奥斯汀 简·奥斯汀的形象在从简生活的年代到现在的200年中有各种各样的解释。有亨利·詹姆士的观点----简有无师自通的天才，几乎没有特别意识就在做针线活和探亲访友的过程中创造了完美精湛的艺术微缩品。D.H.劳伦斯和夏洛蒂·勃朗特都写到，她是一个用理智而不只用情感写作的，精明博学的单身女子。也有和蔼可亲的“简姑妈”形象，这是她家人的体会，是一位终身专于家庭，不为任何烦恼忧愁，避免谈到男人和金钱，战争话题的女性，简也被许多人认为是最初的女权主义者。简·奥斯汀笔下的女主人公都很有个性，或多或少渗透出作者本人的性格特征和看问题的方法。 伊丽莎白·贝纳特：“想要满足是她自己的事----当然快乐是她的气质”。机智活泼的伊丽莎白·贝纳特比起其他女主人公来说更像年轻时代的简·奥斯汀。“书中只要出现她这个人物，她就是快乐的”----作者给她的定语。爱玛·伍德豪斯：“思想活跃轻松，看不到事情的发生也无所谓，没有回应的事情看不到也行。”简赋予这个该受人指责的女主人公活跃
简.奥斯汀睿智名句 (中英文)
简·奥斯汀睿智名句 A lady's imagination is very rapid; it jumps from admiration to love, from love to matrimony in a moment. 女人的思维很有跳跃性：从仰慕到爱慕，从爱慕到结 婚都是一眨眼间的事。 A large income is the best recipe for happiness I ever heard of. 我所知道最有效的幸福秘方就是“赚大钱”。 A woman, especially, if she have the misfortune of knowing anything, should conceal it as well as she can. 一个女人要是不幸聪明得什么都懂，那就必须同时懂 得怎么伪装成什么都不懂。 An engaged woman is always more agreeable than a disengaged. She is satisfied with herself. Her cares are over, and she feels that she may exert all her powers of pleasing without suspicion. 订了婚的女人最可爱了。她什么都满足了，什么忧虑都消散了，她可以大大方方去讨好自己未来老公，而无需担心人家以为她在玩暧昧。 Friendship is certainly the finest balm for the pangs of disappointed love. 治愈情伤最好的药就是友谊带来的安慰。 Happiness in marriage is entirely a matter of chance. 幸福的婚姻都是靠碰运气赚来的。 How quick come the reasons for approving what we like! 想给我们的喜好找个理由时，脑袋转 的是最快的。 I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.
Jane Austen's works简奥斯汀的作品
Jane Austen, she is one of the greatest authors in Britain history. I really admire and appreciate her works, Pride and Prejudice, Persuasion, Emma, and Sense and Sensibility. In my eyes, every heroine has her own uniqueness, different from other girls in those novels. They are so brave to pursue their love, no care about the prejudice, the gossip from their parents, their neighbors , their relatives, even the society. In addition, all of them succeed in loving their true love; all the endings are so good and so beautiful. Every time, when I saw the couple got together after suffering so many misfortunes in the very end of the novel, I cried for happiness, not for sadness. From those heroines’ character, I really can find a genuine image of Jane herself. Although I do not know clearly about her love, her lover, I can easily get the information that she missed her true love from her whole single life. Therefore, she sets the hopes into her novels, encourages everyone who love somebody by heart has courage to pursue their true love.
Becoming Jane《成为简奥斯汀》英文观后感
Becoming a woman，becoming a legend "A woman especially if she has the misfortune of knowing anything, should conceal it as well as she can." ――Jane Austen The movie, Becoming Jane, fabricates a character, the hero Tom Lefroy, to show us audience Jane Austen’s romance. It ever or never happened in Jane’s life. Nevertheless undoubtedly, the movie is a successful one. We are all moved by Jane’s sense and sensibility. Jane completes a legend by her lifetime of becoming a great woman. There are many commentaries on the film―― Her own life is her greatest inspiration. Between Sense and Sensibility and Pride and Prejudice was a life worth writing about. No one can ignore Jane’s achievement. Six immortal works about romance leave us a deep impression on the importance of being together with our true love. Relatively, few people know Austen’s own romances. She never get married. I think many people would like to consider that Jane uses her life to memorize a love and explain her understanding about love. She insists. She believes a marriage without love will never be happy, and a love without money will never be real. According to the movie, the great novel, Pride and Prejudice, is based on Jane’s love story with Tom Lefroy. The arrogant and handsome hero in the fiction insinuates Tom who is just a practical lawyer. But Darcy is rich, independent, owning authority and position, while Tom relies on his uncle and has little money. At the same time, the beautiful, clever and a little extreme Elizabeth just insinuates Jane herself. Obviously, there is an insurmountable distance between the novel and the reality. In the Pride and Prejudice, Darcy and Elizabeth get together eventually. Yet Jane and Tom Lefroy can only be friends, not lovers. In my mind, Jane is trying to give herself and Tom a happy ending in her novel which will never come true in reality. What will we do when our dream is so different from the reality? To surrender or to surmount? Maybe there can be a few people protect their love to go through their life, like Jane Austen, and never betray their love. However, the courage is not owned by everyone. Too much affection and emotion need to be called to our mind and pondered over. A Jane will live our heart, bringing us an opportunity to share the legend.
关于简奥斯丁的评论(英文)
生平和作品 THE IMPRESSION of the condition of the Church of England in the eighteenth century which is conveyed by the character and writings of Laurence Sterne receives some necessary modification from a study of the life and works of Jane Austen. Her father, the Reverend George Austen, held the two rectories of Deane and Steventon in Hampshire, having been appointed to them by the favor of a cousin and an uncle. He thus belonged to the gentry, and it seems likely that he entered the church more as a profession than a vocation. He considered that he fulfilled his functions by preaching once a week and administering the sacraments; and though he does not seem to have been a man of spiritual gifts, the decent and dignified performance of these formal duties earned him the reputation of a model pastor. His abundant leisure he occupied in farming the rectory acres, educating his children, and sharing the social life of his class. The environment of refined worldliness and good breeding thus indicated was that in which his daughter lived, and which she pictured in her books. Jane Austen was born at Steventon on December 16, 1775, the youngest of seven children. She received her education—scanty enough, by modern standards—at home. Besides the usual elementary subjects, she learned French and some Italian, sang a little, and became an expert needle-woman. Her reading extended little beyond the literature of the eighteenth century, and within that period she seems to have cared most for the novels of Richardson and Miss Burney, and the poems of Cowper and Crabbe. Dr. Johnson, too, she admired, and later was delighted with both the poetry and prose of Scott. The first twenty-five years of her life she spent at Steventon; in 1801 she moved with her family to Bath, then a great center of fashion; after the death of her father in 1805, she lived with her mother and sister, first at Southampton and then at Chawton; finally she took lodgings at Winchester to be near a doctor, and there she died on July 18, 1817, and was buried in the cathedral. Apart from a few visits to friends in London and elsewhere, and the vague report of a love affair with a gentleman who died suddenly, there is little else to chronicle in this quiet and uneventful life. But quiet and uneventful though her life was, it yet supplied her with material for half a dozen novels as perfect of their kind as any in the language. While still a young girl she had experimented with various styles of writing, and when she completed "Pride and Prejudice" at the age of twenty-two, it was clear that she had found her appropriate form. This novel, which in many respects she never surpassed, was followed a year later by "Northanger Abbey," a satire on the "Gothic" romances then in vogue; and in 1809 she finished "Sense and Sensibility," begun a dozen years before. So far she had not succeeded in having any of her works printed; but in 1811 "Sense and Sensibility" appeared in London and won enough recognition to make easy the publication of the others. Success gave stimulus, and between 1811 and 1816, she completed "Mansfield Park," "Emma," and "Persuasion." The last of these and "Northanger Abbey" were published posthumously. The most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books. She describes her own class, in the part of the country with which she was acquainted; and both the types of character and the events are such as she knew from first-hand observation and experience. But to the portrayal of these she brought an extraordinary power of delicate and subtle delineation, a gift of lively dialogue, and a peculiar detachment. She abounds in humor, but it is always quiet and
成为简.奥斯汀读后感
“I can live by my pen”.，她说，语气是那样的坚定，无论家人朋友如何反对。 “Yes, but if our love destroys your family , it will destroy itself”,她对他说，虽然很很痛心，却不得不放弃。 ---题记 我从来都不知道自己会这样被一本书、一个故事所影响，应该说是动容。她对信念的坚持与不屈，对爱情的执着与体谅，让我无法从她的身影里离开回到现实。我开始思索，在那样的年代，那样的时代背景，她，一个贫穷人家的传统女性，到底是怎样冲破一切阻碍追求理想、追求幸福。看起来，似乎只有简自己清楚，那是一段怎样艰辛的路程，因为她的思想以及观念不同于世人。她叛逆，却有着温顺的一面，独立，却也寻求能够依赖之人，渴望幸福，却因为不忍而放弃所爱。那就是为什么她说，一个人的地位完全可以取决其他因素，至于财富，一个年轻女子，应该靠她自己去取得；但是对你的爱如果会毁了你的家庭，我宁愿不爱。 她表面看来风平浪静，但是内心波涛汹涌。面对现实的压迫，她想到的不是屈服而是反抗。写小说，她从不认为只有男子才能做到，就算没人赞同她，她仍旧努力朝着自己的目标前进。从不被人注意的篇章，到后来影响世界的傲慢与偏见，从不断受到讽刺的话语，到逐渐迎来赞扬的表彰，从默默无闻的写作，到身负盛名的形象，她用信念和行动告诉世人，女性也可以有自己的梦想并实现梦想。从她的身上，我第一次体会到，生命的价值应靠自己去获取，只要无惧困难，什么也抵挡不了朝前的脚步。 简是成功的，不仅仅是在写作方面，她的爱情故事一样叫人感动。在全家人都指望她嫁入豪门以充裕家底的时候，她坚决反对嫁给自己不爱的人，尽管这样的决定遭到所有人的不满。她与他的相遇让她感受到了从未有过的欣喜，虽然其中充斥了些许矛盾。从开始的针锋相对，到后来的心心相印；从最初的惊鸿一瞥，到淡然后的默默相视。从相恋，到分手，到私奔，再到最后的无奈放弃。为了他人的生活，她选择了独守，宁愿自己痛心，也不忍伤害朋友。“结婚从来就不只是两个人的事情，有些人，不得不依靠，有些事，不得不低头，然而，即使不能在一起，我们仍有残存的骄傲，永不妥协”，可知倔强的少女，倾心的，却是谈吐间不经意显露的智慧与正义感。两人的爱情就像是一幕美丽的悲剧，因为意外的结局更加感人。我们可以看到，那些青春年少时，尚可以激情相拥的冲动，暮然垂老时，却只能静默凝望的遗憾。一波三折的感情，假装风流的绅士，
简奥斯汀小说中的反讽艺术
Irony in Jane Austen’s Novels by ****** December, 2009 *************
Abstract Irony is an important feature of Jane Austen‘s Novels, and is also the cornerstone of creation. It is used in the expressing of theme, characterization and plot development vividly and incisively. And it has its own distinct characteristics. This thesis aims to discuss the classification of irony, the use of irony in Jane Austen‘s novels and function of irony from three aspects, namely the expressing of theme, characterization and plot development. Irony in Jane Austen‘s novels is more than a stylistic device. Jane Austen criticizes the money-oriented attitude to life and marriage by use of irony. Key words: Jane Austen, Irony, Verbal Irony, Situational Irony, Structural Irony, Model Irony
简奥斯汀经典语录(英文版)
Memorable Quotes and quotations from Jane Austen Jane Austen English novelist (1775 - 1817) Jane Austen - Northanger Abbey - But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way. Jane Austen - Northanger Abbey - Friendship is certainly the finest balm for the pangs of disappointed love. Jane Austen - Mansfield Park - Where any one body of educated men, of whatever denomination, are condemned indiscriminately, there must be a deficiency of information, or...of something else. Jane Austen - Emma - Oh! dear; I was so miserable! I am sure I must have been as white as my gown. Jane Austen - - Where so many hours have been spent in convincing myself that I am right, is there not some reason to fear I may be wrong? Jane Austen - from a letter to her niece, November 18, 1814 - Wisdom is better than wit, and in the long run will certainly have the laugh on her side. Jane Austen - - What dreadful hot weather we have! It keeps me in a continual state of inelegance. Jane Austen - - One half of the world can not understand the pleasures of the other. Jane Austen - Mansfield Park - Everybody likes to go their own way--to choose their own time and manner of devotion.
简·奥斯汀生平简介
一、【作者生平简介】 简·奥斯汀[1]（1775年12月16日～1817年7月18日）简·奥斯汀出生在英国南部汉普郡一个乡村牧师家里，未进过正规学校，在家里由父母指导学习，终身未婚，四十二岁时与世长辞。奥斯汀十二三岁时就开始创作故事、戏剧和小小说。一七九五年她开始写作《埃莉诺与马里纳》，这就是她后来发表的第一部小说《理智与感情》的雏形。一年以后，一七九六年她开始创作《初次印象》。一七九七年《初次印象》完成后，未能出版。这部小说后经作者修改更名为《傲慢与偏见》，于一八一三年一月在伦敦问世，这是她发表的第二部小说。此外，自一八一一年至一八一八年她先后发表了《理智与感情》、《曼斯菲尔德庄园》、《爱玛》、《诺桑觉寺》和《劝导》等五部小说。奥斯汀生长在十八世纪末十九世纪初封建保守势力相当强大的英国乡村。在这样的时代中，妇女只能在其所生长的阶层的圈子中生活。 社会习俗禁止她们在社会的任何其他领域里活动。奥斯汀出身英国乡村的中产阶级家庭，与之交往的都是乡间那些乡绅贵族的绅士淑女，生活圈子自然十分狭小。奥斯汀就在这样狭小的天地里观察、研究和创作。虽说：“在乡下一带地方，你是在一个非常狭小而又一成不变的社会里活动。”“乡下能为这样的研究提供的对象一般是很少的。”“可是人本身是经常不断变化的，在他们身上永远都可以观察到一些新的东西。”奥斯汀就以她特有的敏锐洞察力观察着她所处的社会和她身边的人与事，研究各种人的性格及其变化。在这样的观察研究中，奥斯汀最关注的是妇女的命运。在奥斯汀所处的当时社会里，一般妇女除了当老处女和家庭教师外，别的惟一出路就是嫁人。嫁一户有钱有地位的体面人家，就成了一个年轻小姐得到并保持可靠社会与经济地位的理想途径。尤其是那些“一般财产不多，教养有素的青年女子，都是把结婚当作惟一一条未雨绸缪的体面出路，不管如何心中无数，幸福难卜，结婚成家都是她们最可心合意的避风港，预防她们以后不致缺衣少食。”因此，要赢得一位理想的丈夫似乎就是奥斯汀小说中那些年轻小姐们的人生惟一目标，而她们为达到这一目标不断地进行着有形无形的激烈竞争。奥斯汀的小说都是围绕着乡绅贵族绅士淑女的恋爱求婚、男婚女嫁的错综复杂的情节来展开的。作者通过这些情节，用细腻的笔触深刻剖析作品中人物的心理，展示他们的道德品质，表现作者关于人生、特别是婚姻的道德观。她批判当时大多数联姻的方式，而且她小说中的大多数婚姻都是有缺陷的。但她同时通过她的故事告诉读者，理想的婚姻是可能的。这种理想婚姻的主要品质，除了女方花容月貌天生丽质、男方英俊潇洒一表人才之外，就是彼此了解，情投意合，心心相印，自由平等，互敬互惠，它将对彼此的炽烈爱情融合在稳定融洽、相互促进的家庭关系之中，所以她小说的所有女主人公都是为真正的爱情而结婚，而不是为终身有靠而草草苟合。她通过《傲慢与偏见》中贝内特小姐的口说：“没有爱情千万不要结婚。”她批判那种惟利是图的金钱婚姻，但她并不把金钱与爱情绝对分开，而且显示金钱在确立稳固的理想婚姻中起着决定性的作用。正如《傲慢与偏见》开宗明义的第一句话所幽默指出的：“一个家财万贯的单身汉，必定需要一位太太，这是一条举世公认的真理。”奥斯汀在《傲慢与偏见》这部小说里最仔细审慎地剖析描述了绅士淑女恋爱求婚的全过程，并全面透彻地说明了她所谓的理想婚姻的各种基础。 从18世纪末到19世纪初，“感伤小说”和“哥特小说”充斥英国文坛，而奥斯汀的小说破旧立新，一反常规地展现了当时尚未受到资本主义工业革命冲击的英国乡村中产阶级的日常生活和田园风光。她的作品往往通过喜剧性的场面嘲讽人们的愚蠢、自私、势利和盲目自信等可鄙可笑的弱点。奥斯丁的小说出现在19世纪初叶，一扫风行一时的假浪漫主义潮流，继承和发展了英国18世纪优秀的现实主义传统，为19世纪现实主义小说的高潮做了准备。虽然其作品反映的广度和深度有限，但她的作品如“两寸牙雕”，从一个小窗口中窥视到整个社会形态和人情世故，对改变当时小说创作中的风气起了好的作用，在英国小说的发展史上有承上启下的意义，被誉为地位“可与莎士比亚平起平坐”的作家。 简·奥斯汀是世界上为数极少的著名女性作家之一，介于新古典主义和浪漫运动的抒情主义
简·奥斯汀英文介绍
Most of us are familiar with Jane’s works such as sense and sensibility, pride and prejudice. But little do we know about Jane. Now I will give a brief introduction to Jane. Jane Austen, born on 16 December,1775,at the rectory in the village of Steventon , in Hampshire , is one of the best-known novelists in English literature. She was tutored mainly at home by her father and brothers . Due to her poor health,she died on July,18,1817. The language in her works is simple, witty and with quiet irony, which can strike a sympathetic chord in the hearts of its audiences .Her works are mostly about love and marriage in the view of woman . But during her 42 years’ life, she didn’t get married, which shows her belief that a marriage without love will never be happy. As is reflected in the film , she was an independent woman who endeavored to live by her pen instead of marrying a rich man . What makes me desire most is her reble spirit. People valued the propriety highly in that time. But Jane played cricket ball with the male, strolled around the fair and even eloped with her lover. She broke the boundary of propriety. In 18th century, people looked down upon female writing, it was said that to have a wife who has a mind is considered not quite proper . In spite of that , she insisted on writing ,and finally succeeded.
经典台词 成为简奥斯丁
《成为简奥斯丁》Becoming a woman. Becoming a legend. —Affection is desirable, money is absolutely indispensable.—爱情 是值得追求的，金钱是不可或缺的。—Nothing destroys like poverty.—没有什么比贫穷更能摧毁意志的了。 —How can you have him? Even with his thousands and his houses, how can you, of all people, dispose of yourself without affection? How can I dispose of myself with it? You are leaving tomorrow.— 你怎么能接受他的求婚？就算他有万贯家财，你怎么能和其他人一样和不爱的人结婚？有了爱又怎么样？你明天就要走了。 —I have no money, no property, I am entirely dependent upon that bizarre old lunatic, my uncle. I cannot yet offer marriage, but you must know what I feel. Jane, I'm yours. Gah, I'm yours, I'm yours, heart and soul. Much good that is. Let me decide that.—我既没钱，又没房产，完全仰赖我那个古怪的疯子舅舅，我还不能像你求婚，但我要你明白我的心意。简，我是你的，我是你的，是你的，全心全意，也许不值一提。这让我来决定。 —What value will there be in life if we are not together? Run away with me.—如果我们不能在一起，生活还有什么意义？跟我私奔吧。
简奥斯汀&现实主义
简·奥斯汀（英语：Jane Austen，1775年12月16日－1817年7月18日），19世纪英国小说家，世界文学史上最具影响力的女性文学家之一，其最著名的作品是《傲慢与偏见》和《理智与情感》，以细致入微的观察和活泼风趣的文字著称。 Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose works of romantic fiction, set among the landed gentry, earned her a place as one of the most widely read writers in English literature. Her realism, biting irony and social commentary have gained her historical importance among scholars and critics.[1] Austen lived her entire life as part of a close-knit family located on the lower fringes of the English landed gentry.[2]She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to her development as a professional writer.[3]Her artistic apprenticeship lasted from her teenage years into her thirties. During this period, she experimented with various literary forms, including the epistolary novel which she then abandoned, and wrote and extensively revised three major novels and began a fourth.[B] From 1811 until 1816, with the release of Sense and Sensibility(1811), Pride and Prejudice(1813), Mansfield Park (1814) and Emma (1816), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published posthumously in 1818, and began a third, which was eventually titled Sanditon, but died before completing it. Austen's works critique the novels of sensibility of the second half of the 18th century and are part of the transition to 19th-century realism.[4][C] Her plots, though fundamentally comic,[5]highlight the dependence of women on marriage to secure social standing and economic security.[6] Her work brought her little personal fame and only a few positive reviews during her lifetime, but the publication in 1869 of her nephew's A Memoir of Jane Austen introduced her to a wider public, and by the 1940s she had become widely accepted in academia as a great English writer. The second half of the 20th century saw a proliferation of Austen scholarship and the emergence of a Janeite fan culture. 简1775年生于英国汉普郡，双亲是George和Cassandra，她有六个哥哥和一个姐姐Cassandra，家境尚可，父亲是一名牧师。Further information: Timeline of Jane Austen Biographical information concerning Jane Austen is "famously scarce", according to one biographer.[7] Only some personal and family letters remain (by one estimate only 160 out of Austen's 3,000 letters are extant),[8] and her sister Cassandra (to whom most of the letters were originally addressed) burned "the greater part" of the ones she kept and