散文翻译技巧和特点word版本

散文翻译技巧和特点word版本
散文翻译技巧和特点word版本

一、翻译散文的要领:

第一、准确把握原文的内容和风格。朴实无华有口语化倾向,典雅华丽浪漫抒情,还是修辞多样形式工整?

第二、在语言、句式、结构、修辞等方面忠实地重现原文的内容与风格。

二、现代散文特点

通过对现实生活中某些片断或生活事件的描述,表达作者的观点、感情,并揭示其社会意义,它可以在真人真事的基础上加工创造;不一定具有完整的故事情节和人物形象,而是着重于表现作者对生活的感受,具有选材、构思的灵活性和较强的抒情性,散文中的“我”通常是作者自己;语言不受韵律的限制,表达方式多样,可将叙述、议论、抒情、描写融为一体,也可以有所侧重;根据内容和主题的需要,可以像小说那样,通过对典型性的细节欲生活片段,作形象描写、心理刻画、环境渲染、气氛烘托等,也可像诗歌那样运用象征等艺术手法,创设一定的艺术意境。

三、要素

第一、所谓优美,就是指散文的语言清新明丽(也美丽),生动活泼,富于音乐感,行文如涓涓流水,叮咚有声,如娓娓而谈,情真意切。

第二、所谓凝练,是说散文的语言简洁质朴,自然流畅,寥寥数语就可以描绘出生动的形象,勾勒出动人的场景,显示出深远的意境。散文力求写景如在眼前,写情沁人心脾。

四、在《英译中国现代散文选》中,翻译家张培基先生保存散文风格方面的技巧值得学

习:句子短小、精悍,结构简单;用词简单、明了;修辞处理合理,力求通俗易懂;

语言逻辑关系清晰;对文化因素处理得体,读者对译文无理解障碍。以上技巧的合理运用,翻译工作者可以此为鉴。

五、散文翻译原则:

1、文气贯通,气韵生动

英国散文翻译家Hilaire Belloc 为文学散文翻译制定了6 条原则,认为翻译的本质是异地之魂假借本地之躯的复活(the essence of translating is the resurrection of an alien thing in a native body) ,强调散文的翻译不能拘泥于原文之字句,要视段落或部分为整体。翻译要“以意译意( translate intention by intention) ”,以意译意”与林语堂提倡的翻译要“翻译要遵循行文之心理”是高度一致的,这样可以摆脱原文字句的束缚,有利于发挥译入语的优势。

2、传神写照———“意,气,文”三位一体

在散文翻译中,我们要想译得曲尽其妙,须得传神地摹写作者的气质神韵。每一个作者有每一个的个性特点、气质精神,着手翻译之前,要先对作者进行深入的研究,把握其时代背景、人生经历、创作风格等,这样的翻译方能做到传神达意,否则,难免貌合神离

3、文学翻译非文字翻译

讲求整体效果,即“神韵”。有些表面忠实的译文,失去了散文的文采,文雅,便失去了自身的价值,终究是失败的译文。

六、从篇章翻译看散文翻译

1、标题的翻译技巧

眼睛对于人来说, 是他们心灵的窗户; 而标题对于一篇文章来说, 就是它的眼睛。标题凌驾于篇章之上, 却植根于篇章之中。在翻译时必须牢记: 一是真正看懂全文之后再决定译名; 二是译出的标题必须符合通用的翻译标准: 忠实、通顺、有美感。在翻译标题

时, 译者充分考虑了两种语言的不同习惯和不同的文化、社会背景, 注重准确选词、增词、结构转换和结合上下文语境的理解来完成。

翻译者在翻译一篇文章的题目时, 不能割裂文章与题目的关系撇开文章内容纯粹地就题目翻译题目, 这样很容易翻译地不够准确, 甚至与原题目或文章内容相差甚远。只有在把握了全篇文章的内容之后, 再决定题目的翻译, 这样才能把原文的题目成功地翻译成英文。对于文学翻译来说, 仅仅忠实与通顺还很不够, 还要尽可能彻底地保留原作的美学价值

2、标点符号的转换

根据英汉标点符号对比, 汉语和英语都有16 种, 可以说在用法上是大同小异或基本相同的。但是在实际的翻译实践中却不可机械对应。照搬, 会在达意和传神方面留下诸多遗憾。文章中根据上下文语境的需要做了一些处理和调整, 更符合译语的表达习惯。

3、词的表现力和修辞手段

把作品从一国文字翻译成另一国文字, 既不能因语文习惯的差异而露出生硬牵张的痕迹, 又能完全保存原有的风味,译者在翻译过程中利用增减词、词性的转换或修辞手段使文字更具感染力, 并使英译文既能符合英语的表达习惯, 又着力保持原作的神韵和风姿, 达到原作的艺术效果。译者在翻译过程中, 特别注意忠实于原文而又不拘泥于原文, 在传达意义和神韵上能与原文保持一致, 采用了增词, 减词, 变通等多种手段, 显示了译者良好的英汉语言文学修养和精湛的译笔, 同时也很好地保留了原文的美感。

4、句子层面的巧妙处理

A. 句子的衔接和连贯

由于东西方民族的思维方式和角度不同, 其语言表述上的差异当然也是不可避免

的。例如: 汉语中主语有时可以甚至必须省略, 多个没有主语的句子可以并列在一起。

但是英语的句子结构多以主语+谓语的形式出现。在照应方面, 英语可用定冠词, 而汉

语没有定冠词; 英语人称代词以及响应的限定词的使用率也大大高于汉语。在句内词语

的关系方面, 汉语经常省略连接词语, 依靠句内各个部分之间的内在逻辑关系达到连接

的目的, 英译时则要适时地增加关联词语, 把原文的这种内在联系揭示出来, 以避免句

子结构松散或脱节。

B. 句子的分译和合译。(汉语散文的特点是形散而神不散, 但英语散文的行文紧凑严谨。)

5、习语的翻译

译者把原文的一些语句巧妙地翻译成英语中的习语; 同时也用地道的英语表达来处理原文中的一些习语。

散文翻译的技巧

散文翻译 一、散文的特点 散文是文学中常见的体裁,它选材广泛,结构灵活,表现手法多样,如叙事!抒情!议论等,主要特点是:体物写志,行散神聚。―形散―是指散文运笔如风,不拘形式,清淡自然; ―神聚‖指意旨明确,紧凑集中,既散得开,又收得拢;既有豪放的特色,又有清幽的特征。真正的散文是充满诗意的,就像苹果里饱含着果汁一样(巴乌斯托夫斯基语)。优美的散文艺术性在于新颖的构思,充沛的感情,丰富的想像,简洁精粹的语言和耐人寻味的意境"散文也常常被比作小而境界深邃的园林。作者运笔看似信手拈来,实则字斟句酌,环环相扣,使读者浮想联翩。文论家刘勰说道: ―情动而言行,理发而文见‖,由此可见散文贵在以巧取胜,以巧妙的语言、巧的意境来打动读者,给读者以最大审美愉悦。既然散文有丰富的艺术魅力,那么它的审美效果又如何在译文中传达呢?俄国著名翻译家吉加切奇拉泽在《文艺翻译与文学交流》一书中谈到文艺翻译的总的指导原则时认为:―理想的文艺翻译首先是在艺术上,而不是在语言上和原文一致。即使达不到这一目标,也应全力以求,离目标越近越好‖。在加氏看来,作家的思想表现在文字形象以及一定的语调和节奏结构上,每个句子由若干语调、意群或若干句素组成,它们的意义合构成句子。因此,他认为文艺翻译的过程也应当根据上面的模式进行。不过译者不能机械地重复创作过程的所有阶段,译者应努力把通过文字形象表达的原作的思想用另一种语言再现出来,当然同时要有兼顾文学文本所特有的语调、节奏和句构特点,作为文学翻译形式之一的散文翻译,自然也要求译者在传译过程中,不仅要传达出原文的语流!节奏和句子结构等语义信息,更应着重传达原文的艺术神韵,以使目标读者在读译文时可以获得和原文读者读原文时同样的语义和美学的双重享受。 二、散文英译 以张培基的《英译中国现代散文选》为例: (一)句子短小精悍,结构简单 从理论上说,英语语言与汉语语言相比,英语句子―常常是环扣相嵌,盘根错节,句中有句‖,也就是所谓的―楼房建筑法‖(architecture style) 。而汉语以散句、松句、紧缩句、省略句、流水句等短句居多[4 ] (P48 - 49) 。可见,在汉英翻译中,使用英语长句是理所当然的,也是符合语言规律的。 但在张先生英译的散文中,英语短句却屡见不鲜,正是这些短句的使用,形成了张先生译文―质朴‖的风格。在《差不多先生》( Mr. About - the - Same) 一文中,有这么一段话: 差不多先生的相貌和你和我差不多。他有一双眼睛,但看的不很清楚;有两只耳朵,但听得不很分明; 有鼻子和嘴,但他对于气味和口味都不很讲究。他的脑子也不小,但他的记性却不很精明,他的思想也不很细密。

考研英语常用翻译技巧总结

常用翻译技巧总结 (编辑整理by会员solxf) 个人认为,翻译题很重要!考研是个充实自己的过程,只要你还需要英语,就离不开翻译,所以大家应该引起足够重视。 首先个人推荐一本书,XDF唐静老师的《拆分与组合翻译法》,我听过他的课,他的方法很实用,感觉很象下面介绍的第四种方法。 翻译题里考察三方面内容: 1、专有名词(如operational research expert)、习惯用法(如depend on) 及多义词的翻译 (如school、set的多义) 2、一般性翻译技巧:包括词义选择,词序调整,词性转换和增词法等等 3、具体句型(定从、状从、主从、宾从、表从、同位从、强调结构、并列、 比较、倒装、插入、被动、否定等) 其中2、3是大考点,具体内容可在论坛下XDF的翻译笔记来看,在此不赘述。 可看出,应对翻译题的主要武器是翻译技巧,下面正式进入正题(常用方法、被动语态译法、形容词译法、举例详解) 一、常用方法 英汉两种语言在句法、词汇、修辞等方面均存在着很大的差异,因此在进行英汉互译时必然会遇到很多困难,需要有一定的翻译技巧作指导。常用的翻译技巧有增译法、省译法、转换法、拆句法、合并法、正译法、反译法、倒置法、包孕法、插入法、重组法和综合法等。这些技巧不但可以运用于笔译之中,也可以运用于口译过程中,而且应该用得更加熟练。 1增译法:指根据英汉两种语言不同的思维方式、语言习惯和表达方式,在翻译时增添一些词、短句或句子,以便更准确地表达出原文所包含的意义。这种方式多半用在汉译英里。汉语无主句较多,而英语句子一般都要有主语,所以在翻译汉语无主句的时候,除了少数可用英语无主句、被动语态或“There be…”结构来翻译以外,一般都要根据语境补出主语,使句子完整。英汉两种语言在名词、代词、连词、介词和冠词的使用方法上也存在很大差别。英语中代词使用频率较高,凡说到人的器官和归某人所有的或与某人有关的事物时,必须在前面加上物主代词。因此,在汉译英时需要增补物主代词,而在英译汉时又需要根据情况适当地删减。英语词与词、词组与词组以及句子与句子的逻辑关系一般用连词来表示,而汉语则往往通过上下文和语序来表示这种关系。因此,在汉译英时常常需要增补连词。英语句子离不开介词和冠词。另外,在翻译时还要注意增补一些原文中暗含而没有明言的词语和一些概括性、注释性的词语,以确保译文意思的完整。总之,通过增译,一是保证译文语法结构的完整,二是保证译文意思的明确。如: (1)What about calling him right away? 马上给他打个电话,你觉得如何?(增译主语和谓语) (2)If only I could see the realization of the four modernizations. 要是我能看到四个现代化实现该有多好啊!(增译主句) (3) Indeed, the reverse is true 实际情况恰好相反。(增译名词)

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英语美文欣赏带翻译

Friends or 'Enemies?' When I was younger, my Dad used to tell me: "Boys don't want to be your friend." He then left the rest to my imagination. At the time, I didn't agree. I thought: I can crack a good joke, I know how to shoot a hoop, and I'm a cheerful person (but not in an annoying way). What kind of boy wouldn't want to be around that kind of girl? Turns out, my Dad was right. Not to be all "Samantha Brick" about it, but in my experience, single, heterosexual men aren't actively looking for an exclusively platonic relationship with a woman they find sexually attractive. This of course is not a revolutionary concept. In fact, it seems pretty natural to me. Now, I will be the first to say that it is really and truly the most wonderful thing in the world if the attraction is mutual. But the Powers That Be seem to like to play these complicated little mating games with humans where the guy we want to re-enact scenes from 9? Weeks with sees our attractiveness level as akin to that of a discarded dishcloth, and the most physical we could see ourselves being with the guy who actually likes us is a game of ping pong over an especially long table. All of which means that someone usually ends up getting rejected. I'm sure I'm not alone when I say I have struggled with the scenario where I am not interested in a man romantically, but I want to keep him as a friend because he is funny and I enjoy his company, or he has shown himself to be that rare specimen known as "a nice, genuine person, " or he simply doesn't mention his therapist in every other sentence. Rather than string him along and give him hope, I feel compelled to somehow communicate to him sooner rather than later that we'll just be staying friends, nothing more. Otherwise, I think I am being unfair to him. Why should he waste his romantic stamina on me when there are loads of other single women out there who might fall instantly in love with him? 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So I didn't see the harm in him buying me the occasional falafel, or accepting an invitation to see a film with him. Isn't that what friends are for? But a mutual friend shed light on his sexual orientation (straight) and suggested that his intentions -- and attentions -- weren't platonic. He had never "made the moves" but now it was all crystal clear -- that explains the way he had looked at me that time the tahini sauce dribbled down my chin! Since he had clearly been too timid to express his feelings, I thought I would be clever this time and subtly mention the dates I had been going on, focusing on the one guy I was kind of keen on, so that he would know that I was "unavailable" for heavy petting and those sorts of activities, but that I was available for things like roller skating, falafel-eating and shooting the breeze. Doesn't that sound nice? 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If so, I hope they'll keep it to

英语小短文(带翻译)

Whether sixty or sixteen, there is in every human being's heart the lure of wonders, the unfailing childlike appetite of what's next and the joy of the game of living. In the center of your heart and my heart there is a wireless station: so long as it receives messages of beauty, hope, cheer, courage and power from men and from the infinite, so long are you young. 无论是60岁还是16岁,你需要保持永不衰竭的好奇心、永不熄灭的孩提般求知的渴望和的欢乐与热情。在你我的心底,有一座无线电台,它能在多长里接收到人间万物传递来的、、欢乐、鼓舞和力量的信息,你就会年轻多长时间。 An individual human existence should be like a river—small at first, narrowly contained within its banks, and rushing passionately past boulders and over waterfalls. Gradually the river grows wider, the banks recede, the waters flow more quietly, and in the end, without any visible break, they become merged in the sea, and painlessly lose their individual being. 应当像河流,开始是涓涓细流,受两岸的限制而十分狭窄,尔后奔腾咆哮,翻过危岩,飞越瀑布,河面渐渐开阔,河岸也随之向两边隐去,最后水流平缓,森森无际,汇入大海之中,个人就这样地消失了。 Youth means a temperamental predominance of courage over timidity,of the appetite for adventure over the love of ease.This often exists in a man of sixty more than a boy of twenty.Nobody grows old merely by a number of years.We grow old by deserting our ideals. 意味着战胜懦弱的那股大丈夫气概和摈弃安逸的那种冒险精神。往往一个60岁的老者比一个20岁的青年更多一点这种劲头。人老不仅仅是岁月流逝所致,更主要的是不思进取的结果。 Years may wrinkle the skin,but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spirit back to dust. 光阴可以在颜面上留下印记,而热情之火的熄灭则在上刻下皱纹。烦恼、恐惧、会扭曲人的灵魂,并将青春化为灰烬。 爱情的世界很大也很小 The love world is big, which can hold hundreds of disappointments; the love world is small which is crowded even with three people inside. 原来的世界很大,大到可以装下上百种委屈; 原来爱情的世界很小,小到三个人就挤到窒息。 To the world you may be one person, but to one person you may be the world. 对于世界而言,你是一个人;但是对于某个人,你是他的整个世界。 Don’t waste your time on a man/woman, who isn’t willing to waste their time on you. 不要为那些不愿在你身上花费的人而浪费你的时间。

翻译技巧总结

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