2011年经典译文赏析(英汉双语)

第一篇

泰戈尔《生如夏花》

one

一

I heard the echo, from the valleys and the heart

我听见回声，来自山谷和心间

Open to the lonely soul of sickle harvesting

以寂寞的镰刀收割空旷的灵魂

Repeat outrightly, but also repeat the well-being of

不断地重复决绝，又重复幸福

Eventually swaying in the desert oasis

终有绿洲摇曳在沙漠

I believe I am

我相信自己

Born as the bright summer flowers

生来如同璀璨的夏日之花

Do not withered undefeated fiery demon rule

不凋不败，妖治如火

Heart rate and breathing to bear the load of the cumbersome 承受心跳的负荷和呼吸的累赘

Bored

乐此不疲

Two

二

I heard the music, from the moon and carcass

我听见音乐，来自月光和胴体

Auxiliary extreme aestheticism bait to capture misty

辅极端的诱饵捕获飘渺的唯美

Filling the intense life, but also filling the pure

一生充盈着激烈，又充盈着纯然

There are always memories throughout the earth

总有回忆贯穿于世间

I believe I am

我相信自己

Died as the quiet beauty of autumn leaves

死时如同静美的秋日落叶

Sheng is not chaos, smoke gesture

不盛不乱，姿态如烟

Even wilt also retained bone proudly Qing Feng muscle

即便枯萎也保留丰肌清骨的傲然

Occult

玄之又玄

Three

三

I hear love, I believe in love

我听见爱情，我相信爱情

Love is a pool of struggling blue-green algae

爱情是一潭挣扎的蓝藻

As desolate micro-burst of wind

如同一阵凄微的风

Bleeding through my veins

穿过我失血的静脉

Years stationed in the belief

驻守岁月的信念

Four

四

I believe that all can hear

我相信一切能够听见

Even anticipate discrete, I met the other their own

甚至预见离散，遇见另一个自己

Some can not grasp the moment

而有些瞬间无法把握

Left to the East to go West, Gu, the dead must not return to 任凭东走西顾，逝去的必然不返

See, I head home Zanhua, in full bloom along the way all the way

请看我头置簪花，一路走来一路盛开

Frequently missed some, but also deeply moved by wind, frost, snow or rain 频频遗漏一些，又深陷风霜雨雪的感动

Five

五

Prajna Paramita, soon as soon as

般若波罗蜜，一声一声

Shengruxiahua dead, as an autumn leaf

生如夏花，死如秋叶

Also care about what has

还在乎拥有什么

第二篇

我喜欢你是静静的

I like for you to be still: it is as through you are absent

and you hear me from far away and my voice does not touch you

It seems as through your eyes had flown away

and it seems that a kiss had sealed your mouth

我喜欢你是静静的：就像你根本不存在一样

你从远处聆听我，但我的声音却触摸不到你

就好像你的目光已经游离出去化作一个吻印上了你的唇

as all things are filled with my soul

your emerge from the things, fill with my soul

you are like my soul, a butterfly of dreams

and you are like the word melancholy

我的灵魂充斥着一切

你的出现丰盈了我的灵魂

你就如同我的灵魂一般，似一只梦中飞来的蝴蝶

你也如同“愁思”这个词

I like for you to be still, and you seem far away

It sounds as though you are lamenting, a butterfly cooing like a dove

And you hear me from far away, and my voice does not reach you

Let me come to be still in your silence

我喜欢你是静静的：好像你已远去

你似乎在轻声叹息，如同细声鸽语的蝴蝶

你从远处聆听我，但我的声音却触摸不到你

让我继续沉醉在你的寂静无声之中吧

And let me talk to you with your silence

That is bright like a lamp, simple as a ring

You are like the night, with its stillness and constellations Your silence is that of a star, as remount and candid

让我与你的沉默对话

你的沉默亮若明灯，简单如环

你如黑夜，拥有寂静与群星

你的沉默就是星星的力量，遥远而明亮

I like for you to be still: it is as though you are absent distant and dull of sorrow, as though you had died

One word then, one smile, is enough

And I'm happy, happy that's not true

我喜欢你是静静的：就像你根本不存在一样

远隔千里，满怀哀恸，仿佛你已不在人世

彼时，一个字，一个微笑，就已足够

而我会感到幸福，因那不是真的而感到幸福

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许渊冲翻译理论及作品分析

许渊冲翻译理论及作品分析外国语学院 115班 3号冯奕璇许渊冲翻译理论及作品分析

在上了名家名篇赏析这门课之后，我们都知道了在中国古诗词翻译中，许渊冲有“诗译英法唯一人”的称号，同时他还总结了自己的诗词翻译理论。下面就让我们分析一下许渊冲先生的翻译理论以及他的作品。首先是许先生所提出的“三美”理论，“三美”即意美、音美、形美。所谓意美，就是在翻译时要体现出原作的内容美；音美即要求译文押韵、顺口、好听；形美则是对诗的行数长短整齐，句子对仗工整的要求。以他翻译的《关雎》为例，“关关雎鸠，在河之洲。窈窕淑女，君子好逑”译文为“By riverside are cooing. A pair of turtledoves. A good young man is wooing. A fair maiden he loves”，先说意美，关关雎鸠的意思是“关关鸣叫的水鸟”，许先生的译文中用了“cooing”这个单词来表示水鸟，运用了“拟声”的修辞手法，将水鸟鸣叫这一景象描写的惟妙惟肖，“拟声”的手法同时也表现出了原文《关雎》的活泼的感觉，而“turtledoves”既有斑鸠的意思，也有情人的意思，暗示了这首诗为一首情诗，符合原文的意境。许先生用“a good young man”而不是“gentleman”表现出了原文“民俗歌谣”的特点，洒脱，不拘泥于形式。再说音美，译文中第一句的词尾“cooing”和第三句的词尾“wooing”读音相似，第二句的词尾“turtledoves”和第四句词尾“loves”读音相似。在音节上，第一句为七个音节，第二句五个，第三句又是七个，第四句五个。一三句押韵，二四句押韵，读起来朗朗上口，符合“音美”这一特点。第三个特点是“形美”原诗中四字一句，对仗极其工整，译文中也维持在四到六词一句，共四行，和原诗相符。以上就是我所认为的许渊冲先生的“三美”理论，除了“三美”理论之外，许先生还提出了另外一个著名的翻译理论“三化”理论。“三化”即“深化，等化，浅化”。“深化”就是原文为抽象、一般性的语言，译文则用形象、具体的语言对译，包括加词、分译等。“浅化”是原文为形象、具体的语言，译文则用抽象、一般性的语言对译，包括减词、“合译”等。“等化”基本上是采用直译的方法，原文为形象、具体的语言，译文也用相同形象、具体的语言。原文为抽象、一般性的语言，译文也保持相同抽象、一般性的语言，包括换词、“反译”等方法。以我们课上所学的许先生翻译的李商隐的《无题》为例。“相见时难别亦难，

英语美文欣赏带翻译

Friends or 'Enemies?' When I was younger, my Dad used to tell me: "Boys don't want to be your friend." He then left the rest to my imagination. At the time, I didn't agree. I thought: I can crack a good joke, I know how to shoot a hoop, and I'm a cheerful person (but not in an annoying way). What kind of boy wouldn't want to be around that kind of girl? Turns out, my Dad was right. Not to be all "Samantha Brick" about it, but in my experience, single, heterosexual men aren't actively looking for an exclusively platonic relationship with a woman they find sexually attractive. This of course is not a revolutionary concept. In fact, it seems pretty natural to me. Now, I will be the first to say that it is really and truly the most wonderful thing in the world if the attraction is mutual. But the Powers That Be seem to like to play these complicated little mating games with humans where the guy we want to re-enact scenes from 9? Weeks with sees our attractiveness level as akin to that of a discarded dishcloth, and the most physical we could see ourselves being with the guy who actually likes us is a game of ping pong over an especially long table. All of which means that someone usually ends up getting rejected. I'm sure I'm not alone when I say I have struggled with the scenario where I am not interested in a man romantically, but I want to keep him as a friend because he is funny and I enjoy his company, or he has shown himself to be that rare specimen known as "a nice, genuine person, " or he simply doesn't mention his therapist in every other sentence. Rather than string him along and give him hope, I feel compelled to somehow communicate to him sooner rather than later that we'll just be staying friends, nothing more. Otherwise, I think I am being unfair to him. Why should he waste his romantic stamina on me when there are loads of other single women out there who might fall instantly in love with him? The thing is, it can sometimes be tricky to reject a man and keep him as a friend. If the operation is not executed carefully, you may end up creating a "menemy." It requires a certain amount of skill to be able to turn down a man's sexual advances or romantic gestures and then get him to agree to meet you for blueberry pancakes the following weekend and chat about the latest Woody Allen film. Some men aren't satisfied with just that. I'm not clear why. What's so bad about friendship? Everyone needs buddies. But I've seen men react poorly or simply fall off the face of the earth. I get it -- their feelings are hurt. None of us likes getting rejected. But in my experience, some men find it especially soul-crushing. I am only bringing all of this up because I recently had to go through this scenario again. I had spent some time cultivating a friendship with a man who, in my defense, I thought was gay. So I didn't see the harm in him buying me the occasional falafel, or accepting an invitation to see a film with him. Isn't that what friends are for? But a mutual friend shed light on his sexual orientation (straight) and suggested that his intentions -- and attentions -- weren't platonic. He had never "made the moves" but now it was all crystal clear -- that explains the way he had looked at me that time the tahini sauce dribbled down my chin! Since he had clearly been too timid to express his feelings, I thought I would be clever this time and subtly mention the dates I had been going on, focusing on the one guy I was kind of keen on, so that he would know that I was "unavailable" for heavy petting and those sorts of activities, but that I was available for things like roller skating, falafel-eating and shooting the breeze. Doesn't that sound nice? That way, he would known not to try to lean in for a kiss, and I wouldn't have to pull the Stevie Wonder dance and dodge him went he went for it. It was like pre-rejection, yet I was sparing his feelings because he didn't even have to put himself out there! I really thought I was being brilliant. It backfired, of course. Said man ended up sending me an email rant accusing me of being insensitive by talking about other men when he had "feelings for me." As if I am psychic, by the way, just because I am a woman! How was I supposed to know that? I think in his mind we were dating. In my mind, he was my new gay BFF. In the end, I got mad at him for getting mad at me, and now the friendship has ended. And I have created yet another "menemy." Look, I have also tried the direct thing: "I really like you, but only as a friend, " but you can only do that when the guy has made his intentions clear, and in my experience, they either cope okay (though rarely do I feel much enthusiasm for friendship after that), or they really don't cope well. I also tried the thing where you make them think they are rejecting you, but it gets quite confusing and only works if the guy isn't very sharp, and why would I -- or you -- be hanging out with someone not that sharp in the first place? As we all remember, Billy Crystal's character says men and women can't be friends in When Harry Met Sally because the sex stuff gets in the way. I do have single, male, heterosexual friends with whom I have an easy, non-romantic rapport, but I honestly don't know if they would walk away if I was sprawled naked on a bed calling out to them. I may not be everybody's cup of tea, but sometimes, I wonder if they wonder. And they may wonder if I wonder. If so, I hope they'll keep it to

英语翻译常用句型

翻译中常见的句型 1．否定句型 1）部分否定。其否定意义只局限于整体中的一部分。其形式：“概括词all, every等+not+谓语动词”。常用于该句型词：all, both, everybody, everywhere, always, altogether, entirely, wholly等。 All is not gold that glitters. I do not wholly agree. 2) 完全否定。其形式：no, none 等否定词+肯定式谓语。常用于该句型词：no, none, nobody, nothing, nowhere, never, neither, nowhere, nowise, 等。还有一种句型：all等概括词+肯定式谓语+否定意义的词。 No words can describe the scene. 任何言词均不能描绘那景色。 All his plan came to nothing. 3)双重否定 a.主语+cannot+ help/refrain/keep + from + v-ing He could not help showing his pleasure.他不由得喜形于色。 b.主语+cannot+ but/choose but/ help but +do They can not choose but admit that they are wrong. c.(there be) not +主语+but+谓语 (There is )Nobody but has his faults. 人人都有缺点。 2．判断句型 1）强调判断句 a.主语+be+ no/none +other than/but +表语（强调内容） The tall figure that I saw was none other than our commander. b.主语+be+ nothing+(else)but/ else than/ less than+ 表语 Genius is nothing but labor and diligence.天才只不过是劳动加勤奋而已。 c.it is/was +强调部分+that/ who +从句 It is I who am to blame. 2) 正反判断句 a.主语+be +not+表语a, but +表语b What I admire in Columbus is not his discovered a world, but his having gone to search for it on the faith of an opinion. b.(it is) not… that(who) …, but…that (who) Not that we are afraid of them, but that they are afraid of us. 3)比较判断句： a.主语+be less+表语a +than表语b / more+表语b+表语a Experience shows that success is due less to abilities than to zeal. b.主语+be+表语b+ rather than+表语a He is an artist rather than a philosopher. c.主语+be+ not so much +表语a+ as+表语b It is so much advice as approval that he seeks. 他寻求的与其说是忠告，不如说是忠告。3．倍数表示句型： a.主语+be+倍数+that of 被比较对象/ as +形容词+as+被比较对象

英汉翻译评析

评：在最后一句“回眸一笑百媚生，六宫粉黛无颜色”中，译者将“百媚”翻译为“ full of grace ” ,在此处应取“ eleganee and beauty of movement expression ， a beautiful figure which she used in subtle movements unparalleled grace ”这一义，我认为此处强调的是“媚”这个字，这种美是无人能比的，以至于六宫粉黛无颜色，所以在翻译之时，可以把这种媚翻译成魅力，而且是“百媚”，此处“百”又不是真的“ hundred ”，而是一种“ end beauty, end of charm ”。评：最后一句“六宫”翻译成six places 非常生硬，感觉没有体现中国古典文化中六宫的含义。同时fairest face 也太过于字面化，没有什么美感。回眸直接翻译为turning her head 也是过于直接，体现不出古典诗歌所要表达的美。 or of of 评：第二句杨家有女初长成中， womanhood just grow ，womanhood 略感多余，前面已经用了 maiden ，意透露性别信息，无需再次强调女性身份，第三句中天生丽质难自弃，用 en dowed with n atural beauty, en dow 之嫌，一朝选在君王侧翻作 selected for the mon arch' 妃，回眸一笑百媚生，六宫粉黛无颜色有承接关系，觉得，已有天生具有的意思，再用 natural 强调原生有语义赘余 s side,太过直译，可以意译为入宫为 that 放入前半句更好， that she turns her head, with a sweet and grace smile 。评：诗歌标题“长恨歌”并非表达一种真正的恨意和痛苦，的遗憾和悔恨。“ regret ”正好有“悔恨，遗憾”之意，“ 而是指唐明皇和杨贵妃无法长相厮守 everlasting ”正好表达岀了长久的意味。许渊冲的翻译避免了直接翻译的直白，又恰到好处地将两人无法长相厮守的遗憾表达得淋漓尽致，十分贴切。《长恨歌》翻译评析长恨歌许渊冲译 The Everlast ing Regret 汉皇重色思倾国，御宇多年求不得。 The beauty-lovi ng mon arch Ion ged year after year To find a beautiful lady without peer. 杨家有女初长成，养在深闺人未识。 A maide n of the Yan gs* to woma nhood just grow n. In inner chambers bred, to the world was unknown. 天生丽质难自弃，一朝选在君王侧。 En dowed with n atural beauty too hard to hide, One day she stood selected for the mon arch ' s side. 回眸一笑百媚生，六宫粉黛无颜色。 Turning her head, she smiled so sweet and full of grace That she outsh one in six palaces the fairest face.

英文诗歌赏析方法

英文诗歌赏析方法英诗的欣赏：诗的格律、诗的押韵、诗的体式、诗的评判。诗以高度凝结的语言表达着人们的喜怒哀乐，用其特有的节奏与方式影响着人们的精神世界。诗讲究联想，运用象征、比喻、拟人等各种修辞手法，形成了独特的语言艺术。一、诗的格律 “格律是指可以用脚打拍子的节奏”，是每个音步轻重音节排列的格式，也是朗读时轻重音的依据。而音步是由重读音节和非重读音节构成的诗的分析单位。重读音节为扬（重），在音节上用“－”或“?”标示，非重读音节为抑（轻），在音节上用“?”标示，音步之间可用“／”隔开。以下是五种常见格式： 1. 抑扬格（轻重格）Iambus：是最常见的一种格式，每个音步由一个非重读音节加一个重读音节构成。 As fair / art thou / my bon/nie lass， So deep / in luve / am I ： And I / will luve / thee still，/ my dear，Till a` / the seas / gang dry： Robert Burns（1759-1796）：My Luve Is like a Red，Red Rose 注；art=are luve=love bonnie=beautiful a`=all gang=go 上例中为四音步与三音步交叉，可标示为：?－／?－／?－／（?－） 2.扬抑格（重轻格）Trochee：每个音步由一个重读音节加一个非重读音节构成。下例中为四音步扬抑格（少一个轻音节），可标示为：－?／－?／－?／－ Tyger！/ Tyger！/ burning / bright In the / forests / of the / night William Blake：The Tyger 3. 抑抑扬格（轻轻重格）Anapaestic foot：每个音步由两个非重读音节加一个重读音节构成。如：三音步抑抑扬格??－／??－／??－ Like a child / from the womb， Like a ghost / from the tomb， I arise / and unbuild / it again. 4. 扬抑抑格（重轻轻格）Dactylic foot：每个音步由一个重读音节加两个非重读音节构成。如：两音步扬抑抑格－??／－?? ?Touch her not / ?scornfully， ?Think of her / ?mournfully. - Thomas Hood 5. 抑扬抑格（轻重轻格）Amphibrach：每个音步由一个非重读音节加一个重读音节再加一个非重读音节构成。如：三音步抑扬抑格?－?／?－?／?－?下例中最后一个音步为抑扬格。 O ?hush thee / my ?babie / thy ?sire was / a knight. 在同一首诗中常会出现不同的格律，格律解析对朗读诗歌有一定参考价值。现代诗中常不遵守规范的格律。二、诗的押韵