有关电影的英语演讲稿

有关电影的英语演讲稿

电影：天使爱美丽

there are so many movies i’ve loved that the entire list would be nearly book-length. it’s tough to pick just a few, but i’ll give it a try.

before i start any kind of numbered list, i have to include one film that ... we ll, it’d be unfair to call it (them, really) my favorite film(s), as they float in the stratosphere above anything like a numerical favorites list. it isn’t fair to list it with others. while i’ll still refer to #1 on the list below as my favorite as follow.

movie:d’amélie poulain, directed by :jean-pierre jeunet.

jean-pierre jeunet has created montages of insignificance and triviality only to bring out in an euphemistic way the biggest support one can get in life; single character,including amelie herself,has some kind of peculiarity in their characteristics(which often resemble the eccentricity of dickensian characters)but the one thing binds them together is their agony of being lonely,unnoticed and search for

companionship and is like the angel who repairs the missing links in their lives and finds a root of her “all’s well that ends well” motto of fairy-tales has been adopted very skilfully in this movie and it rather wakes up the fairy godmother in each of us.

for 20 years jean-pierre jeunet collected small astonishing and intriguing moments in his life, taking notes in his diary, not knowing that he was up to co-write and direct one of the most successful film in french film history. jean-pierre jeunet fell in love with the story and the film he titled le fabuleux destin d’amélie poulain. but it’s popularity was even a surprise to jean-pierre jeunet himself as he once stated: i guess i have to produce a film like alien resurrection (usa 1997) to make a movie like le fabuleux destin d’amélie poulain’, obviously not aware of the films potential. unfortunately the film didn’t win an academy award for the best foreign film in 2001 which still puzzles film fans all over the world.

i consider jean-pierre jeunet’s film as a masterpiece. in my opinion, it is an outstanding film in film history for its cinematography, the music, the

story, but above all the overall atmosphere. going to the cinema is like meditating. we sit for over one-hour and comfortable chair - our breath slows down and as the lights are switched off, we enter a dream world. we seek to escape our normal world just for a short period of time, to experience something totally different and yet, we want to find ourselves in this world. thanks to jean-pierre jeunet i had a wonderful dream, i will never forget.

jean-pierre jeunet and his camera man, bruno delbonnel, wanted to make the film look like the spanish painter did his artwork. to establish a dreamlike atmosphere they used mostly red and green, sometimes adding a little blue spot in the picture to set the contrast. audrey tautou (amélie poulain), mostly wears either red or green dresses, as well as the housekeeper (yolande moreau as madelaine wallace, concierge), and amélie’s mother (lorella cravotta as amandine poulin) in the beginning of the film. when amélie poulain sits down to watch the tragedy of her life on her tv, there is an outstanding of a blue lamp in the background. sometimes the use of color gets very obvious. amélie’s

apartment for example is almost completely red, the underground station and the train station are kept in green and the green grocery store stands out from the grey buildings. honestly, i haven’t noticed the extreme use of color the first time i watched the movie.

i just wondered how jeunet succeeded in establishing such a fabulous atmosphere.

the atmosphere is also supported by the magnificent music by yann tiersen who has composed 19 songs in 15 days for this movie. the principal motive appears in many variations somehow being joyful, yet at the same time sad - slow and sometimes fast and activating. the music supports every moment in the film and becomes the sound of a fabulous world.

camera movement certainly contributes its part to the atmosphere. balanced and unbalanced pictures contribute to the message of each shot. right in the beginning when amélie’s mother is introduced, the picture is balanced symbolizing her pursuit for correctness and cleanliness. the same can be about the first shots of amélie’s father. when talking about his dislikes, the shots are unbalanced. but more impressing

are some camera movements. for example there is an astonishing high angle shot of amélie flipping stones on le canal in paris. the camera shows her leaning on a fence, flying above her head then craning to a low angle shot to show her flipping stones in the direction of the camera. another one worth mentioning might be the chase of the repairs person. nino is shown falling up the steps chasing the repairs person for the photo machines. the camera turns to show the man getting in the car driving off. still in a low angle nino starts his moped, trying to follow the worker, almost hitting a car. amélie is entering the picture running after nino. the camera follows her, then turning almost 180° around her to show her hold nino’s red bag that he lost. when amélie sits in front of the station, we see her in a long shot, the camera dollies in to fly over her head to an over-the-shoulder shot. some of these camera movements are really awesome, not only from a technical point of view, but moreover from an aesthetic standpoint. they support the dreamlike atmosphere, adding interesting aspects to ordinary actions.

关于电影的英语演讲稿(范文二)

电影：甜蜜蜜

this movie is delightful from start to finish. although some of the coincidences and chance meetings are highly improbable (both going to nyc? both watching the same tv set at the same time?), they cannot spoil what is a genuinely touching and moving experience. instead of a the usual scenario where two people try desperately to find love, the two leads, li chiao (maggie cheung) and li xiao jun (leon lai), try desperately to avoid it. both mainlanders, she has come to hong kong to make her fortune; he has come to earn enough money to marry his long-time fiancée back on the mainland. through a brief meeting in a mcdonalds where li chiao works one of her several part-time jobs, and xiao jun has come to experience the unknown-in-his-hometown food, they become friends. they discover a shared love for the songs of taiwanese singer teresa tang, which become the soundtrack to their relationship. both are lonely, and gradually they form a genuine friendship, then a not-so-casual intimate relationship. their struggle to remain true to their original goal in coming to hong kong leads to

an emotional crisis for both them and their partners. the struggle takes place over a ten year period, during which they separate only to keep bumping into one another and reopening old wounds. the resolution of this struggle is sweet indeed.

the lead actors are both exceptional, particularly leon lai, who always seemed to be playing a variation on himself until this film. he is completely believable as the na-iv-e and trusting xiao jun, and maggie cheung is, as ever, radiant and affecting. the songs of teresa tang are used to great effect, one of which gives the film it’s title (tian mi mi, the title of the chinese version, roughly translates as sweet like honey).

loses a point for the number of coincidences, but otherwise unreservedly recommended.

i have just finished watching it. the emotions came out from deep down in my heart, and i couldn’t control myself to stop crying. this is the film of love, reality and dream. it has nothing to do politically with hongkong before or after 1997. it shows the story of two young people who think they are young enough to not choose and avoid love as the dream of life, instead,

they pretend to make their ‘materialised dreams’ come true. however, after their dreams do come true, they are not satisfied. when they turn over their faces, and realise that having each other is the dream. this is a soft and gentle film that in some way affect your heart deep down inside. the struggle the characters experienced are somehow showing the contradictions that all the immigrants would encounter. those two ‘immigrants’ from mainland of china into hongkong have the reluctance of choosing between ‘dream’ or ‘love’, just like all the foreigners live in a country would have confused with and took the wrong decision. it is difficult to settle into one culture, when meet the people from your hometown, you feel like as if they are closer to you than your family.

from the fantastic performance from both two actors, the whole structure of the film is satisfying, and the pace of unwrapping the storyline is as exciting and surprising as the christmas presents. the love in the film is somehow very ‘pure’ and ‘si-mp-le’ from the determination and patience that took them years to find each other.

finally, there is only one thing to say: among the sea of people, ‘yuan’--the invisible and chosen force that connect you with the others in a particular way is unchangeable and if you believe it, you will never be able to miss ‘the one’ for you, no matter what happens, and where you will b.

just ask yourself-- billions of people in the world, why do i meet you not someone else?

有关电影的英语演讲稿 [篇2]

《挑战星期天》:

i don’t know what to say minutes,to the biggest battle of our professional comes down to we heal as a team

or we are going to crumble. inch by inch play by play ,till we’re finished.

we are in hell right now, gentlemen ,believe me. and we can stay here

and get the sh-it kicked out of us or we can fight our way back into the can climb out of inch, at a i can’t do it for ‘m too look around and i see these young faces and i think

i mean,i made every wrong choice a middle age man

could make.

i uh....i pissed away all my it or chased off anyone who has ever loved lately,i can’t even stand the face i see in the know when you get old in life,things get taken from you.

that’s, that’s part of ,you only learn that when you start losing find out that life is just a game of is football.

because in either game,life or football,the margin for error is so small.

i mean,one half step too late or to early,you don’t quite make half second too slow or too you don’t quite catch inches we need are everywhere around are in ever break of the minute, every second..on this team, we fight for that this team, we tear ourselves, and everyone around usto pieces for that claw with our finger nails for that we know,when we add up all those inches that’s going to make the ****ing difference between winning and losing between living and dying.

i’ll tell you this in any fight it is the guy who is willing to die

who is going to win that inch. and i know if i am

going to have any life anymore. it is because, i am still willing to fight, and die for that that is what living is. the six inches in front of your face.

now i can’t make you do it. you gotta look at the guy next to you. look into his eyes. now i think you are going to see a guy who will go that inch with are going to see a guy who will sacrifice himself for this team because he knows when it comes down to it,you are gonna do the same thing for him.

that’s a team, gentlemen and either we heal now, as a team, or we will die as individuals. that’s football guys. that’s all it is. now, what you gonna do?

《闻香识女人》:

mr. simms doesn’t want it . he doesn’t need to be labeled still worthy of being a baird man . what the hell is that? what is your motto here? boys, inform on your classmates, save your hide .anything short of that, we’re gonna burn you at the stake.

well, gentlemen, when the sh-it hits the fan, some guys run and some guys stay .

here’s charlie facing the fire, and there’s

george hiding in big daddy’s pocket.

and what are you doing? you’re gonna reward george and destroy charlie .

no, i’m just getting warmed up. i don’t know who went to this place. william howard taft, william jennings bryant, william tell, whoever. their spirit is dead, if they ever had one .it’s gone. you’re building a rat ship here, a vessel for seagoing snitches. and if you think you’re preparing these minnows for manhood, you better think again, because i say you are killing the very spirit this institution proclaims it instills . what a shame ! what kind of a show are you guys putting on here today?

i mean, the only class in this act is sitting next to me. i’m here to tell you this boy’s soul is intact. it’s non- negotiable. you know how i know? someone here, and i’m not gonna say who, offered to buy it only charlie here wasn’t selling

out of or der . i show you out of order . you don’t know what out of order is, mr. trask .i’d show you, but i’m too old , i’m too tired, too ****ing blind. if i were the man i was five years ago, i’d take a

flamethrower to this place! out of order? who the hell you think you’re talking to? i’ve been around, you know? there was a time i could see and i have seen boys like these, younger than these , their arms torn out, their legs ripped off. but there is nothing like the sight of an amputated spirit . there is no prosthetic for that. you think you’re merely sending this splendid foot soldier back home to oregon with his tail between his legs ,

but i say you are executing his soul! and why? because he’s not a baird man. baird men. you hurt this boy, you’re gonna b e baird bums, the lot of you . and, harry, jimmy, trent, wherever you are out there . **** you too!

i’m not finished. as i came in here, i heard those words: “cradle of leadership.

well, when the bough breaks . the cradle will fall, and it has fallen here. it has fallen . makers of men, creators of leaders . be careful what kind of leaders you’re producing here. i don’t know if charlie’s silence here today is right or wrong, i’m not a judge or jury . but i can tell you this: he won’t sell anybody

out to buy his future! and that, my friends, is called integrity. that’s called courage. now that’s the stuff leaders should be made of. now i have come to the crossroads in my life.

i always knew what the right path was. without exception, i knew, but i never took it. you know why? it was too damn hard. now here’s charlie. he’s come to the crossroads. he has chosen a path. it’s the right path. it’s a path made of principle that leads to character . let him continue on his journey. you hold this boy’s future in your hands, committee . it’s a valuable future, believe me. don’t destroy it. protect it. embrace it. it’s gonna make you proud one day, i promise you.

《魔鬼代言人》:

who are you carrying all those bricks for? god?is that it? god? l tell you...let me give you a little inside information about god. god likes to watch. he’s a prankster. think about it. he gives man...instincts. he gives you this extraordinary gift,and then what does he do? l swear, for his own amusement...his own private cosmic......gag reel......he sets the rules in

opposition. it’s the goof of all time. look, but don’t touch.

touch, but don’t taste. taste, but don’t swallow. and while you’re jumping from one foot to the next, what is he doing?he’s laughing his sick ****ing ass off! he’s a tightass! he’s a sadist! he’s an absentee landlord!

worship that? never!

better to reign in hell than serve in heaven, is that it? why not?？l’m here on the ground with my nose in it since the whole thing began! l’ve nurtured every sensation man has been inspired to have! i cared about what he wanted and l never judged him! why? because l never rejected him,in spite of all his imperfections! l’m a fan of man! l’m a be the last ,in their right mind,kevin,could possibly deny...the 20th century was entirely mine,all of it,kevin,all of ’m peaking ,kevin,it’s my time ’s our time.

《市政厅》:

i was warned not to come here. i was warned. they wa rned me, “don’t stand behind that coffin.” but why should i heed such a warning when a heartbeat is silent

and a child lies dead? “don’t stand behind” this coffin. that boy was as pure and as innocent as the driven snow. but i must stand here, because i have not given you what you should have. until we can walk abroad and recreate ourselves, until we can stroll along the streets like boulevards, congregate in parks free from fear, our families mingling, our children laughing, our hearts joined until that day we have no city. you can label me a failure until that day.

the first and perhaps only great mayor was greek. he was pericles of athens, and he lived some 2500 years ago, and he said, “all things good of this earth flow into the city because of the city’s greatness.” well, we were great once. can we not be great again? now, i put that question to james bone, and there’s only silence. yet, could not something pass from this sweet youth to me? could he not empower me to find in myself the strength to have the knowledge to summon up the courage to accomplish this seemingly insurmountable task of ma-ki-ng a city livable? just livable.

there was a palace that was a city. it was a palace! it was a palace and it can be a palace again! a palace

in which there is no king or queen or dukes or earls or princes, but subjects all -- subjects beholden to each other, to make a better place to live. is that too much to ask? are we asking too much for this? is it beyond our reach?! because if it is, then we are nothing but sheep being herded to the final slaughterhouse! i will not go down that way!! i choose to fight back!!!

i choose to rise, not fall! i choose to live, not die!! and i know, i know that what’s within me is also within you!

that’s why i ask you now to join me. join me, rise up with me; rise up on the wings of this slain angel. we’ll rebuild on the soul of this little warrior. we will pick up his standard and raise it high! carry it forward until this city -- your city -- our city -- his city -- is a palace of god! is a palace of god!

i am with you, little james.

i am you.

《情枭的黎明》:

now i ain’t sayin’ that my way would have been my mother been alive when i was a kid, ‘cause that’s all you hear in the didn’t have a chance no w as

already a mean little bastard while my mother was alive, and i know i learned about women from honor,with all due respect,past and present,and without further to me assure this court thati am through walkin’ on the wild ‘s all i’ve been tryin’ to tel l have been sick with the social ills known in the ghetto ,but my time in the sterling correctional facilities

of green haven and sing sing has not been in vain i’ve been cured!born again, like the know you heard this rap before .your honor, i mean is the truth i changed and it didn’t take no 30 years like your honor thought, but only ‘s right, sir. five look at me. completely rehabilitatedreinvigorated, reassimilated,and finally gonna be relocatedand i want to thanka lot of people for look over there and i seethat man there, mr want to thank you, sir,for ma-ki-ng the tapes in an illegal fashion.

i would like to thank the court of appealsfor reversing you, your i want to thank almighty god, without whom no case gets must have forgot. how could i forget!my dear, close friend and lawyer,david kleinfeld,who never never never gave up on me through

everything, thick and don’t you just stand up?davey kleinf？

有关电影的英语演讲稿 [篇3]

hello everybody,

today ,my presentation is about film review.

the graduate is an attractive and affecting has a very important place in the america film history,because it reflected the people’s life at that time, also a ground-breaking film,had taken a new film type in american film market.

mike nichols,is the the director. he is a famous and fruitful director in america,has many movie works ,helped him receive a lot of honors and awards,including the graduate ,which helped him get the oscar awards,the best director .

the graduate is a comedy film,theme is about love,premiered in that,the film got many awards,such as:best director,best picture,best actor,best actress,and so on.

the main stars including dustin hoffman,anne bancroft,katharine ross and hoffman plays a graduate ,named benjamin,who is worried about his

future,his eyes are bancroft,plays mrs. robinson ,a middle-aged woman,although has a rich husband,she dose’t like her ross plays elaine,she is mrs. robinson is a graduate,his father held a party for him and give a beautiful red car as graduate he had no interested the party,mrs. robinson seduced first,he ,after several days,he had se-x with her in a local is going well until mrs. robinson insisted that ben must leave from her daughter he didn’t follow what she said and finally fell in love with found the truth and elaine decide to leave time,he was not confused again,finally,he and elaine ran away from elaine’s wedding.

i like the film ,because nobody is perfect, and people do improper things at the improper time. the point is whether you are willing to amend it or not. ben should be a good his affair with mrs. robinson,found by others, he was brave enough to face it, courageous enough to purse his true love . from the movie ,we can see ben’s transformation from a confused graduate to a mature man; from the fall to the persistence for true love ; well, this is our graduate,