宋元文学史试题库四

宋元文学史试题库四
宋元文学史试题库四

第五编宋代文学

绪论

一.填空

1、“四大书院”指、、和。

2、提出“以俗为雅”命题的有、、。

3、叶夑《原诗》说:“为唐诗之一大变,其力大,其思雄,崛起特为鼻祖。宋之、、、

、,皆愈之为之发其端,可谓极盛。”

二.简答

1、简述宋代的“文以载道”说。

2、简述宋代古文对唐代古文的继承与革新。

3、简述宋诗对唐诗的因革通变。

4、简述宋词的突出艺术成就。

第一章宋初文学

一.填空

1、宋初诗歌三体指、和。

2、晚唐体的盟主是。

3、《山园小梅》的作者是,其中“、

”一联被称为咏梅绝唱。

4、王禹偁散文代表作有、和等。

二.简答

1、什么是白体?

2、王禹偁诗的特点是什么?

3、什么是晚唐体?晚唐体有哪些主要诗人?

4、什么是西昆体?

三.论述

1、简述宋初散文复古的思潮。

2、简述西昆体主要艺术特征及缺陷。

第二章柳永与北宋词风前期的演变

一.背诵篇目:晏殊《浣溪沙》(一曲新词)、欧阳修《踏莎行》(候馆梅残)、柳永《雨霖铃》(寒蝉凄切)

二.填空

1、“北宋倚声家初祖”是,其“情中有思”的代表作是。

2、在宋代词史上,是主动向民歌学习的第一人,其最能体现清新明畅的风格。

3、欧阳修词显示出一种新的创作方向,即词既可写传统的类型化的相思恨别,也能抒发作者,如著名的《朝中措·平山堂》。

4、成为后来豪放派滥觞的词人是,其代表作是《》()。

5、“三中”得名是因写“,,

”;“三影”得名是因写“”、“”和“”。

6、廷焯《白雨斋词话》视先词为“”。

7、王安石的怀古、咏史词是《》、《》。

8、近人夏敬观指出慢词“始盛于,大成于。”

9、清人熙说欧阳修词“疏俊开,深婉开。”

10、“有三秋桂子,十里荷花”出自的《》()。

三.简答

1、欧阳修词的开拓。

2、先词新变的主要方向。

3、柳词对慢词的贡献与影响。

四.论述

1、柳永词的体式、容和语言有哪些创新?

2、柳永词的主要艺术表现方法有哪些创新?影响如何?

第三章欧阳修及其影响下的诗文创新

一.背诵篇目:《醉翁亭记》。

二.填空

1、欧阳修议论文《》揭露批评高若讷的卑劣行为,《》针对保守势力驳斥了其谬论;其记叙文如《》一类历史散文言之有物,其亭台记代表作是《》,其文赋代表作是《》;其散文中《》最为简洁流畅、纡徐委婉、平易自然。

2、梅尧臣论诗说“,”。

3、宋诗畅尽而“”的特点,在舜钦诗中已见端倪。

4、王安石散文风貌被清人熙载称为“”。

5、王安石咏史诗的代表作是《》、《》。

三.简答

1、“太学体”的产生与消亡。

2、欧、梅等人的诗歌主。

3、王安石诗歌前后期的变化。

4、“三十六”体。

四.论述

欧阳修的文论和散文创作有哪些主要成就?

第四章轼

一.填空

1、轼《自题金山画像》:“问汝平生功业,。”

2、愈文依靠和、等手段来取得气势的雄放,而轼文却依靠、的方式达到了同样的目的。文,而语言却,这是宋文异于唐文的特征之一。

3、“不识庐山真面目”、“雪泥鸿爪”出自轼的、。

4、清人翼评诗:“天生健笔一枝,爽如哀梨,快如并剪,,此所以继、杜后为一大家也。”(《瓯北诗话》)

5、轼在《莘老求墨妙亭诗》中以“,

”来比喻多元审美情趣和对各种不同风格的欣赏倾向。

6、近人衍说:“余谓诗莫甚于三元,、、

也。”(《石遗室诗话》)

7、轼《祭子野文》说先“,。”

8、金人元好问认为东坡词“,。”(《新轩乐府引》)

9、词既向开拓,也朝拓展。

10、轼较成功的“以诗为词”表现手法有二:一是,二是。

11、宋人寅《酒边集序》称词:“,

,,,,。”即揭示出轼《水调歌头》(明月几时有)一类作品所创造的一种新美学风。

12、王灼《碧鸡漫志》卷二说:“东坡先生非心醉于音律者,偶而作歌,,,弄笔者始知自振。”

13、诗不仅影响的诗歌,而且对明代的和清初的有重要启示;轼的直接为南宋所继承,形成了与平分秋色的;轼的小品文,是明代散文的渊源,直到清代的、散文中仍可时见文的影响。

二.简答

1、简述轼人生观及主要经历。

2、简述轼的散文文论。

3、简述轼诗歌的题材类型。

4、简述轼诗歌在元祐诗人中的特点。

5、简述轼的意义与影响。

三.论述

1、轼散文的主要类型及艺术成就是什么?

2、轼诗歌的艺术成就及主要风格是什么?

3、轼的词学观是什么?

4、轼对词境的开拓主要表现在哪些方面?词的“以诗为词”表现手法主要表现在哪些方面?

第五章诗派与两宋之际的诗歌

一.解释:诗派

二.填空

1、诗派“一祖三宗”是指、、

、。

2、师道以冥心孤往的苦吟形成了诗风,正是“有意为拙”的典型例子。

3、曾季貍《艇斋诗话》说“后山论诗说,东湖论诗说,东莱论诗说,子苍论诗说。入处虽不同,然其实皆一关捩,要知非不可。”

4、自身的演变同时也代表着北宋诗风向南宋诗风的转变。

5、和都是诗派诗风转变的关键人物。

6、“新体”指晚年诗风的主体风格。

三.简答

1、简述黄庭坚诗歌的特点。

2、简述“黄庭坚体”(或“山谷体”)。

3、简述“诗派”

4、简述诗派的演变过程。

四.论述

1、黄庭坚诗歌理论有哪些主要观点?

2、黄庭坚诗歌创作有哪些鲜明的艺术特点?

第六章周邦彦和北宋中后期词坛

一.填空

1、门词人群以为领袖,还有、、

等,此外和也与门词人过从甚密。

2、大晟词人群以为主帅,还有、

等。

3、轼重抒情言志的自由,其词胜于;周邦彦重词的协律可歌,对的追求重于对的开始。其后就是沿这两种方向分别发展。

4、晏几道词艳而不俗,浅处皆深,从和两个层面上把《花间集》以来的艳词小令艺术推展到了极致,故振《直斋书录解题》卷二一说叔原“《》,

。”

5、观和晏几道一样,都是“”(煦《蒿庵论词》),淮海词妙处在于。观和晏几道皆长于情景结合,但二人取景角度有所不同,晏词多取为意象,词常用来铸境。

6、轼开创了以词抒写的新格局,而观另辟一途,把深沉的辛酸苦闷融注在之中,即周济所说的“,又是一法”(《宋四家词选》眉批)。

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2014-2015英国文学史及选读期末试题B

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班级_________________学号姓名考试科目英美文学史及作品选读【(1)】B卷闭卷共 5 页 学生答题不得超过此线····································密························封························线································

班级_________________学号姓名考试科目英美文学史及作品选读【(1)】B卷闭卷共 5 页 学生答题不得超过此线····································密························封························线································

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美国文学史习题 Document serial number【LGGKGB-LGG98YT-LGGT8CB-

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