英语电影赏析作业

英语电影赏析作业
英语电影赏析作业

英语电影赏析(作业)剧情简介

凤凰城自古以来由孔雀一族掌管,因为他们发明了美丽的烟火,给人们带来了快乐。然而凤凰城的继承人沈王爷却不满足于这些,他发现了烟火阴暗可怕的一面,并且野心勃勃。他的父母得知后,十分担忧,请来羊仙姑为沈王爷算上一卦。羊仙姑预言:如果再这样下去,沈王爷迟早会惹大祸,而在那时,会有一名黑白相间的武士打败他。沈王爷想要改写自己的命运,率领手下捣毁了熊猫的村庄。后来沈王爷成功造出了火炮,扬言可以毁灭天下功夫。于是阿宝也不负众望,成为了神龙武士,在一次与强盗的战争中他隐约想起了自己的一点身世,带着对身世的迷惑,前去凤凰城阻止王爷,这时沈王爷得知这世上还有阿宝这只熊猫的存在,也在命令手下抓他,阿宝和“盖世五侠”潜入凤凰城,结果遭遇沈王爷军队的追击,最后阿宝不仅了解到了自己的身世,还在对亲人的痛苦中悟到了内部的和平的真谛,还收获了来自于悍娇虎的爱情,终于打败了孔雀沈王爷。

影片简析

《功夫熊猫2》是由詹妮弗·余导演,杰克·布莱克为主演的喜剧动画片。它讲述了熊猫阿宝为获取力量战胜大恶人孔雀,拯救中国而回顾过去解开身世之谜的故事。熊猫阿宝再次以它憨态十足的搞笑功力而来。这一次阿宝不仅领悟了一门新武功,还似乎要开始谈恋爱

了。但是影片呈现给观众的不是阿宝的个人秀,而是更加多样化的角色和更加复杂的情节。鸭为什么会成为熊猫的爸爸?这是《功夫熊猫1》中,留给观众的最大疑惑。“我是谁?”、“我来自哪里?”《功夫熊猫2》的故事就以此为主线。当阿宝对阵孔雀神,看到孔雀羽毛的图案,他脑中就会浮现遥远的童年记忆,零碎不整。孔雀神沈王爷正是他们的仇人。他的亲爸为了掩护族人逃跑被压在塔下,亲妈将阿宝塞入了蔬菜堆才让其躲过劫难。收养阿宝的鸭还回忆了阿宝幼时趣事,贪吃的小阿宝啃着萝卜爬进家门、头顶炒锅,阿宝的耍宝功力不减,令看片现场笑声不断。有意思的是,击败孔雀神后,阿宝知道了自己的身世,亲生父亲还没有死,顺理成章为第三集埋下伏笔。有评价称,如果《功夫熊猫1》是励志片的话,那《功夫熊猫2》就是部亲情片,当然首先是喜剧片。

在第二部中,除了师傅、盖世武侠和熊猫阿宝这一支生活在太平谷的队伍,还新增了另外两支队伍,七个角色——生活在皇宫里的大反派孔雀和他的跟班,以及成为武林大会盟友的暴风牛、雷犀牛和鳄鱼三位大师。而熊猫阿宝也遇上了真正的敌人,在中国这片土地上除暴安良的任务启动了。

观后感受

影片从开始到结尾结构都非常紧密,思路非常清晰,主旨非常明确,视频效果也非常不错。该影片带给我们这样的启示:我们对待每一件新的事物都应该全面的去审视,应取其精华、弃其糟粕。此外,

在影片中每一种动物,都被赋予了中国文化的内涵。小熊猫师傅它穿道袍、长胡子、举止端庄,拿筷子吃饭,有中国的师者之风。阿宝身边的盖世五侠猴、螳螂、蛇、鹤、老虎等,它们的形象分别和它们擅长的功夫相匹配。很多漂亮的场景都是以四川青城山为蓝本,画面有剪纸画、宽窄巷,音乐则有二胡、唢呐、民乐《步步高》等,宛如中国风光宣传片,除了面条包子,担担面,还有麻婆豆腐和川味火锅。“足以秒杀所有抄袭中国元素的不敬业创作者。”

我的看法

这部影片不是简单的电影,它可以告诉我们很多,会思考的人能够看懂,会领悟的人能从中受益:我们可以期待,可以想象明天的美好生活。美好的生活是要靠我们自己去争取的。这是影片的一个内涵,也是告诉我们不要放弃自己的明天。遇事要冷静,静下心来去思考,就能到达一个崭新的境界,所有的困难将会迎刃而解,所有的不快与烦恼将会挥之即去。

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(Impoverished guy becomes capitalist poster boy.) While it's fair to say that this is one of the best straight performances of Smith's career, it didn't blow me away. In and of itself, the acting, while effective, is not Best Actor material, but it wouldn't surprise me if the movie's prestige factor and Smith's popularity earn him a nod. Meanwhile, his female co-star, Thandie Newton, isn't going to be considered for any award. Newton spends about 90% of her screen time doing an impersonation of a harpy: screeching, bitching, and contorting her face into unpleasant expressions. Smith's son, Jaden, is okay as the movie's child protagonist; it's unclear whether his occasional deficiencies are the result of his acting, Steven Conrad's writing, or Gabriele Muccino's direction, but there's not much personality behind the cute features and curly hair. Chris Gardner (Will Smith) is down on his luck. It's 1981 San Francisco and his self-employed business of selling portable bone density scanners isn't doing well. His wife, Linda (Thandie Newton), does nothing but yell at him and give him a cold shoulder, and the lack of domestic harmony is impacting the disposition of his beloved son, Christopher (Jaden Christopher Syre Smith). That's when Chris' life turns into a country song. His wife leaves. He is evicted from his home. He goes to jail, neither passing GO nor collecting a much-needed $200. He gets hit by a car. He is robbed. He makes his son cry. He alienates a friend over $14. He gets to spend a night in the cleanest public restroom in the history of public restrooms. But there's a bright spot, although you need a dark-adapted eye to find it. Despite having no experience, Chris applies to enter an internship program at Dean Witter. He would appear to have no chance to get in until he amazes the head of the program (Brian Howe) by solving the Rubik's Cube puzzle in the back of a taxi cab. It's a blessing that the movie doesn't use a stock villain to impede Chris' herky-jerky trip to the top, because that would have tipped the movie into the empire of the unwatchable. However, the lack of a strong conflict makes the two-hour running length seem very long. Thankfully, there's also not much in the way of overt melodrama, but that could be a byproduct of having characters who are not deeply realized and have narrow emotional ranges. It's tough to connect with Chris and his son. Although they are played by a real-life father and son, there's no chemistry between them. We're constantly told how desperately Chris loves Christopher, but it takes a long time before we begin to buy it. Most of the time, Christopher seems like an annoying piece of baggage that Chris drops off at daycare when he has other things to do. The film's most compelling scenes are those that show Chris struggling to enter the rat race. Granted, this is no Glengarry Glen Ross, but it shows the pressure these salesmen are under and how important the contact lists are. In the overall scheme of things, however, these sequences are background noise. They are neither plentiful nor lengthy. The movie spends more time following Chris on his futile sales rounds for the bone density scanner than it does accompanying him during his broker training. The moral of the story is as trite as they come: don't let anyone convince you to give up on your dreams. Disney animated films have been doing this better for decades. The Pursuit of Happyness concludes with a caption that tells us what happens to Chris after the end of the movie; it promises a better story than the one we have just watched. The film is also marred by a persistent (although not verbose) voiceover that adds nothing to the story while frequently jerking us out of the experience of watching it. I don't need Will Smith telling me: "This part of the story is called 'riding the bus.'" This is the English-language debut of Gabriele Muccino, who has made a name for himself in Italian cinema. The Pursuit of Happiness has the kind of slow, drab tone one occasionally associates with a director raised outside of the Hollywood system. What can be an asset in some circumstances is a detriment in this one. The Pursuit of Happiness isn't enjoyable, and its meager pleasures, including the eventual "payoff," aren't enough to justify the unrelenting misery. The Pursuit of Happiness is competently made and gets lots of the details right, but when it comes to the emotional core of the story, it loses the pursuit and misses the "happiness."

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