肢体语言

肢体语言
肢体语言

So I want to start by offering you a free no-tech life hack, and all it requires of you is this: that you change your posture for two minutes. But before I give it away, I want to ask you to right now do a little audit of your body and what you're doing with your body. So how many of you are sort of making yourselves smaller? Maybe you're hunching, crossing your legs, maybe wrapping your ankles. Sometimes we hold onto our arms like this. Sometimes we spread out. (Laughter) I see you. (Laughter) So I want you to pay attention to what you're doing right now. We're going to come back to that in a few minutes, and I'm hoping that if you learn to tweak this a little bit, it could significantly change the way your life unfolds.

So, we're really fascinated with body language, and we're particularly interested in other people's body language. You know, we're interested in, like, you know — (Laughter) — an awkward interaction, or a smile, or a contemptuous glance, or maybe a very awkward wink, or maybe even something like a handshake.

Narrator: Here they are arriving at Number 10, and look at this lucky policeman gets to shake hands with the President of the United States. Oh, and here comes the Prime Minister of the — ? No. (Laughter) (Applause) (Laughter) (Applause)

Amy Cuddy: So a handshake, or the lack of a handshake, can have us talking for weeks and weeks and weeks. Even the BBC and The New York Times. So obviously when we think about nonverbal behavior, or body language -- but we call it nonverbals as social scientists -- it's language, so we think about communication. When we think about communication, we think about interactions. So what is your body language communicating to me? What's mine communicating to you? And there's a lot of reason to believe that this is a valid way to look at this. So social scientists have spent a lot of time looking at the effects of our body language, or other people's body language, on judgments. And we make sweeping judgments and inferences from body language. And those judgments can predict really meaningful life outcomes like who we hire or promote, who we ask out on a date. For example, Nalini Ambady, a researcher at Tufts University, shows that when people watch 30-second soundless clips of real physician-patient interactions, their judgments of the physician's niceness predict whether or not that physician will be sued. So it doesn't have to do so much with whether or not that physician was incompetent, but do we like that person and how they interacted? Even more dramatic, Alex Todorov at Princeton has shown us that judgments

of political candidates' faces in just one second predict 70 percent of U.S. Senate and gubernatorial race outcomes, and even, let's go digital, emoticons used well in online negotiations can lead to you claim more

value from that negotiation. If you use them poorly, bad idea. Right? So when we think of nonverbals, we think of how we judge others, how they judge us and what the outcomes are. We tend to forget, though, the other audience that's influenced by our nonverbals, and that's ourselves.

We are also influenced by our nonverbals, our thoughts and our feelings and our physiology. So what nonverbals am I talking about? I'm a social psychologist. I study prejudice, and I teach at a competitive business school, so it was inevitable that I would become interested in power dynamics. I became especially interested in nonverbal expressions of power and dominance.

And what are nonverbal expressions of power and dominance? Well, this is what they are. So in the animal kingdom, they are about expanding. So you make yourself big, you stretch out, you take up space, you're basically opening up. It's about opening up. And this is true across the animal kingdom. It's not just limited to primates. And humans do the same thing. (Laughter) So they do this both when they have power sort of chronically, and also when they're feeling powerful in the moment. And this one is especially interesting because it really shows us how universal and old these expressions of power are. This expression, which is known as pride, Jessica Tracy has studied. She shows that people who are born with sight and people who are congenitally blind do this when they win at

a physical competition. So when they cross the finish line and they've won, it doesn't matter if they've never seen anyone do it. They do this. So the arms up in the V, the chin is slightly lifted. What do we do when we feel powerless? We do exactly the opposite. We close up. We wrap ourselves up. We make ourselves small. We don't want to bump into the person next to us. So again, both animals and humans do the same thing. And this is what happens when you put together high and low power. So what we tend to do when it comes to power is that we complement the other's nonverbals. So if someone is being really powerful with us, we tend to make ourselves smaller. We don't mirror them. We do the opposite of them.

So I'm watching this behavior in the classroom, and what do I notice? I notice that MBA students really exhibit the full range of power nonverbals. So you have people who are like caricatures of alphas, really coming into the room, they get right into the middle of the room before class even starts, like they really want to occupy space. When they sit down, they're sort of spread out. They raise their hands like this. You have other people who are virtually collapsing when they come in. As soon they come in, you see it. You see it on their faces and their bodies, and they sit in their chair and they make themselves tiny, and they go like this when they raise their hand. I notice a couple of things about this. One, you're not going to be surprised. It seems to be related to gender. So

women are much more likely to do this kind of thing than men. Women feel chronically less powerful than men, so this is not surprising. But the other thing I noticed is that it also seemed to be related to the extent to which the students were participating, and how well they were participating. And this is really important in the MBA classroom, because participation counts for half the grade.

So business schools have been struggling with this gender grade gap. You get these equally qualified women and men coming in and then you get these differences in grades, and it seems to be partly attributable to participation. So I started to wonder, you know, okay, so you have these people coming in like this, and they're participating. Is it possible that we could get people to fake it and would it lead them to participate more? So my main collaborator Dana Carney, who's at Berkeley, and I really wanted to know, can you fake it till you make it? Like, can you do this just for a little while and actually experience a behavioral outcome that makes you seem more powerful? So we know that our nonverbals govern how other people think and feel about us. There's a lot of evidence. But our question really was, do our nonverbals govern how we think and feel about ourselves?

There's some evidence that they do. So, for example, we smile when we feel happy, but also, when we're forced to smile by holding a pen in our

teeth like this, it makes us feel happy. So it goes both ways. When it comes to power, it also goes both ways. So when you feel powerful,

you're more likely to do this, but it's also possible that when you pretend to be powerful, you are more likely to actually feel powerful.

So the second question really was, you know, so we know that our minds change our bodies, but is it also true that our bodies change our minds? And when I say minds, in the case of the powerful, what am I talking about? So I'm talking about thoughts and feelings and the sort of physiological things that make up our thoughts and feelings, and in my case, that's hormones. I look at hormones. So what do the minds of the powerful versus the powerless look like? So powerful people tend to be, not surprisingly, more assertive and more confident, more optimistic. They actually feel that they're going to win even at games of chance. They also tend to be able to think more abstractly. So there are a lot of differences. They take more risks. There are a lot of differences between powerful and powerless people. Physiologically, there also are differences on two key hormones: testosterone, which is the dominance hormone, and cortisol, which is the stress hormone. So what we find is that high-power alpha males in primate hierarchies have high testosterone and low cortisol, and powerful and effective leaders also have high testosterone and low cortisol. So what does that mean? When you think about power, people tended to think only about testosterone, because that

was about dominance. But really, power is also about how you react to stress. So do you want the high-power leader that's dominant, high on testosterone, but really stress reactive? Probably not, right? You want the person who's powerful and assertive and dominant, but not very stress reactive, the person who's laid back.

So we know that in primate hierarchies, if an alpha needs to take over, if an individual needs to take over an alpha role sort of suddenly, within a few days, that individual's testosterone has gone up significantly and his cortisol has dropped significantly. So we have this evidence, both that the body can shape the mind, at least at the facial level, and also that role changes can shape the mind. So what happens, okay, you take a role change, what happens if you do that at a really minimal level, like this tiny manipulation, this tiny intervention? "For two minutes," you say, "I want you to stand like this, and it's going to make you feel more powerful."

So this is what we did. We decided to bring people into the lab and run a little experiment, and these people adopted, for two minutes, either

high-power poses or low-power poses, and I'm just going to show you five of the poses, although they took on only two. So here's one. A couple more. This one has been dubbed the "Wonder Woman" by the media. Here are a couple more. So you can be standing or you can be sitting.

And here are the low-power poses. So you're folding up, you're making yourself small. This one is very low-power. When you're touching your neck, you're really protecting yourself. So this is what happens. They come in, they spit into a vial, we for two minutes say, "You need to do this or this." They don't look at pictures of the poses. We don't want to prime them with a concept of power. We want them to be feeling power, right? So two minutes they do this. We then ask them, "How powerful do you feel?" on a series of items, and then we give them an opportunity to gamble, and then we take another saliva sample. That's it. That's the whole experiment.

So this is what we find. Risk tolerance, which is the gambling, what we find is that when you're in the high-power pose condition, 86 percent of you will gamble. When you're in the low-power pose condition, only 60 percent, and that's a pretty whopping significant difference. Here's what we find on testosterone. From their baseline when they come in,

high-power people experience about a 20-percent increase, and

low-power people experience about a 10-percent decrease. So again, two minutes, and you get these changes. Here's what you get on cortisol. High-power people experience about a 25-percent decrease, and the

low-power people experience about a 15-percent increase. So two minutes lead to these hormonal changes that configure your brain to basically be either assertive, confident and comfortable, or really

stress-reactive, and, you know, feeling sort of shut down. And we've all had the feeling, right? So it seems that our nonverbals do govern how we think and feel about ourselves, so it's not just others, but it's also ourselves. Also, our bodies change our minds.

But the next question, of course, is can power posing for a few minutes really change your life in meaningful ways? So this is in the lab. It's this little task, you know, it's just a couple of minutes. Where can you actually apply this? Which we cared about, of course. And so we think it's really, what matters, I mean, where you want to use this is evaluative situations like social threat situations. Where are you being evaluated, either by your friends? Like for teenagers it's at the lunchroom table. It could be, you know, for some people it's speaking at a school board meeting. It might be giving a pitch or giving a talk like this or doing a job interview. We decided that the one that most people could relate to because most people had been through was the job interview.

So we published these findings, and the media are all over it, and they say, Okay, so this is what you do when you go in for the job interview, right? (Laughter) You know, so we were of course horrified, and said, Oh my God, no, no, no, that's not what we meant at all. For numerous reasons, no, no, no, don't do that. Again, this is not about you talking to other people. It's you talking to yourself. What do you do before you go into a

job interview? You do this. Right? You're sitting down. You're looking at your iPhone -- or your Android, not trying to leave anyone out. You are, you know, you're looking at your notes, you're hunching up, making yourself small, when really what you should be doing maybe is this, like, in the bathroom, right? Do that. Find two minutes. So that's what we want to test. Okay? So we bring people into a lab, and they do either high- or low-power poses again, they go through a very stressful job interview. It's five minutes long. They are being recorded. They're being judged also, and the judges are trained to give no nonverbal feedback, so they look like this. Like, imagine this is the person interviewing you. So for five minutes, nothing, and this is worse than being heckled. People hate this. It's what Marianne LaFrance calls "standing in social quicksand." So this really spikes your cortisol. So this is the job interview we put them through, because we really wanted to see what happened. We then have these coders look at these tapes, four of them. They're blind to the hypothesis. They're blind to the conditions. They have no idea who's been posing in what pose, and they end up looking at these sets of tapes, and they say, "Oh, we want to hire these people," -- all the high-power posers -- "we don't want to hire these people. We also evaluate these people much more positively overall." But what's driving it? It's not about the content of the speech. It's about the presence that they're bringing to the speech. We also, because we rate them on all these variables related to

competence, like, how well-structured is the speech? How good is it? What are their qualifications? No effect on those things. This is what's affected. These kinds of things. People are bringing their true selves, basically. They're bringing themselves. They bring their ideas, but as themselves, with no, you know, residue over them. So this is what's driving the effect, or mediating the effect.

So when I tell people about this, that our bodies change our minds and our minds can change our behavior, and our behavior can change our outcomes, they say to me, "I don't -- It feels fake." Right? So I said, fake it till you make it. I don't -- It's not me. I don't want to get there and then still feel like a fraud. I don't want to feel like an impostor. I don't want to get there only to feel like I'm not supposed to be here. And that really resonated with me, because I want to tell you a little story about being an impostor and feeling like I'm not supposed to be here.

When I was 19, I was in a really bad car accident. I was thrown out of a car, rolled several times. I was thrown from the car. And I woke up in a head injury rehab ward, and I had been withdrawn from college, and I learned that my I.Q. had dropped by two standard deviations, which was very traumatic. I knew my I.Q. because I had identified with being smart, and I had been called gifted as a child. So I'm taken out of college, I keep trying to go back. They say, "You're not going to finish college. Just, you

know, there are other things for you to do, but that's not going to work out for you." So I really struggled with this, and I have to say, having your identity taken from you, your core identity, and for me it was being smart, having that taken from you, there's nothing that leaves you feeling more powerless than that. So I felt entirely powerless. I worked and worked and worked, and I got lucky, and worked, and got lucky, and worked. Eventually I graduated from college. It took me four years longer than my peers, and I convinced someone, my angel advisor, Susan Fiske, to take me on, and so I ended up at Princeton, and I was like, I am not supposed to be here. I am an impostor. And the night before my first-year talk, and the first-year talk at Princeton is a 20-minute talk to 20 people. That's it. I was so afraid of being found out the next day that I called her and said, "I'm quitting." She was like, "You are not quitting, because I took a gamble on you, and you're staying. You're going to stay, and this is what you're going to do. You are going to fake it. You're going to do every talk that you ever get asked to do. You're just going to do it and do it and do it, even if you're terrified and just paralyzed and having an out-of-body experience, until you have this moment where you say, 'Oh my gosh, I'm doing it. Like, I have become this. I am actually doing this.'" So that's what I did. Five years in grad school, a few years, you know, I'm at Northwestern, I moved to Harvard, I'm at Harvard, I'm not really thinking

about it anymore, but for a long time I had been thinking, "Not supposed to be here. Not supposed to be here."

So at the end of my first year at Harvard, a student who had not talked in class the entire semester, who I had said, "Look, you've gotta participate or else you're going to fail," came into my office. I really didn't know her at all. And she said, she came in totally defeated, and she said, "I'm not supposed to be here." And that was the moment for me. Because two things happened. One was that I realized, oh my gosh, I don't feel like that anymore. You know. I don't feel that anymore, but she does, and I get that feeling. And the second was, she is supposed to be here! Like, she can fake it, she can become it. So I was like, "Yes, you are! You are supposed to be here! And tomorrow you're going to fake it, you're going to make yourself powerful, and, you know, you're gonna — " (Applause) (Applause) "And you're going to go into the classroom, and you are going to give the best comment ever." You know? And she gave the best comment ever, and people turned around and they were like, oh my God, I didn't even notice her sitting there, you know? (Laughter)

She comes back to me months later, and I realized that she had not just faked it till she made it, she had actually faked it till she became it. So she had changed. And so I want to say to you, don't fake it till you make it.

Fake it till you become it. You know? It's not — Do it enough until you actually become it and internalize.

The last thing I'm going to leave you with is this. Tiny tweaks can lead to big changes. So this is two minutes. Two minutes, two minutes, two minutes. Before you go into the next stressful evaluative situation, for two minutes, try doing this, in the elevator, in a bathroom stall, at your desk behind closed doors. That's what you want to do. Configure your brain to cope the best in that situation. Get your testosterone up. Get your cortisol down. Don't leave that situation feeling like, oh, I didn't show them who I am. Leave that situation feeling like, oh, I really feel like I got to say who I am and show who I am.

So I want to ask you first, you know, both to try power posing, and also I want to ask you to share the science, because this is simple. I don't have ego involved in this. (Laughter) Give it away. Share it with people, because the people who can use it the most are the ones with no resources and no technology and no status and no power. Give it to them because they can do it in private. They need their bodies, privacy and two minutes, and it can significantly change the outcomes of their life. Thank you. (Applause) (Applause)

常见的肢体语言及其含义

体语言的信息心理 一、眼神的信息语言 1、对方在交谈时,做出了眼睛从眼镜上面的缝隙中窥视的动作 是对方的鄙视和不敬的情感流露,没有诚意,他提出的要求可能是不合情理的, 对我们的要求也不会真正地接受。 2、对方不停地转动或左右自己的眼珠,并频繁而急促地眨眼 要提防他是否在打什么坏主意或准备撒谎,有可能掩饰某种不可告人的事情, 且大多与内疚或恐惧紧张的情感有关。 3、不适度地注视对方,或有意回避对方的视线,将目光移到别处 这会传递些负面的信息,不诚恳、有所隐瞒、不够自信、没有把握、不感兴趣或厌恶。 4、长时间注视对方是不适宜的动作 有两种意思:一是说明我们对对方本身比对谈话内容更感兴趣;二是向对方挑衅或施加某种压力,以起到震慑的作用。 注视的时间占整个谈话时间的30%-60%超过这一平均值者,可认为对谈话者本人比谈话内容更感兴趣;低于这个平均值,则表示对谈话者和谈话内容都不感兴趣。视线应在对方脸上的双眼到嘴之间的三角形区域。 5、瞳孔的变化 瞳孔放大表示爱慕,喜欢这个人,对某些事情感兴趣。 瞳孔收缩表示厌恶、戒备、愤怒,对某些事情不喜欢。 6、眼睛炯炯有神 说明心情愉快,对整个谈判充满自信,可以赢得别人好感,促进沟通。 二、眉毛展示心情的变化 1、皱眉通常表现出的都是愤怒或为难的情绪,代表很忧郁、疑惑、怀疑。 2、双眉上扬表示一种非常欣赏或极度惊讶的神情。

3、单眉上扬表示不理解,有疑问的意思。 4、眉毛完全抬高表示太难以置信的神情。 三、不同笑容体现的含义 1、对对方感兴趣的微笑 般采取亲密注视的方式(即视线停留在对方双目与胸部三角区域),眉毛轻 扬或平,嘴角向上。 2、交际应酬时常用的微笑 社交注视方式(视线停留在双目与嘴之间的三角区域)眉毛平,嘴角向上。 3、快乐、高兴的微笑 眼睛睁大,瞳孔放大,闪动频率加快,眉毛上扬、嘴张平。 4、与对方保持距离或冷静观察的微笑 平视或视角向下,眉毛平,嘴角向上,视线停留在前额表示严肃。 5、开怀大笑,笑声非常爽朗的人 多是坦率、真诚而又热情的。行动果断迅速,绝对不会拖泥带水。此类人,虽然表面上看起来坚强,但内心在一定程度上都是极其脆弱的。 四、嘴部与嘴唇隐藏着信息 1、嘴唇闭拢表示的是和谐宁静、端庄自然。 2、嘴角向上表示善意、礼貌、喜悦之意,让对方感到真诚、善解人意。 3、嘴角撅着一般表示生气,不满意的意思,也是不尊重对方的表现。 4、嘴唇紧绷多半表示愤怒、对抗或者决心已定,而故意发出咳嗽声并借势用于掩住嘴是表示“心里有鬼”,有说谎之嫌。 五、下巴可以映射内心

巧用肢体语言

西城幼儿园教师专业技能学习 ——如何运用肢体语言来完善幼儿教学 一、什么是肢体语言 资料上说肢体语言(body language)又称身体语言,是指经由身体的各种动作,从而代替语言藉以达到表情达意的沟通目的。广义言之,肢体语言也包括前述之面部表情在内;狭义言之,肢体语言只包括身体与四肢所表达的意义。 谈到由肢体表达情绪时,我们自然会想到很多惯用动作的含义。诸如鼓掌表示兴奋,顿足代表生气,搓手表示焦虑,垂头代表沮丧,摊手表示无奈,捶胸代表痛苦。当事人以此等肢体活动表达情绪,别人也可由之辩识出当事人用其肢体所表达的心境。幼儿园中同样如此,幼儿教师用肢体语言表达自己的情绪,幼儿会从教师的肢体语言中领悟到自己表现的孰优孰劣。 二、如何运用肢体语言? 肢体语言包含的内容很丰富。问:肢体语言包括哪些?(包括动作、手势、眼神、表情、讲话语气等) 活泼的肢体语言可以赢得学生的心,如老师说话的语气响亮、富有朝气,幼儿也会受到感染。表现在:当幼儿有好的表现时,可以握手、拥抱孩子,让幼儿感受到成功的喜悦。尤其是对一些缺乏自信的孩子,老师更不能吝惜对孩子的赞扬,可以竖起大拇指表示对幼儿的赞同,也可以用语言表扬或者拥抱。即使当孩子表现不好时也要面带微笑,给孩子以自信和继续努力的愿望。教学中为了集中每位孩子的注意力,教师的眼光应持续扫视四周的幼儿,对于失趣的幼儿老师可以走向幼儿,摸一摸他的头给幼儿以暗示。同时在说话时注意抑扬顿挫,如果声音只停留在一个水平线上,幼儿很快会失去兴趣。同时声音的高低也会影响到幼儿的情绪。脸部表情的使用也很重要,不同的表情可以表示多种含义,如赞扬(微笑)、同意(点头)、反对(摇头、冷脸)。 三、适度使用肢体语言。 说起来容易做起来难。鼓励幼儿教师善于运用肢体语言去感染幼儿,但是也要有一个“度”的把握,否则会适得其反。同时还要避免教师表错情,幼儿会错

常见地肢体语言及其含义

肢体语言的信息心理分析 一、眼神的信息语言 1、对方在交谈时,做出了眼睛从眼镜上面的缝隙中窥视的动作 是对方的鄙视和不敬的情感流露,没有诚意,他提出的要求可能是不合情理的,对我们的要求也不会真正地接受。 2、对方不停地转动或左右自己的眼珠,并频繁而急促地眨眼 要提防他是否在打什么坏主意或准备撒谎,有可能掩饰某种不可告人的事情,且大多与内疚或恐惧紧张的情感有关。 3、不适度地注视对方,或有意回避对方的视线,将目光移到别处 这会传递些负面的信息,不诚恳、有所隐瞒、不够自信、没有把握、不感兴趣或厌恶。 4、长时间注视对方是不适宜的动作 有两种意思:一是说明我们对对方本身比对谈话内容更感兴趣;二是向对方挑衅或施加某种压力,以起到震慑的作用。 注视的时间占整个谈话时间的30%~60%,超过这一平均值者,可认为对谈话者本人比谈话内容更感兴趣;低于这个平均值,则表示对谈话者和谈话内容都不感兴趣。视线应在对方脸上的双眼到嘴之间的三角形区域。 5、瞳孔的变化 瞳孔放大表示爱慕,喜欢这个人,对某些事情感兴趣。 瞳孔收缩表示厌恶、戒备、愤怒,对某些事情不喜欢。 6、眼睛炯炯有神

说明心情愉快,对整个谈判充满自信,可以赢得别人好感,促进沟通。 二、眉毛展示心情的变化 1、皱眉通常表现出的都是愤怒或为难的情绪,代表很忧郁、疑惑、怀疑。 2、双眉上扬表示一种非常欣赏或极度惊讶的神情。 3、单眉上扬表示不理解,有疑问的意思。 4、眉毛完全抬高表示太难以置信的神情。 三、不同笑容体现的含义 1、对对方感兴趣的微笑 一般采取亲密注视的方式(即视线停留在对方双目与胸部三角区域),眉毛轻扬或平,嘴角向上。 2、交际应酬时常用的微笑 社交注视方式(视线停留在双目与嘴之间的三角区域)眉毛平,嘴角向上。3、快乐、高兴的微笑 眼睛睁大,瞳孔放大,闪动频率加快,眉毛上扬、嘴张平。 4、与对方保持距离或冷静观察的微笑 平视或视角向下,眉毛平,嘴角向上,视线停留在前额表示严肃。 5、开怀大笑,笑声非常爽朗的人 多是坦率、真诚而又热情的。行动果断迅速,绝对不会拖泥带水。此类人,虽然表面上看起来坚强,但内心在一定程度上都是极其脆弱的。 四、嘴部与嘴唇隐藏着信息 1、嘴唇闭拢表示的是和谐宁静、端庄自然。 2、嘴角向上表示善意、礼貌、喜悦之意,让对方感到真诚、善解人意。 3、嘴角撅着一般表示生气,不满意的意思,也是不尊重对方的表现。

肢体语言

在英语教学中的运用肢体语言的艺术 在新课改的大环境下,为了寻求英语教学取得更好的效果,针对现阶段中学生的特点,在结合传统教学的基础上,巧妙地把肢体语言运用于教学的不同阶段。 一、运用肢体语言,增强英语课堂亲和力。 1、运用肢体语言拉近师生间的情感距离。 英语课上,教师经常会碰到不愿意开口说英语的孩子。记得有一次我在教单词“delicious”时,由于单词本身存在难度,加上孩子的不自信,我就发现有微微张嘴却不敢发出声音的孩子。于是,我走近了孩子,拉拉孩子的小手,和孩子一起说着“delicious ,delicious ”,在念完三遍单词后和学生一起伸出手指玩起石头剪子布的游戏。如果孩子输了,便接着念三遍单词然后继续玩石头剪子布的游戏,以此类推。孩子完全失去了刚有的陌生和恐惧,这小小的肢体语言使学生的心灵和教师的心灵紧紧贴近,让孩子感受到了教师的和蔼、平近与随和。 2、运用肢体语言激发学生学习英语的兴趣。 中学生生性活泼、爱动爱玩,求知欲强。作为中学英语的启蒙老师,要充分调动学生的积极性,吸引学生的注意力,让他们保持长久的兴趣。肢体语言在英语教学中就起到了这样的作用,可以使学生从“要我学”变为“我要学”,激发起学习的热情和积极性。 二、运用肢体语言,提高英语课堂实效。 craik和lockhart(1972,转引自eysenck,2001)提出水平加工理论,指出在学习过程中记忆效果取决于对学习材料的注意和感知,对记忆材料加工得越深,记忆效果越好。通过肢体语言,吸引学生对学习材料的注意和感知,从而对单词记忆进行深刻加工。 1.运用肢体语言,突破单词发音难点。 如单词“between”,这个单词的重音在第二个音节的[twi:]上,学生在读的时候容易把重音放在前面的音节[bi]上,为了避免这个错误的产生。当读音节[bi]时教师请学生拿出食指指向地面并在读重音部分[twi:]时将食指指向空中,从慢到快的速度反复读该单词,学生自然而然会以竞赛的心理与其他孩子竞争记下这个单词的速度。这个过程让学生以“玩”的学习方式成功地避免了发音的错误,既轻松又快乐。又 2、运用肢体语言,巩固单词拼写。 众所周知,记忆单词应该与单词的发音规律联系起来,这样记单词才简单容易。但是,熟悉单词的发音规律没有方法只靠死记硬背也是非常枯燥乏味的。那么教师应该如何变抽象为直观,丰富学生的感性认识,让学生经历从抽象到形象的思维过程,促使知识内化。在教学单词“shift”时,教师没有让学生用s-h-i-f-t

鼓励孩子的话

激励孩子成长的62句话 一、激励孩子积极向上的6句话 赞赏和激励是促使孩子进步的最有效的方法之一。每个孩子都有希望受到家长和老师的重视的心理,而赞赏其优点和成绩,正是满足了孩子的这种心理,使他们的心中产生一种荣誉感和骄傲感。孩子在受到赞赏鼓励之后,会因此而更加积极地去努力,会在学习上更加努力,会把事情做得更好。赞赏和激励是沐浴孩子成长的雨露阳光。 1、你将会成为了不起的人! 2、别怕,你肯定能行! 3、只要今天比昨天强就好! 4、有个女儿真好! 5、你一定是个人生的强者! 6、你是个聪明孩子,成绩一定会赶上去的。 二、使孩子充满自信的7句话: 自信心是人生前进的动力,是孩子不断进步的力量源泉。因此,父母在教育孩子的过程中,一定要重视其自信心的培养。可以说,许多学习落后或者逃学、厌学的孩子,都源于自信心的丧失。只有自认为已经没有指望的事,人们才会放弃,学习也是一样的,只有孩子认为自己没有希望学下去了,他才会逃学、厌学。实际上,即使那些学习很差的孩子,只要我们能重新燃起他们内心自信的火种,他们都是万全可以赶上去的。 1、孩子,你仍然很棒。 2、孩子,你一点也不笨。 3、告诉自己:“我能做到”。 4、我很欣赏你在××方面的才能。 5、我相信你能找回学习的信心。 6、你将来会成大器的,好好努力吧。 7、孩子,我们也去试一试? 三、促使孩子学习更优秀的7句话 非志无以成学,非学无以成才。学习是孩子成才的唯一途径。没有哪一位父母会不关心孩子的学习问题。要使孩子学习好,一方面在于引导和鼓励,把孩子的学习积极性充分调动起来。使他们成为乐学、肯学的好孩子。另呀方面。需要教给孩子有效的学习方法,使他们掌握高效的学习武器。方法即是孩子学习好的捷径,即是孩子通向成才之路的桥梁。 1、凡事都要有个计划,学习也一样。 2、珍惜时间,就是珍惜生命。 3、你再好好思考思考。 4、提出一个问题,我就奖励你。 5、你就按自己的想法去做吧。 6、做完作业再玩,不是玩得更开心吗? 7、只要努力,下次就一定能考好。

第一节 肢体语言训练

第一节无忧演讲肢体动作训练(前言) 训练前言:写演讲肢体动作训练这块实在是费心了心思,因为很多肢体动作要领,很难用单单用文字来表达,最好是能够现场的演练教授,这样才效果才会比较明显,但我还是基本上把肢体动作的训练方法在下文中详细描述了一次。一般我们学员在学之前,在公众前演讲时总感觉手没地方放,但在学完这一系统肢体动作训练后,往往都是发现自己的手不够用,因为通过这个训练,我们公众演讲时有太多的动作可以做了。 肢体语言在一个人说话时给人留下和印象占总印象的55%,是形成印象诸多因素中占比例最大的一项。肢体语言:55% 语音语调:38% 文字:7%。运用肢体语言的八字口诀:简单,对称,重复,夸大。 肢体指人的身体动作。主要由头、面部、眼神、身体、手势等部分组成。其中面部和眼神我们会单独跟大家分享其中的训练方法,在这里我们主要跟大家分享头、身体和手势。这三类肢体语言中,很多朋友感觉最麻烦的还是手势,那么我们先来讲讲无忧演讲系统中手势的训练方法。 一、无忧演讲手势肢体动作训练 在我们无忧演讲系统中,我们对于手势动作,总共总结了“八菜二火锅式”训练法,总共有“八个菜”和“两个火锅”组成,只要我们熟练应用,演讲时的手势就会比较丰富了。 (一)无忧演讲之菜类手势讲解 1、切菜:把手掌伸平当做一把菜刀,做切菜的动作。右手分上中下进行切菜训练,分别为大切、中切、小切,训练完右手后,再训练左手,也分上中下进行切菜训练,分别为大切、中切、小切。

2、炒菜:把手掌想像成一个锅铲,做炒菜动作。右手分上中下进行炒菜训练,分别为大炒、中炒、小炒,训练完右手后,再训练左手,也分上中下进行炒菜训练,分别为大炒、中炒、小炒。 3、拍菜:手成拍菜状,做拍菜动作。右手分上中下进行拍菜训练,分别为大拍、中拍、小拍,训练完右手后,再训练左手,也分上中下进行拍菜训练,分别为大拍、中拍、小拍。 4、扔菜: 5、敲菜:手握拳,由后往前做敲打动作,进行敲菜训练。右手分上中下进行敲菜训练,分别为大敲、中敲、小敲,训练完右手后,再训练左手,也分上中下进行敲菜训练,分别为大敲、中敲、小敲。 6、点菜:伸出一个食指,做点菜动作。右手分上中下进行点菜训练,分别为大点、中点、小点,训练完右手后,再训练左手,也分上中下进行点菜训练,分别为大点、中点、小点。 7、上菜: 8、端菜: (二)无忧演讲之火锅手势讲解 1、右边,左边,画个圈,放中间。 2、一个拳头切下去,大家都平平。 (三)无忧演讲八菜两火锅学习启示 以上八个菜两个火锅为肢体动作的组成元素,就像英语的26个字母一样,能过26个字母可以拼写出各式各样的单词,通过我们以上八个菜两个火锅,也可以做出各式各样的肢体动作,重要应用与发挥,并非单个动作做得有多标准。 二、无忧演讲手势肢体语言讲解 (一)手势的作用

课堂教学中的“肢体语言”

课堂教学中的“肢体语言” 课堂教学是传授知识的主要途径。教师的语言是其中非常重要的部分,所有教学目标,都要通过语言完成。语言如何,是评价一个教师的重要方面。不过一般关注的都是课堂上的言语:是否有感染力,是否简洁,逻辑性如何,等等。而有一种十分重要的语言却常常被人忽视――身体语言。也有人关注到,不过多认为这是个人的个性和习惯,或者大概知道其有一些作用。网上所能找到的论文也多是罗列一些模糊的经验,语焉不详。总之,身体语言的作用没有受到应有的重视。 那身体语言在交流中有多大作用呢?人类学家雷?波斯维特发现,在面对面的交流中,语言所传递的信息量在总信息量中所占的份额还不到35%,剩下的超过65%的信息都是通过非语言交流方式完成的! 麦拉宾对近百万条非语言信息研究得出的结果更为精细:一条信息所产生的全部影响力中7%来自语言(仅指文字),38%来自于声音(包括语音、音调及其他声音),剩下的55%则全部来自于无声的肢体语言。 身体语言的作用真有那么大吗?在语言不发达的原始社会,身体语言是一种极其重要的交流方式,为了生存,人类必须通过肢体语言和简单的发音来表示敌意、友善或屈服。现在西方英语社会,由于语言本身的限制,身体语言也依旧是很重要的沟通方式,特别

表现在丰富的手势。无声电影时代,身体语言是大银幕上唯一的沟通方式,那时候,像卓别林这样的身体语言大师,能够很巧妙地利用各种手势和身体各部位发出的信号与观众交流。现在,我们被有声的信息淹没,但身体语言依旧在发挥着难以察觉一一却极其重要的作用! 下面,我将从教师和学生两方面来讲述身体语言在课堂教学中的重要作用。 每个教师都希望自己的课生动有趣,让学生既喜欢又能学到知识。要想这样,精心设置的课堂言语是不够的。课堂中,除了嘴巴以外,教师全身每一个可见的部位其实都在无声地说话,而且,由于孩子,特别是低年级的孩子受到后天信息影响较小,人类动物性本能还较强,对这种同样源于动物性本能的身体语言尤其敏锐。一次给兴趣小组学生上作文课,由于一些事,心情很糟,什么话都没说,只说:“自己写作业。”自己则双臂抱紧,低头皱眉,来回踱步,学生敏锐地感觉到了,一学生关心地问:“老师你怎么了?”另一学生轻声说:“老师好像死了似的。”我听到,不禁感叹孩子敏锐的直觉。 怎样控制好自己的身体语言,让它“说”你想“说”的话,而不是暴露出内心真实的、不适合课堂的情绪呢?那就要知道每个身体部位,做出一个动作时,会传递给别人怎样的信息。以相对比较重要的手掌为例。 手掌的动作主要有三种:手心向上、手心朝下以及有一根手指(通常是食指)在外的握拳状。

鼓励孩子的100句话

鼓励孩子的100句话 鼓励,孩子成才的点金术 ——正强化 什么是正强化? 正面强化物的分类 怎么样运用正强化来鼓励孩子 鼓励的语言艺术 杨杰从小生活在农村,每天早上和放学回家都要帮助家里放牛,到小学六年级的时候,成绩还非常不好,每次数学考试都10多分,而且最要命的是他从来没有写过一篇完整的作文,每次作文课,他不是逃学就是不交作文,在老师眼里是个不折不扣的差生,甚至经常受到老师的体罚。一天上学路上,杨杰看到两头牛在打架,放牛的小孩在一边急得哭,不知道怎么办。杨杰看到以后,就主动的上前帮忙把两条打架的牛分开,然后把那个急得哭的孩子的牛牵回来交给那个孩子,孩子破涕为笑,高兴的回家了。

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只有这样才能跟听众建立持续不断的联系,以期收到效果。后,我们必须声明一下,虽然肢体语言在说话过程中具有特殊的表达功能,但它毕竟只是完成表达任务的手段,而不是说话所追求的终目标。所以,对于口才而言,肢体语言并没有独立价值,而只有辅助价值,它在整个谈话过程中处于从属地位。正是由于这种从属地位,才决定了它的设计和运用必须由表达的内容、情绪和对象等因素来决定。总之,能够打动人的语言并不是单纯的有声语言,其他的辅助语言也起着举足轻重的作用。一个人的言谈举止都透露着某种语言的讯息,让人们从中看到一个人的素养。单纯的肢体语言虽然无法达到有声语言表情达意的效果,但是通过肢体语言的运用,可以使有声语言的效果增强。所以,我们一定要重视肢体语言,运用得好,就会辅助有声语言给人留下更好的印象;运用不恰当了,即使有声语言再好,其表达都会打折扣,甚至还会给听众留下不好的印象。

可怕的肢体语言(全)

可怕的“肢体语言”(1) 清晨,你起床了。你要烧火做饭,于是拿出了火柴盒。 请注意,这里就有“体语”可读。因为划火柴这个细微的动作,往往也能体现一个人的性情。 当心情激动或脾气急躁时划火柴,火柴常易折断,你会不耐烦,再取出—根用力一撩,甚至接二连三地更换火柴。秉性温和而细心沉静的人划火柴时,他是很注意节约砂皮的,磨擦时往往从砂皮的最边缘用起,轻轻地但又十分巧妙地一擦。遇上难题正在思考之中者划火柴,动作一般十分缓慢,火柴的俯冲弧度较大,火柴燃着后也不急于使用,显得漫不经心的样子。有人在点燃火柴后看着它渐渐燃烧和熄灭,这往往表明他(她)处于彷徨和疑虑之中,或者思考某个问题入了神。 现在,你要吃饭了。这与“体语”有什么关系呢? 关系大着呐。 近几年来,心理学家总结出——些进食方式与个性之间较有规律性的经验。据说,对食物不挑剔、来者不拒的人,个性比较随和,而已往往多才多艺,同时应付多种工作。相反,个性冷僻,爱独自边食,即使与他人同桌也不愿与人同享共餐之乐的人,往往责任心强,言行—致,信守诺言,其工作一般总会令人满意。 进食速度也能反映个性:狼吞虎咽的人,大部分个性豪放,精力旺盛,办事果断,待人真诚,具有很强的竞争力,但有时会热情过头;吃东西时有脸孔朝上的习惯者,这种人往往感应迟钝,常会为芝麻小事与人争得面红耳赤,缺少与人和好相处的气氛;吃东西慢慢地嚼慢慢地咽,一副“泰山崩于前而面目不改”的样子,这种人往往不拘小节,凡事大而化之,对别人的过错不大在意,遇事冷静,很少判断错误;吃东西时有露出整排牙齿习惯的人,平时常为微不足道的事而操心,常感外界给他的精神压力相当大。 吃过饭,你就要去乘公共汽车上班了。 公共汽车上,人挨人,人挤人。这个时候,如果你有心破译“体语”,不妨去看看一种“固态”的“体语”——头发。 在生活中,许多人可能还不知道头发也能显示一个人的性格吧? 最近,美国心理学家雷勒克博士得出这样的结论:头发平凡细软的人,性格多半温柔;头发粗硬、直发的人,大多个性刚直,情绪较为稳定;头发浓黑色泽光亮的人,

肢体语言

谈判中,双手抱胸的姿态很常见。因为大多数人在谈判时,不是设法了解、发现对方的感情和需要,反而是一味地强调自己的要求,或总是抱着请求、建议或者类似的态度,使对手采取防备的立场。此刻,如果继续采用双手抱胸的姿态,要想达到使对手妥协或合作,那是很困难的。当然,另一种解释是自信,甚至自信到自负的程度,有强势压人之嫌。 没有人可以隐藏秘密,假如他的嘴巴不说话,则他会用指尖说话。 坐姿 腿和足部虽然是身体的下端,但其往往是犯罪嫌疑人刻意防护较弱、最易表露出潜意识情感的部位。不自觉的动作传达着丰富的含义,如摇动足部、抖动脚部、用脚拍打地板、频繁变换架腿姿势等,一般表现动作者情绪不稳定、不耐烦、焦躁不安,或表示其无可奈何的心态、欲摆脱某种紧张感等。平行型坐姿是女性犯罪嫌疑人最普通的安放双腿的形式,持这种坐姿的女性大多较为内向,对自己的行为很有约束,轻易不会和讯问人员发生冲突,能较好地听从规劝,但触及其人格弱点时会发生强烈反应。把右腿跷在左腿上面的女性犯罪嫌疑人,往往比较有涵养而保守,性格内向且较为理智,习惯压抑、控制个人感情,不会轻易吐露实情。把左腿翘在右腿上的女性犯罪嫌疑人则天性喜爱冒险,对讯问表现积极而大胆,是标准的无所谓类型的人。双腿一起向后弯曲的女性犯罪嫌疑人属于富于幻想类型,家境一般都不错,非常注意自己的行为,受封建思想意识影响较重,通常不会主动交代问题,从不肯承认自己与其他犯罪嫌疑人,尤其是与男性犯罪嫌疑人的情感关系,多少有点做作。对这类女性犯罪嫌疑人进行讯问时,讯问者需要付出极强的耐性。脚尖交叉型的女性犯罪嫌疑人多有自恋或同性恋倾向,或是因情感受挫而犯罪,其对感情的信任度较低,但自我保护意识强,会刻意保全自己。完全展开双腿的女性犯罪嫌疑人则极为少见,如果不是因为太胖或下肢有病的话,这样的女性犯罪嫌疑人无疑属于比较大胆、放纵的类型,表明其极端自负,以自我为中心,愿意接受对方的任何挑战,而且缺乏教养和法律的认识,对犯罪行为的认识停留在较低水平上,所具有的强烈自负感一旦被打破就会变得“破罐子破摔”。因此,对于这种类型的女性犯罪嫌疑人,讯问者应保持顽强的意志和镇静的态度,强化政策攻心,有策略地使用证据,尽量使其消除侥幸、对抗等心理,促使其交代认罪。实践证明,女性犯罪嫌疑人在撒谎时,其眼睛常常闪烁不定,以此来掩饰内心的秘密。这是该特定人群的一个共同特征。 .手势。 有研究表明,眼睛不能视物的人几乎都是用手势来表达自己思想的。也就是说,手的动作 会跟随人内心的变化。很多人在闹别扭时常会双手抱胸,采取“防卫姿态”,但当其心灵开放时身体便会很自然地放松,同时也会很自然地使用手势来加强沟通,比如两手上下反复拍一下等。因此,讯问中通过女性犯罪嫌疑人手的动作而了解其内心世界,也是讯问者判读女性犯罪嫌疑人真实情感的渠道之一。通常,讯问中女性犯罪嫌疑人的手势变化很多,不同的手势表达出不同的含义:不断地摩擦双手的女性犯罪嫌疑人是在期待着什么,如果加上其 直视的眼睛,就可以肯定她在期待着能对讯问者要求什么或讯问者能提供什么;十指交叉是一种很明显的本能防卫手势,有这样手势的女性犯罪嫌疑人往往可能曾受到过伤害,但假如她的双肘支撑着交叉双手,那可能表示她对自己犯罪行为所保护的对象或目标相当自信;把十指相对做成尖塔形的女性犯罪嫌疑人,通常表示她只对讯问者的某句话而不是案件本身感兴趣;拳头紧握,表示准备发起挑战或是其紧张情绪开始控制不住的信号;握拳的同时如伴有手指关节响声,或用拳击掌,则表示无言的威吓甚至是进行攻击的信号。2.手与身体或其他物体之间的动作。讯问中女性犯罪嫌疑人的手与身体其他部位的接触也能传 达出丰富的信息:用手不停地触碰鼻尖是其犹豫不决、思想斗争激烈的表现;用手触摸耳朵

鼓励孩子的语言精选

1、努力从今天开始,成功从“零”开始。 2、自信,是迈向成功的第一步。 3、以善心爱人,以善语待人。孩子,让我们共同营造一片爱心世界。 4、广交良友,增长知识。 5、认真是成功的秘诀,粗心是失败的伴侣。 6、当你尽了自己的最大努力时,失败也是伟大的。 7、进步很大,希望你更上一层楼。 8、同学之间的相互信任是无价之宝。 9、你品学皆优、奋进向上,是老师最满意的学生。 10、肯动脑筋,会使你更加聪明。 11、自信是迈向成功的第一步。 12、小鸟只有展翅才能飞翔,孩子多动脑的同时还要多动手。 13、你的自觉、上进让老师和家长感到欣慰。 14、做勤劳的小蜜蜂吧,你会品尝到成功的喜 悦。 15、从你天真的目光中,教师感到了你的可爱。 16、天真的心如同蝴蝶扇动着翅膀,不停地飞呀飞,有时也得学小蜜蜂, 用勤劳换来成功的喜悦。 17、你和书本一定是好朋友吧,要不你怎会知道那么多。 18、像诗词一般美好而富有韵味的女孩,教师祝你更上一层楼。 19、你像一朵会飞的花,恬静、聪慧,会幻想。 20、拉着你的小手,看着你无瑕的面孔,我心里多么快乐! 21、成功是属于最有力量的人。在这里,"力量"是指有文化、有知识、有能力。 22、你像一只闪烁着奇光异彩的小鸟,活泼、大方。 23、让我携着你的小手同走过这美好的时光。 24、“热爱”就是最好的老师。热爱学习,就一定会愉快、入迷。 25、活泼可爱、真挚热诚使你成为阳光般快乐的孩子,马虎大意也使你成为一个小淘气,能改一改吗? 26、小小的个子,细细的声音,细密的心思,别具一格的想法使你惹人喜爱,文文静静的卓荦荦如能更大声、大胆、大方,就会成为一个更优秀的孩子。祝你成功! 27、虎头虎脑的样子,急匆匆的性子, 机机灵灵的小脑瓜子,小伙子除了有这些特点,也需要踏踏实实地学习,谦谦虚虚地做人。 28、我想,绘画除了用笔,更要用心。你是个有心的孩子,大胆地展示你的潜力吧! 29、轻轻松松地学习,轻轻松松地生活,做个充满自信的好孩子。 30、取他人之长补已之短,生活中处处有学习榜样,人人都有值得效仿和学习的地方。 31、孩子,你的画真漂亮,相信你的字也能写得更 漂亮。 32、能干的小姑娘,你是我们全班的骄傲。 33、孩子,你甜甜的笑真惹人爱!愿你的生活永远充满欢乐! 34、孩子,辛苦了!谢谢你为班集体付出的劳动! 35、孩子,远离“小马虎”,行吗? 36、你是一个很优秀的孩子,可为什么不敢向大家展露自己的才华呢?勇敢些吧!,孩子。 37、你是一个能干、乖巧的好孩子,就是太任性啦!改正以后,老师会更喜欢你的! 38、你在眼睛爱伤的情况下坚持学习,还学得这么好, 老师真为你感到骄傲! 39、你是一个认真负责的好班委,老师的好帮手。老师真想对你说一声:“孩子,辛苦了!” 40、这学期,你各方面不像以前那么突出,可老师相信你很有潜力,会再次像金子一样发光。努力吧,孩子! 41、其实,你是一个很聪明、很可爱的孩子,可这学期在各方面都有所退步。老师希望你尽快改正缺点,能做到吗? 42、用笑去面对困难,用泪花去迎接胜利,从小做一个坚强的男子汉。 43、我相信你将成为胸纳百川、恢宏大度的杰出人才。 44、请记住:同学之间相互谦让,你会拥有更多的朋友。 45、时间就像海绵里的水,只要挤,就会有的。 46、细致一点儿,再细致一点儿。 47、孩子,学着把逆耳的忠言和意见作为行动的指南吧! 48、多么希望你用心抓住每一个机会,而决不放弃成功的希望。 49、天下大事,必做于细。做事认真专一,你将走向成功。 牛牛(365646679) 2013-6-27 7:11:28

肢体语言说明(全)

1、边说边笑:这种人与你交谈时你会觉得非常轻松愉快。他们大都性格开朗,对生活[要求从不苛刻,很注意“知足常乐”,富有人情味。感情专一,对友情、亲情特别珍惜。人缘较好,喜爱平静的生活。 2、掰手指节:这种人习惯于把自己的手指掰得咯嗒咯嗒地响。他们通常精力旺盛,非常健谈,喜欢钻“牛角尖”。对事业、工作环境比较挑剔,如果是他喜欢干的事,他会不计任何代价而踏实努力地去干。 3、腿脚抖动:这类人总是喜欢用脚或脚尖使整个腿部抖动;最明显的表现是自私,很少考虑别人,凡事从利己出发,对别人很吝啬,对自己却很知足。但是很善于思考,能经常提出一些意想不到的问题。 4、拍打头部:这个动作是表示懊悔和自我谴责。这种人对人苛刻,但对事业有一种开拓进取的精神。他们一般心直口快,为人真诚,富有同情心,愿意帮助他人,但守不住秘密。 5、摆弄饰物:这种人多为女性,一般都比较内向,不轻易使感情外露。她们的另一个特点是做事认真踏实,大凡有座谈会、晚会或舞会,人们都散了,但最后收拾打扫会场的总是她们。 6、耸肩摊手:这种动作是表示自己无所谓。这类人大都为人热情,而且诚恳,富有想象力,会创造生活,也会享受生活,他们追求的最大幸福是生活在和睦、舒畅的环境中。 7、抹嘴捏鼻:习惯于抹嘴捏鼻的人,大都喜欢捉弄别人,却又不敢“敢做敢当”,爱好哗众取宠。这种人最终是被人支配的人,别人要他做什么,他就可能做什么,购物时常拿不定主意。 8、常常低头:慎重派。讨厌过分激烈、轻浮的事,孜孜勤劳,交朋友也很慎重。

9、托腮:服务精神旺盛,讨厌错误的事情,工作时对松懈型的合作对象会很反感。 10、两手腕交*:对事情保持着独特的看法,常给人冷漠的感觉,属于易吃亏型的人,稍微有些自我主义。 11、摸弄头发:这是一个情绪化的,常常感到郁闷焦躁的人物。对流行很敏感,但忽冷忽热。 12 把手放在嘴上:属于敏感型,是秘密主义者,常常嘴上逞强,但内心却很温柔。 13、手握着手臂:保守派非理性的人,因为不太拒绝别人。 14、着某样物体:冷酷的性格,有责任感和韧性,属独自奋斗型。 15、到处张望:具眯着眼——不同意,厌恶,发怒或不欣赏 16、摇头晃脑:这种人特别自信,以至于唯我独尊。他们在社交场合很会表现自己,对事业一往无前的精神常受人赞叹。 走动——发脾气或受挫 扭绞双手——紧张,不安或害怕 向前倾——注意或感兴趣 懒散地坐在椅中——无聊或轻松一下 抬头挺胸——自信,果断 坐在椅子边上——不安,厌烦,或提高警觉 坐不安稳——不安,厌烦,紧张或者是提高警觉 正视对方——友善,诚恳,外向,有安全感,自信,笃定等 避免目光接触——冷漠,逃避,不关心,没有安全感,消极,恐惧或紧张等 点头——同意或者表示明白了,听懂了 摇头——不同意,震惊或不相信 晃动拳头——愤怒或富攻击性 鼓掌——赞成或高兴 打呵欠——厌烦 手指交叉——好运 轻拍肩背——鼓励,恭喜或安慰 搔头——迷惑或不相信 笑——同意或满意 咬嘴唇——紧张,害怕或焦虑 抖脚——紧张 双手放在背后——愤怒,不欣赏,不同意防御或攻击

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