Comment on The complete Schwarzschild interior and exterior solution in the harmonic coordi

合集下载

A review of free-piston engine history and applications

A review of free-piston engine history and applications

A review of free-piston engine history and applications.⋆R.Mikalsen,A.P.Roskilly∗Sir Joseph Swan Institute for Energy Research,Newcastle University,Newcastle upon Tyne,NE17RU,United Kingdom.AbstractThis document reviews the history of free-piston internal combustion engines,from the air compressors and gas generators used in the mid-20th century through to recent free-piston hydraulic engines and linear electric generators. Unique features of the free-piston engine are presented and their effects on engine operation are discussed,along with potential advantages and disadvantages compared to conventional engines.The paper focuses mainly on developed engines where operational data has been reported.Finally,the potential of the free-piston engine is evaluated and the most promising designs identified.Key words:free-piston,linear engine.1.IntroductionExtensive use of fossil fuels as an energy source for both sea and land based transport leads to sig-nificant amounts of CO2and other pollutants be-ing produced.Much research,particularly within the automotive industry,is being undertaken to de-velop more environmental friendly fuel chains,and the fuel cell vehicle stands out as a promising tech-nology for the future.Although superior in vehi-cle efficiency,the implementation barriers for such radical technology change are huge,and the com-plete fuel chain(‘well-to-wheel’)efficiencies are not yet superior to those of conventional technology[1]. Hybrid electric vehicles powered by conventional in-ternal combustion engines have the potential to re-alise large emission reductions within a significantly shorter timescale.⋆This is a preprint version.This paper was published as: Applied Thermal Engineering,Volume27,Issues14-15,Oc-tober2007,Pages2339–2352.∗Corresponding author.Email addresses:rikard@mikalsen.eu(R.Mikalsen), Tony.Roskilly@(A.P.Roskilly).After being abandoned in the mid-20th century, free-piston engines are being investigated by a num-ber of research groups worldwide as an alternative to conventional engine-generator sets or for gener-ating hydraulic power in off-highway vehicles.Po-tential advantages of the free-piston engine include optimised combustion through variable compres-sion ratio,leading to higher part load efficiency and possible multi-fuel operation,and reduced frictional losses due to a simple design with few moving parts. This document reviews the history of the free-piston engine with emphasis on recent applications, and investigates the potential of free-piston engines as an alternative to conventional technology.It is the result of an extensive background study on the subject and will be followed up by a more detailed design study and the development of a prototype engine.2.Free-piston engine basicsDue to the breadth of the free-piston term,many engine configurations will fall under this category. The free-piston term is most commonly used to dis-Preprint submitted to Elsevier17February2009tinguish a linear engine from a rotating crankshaft engine.The piston is‘free’because its motion is not restricted by the position of a rotating crankshaft, as known from conventional engines,but only deter-mined by the interaction between the gas and load forces acting upon it.This gives the free-piston engine some distinct characteristics,including(a)variable stroke length and(b)the need for active control of piston mo-tion.Other important features of the free-piston en-gine are potential reductions in frictional losses and possibilities to optimise engine operation using the variable compression ratio.2.1.The originalR.P.Pescara[2]is usually credited with the inven-tion of the free-piston engine with his patent dating from1928,but other vendors,among others Junkers in Germany,were also working on free-piston ma-chinery at this time.Since then,a high number of patents describing free-piston machinery or related to such machinery have been published.1The orig-inal Pescara patent describes a single piston spark ignited air compressor but the patent seeks to pro-tect a large number of applications utilising the free-piston principle.Pescara started his work on free-piston engines around1922and he developed prototypes with both spark ignition(1925)and diesel combustion(1928). The latter led to the development of the Pescara free-piston air compressor[4].Pescara continued his work on free-piston machinery and also patented a multi-stage free-piston air compressor engine in1941 [5].2.2.Piston configurationFree-piston engines are usually divided into three categories based on the piston/cylinder configura-tion.A fourth category,free-piston gas generators, identifies engines where the load is extracted purely from an exhaust turbine and not from a load device mechanically coupled to the engine.Below follows a description of the different cate-gories of free-pistonengines.Fig.1.Single piston hydraulic free-piston engine[6].2.2.1.Single pistonA single piston free-piston engine is shown in Fig-ure1.This engine essentially consists of three parts:a combustion cylinder,a load device,and a rebounddevice to store the energy required to compress the next cylinder charge.In the engine shown in thefig-ure the hydraulic cylinder serves as both load and rebound device,whereas in other designs these may be two individual devices,for example an electric generator and a gasfilled bounce chamber.A simple design with high controllability is themain strength of the single piston design compared to the other free-piston engine configurations.The rebound device may give the opportunity to accu-rately control the amount of energy put into the compression process and thereby regulating the compression ratio and stroke length.2.2.2.DualpistonFig.2.Hydraulic dual piston free-piston engine[7].The dual piston(or dual combustion chamber) configuration,shown in Figure2,has been topic for much of the recent research in free-piston engine technology.A number of dual piston designs have been proposed and a few prototypes have emerged, both with hydraulic and electric power output.The 1For a comprehensive timeline of free-piston engine devel-opments,see Aichlmayr[3].2dual piston engine configuration eliminates the need for a rebound device,as the(at any time)work-ing piston provides the work to drive the compres-sion process in the other cylinder.This allows a sim-ple and more compact device with higher power to weight ratio.Some problems with the dual piston design have, however,been reported.The control of piston mo-tion,in particular stroke length and compression ra-tio,has proved difficult.This is due to the fact that the combustion process in one cylinder drives the compression in the other,and small variations in the combustion will have high influence on the next com-pression.This is a control challenge if the combus-tion process is to be controlled accurately in order to optimise emissions and/or efficiency[3,8].Exper-imental work with dual piston engines has reported high sensitivity to load nuances and high cycle-to-cycle variations[9,10].2.2.3.Opposed pistonAn opposed piston free-piston engine essentially consists of two single piston units with a common combustion chamber.Each piston requires a re-bound device,and a load device may be coupled to one or both of the pistons.Figure3shows an op-posed piston free-piston engine,with a mechanical piston synchronisation mechanism.Fig.3.Illustration of an opposed piston free-piston engine with piston synchronisation mechanism.The opposed piston principle was used almost exclusively in the early free-piston engine designs (1930-1960),and mechanical linkages connected the two pistons to ensure symmetric piston motion,as illustrated in thefigure.These engines served suc-cessfully as air compressors and later as gas gener-ators in large-scale plants,often with a number of units feeding a single power turbine.The main advantage of the opposed piston con-figuration is the perfectly balanced and vibration-free design.This feature is not shared by any of the other free-piston configurations,which need al-ternative means of controlling vibrations.A further advantage of the opposed piston design is reduced heat transfer losses due to the opposed piston cylin-der(elimination of the cylinder head),and this also allows uniflow scavenging to be used,giving high scavenging efficiency.The absolute need for a piston synchronisation mechanism is the most important disadvantage of the opposed piston design.This,together with the need for a dual set of the main components,makes the engine complicated and bulky.Achten[8]consid-ers the opposed piston design and rejects this,and the only modern opposed piston free-piston design reported is the hydraulic engine developed by Hibi and Ito[11].2.2.4.Gas generatorsFree-piston gas generators(or gasifiers)are free-piston engines feeding hot gas to a power turbine.The only‘load’for the engine itself is that to su-percharge the intake air,the output work is taken out entirely from the power turbine.Free-piston gas generators were used in some large-scale marine and stationary powerplants in the mid-20th century,and attempts were made to use this principle in auto-motive applications.Figure4illustrates an opposed piston free-piston gas generatorplant.Fig.4.Illustration of a free-piston gas generator Compared to a conventional gas turbine,the free-piston gas generator has the advantage of high com-pression and pressure ratios.It further differs in the way that the work needed to compress the intake air is already extracted from the gas when supplied to the power turbine.Consequently,the gas fed to the turbine holds a lower temperature which reduces the materials requirements and allows the turbine to be placed further away from the combustor without ex-tensive heat transfer losses.3The operational characteristics of a free-piston gas generator do not differ much from those of other free-piston engines of the same configuration.The opposed piston free-piston gas generator was the topic of much research in the mid-20th century and many reports can be found describing the design and operation of such engines.However,as con-ventional gas turbine technology matured,the free-piston gas generator concept was abandoned.The only reported modern application of this concept is the single piston free-piston gas generator presented by Johansen et al.[12].3.Free-piston engine unique featuresThe free-piston engine has a number of unique fea-tures,some give it potential advantages and some represent challenges that must be overcome for the free-piston engine to be a realistic alternative to con-ventional technology.3.1.Operating principleThe free-piston engine is restricted to the two-stroke operating principle,as a power stroke is re-quired on every cycle.Although two-stroke engines suffer from poorer performance compared to four-strokes,this performance gap is declining and recent years have seen an increased interest in small scale two-stroke engines.3.2.Piston dynamics and controlIn conventional engines,the crank mechanism and flywheel serve as both piston motion control and en-ergy storage.The piston motion control ensures suf-ficient compression in one end and sufficient time for scavenging in the other,while the energy stor-age provides energy for the compression of the next charge.In the free-piston engine the motion of the mover at any point in the cycle is determined by the sum of the forces acting upon it.Hence,the interac-tion of these forces must be arranged in a way that ensures the mover motion is within acceptable lim-its for all types of operation if the concept is to be feasible.For an engine as shown in Figure5a,one can derive the mover motion mathematically using a free-body diagram as shown in Figure5b.The forces working on the mover are:combustion chamber pressure force F C,bounce chamber(rebound)force(a)Single piston free-piston engineconfiguration.MaxFBDC(b)Free body diagram of the mover in a single piston free-piston engine.Fig.5.Piston dynamics of a single piston free-piston engine.F R,load force F L.x denotes mover position,TDC Nand BDC N illustrate nominal top dead centre and bottom dead centre positions and ML are the me-chanical limits of the motion.The mover itself will have a mass m p.Applying Newtons2nd law to the moving mass in Figure5b,the piston motion can be described withiF i=m pd2xd t2.(1)Knowing that the combustion cylinder and the bounce chamber will have characteristics similar to those of a gas spring,it becomes clear that they will produce a bouncing-type motion of the piston.Adding a load force,this must have appropriate characteristics or be subordinate the other two to ensure a reciprocating motion of the piston.If a re-bound device with other force-position characteris-tics than a bounce chamber is used,such as a hy-draulic cylinder,the operational characteristics will be slightly different but the same principles will ap-ply.Figure5b further shows the different parts of the engine stroke.Area A shows the piston position range where the compression ratio of the engine is 4sufficient for fuel autoignition.For the engine to run, engine TDC must be within this area.Area B shows the piston position range where the scavenging ports are open and the burnt gases can be replaced with fresh charge.For the scavenging to be efficient,the piston needs to spend a sufficient amount of time in this area in every cycle.These requirements are absolute and for the en-gine to be practical,an engine control system needs to be able to meet these requirements for all types of engine operation.Accurate control of piston motion currently represents one of the biggest challenges for developers of free-piston engines.3.2.1.Frequency controlFor an engine with a gasfilled bounce chamber, the spring-mass nature of the system means that the frequency and stroke length are closely related. The system will operate at its natural frequency, and the pressure in the gas springs(i.e.spring stiff-ness)can only be varied over a limited range.The stroke length is strictly limited by the need for suf-ficient compression and scavenging,hence there will likely be limitations in the frequency control pos-sibilities of the engine.This also limits the power output range of such free-piston engines,which has been noted by a number of authors as a problem with the free-piston design.For engines with different types of rebound de-vices,very high levels of controllability can be achieved.The best example of this is the Pulse Pause Modulation(PPM)scheme for hydraulic free-piston engines,presented by Achten et al.[13]. The same principle has been employed by several other authors.The Pulse Pause Modulation frequency control pauses the piston motion at BDC using a control-lable hydraulic cylinder as rebound device.At BDC the piston velocity is zero and the upwards motion will only begin when the rebound device releases the stored energy.The frequency can therefore be con-trolled by applying a pause between the time the piston reaches BDC and the release of compression energy for the next stroke.The frequency can in the-ory be varied down towards zero,there is no min-imum frequency like the idle speed in conventional engines.This is possible because the piston motion in each stroke is not frequency-dependent—the mo-tion profile will have the same form regardless of operating frequency.Another consequence of this is that the frequencywill not largely influence the efficiency of the engine.A conventional engine may have to operate over arange of inefficient speeds or torques and only parts of the operational time on the design conditions.Both Hibi and Ito[11]and Achten et al.[13]report very good part-load performance for hydraulic free-piston engines using PPM and Achten et al.presenta direct comparison to a conventional engine-pumpshowing significantly better part-load performance for the free-piston engine.Such frequency control also allows frequency changes to take place instantaneously and step wise.Somhorst and Achten[14]report an idle speed of the Innas Free-Piston Engine with auxiliaries of 1Hz(60rpm).An illustration of the principle is shown in Figure6.0.20.40.60.81BDCTDCPistonposition2.5Hz5Hz10Hz20Hzt[s] Fig.6.The principle of pulse pause modulation frequency control of a single-piston free-piston engine with20Hz max-imum frequency[14].3.2.2.StartingThe free-piston engine cannot be cranked over several revolutions for starting like conventional en-gines and other methods for starting must therefore be implemented.Starting can be achieved by im-pulsing the piston to give it sufficient energy to reach top dead centre,or by driving the piston back and forth until it reaches sufficient compression.The lat-ter can be achieved if the load device can be run as motor,e.g.with an electric machine or a hydraulic cylinder.If the impulse strategy is used,it is crucial that the engine starts on thefirst stroke and that the engine control system is able to keep the engine running after this.The mid-1900’s engines mainly used compressed air to aid starting,by rapidly introducing it into the bounce chamber.Achieving combustion on the 5first stroke was not reported to be a problem,be-cause high compression ratios were achievable with this method.More challenging was to immediately control the amount of air in the bounce chamber to achieve sufficient scavenging for stroke number two, since the bounce chamber was now full of high pres-sure starting air.Although some reports indicate that starting was a challenge for the free-piston en-gines,this is never mentioned as a crucial problem. Most linear engine generator concepts use the electric machine in motoring mode to start the engine.Recent single piston and opposed piston hydraulic free-piston engines use stored hydraulic energy to start the engine.Since the rebound de-vices in these engines are hydraulic cylinders,the first stroke is not different from any other stroke and starting represents no problem.3.2.3.MisfiringMisfiring may represent a problem in the free-piston engine,since it does not have energy storage capable of driving the engine for several revolutions like theflywheel in a conventional engine.Hence,if the engine fails to build up sufficient compression or if other factors influence the injection/ignition and combustion,the engine may stop.The same result may follow from a mistiming in the fuel injection or ignition timing.Although this has often been mentioned as a po-tential problem in theoretical surveys on free-piston engine feasibility,such problems are not mentioned by any of the reported experimental work on free-piston engines reviewed.3.3.Free-piston loadsThe free-piston engine requires a linear load,and for the overall system to be efficient the load must provide efficient energy conversion.The rotating power source,such as internal combustion engines and turbines,has been the de facto standard for many years within electric power generation but also rotating hydraulic and pneumatic machinery are highly developed technologies.A challenge for free-piston engine developers is tofind linear equivalents of these machines with comparable performance. The mechanical requirements for free-piston en-gine load devices are high since the load is coupled directly to the mover,and the load will be subjected to high acceleration forces.Secondary effects from the high accelerations such as cavitation in hydrauliccylinders must also be considered.Furthermore,the load device may be subjected to heat transfer from the engine cylinders.Known free-piston engine loads include electric generators,hydraulic pumps and air compressors.The dynamic properties of these differ widely.Im-portant factors when determining the feasibility ofa linear load for a free-piston engine are:Movingmass,physical size,efficiency and load force pro-file.The following characteristics are typical for the mentioned load devices:–Hydraulic pumps typically work against a highdischarge bined with the incom-pressible workingfluid,this allows a small unitwith very low moving mass.The efficiency ofsuch units is generally high and high opera-tionalflexibility has been demonstrated usingelectronically controlled hydraulic control sys-tems with fast-acting valves in free-piston en-gines.The load force of a hydraulic pump isapproximately constant,due to the constantdischarge pressure.–Electric generators can be relatively compactin size but often suffer from a high movingmass due to magnets or back iron in the mover,required to supply or direct the power generat-ing magneticflux within the machine.The ef-ficiency of electric machinery is,however,gen-erally very high.The load force of a permanentmagnet electric machine coupled to a purelyresistive load will be proportional to the trans-lator speed,although other designs or the im-plementation of power electronics may allowvariations on this.–Air compressors were the original free-pistonload devices but are not necessarily bettersuited for this purpose than the other two.The variable stroke of the free-piston enginemay lead to poor volumetric efficiency of theair compressor when operating at varyingload levels.If operating with atmospheric in-let pressure,a large compressor cylinder isneeded resulting in a large and heavy con-struction.One advantage is that a steppedcompressor piston can be applied,giving acompact multi-stage compressor.The loadprofile of an air compressor is like that of agasfilled bounce chamber in the compressionphase and with an approximately constantload force when the discharge valves are opentowards the end of the stroke.Figure7illustrates the typical load characteristics 6of the mentioned free-piston engineloads.L o a d f o r c eG a s f o r c eFig.7.Characteristics of free-piston engine loads [3].3.4.SimplicityThe simplicity of the free-piston engine compared to conventional technology is one of the driving forces behind many of the recent free-piston en-gine developments.The elimination of the crank mechanism reduces the number of parts and the complexity of a free-piston engine significantly and this potentially gives a number of advantages:–Low frictional losses.Fewer moving parts in the free-piston engine give reduced frictional losses.In addition,the absence of a crankshaft eliminates losses due to crankshaft bearing friction,and the purely linear motion leads to very low side loads on the piston.This also reduces the cylinder lubrication requirements.–Reduced manufacturing costs.The reduced number of parts in the free-piston engine results in lower manufacturing costs.–Compactness.With reduced number of parts,the size and weight of the free-piston engine can be reduced,giving a more compact unit.–Low maintenance costs and increased lifetime.The reduced number of parts and the reduced frictional losses reduce the maintenance costs of the free-piston engine.3.5.The combustion processSome reports have indicated that the combustion in free-piston engines benefits from the high piston speed around TDC.This leads to higher air veloc-ity and turbulence level in the cylinder,which ben-efit air-fuel mixing and increase the reaction rate and flame speed.The high piston acceleration just after TDC leads to a rapid expansion,and time-dependent chemical reactions,such as NO x forma-tion,are potentially reduced.Achten et al.[13]present experimental results showing significantly faster combustion in the In-nas Free-Piston Engine compared to conventional engines.Values for ignition delay are found to be comparable to those found in conventional engines.Tikkanen et al.[9]present similar experimental results,and both groups indicate that combustion takes place predominantly in the premixed phase.Fleming and Bayer [15]describe how theoretical thermodynamic analysis of the engine processes had to be drastically changed to achieve good agreement with experimental data,due to long ignition de-lays and high heat release rate in the free-piston en-gine.Baruah [16]reports significant advantages in emissions for a spark ignited free-piston engine over crankshaft engines,particularly for nitric oxides.As a result of the particular operating character-istics,the in-cylinder heat transfer will also differ between the free-piston engine and conventional en-gines.The rapid power stroke expansion gives less time available for heat transfer from the hot gases to the cylinder wall,but increased in-cylinder gas mo-tion may have the opposite effect and increase the heat transfer rate.However,Uludogan et al.[17]in-vestigated the effects of increased engine speed on the combustion in a DI diesel engine and found that the advantages of increased fuel-air mixing far out-weigh the disadvantages associated with increased heat transfer.A particular feature of the free-piston engine is the ability of the combustion process to influence the speed of the expansion,due to the direct coupling of the combustion cylinder to the low-inertia moving member.A rapid combustion process and pressure rise may lead to a faster expansion and vice versa.In a conventional engine,the inertia of the crank sys-tem and flywheel ensures that the speed of the en-gine stays constant in the time frame of the combus-tion process.This intricate coupling between ther-modynamics and mechanics makes detailed mod-7elling of the free-piston engine complex,and models developed for conventional engines are therefore not necessarily suitable of modelling free-piston engine processes.bustion optimisationThe variable compression ratio in the free-piston engine may allow an optimisation of the combus-tion process not achievable in conventional engines. Given that a sufficiently accurate piston motion con-trol system can be realised,the compression ratio can be regulated during operation to achieve best possible performance in terms of efficiency or emis-sions.Free-piston engines with compression ratios as high as50:1was reported in the mid-20th cen-tury[18].3.5.2.Homogeneous charge compression ignition Homogeneous charge compression ignition (HCCI)engines compress a premixed charge until it self-ignites,resulting in very rapid combustion but with poor control of ignition timing.The free-piston engine is well suited for this since the requirements for accurate ignition timing control are lower than in conventional engines.Potential advantages of HCCI include high efficiencies due to close to con-stant volume combustion and the possibility to burn lean mixtures to reduce gas temperatures and thereby some types of emissions.HCCI operation of free-piston engines has been attempted by among others Aichlmayr[3]and van Blarigan[19].A quasi-HCCI approach is mentioned by Hibi and Ito[11].Diesel fuel is injected very early in the com-pression process but after the intake and exhaust ports have closed.The fuel does not ignite at in-jection because the temperature and pressure are too low,but distributes more or less evenly within the cylinder and self-ignites when the pressure and temperature reach higher values.Ignition occurs at multiple points around the cylinder and the burning fuel spray with high local temperatures is avoided.3.5.3.Multi-fuel operationThe nature of the free-piston engine makes it well suited for multi-fuel operation.The variable com-pression ratio combined with modern engine tech-nology,such as variable fuel injection and valve tim-ing,enable the free-piston engine to run satisfacto-rily on a wide range of fuels.Flynn[20]reports the successful operation of a free-piston engine on a range of different fuels,in-cluding gasoline,diesel fuel and crude oil,and states that’It seems that these engines do not care whether they get fuel with octane or cetane numbers’.He further states that the engine runs satisfactorily on vegetable and animal oils,with the only noticeable effect being the engine power output varying accord-ing to the heat content of the fuel.The same con-clusion is also reached by other authors[21].3.6.BalancingThe inherent vibration-free design was an often reported advantage of the early opposed piston air compressors and gas generators.These engines,from the earliest air compressor designs in the1930’s to the gas generators developed during1940-1960,all had mechanical linkages synchronising piston mo-tion.Aichlmayr[3]describes thefirst presentation of the Junkers free-piston air compressor at the Leipzig fair in1936,where the excellent dynamic character-istics of the engines were demonstrated by suspend-ing the compressors from the ceiling in a single steel cable and balancing pencils on the running engine’s housing.Underwood[22]states that the smoothness of the General Motors GMR4-4’Hyprex’gas gen-erator was’frequently demonstrated by balancing a nickel on a horizontal machine surface’.For the single piston and dual piston engine,how-ever,balancing issues need to be addressed when mounting the engine.Vibrations may be cancelled out by running two or more engines in parallel, but this requires accurate control of engine speed.Another possibility is to apply counterweights,as demonstrated by Braun[23].Disadvantages of coun-terweights are a more complex design,increased engine size and weight and additional friction losses.Achten[8]states that for the17kW hydraulic free-piston engine considered in his paper,vibrations can be accounted for when mounting the engine and that the acceleration forces will have about the same magnitude as in conventional engines.3.7.Mechanical requirementsHigh pressure gradients,resulting from high fuel burn rate,lead to high forces and accelerations and increased mechanical requirements in the free-piston engine.Flynn[20]reported that the major problems in free-piston engines are the mechanical wear and damage,mainly due to high temperatures and pres-sures.8。

剑桥雅思阅读5test2翻译及答案

剑桥雅思阅读5test2翻译及答案

剑桥雅思阅读5test2翻译及答案雅思阅读是块难啃的硬骨头,需要我们做更多的题目才能得心应手。

下面小编给大家分享一下剑桥雅思阅读5test2原文翻译及答案解析,希望可以帮助到大家。

剑桥雅思阅读5原文(test2)READING PASSAGE 1You should spend about 20 minutes on Questions 1-13, which are based on Reading Passage 1 below.BAKELITEThe birth of modern plasticsIn 1907, Leo Hendrick Baekeland, a Belgian scientist working in New York, discovered and patented a revolutionary new synthetic material. His invention, which he named ‘Bakelite,’was of enormous technological importance, and effectively launched the modern plastics industry.The term ‘plastic’ comes from the Greek plassein, meaning ‘to mould’. Some plastics are derived from natural sources, some are semi-synthetic (the result of chemical action on a natural substance), and some are entirely synthetic, that is, chemically engineered from the constituents of coal or oil. Some are ‘thermoplastic’, which means that, like candlewax, they melt when heated and can then be reshaped. Others are ‘thermosetting’: like eggs, they cannot revert to their original viscous state, and their shape is thus fixed for ever. Bakelite had the distinction of being the first totally synthetic thermosetting plastic.The history of today’s plastics begins wit h the discovery of a series of semi-synthetic thermoplastic materials in the mid-nineteenth century. The impetus behind the development ofthese early plastics was generated by a number of factors —immense technological progress in the domain of chemistry, coupled with wider cultural changes, and the pragmatic need to find acceptable substitutes for dwindling supplies of ‘luxury’ materials such as tortoiseshell and ivory.Baekeland’s interest in plastics began in 1885 when, as a young chemistry student in Belgium, he embarked on research into phenolic resins, the group of sticky substances produced when phenol (carbolic acid) combines with an aldehyde (a volatile fluid similar to alcohol). He soon abandoned the subject, however, only returning to it some years later. By 1905 he was a wealthy New Yorker, having recently made his fortune with the invention of a new photographic paper. While Baekeland had been busily amassing dollars, some advances had been made in the development of plastics. The years 1899 and 1900 had seen the patenting of the first semi-synthetic thermosetting material that could be manufactured on an industrial scale. In purely scientific terms, Baekeland’s major contribution to the field is not so much the actual discovery of the material to which he gave his name, but rather the method by which a reaction between phenol and formaldehyde could be controlled, thus making possible its preparation on a commercial basis. On 13 July 1907, Baekeland took out his famous patent describing this preparation, the essential features of which are still in use today.The original patent outlined a three-stage process, in which phenol and formaldehyde (from wood or coal) were initially combined under vacuum inside a large egg-shaped kettle. The result was a resin known as Novalak which became soluble and malleable when heated. The resin was allowed to cool in shallow trays until it hardened, and then broken up and ground intopowder. Other substances were then introduced: including fillers, such as woodflour, asbestos or cotton, which increase strength and moisture resistance, catalysts (substances to speed up the reaction between two chemicals without joining to either) and hexa, a compound of ammonia and formaldehyde which supplied the additional formaldehyde necessary to form a thermosetting resin. This resin was then left to cool and harden, and ground up a second time. The resulting granular powder was raw Bakelite, ready to be made into a vast range of manufactured objects. In the last stage, the heated Bakelite was poured into a hollow mould of the required shape and subjected to extreme heat and pressure, thereby ‘setting’ its form for life.The design of Bakelite objects, everything from earrings to television sets, was governed to a large extent by the technical requirements of the molding process. The object could not be designed so that it was locked into the mould and therefore difficult to extract. A common general rule was that objects should taper towards the deepest part of the mould, and if necessary the product was molded in separate pieces. Moulds had to be carefully designed so that the molten Bakelite would flow evenly and completely into the mould. Sharp corners proved impractical and were thus avoided, giving rise to the smooth, ‘streamlined’ style popular in the 1930s. The thickness of the walls of the mould was also crucial: thick walls took longer to cool and harden, a factor which had to be considered by the designer in order to make the most efficient use of machines.Baekeland’s inve ntion, although treated with disdain in its early years, went on to enjoy an unparalleled popularity which lasted throughout the first half of the twentieth century. It became the wonder product of the new world of industrialsexpansion —‘the material of a thousand uses’. Being both non-porous and heat-resistant, Bakelite kitchen goods were promoted as being germ-free and sterilisable. Electrical manufacturers seized on its insulating properties, and consumers everywhere relished its dazzling array of shades, delighted that they were now, at last, no longer restricted to the wood tones and drab browns of the preplastic era. It then fell from favour again during the 1950s, and was despised and destroyed in vast quantities. Recently, however, it has been experiencing something of a renaissance, with renewed demand for original Bakelite objects in the collectors’ marketplace, and museums, societies and dedicated individuals once again appreciating the style and originality of this innovative material.Questions 1-3Complete the summary.Choose ONE WORD ONLY from the passage for each answer.Write your answers in boxes 1-3 on your answer sheet.Some plastics behave in a similar way to 1……… in that they melt under heat and can be moulded into new forms. Bakelite was unique because it was the first material to be both entirely 2……… in origin, and thermosetting.There were several reasons for the research into plastics in the nineteenth century, among them the great advances that had been made in the field of 3…………a nd the search for alternatives to natural resources like ivory.Questions 4-8Complete the flow-chart.Choose ONE WORD ONLY from the passage for each answer.Write your answers in boxes 4-8 on your answer sheet.The Production of Bakelite图片6Questions 9 and 10Choose TWO letters A-E.Write your answers in boxes 9 and 10 on your answer sheet.NB Your answers may be given in either order.Which TWO of the following factors influencing the design of Bakelite objects are mentioned in the text?A the function which the object would serveB the ease with which the resin could fill the mouldC the facility with which the object could be removed from the mouldD the limitations of the materials used to manufacture the mouldE the fashionable styles of the periodQuestions 11-13Do the following statements agree with the information given in Reading Passage 1?In boxes 11-13 on your answer sheet, writeTRUE if the statement agrees with the informationFALSE if the statement contradicts the informationNOT GIVEN if there is no information on this11 Modern-day plastic preparation is based on the same principles as that patented in 1907.12 Bakelite was immediately welcomed as a practical and versatile material.13 Bakelite was only available in a limited range of colours.READING PASSAGE 2You should spend about 20 minutes on Questions 14-27, which are based on Reading Passage 2 below.What’s so funny?John McCrone reviews recent research on humorThe joke comes over the headphones: ‘Which side of a dog has the mos t hair? The left.’ No, not funny. Try again. ‘Which side of a dog has the most hair? The outside.’ Hah! The punchline is silly yet fitting, tempting a smile, even a laugh. Laughter has always struck people as deeply mysterious, perhaps pointless. The writer Arthur Koestler dubbed it the luxury reflex: ‘unique in that it serves no apparent biological purpose. ’Theories about humour have an ancient pedigree. Plato expressed the idea that humor is simply a delighted feeling of superiority over others. Kant and Freud felt that joke-telling relies on building up a psychic tension which is safely punctured by the ludicrousness of the punchline. But most modern humor theorists have settled on some version of Aristotle’s belief that jokes are based on a reaction to or resolution of incongruity, when the punchline is either a nonsense or, though appearing silly, has a clever second meaning.Graeme Ritchie, a computational linguist in Edinburgh, studies the linguistic structure of jokes in order to understand not only humor but language understanding and reasoning in machines. He says that while there is no single format for jokes, many revolve around a sudden and surprising conceptual shift. A comedian will present a situation followed by an unexpected interpretation that is also apt.So even if a punchline sounds silly, the listener can see there is a clever semantic fit and that sudden mental ‘Aha!’ is the buzz that makes us laugh. Viewed from this angle, humor is just a form of creative insight, a sudden leap to a new perspective.However, there is another type of laughter, the laughter of social appeasement and it is important to understand this too.Play is a crucial part of development in most young mammals. Rats produce ultrasonic squeaks to prevent their scuffles turning nasty. Chimpanzees have a ‘play-face’ — a gaping expression accompanied by a panting ‘ah ah’ noise. In humans, these signals have mutated into smiles and laughs. Researchers believe social situations, rather than cognitive events such as jokes, trigger these instinctual markers of play or appeasement. People laugh on fairground rides or when tickled to flag a play situation, whether they feel amused or not.Both social and cognitive types of laughter tap into the same expressive machinery in our brains, the emotion and motor circuits that produce smiles and excited vocalisations. However, if cognitive laughter is the product of more general thought processes, it should result from more expansive brain activity.Psychologist Vinod Goel investigated humour using the new technique of ‘single event’ functional magnetic resonance imaging (fMRI). An MRI scanner uses magnetic fields and radio waves to track the changes in oxygenated blood that accompany mental activity. Until recently, MRI scanners needed several minutes of activity and so could not be used to track rapid thought processes such as comprehending a joke. New developments now allow half-second ‘snapshots’ of all sorts of reasoning and problem-solving activities.Although Goel felt being inside a brain scanner was hardly the ideal place for appreciating a joke, he found evidence that understanding a joke involves a widespread mental shift. His scans showed that at the beginning of a joke the listener’s prefrontal cortex lit up, particularly the right prefrontal believed to be critical for problem solving. But there was also activity in the temporal lobes at the side of the head (consistent withattempts to rouse stored knowledge) and in many other brain areas. Then when the punchline arrived, a new area sprang to life — the orbital prefrontal cortex. This patch of brain tucked behind the orbits of the eyes is associated with evaluating information.Making a rapid emotional assessment of the events of the moment is an extremely demanding job for the brain, animal or human. Energy and arousal levels may need to be retuned in the blink of an eye. These abrupt changes will produce either positive or negative feelings. The orbital cortex, the region that becomes active in Goel’s experiment, seems the be st candidate for the site that feeds such feelings into higher-level thought processes, with its close connections to the brain’s sub-cortical arousal apparatus and centres of metabolic control.All warm-blooded animals make constant tiny adjustments in arousal in response to external events, but humans, who have developed a much more complicated internal life as a result of language, respond emotionally not only to their surroundings, but to their own thoughts. Whenever a sought-for answer snaps into place, there is a shudder of pleased recognition. Creative discovery being pleasurable, humans have learned to find ways of milking this natural response. The fact that jokes tap into our general evaluative machinery explains why the line between funny and disgusting, or funny and frightening, can be so fine. Whether a joke gives pleasure or pain depends on a person’s outlook.Humor may be a luxury, but the mechanism behind it is no evolutionary accident. As Peter Derks, a psychologist at William and Mary Colleg e in Virginia, says: ‘I like to think of humour as the distorted mirror of the mind. It’s creative, perceptual, analytical and lingual. If we can figure out how the mindprocesses humor, then we’ll have a pretty good handle on how it works in general.’Questions 14-20Do the following statements agree with the information given in Reading Passage 2?In boxes 14-20 on your answer sheet, writeTRUE if the statement agrees with the informationFALSE if the statement contradicts the informationNOT GIVEN if there is no information on this14 Arthur Koestler considered laughter biologically important in several ways.15 Plato believed humour to be a sign of above-average intelligence.16 Kant believed that a successful joke involves the controlled release of nervous energy.17 Current thinking on humour has largely ignored Aristotle’s view on the subject.18 Graeme Ritchie’s work links jokes to artificial intelligence.19 Most comedians use personal situations as a source of humour.20 Chimpanzees make particular noises when they are playing.Questions 21-23The diagram below shows the areas of the brain activated by jokes.Label the diagram.Choose NO MORE THAN TWO WORDS from the passage for each answer.Write your answers in boxes 21-23 on your answer sheet.Questions 24-27Complete each sentence with the correct ending A-G below.Write the correct letter A-G in boxes 24-27 on your answer sheet.24 One of the brain’s most difficult tasks is to25 Because of the language they have developed, humans26 Individual responses to humour27 Peter Derks believes that humourA react to their own thoughts.B helped create language in humans.C respond instantly to whatever is happening.D may provide valuable information about the operation of the brain.E cope with difficult situations.F relate to a person’s subjective views.G led our ancestors to smile and then laugh.READING PASSAGE 3You should spend about 20 minutes on Questions 28-40, which are based on Reading Passage 3 below.The Birth of Scientific EnglishWorld science is dominated today by a small number of languages, including Japanese, German and French, but it is English which is probably the most popular global language of science. This is not just because of the importance of English-speaking countries such as the USA in scientific research; the scientists of many non-English-speaking countries find that they need to write their research papers in English to reach a wide international audience. Given the prominence of scientific English today, it may seem surprising that no one really knew how to write science in English before the 17th century. Before that, Latin was regarded as the lingua franca1 for European intellectuals.The European Renaissance (c. 14th-16th century) is sometimes called the ‘revival of learning’, a time of renewed interest in the ‘lost knowledge’ of classical times. At the same time, however, scholars also began to test and extend this knowledge. The emergent nation states of Europe developed competitive interests in world exploration and the development of trade. Such expansion, which was to take the English language west to America and east to India, was supported by scientific developments such as the discovery of magnetism and hence the invention of the compass improvements in cartography and —perhaps the most important scientific revolution of them all —the new theories of astronomy and the movement of the Earth in relation to the planets and stars, developed by Copernicus (1473-1543).England was one of the first countries where scientists adopted and publicised Copernican ideas with enthusiasm. Some of these scholars, including two with interests in language —John Wallis and John Wilkins — helped found the Royal Society in 1660 in order to promote empirical scientific research.Across Europe similar academies and societies arose, creating new national traditions of science. In the initial stages of the scientific revolution, most publications in the national languages were popular works, encyclopaedias, educational textbooks and translations. Original science was not done in English until the second half of the 17th century. For example, Newton published his mathematical treatise, known as the Principia, in Latin, but published his later work on the properties of light — Opticks — in English.There were several reasons why original science continued to be written in Latin. The first was simply a matter of audience. Latinwas suitable for an international audience of scholars, whereas English reached a socially wider, but more local, audience. Hence, popular science was written in English.A second reason for writing in Latin may, perversely, have been a concern for secrecy. Open publication had dangers in putting into the public domain preliminary ideas which had not yet been fully exploited by their ‘author’. This growing concern about intellectual property rights was a feature of the period — it reflected both the humanist notion of the individual, rational scientist who invents and discovers through private intellectual labour, and the growing connection between original science and commercial exploitation. There was something of a social distinction between ‘scholars and gentlemen’ who understood Latin, and men of trade who lacked a classical education. And in the mid-17th century it was common practice for mathematicians to keep their discoveries and proofs secret, by writing them in cipher, in obscure languages, or in private messages deposited in a sealed box with the Royal Society. Some scientists might have felt more comfortable with Latin precisely because its audience, though international, was socially restricted. Doctors clung the most keenly to Latin as an ‘insider language’.A third reason why the writing of original science in English was delayed may have been to do with the linguistic inadequacy of English in the early modern period. English was not well equipped to deal with scientific argument. First it lacked the necessary technical vocabulary. Second, it lacked the grammatical resources required to represent the world in an objective and impersonal way, and to discuss the relations, such as cause and effect, that might hold between complex and hypothetical entities.Fortunately, several members of the Royal Society possessed an interest in Language and became engaged in various linguistic projects. Although a proposal in 1664 to establish a committee for improving the English language came to little, the society’s members did a great deal to foster the publication of science in English and to encourage the development of a suitable writing style. Many members of the Royal Society also published monographs in English. One of the first was by Robert Hooke, the society’s first curator of experiments, who described his experiments with microscopes in Micrographia (1665). This work is largely narrative in style, based on a transcript of oral demonstrations and lectures.In 1665 a new scientific journal, Philosophical Transactions, was inaugurated. Perhaps the first international English-language scientific journal, it encouraged a new genre of scientific writing, that of short, focused accounts of particular experiments.The 17th century was thus a formative period in the establishment of scientific English. In the following century much of this momentum was lost as German established itself as the leading European language of science. It is estimated that by the end of the 18th century 401 German scientific journals had been established as opposed to 96 in France and 50 in England. However, in the 19th century scientific English again enjoyed substantial lexical growth as the industrial revolution created the need for new technical vocabulary, and new, specialized, professional societies were instituted to promote and publish in the new disciplines.lingua franca: a language which is used for communication between groups of people who speak different languages Questions 28-34Complete the summary.Choose NO MORE THAN TWO WORDS from the passage for each answer.Write your answers in boxes 28-34 on your answer sheet.In Europe, modern science emerged at the same time as the nation state. At first, the scientific language of choice remained 28…………… . It allowed scientists to communicate with other socially privileged thinkers while protecting their work from unwanted exploitation. Sometimes the desire to protect ideas seems to have been stronger than the desire to communicate them, particularly in the case of mathematicians and 29…………… . In Britain, moreover, scientists worried that English had neither the 30…………… nor the 31………… to e xpress their ideas. This situation only changed after 1660 when scientists associated with the 32………… set about developing English. An early scientific journal fostered a new kind of writing based on short descriptions of specific experiments. Although English was then overtaken by 33……… , it developed again in the 19th century as a direct result of the 34……………….Questions 35-37Do the following statements agree with the information given in Reading Passage 3?In boxes 35-37 on your answer sheet, writeTRUE if the statement agrees with the informationFALSE if the statement contradicts the informationNOT GIVEN if there is no information on this35 There was strong competition between scientists in Renaissance Europe.36 The most important scientific development of the Renaissance period was the discovery of magnetism.37 In 17th-century Britain, leading thinkers combined their interest in science with an interest in how to express ideas.Questions 38-40Complete the table.Choose NO MORE THAN TWO WORDS from the passage for each answer.Write your answers in boxes 38-40 on your answer sheet.Science written in the first half of the 17th centuryLanguage used Latin EnglishType of science Original 38…………Examples 39………… EncyclopaediasTarget audience International scholars 40…………, but socially wider剑桥雅思阅读5原文参考译文(test2)BAKELITE The birth of modern plastics酚醛塑料——现代塑料的诞生In 1907, Leo Hendrick Baekeland, a Belgian scientist working in New York, discovered and patented a revolutionary new synthetic mater ial. His invention, which he named ‘Bakelite,’ was of enormous technological importance, and effectively launched the modern plastics industry.1907年,比利时科学家Leo Hendrick Baekeland在纽约工作时发现了一种全新的合成材料,并申请了专利。

约翰斯坦贝克诺贝尔文学奖的英文获奖感言

约翰斯坦贝克诺贝尔文学奖的英文获奖感言

约翰斯坦贝克诺贝尔文学奖的英文获奖感言banquet speechjohn steinbeck's speech at the nobel banquet at the city hall in stockholm, december 10, 1962i thank the swedish academy for finding my work worthy of this highest honor.in my heart there may be doubt that i deserve the nobel award over other men of letters whom i hold in respect and reverence - but there is no question of my pleasure and pride in having it for myself.it is customary for the recipient of this award to offer personal or scholarly comment on the nature and the direction of literature. at this particular time, however, i think it would be well to consider the high duties and the responsibilities of the makers of literature.such is the prestige of the nobel award and of this place where i stand that i am impelled, not to squeak like a grateful and apologetic mouse, but to roar like a lion out of pride in my profession and in the great and good men who have practiced it through the ages.literature was not promulgated by a pale and emasculated critical priesthood singing their litanies in empty churches - nor is it a game for the cloistered elect, the tinhorn mendicants of low calorie despair.literature is as old as speech. it grew out of human need for it, and it has not changed except to become more needed.the skalds, the bards, the writers are not separate and exclusive. from the beginning, their functions, their duties, their responsibilities have been decreed by our species.humanity has been passing through a gray and desolate time of confusion. my great predecessor, william faulkner, speaking here, referred to it as a tragedy of universal fear so long sustained that there were no longer problems of the spirit, so that only the human heart in conflict with itself seemed worth writing about.faulkner, more than most men, was aware of human strength as well as of human weakness. he knew that the understanding and the resolution of fear are a large part of the writer's reason for being.this is not new. the ancient commission of the writer has not changed. he is charged with exposing our many grievous faults and failures, with dredging up to the light our dark and dangerous dreams for the purpose of improvement.furthermore, the writer is delegated to declare and to celebrate man's proven capacity for greatness of heart and spirit - for gallantry in defeat - for courage, compassion and love. in the endless war against weakness and despair, these are the bright rally-flags of hope and of emulation.i hold that a writer who does not passionately believe in the perfectibility of man, has no dedication nor any membership in literature.the present universal fear has been the result of a forward surge in our knowledge and manipulation of certain dangerous factors in the physical world.it is true that other phases of understanding have not yet caught up with this great step, but there is no reason to presume that they cannot or will not draw abreast. indeed it is a part of the writer's responsibility to make sure that they do.with humanity's long proud history of standing firm against natural enemies, sometimes in the face of almost certain defeatand extinction, we would be cowardly and stupid to leave the field on the eve of our greatest potential victory.understandably, i have been reading the life of alfred nobel - a solitary man, the books say, a thoughtful man. he perfected the release of explosive forces, capable of creative good or of destructive evil, but lacking choice, ungoverned by conscience or judgment.nobel saw some of the cruel and bloody misuses of his inventions. he may even have foreseen the end result of his probing - access to ultimate violence - to final destruction. some say that he became cynical, but i do not believe this. i think he strove to invent a control, a safety valve. i think he found it finally only in the human mind and the human spirit. to me, his thinking is clearly indicated in the categories of these awards.they are offered for increased and continuing knowledge of man and of his world - for understanding and communication, which are the functions of literature. and they are offered for demonstrations of the capacity for peace - the culmination of all the others.less than fifty years after his death, the door of nature was unlocked and we were offered the dreadful burden of choice.we have usurped many of the powers we once ascribed to god.fearful and unprepared, we have assumed lordship over the life or death of the whole world - of all living things.the danger and the glory and the choice rest finally in man. the test of his perfectibility is at hand.having taken godlike power, we must seek in ourselves for the responsibility and the wisdom we once prayed some deity might have.man himself has become our greatest hazard and our only hope.so that today, st. john the apostle may well be paraphrased: in the end is the word, and the word is man - and the word is with men.。

英国文学试题库1

英国文学试题库1

I. Multiple Choice1. Generally speaking, the Renaissance refers to the period between the ___and mid-17th centuries.A 13thB 14thC 15thD 16th2. The Faerie Queene was written by______.A Sir Philip SidneyB W. ShakespeareC E. SpenserD F. Bacon3. ____was the first to introduce the sonnet into English literature.A Thomas WyattB William ShakespeareC Philip SidneyD Thomas Campion4. Which of the following was not written by Henry Fielding?A The History of Tom Jones, a FoundlingB The History of the Adventures of Joseph AndrewC The History of AmeliaD Pamela5. _____ compiled The Dictionary of the English Language which became the foundation of all the subsequent English dictionaries.A Ben JonsonB Samuel JohnsonC Alexander PopeD John Dryden6. Henry Fiellding was a versatile man. But he was not a(n) ____.A novelistB dramatistC essayistD critic7. The Romantic Period began in 1798 with the publication of The Lyrical Ballads which was written by_____.1,5,10,12,19,21,23,32,37,39A WordsworthB JohnsonC ColeridgeD Wordsworth and Coleridge8. Which of the following is not a novel by Austen?A Pride and PrejudiceB Sense and SensibilityC Northanger AbbeyD Waverly9. Which of the following is the hero in the novel Jane Eyre?A Mr. RochesterB HeathcliffC HindleyD Silas Marner10. It is Browning who developed the literary form ____.A monodramaB dramatic monologueC soliloquyD point of view keyII. Filling the blanks with proper words1. In the year _____, at the battle of _______, the Normans headed by William, Duke of Normandy, defeated the Anglo-Saxons.2. Chaucer died on the 25th of October, 1400, and was buried in _______.3. _______ are anonymous narrative songs that have been preserved by oral transmission.4. At the beginning of the 16th century the outstanding humanist_______ wrote his Utopia in which he gave a profound and truthful picture of the people’s sufferings and put forward his ideal of a future happy society.5. Edmund Spenser was the author of the greatest epic poem of the time, _______.6. During the 22 years of his literary work Shakespeare produced_______ play, _______narrative poems and _______sonnets. 7,11,19,32,35,39,61,90,126,1317. Paradise Lost tells how_______ rebelled against God and how Adam and Eve were driven out of________.8. Robinson names_______ to commemorate the day of the savage’s rescue.9. ________and _______represented the spirit of what is usually called Pre-Romanticism.10. ________, ________and ________were the watchwords of the French Revolution. keyIII. True or False Questions1. The word “essay” was coined by Bacon.2. John Donne is the leading figure of the “metaphysical ” school.3. John Milton completed Paradise Lost after he became totally blind.4. According to the Neoclassicists, all forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers.5. The Pilgrim’s Progress is the most successful political allegory in the English language.6. Gulliver’s Travels was written by Alexander Pope.7. The hero in Robinson Crusoe lived on the island for twenty four years. 3478,1213,15,25,31,328. Drama in the Romantic Period is as successful as fiction, poetry and essay.9. Influenced by both Darwin and Spencer, Hardy became a naturalistic writer.10. Tess was hanged because she killed Angel.IV. Questions for brief answers:1. What is the dominant moral of Dr. Faustus?2. What is the writing style of Bacon’s essays?3. What are John Milton’s literary achievements?4. What are some of the features of Fielding’s novels?5. How does Wordsworth define the poet?6. What is a Gothic novel? And name some of Gothic novels and their writers respectively.7. What is an ode?8. When did the Victorian Age begin and end?9. What is Olive Twist famous for?10. Why was Galsworthy a conventional writer?V. Essay questions:1. What is the main idea of The Merchant of Venice?2. Give a very brief account of Paradise Lost.3. Summarize the novel Tom Jones and make some comments on the main characters in it.4. What is Romanticism and what are some of the major features of the Romanticists?5. What is the famous line in Ode to the West Wind? Give your own opinion about it.6. What do you know about critical realism?7. What are the features of Dickens’s works?8. Make a brief comment on the Victorian Period.9. Comment briefly on Sons and Lovers.10. What are some of the features of Ulysses?VI. Reading Comprehension:Exercise IThe quality of mercy is not strained;It droppeth as the gentle rain from heavenUpon the place beneath. It is twice blest;It blesseth him that gives and him that takes.’Tis mightiest in the mightiest; it becomesThe throned monarch better than his crown.His sceptre shows the force of temporal power,The attribute to awe and majesty,Wherein doth sit the dread and fear of kings;But mercy is above this scept’red sway;It is enthroned in the hearts of kings;It is an attribute to God himself,And earthly power doth then sho w likest God’s When mercy seasons justice. Therefore, Jew, Though justice be thy plea, consider this:That in the course of justice none of usShould see salvation. We do pray for mercy,And that same prayer doth teach us all to renderThe deeds of mercy.QUESTIONS:1. This passage is taken from a play named________.2. The author of the play is_________.3. In the play these lines are uttered by_________.4. What do you think of the speaker of these lines? Exercise IIShall I compare thee to a summer’s day?Thou art more lovely and more temperate.Rough winds do shake the darling buds of May, And summer’s lease hath all too short a date: Sometimes too hot the eye of heaven shines,And often is his gold complexion dimmed;And every fair from fair sometime declines,By chance, or nature’s changing course, untrimmed: But thy eternal summer shall not fade,Nor lose possession of that fair thou owest;Nor shall Death brag thou wanderest in his shade When in eternal lines to time thou growest.So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.QUESTIONS:1. This is one of Shakespeare’s best known________.A. sonnetsB. balladsC. songs2. It runs in iambic pentameter rhymed_________.3. The fourteen lines include three stanzas according to their content with the last two lines as a ________which complete the sense of the above lines.A. preludeB. coupletC. epigraphExercise IIIStudies serve for delight, for ornament, and for ability. Their chief use for delight is in privateness and retiring; for ornament, is in discourse; and for ability, is in the judgment and disposition of business. … To spend too much time in studies is sloth; to use them too much for ornament is affectation; to make judgment wholly by their rules is the humor of a scholar. …Crafty men contemn studies, simple men admire them, and wise men use them, for they teach not their own use; but that is a wisdom without them, and above them, won by observation…QUESTIONS:1. These words are taken from a famous essay written by_______.2. What is the title of this essay?3. What do you think of the language of this essay?Exercise IVDeath be not proud, though some have called theeMighty and dreadfull, for, thou art not soe,For, those, whom thou think’st, th ou dost overthrow,Die not, poore death, nor yet canst thou kill mee;From rest and sleepe, which but thy pictures bee,Much pleasure, them from thee, much more must flow,And soonest our best men with thee doe goe,Rest of their bones, and soules delivered.Thou art slave to Fate, chance, kings, and desperate men,And dost woth poyson, warre, and sicknesse dwell,And poppie, or charmes can make us sleepe as well,And better than thy stroake; why swee’st thou then?One short sleepe past, wee wake eternlly,And death shall be no more, Death thou shalt die.QUESTIONS:1. This poem is a _______.A songB sonnetC ballad2. Is the rhyme scheme the same with a Shakespearean sonnet?3. Who is the writer of this poem?Exercise VWhat though the field be lost?All is not lost: the unconquerable will,And study of revenge, immortal hate,And courage never to submit or yield:And what is else not to be overcome?That glory never shall his wrath or mightExtort from me. To bow and sue for graceWith suppliant knee, and deify his powerWho, from the terror of this arm, so lateDoubted his empire--that were low indeed;That were an ignominy and shame beneathThis downfall; since, by fate, the strength of godsAnd this empyreal substance, cannot fail;Since, through experience of this great event,In arms not worst, in foresight mich advanced,We may with more successful hope resolveTo wage by force or guile eternal war,Irreconcilable to our grand Foe,Who now triumphs, and in th’ excess of joySole reighing holds the tyranny of Heaven.QUESTIONS:1. These lines are in ________.A blank verseB free verseC villanelle2. In the 2nd line, “the unconquerable will” refers to the will of ______.A ZeusB SatanC Adam3. These lines are taken from a famous epic entitled________.4. Who is the author of this passage?5. What is the central theme of these lines?6. What do you think of the writing style of this passage?Exercise VII had three encouragements. 1. A smooth, calm sea. 2. The tide rising and setting in to the shore. 3. What little wind there was blew me towards the land. And thus, having found two or three broken oars belonging to the boat, and besides the tools which were in the chest, I found two saws, an axe, and a hammer, and with this cargo I put to sea. For a mile or thereabouts my raft went very well, only that I found it drive a little distant from the place where I had landed before, by which I perceived that there was some in-draft of the water, and consequently I hoped to find some creek or river there, which I might make use of as a port to get to land with my cargo. QUESTIONS:1. This passage is taken from a famous novel entitled___________.2. The writer of the novel is __________.3. The protagonist of the novel is ____________. That is the “I” in this passage.4. Make a brief comment on the hero of the novel.5. What are the characteristics of the style and language?Exercise VIII lay down on the grass, which was very short and soft, where I slept sounder than ever I remember to have done in my life, and as I reckoned, above nine hours; for when I awaked, it was just daylight. I attempted to rise, but was not able to stir: for as I happened to be on my back, I found my arms and legs were strongly fastened on each side to the ground; and my hair, which was long and thick, tied down in the same manner. I likewise felt several slender ligature across my body, from my armpits to my thighs. I could only look upwards; the sun began to grow hot, and the light offended my eyes. I heard a confused noise about me, but in the posture I lay, could see nothing except the sky. In a little time I felt something alive moving on my left leg, which advancing gently forward over my breast, came almost up to my chin; when bending my eyes downwards as much as I could, I perceived it to be a human creature not six inches high, with a bow and arrow in his hands, and a quiver at his back.QUESTIONS:1. This passage is taken from a well-known novel written by ___________.2. The “I” in the novel was dropped in a strange cou ntry.The country’s name is ___________.3. The name of the novel is ___________.4. The name of the “I” in this passage is __________.5. What is the writing style ?Exercise VIIIA proof that even the humblest fortune may grant happiness, which depends, not on circumstances, but constitution.The place of our retreat was in a little neighbourhood, consisting of farmers, who tilled their own grounds, and were equal strangers to poulence and poverty. As they had almost all the conveniences of life within themselves, they seldom visited towns or cities in search of superfluities. Remote from the polite, they still retained the primeval simplicity of manners; and frugal by habit, they scarcely knew that temperance was a virtue. They wrought with cheerfulness on days of labour; but observed festivals as intervals of idleness and pleasure. They kept up the Christmas carol, sent true-love knots on Valentine morning, ate pancakes on Shrovetide, showed their wit on the first of April, and religiously cracked nuts on Michaelmas Eve. Being apprised of our approach, the whole neighbourhood came out to meet their minister, dressed in their finest clothes, and preceded by a pipe and tabor; a feast was also provided for our reception, at which we sat cheerfully down; and what the conversation wanted in wit was made up in laughter.Our little habitation was situated at the foot of a sloping hill, sheltered with a beautiful underwood behind and a prattling river before; on one side a meadow, on the other a green. My farm consisted of about twenty acres ofexcellent land, I having given a hundred pounds for my predecessor’s goodwill. Nothing could exceed the neatness of my little enclosures; the elms and hedgerows appearing with inexpressible beauty. QUESTIONS:1. This passage is taken from a novel entitled_________.2. Who is the writer of this novel?3. The story is told in the first person singular by the central character of the novel. Who is he?Exercise IXI wander thro’ each charter’d street,Near where the charter’d Thames does flow,And mark in every face I meetMarks of weakness, marks of woe.In ever cry of every man,In every Infant’s cry of fear,In every voice, in every ban,The mind-forg’d manacles I hear.How the Chimney-sweeper’s cryEvery blackening Church appalls;And the hapless Soldier’s sighRuns in blood down Palace walls.But most thro’ midninght streets I hearHow the youthful Harlot’s curseBlasts the new born Infant’s tear.And blights with plagues the Marriage hearse.QUESTIONS:1. What is the title of the poem?2. This poem is taken from__________.A. “The Songs of Experience”B. “The Songs of Innocence”C. “The song of the Shirt”3. This poem is written in quatrains of iambic ________with alternate rimes.A. pentameterB. tetrameterC. dimeter4. Who is the writer of this poem?5. What does the poem describe?Exercise XMy heart’s in the Highlands, my heart is not here;My heart’s in the Highland, a-chasing the deer;Chasing the wild deer, and following the roe----My heart’s in the Highland w herever I go.Farewell to the Highlands, farewell to the North!The birthplace of valour, the country of worth;Wherever I wander, wherever I rove,The hills of the Highlands for ever I love.Farewell to the mountains high covered with snow! Farewell to the straits and green valleys below! Farewell to the forests and wild-hanging woods! Farewell to the torrents and loud-pouring floods! My heart’s in the Highlands, my heart is not here; My heart’s in the Highlands, a-chasing the deer; Chasing the wild deer, and following the roe-----My heart’s in the Highlands wherever I go. QUESTIONS:1. Who is the writer of this poem?2. What is the title of this poem?3. What is the main theme of this poem?4. What is the most striking feature of the verse?。

爱因斯坦的未竟交响曲

爱因斯坦的未竟交响曲

00:00:13,544 --> 00:00:16,006I never think of the future.200:00:19,615 --> 00:00:22,013I find that it comes soon enough.300:00:32,443 --> 00:00:36,816In Spring 1951 the mostfamous scientist in the world400:00:37,216 --> 00:00:41,136celebrated his 72nd birthday.500:00:41,404 --> 00:00:44,850A horde of photographers were waiting to take his picture. 600:00:45,343 --> 00:00:48,095Hey Professor, hey Professor.700:00:50,298 --> 00:00:56,431And when he appeared that day he created one of themost endearing images of the twentieth century.800:01:03,153 --> 00:01:07,106Playful, irreverent, enigmatic and brilliant:900:01:08,816 --> 00:01:13,772Albert Einstein was the physicist withthe fame of an 'A' list movie star.1000:01:16,126 --> 00:01:21,182When I was young all I wanted and expected from life1100:01:21,724 --> 00:01:27,599was to sit in some corner doing my workwithout the public paying attention to me.1200:01:28,658 --> 00:01:32,641And now see what has become of me.1300:01:36,857 --> 00:01:43,564But behind that public image the greatest scientiston earth was facing professional ridicule.00:01:51,184 --> 00:01:56,808This is the extraordinary story of howAlbert Einstein spent the last years of his life1500:01:57,577 --> 00:02:01,896battling to destroy the consequences of his own work.1600:02:02,795 --> 00:02:07,735It was a quest that would end in his failure and isolation.1700:03:15,581 --> 00:03:18,419Professor Einstein?1800:03:21,588 --> 00:03:23,556Professor Einstein?1900:03:29,686 --> 00:03:32,080Hello Professor Einstein.2000:03:40,629 --> 00:03:44,427Miss... My notes?2100:03:45,671 --> 00:03:51,006Professor, I... OK, but just for a while.2200:03:55,394 --> 00:03:56,723Thank you.2300:04:03,793 --> 00:04:10,286Albert Einstein, the greatest scientist of ourage, was nearly at the end of his life.2400:04:17,394 --> 00:04:19,724Great theories were behind him,2500:04:20,926 --> 00:04:25,536but as he lay on his deathbed he continuedworking on what he hoped would be2600:04:26,096 --> 00:04:28,187his greatest theory of all.2700:04:29,144 --> 00:04:31,935It would have been the holy grail of science.2800:04:32,381 --> 00:04:33,920It would have been the philosopher's stone,2900:04:34,280 --> 00:04:37,718it would have been the crowningachievement of all scientific endeavours3000:04:38,104 --> 00:04:40,755ever since humans walked the face of the earth.3100:04:46,089 --> 00:04:50,283He had been working on this last greattheory for more than thirty years,3200:04:50,986 --> 00:04:56,373but throughout this period many scientiststhought that he was wasting his time.3300:04:56,750 --> 00:04:59,346In his later years the rest of the physics community3400:04:59,944 --> 00:05:05,850looked upon Einstein as somebody who hadcompletely lost touch with modern research3500:05:06,582 --> 00:05:09,273and almost you know like an old fuddy-duddy like a relic.3600:05:27,189 --> 00:05:31,176The tragedy was that to many,Einstein's last great theory3700:05:31,879 --> 00:05:38,488was doomed before it even began, and it wasall because of his personal prejudices.3800:05:42,219 --> 00:05:46,902He could not accept that the consequencesof his own work clashed with his belief3900:05:47,801 --> 00:05:51,167of how God had built our universe.00:05:56,638 --> 00:06:00,180Einstein's odyssey began here in Berne in 1905,4100:06:00,836 --> 00:06:04,688when he was on the verge of his greatest scientific triumphs.4200:06:05,835 --> 00:06:08,328Because it was in this small Swiss City4300:06:08,776 --> 00:06:12,239that he began to make the most extraordinary discoveries.4400:06:16,469 --> 00:06:19,574Well every day he would leave this,this flat in order to go to his work,4500:06:20,306 --> 00:06:23,017he would go underneath the famous clock tower in Berne,4600:06:23,824 --> 00:06:27,250and it's interesting to wonder whetheror not this extraordinary clock-tower4700:06:28,193 --> 00:06:30,596with its depictions of the moon and the sun on it,4800:06:31,002 --> 00:06:33,267whether or not this actually inspired him in some way,4900:06:33,810 --> 00:06:39,948or subliminally perhaps to explore andrevolutionise concepts of space and time.5000:06:51,939 --> 00:06:56,042And what was truely extraordinary aboutthis amazing period in Einstein's life5100:06:56,521 --> 00:06:59,333was that he had dropped outof academic life completely.5200:07:00,177 --> 00:07:02,463No university would give him a job.00:07:03,151 --> 00:07:07,301Instead during this time he was workingas a patents clerk, third class,5400:07:08,039 --> 00:07:11,857evaluating the latest inventions in this office.5500:07:14,707 --> 00:07:17,950So it's amazing when you think thatEinstein was working at the patent office5600:07:18,558 --> 00:07:23,678on applications as diverse as a mechanical vegetable peeler, or, or dynamos.5700:07:24,411 --> 00:07:30,058And yet in his spare time he's working on theories which will change the way we look at the universe.5800:07:34,665 --> 00:07:37,315Conferring with only a handful of friends,5900:07:39,705 --> 00:07:42,550he began writing scientific papers.6000:07:47,585 --> 00:07:51,749He searched for answers to questionsthat most would never even have asked;6100:07:52,457 --> 00:07:54,933he called them his thought experiments.6200:07:55,503 --> 00:07:57,308One of Einstein's thought experiments was6300:07:57,840 --> 00:08:01,820'What would I see if I movedalong beside a beam of light?'6400:08:03,495 --> 00:08:07,366Einstein once said that he's not interestedin this phenomenon or that phenomenon,65he wants to know, If I were Godhow would I create a universe?6600:08:17,188 --> 00:08:20,176In a few short months beginning in the Spring of 1905 6700:08:20,897 --> 00:08:27,251he started penning the most extraordinary scientific ideas, about the nature of the universe.6800:08:29,259 --> 00:08:34,042And it would culminate in one of the mostfamous papers in scientific history.6900:08:37,097 --> 00:08:41,748And this is it, it's called'On the electrodynamics of moving bodies'.7000:08:45,470 --> 00:08:49,757It quoted no references andread like a stream of consciousness.7100:08:50,571 --> 00:08:53,457It was the start of his special theory of relativity 7200:08:54,250 --> 00:08:59,860and it would overturn nothing less thaneveryone's understanding of time.7300:09:12,648 --> 00:09:14,569Am I keeping good time?7400:09:17,644 --> 00:09:19,495Good time professor.7500:09:28,283 --> 00:09:32,217Before Einstein, it was thought thatthe passage of time was unchanging.7600:09:37,674 --> 00:09:41,149It ran at the same pace, no matterwhere you were in the universe.77Or how fast you were travelling.7800:09:52,241 --> 00:09:54,683Time and space were incredibly simple concepts.7900:09:55,362 --> 00:09:57,463The, the concepts you'd recognisefrom everyday experience.8000:09:58,505 --> 00:10:03,205Space was just the arena in which things happened, and time just ticked along.8100:10:04,050 --> 00:10:06,729So wherever you were in the universe,whatever speed you were moving,8200:10:07,428 --> 00:10:09,742your watch ticked along at the same rate.8300:10:12,304 --> 00:10:15,891But Einstein discovered time was not unchanging,8400:10:16,925 --> 00:10:21,395the rate at which time passed depended onthe speed at which you were travelling.8500:10:21,622 --> 00:10:24,653Einstein thought that time was more like a river, 8600:10:25,241 --> 00:10:29,702that speeds up, slows down, meandersits way across the cosmos.8700:10:30,333 --> 00:10:35,357In other words twelve o'clock on earth is not necessarily twelve o'clock throughout the universe.8800:10:43,778 --> 00:10:49,044So while everyone else thought that the passage of time was the one unvarying thing in our universe, 8900:10:51,231 --> 00:10:53,165Einstein argued otherwise.9000:10:57,889 --> 00:11:01,221He believed it was the speedof light that was always constant.9100:11:04,703 --> 00:11:08,303But if that was the case it meant something bizarre.9200:11:13,592 --> 00:11:17,972The only way in the laws of physics for thespeed of light always to appear to be the same9300:11:18,807 --> 00:11:24,064is if everything else changed relativeto speed, including time.9400:11:27,112 --> 00:11:33,179In other words the passage of time, the onething everyone thought was constant, was relative. 9500:11:34,084 --> 00:11:39,380It meant for instance that the faster youtravelled, the slower time would run.9600:11:48,005 --> 00:11:51,989This was Einstein's special theory of relativity.9700:11:55,780 --> 00:11:57,677But he didn't stop there.9800:11:59,933 --> 00:12:04,606Two months later he published a threepage supplement to his theory.9900:12:05,599 --> 00:12:08,553In those pages Einstein linked energy and matter10000:12:09,532 --> 00:12:14,927and in doing so derived the most famous mathematical equation of all time.10100:12:15,621 --> 00:12:21,598What Einstein showed with E = MC squared is thatthere's a symmetry between energy and matter.10200:12:22,076 --> 00:12:26,103And think about it matter is something we can touch,our bodies are made out of matter,10300:12:26,658 --> 00:12:32,331we can taste it, we can smell it but energy, energyis much more nebulous, much more defused10400:12:32,830 --> 00:12:38,924and the genius of Einstein was that he was able toshow that they really are two aspects of the same thing. 10500:12:55,296 --> 00:12:59,542This tiny equation would one day explainhow at the very beginning of time,10600:13:00,362 --> 00:13:04,832just after the big bang energy was turned into matter. 10700:13:05,612 --> 00:13:09,659It explained how the sun could create vast power10800:13:10,409 --> 00:13:12,273from a tiny amount of fuel.10900:13:18,262 --> 00:13:20,824And it opened scientists' eyes11000:13:21,354 --> 00:13:25,641to the lethal power locked up inside every atom.11100:13:34,750 --> 00:13:41,619From this tiny formula would comeboth creation and destruction.11200:13:43,384 --> 00:13:45,385When these papers were published in 190511300:13:46,380 --> 00:13:49,536they must've come like a bolt out ofthe blue for the scientific community11400:13:50,077 --> 00:13:52,639because Einstein was a complete unknown at this point. 11500:13:53,033 --> 00:13:56,379And yet immediately they realisedthat they were revolutionary.11600:13:56,998 --> 00:13:59,536And effectively at this point Einstein had arrived. 11700:14:05,125 --> 00:14:08,665For anyone else these achievementswould have been enough,11800:14:09,710 --> 00:14:12,731but Einstein had even bigger ambitions.11900:14:17,459 --> 00:14:19,754Every break he's practicing with that thing.12000:14:24,350 --> 00:14:26,416A hundred times against a wall.12100:14:28,001 --> 00:14:30,223If he drops one, he starts all over.12200:14:30,596 --> 00:14:32,866I admire his persistence.12300:14:33,581 --> 00:14:36,312You don't sometimes feel like giving up?12400:14:36,790 --> 00:14:38,917Only when I have the answer.12500:14:39,149 --> 00:14:40,593And does everything have an answer?12600:14:41,523 --> 00:14:42,703I don't know.12700:14:43,174 --> 00:14:47,727But I think that there maybe an answer to everything.12800:14:53,194 --> 00:14:56,520While the world was coming toterms with special relativity,12900:14:57,362 --> 00:15:00,345Einstein had already moved on by himself,13000:15:00,939 --> 00:15:05,662to tackle the work of the great seventeenthcentury scientist Isaac Newton.13100:15:06,410 --> 00:15:09,005In particular his laws of gravity.13200:15:16,331 --> 00:15:21,132Legend has it that Newton was inspired towards hislaw of gravity by seeing an apple fall in an orchard.13300:15:21,675 --> 00:15:24,170Now Einstein was inspired By a similar thought.13400:15:27,457 --> 00:15:31,408He thought what happens if I drop an apple,but when I drop it I'm in a falling lift13500:15:31,865 --> 00:15:37,421then surely the apple will float in front of my face, it will look as though gravity has been cancelled out.13600:15:44,956 --> 00:15:47,611Gravity is the force that dominates our universe,13700:15:48,486 --> 00:15:51,446it holds huge planets and moons in their orbits.13800:15:54,681 --> 00:15:57,765And it keeps our feet firmly planted on the ground.13900:16:00,772 --> 00:16:04,883But though Newton's laws described theeffects of gravity with great accuracy,14000:16:09,551 --> 00:16:13,233no one could actually work out what caused it.14100:16:21,642 --> 00:16:25,919Einstein's great insight was that allmassive bodies like planets and stars14200:16:26,465 --> 00:16:28,156bent space and time,14300:16:28,768 --> 00:16:34,610and it is this curvature of space and time thatcauses what we experience as gravity.14400:16:35,698 --> 00:16:39,830It has become known as his general theory of relativity. 14500:16:41,334 --> 00:16:45,346Einstein's real breakthrough with generalrelativity was to give a reason for gravity.14600:16:45,910 --> 00:16:52,059Einstein's picture of gravity was that massive objects like stars and galaxies curved space and time,14700:16:52,781 --> 00:16:56,741and then other objects moving throughthat curvature feel gravity.14800:16:57,193 --> 00:17:00,410Gravity in a sense is the curvature of space and time. 14900:17:10,372 --> 00:17:14,237General relativity was Einstein's greatest triumph,15000:17:14,604 --> 00:17:21,744it brought him fame that no scientistexperienced before or has seen since.15100:17:23,783 --> 00:17:26,904In my view general relativityreally was Einstein's master piece.15200:17:27,230 --> 00:17:30,006Well the word genius is bandedaround in physics a lot but15300:17:30,306 --> 00:17:34,793in Einstein's case, it really appliesto general relativity I think.15400:17:35,280 --> 00:17:37,423That's where his reputation comes from.15500:17:48,165 --> 00:17:52,026Though Einstein's theories of timeand gravity may seem strange,15600:17:53,220 --> 00:17:59,238his work remains fundamental to the understanding of our universe today.15700:18:05,914 --> 00:18:08,243Planes, relying on the global positioning system, 15800:18:08,874 --> 00:18:14,002take Einstein's calculations of timeinto account to navigate accurately.15900:18:16,078 --> 00:18:20,665Deep space satellites have to compensatefor Einstein's reading of gravity.16000:18:28,219 --> 00:18:34,458The work springing from this period in Einstein's life has helped us build the modern world.16100:18:42,643 --> 00:18:48,113But despite this, another piece ofwork, also completed back in 1905,16200:18:48,927 --> 00:18:53,600had already sown the seeds of whatwould become his doomed obsession,16300:18:54,814 --> 00:18:58,723an obsession that would last untilthe very final day of his life164and would result in both his failure and isolation. 16500:19:16,913 --> 00:19:20,467The roots of Einstein's troubles camefrom one of his other great passions.16600:19:21,484 --> 00:19:24,580He saw a connection between thefundamental physics of our universe16700:19:25,243 --> 00:19:30,024and a sense of elegance, beauty even spirituality. 16800:19:30,750 --> 00:19:35,044For him these laws of the universewere an expression of the divine.16900:19:37,649 --> 00:19:39,863It is a belief shared by many scientists,17000:19:40,449 --> 00:19:46,091including distinguished particle physicist and Anglican Priest Professor John Polkinghorne.17100:19:46,423 --> 00:19:50,154Einstein was an amateur violinist, went,once went to a concert in Berlin17200:19:50,801 --> 00:19:53,698and heard the young Yehudi Menhuin play,and he was bowled over by his performance.17300:19:54,300 --> 00:19:57,232And there's a story that he went up andbear hugged the young boy afterwards17400:19:57,800 --> 00:20:00,210and said hearing you I knowthere is a god in heaven.17500:20:05,352 --> 00:20:07,751I think that when we encounter very deep beauty176whether it's beauty in music or something like that 17700:20:10,820 --> 00:20:14,577or whether it's beauty in the scientific accountof the order and fruitfulness of the world17800:20:15,299 --> 00:20:18,929then it's difficult for us not to think thatthere is some mind and purpose behind it.17900:20:25,937 --> 00:20:30,099Einstein was very deeply impressed by thefact that as we study the physical world,18000:20:30,839 --> 00:20:34,187get beneath its surface and find outwhat it's like underneath so to speak,18100:20:34,824 --> 00:20:37,130we find a wonderful and remarkable order,18200:20:37,902 --> 00:20:42,497a beautiful pattern that is expressed actuallyalso in beautiful mathematics as it turns out,18300:20:42,819 --> 00:20:45,569that's the natural language to use.18400:20:50,838 --> 00:20:53,070Einstein believed that the rules of the universe 18500:20:53,694 --> 00:20:57,079could always be explained throughelegant mathematics.18600:21:00,389 --> 00:21:06,334In effect he thought that science could lead to an understanding of God's design for the universe.18700:21:12,905 --> 00:21:16,622You believe? In God?18800:21:17,015 --> 00:21:20,746Yes. Yes I do.18900:21:24,988 --> 00:21:28,904Do you? Believe?19000:21:29,530 --> 00:21:33,844Do I believe there is someone whoplans the daily life of Albert Einstein?19100:21:34,812 --> 00:21:40,643No. Although sometimes I think he may havebeen leading me up the garden path.19200:21:42,760 --> 00:21:44,237But didn't he make the garden?19300:21:44,897 --> 00:21:47,900I think he is the garden.19400:21:48,970 --> 00:21:50,117And isn't he the gardener too?19500:21:50,479 --> 00:21:56,274Yes, and all my life I have beentrying to catch him at his work.19600:22:10,806 --> 00:22:17,249Einstein believed that the rules used to create the universe would not only be beautiful and precise, 19700:22:17,892 --> 00:22:23,081he also thought they would always allowscientists to make exact predictions.19800:22:26,077 --> 00:22:30,859So if you knew the position and speed ofthe planets at a particular moment in time,19900:22:31,552 --> 00:22:36,636you could use the laws of physics to predicttheir exact movements for eternity.20000:22:40,344 --> 00:22:45,328And Einstein believed that what wastrue for planets was true for all objects.20100:22:45,934 --> 00:22:50,462Everything could be predicted withcertainty, no matter what it was.20200:22:52,808 --> 00:22:57,942But his vision of the universe was about to be challenged by something growing from his own work...20300:22:58,504 --> 00:23:02,190something very, very, very small.20400:23:14,379 --> 00:23:20,846In 1921, while he was based here in Berlin,Einstein was nominated for the Nobel Prize,20500:23:21,613 --> 00:23:25,438not for his theories of relativity,but for another piece of work20600:23:25,809 --> 00:23:29,433also completed in his 1905 miracle year.20700:23:38,629 --> 00:23:40,795It was about the nature of light.20800:23:45,874 --> 00:23:50,279It had been believed that light wasmade up of smooth, continuous waves.20900:23:54,478 --> 00:23:57,293But Einstein saw things very differently,21000:23:57,885 --> 00:24:01,939he said light could also be thoughtof as tiny, individual particles.21100:24:02,437 --> 00:24:07,106Einstein upset the apple cart byintroducing an entirely new radical concept21200:24:07,637 --> 00:24:09,621called a quantum particle of light.00:24:10,289 --> 00:24:12,059Light is not just smooth and continuous21400:24:12,517 --> 00:24:17,009it occurs in small little packets orbullets that today we call the photon.21500:24:26,728 --> 00:24:31,662His discovery that light was not only awave but also tiny, individual particles21600:24:32,374 --> 00:24:35,301revolutionised the whole of physics.21700:24:37,140 --> 00:24:40,307And it would give birth to Einstein's demon.21800:24:54,709 --> 00:25:01,147This breakthrough would become a cornerstone ofa new field of science known as quantum mechanics. 21900:25:05,780 --> 00:25:10,755Quantum mechanics describes the behaviourof the fundamental particles of our universe.22000:25:12,228 --> 00:25:15,340The sub-atomic particles that make up every atom. 22100:25:20,018 --> 00:25:24,408As it developed, people started noticinghow, at this fundamental scale,22200:25:25,245 --> 00:25:30,365everything behaved in a very differentway to Einstein's elegant universe.22300:25:30,667 --> 00:25:34,065People had been working for about twenty-five years trying to understand the puzzles of quantum theory, 22400:25:34,683 --> 00:25:38,397when out of the blue a young GraduateStudent from Germany, Heisenberg,00:25:39,181 --> 00:25:42,027came along and produced essentially a complete theory,22600:25:42,670 --> 00:25:46,167but based on ideas which are so radically differentfrom what people had been thinking about22700:25:46,796 --> 00:25:48,359that it was entirely shocking.22800:25:50,479 --> 00:25:53,712Werner Heisenberg proposeda whole new law of physics.22900:25:54,470 --> 00:25:58,987He said that it was impossible to measureboth the speed and the position of a particle23000:25:59,769 --> 00:26:05,990because strangely, the mere act of observingthese tiny objects radically affected their behaviour.23100:26:08,381 --> 00:26:11,369But if that was true, it had profound implications.23200:26:13,089 --> 00:26:16,060If you couldn't be precise about a particle's speed and position, 23300:26:16,681 --> 00:26:20,381then it would be impossible to makeaccurate predictions about its movements.23400:26:21,242 --> 00:26:24,026And Einstein believed that everything should be predictable.23500:26:25,320 --> 00:26:28,456The forecast said it would be cool. So much for prediction.23600:26:29,094 --> 00:26:31,105Maybe God changed his mind.23700:26:33,612 --> 00:26:36,871Maybe you're right, maybe hehates to be second-guessed.23800:26:37,746 --> 00:26:41,343I sometimes feel he dislikes being observed.23900:26:42,370 --> 00:26:47,463Colleagues of mine would have it that weinfluence God's world merely by observing it.24000:26:48,044 --> 00:26:48,948How can that be?24100:26:49,385 --> 00:26:55,603How can it be? How can you observe something andat the same time change its nature just by observing it? 24200:26:57,019 --> 00:27:01,452Sometimes I don't think we needGod to make us look foolish,24300:27:02,145 --> 00:27:05,359we do that very well for ourselves.24400:27:05,689 --> 00:27:07,834Maybe just God doesn'twant us to know everything.24500:27:08,395 --> 00:27:14,675Raffiniert ist der Herrgott, aber boshaft ist er nicht. 24600:27:14,957 --> 00:27:16,125I'm sorry?24700:27:16,365 --> 00:27:19,319God is subtle, but he is not malicious.24800:27:20,526 --> 00:27:24,088I don't believe he would putanything beyond our reach.24900:27:25,336 --> 00:27:28,930I do not think God is hiding anything from us.25000:27:30,644 --> 00:27:36,435He is just asking us to search a little harder.25100:27:42,858 --> 00:27:44,247If Heisenberg was right25200:27:44,885 --> 00:27:50,090and it was impossible to measure precisely thespeed and position of a particle at the same time,25300:27:50,999 --> 00:27:54,173it meant that some things would always be uncertain. 25400:27:57,349 --> 00:28:03,084For the quantum theorists the best you couldhope for was a science based on probabilities.25500:28:05,626 --> 00:28:10,172For Einstein, though he could see greatvalue in some aspects of quantum theory,25600:28:11,205 --> 00:28:14,501this just wasn't how God would have built his universe. 25700:28:15,258 --> 00:28:18,160I think Einstein's major objection to quantum mechanics 25800:28:19,230 --> 00:28:21,795is something that didn't fit into his world.25900:28:22,999 --> 00:28:29,641He could not accept the fact that if you do an experiment twice in exactly the same way,26000:28:30,041 --> 00:28:34,036that in one, one time you may get result 'A'26100:28:34,964 --> 00:28:36,399and the other time you may get result 'B'.26200:28:37,447 --> 00:28:42,491He really hated the idea that you weresurrendering to the world of probabilities.26300:28:51,257 --> 00:28:52,827。

英国文学考点

英国文学考点

English literature• 1. the old English period / Anglo-Saxon period---Beowulf• 2. the age of Chaucer/the 14th century---Chaucer• 3. the 15th century ---popular ballads• 4. the Elizabethan age/ Renaissance/ the 16th century ---More, Spenser, Sidney, Marlowe, Shakespeare, Bacon, Jonson, King James’Bible• 5. the 17th century---Donne, Milton, Dryden, Bunyan, the restoration theatre• 6. the classic age/ the 18th century ---Pope, Johnson•Goldsmith, Sheridan•Defoe, Swift, Richardson, Fielding, Sterne, Smollett•Movement towards romanticism/the last decades of the 18th century ---Gray, Blake, Burns•7. the romantic period /the 19th century---•8. the Victorian period/ the mid and late 19th century---•9. the early 20th century---Arnold Bennett, Rudyard Kipling, John Galsworthy, H.G.Wells, Joseph Conrad, E.M.Forster, Katherine Mansfield,•10. the 1920s---Woolf, Joyce, Lawrence, Y eats, T.S. Eliot•11. the 1930s---Auden, Thomas•Orwell, Waugh, Greene,•12. Postwar Period---poetry•Novels---Kingsley Amis, William Golding, Doris Lessing, Iris Murdoch,•Drama---Samuel Beckett, Harold PinterBeowulfBeowulf probably was composed in England sometime in the eighth century ad and written down circa 1000 ad by a literate scop (bard) or perhaps a Christian scribe who was possibly educated in a monastery. The poem was created in the oral poetic method, probably developing over a period of time with roots in folk tales and traditional stories until a single, very talented poet put it in something very near its current form.•An epic is a long narrative poem, composed in an elevated style, dealing with the trials and achievements of a great hero or heroes. The epic celebrates virtues of national, military, religious, cultural, political, or historical significance. All of these characteristics apply to Beowulf. The hero, Beowulf, is the title character. He represents the values of the heroic age.•Hrothgar The aging king of the Danes welcomes Beowulf’s assistance in facing the menace of Grendel.•Beowulf A mighty warrior and noble individual, the poem’s hero, with the strength of30 in his hand-grip, comes to the aid of Hrothgar’s Danes. Later Beowulf is king of theGeats.•Grendel A descendant of the biblical Cain, the enormous ogre despises mankind’s joy.He menaces Hrothgar and the Danes for 12 years before facing Beowulf in battle.•Grendel’s mother Although not as powerful as her son, she is a formidable foe. She and her son live in a cave beneath a lake where she battles Beowulf.•Dragon Guarding a treasure-trove in Geatland, he is angered when a fugitive steals a single gold-plated flagon. His raids throughout the countryside lead to a battle with Beowulf.the themes•Loyalty•Reputation•Generosity and Hospitality•Envy•RevengeGeoffrey chaucer•In or around 1378, Chaucer began to develop his vision of an English poetry that would be linguistically accessible to all—obedient neither to the court, whose official language was French, nor to the Church, whose official language was Latin. Instead, Chaucer wrote in the vernacular, the English that was spoken in and around London in his day.•the General Prologue is obviously the beginning, then the narrator explicitly says that the Knight tells the first tale, and that the Miller butts in and tells the second tale. The introductions, prologues, and epilogues to various tales sometimes include the pilgrims’comments on the tale just finished, and an indication of who tells the next tale. These sections between the tales are called links, and they are the best evidence for grouping the tales together into ten fragments.• 1. These are the opening lines with which the narrator begins_______________.• 2. The imagery in this opening passage is of____________________.• 3. Why does Chaucer choose the season in the stanza to begin the work?• 4. ____tells the first tale because he _________.• 1 the key• 1.the General Prologue of The Canterbury Tales• 2. the spring’s renewal and rebirth• 3. The natural world’s reawakening aligns with the narrator’s similarly “inspired”poetic sensibility. Pilgrimages combined spring vacations with religious purification.• 4. the knight the highest on social scaleWilliam Shakespeare•To the edition of the First Folio published in 1623, ______dedicated a poem in praise of the author:•“soul of the Age!•The applause ! Delight ! The wonder of our stage•Triumph, my Britain, thou hast one to show•To whom all scenes of Europe homage owe•He was not of an age, but for all time!”The key-notes of the comedies1. in them he portrayed the young people just freed from the feudal fetters. The general spiritof these comedies is optimism.2. Two groups of characters in the comedies:1)the young men and women who live in theworld of dreams and laughter and fight for their happiness 2) the simple and shrewd clowns and other common people who keep things going3. these plays show the author’s repsect for the dignity, honesty, wit, courage,determinationand resoucrefulness of women.4. The success of his comedies owes much to the creation of a gallery of clowns.the histories•1. shakespeare’s histories are political plays. The principal idea of these plays is the necessity for national unity under one sovereign.•2. the image of Henry V: 1) Henry V is the symbol of Shakespeare’s ideal kingship;2) even when leading a riotous life as Prince Hal, he si cool-headed and has a strong will;•3. the image of Falstall: 1) sir John Falstaff is one of the most brilliant creations in his plays;2) he is a feudal knight by origin and at present a parasite; 3)he is old, fat, ugly and guiltyof many sins and good at lying and boasting; 4)he is selfish, treacherous and cynical 5) he is the product of a transitional period when feudal ties are being dissovled and the capitalist society is not yet in birth. He is no longer a feudal lord and can never become a capitalist; 6) The Merry Wives of Windsorthe tragedies•1. Hamlet is a humanist, a man who is free from medieval prejudices and supersitions. He has unbounded love for the world rather than for heaven.•2. the humanist love for man. He cares for nothing but human worth and shows a contempt for rank and wealth.•3. hamlet’s melancholy 1) good case for the psychological analysis 2) in spite of his melancholy and delay in aciton, he still retains his active energy 3) a scholar, solider and statesman combined, his image reflects the versatility of the men of the Renaissance.the sonnets•A sonnet is a 14-line poem that rhymes in a particular pattern. In Shakespeare’s sonnets, the rhyme pattern is abab cdcd efef gg, with the final couplet used to summarize the previous12 lines or present a surprise ending. The rhythmic pattern of the sonnets is the iambicpentameter.•Although Shakespeare’s sonnets can be divided into different sections numerous ways, the most apparent division involves Sonnets 1–126, in which the poet strikes up a relationship with a young man, and Sonnets 127–154, which are concerned with the poet’s relationship with a woman, variously referred to as the Dark Lady, or as his mistress.Not marble, nor the gilded monumentsOf princes, shall outlive this powerful rhyme;But you shall shine more bright in these contentsThan unswept stone besmear'd with sluttish time.When wasteful war shall statues overturn,And broils root out the work of masonry,Nor Mars his sword nor war's quick fire shall burnThe living record of your memory.'Gainst death and all-oblivious enmityShall you pace forth; your praise shall still find roomEven in the eyes of all posterityThat wear this world out to the ending doom.So, till the judgment that yourself arise,Y ou live in this, and dwell in lover's eyes.•1. This is _______by William Shakespeare.•A. sonnet 18 B sonnet 29 C sonnet 55•2. This Sonnet_______________.•A. asserts the immortality of the poet’s sonnets•B. admires the above-all state of the prince•C. depresses his own verse writingFree Will and Fate in Hamlet and Oedipus Rex1. The Classical tragedians appreciated the conflict between fate and free will. At the heart of every great tragedy lies the universal struggle between the human inc lination to accept fate absolutely and the natural desire to control destiny. Both Sophocles and Shakespeare would agree with that.2. Both of the plays remain with the genre of classical tragedy with a hero as a man of stature.3. Oedipus, the prototypical Greek tragic hero, can see nothing until he blinds himself. By contrast, Hamlet remains painfully aware of himself, his shortcomings, and his powerlessness to right great wrongs.4.Oedipus, however, remains at the singular mercy of the gods. For Hamlet, the consummate Christian tragic hero, God exists, but human choices may cancel its power. His free will expects him to commit murder and the Bible dictates that murder is wrong, even when executing an evil man.5. In Oedipus, the king’s corruption has bred a plague among his subjects and only Oedipus’punishment and removal will rectify the ills that are killing the people. On the other hand, a corrupt society that threatens to compromise his integrity confronts Hamlet and requires his action.6. As Oedipus exemplifies the Greeks' religious conviction that man is a pawn to the gods, Hamlet illustrates the Christians' fervent belief that man's mind is the master of self and chooses to follow God.•O that this too too solid flesh would melt,Thaw, and resolve itself into a dew!Or that the Everlasting had not fix‟dHis canon ’gainst self-slaughter! O God! O God!How weary, stale, flat, and unprofitableSeem to me all the uses of this world!Fie on’t! O fie! ’tis an unweeded garden,That grows to seed; things rank and gross in naturePossess it merely. That it should come to this!But two months dead!—nay, not so much, not two:So excellent a king; that was, to this,Hyperion to a satyr; so loving to my mother,That he might not beteem the winds of heavenVisit her face too roughly. Heaven and earth!•Must I remember? Why, she would hang on himAs if increase of appetite had grownBy what it fed on: and yet, within a month,—Let me not think on‟t,—Frailty, thy name is woman!—A little month; or ere those shoes were oldWith which she followed my poor father’s bodyLike Niobe, all tears;—why she, even she,—O God! a beast that wants discourse of reason,Would have mourn’d longer,—married with mine uncle,My father’s brother; but no more like my fatherThan I to Hercules: within a month;Ere yet the salt of most unrighteous tearsHad left the flushing in her galled eyes,She married:—O, most wicked speed, to postWith such dexterity to incestuous sheets!It is not, nor it cannot come to good;But break my heart,—for I must hold my tongue.•This quotation is Hamlet‟s first important ________.•What are the two motifs mentioned in this part of quotation?•soliloquy•suicide and his mother’s incestuous marriage to Claudius•But soft, what light through yonder window breaks?It is the east, and Juliet is the sun.Arise, fair sun, and kill the envious moon,Who is already sick and pale with griefThat thou, her maid, art far more fair than she. . . .The brightness of her cheek would shame those starsAs daylight doth a lamp; her eye in heavenWould through the airy region stream so brightThat birds would sing and think it were not night.•______ speaks these lines in the so-called _______ scene.•Romeo imagines that she is the sun, transforming the darkness into daylight to strengthen the _________motif in the play.•balcony scene•light/dark motifMetaphysical poetryThe marks of 17th c. metaphysical poetry were arresting and original images and conceits, wit, ingenuity, dexterous use of colloquial speech, considerable flexibility of rhythm and meter, complex themes, a liking for paradox and dialectical argument, a direct manner, a distinguished capacity or elliptical thought and tersely compact expression. But for all their intellectual robustness, the metaphysical poets were also capable of refined delicacy, gracefulness and deep feeling; passion as well as wit.John DonneDonne is valuable not simply as a representative writer but also as a highly unique one. He was a man of contradictions: as a minister in the Anglican Church, Donne possessed a deep spirituality that informed his writings throughout his life; but as a man, Donne possessed a erotic poet, and perhaps not other writer stove as hard to unify and express such incongruous, mutually discordant passions.Religious spiritualism and erotic amorousnessTHE FLEA.by John DonneMARK but this flea, and mark in this, How little that which thou deniest me is ; It suck'd me first, and now sucks thee, And in this flea our two bloods mingled be.Thou know'st that this cannot be saidA sin, nor shame, nor loss of maidenhead ;Y et this enjoys before it woo,And pamper'd swells with one blood made of two ;And this, alas ! is more than we would do.O stay, three lives in one flea spare, Where we almost, yea, more than married are.This flea is you and I, and thisOur marriage bed, and marriage temple is. Though parents grudge, and you, we're met,And cloister'd in these living walls of jet.Though use make you apt to kill me,Let not to that self-murder added be,And sacrilege, three sins in killing three.Cruel and sudden, hast thou since Purpled thy nail in blood of innocence? Wherein could this flea guilty be, Except in that drop which it suck'd from thee?Y et thou triumph'st, and say'st that thou Find'st not thyself nor me the weaker now. 'Tis true ; then learn how false fears be ; Just so much honour, when thou yield'st to me,Will waste, as this flea's death took life from thee•A V ALEDICTION FORBIDDING MOURNING.by John Donne•AS virtuous men pass mildly away,And whisper to their souls to go, Whilst some of their sad friends do say,"Now his breath goes," and some say, "No." •So let us melt, and make no noise, No tear-floods, nor sigh-tempests move ;'Twere profanation of our joysTo tell the laity our love. •Moving of th' earth brings harms andfears ;Men reckon what it did, and meant ;But trepidation of the spheres,Though greater far, is innocent. •Dull sublunary lovers' love—Whose soul is sense—cannot admitOf absence, 'cause it doth remove The thing which elemented it. •But we by a love so much refined,That ourselves know not what it is,Inter-assurèd of the mind,Care less, eyes, lips and hands to miss.•Our two souls therefore, which are one, Though I must go, endure not yetA breach, but an expansion,Like gold to aery thinness beat. •If they be two, they are two so As stiff twin compasses are two ;Thy soul, the fix'd foot, makes no showTo move, but doth, if th' other do. •And though it in the centre sit,Y et, when the other far doth roam,It leans, and hearkens after it,And grows erect, as that comes home.•Such wilt thou be to me, who must,Like th' other foot, obliquely run ;Thy firmness makes my circle just, And makes me end where I begun.•1. one of Donne's most famous and simplest poems and also probably his most direct statement of his ideal of spiritual love.•2. the poem is essentially a series of metaphors and comparisons.•3. the poem creates a dichotomy between the common love of the everyday world and the uncommon love of the speaker. The effect is to create a kind of emotional aristocracy similar to the political aristocracy.•How does Donne distinguish between physical and spiritual love? (Think especially about "The Flea" and "A V alediction: forbidding Mourning.")T o His Coy Mistress 致羞怯的情人by Andrew Marvell(1621-1678) 作者:马维尔•Had we but world enough, and time, 如果我们的世界够大,时间够多,This coyness, Lady, were no crime 小姐,这样的羞怯就算不上罪过。

英美文学选读 习题9

英美文学选读 习题9
A. William Faulkner &nbs
AWilliam Faulkner
BJack London
CHerman Melville
DNathaniel Hawthorne
答:
答案:A
【题型:论述】【分数:10分】得分:0分
[6]"A Modest Proposal" is a satire written by Swift and it is generally taken as a perfect model of satire. Gulliver's Travels is Swift's masterpiece. Based on them, discuss why Swift is a master satirist.
【题型:简答】【分数:4分】得分:0分
[8]The white whale, Moby Dick is endowed with symbolic meaning. What do you think it symbolizes?
答:
答案:To Ahab, the whale is an evil creature or the agent of an evil force that controls the universe.
Questions:
A. From which work is this quotation taken?
B. Which character is speaking?
C. What does this work expose?
答:
答案:Bernard Shaw, Mrs. Warren's Profession, Vivie, economic exploitation, women and society

美国文学习题

美国文学习题

美国文学习题美国文学习题1.In American literature, the eighteen century was the age of Enlightenment. _____________was the dominant spirit.A.HumanismB. RationalismC. RevolutionD. Evolution2. “God helps them that help themselves.”is found in ____________work.A. Paine?sB. Franklin?sC. Freneau?sD. Jefferson?s3. Which statement about Franklin is not true?A. He instructed his countrymen as a printer.B. He was a scientist.C. He was a master of diplomacy.D. He was a Puritan.4. Which of the following stirred the world and helped form the American republic?A. The American Crisis.B. The Federalist.C. Declaration of Independence.D. The Age of Reason.5. Which is connected with Thomas Paine?A. Common SenseB. American Crisis.C. The Right of ManD. The Autobiography.6. “These are the times that try men?s souls”, these words were once read to Washington?s troops and did much to spur excitement to further action with hope and confidence. Who is the author of these words?A. Benjamin FranklinB. Thomas PaineC. Thomas JeffersonD. George Washington7. Which statement about Freneau is true?A. He was a scientistB. He was a pamphleteerC. He was a poetD. He was a bitter polemicist8. Which work is written by Freneau?A. The Right of ManB. The Wild honey SuckleC. Poor Richard?s AlmanacD. The Day of Doom9. Who was considered as the “Poet of American Revolution”?A. Anne BradstreetB. Edward TaylorC. Michael WiggleworthD. Philip Freneau10. At the Reason and Revolution Period, American were influenced by the European movement called _____________.A. Chartist MovementB. Romanticist MovementC. Enlightenment MovementD. Modernist Movement11.Stetement ____________ is wrong in describing Nathaniel Hawthorne.A. Hawthorne is a realist writer.B. Hawthorne is also a great allegorist.C. Hawthorne is a master of symbolism.D. One source of evil that Hawthorne is concerned most is over-reaching intellect.12. In Walt Whitman?s “There was a Child Went Forth”, the child refers to ___________.A. the poet himself as a childB. any American childC. the young AmericaD. one of the poet?s neighbor13. In Moby Dick, the voyage symbolizes ___________.A. the microcosm of human societyB. the search for truthC. the unknown worldD. nature14.Thoreau was often alone in the woods or by the pond, lost in spiritual communication with _________________.A. natureB. transcendentalist ideasC. human beingsD. celestial beings15. The Transcendentalist group includes two of the most significant writers America has produced so far, Emerson and ____________-.A. Henry David ThoreauB. Washington IrvingC. Nathanel HawthorneD. Walt Whitman16. _____________tells a simple but very moving story in which four people living in a puritan community are involved in and affected by the sin of adultery in different ways.A. Twice-Told TalesB. The Scarlet LetterC. The House of the Seven GablesD. The Marble Faun17. ___________is regarded as the first American prose epic.A. NatureB. The Scarlet letterC. WaldenD. Moby Dick18. The Romantic Period of American literature started with the publication of Washington Irving?s ___________ and ended with Whitman?s Leaves of Grass.A. The Sketch BookB. Tales of a TravelerC. The AlhambraD. A History of New Y ork19. Washington Irving?s social conservation and literary for the past is revealed to some extent, in his famous story_____________.A. “The Legend of Sleepy Hollow”B. Rip V an WinckleC. The Custom-HouseD. The Birthmark20. Which of the following comments on the writings by Herman Merville is not true?A. Bartleby, the Scrivener is a short story.B. Benito Cereno is a novella.C. The Confidence-Man has something to do with the sea and sailors.D. Moby Dick is regarded as the first American Prose epic.21. The giant Moby Dick may symbolize all except______________.A. mystery of the universeB. sin of the whaleC. power of the Great NatureD. evil of the world22. The convention of the desire for an escape from society and a return to nature in American literature is particularly evident in ___________________.A. Cooper?s Leatherstocking TalesB. Hawthorne?s The Scarlet Letter.C. Whitman?s Leaves of Grass.D. Irving?s Rip V an Winkle.23. As a philosophical and literary movement, _________ flourished in New England from the 1830s to the Civil War.A. modernismB. rationalismC. sentimentalismD. transcendentalism24. In Hawthorne?s The Scarlet Letter, “A”may stands for ______________.A. AdulteryB. AngelC. AmiableD. All the above25. ______is not the member of Transcendental Club.A. EmersonB. ThoreauC. WhitmanD. Fuller26. Poe?s first collection of short stories is _______________.A. Tales of a TravellerB. Leatherstocking TalesC. Canterbury TalesD. Tales of the Grotesque and Arabesque27. For Melville, as well as for the reader and ____________, the narrator, Moby Dick is still a mystery, an ultimate mystery of the universe.A. StarbuckB. StubbC. IshmaelD. Arab28. Choose the characters which appear in the novel The Scarlet Letter?A. Hester PrynneB. Arthur DimmesdaleC. Roger ChillingworthD. Pearl29. __________was a romanticized account of Melville?s stay among thePolynesians. The success of the book soon made Melville become known as the “man who lived among cannibals”.A. Moby DickB. TypeeC. OmooD. Billy Budd30. The period before the American Civil War is generally referred to as _________.A. The naturalist PeriodB. The Modern PeriodC. The Romantic PeriodD. the Realistic period31. All of the following are works by Nathaniel Hawthorne except_____________.A. The House of Seven GablesB. White JacketC. The Marble FaunD. The Blithdale Romance32. In the following works, which signs the beginning of the American literature?A. The Sketch BookB. Leaves of GrassC. Leatherstocking TAles..D. Adventures of Huckleberry Finn33. The main theme of Emily Dickinson is the following except_______________.A. religionB. love and marriageC. life and deathD. war and peace34. Emily Dickinson?s poetic idiom is noted for the following except_____________.A. brevityB. directnessC. plainestD. obscure35. “There is evil in every human heart, which may remain latent,perhaps, trough the whole life, but circumstances may rouse it to activity.” Which of the f ollowing writings is the thought reflected in?A. Nathaniel Hawthorne?s Y oung Goodman Brown.B. Mark Twain?s The Adventures of Huckleberry Finn.C. Walt Whitman?s Leaves of Grass.D. Herman Melville?s Moby Dick.36. It is his _________that Washington Irving?s fame mainly rested.A. tales about AmericaB. early poetryC. childhood recollectionsD. sketches about his European tours37. ________is the most ambivalent writer in the American literary history.A. Nathaniel HawthorneB. Walt WhitmanC. Ralph Waldo EmersonD. Mark Twain38. In Hawthorne?s novels and short stories, intellectuals usually appear as __________________.A. saviorsB. villainsC. commentatorsD. observers39. Washington Irving?s Rip V an Winckle is famous for__________________.A. Rip?s escape into a mysterious placeB. The story?s German legendary source materialC. Rip?s seeking for happinessD. Rip?s 20-year sleep40. The publication of ____________established Emerson as the most eloquent spokesman of New England Transcendentalism.A. NatureB. Self-RelianceC. The American ScholarD. The Over Soul41. Which of the following is not a work of Emily Dickinson?s?A. This is my letter to the worldB. I heard a Fly buzz-when I diedC. The Road Not T akenD. I like to see it lap the Miles42. In the history of literature, Romanticism is regarded as _________.A. the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and all experienceB. the orientation that emphasizes those features which men have in commonC. the modes of thinkingD. the thought that designates man as a social animal43. Which three novels drew from Melville?s adventures among the people of the South Pacific island?A. TypeeB. OmooC. MardiD. Redburn44. In the poem “Song of Myself”, Whitman sets forth the principle beliefs of ______________.A. the theory of universalityB. singularity and equality of all beings in valueC. both A and BD. none above45. Most of the poems in Whitman?s leaves of Grass sing of the “en-mass” and the ___________as well.A. natureB. lifeC. selfD. self-reliance46. Emily Dickinson?s poems(441) “This is my letter to the World”expresses the poet?s _____________about her communication with the outside world.A. indignationB. joyC. anxietyD. indifference47. Which of the following features cannot characterize poems by Walt Whitman?A. lyrical and well-structured.B. free-flowing.C. simple and rather crudeD. conversational and casual48. Which of the following writings is not finished by Ralph Waldo Emerson?A. NatureB. EssaysC. The Over-SoulD. Of Studies49. In “I heard a Fly buzz-when I died”, Emily Dickinson describes the moment of death______________.A. passionatelyB. pessimisticallyC. in despairD. peacefully50. Which book is not written by Emerson?A. Representative MenB. English Traits.C. NatureD. The Phodora.51.The Age of Realism in the literary history of the America refers to the period from ____to ___________.A. 1861-1914B. 1863-1918C. 1865-1914D. 1865-191852. ___________is not the representative writer in the Age of Realism in the literary history of the United States.A. Henry JamesB. Emily DickinsonC.William Dean HowellsD. Mark Twain53. ___________explores the scrupulous individualism in a world of fantastic speculation and unstable values, and gives its name to the get-rich-quick years of the post Civil War era.A. Innocents AbroadB. The Gilded AgeC. Roughing ItD. The Middle Y ears54. _________is considered to be Theodore Dreiser?s greatest work.A. An American TragedyB. Sister CarrieC. The FinancierD. The Titan55. ___________is a novella about a young American girl who gets “killed” by the writer in Rome, and it brought Henry James international fame for the first time.A. The AmericanB. The EuropeansC. Daisy MillerD. The Portrait of a Lady56. Stylistically, Henry James?s fiction is characterized by ___________--.A. highly refined languageB. ordinary American speechC. short, clear sentencesD. abundance of local images57. _________- is described by Mark Twain as a boy with “a sound heart and a deformed conscience.”A. Tom SawyerB. Huckleberry FinnC. JimD. Tony58. ___________-- is not a novel by Henry James dealing with the international theme.A. What Maisie KnowsB. The Wings of the DoveC. The AmbassadorsD. The Golden Bowl59. The setting of __________is America, where some Europeans, who are actually expatriated Americans, learn with difficulty to adapt themselves to the American life.A. MiddlemarchB. The EuropeansC. Daisy MillerD. The Portrait of a Lady60. Mark Twain?s ___________shows the disastrous effects of slavery on the victimizer and the victim alike.A. The Mysterious StrangerB. Tragedy of Puff?nhead WilsonC. The Gilded AgeD. Roughing It61. Who exerts the single most important influence on literary naturalism, of which Theodore Dreiser and Jack London are among the best representative writers?A. FreudB. DarwinC. W.D. Howells D. Emerson62. Mark Twain, one of the greatest 19 th century American writers, is well known for his _________________.A. international themeB. wasteland imageryC. local colorD. symbolism63. In Henry James?s Daisy Miller, the author tries to portray the young woman as an ambodiment of __________.A. the force of conventionB. the free spirit of the New WorldC. the decline of aristocracyD. the corruption of the newly rich64. The literary characters of the American type in the early 19th century are generally characterized by all the following features except that they __________--.A. speak local dialectsB. are polite and elegant gentlemenC. are simple and crude farmersD. are noble savages (red and white) untainted by society65. With Howells, James and Mark Twain active on the literary scene,_________ became the major trend in American literature in the seventies and eighties of 19th century.A. sentimentalismB. romanticismC. realismD. naturalism66. Generally speaking, all those writers with a naturalistic approach to human reality tend to be _________________.A. transcendentalistsB. idealistsC. pessimistsD. impressionists67.Mark Twain wrote most of his literary works with a ___________language.A. grandB. pompousC. simpleD. vernacular68. Henry James experimented with many different themes in his literary career, the most influential one being___________.A. nothingnessB. disillusionmentC. international themeD. relationship between men and women69. Theodore Dreiser is generally regarded as one of America?s_____________.A. naturalistsB. realistsC. modernistsD. romanticists70. Dreiser?s Trilogy of /Desire includes three novels. They are The Financier, The Titan and __________________.A. The StoicB. The GiantC. The TycoonD. The Genius71. The book from which “all modern American literature comes” refers to __________.A. The Great GatsbyB. The Sun Also RisesC. The Adventures of Huckleberry FinnD. Moby Dick72. The impact of Darwin?s evolutionary theory on the American thought and the influence of the 19th century French literature on the American men of letters gave rise to yet another school of realism: American ___________-.A. modernismB. naturalismC. vernacularismD. local colorism73. Which of the following writings is by Hemingway described the novel the one book from which “all modern American literature comes”?A. Tom SawyerB. Huckleberry FinnC. The Gilded AgeD. Life onthe Mississippi74. Mark Twain had led an active life in the very center of the American experience. He had been a ____________.A. printer, pilot, soldierB. silver-minor, gold washerC. lecturer, traveler, businessmanD. novelist, autobiographer75. While embracing the socialism of Marx, London also believed in the triumph of the strongest individuals. This contradiction is most vividly projected in the patently autobiographical novel________________.A.The Call of the WildB. The Sea WolfC. Martin EdenD. The Iron Heel76. In 1900, London published his first collection of short stories, named ____________-.A. The Son of the WolfB. The Sea WolfC. The Law of lifeD. White Fang77. The main theme of ___________ The Art of Fiction reveals his literary credo that representation of life should be the main object of the novel.A. Henry James?B. William Dean Howells?C. Mark Twain?sD. Jack London?s78. Stephen Crane?s best stories include __________, _________ and _______________________, all reinforcing the basic Crane motif environment and heredity over-whelming man.A. Open BoatB. An ExperimentC. The Blue HotelD. The Red Badge of Courage79. Mark Twain stood on the side of China in its struggle against foreign invasions. His _______ and ________- are two notable examples of his vigorous attacks on the imperialist behaviour of the United States and other foreign countries in China.A. The Treaty with ChinaB. To the Person Sitting in DarknessC. Disgracefull Persecution of a BoyD. Golddsmith?s Friend Abroad Again80. Dreiser was left-oriented in his views. He visited Russia and wrote _______- and _____________to express his new faith, and shortly before his death, he joined the Communist Party.A. Dreiser Look at RussiaB. Tragic AmericaC. An American TragedyD. The Titan81.In which of the following works, Hemingway presents his philosophy about life and death through the depiction of the bull-fight as a kind of microcosmic tragedy?A. The Green Hills of AfricaB. The Snows of KilimanjaroC. To Have and Have NotD. Death in the Afternoon82. ___________-is often acclaimed literary spokesman of the Jazz Age.A. Ernest HemingwayB. F.Scott FitzgeraldC. William /FaulknerD. Ezra Pound83. _________is Hemingway?s first true novel in which he depicts a vivid portrait of “The Lost Generation”.A. The Sun Also RisesB. A Farewell to ArmsC. In Our TimeD.For Whom the Bell Tolls84.Fitzgerald?s fictional world is the best embodiment of the spirit of __________________.A. the Jazz AgeB. the Romantic periodC. The Renaissance PeriodD. the Neoclassical Period85. Which of the following figures does not belong to “The Lost Generation”?A. Ezra PoundB. William Carlos WilliamsC. Robert FrostD. Theodore Dreiser86. In a tragic sense, _________is a representation of life as a struggle against unconquerable forces in which only a partial victory is possible. A. For Whom the Bell Tolls B. In Our TimeC. The Farewell to ArmsD. The Old Man and the Sea87. Faulkner once said that __________is a story of “lost innocence,”which proves itself to be an intensification of the theme of imprisonment in the past.A. The Sound and the FuryB. Light in AugustC. Go Down, MosesD. Absalom, Absalom88. Robert Frost combined traditional verse form---the sonnet, rhymingcouplets, blank verse---with a clear American local speech rhyme, the speech of ____________farmers with its idiosyncratic diction and syntax.A. southernB. westernC. New HampshireD. New England89. In which of the following poem by Ezra pound did you find the allusion to Vishang?A. In a Station of the Metro.B. The River-merchant?s Wife: A LetterC. A PactD. Hugh Selwyn Mauberley90. Who, one of the most important poets in his time, is a leading spokesman of the “Imagist Movement”?A. J.D. SalingerB. Ezra PoundC. Righard WrightD. Ralph Ellison91. Sinclair Lewis? Babbit presents a documentary picture of the narrow and limited ___________-.A. up-class mindB. middle-class mindC. proletarianD. ordinary people92. Y ank?s sense of belonging nowhere, hence homeless and rootless. The Hairy Ape is thus a play that concerns the problem of modern man?s ___________.A. loveB. homey relationsC. identityD. development93. In A Rose For Emily, Faulkner makes best use of ___________devices in narration.A. romanticB. realisticC. gothicD. modernist94. American diction in the 1960s and 1970s proves to be different fro itspredecessors. It is always referred to as “_____________”.A. ImagismB. black humourC. new fictionD. the beat Generation95. As an autobiographical play, O?Neill?s ______________(1915) has gained its status as a world classic and simultaneously marks the climax of his literary career and the coming of age of American drama.A. Long Day?s Journey Into NightB. The Hairy ApeC. Desire Under the ElmsD. The Iceman Cometh96. Tender is the Night is a _____________by Fitzgerald.A. short storyB. novellaC. poemD. novel97. The leading playwright of the modern period in American literature, if not the most successful in all his experiments, is _____________.A. Arthur MillerB. Tennessee WilliamC. Robert FrostD. Eugene O?Neill98. From Eugene O?Neill?s works, we can see he is _____________.A. a man of optimismB. a man of pessimismC. a man of apathyD. a man of inactivity99. ____________-is Hemingway?s first true novel, which portrays “The Lost Generation”.A. For Whom the Bell TollsB. The Old Man and the SeaC. The Sun Also /RisesD. A Farewell to Arms100. _______________is a dramatist who holds the central position in American drama the modernistic period.A. Sinclair LewisB. Eugene O?NeilleC. Arthur MillerD. Tennessee Williams101. ___________is said to be a “historical novel” by Faulkner.A. Go Down, MosesB. Light in AugustC. The Sound and the Fury D Absalom, Absalom102. _____________stems from the ambiguity of the speaker?s choice between safety and the unknown.A. Mending the WallB. Home …BurialC. The Road Not T akenD. Stopping by Woods on a Snowy Evening103. Hemingway?s writing style, together with his theme and the hero, is greatly and permanently influenced by his experiences_________________-.A. in his childhoodB. in the warC. in AmericaD. in Africa104. The following writers were awarded Nobel Prize for literature except________________.A. William FaulknerB. F. Scott FitzgeraldC. John SteinbeckD. Ernest Hemingway105. __________fuses symbolism, poetry, and the affirmation of a pagan idealism to show how materialistic civilization denies the life---giving impulses and destroys the genuine artist.A.Desire Under the ElmsB. the Emperor JonesC. Lazarus LaughedD. The Great God Brown。

  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

a r
X
i
v
:07
1
2
.
3
7
4
9
v
1
[
g
r
-
q
c
]
2
1
D
e
c
2
7
Comment on “The complete Schwarzschild interior and exterior solution in the harmonic coordinate system”[J.Math.Phys.39,6086(1998)]L´a szl´o ´A.Gergely Laboratoire de Physique Th´e orique,Universit´e Louis Pasteur,3-5rue de l’Universit´e 67084Strasbourg Cedex,France †and KFKI Research Institute for Particle and Nuclear Physics,Budapest 114,P.O.B 49,H-1525Hungary
1
In a recent paper Liu[1]considered the complete Schwarzschild interior and exterior so-lution in harmonic coordinates.There he argued about the necessity to keep the integration constant C1in R ex,in contrast with previous treatments(Refs.1-5and Ref.8of Ref.1). The purpose of this comment is to show that the above conclusion cannot be traced from the matching conditions between the vacuum exterior and the uniform density interior perfect fluid,as claimed in[1].The reason for this is that the last condition in Eqs.(7)of Ref. 1,namely R′in(a)=R′ex(a)is not required by the junction conditions at r=a,as will be shown in what follows.
The junction of two space-times along a timelike hypersurfaceΣcan be done applying the Darmois-Israel matching procedure[2,3],which requires the continuity across the junction of both thefirst and second fundamental forms(induced metric and extrinsic curvature)of the junction hypersurface.
In the standard coordinates,the metric(1)of Ref.1induces the3-metric given by the line element
ds2Σ=E(r)dt2−r2(dθ2+sin2θdφ2)(1)

on the junction hypersurface r=a,which has the normal n=1/
√√√
2
G(0,X1,X2,X3).The metric(6)of Ref.1(with a missing square on the last bracket corrected)induces thefirst fundamental form
ds2Σ=E(r)dt2−r2
coordinate system is found either by direct computation or by transforming its components (2)from standard to harmonic coordinates.The nonvanishing components are K00given in (2)and
K ii=(X2j+X2k)r
G
,K ij=−
X i X j r
G
,(4)
where i=j=k take the values1,2,3.The junction condition on the extrinsic curvature at arbitrary radius implies that G,R and E′should be continuous.Altogether wefind that G and R are C0and E is C1.Thus the last relation in(7)of Ref.1does not hold.
The condition
E′in=E′ex,(5) though not listed among the continuity conditions(7)of Ref.1,was fulfilled when imposing that the pressure vanishes on the junction.Indeed,Eq.(5)is a substitute for the requirement that the radial pressures on the two sides ofΣare equal,which was demonstrated for generic spherically symmetric static space-times in an other context[4].
Our criticism does not affect the main result of Ref.1,which is the solution R in of the second order differential equation(22)of Ref.1.The arguments about the integration constants however should be reviewed.Requiring only the continuity of R and nothing more, one of the constants C1and C2can be freely specified,in particular C1=0can be chosen, in accordance with Refs.1-5and Ref.8of Ref.1.Of course,the continuity of R′across the junction of the interior and exterior Schwarzschild solutions can be imposed as an additional requirement for other purposes(e.g.for having a smooth function R(r)as in Ref.1),but it is not a consequence of the junction conditions.
[1]Q.H.Liu,J.Math.Phys39,6086(1998).
[2]G.Darmois,in M´e morial des Sciences Math´e matiques(Gauthier-Villars,Paris,1927),Fascicule
25,Chap.V.
[3]W.Israel,Nuovo Cimento B XLIV,4349(1966).
[4]L.´A.Gergely,Phys.Rev.D58,084030(1998).
†visiting position,supported by the Hungarian State E¨o tv¨o s Fellowship
3。

相关文档
最新文档