霹雳布袋戏英文介绍
好莱坞历史英文介绍
Hello everyone, today I’d like to tell you sth about Hollywood movie.There are three main aspects to this topic.History.In this part,I will tell you sth about Hollywood and the development of hollywood movie.Now,Let’s start .Hollywood ,in its original meaning is a geogarphical name, which located in the northwest of Downtown LA(Los Angeles),As the center of the United States’film industy,Hollywood attracted all the young men and women to try their luck there.The famous Hollywood sign on the hills above the city is more than just nine white letters spelling out a city’s name,it has become the enduring symbol of the movie industry and of Los Angeles itself –the 50ft-high (15m) white letters can be seen from miles away. As one of the world's most evocative（唤起）symbols –a universal metaphor(隐喻）for ambition, success, glamour and money…for this dazzling(耀眼的）place, we call HOLLYWOOD the Dream place.Sleepless HollywoodThe historic heart of the movie industry is centered on Hollywood Boulevard(林荫大道）where millions of visitors flock to see landmark attractions .Universal studiosWalk of FameHollywood walk of fame is at boulevard and vie street.which was created in 1958 .Nearly 2300 superstars hava left hand imprint ,signature(签名)on it and the number is imcreasing with one ot two per month.Here every star expresses respect for artists who hava made great contribution to movies,radio,television,drama and recording industry.Mann’s Chinese TheaterChinese Theatre was established in May, 1927.,which located in hollywood boulevard ,attracting travellers all over the world to see the footprint of the stars.Here is the premiere (电影首映式）venue for many legendary films. Since 1980, a saying has been circulated among the movie people. It’s a pity that you don’t go to Chinese Theatre when you arrive in Los Angeles. It seems that you go to China but do not visit the Great Wall. Chinese Theatre has become the beginning of the awareness of the Hollywood movies.Kodak TheaterKodak Theatre is the venue of the presentation ceremony of Academy Award. It can accommodate 3400 spectators and has one of the largest stages in America. On February 26, 2012, Kodak Theatre was renamed Hollywood and Highland Center. Sunset BoulevardSunset blvd is a commercial street,it is located in the west hollywood.you can see fishionable clothing stores,restaurants and cafes everywhere.And in the evening,here’s another scene.various nightclub,discos attracted hordes of young people.Hollywood BowlThe brith of movieWhen world first films were screened on December 28, 1895 in Paris, the Lumierebrothers became the "father of the movie”.Their representative works are 工厂大门and 火车到站。
四大名著的英文介绍
四大名著的英文介绍中国四大名著英文简介Chinese Literature - Novels and fiction Hongloumeng 红楼梦"The Dream of the Red Chamber"Also called "The story of the Stone (Shitouji 石头记)", this novel written by Cao Xueqin 曹雪芹(d. 1763) is said to be the greatest masterpiece of Chinese fiction. A wide branched scholarship does not consent about the main theme of this novel, should it be a novel of sentiment, of Daoist-Buddhist enlightenment, of social observation, of the decay of an aristocratic familiy, or even a veiled attack on Manchu rule. The frame of the novel is the contest of a Buddhist and a Daoist priest who make be born a young noble boy called Jia Baoyu 贾宝玉and his girl cousin Lin Daiyu 林黛玉. With a loving detaildescribing the life of the two cousins in a huge noble mansion, between gardens and palaces, the red thread is the triangular love between Baoyu, Daiyu and a second girl cousin called Xue Baochai 薛宝钗that is of more plumper character than the ever sick Daiyu. Switching between their life, the divine world and dreams, Baoyu becomes deranged after the disappearance of a stone (the origin of the second title) he had in his mouth when he was born. Not knowing, his love Daiyu died, he is tricked to marrying Baochai. Becoming aware of being tricked, Baoyu leaves the world of the "red dust" and becomes a monk. With hundreds of persons and their stories, paralleling the life and feelings of servants to the life of the main persons, the story is very complex and full of symbolisms, but very interestingand convincing for its encyclopedic character, depicting the life of a noble familiy in the 18th century Qing China 清.三国演义Romance of The Three KingdomsRomance of The Three Kingdoms isone of the great chinese classics and is compiled into a semi-fictional literary masterpiece during the Ming Dynastyby Luo Guanzhong. The novel comprises around 70+% fact and 20+% fiction. Some issues such as Guan Yu's weapon weighing around 40+ kilograms, the capabilties of Lu Bu, Liu Bei's horses as well as the existence of the Hill of the Fallen Phoenix and some others are probably fictional.That period in history can be said as the golden age of chivalry and although it happened more than 1700 years ago, characters such as Liu Bei, Cao Cao, Guan Yu, Zhang Fei and Zhuge Liang have become household names among the chinese. Tales of their exploits, courage, adventures and many more are told in the novel "Romance of The Three Kingdoms".It is one of the most turbulent periods in China's history taking place toward the end of the Han Dynasty where corruption is rampant in the imperial court due to eunuches holding power. Coupled with natural disasters such as floods, plague and locust swarms devouring the crops grown by the peasants, hunger and disatisfaction among the peasants soon escalated rapidly until a major rebellion known asthe "Yellow Scarves Rebellion" led by Zhang Jiao broke out. (It was dubbed "Yellow Scarves" because the rebels tied a yellow scarf on their head). Initially just a small band of rebels, due to widespread hunger and ill-sentiment among the populace, swarms of common folks joined in the rebellion across many parts of the country.三国演义人物介绍刘备Liu Bei (161–223 AD), styled Xuándé (玄徳), was a general, warlord, and later the founding emperor of Shu Han during the Three Kingdoms era of China. Although having a later start than his rivals, also lacking both the material resources and social status they commanded, Liu Bei overcame his many defeats to carve out his own realm, that at its peak spanned modernday Sichuan, Guizhou, Hunan, part of Hubei, and part of Gansu.Culturally, due to the tremendously popular novel Romance of the Three Kingdoms by Luo Guanzhong, Liu Bei is widely known as the ideal benevolent, humane ruler who cared for his people and picked good advisors. His character was to advocate the Confucian set of moral values, such as loyalty and compassion.张飞Zhang Fei (?-221 AD) was a military general of Shu Han during the Three Kingdoms era of China.Zhang Fei was shown to have been a masterful general rather than simply a warrior. He treated his superiors with respect, but had little respect for his underlings. He was often warned by LiuBei that his habit of over-punishing his own soldiers by lashing and killing would eventually bring himself disaster.Zhang Fei married Xiahou Yuan's daughter, who was captured by Zhang Fei's troops as she was out gathering firewood. They had a total of two daughters, and the older daughter became the empress of Shu Han after marrying Liu Shan, with Zhuge Liang as the matchmaker. After Zhang Fei's eldest daughter had passed away due to natural causes, Zhuge Liang once again played the role of matchmaker, and Liu Shan married Zhang Fei's younger daughter, who thus succeeded her older sister to become the empress of Shu Han.Zhang Fei is best portrayed through his description and actions depicted in Records of Three Kingdoms biography by Chen Shou. Some claim that Zhang Fei was also an excellent painter.Zhang Fei was killed by his own men Zhang Da and Fan Jiang, while preparing his troops to attack the rival Eastern Wu to avenge the death of Guan Yu. Zhang Da and Fan Jiang went on to defect to Wu.水浒传Outlaws of the MarshThe novel "Outlaws of the Marsh" is somewhat like the Iliad and Odyssey... An ancient epic tale... no one remembers the period it was composed and immortalized.One knows this story is based on real facts and has inspired many storytellers.One knows the North Song Dynasty (XIIIth Century) lived its apogee and declined, a victim of corruption and decadence.One finds historical traces of these outlaws who challenged the imperial authority and died under the executioner's blade.At last, as anyone knows today that a man called Homer wrote the Iliad and Odyssey, no one doubts anymore that a man called Shi Nai-an wrote down during the XIVth century the novel Outlaws of the Marsh that reached us. Everyone recognizes that JinSheng-tan, during the XVIIth century, published what is now famous as the original version of a novel that obtainedthe interest and infatuation of successive generations.Water Margin or Outlaws of the Marsh ("All men are brothers" in Pearl Buck's translation, "Shui hu zhuan" in Chinese, "Au Bord de l'Eau" in French ) is an immortal novel because its tale is universal : it speaks of beings (outlaws but also notables, strong muscled heroes but also intellectual, anarchists but also philosophers...) who cannot bear injustice nor abuse nor arbitrariness...That is the reason they are immortal and their popularity has lasted for centuries .Discover the 108 heroes, the episodes , the paper-cuts representing them, the Beijing operas their fighting exploits inspired...人物Gai Ping Health gave special love make the world anyway, famous arena. Like charges to stick, chicken, and did not take wives, all hit others physique. Village Creek Village haunted legends, villagers digging a river in the town engraved art, ghost was rushed to the East seven. Classical hell, then alone will be engraved Creek Village in places away from the East side down. Thusso-called "Tota kings".晁盖平生仗义疏财，专爱结交天下好汉，闻名江湖。
天下三英文介绍
天下三英文介绍"World3" is a Chinese online multiplayer game launched in 2006. Set in ancient China, the game immerses players in a dynamic and richly detailed world where they can explore a vast landscape, engage in various missions, and interact with other players. The game's unique selling point is its emphasis on traditional Chinese culture and values, as well as its strategic and tactical elements that require players to think creatively and make informed decisions.Players can choose from a variety of characters, each with their own unique abilities and playstyles, allowing for a diverse range of strategies and team combinations. The game'sPVP and PVE modes offer a wide range of challenges and rewards, and the game's social features allow players to form guilds or clans and work together to achieve common goals."World3" has a strong community of dedicated players who share a passion for the game's unique setting and its strategic depth. The game's developers are constantly updating and improving the game,introducing new content and features to keep the game fresh and exciting.If you're looking for an online game that offers a rich and immersive experience set in the context of ancient China, "World3" is well worth checking out.。
英文话剧
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haveavacation. Y:That’s good. butthereisonemorething. canyougivemea MM ?IwanttogoAmericanwithher. K:ofcouse.Youaretheonewhohasthesimilartastewithme! Hahaha…… Y:Hahaha----H:Where’ssomewhere? K:What? Y:Doyouwanttogolady’s“WC”? X:Yes,I……I…… do. H顶着摇头：X,no, no， youcan’tgotoLady’s “WC”. Thatisnottheplacewhereyoucangointo ! becauseyouareX ! youarethe bestmanofChinesekongfu! X: whatifI’mthebestintheword? !whyItrymybesttolivebutI’mstillsomiserable ? whencanIgetmyfreedom? mustbethedeadday ? ! K: youareright. onewillnotbecleveruntilthedayhedie. Inthatcase ,whywill you die in such a bad sorrow way !gointo theLady’s WC , thendie , comfortablly ! goahead ! H: you , stupid , bad behavior ! goaway ! K; why ? whydoyouhelphim ! whoacturallyareyou ? H: myreal name isLuXiaofeng------the wifeofX .I’maspy. K惊讶: !you---you---YouareLuXiaofeng ? X’wife ? Y: Ihavealreadyrecognizedyou . atricker ! doyouknow, youarethefirst person who cheated me ! because of you ,Ideeide never believe anyone else ,including myself .you have destroyed my looking for you for many years ,just for today ! (轻声说)Ｘwilldie ,goandseehim ,please .
霹雳英文11
如月影From beginning to end all is white, looks like a fairyNot a man nor woman，Looks like bodhisattva（菩萨）The most pure, no evil thoughts（邪恶想法）Twenty years have no change in appearanceHe can communicate with heaven and earth And to see his own death sceneHe doesn't love shoes, because he wanted to contact with the earthHe said, nature have their own words, concentrate can hear。
Any kind of desire is the product of force。
If people don't able to save themselves, then god is not going to save him。
He has a hundred years old, natural death, but desire is not complete香独秀Overgrown garden master, very handsome, proud grace,Very cleanliness, very narcissistic, very afraid of ghosts, very love to take a shower 极度洁癖，极度自恋，极度怕鬼，极爱洗澡He is self-centered, think oneself very easygoing, but others think he is hard to get along with He quotes is, vanity reputation are not important things, even if not can also very handsome （浮名本是身外物，不着方寸也风流）He often said: everything is virtual some fame（虚名，一切都是虚名）He said: "I am justice. Believe in yourself is justice, so do will be justice!（我就是正义。
西蒙简介
动漫人物，妖精的尾巴
2.《霹雳布袋戏》人物编辑本义项编辑本段霹雳人物闍皇西蒙
闍城之主，嗜血族王者，闍城一脉牺牲全族举行血祭，西蒙因此不畏阳光。西蒙个性沉稳，冷漠，极端，具有嗜血者强烈的爱憎之心。西蒙身负先代让嗜血者一统世界的遗愿，因此有著王者的狠绝无情，为人擅控人心，处变不惊，永远不相信不在自己利牙下重生的人。内敛、沉静、尊贵、令人折服的王者风范，正是西蒙迷人的所在。名称西蒙其他称号闍皇性别男身份嗜血族王者诗号古墓得不到满足，天堂容不下真相；地狱管不住狂傲，人间止不了卑微。圣界因吾而诞生，神魔不许界。初登场霹雳劫之阇城血印第11集退场霹雳劫之末世录第17集（被四分之三重伤后，将功力传承邪之子后死亡）根据地闍城、冰城奇域、天禁不日城妻柳湘音（侠刀之女）子邪之子侍从维特部属冰爵禔摩、血琴希恩、人形师、阴阳师、红寅、冷艳色、离菲大公、莱特大公、莫留斯伯爵、洛航伯爵、塔德侯爵武学闍皇血燄兵器邪之刀交通卜魄游魂车光明与黑暗永远相随，黑暗总是追寻著光明的脚步。嗜血者只能生存在黑暗之中，见光即化为灰烬而亡。嗜血者以鲜血为食，以夜为日，以日为夜，永远见不得光。嗜血者超越人类，拥有不死之身与强悍的力量，华丽、美貌、骄傲、奢华又堕落於对鲜血的渴望与迷醉之中。西蒙，闍城一脉遗孤，全族为西蒙可以不畏阳光而举行血祭全部牺牲，西蒙也因此注定了肩负统一嗜血一族继而君临天下的重担。身为嗜血族最强悍最美貌的至高王者，优雅、高傲、华艳、尊贵，散发魔魅般的气质，令人为之倾倒。词条图册更多图册
编辑本段法国名人
皮埃尔-西蒙·拉普拉斯（Pierre-Simon Laplace）法国天文学家、数学家西蒙·波娃（Simone de Beauvoir）女权运动创始人之一朱尔·西蒙（Jules François Simon）法国哲学家，1876-1877年法国总理克洛德·西蒙（Claude Simon）法国小说家，1985年诺贝尔文学奖获得者艾米莉·西蒙（Emilie Simon）法国女歌手吉勒·西蒙(Gilles Simon)法国网球运动员
AESOP_Fables
Aesop's Fables Translated by George Fyler TownsendAesop's Fables (1)Translated by George Fyler Townsend (1)Preface (7)The Wolf and the Lamb (11)The Bat and the Weasels (11)The Ass and the Grasshopper (12)The Lion and the Mouse (12)The Charcoal−Burner and the Fuller (12)The Father and His Sons (12)The Boy Hunting Locusts (12)The Cock and the Jewel (12)The Kingdom of the Lion (13)The Wolf and the Crane (13)The Fisherman Piping (13)Hercules and the Wagoner (13)The Ants and the Grasshopper (13)The Traveler and His Dog (13)The Dog and the Shadow (14)The Mole and His Mother (14)The Herdsman and the Lost Bull (14)The Hare and the Tortoise (14)The Pomegranate, Apple−Tree, and Bramble (14)The Farmer and the Stork (15)The Farmer and the Snake (15)The Fawn and His Mother (15)The Bear and the Fox (15)The Swallow and the Crow (15)The Mountain in Labor (15)The Ass, the Fox, and the Lion (16)The Tortoise and the Eagle (16)The Flies and the Honey−Pot (16)The Man and the Lion (16)The Farmer and the Cranes (16)The Dog in the Manger (17)The Fox and the Goat (17)The Bear and the Two Travelers (17)The Oxen and the Axle−Trees (17)The Thirsty Pigeon (18)The Raven and the Swan (18)The Goat and the Goatherd (18)The Miser (18)The Sick Lion (18)The Horse and Groom (19)The Ass and the Lapdog (19)The Lioness (19)The Boasting Traveler (19)The Cat and the Cock (19)The Boy and the Filberts (20)The Lion in Love (20)The Laborer and the Snake (20)The Wolf in Sheep's Clothing (20)The Ass and the Mule (21)The Frogs Asking for a King (21)The Boys and the Frogs (21)The Sick Stag (21)The Salt Merchant and His Ass (21)The Oxen and the Butchers (22)The Lion, the Mouse, and the Fox (22)The Vain Jackdaw (22)The Goatherd and the Wild Goats (22)The Mischievous Dog (23)The Fox Who Had Lost His Tail (23)The Boy and the Nettles (23)The Man and His Two Sweethearts (23)The Astronomer (23)The Wolves and the Sheep (24)The Old Woman and the Physician (24)The Fighting Cocks and the Eagle (24)The Charger and the Miller (24)The Fox and the Monkey (24)The Horse and His Rider (25)The Belly and the Members (25)The Vine and the Goat (25)Jupiter and the Monkey (25)The Widow and Her Little Maidens (25)The Shepherd's Boy and the Wolf (25)The Cat and the Birds (26)The Kid and the Wolf (26)The Ox and the Frog (26)The Shepherd and the Wolf (26)The Father and His Two Daughters (26)The Farmer and His Sons (27)The Crab and Its Mother (27)The Heifer and the Ox (27)The Swallow, the Serpent, and the Court of Justice (27)The Thief and His Mother (27)The Old Man and Death (27)The Fir−Tree and the Bramble (28)The Mouse, the Frog, and the Hawk (28)The Man Bitten by a Dog (28)The Two Pots (28)The Wolf and the Sheep (28)The Aethiop (29)The Fisherman and His Nets (29)The Old Woman and the Wine−Jar (29)The Fox and the Crow (29)The Two Dogs (30)The Stag in the Ox−Stall (30)The Hawk, the Kite, and the Pigeons (30)The Widow and the Sheep (30)The Wild Ass and the Lion (31)The Eagle and the Arrow (31)The Sick Kite (31)The Lion and the Dolphin (31)The Lion and the Boar (31)The One−Eyed Doe (32)The Shepherd and the Sea (32)The Ass, the Cock, and the Lion (32)The Mice and the Weasels (32)The Mice in Council (32)The Wolf and the Housedog (33)The Rivers and the Sea (33)The Playful Ass (33)The Three Tradesmen (33)The Master and His Dogs (33)The Wolf and the Shepherds (33)The Dolphins, the Whales, and the Sprat (34)The Ass Carrying the Image (34)The Two Travelers and the Axe (34)The Old Lion (34)The Old Hound (34)The Bee and Jupiter (34)The Milk−Woman and Her Pail (35)The Seaside Travelers (35)The Brazier and His Dog (35)The Ass and His Shadow (35)The Ass and His Masters (36)The Oak and the Reeds (36)The Fisherman and the Little Fish (36)The Hunter and the Woodman (36)The Wild Boar and the Fox (36)The Lion in a Farmyard (37)Mercury and the Sculptor (37)The Swan and the Goose (37)The Swollen Fox (37)The Fox and the Woodcutter (37)The Birdcatcher, the Partridge, and the Cock (38)The Monkey and the Fishermen (38)The Flea and the Wrestler (38)The Two Frogs (38)The Cat and the Mice (38)The Doe and the Lion (39)The Farmer and the Fox (39)The Seagull and the Kite (39)The Philosopher, the Ants, and Mercury (39)The Mouse and the Bull (39)The Lion and the Hare (40)The Peasant and the Eagle (40)The Image of Mercury and the Carpenter (40)The Bull and the Goat (40)The Dancing Monkeys (40)The Monkeys and Their Mother (41)The Oaks and Jupiter (41)The Hare and the Hound (41)The Traveler and Fortune (41)The Bald Knight (41)The Shepherd and the Dog (41)The Lamp (42)The Lion, the Fox, and the Ass (42)The Bull, the Lioness, and the Wild−Boar Hunter (42)The Oak and the Woodcutters (42)The Hen and the Golden Eggs (42)The Ass and the Frogs (42)The Crow and the Raven (43)The Trees and the Axe (43)The Crab and the Fox (43)The Woman and Her Hen (43)The Ass and the Old Shepherd (43)The Kites and the Swans (44)The Wolves and the Sheepdogs (44)The Hares and the Foxes (44)The Bowman and Lion (44)The Camel (44)The Wasp and the Snake (44)The Dog and the Hare (45)The Bull and the Calf (45)The Stag, the Wolf, and the Sheep (45)The Peacock and the Crane (45)The Fox and the Hedgehog (45)The Eagle, the Cat, and the Wild Sow (46)The Thief and the Innkeeper (46)The Mule (46)The Hart and the Vine (46)The Serpent and the Eagle (47)The Crow and the Pitcher (47)The Two Frogs (47)The Wolf and the Fox (47)The Walnut−Tree (47)The Monkey and the Dolphin (48)The Jackdaw and the Doves (48)The Horse and the Stag (48)The Kid and the Wolf (48)The Prophet (48)The Fox and the Monkey (49)The Thief and the Housedog (49)The Man, the Horse, the Ox, and the Dog (49)The Apes and the Two Travelers (49)The Wolf and the Shepherd (50)The Hares and the Lions (50)The Lark and Her Young Ones (50)The Fox and the Lion (50)The Weasel and the Mice (50)The Boy Bathing (51)The Ass and the Wolf (51)The Seller of Images (51)The Fox and the Grapes (51)The Man and His Wife (51)The Peacock and Juno (52)The Hawk and the Nightingale (52)The Dog, the Cock, and the Fox (52)The Wolf and the Goat (52)The Lion and the Bull (52)The Goat and the Ass (53)The Town Mouse and the Country Mouse (53)The Wolf, the Fox, and the Ape (53)The Fly and the Draught−Mule (53)The Fishermen (53)The Lion and the Three Bulls (54)The Fowler and the Viper (54)The Horse and the Ass (54)The Fox and the Mask (54)The Geese and the Cranes (54)The Blind Man and the Whelp (54)The Dogs and the Fox (55)The Cobbler Turned Doctor (55)The Wolf and the Horse (55)The Brother and the Sister (55)The Wasps, the Partridges, and the Farmer (55)The Crow and Mercury (56)The North Wind and the Sun (56)The Two Men Who Were Enemies (56)The Gamecocks and the Partridge (56)The Quack Frog (56)The Lion, the Wolf, and the Fox (57)The Dog's House (57)The Birds, the Beasts, and the Bat (57)The Spendthrift and the Swallow (57)The Fox and the Lion (57)The Owl and the Birds (58)The Trumpeter Taken Prisoner (58)The Ass in the Lion's Skin (58)The Sparrow and the Hare (58)The Flea and the Ox (58)The Goods and the Ills (58)The Dove and the Crow (59)Mercury and the Workmen (59)The Eagle and the Jackdaw (59)The Fox and the Crane (59)Jupiter, Neptune, Minerva, and Momus (60)The Eagle and the Fox (60)The Man and the Satyr (60)The Ass and His Purchaser (60)The Two Bags (61)The Stag at the Pool (61)The Jackdaw and the Fox (61)The Lark Burying Her Father (61)The Gnat and the Bull (61)The Bitch and Her Whelps (61)The Dogs and the Hides (62)The Shepherd and the Sheep (62)The Grasshopper and the Owl (62)The Monkey and the Camel (62)The Peasant and the Apple−Tree (62)The Two Soldiers and the Robber (63)The Trees Under the Protection of the Gods (63)The Mother and the Wolf (63)The Ass and the Horse (63)Truth and the Traveler (63)The Cat and Venus (65)The She−Goats and Their Beards (65)The Camel and the Arab (66)The Miller, His Son, and Their Ass (66)The Crow and the Sheep (66)The Fox and the Bramble (66)The Wolf and the Lion (66)The Dog and the Oyster (67)The Ant and the Dove (67)The Partridge and the Fowler (67)The Flea and the Man (67)The Thieves and the Cock (67)The Dog and the Cook (67)The Travelers and the Plane−Tree (68)The Lion, Jupiter, and the Elephant (68)The Lamb and the Wolf (68)The Rich Man and the Tanner (69)The Shipwrecked Man and the Sea (69)The Mules and the Robbers (69)The Viper and the File (69)The Lion and the Shepherd (69)The Camel and Jupiter (69)The Panther and the Shepherds (70)The Ass and the Charger (70)The Eagle and His Captor (70)The Bald Man and the Fly (70)The Olive−Tree and the Fig−Tree (70)The Eagle and the Kite (71)The Ass and His Driver (71)The Thrush and the Fowler (71)The Rose and the Amaranth (71)The Frogs' Complaint Against the Sun (71)LIFE OF AESOP (71)Aesop's FablesTranslated by George Fyler Townsend This page copyright © 2001 Blackmask Online.•PrefaceThe Wolf and the Lamb••The Bat and the Weasels•The Ass and the Grasshopper•The Lion and the Mouse•The Charcoal−Burner and the Fuller•The Father and His Sons•The Boy Hunting Locusts•The Cock and the Jewel•The Kingdom of the Lion•The Wolf and the Crane•The Fisherman Piping•Hercules and the Wagoner•The Ants and the Grasshopper•The Traveler and His Dog•The Dog and the ShadowThe Mole and His Mother••The Herdsman and the Lost Bull•The Hare and the Tortoise•The Pomegranate, Apple−Tree, and Bramble•The Farmer and the Stork•The Farmer and the Snake•The Fawn and His Mother•The Bear and the Fox•The Swallow and the Crow•The Mountain in Labor•The Ass, the Fox, and the Lion•The Tortoise and the Eagle•The Flies and the Honey−Pot•The Man and the Lion•The Farmer and the Cranes•The Dog in the Manger•The Fox and the Goat•The Bear and the Two Travelers•The Oxen and the Axle−Trees•The Thirsty Pigeon•The Raven and the SwanThe Goat and the Goatherd••The Miser•Aesop's Fables The Ass and the Lapdog••The Lioness•The Boasting TravelerThe Cat and the Cock•The Piglet, the Sheep, and the Goat•The Boy and the Filberts•The Lion in Love•The Laborer and the Snake•The Wolf in Sheep's Clothing••The Ass and the MuleThe Frogs Asking for a King•The Boys and the Frogs•The Sick Stag•The Salt Merchant and His Ass•The Oxen and the Butchers••The Lion, the Mouse, and the FoxThe Vain Jackdaw•The Goatherd and the Wild Goats••The Mischievous DogThe Fox Who Had Lost His Tail•The Boy and the Nettles••The Man and His Two SweetheartsThe Astronomer•The Wolves and the Sheep••The Old Woman and the PhysicianThe Fighting Cocks and the Eagle••The Charger and the Miller•The Fox and the MonkeyThe Horse and His Rider•The Belly and the Members•The Vine and the Goat•Jupiter and the Monkey•The Widow and Her Little Maidens•The Shepherd's Boy and the Wolf••The Cat and the BirdsThe Kid and the Wolf•The Ox and the Frog•The Shepherd and the Wolf•The Father and His Two Daughters•The Farmer and His Sons••The Crab and Its MotherThe Heifer and the Ox•The Swallow, the Serpent, and the Court of Justice••The Thief and His MotherThe Old Man and Death•The Fir−Tree and the Bramble••The Mouse, the Frog, and the HawkThe Man Bitten by a Dog•The Two Pots••The Fisherman and His Nets••The Huntsman and the Fisherman•The Old Woman and the Wine−Jar•The Fox and the Crow•The Two Dogs•The Stag in the Ox−StallThe Hawk, the Kite, and the Pigeons••The Widow and the Sheep•The Wild Ass and the LionThe Eagle and the Arrow••The Sick Kite•The Lion and the Dolphin•The Lion and the Boar•The One−Eyed Doe•The Shepherd and the SeaThe Ass, the Cock, and the Lion••The Mice and the Weasels•The Mice in Council•The Wolf and the Housedog•The Rivers and the Sea•The Playful Ass•The Three Tradesmen•The Master and His Dogs•The Wolf and the Shepherds•The Dolphins, the Whales, and the Sprat •The Ass Carrying the Image•The Two Travelers and the Axe•The Old LionThe Old Hound••The Bee and Jupiter•The Milk−Woman and Her Pail•The Seaside Travelers•The Brazier and His Dog•The Ass and His Shadow•The Ass and His Masters•The Oak and the ReedsThe Fisherman and the Little Fish••The Hunter and the WoodmanThe Wild Boar and the Fox••The Lion in a Farmyard•Mercury and the SculptorThe Swan and the Goose••The Swollen Fox•The Fox and the Woodcutter•The Birdcatcher, the Partridge, and the Cock •The Monkey and the Fishermen•The Flea and the Wrestler•The Two Frogs•The Cat and the Mice•The Lion, the Bear, and the FoxThe Farmer and the Fox••The Seagull and the Kite•The Philosopher, the Ants, and Mercury•The Mouse and the Bull•The Lion and the Hare•The Peasant and the EagleThe Image of Mercury and the Carpenter••The Bull and the Goat•The Dancing MonkeysThe Monkeys and Their Mother••The Oaks and Jupiter•The Hare and the Hound•The Traveler and Fortune•The Bald Knight•The Shepherd and the DogThe Lamp••The Lion, the Fox, and the Ass•The Bull, the Lioness, and the Wild−Boar Hunter •The Oak and the Woodcutters•The Hen and the Golden Eggs•The Ass and the Frogs•The Crow and the Raven•The Trees and the Axe•The Crab and the Fox•The Woman and Her Hen•The Ass and the Old Shepherd•The Kites and the Swans•The Wolves and the SheepdogsThe Hares and the Foxes••The Bowman and Lion•The Camel•The Wasp and the Snake•The Dog and the Hare•The Bull and the Calf•The Stag, the Wolf, and the Sheep•The Peacock and the CraneThe Fox and the Hedgehog••The Eagle, the Cat, and the Wild SowThe Thief and the Innkeeper••The Mule•The Hart and the VineThe Serpent and the Eagle••The Crow and the Pitcher•The Two Frogs•The Wolf and the Fox•The Walnut−Tree•The Gnat and the Lion•The Monkey and the Dolphin•The Jackdaw and the Doves•The Horse and the StagThe Prophet••The Fox and the Monkey•The Thief and the Housedog•The Man, the Horse, the Ox, and the Dog •The Apes and the Two Travelers•The Wolf and the ShepherdThe Hares and the Lions••The Lark and Her Young Ones•The Fox and the LionThe Weasel and the Mice••The Boy Bathing•The Ass and the Wolf•The Seller of Images•The Fox and the Grapes•The Man and His WifeThe Peacock and Juno••The Hawk and the Nightingale•The Dog, the Cock, and the Fox•The Wolf and the Goat•The Lion and the Bull•The Goat and the Ass•The Town Mouse and the Country Mouse •The Wolf, the Fox, and the Ape•The Fly and the Draught−Mule•The Fishermen•The Lion and the Three Bulls•The Fowler and the Viper•The Horse and the AssThe Fox and the Mask••The Geese and the Cranes•The Blind Man and the Whelp•The Dogs and the Fox•The Cobbler Turned Doctor•The Wolf and the Horse•The Brother and the Sister•The Wasps, the Partridges, and the Farmer The Crow and Mercury••The North Wind and the SunThe Two Men Who Were Enemies••The Gamecocks and the Partridge•The Quack FrogThe Lion, the Wolf, and the Fox••The Dog's House•The Wolf and the Lion•The Birds, the Beasts, and the Bat•The Spendthrift and the Swallow•The Fox and the Lion•The Owl and the Birds•The Trumpeter Taken Prisoner•The Ass in the Lion's SkinThe Flea and the Ox••The Goods and the Ills•The Dove and the Crow•Mercury and the Workmen•The Eagle and the Jackdaw•The Fox and the CraneJupiter, Neptune, Minerva, and Momus ••The Eagle and the Fox•The Man and the SatyrThe Ass and His Purchaser••The Two Bags•The Stag at the Pool•The Jackdaw and the Fox•The Lark Burying Her Father•The Gnat and the BullThe Bitch and Her Whelps••The Dogs and the Hides•The Shepherd and the Sheep•The Grasshopper and the Owl•The Monkey and the Camel•The Peasant and the Apple−Tree•The Two Soldiers and the Robber•The Trees Under the Protection of the Gods •The Mother and the Wolf•The Ass and the Horse•Truth and the Traveler•The Cat and Venus•The She−Goats and Their BeardsThe Camel and the Arab••The Miller, His Son, and Their Ass•The Crow and the Sheep•The Fox and the Bramble•The Wolf and the Lion•The Dog and the Oyster•The Ant and the Dove•The Partridge and the FowlerThe Flea and the Man••The Thieves and the CockThe Dog and the Cook••The Travelers and the Plane−Tree•The Hares and the FrogsThe Lion, Jupiter, and the Elephant••The Lamb and the Wolf•The Rich Man and the Tanner•The Shipwrecked Man and the Sea•The Mules and the Robbers•The Viper and the File•The Lion and the Shepherd•The Camel and Jupiter•The Panther and the Shepherds•The Eagle and His Captor•The Bald Man and the Fly•The Olive−Tree and the Fig−Tree•The Eagle and the KiteThe Ass and His Driver••The Thrush and the Fowler•The Rose and the AmaranthThe Frogs' Complaint Against the Sun••LIFE OF AESOPPrefaceTHE TALE, the Parable, and the Fable are all common and popular modes of conveying instruction. Each is distinguished by its own special characteristics. The Tale consists simply in the narration of a story either founded on facts, or created solely by the imagination, and not necessarily associated with the teaching of any moral lesson. The Parable is the designed use of language purposely intended to convey a hidden and secret meaning other than that contained in the words themselves; and which may or may not bear a special reference to the hearer, or reader. The Fable partly agrees with, and partly differs from both of these. It will contain, like the Tale, a short but real narrative; it will seek, like the Parable, to convey a hidden meaning, and that not so much by the use of language, as by the skilful introduction of fictitious characters; and yet unlike to either Tale or Parable, it will ever keep in view, as its high prerogative, and inseparable attribute, the great purpose of instruction, and will necessarily seek to inculcate some moral maxim, social duty, or political truth. The true Fable, if it rise to its high requirements, ever aims at one great end and purpose representation of human motive, and the improvement of human conduct, and yet it so conceals its design under the disguise of fictitious characters, by clothing with speech the animals of the field, the birds of the air, the trees of the wood, or the beasts of the forest, that the reader shall receive advice without perceivingthe presence of the adviser. Thus the superiority of the counsellor, which often renders counsel unpalatable, is kept out of view, and the lesson comes with the greater acceptance when the reader is led, unconsciously to himself, to have his sympathies enlisted in behalf of what is pure, honorable, and praiseworthy, and to havehis indignation excited against what is low, ignoble, and unworthy. The true fabulist, therefore, discharges a most important function. He is neither a narrator, nor an allegorist. He is a great teacher, a corrector of morals, a censor of vice, and a commender of virtue. In this consists the superiority of the Fable over the Tale or the Parable. The fabulist is to create a laugh, but yet, under a merry guise, to convey instruction. Phaedrus, the great imitator of Aesop, plainly indicates this double purpose to be the true office of the writer of fables.Duplex libelli dos est: quod risum movet,Et quod prudenti vitam consilio monet.The continual observance of this twofold aim creates the charm, and accounts for the universal favor, of the fables of Aesop. "The fable," says Professor K. O. Mueller, "originated in Greece in an intentional travestieof human affairs. The 'ainos,' as its name denotes, is an admonition, or rather a reproof veiled, either from fear of an excess of frankness, or from a love of fun and jest, beneath the fiction of an occurrence happening among beasts; and wherever we have any ancient and authentic account of the Aesopian fables, we find it to be the same." lThe construction of a fable involves a minute attention to (1) the narration itself; (2) the deduction of the moral; and (3) a careful maintenance of the individual characteristics of the fictitious personages introduced into it. The narration should relate to one simple action, consistent with itself, and neither be overladen with aand so intimately interwoven with, and so necessarily dependent on, the narration, that every reader should be compelled to give to it the same undeniable interpretation. The introduction of the animals or fictitious characters should be marked with an unexceptionable care and attention to their natural attributes, and to the qualities attributed to them by universal popular consent. The Fox should be always cunning, the Hare timid, the Lion bold, the Wolf cruel, the Bull strong, the Horse proud, and the Ass patient. Many of these fables are characterized by the strictest observance of these rules. They are occupied with one short narrative, from which the moral naturally flows, and with which it is intimately associated. "'Tis the simple manner," says Dodsley, 2 "in which the morals of Aesop are interwoven with his fables that distinguishes him, and gives him the preference over all other mythologists. His 'Mountain delivered of a Mouse,' produces the moral of his fable in ridicule of pompous pretenders; and his Crow, when she drops her cheese, lets fall, as it were by accident, the strongest admonition against the power of flattery. There is no need of a separate sentence to explain it; no possibility of impressing it deeper, by that load we too often see of accumulated reflections." 3 An equal amount of praise is due for the consistency with which the characters of the animals, fictitiously introduced, are marked. While they are made to depict the motives and passions of men, they retain, in an eminent degree, their own special features of craft or counsel, of cowardice or courage, of generosity or rapacity.These terms of praise, it must be confessed, cannot be bestowed on all the fables in this collection. Many of them lack that unity of design, that close connection of the moral with the narrative, that wise choice in the introduction of the animals, which constitute the charm and excellency of true Aesopian fable. This inferiority of some to others is sufficiently accounted for in the history of the origin and descent of these fables. The great bulk of them are not the immediate work of Aesop. Many are obtained from ancient authors prior to the time in which he lived. Thus, the fable of the "Hawk and the Nightingale" is related by Hesiod; 4 the "Eagle wounded by an Arrow, winged with its own Feathers," by Aeschylus; 5 the "Fox avenging his wrongs on the Eagle," by Archilochus. 6 Many of them again are of later origin, and are to be traced to the monks of the middle ages: and yet this collection, though thus made up of fables both earlier and later than the era of Aesop, rightfully bears his name, because he composed so large a number (all framed in the same mould, and conformed to the same fashion, and stamped with the same lineaments, image, and superscription) as to secure to himself the right to be considered the father of Greek fables, and the founder of this class of writing, which has ever since borne his name, and has secured for him, through all succeeding ages, the position of the first of moralists.7The fables were in the first instance only narrated by Aesop, and for a long time were handed down by the uncertain channel of oral tradition. Socrates is mentioned by Plato 8 as having employed his time while in prison, awaiting the return of the sacred ship from Delphos which was to be the signal of his death, in turning some of these fables into verse, but he thus versified only such as he remembered. Demetrius Phalereus, a philosopher at Athens about 300 B.C., is said to have made the first collection of these fables. Phaedrus, a slave by birth or by subsequent misfortunes, and admitted by Augustus to the honors of a freedman, imitated many of these fables in Latin iambics about the commencement of the Christian era. Aphthonius, a rhetorician of Antioch, A.D. 315, wrote a treatise on, and converted into Latin prose, some of these fables. This translation is the more worthy of notice, as it illustrates a custom of common use, both in these and in later times. The rhetoricians and philosophers were accustomed to give the Fables of Aesop as an exercise to their scholars, not only inviting them to discuss the moral of the tale, but also to practice and to perfect themselves thereby in style and rules of grammar, by making for themselves new and various versions of the fables. Ausonius, 9 the friend of the Emperor Valentinian, and the latest poet of eminence in the Western Empire, has handed down some of these fables in verse, which Julianus Titianus, a contemporary writer of no great name, translated into prose. Avienus, also a contemporary of Ausonius, put some of these fables into Latin elegiacs, which are given by Nevelet (in a book we shall refer to hereafter), and are occasionally incorporated with the editions of Phaedrus.。
西蒙简介
皮埃尔-西蒙·拉普拉斯（Pierre-Simon Laplace）法国天文学家、数学家西蒙·波娃（Simone de Beauvoir）女权运动创始人之一朱尔·西蒙（Jules François Simon）法国哲学家，1876-1877年法国总理克洛德·西蒙（Claude Simon）法国小说家，1985年诺贝尔文学奖获得者艾米莉·西蒙（Emilie Simon）法国女歌手吉勒·西蒙(Gilles Simon)法国网球运动员
编辑本段主要出场人物
阿艾尔/アーエル/ Aaeru（CV:新野美知）
年龄：17岁 身高：150足长：22.5cmB：83 / W：63 / H：85出身于普通民家的阿艾尔，因为出众驾驶技术而被破例选则为西贝拉身为西贝拉的她并不是巫女，她成为西贝拉的理由是，不想到"泉"选择性别...其实，最大的原因是...(保密^^)才对...入队后，希望能够成为奈威利尔的搭档。因为扎起的头发很像老鼠的两个耳朵，所以被戏称为"米老鼠"在之后对Neviriru死缠烂打，希望做她的parter.在最后几集里，经过Neviriru的提醒，终于明白自己的心意．与Neviriru远走高飞，成为永远的＂少女＂．奈维利尔/ネヴィリル/ Neviriru（CV:高桥理恵子）
3.外国常用人名编辑本义项目录
美国名人
法国名人
荷兰名人
奥地利名人
英国名人
加拿大名人
西蒙（英语：Simon）是一个西方名字，源于西缅，可以指：
编辑本段美国名人
保罗·西蒙（Paul Simon）美国流行音乐歌手妮娜·西蒙（Nina Simone）美国歌手、钢琴表演家大卫·西蒙（David Seymour）美国摄影师西蒙·史密斯·库兹涅茨（Simon Smith Kuznets）俄裔美国经济学家，1971年诺贝尔经济学奖获得者赫伯特·西蒙经济组织决策管理大师
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Just like loves in Pili, brothers may seem more difficult to survive long.
Friendship among men is another theme of Pili series.
There have been over one thousand episodes produced since 1988. In 2000, the Pili movie Legend of the Sacred Stone was released. It was released on DVD in Taiwan and Japan. Later the movie was exported to North America.
PiLi Puppet Theatre
Why named after Pili？ Produced by Pili International Multimedia(霹雳国际多媒体公司）
Birth Time：1988 Brief Introduction：PILI series got its name from the fact that every episode has pili in its title. It describes a martial arts world(武侠世界)，where there always are bad guys who spare no efforts to conquer the world or launch the invasion. To defeat the bad guys, heros and warriors appears and the world return to peace after conflicts. Of all the characters, There are three main heros, Su Huanzhen, Yi Yeshu and Ye Xiaochai who has worked for the past 2 decades and seems to have no retirement.
Generally in Pili seried fate. Scripters(编剧）prefer to create many difficulties for the lovers and finally give them a mournful destiny.So when a role falls in love with someone else, it‟s time for us audience to worry about his fate.
Popularity role 1:
武君 罗喉
Popularity role 2 御天五龙
天尊皇胤
炽焰赤麟
碧眼银戎
紫芒星痕
邪影白帝
Popularity role 3
玉辞心 （女王）
妖后 （人妻）
湘灵 （玉女）
爱祸女戎 （御姐）
About Kungfu:
海蟾尊 Compared with Japanese cartoons， kungfu in Pili series seems more fantastic and sounds better.
Pili puppet show is performed by many kinds of puppets, some of them are cool, some are intelligent, and some are funny. The delicate design of the appearance and characteristics of each puppet has made Pili puppet show a well-known entertainment in Taiwan.
About poems: In Pili puppet shows, when a role come on stage for the first time, he or she will always sing a poem。
北冽鲸涛 擎海潮
About poems
永岁飘零殢无伤
About weapons In Pili series,a hero always has his exclusive weapon, which is designed elaborately and named poetic.
For example, this is a detailed description of a weapon, including the source of its name, the structure, etc.
In fact, most of the design of the characters, the weapons , the kungfu are originated from Chinese ancient books such as “Four Books and Five Classics” (四书五经）
Puppet masters, utilizing their unique one-man-multiplevoice talent, enacted stories and legends, with a mix of rich Chinese customs, culture, historical tales of chivalry and stories of passion, brought to life each puppet character. They captured the hearts of audiences and skillfully guided them into the story.
Three main characters
清香白莲 素还真
Previous
2010
百世经纶 一页书
Previous
2010
刀狂剑痴 叶小钗
Previous
2011
Why PiLi Puppet Theatre attractive?
Attractive roles：Name, Appearance, Character，Kungfu，Poem，Weapons
Pili Prestige：Legend of the Dragon Blade(2009) 霹雳震寰宇之刀龙传说
Pili Prestige：Legend of the Pili Prestige：Dragon Clash& Dragon Warrior(2010) The Code of war(2010) 霹雳震寰宇之龙战八荒 霹雳震寰宇之兵甲龙痕
霹雳战元史之天竞鏖锋 2 new episodes per week on Friday Online watch: QVOD
BBS: (方寸江湖）
Peripheral products(周边产品） Magazines
Wonderful fighting art
Unlike traditional puppet shows, Pili puppet show uses state-of-the-art animation(先进动画） to help present its fighting art .Many backgrounds and spectial effects are made by computer graphics.
In 2010, Pili Prestige：Legend of the Dragon Blade was exported to Japan.
Latest series of Pili:PILI Warfare Chronicles:Contest of the Endless Battle
Music collections
concert
Puppet on sale
So expensive!
So cute!
Weapons on sale
Suits for cosplay
DVD
It is obviously that all of these are piracy(盗版）
PiLi Puppet Theatre(霹雳布袋戏）
For old people？
ＮＯ！
About Traditional Hand Puppet Shows
Hand Puppet Shows(布袋戏） are also referred to as Palm Shows. This performing artistry of wooden puppets had reached its maturity during the late Ming and early Ching Dynasty in China„s Chuen-cho area（福建泉州地区）. The Puppet Shows came to Taiwan from Fujian Province in the mid-Ching Dynasty (AD.1800) during the wave of immigration from China to Taiwan .
The prevue and OP of “Pili Prestige: Legends of Dragon Blade”
Conclution：
In today's society, traditional cultural art is treated more like a fad, which fades in popularity over time. However, PiLi Puppet Theatre in Taiwan has surpassed this stereotype by gaining world popularity and success by evolving throughout the years, yet keeping old cultural traditions alive.