文体学
文体学章节总结

文体学1~7章总结第一章关于文体学本章先阐释了现代文体学的概念,即:文体学是用语言学方法研究文体风格的一门学问。
它包括普通文体学和文学文体学。
我们学习的是普通文体学,学的是多种主要语言形式的文体特点。
为了更好地理解文体学,首先,得知道语言是什么?现代语言学的开端是索素尔,他认为语言就是一个符号系统。
而布卢姆菲尔德把语言看做是一个统一的结构,是使用语言习惯的集合。
还有人说语言是社会符号。
从哲学角度看,语言是产生于社会的语言活动。
接着说了言语事件的特点,即具有实物性,形式性和情境性。
根据言语事件的特点可知语言具有多样性,如古英语,现代英语,英式英语,美式英语,口头英语,书面英语等。
接着来了解一下语言的功能。
语言具有表达人们看法的概念功能,建立和保持人际关系的人际功能,根据上下文和当前情境选词义。
这三种功能表明语言必须适应人的交流需要。
讲了文,再来了解体,即风格。
风格就是个人或群体在一定情境下的语言习惯。
再来了解文体学的研究。
这得提到索素尔,他改变了自古以来历时研究文体学的风潮,他强调共时研究。
我们学习文体学重点在于学习语言多样性的三个特点,多样性的分类标准,语言描述的特点和主要的多样性功能。
第二章学习文体学的必要性1.学习文体学有助于养成得体的言语意识。
不同情境都符合他的不同语言风格,只有学好文体学,才能更好地交流。
2.学习文体学有助于提高对文学作品的理解和鉴赏水平,作者在进行文学创作时,得考虑选择合适的词句和构建文章的结构,学习文体学,我们才知道作者为何做出这样的选择,才能更好地理解作品。
说到这,得提一下由对文学作品的不同理解而产生的文学评论。
文学评论有三个步骤,即描述、理解,评论。
文学评论也是有价值的文学创作。
3.学习文体学有助于达到得体的翻译。
我们知道,语言具有多样性,所以在翻译是有时很难翻出原始意义,译者应该了解目标语言和被翻译语言的习惯用法,这样才能翻出既尊重原文意思又能让读者身临其境的好文章。
文体学在文学分析中的运用

文体学在文学分析中的运用文体学是研究各种文体的学科,是一种对语言风格研究的学科。
在此所说的文体学是指从语言学的角度对文学作品语篇的整体研究。
所谓文学作品语篇,是指把文学作品看作是一种作为特殊的交际行为而对语言的应用。
作为介于文学批评和语言学之间的交叉学科,文体学是从文学作品的语篇分析与研究中去归纳文学作品的语言和文体特点。
文体学的宝贵之处在于它能在文学作品和读者的语言经验之间建立起一种联系,通过这种联系读者可以感悟生活并拓展其生活经验,达到作品对读者产生影响和共鸣的效果。
一、传统文本分析的局限性传统的文学作品研究是文学评论家和文学理论家的主要工作。
而出于不同的目的,语言学家也把文学作品当作自己的研究对象。
文学评论家主要致力于文学作品的艺术价值、对人生的启示和对现实生活的反映等方面的研究;而语言学家则是从文学作品的语言中寻找和归纳语言规则,或用文学作品中的语言运用来演示语言规则。
1.语法分析的局限性一般来说,语法只研究语言的结构方式、词的组成以及它们的变化,也就是语言的活动信息职能。
它们不管语言材料所适应的交际领域和具体环境,不考虑语言的表现职能。
传统的语言学分析方法是把文学作品看作独立语言应用来进行语法分析,或用文学作品来演示语言规则的应用。
这种分析方法对于文本语法结构层面可以分析得很透彻,有助于我们理解作品结构与语法应用,但是其中也存有一些问题。
虽然大多数文学作品中的大多数语句是符合语法规则的,但是总有一部分语句或词的用法,是不能够用语法去解释的,是不符合语法规则的。
如在英语中,定冠词有几种功能已在英语语法中得到确定。
一般功能是它的“特指”功能,也就是它与其一齐出现的名词或名词性词组共同表示一个具体的物。
这种“特指”功能一般以三种具体形式体现:第一种表示所指物包含在一个前置或后置的修饰语中。
例如:thewhitesculptureinthetemple在该词组中,前置修饰语white和后置修饰语inthetemple确定sculpture是指某个特定的sculpture,我们一般称这种冠词功能是代指后项的。
文体学

英语文体学期中考试姓名:张燕箐班级:08级英语四班学号:P081011960文体学1-7章概述第一章有关文体学什么文体学?简单来说,文体学是一门研究语言运用的方法的学科;它是用来研究运用语言的风格。
现代文体学有两个分支:普通文体学与文学文体学。
普通文体学研究的是各种语言运用的普遍特征,而文学文体学则是对各种文学作品所特有的特征的研究。
但是,这两种文体学所研究的对象还存在一些共同之处。
见下表:在《英语文体学教程》这一书中,对文体学的研究,主要是指普通文体学。
而要解释什么是普通文体学就得知道什么是语言,语言的变体有哪些?什么是文体?文体学的特征是什么?有学者认为语言是一种标志,是工具。
语言经常会与编码作比,是一种标志或信号系统用来传递信息。
人们完成一件事情不仅要通过肢体语言来表达而且还有口头语言表达,这样就有了语言行为与语言事件。
说到文体学当然要提“文体”二字,文体(或文风)可以被认为是个人或群体在各种社会社交环境中运用语言的多样化。
简而言之,就是文学风格。
比如:“莎士比亚风格”、“米尔顿风格”等。
文体学的重点就在于研究语言的功能。
第二章学习文体学的必要性学习文体学有有助于更好的运用英语。
因此,对于外语学习者,有必要了解学习文体学的必要性:1.文体学帮你在交谈中建立一种恰如其分的感觉。
也就是说,懂得在适当的场合说适当的话。
比如你是一位总经理,在和一个很好的朋友喝酒时,你会说:“来,干了”!但是如果在比较正式的场合,那就得说:“我代表公司向全体员工表示感谢,感谢大家……为了公司今后的发展,干杯!”2.学习文体学能提高对文学作品的理解能力和欣赏水平。
对文学作品的评价有三个步骤:描述→口译→评估。
描述占第一位,由此看来,在文学创作中,最关键的是描述。
3.学习文体学能帮你更好的进行翻译工作。
文体学告诉我们英语的各种变体以及其功能、特点,因此,了解文体学能使我们的翻译更加贴合实际,符合原文思想。
比如“油漆未干”翻译成对应的英语应该是“Wet Paint”而不是“The paint is not dry”. 在翻译过程中,应当注意所翻译作品的时代以及其语言风格,是古语还是现代语言,要符合语境,比如翻译一篇老旧文学作品,要尽量达到其“古”的意味,才能让读者更大限度的领会其思想。
语用学、文体学与文学研究

语用学、文体学与文学研究在人文学科领域中,语用学、文体学和文学研究分别语言的使用、文本的形式以及文学作品的内在价值。
尽管它们的研究重心各有不同,但随着跨学科研究的兴起,这三个领域之间的交叉互动日益显著。
本文旨在探讨语用学、文体学与文学研究的关系,以及在跨学科背景下,它们如何互相影响、互相促进。
语用学是一门研究语言使用和理解的学科,其的是语言在实际语境中的运用。
语用学通过分析话语、社会语境等因素,揭示语言与语境之间的动态关系,为我们理解语言的意义和功能提供了重要的理论支撑。
文体学则文本的形式和特征,探索不同文体的语言风格、表达方式和修辞手法等方面的特点。
文体学作为一门交叉学科,涉及语言学、文学、心理学等多个领域,对理解文本背后的情感、意图和认知方式具有重要意义。
文学研究是对文学作品进行深入研究和分析的学科。
它涵盖了作品的价值、意义、创作技巧以及读者接受等多个方面,目的是揭示文学作为一种社会现象和文化生产的内在规律。
在具体研究中,我们可以从以下几个方面展开:语用学对文学研究的影响主要体现在对作品语境的分析上。
通过运用语用学理论,我们可以更深入地理解作者在特定社会历史背景下运用语言的意图和效果。
语用学还可以帮助我们解析读者与文本之间的互动关系,从而为文学批评提供新的视角。
文体学为文学研究提供了重要的理论工具。
通过对不同文体的研究,我们可以深入探索文学作品的表达方式和修辞手法,从而揭示文学作品独特的审美价值和情感魅力。
文体学还为我们提供了理解和评价文学作品的方法论,帮助我们更好地把握文学作品的内涵和特征。
文学研究对语用学和文体学的推动作用也不可忽视。
通过对文学作品的深入剖析和研究,我们可以发现新的语言使用规则和文体特征,为语用学和文体学提供新的实证材料和理论依据。
文学研究还为跨学科研究提供了丰富的素材和灵感,促进了语用学、文体学与其他人文学科的交流与融合。
总结起来,语用学、文体学与文学研究虽然在研究重点上各有所侧重,但在跨学科的背景下,它们之间的交叉互动为彼此提供了新的理论支撑和研究视角。
什么是文体学

什么是文体学
什么是文体学,
文体学是研究文体学及其他文本类型的语言意义的方法。
为此,文体学家把语言学模型、理论及框架作为他们分析的工具,用这些工具描述并解释篇章是如何及为何有意义的,以及我们是如何把页面上词转变为有意义的词。
分析通常着重于文本的语音、词汇、语法、语义、语用、语篇方面,读者加工处理那些特征的认知方面以及以上所有这些特点的组合的定性或定量特点。
虽然一些文体方式主要现在对文本创作的兴趣,对某个特定作者风格的调查,例如,有些文体学家主要专注于文体本身(广义理解包括所有类型的篇章),还有一些文体学家专注于读者及在意义构建中读者的角色扮演。
文体学的发展史

文体学发展史文体学首先来自于古代的修辞学,来自于亚里斯多德的修辞论。
现代文体学创始人是法国文体学家巴利(索绪尔的学生),文体学的性质是一门结合文学和语言学的交叉学科,适宜于对文学和语言学很感兴趣的学生学习的一门课程。
简单地说,文体学就是运用语言学的理论去阐释文学内容和写作风格的一门学科。
帮助学生理解作品的深刻内涵和写作技巧。
同时,激发学生开展批评性阅读,尝试建立自己的见解。
发展历程西方文体学的研究可上溯到古希腊、罗马的修辞学研究,早在公元100年就出现了德米特里厄斯的《论文体》这样集中探讨文体问题的论著。
但在20世纪之前,对文体地讨论一般不外乎主观印象式的评论,而且通常出现在修辞学研究、文学研究或语法分析之中,文体研究没有自己相对的地位。
20世纪初以来,在采用现代语言方法之后,文体分析方法摆脱了传统印象式直觉分析的局限,逐渐深入和系统化、科学化。
欧洲历史语言学和普通语言学在20世纪初发展成为较有影响的独立学科,与语言学相结合的文体学也逐渐成为一门具有一定独立地位的交叉学科。
现代文体学创始人是法国文体学家巴利(Bally,1865-1974)(索绪尔的学生),他借用索绪尔的结构主义语言学反思传统修辞学,力图将文体学作为语言学的一个分支建立起来,使文体分析更为科学化和系统化。
巴依的研究对象是口语体的文体。
他认为一个人说话时除了客观地表达思想外,还常常带有各种感情色彩。
文体学的任务是探讨表达这些感情特征的种种语言手段,以及它们之间的相互关系,并由此入手,分析语言的整个表达方式系统。
虽然巴依没有特别关注文学文本,但他们的普通文体学对于文学文体学的形成有直接的推动作用。
稍晚于巴利的德国文体学家斯皮泽(Spitzer, 1887-1960)被普遍尊为文学文体学之父,斯皮泽的研究对象不是口语,而是文学作品。
斯皮泽认为文学作品的价值主要体现在语言上,因此他详细分析具体语言细节所产生的效果,从而有别于传统印象式批评。
文体学总结

文体学第一章文体学的范围什么是文体学?文体学就是一门教我们怎么使用语言,怎么应用不同风格的语言的一门学科。
文体学具体指的是文体特征,指适用于现代语言学的概念以及其技巧的,学习语言文体使用的一门学科,括普通文体学和文学文体学。
什么是语言,不同的人对语言的定义,时间的发展,语言的定义在不断的变化完善。
语言本质上是一种社会活动。
哲学观认为,语言系统是语言在社会上的作用、活动。
语码与语言相比较。
语码通常指一系列的标志符号,象征着信息的传递。
单位量小的信息是指发话人一系列要表达的意思转化成声音并让受话人接收到这一系列信息的过程。
演讲方面语言的使用。
语言在人类社会活动中不断的被使用,在演讲中由三个坏境因素决定:活动的规范性、大小、类型。
语言的变体和功能:语言的使用方式受使用场合的的影响,不同的场合必须使用不同的语言。
不同的场景,不同的人,不同的时间,不同的地点,不同的媒体,不同的社会坏境使用不同的的语言。
语言有今古,有书写体和口语,有概念功能与指称功能之分(一个为说话表达人服务,一个为书写真实世界而服务)。
文体是区分不同语言习惯的关键,每个人都会有自己的语言风格。
例如“莎士比风格”。
文体就是一个人的语言习惯和一个群体语言坏境。
文体的学习:文体学被有的人称为文体,文体学的学习在西方很早开始就出现了。
而文体学作为一个独立的语言规范需要我们对他有充分的了解,文体学学的学习使得文体更趋于规范化,理论化,使语言学的描述更加严密规范。
文体学的学习是现代学的根本;与文学息息相关;她是修辞学的继续和发展;他用新的形象接近批判性文学并为之提供一个支撑点。
第二章学习文体学的必要文体学的学习帮助我们培养一个正确的语感。
语言不是统一性质的现象,他是一个广泛的系列。
只有在不同的情况下使用不同的正确的语言人们才能正常的交流。
因此,我们就有必要去培养一个很好的语感,使得我们在交流中表达的更容易更让别人听得舒服。
文体学的学习使得理解和欣赏的文学工作变得更简单容易。
古代文体学

古代文体学1.先秦文学。
先秦文学有两源,现实主义和浪漫。
《诗经》分为风雅颂,反映现实三百篇;手法牢记赋比兴,名篇《硕鼠》与《伐檀》。
浪漫主义是《楚辞》,《离骚》作者叫屈原。
先秦散文有两派,“诸子”、史书要记全。
儒墨道法兵杂名,阴阳纵横小说农。
儒家《论语》及《孟子》,墨家《墨子》传世间。
道家《老子》及《庄子》,法家韩非著名篇。
历史散文有两体,分作“国别”和“编年”。
前者《国语》《战国策》,后者《春秋》与《左传》。
2.两汉魏晋南北朝文学。
两汉魏晋南北朝,诗歌成就比较高。
“乐府双璧”人称赞,建安文学推“三曹”。
田园鼻祖是陶潜,“采菊”遗风见节操。
《史记》首开纪传体,号称“无韵之离骚”。
班固承续司马意,《汉书》断代创新招。
贾谊雄文《过秦论》,气势酣畅冲云霄。
“出师”二表名后世,《桃花源记》乐逍遥。
辞赋盛行易空洞,张衡《二京》似惊涛。
文学批评也兴起,《文心雕龙》真高超。
骈文追求形式美,小说初起尚粗糙。
3.唐代文学。
唐诗鼎盛巍例如山,“初唐四杰”不理想,中考自学方法。
王杨卢骆溢华彩,律诗、绝句形已现。
唯美诗人发推李白,一路高歌《蜀道难》。
现实主义存有杜甫,“三吏三别”不通常。
乐天提倡新乐府,“琵琶”“长恨”领名篇。
田园诗派遣存有王孟,高岑诗歌演唱塞边。
中唐李贺多极秘,贾岛“斟酌”天下传。
晚唐兴起“小李杜”,此后衰落例如尘烟。
韩柳古文技术创新体,《阿房宫赋》演唱千年。
唐代传奇已明朗,名作当发推《柳毅传》。
4.宋代文学。
宋词如海甚汪洋,分成婉约与豪放。
柳永秦观李清照,风花雪月多柔肠。
苏轼首开豪放派,“大江东去”气昂昂。
磊落坦荡辛弃疾,“金戈铁马”势高扬。
三苏王曾欧阳修,继承韩柳作华章。
范公作品虽不多,《岳阳楼记》放光芒。
南宋诗人陆放翁,《示儿》犹念复家邦。
人生自古谁无死?后世感怀文天祥。
编年通史第一部,《资治通鉴》司马光。
《梦溪笔谈》小百科,沈括从此美名扬。
5.元明清文学。
元代散曲分后两种,小令、套数各相同。
杂剧代表四大家,成就首推关汉卿。
- 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。
论文题目:从文体学视角浅析《我有一个梦》学院:外国语学院专业:_ 外国语言学及应用语言学学号: 31005065 姓名:__ 李璐指导老师:_ 白梦璇A Stylistic Analysis of I Have a DreamIntroductionDifferent scholars define stylistics in different ways. Wales defines stylistics as the study of the style simply, while Widdowson gives a further explanation, “by stylistics, I mean the study of literary discourse from a linguistic orientation and I shall take the view that what distinguishes stylistics from literary criticism on the one hand and linguistics on the other is that it is essentially a means of linking the two.” Leech considers stylistics “a meeting ground of linguistics and literary study.” From what they say, we can see that stylistics is an inter-disciplined branch of learning which takes discourse as its object of the study and uses linguistics as a means to that end. The task of the stylistics is to observe and describe the language features of the discourse, which are grammatical, lexical, phonological and semantic features. Of all aspects of public speaking, persuasion is the most complex and difficult. Its job is to change the audience‟s minds-to get them agree and perhaps to act. Its goal may be to defend an idea, to refute an opponent, to sell a programme, or to inspire people to action.On August 28, 1963, Martin Luther King, delivered the famous speech I Have a Dream at the demonstration which a quarter of million people of all races came to Washington, D. C., to show their support for freedom and justice for all Americans, and for black people in particular. This speech is widely regarded as the most eloquent statement of the black people‟s dreams and aspirations ever made.It is an example of formal English with a convincing style. This paper will analyze this famous speech I Have a Dream from stylistics in grammatical, lexical, phonological and semantic aspects.Chapter 1 A Stylistic Analysis of I Have a Dream 1.1 Grammatical Features1.1.1 Variation in Sentence LengthWe know that casual speech tends to use short sentences. However, the sentences vary much in length in King‟s speech I Have a Dream.There are in all 77 sentences and 1675 words. The sentences of 1 to 9 words are 13, taking up 16.9% in total sentences; 10 to 19 words 27 taking up 35.1%; 20 to 29 words 23 taking up 30.1%; 30 to 39 words 7 taking up 30.1%; more than 40 words 5 taking up 6.5%. The average length is 27.15 words per sentence, which is much longer than that (8 words) of causal conversation. It is clear that the distinguish features is using long sentences in this speech. From the viewpoint of communication, public speech has its own characteristics of seriousness and reliability. Using long sentence can increase the coherence and solemnity and help the lecture to show their feelings and emphasize the content.1.1.2 Various Sentence TypesAs public speeches are intend to inform, to persuade, and to appeal, most sentences are statements and imperative sentence. In this speech, King uses more than 12 imperative sentences, introduced by let, as is shown in it:Go back to Mississippi, go back to Alabama, go back to South Carolina, go back to Georgia, go back to Louisiana, go back to the slums and ghettos of our northern cities, knowing that some how this situation can and will be changed.Let us not wallow in the valley of despair.The sentence uses present tense in speech usually. In this speech, King uses the past tense and the perfect tense except the present tense. These sentence types reflect unfair treatment and the Blacks in this time and reviewing the past to cherish thememory of the president Lincoln. The combination of these three tenses show the deep background and gives the audience a better hope and a powerful struggle.1.2 Lexical Features1.2.1 Using Accurate and Clear WordsPublic speech is careful about its choice of words. It tends to use words accurate and clear in meaning. I Have a Dream is a typical example. King chooses concrete and familiar words to make the abstract principles of liberty and equality clear and compelling. Here is a part of the great speech:We cannot turn back. There are those who ask the devotees of civil rights, …when will you be satisfied?‟ We can never be satisfied as long as the Negro is the victim of the unspeakable horrors of police brutality. We can never be satisfied as long as our bodies, heavy with fatigue of travel, cannot gain lodging in the motels of highways and the hotels of the cities. We cannot be satisfied as long as a Negro in Mississippi cannot vote and a Negro in New York believes he has nothing for which to vote. No, no, we are not satisfied, and will not be satisfied until justice rolls down like waters and righteousness like a mighty stream.We ca see that King avoided using dull, dreary, abstract or unfamiliar words like segregate housing, disfranchisement, and alienation, and thus made his speech stirring and touching.1.2.2 Adaptation of Wording to a Particular AudienceIn order to adapt the message to the particular audience being addressed, the speaker will use some techniques to close the relationship with the audiences. For example, a Black speaker in the US may exaggerate the Black English features in his speech so as to stress his membership in his ethnic group.1.2.3 Use of Personal PronounIn public speech, it is observing the use of the personal pronoun. The first person, I (me) and we (us) is used frequently. King uses first person largely, especially we (us) that appears 47 times. In the last long sentence, there are as many as 4 times.When we let freedom ring, when we let it ring from every village and every hamlet, from every state and every city, we will be able to speed up that day when all of God‟s children, black men and white men, Jews and Gentiles, Protestants and Catholics, will be able to join hands and sing in the words of the old Negro spiritual, Free at last! Free at last! Thank God almighty, we are free at last!The use of the first person plural can pull the audience to the speaker. They have the same position. The audiences feel very close to the speaker so that it is to win the support of the audience. In this speech, Martin Luther King demands colored people for equality on behalf of the United States, using we (us) to distinguish the United States colored ones with other Americans in order to stress their unequal treatments, evoke their strong sense of responsibility, enhance their cohesion1.3 Phonological FeaturesThe speech sounds is the basis of language and the element of study style. Although the public speech is verbal, it is different from the daily conversation. In public speech, the pronunciation must standard. On the other hand, it is unfamiliar to see slur words and compressed words in the speech. This phenomenon is very common in King‟s speech. For example, I am, can not, and let us are in complete form. The reducing of the acronyms makes the language more formal and serious.Pause in public speech is also useful. It can signal the end of a thought unit, give an idea time to sink in, and led dramatic impact to a statement. The crucial factor is timing pause for a right length in time. In a sense, a rightly timid can be more effective than a right word. But pause in public speech are not vocalized as in daily conversation.1.4 Semantic Features1.4.1 Effective Ways of OrganizationClear organization is vital to speech-making. A well-organized speech enhances its credibility and makes it easier for the audience to understand the message. Persuasive speech, especially policy speeches often fall into problem-solution, and then the speaker explains solution and shows its practicality. In this well-known speech, the content in perfect order which they want to express is well organized. In the beginning, the high priest King praised the Emancipation Proclamation signed by President Lincoln for the importance of the slaves. And then the speaker turned to the black‟s tra gedy life and still the cause all these unfortunate living: the United States does not practice its commitment. After whipping the United States, the pastor begins to shouting the rallying cry, encouraging the black from now, do not silence, do not be passive, and make efforts to change their suffered situation. In the end, the speaker in "I have a dream ... "echoes with the subject, expressing their own or even the majority of the common oppressed black people‟s aspiration. He also goes forward to the future prospects of a better life; give the audiences more confidence and strength: no matter how difficult the road to happiness is, the efforts must go on.1.4.2 Effective Ways of Delivery(1) RepetitionUsed in speech, repetition not only makes it easy for the audience to follow what the speaker is saying, but also gives a strong rhythmic quality to the speech and makes it more memorable. For example, King uses the words “I have a dream” nine times. This repetition helps to achieve the function of coherence in discourse and the function of reinforcement in mood and emotion, expressing the speaker‟s strong emotion of longing for freedom, justice, righteousness and a much more united nation of all of God‟s children.(2) ParallelismParallelism is another syntactic over-regularity. To put it simply, parallelism means the balancing of sentence elements that are grammatically equal. In his speech, Martin Luther King uses parallelism to create a strong rhythm to help the audience line up his ideas. Here are few examples:I have a dream that one day this nation will rise up and live out the true meaningof its creed: "We hold these truths to be self-evident, that all men are created equal."I have a dream that one day on the red hills of Georgia, the sons of formerslaves and the sons of former slave owners will be able to sit down together at the table of brotherhood.I have a dream that one day even the state of Mississippi, a state sweltering withthe heat of injustice, sweltering with the heat of oppression, will be transformed into an oasis of freedom and justice.I have a dream that my four little children will one day live in a nation wherethey will not be judged by the color of their skin but by the content of their character.I have a dream today!I have a dream that one day, down in Alabama, with its vicious racists, with itsgovernor having his lips dripping with the words of "interposition" and "nullification" -- one day right there in Alabama little black boys and black girls will be able to join hands with little white boys and white girls as sisters and brothers.I have a dream today!I have a dream that one day every valley shall be exalted, and every hill andmountain shall be made low, the rough places will be made plain, and the crooked places will be made straight; "and the glory of the Lord shall be revealed and all flesh shall see it together."(4) Similes and metaphorsAs two very important types of meaning transference in literature, similes and metaphors are comparisons that show similarities in things that are basically different, which can be used to add vividness and vitality to writing. As Leech points out, metaphor is associated with a particular rule of transference which may be called the “metaphoric rule”. That is, the figurative meaning is derived from the literal meaning or it is, as it were, the literal meaning. Throughout the speech, King makes extensive use of similes and metaphors. For example,One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. (Metaphor)This is no time … to take the tranquilizing drag of gradualism. (Metaphor)This sweltering summer of the Negro‟s legitimate discontent will not pass until there is an invigorating autumn of freedom and equality. (Metaphors)…we will not be satisfied until justice rolls down like waters and righteousness like a mighty stream. (Similes)…a situation where little black boys and black girls will be able to join hands with white boys and white girls and walk together as sisters and brothers (Similes)Chapter 2 ConclusionAs we have analyzed above, stylistic devices are frequently used in the discourse of literary works especially in speech, to achieve certain specific purposes, thus making the style of a speech somewhat particular to the others.Generally speaking, a speech must have the flowing stylistics characters:To begin with, written-conventional style used with not very formal diction and not very complicated sentence structure.Secondly, it should be emotional so as to be convincing, because the speaker should face the audience directly and his words should be not only orderly and informative but also be expressive and inspiring. Therefore, the stylistic devices such as similes and metaphors are often involved.Finally, in many cases, it must be persuasive. Thus the sentence patterns are very well-organized, with repetition and parallelism used ext.。