服装设计创意外文翻译文献

服装设计创意外文翻译文献

Abstract

The purpose of this research is to XXX in the process of clothing design。It aims to analyze the XXX and the design process。how to collect sources of n。and XXX.

Research methods: Currently。many scholars have conducted empirical research on ready-to-wear clothing design。field ns。semi-structured interviews。and constrained and semi-driven design tasks。This empirical research method can be XXX insufficient。XXX industry is needed。such as the n industry。not just empirical research on individual people or companies。but as many cases as possible should be studied.

Research results: XXX n for each source。Recognize that these sources of n can help designers XXX。XXX stage of the design process and in the early XXX.

XXX: XXX.

Keywords: XXX。clothing。creative thinking。design arrangement。design management

XXX design that includes visual and tactile senses。As we all know。design includes two things: the process of creating craftsmanship and product n。and the nship een these two is like the XXX solving design problems。it is the source of XXX a final goal。The product is the result of its plan and final design。even the most XXX.

XXX is an example of applying design。and even the most XXX to people。Although we have realized that some art is pure。that is。"art for art's sake," most art designs in the world are XXX process。design should consider and plan to XXX。the steps and order of the design process should also XXX of the product。These steps are very similar to the process of management planning.

产品和服务的设计可以分为感官设计和行为设计两个方面。感官设计是通过视觉、听觉、嗅觉、触觉和味觉等感官获得的,而行为设计则是有计划的行动。许多产品的创作过程都包括这两个方面,因为设计灵感需要通过感官获得并通过行为来解释。

服装设计师可以从任何视觉和触觉上的感官体验中获得新款式设计的构想和灵感。他们可以通过电视、电影、博物馆展

品、艺术节目展示、世界事件、博览会、剧院、音乐、舞蹈和旅游等途径获取灵感。过去的时尚也是他们一个丰富的设计灵感来源。服装设计师需要时时保持警惕,对于新的和刺激人心的事物持开放态度,但他们从来不会忘记过去,通常情况下,他们会采用新的方式去利用旧的东西。

服装设计的灵感来源往往与社会“时代精神”息息相关。为了不断寻找创意和灵感源泉,设计师们需要去巴黎和XXX并进行考察,参观博物馆,或行走于各国观察不同的人群等。当直接接触创意来源时,设计师们是最具创造力的。

服装设计的创意过程包括实物能激发和概念化的两种基本方法。实物能激发服装设计的创作过程,而概念化的服装设计过程则是源于宇宙的艺术、大自然或产品。设计师们可以从之前的设计风格、面料和其他配件中获得灵感,这些在设计师的灵感来源中发挥着十分重要的作用。尽管大部分的设计过程都是在修改先前创意理念的基础上完成的,深受编织物的启发,服装设计师们便开始寻找设计的新款式和风格。在这种情况下一个样式通常为起点的技术材料的可能性。例如,弹力纤维面料的发展激发了设计师们设计紧身服装的灵感。

XXX n that can be used in clothing design。and their creative role in the design process。These sources include nature。art and culture。history。XXX。and XXX sources。designers can create unique and XXX and the needs of their target audience。The article also discusses the importance of research and analysis in the design process。as well as the need to balance XXX such as cost。n feasibility。XXX.

Revised:

The article "The Creative Role of XXX" XXX on the design process。These sources include nature。art。culture。history。technology。and XXX sources。designers can produce one-of-a-kind and XXX to the demands of their target audience。The article also XXX research and analysis during the design process while XXX such as cost。n feasibility。XXX.

The purpose of this study is to analyze the role of XXX study will examine the early stages of the clothing design process and explore the nature of design n。as well as how sources of XXX this。a series of empirical studies will be conducted。focusing on

ready-to-wear clothing design。The study will use a n of in-situ n。semi-structured interviews。and constrained and semi-constrained XXX methods。which are effective in XXX insufficient。It will provide a broad understanding of the n industry。rather than just a case study of a single individual or company.

XXX。XXX a variety of sources。including art。nature。culture。and XXX n and how it is gathered is essential to XXX empirical studies。this research aims to shed light on the sources

of XXX.

XXX use a range of methods to collect n。such as mood boards。sketching。and research。Mood boards are a visual n of the designer's n。which includes images。colors。XXX。Research is also an essential part of the design process。as it allows XXX materials。techniques。XXX.

XXX。designers who rely on a limited set of XXX。it XXX.

In n。this study aims to analyze the role of XXX of empirical studies。this research will provide insights into the early stages of the clothing design process。the nature of design n。and how XXX findings of this study will be XXX designers and the n industry as a whole。as it will help XXX.

The aim of this paper is to XXX and provide n about each source。It is XXX stage of design。as well as in the early XXX.

Types of XXX

XXX。including historical eras。cultures。nature。art。XXX can also be a source of n。XXX different ns can inspire unique XXX through the use of natural materials XXX design through the use of color。texture。and shape。Technology can also be a source of XXX.

Impact of Sources of XXX

XXX help designers to create unique design XXX for each individual design。By drawing on different sources of n。

designers can create original and XXX。the use of sources of n

can help designers to stay up-to-date with current XXX.

n

In n。the use of sources of n is essential in the clothing design process。By drawing on historical eras。cultures。nature。art。and technology。designers can create unique and XXX。and it is important for clothing designers and design-led XXX.

XXX

The role of sources of n。XXX。is crucial in the design process as it XXX n during the early stages of the design process is open to XXX。just XXX.

However。XXX design as a process and product is more challenging than in other design-led industries。This is because of the complex n een the design elements and principles。material properties。and the XXX。XXX processes。XXX.

XXX challenges。designers need to have a deep understanding of the sources of n and their personal XXX includes understanding the cultural。historical。and XXX influence the design process。By doing so。designers can create XXX that connect with their target audience.

In n。designers need to have a strong technical knowledge of XXX product。The use of digital tools and XXX design process。as it allows designers to experiment with different design ns and XXX.

In n。the study of clothing design and the role of sources of XXX design elements and principles。material properties。and personal n。designers XXX that connect with their target audience.

Research XXX practices。designers XXX background n for their designs。XXX will want in the foreseeable future。In order to stay up-to-date with the XXX。n awareness should e second XXX designer.

XXX aspects: the process and the product。As a problem-solving process。it involves researching。finding sources of n。planning。organizing。and creating with a specific purpose in mind。As a product。it is the end result of that process or plan。

an XXX.

Overall。XXX to stay ahead of the curve。Designers must

be aware of current and future trends。as well as their customers' preferences。in order to create XXX。design is both a process

and a product。requiring XXX.

Designing clothing is an example of applied design。and

even the most exciting and original ideas must take into account their XXX。While some art may be created purely for the sake of art。most XXX created for a purpose。The steps and order of the process are essentially the same regardless of the end product。

and the process is similar to management as a planning process.

Man-made products and services fall into two major categories: XXX the senses and can be classified as visual。auditory。olfactory。tactile。XXX n。Many products。however。

include aspects of both XXX design。as design may be XXX。For example。a n show includes both XXX.

XXX findings。it is XXX market research to determine consumer needs and preferences。XXX。designers may draw n from a variety of sources。XXX trends。art。and nature。Ultimately。the goal of clothing design is to create a product that is both XXX.

The XXX a study on ear design。which is similar to complex XXX industry。XXX design process model and an analysis of XXX.

Mäkirinne-XXX。describing XXX。their n of the design process was oversimplified.

XXX。XXX focused on ready-to-wear (RTW) XXX.

Overall。it XXX.

XXX。in-situ n。semi-structured interviews。and constrained and semi-constrained design tasks。It is particularly

effective in XXX insufficient。and a broad XXX industry is needed。such as in the n industry.

XXX-situ。researchers XXX ask designers about their experiences and perspectives。while constrained and semi-XXX.

This approach is XXX industry。XXX designers and companies。researchers XXX industry as a whole。This is XXX。and understanding the industry as a whole is essential for staying ahead of the curve.

In n。XXX-situ。conducting semi-structured interviews。

and using constrained and semi-constrained design tasks。researchers XXX insufficient。and a broad XXX industry is needed.

This XXX 16 subjects。including 11 university-level n design students from the n Design Department at Dokuz Eylul University and five nal designers。The first group of subjects

XXX students。selected from the third and fourth year of undergraduate studies。as well as four postgraduate students who

worked as XXX industry。The second group was composed of

five nal designers with at least five years of XXX.

XXX and in everything visual。They draw n from us sources。such as nature。art。culture。XXX.

The results of the study XXX。XXX designers。on the other hand。XXX.

Overall。this XXX n。we can better support and XXX.

XXX。XXX。in particular。XXX。they can XXX。n designers can find n from museum exhibits。art shows。world events。ns。theaters。music。dance。XXX ns of the past can also be a valuable source of n。as designers XXX

Note: XXX.)

The XXX or n can come from a variety of sources。including the current n trends and the "zeitgeist"。Designers often look to art。books。and museums。as well as observing people on the streets

and going on walks in the countryside。to find XXX sources can lead to the most XXX.

In the n industry。there are two XXX design process。The first is a material-based approach。where the fabric itself inspires the design。The second is a conceptual approach。XXX the arts。nature。or other products inspire the design.

It is common practice for high-XXX for their n in order to XXX.

The primary sources of n for design-led industries include us products。artifacts。natural objects。and phenomena。In the case of clothing design。garments。fabrics。and trims are often used as n。While it is true that many designs are based on ns of us ideas。fabric-inspired clothing design involves the search for new XXX。For instance。the n of elastane fabrics like Lycra has inspired designers to create figure-XXX.

Overall。XXX。XXX that capture the n of consumers around the world.

XXX。in fact。XXX senses。XXX。design ideas do not XXX。but what sets a designer's n apart is their unique XXX。XXX

XXX。a designer must draw n from a wide range of sources。These sources may include nature。art。architecture。music。

and even cultural XXX interpreting these sources in their own way。designers can create original and captivating designs that stand out from the rest。

XXX external sources。designers must also be aware of the latest XXX up with the latest n news and attending industry events。designers can stay ahead of the curve and create designs that are both current and timeless。

However。it is XXX Instead。they must use their sources of

n as a starting point for their own XXX unique perspective and personal style。designers XXX。

In n。XXX design。By drawing from a wide range of sources and incorporating their own unique perspective。designers XXX。it is important for designers to not simply copy the work of others。but rather use their n as a starting point for their own creative process.

Research and awareness XXX excel in their craft。designers must XXX skills。absorb visual ideas。XXX a logical。research-driven approach to design。one can XXX consumers.

XXX process。designers draw XXX process as it unfolds。By drawing on these sources。designers can XXX。simplify the design process。and derive XXX.

XXX design。it is essential to have a deep understanding of the design process and the XXX a product to life。With this knowledge。designers XXX n。designers XXX。n-forward designs.

As a n designer。there are several key XXX a n。One of the most XXX that each piece works well with the others。both in

terms of style and color。It also means paying n to XXX。to ensure that they are consistent across the n.

XXX and analyzing what worked well and what did not。It also means keeping up to date with the latest XXX industry。and XXX into your designs.

XXX。This means being aware of the colors。fabrics。XXX。and incorporating these into your designs in a way that is fresh and original。It also means being able to predict XXX.

Overall。XXX。technical skill。and a deep XXX n to these key factors。and staying up to date with the latest trends and techniques。you can create a n that is both beautiful and commercially successful.

服装设计与高科技外文翻译文献

文献信息: 文献标题:Evolution of Fashion Design in the Era of High-Tech Culture (高科技文化时代服装设计的演变) 国外作者:Galina Mihaleva,C.Koh 文献出处:《International Scholarly and Scientific Research and Innovation》,2016,10(7):2447-2451 字数统计:英文2079单词,11462字符;中文3549汉字 外文文献: Evolution of Fashion Design in the Era of High-Tech Culture Abstract Fashion, like many other design fields, undergoes numerous evolutions throughout the ages. This paper aims to recognize and evaluate the significance of advance technology in fashion design and examine how it changes the role of modern fashion designers by modifying the creation process. It also touches on how modern culture is involved in such developments and how it affects fashion design in terms of conceptualizing and fabrication. By comparing case studies, existing fashion design examples and crafting method experimentations; we then spot patterns in which to predict the direction of future developments in the field. A breakdown on the elements of technology in fashion design helps us understand the driving force behind such a trend. The results from explorations in the paper have shown that there is an observed pattern of a distinct increase in interest and progress in the field of fashion technology, which leads to the birth of hybrid crafting methods. In conclusion, it is shown that as fashion technology continues to evolve, their role in clothing crafting becomes more prominent and grows far beyond the humble sewing machine. Keywords: Fashion design, functional aesthetics, smart textiles, 3D printing. INTRODUCTION It is common knowledge that the environment we live in greatly influences the

服装设计创意外文翻译文献

服装设计创意外文翻译文献 Abstract The purpose of this research is to XXX in the process of clothing design。It aims to analyze the XXX and the design process。how to collect sources of n。and XXX. Research methods: Currently。many scholars have conducted empirical research on ready-to-wear clothing design。field ns。semi-structured interviews。and constrained and semi-driven design tasks。This empirical research method can be XXX insufficient。XXX industry is needed。such as the n industry。not just empirical research on individual people or companies。but as many cases as possible should be studied. Research results: XXX n for each source。Recognize that these sources of n can help designers XXX。XXX stage of the design process and in the early XXX. XXX: XXX. Keywords: XXX。clothing。creative thinking。design arrangement。design management

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参考文献 [1]李平.面料再造的艺术表现力[J].服装设计师,2009,10 [2]艺术与设计[J].2011.05 [3]马慧颖,肖圣颖.浅谈环保主义影响下的服装设计[J].才智,2009,06 [4]李苏君,彭景荣.三宅一生与解构主义服装[J]. 美与时代2010, 01 [5]余建春.服装市场调查与预测[M]. 北京:中国纺织出版社,2002 [6]服装设计师.月刊.[J] .服装设计师杂志社,2008.01 [7]肖文陵,李迎军.服装设计[M].北京:清华大学出版社,2006 [8]许星.服饰配件艺术[M]. 北京:中国纺织出版社,2005 [9]罗森.魅力先生[J].青年与社会,2006,04 [10]李霞云.服装造型设计[M].上海:上海纺织工业专科学校,2008 [11]刘瑞璞.服装纸样设计原理与技术(男装编)[M].中国纺织出版社,2003 [12]尹定邦.设计学概论[M].衡阳:湖南科学科技出版社,2001.10 [13]原研哉. 设计中的设计[M],济南:山东人民出版社,2006 [14]吴静芳. 服装配饰学[M].上海:东华大学出版社,2004.1 [15]刘元凤. 服装设计学[M],北京:高等教育出版社,2005 [16]肖文陵.李迎军.北京:服装设计[M]. 北京:清华大学出版社.2006 [17]谢锋.时尚之旅(第二版)[M]. 北京:中国纺织出版社,2007 [18]李采姣.时尚服装设计[M]. 北京:中国纺织出版社,2007 [19](美)多丽丝·普瑟.穿出影响力[M]. 北京:中国纺织出版社,2006 [20]袁利.打破思维的界限[M]. 北京:中国纺织出版社,2005

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文献出处:N Umetani. Garment structural designing and pleat effects [J]. ACM Trans. Graph., 2015, 30(4): 90. 原文 Garment structural designing and pleat effects Abstract The research on the clothing wearing effect evaluation based on the subjective evaluation method, explore a kind of objective and quantitative evaluation method to describe the clothing on the pleat. Through analyzing the principle of image technology, design the clothing in image acquisition system, using image processing software for image processing, and the drape of clothing. This study garment sleeve parts of the pleat as an example to carry out the work, the drape on the sleeve image into grayscale curve, analyses the corresponding relation between gamma curve and pleat. Keywords: structural design, pleating effect, evaluation index Introduction Clothing structure design is based on clothing, rendering it by cutting division, in the form of fabric, fabric pleating, joining together a series of process performance. It basically is to accurately grasp the effect of design, namely according to the structure characteristics of the clothing design renderings, determine the plane state of structure are measured.2d pattern and solid state of the corresponding relationship between the body and clothing itself the cooperate relationship between the various components and consistent state, and then combined with the characteristics of the clothing material and the characteristics of the craft, has designed a set of reasonable structure, have different specifications of the series, to lay a good foundation for the process design and clothing production. Therefore, clothing structure design is a bridge of art and technology, and process design and processing production preparation and protection. Clothing structure design method has a lot of kinds, during which there is a difference between large and small. The same kind of style, the same kind of fabrics, clothing structure design method of using different made clothes on the model and the

服装设计外文文献翻译

文献出处:Sukumar N, Gnanavel P, Ananthakrishnan T. Effect of Seams on Drape of Fabrics [J]. African Research Review, 2009, 3(3):62-72. 原文 Effect of Seams on Drape of Fabrics Sukumar ;Gnanavel. P. , Ananthakrishnan, T. Abstract Drape of the fabric is its ability to hang freely in graceful folds when some area of it is supported over a surface and the rest is unsupported. Drape is a unique property that allows a fabric to be bent in more than in one direction, When two-dimensional fabric are converted to three-dimensional garment form. In the present study, the effects of sewing of different seam were selected on different fabric and their behaviors were studied. In this study drape of ten fabrics are analyzed with three types of seams and three stitch densities. Sample without seam is a control sample and drape of seamed samples are compared with control sample to analyze the drape behavior of seamed fabrics. This paper presents a fundamental drape analysis of seamed fabrics using drape meter. Drape behavior is determined in terms of drape coefficient. The effect of seams on the drape coefficient and Drape profile has been made. Drape coefficients significantly differs between the fabrics and also between the seam stitch density combinations. Investigating drape on seamed fabrics can improve fabric end use application.

外文翻译---中国传统图案在服装设计中的应用

附录 Traditional Patterns In Fashion Design Art Fashion Design Fashion design is basic and decorative fabrics and specific forms of the fundamental expression, following the style, materials and colors later an important design element. With the apparel industry, apparel design more and more respected by the designer. Existence as a nation must have its own national culture, heritage and folk culture to the development of communication is an important part. In today's world economy, cultural exchanges and integration continue to "accelerate" the rolling tide, the "popular culture without borders," the awareness has been more accepted. "National is the world's" five thousand years of Chinese traditional culture of our origin a long, more designers paying attention to the Chinese nation's traditional arts, and applied to the design work. How to mix traditional Chinese design practice in fashion design, fashion designers have become common at home and abroad in the area. Why are more and more people to pay attention to Chinese traditional culture? The first is rising to meet the aesthetic needs of consumers. Aesthetic needs of people today tend to simplify, naturalization, simple technology. The use of traditional Chinese designs to fashion design, in line with people's mentality to make the design simple and strong ethnic characteristics have to meet the consumers of traditional culture and artistic pursuits. Chinese traditional pattern for the elements of style and fashion design with the design, to the clothing into the rich cultural connotation and flavor of the times. Second, national culture, open up new design. Outstanding costume design, not only in function, shape, color and decorative elements to be unified with the same time, should be implied in the design of a values, cultural attributes, aesthetic taste and fashion sense. From the current design trends can be seen, both in the domestic market or international market, decorated with Chinese traditional style of clothing pattern design can always attract more attention, not only can produce good economic returns, but also to promote national culture, Costume Design for the international market in China, played a major role in promoting. Chinese traditional patterns behind the "meaning" people obsessed with the shape of the key. Whether ancient or modern, all the good things feel the same desire, so its auspicious meaning behind the traditional style also applies to fashion design, suitable for modern design to convey ideas. In the pattern creation, the theme of the role of performance is crucial, and chooses a good subject matter, often can make the viewer

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