《傲慢与偏见》文献综述
Literature Review
Pride and Prejudice is considered Jane Austen?s most famous and successful novel. And in many people?s opinion it is also one of the greatest fictions written in English. It contains all the elements necessary for great literature: an attractive plot, a concise style, proper setting, and fascinating characters. Many literature critics write essays to analyze this book and I arrange them in the following logical way.
1. The Most Remarkable C haracter of Austen’s Work
The most remarkable character of Austen?s work is the accurate descriptions of the details of daily life. As W. F. Pollock (1860) said “Miss Austen never attempts to describe a scene or a class of society with which she was not herself thoroughly acquainted. The conversations of ladies with ladies, or of ladies and gentlemen together, are given, but no instance occurs of a scene in which men only are present.”Austen focuses on daily life of middle-class with humor and understanding. She observes every small matters and every ordinary person in her own life and tries to describe them in her novel. What are important for her are those little matters, as Emma says, “on which the daily happiness of private life depends”. In her time marriage mainly determined women's social status. It is obviously reflected in Pride and Prejudice. The characters of Pride and Prejudice are all ordinary people and the
dialogues and events may happen in everyone?s daily life.
Many literary critics have the same idea as W. F. Pollock, such as W.A.N. and Sir Walter Scott .W.A.N. (1815) said …The most remarkable characteristic of Jane Austen as a novelist is her recognition of the limits of her knowledge of life and her determination never to go beyond these limits in her books?. In Pride and Prejudice she describes the middle class, with which she is familiar and the part of the country with which she was acquainted. She puts her first-hand observation and experience into this novel to tell us stories about the Bennet sisters. She herself speaks of the "little bit (two inches wide) of ivory on which I work". We can take any dialogue from Pride and Prejudice, and you will find it is just like talks in every normal day of that time.
Sir Walter Scott (1826) also evaluated Pride and Prejudice in his journal:
Read again, and for the third time at least, Miss Austen's very finely written novel of "Pride and Prejudice." That young lady has a talent for describing the involvements and feelings and characters of ordinary life which is to me the most wonderful I ever met with. The big bow-wow strain I can do myself like any now going; but the delicate touch, which offer ordinary things and characters interesting, from the truth of the description and the feeling, is denied to me.
2. The Quality of Austen’s Work
W. F. Pollock（1860）also talked about the quality of the novel—“The uniform quality of her work is one of the most remarkable point to be observed in it. Let a literature be opened at any place: there is the same good English, the same refined style, the same simplicity and truth”. When we read Pride and Prejudice we can feel the dialogues humorous and fanny and it shows Austen?s special ability in wording. The characters of Pride and Prejudice are all distinctive. Elizabeth is intelligent, witty and lively. Jane always sees the good of others. So you will find that Austen is so skillful in managing her characters.
It will then be found how great has been the discrimination of Miss Austen in the selection of her characters, and how skillful is her treatment in the management of them. It is true that the events are for the most part those of daily life, and the feelings are those connected with the usual joys; but these are the very events and feelings upon which the happiness or misery of most of us depends; and the field which embraces them, to the rejection of the wonderful, the emotional and the historical, is surely large enough, as it certainly admits of the most profitable cultivation. In the end, too, the novel of daily real life is that of which we are least easy to tired: a round of fancy balls would tire the most vigorous admirers of variety in clothing, and the return to plain clothes would be hailed with greater delight than their accidental abandonment ever gives.
3. The Weakness of Austen’s Work
Austen?s accurate description of the details of daily is also considered a weakness of her work, and even an objection to her. And she has been accused of writing dull stories about ordinary people, especially when her work is compared with those describing the changing times and historical events. But in Pollock?s(1860) view it is just the unique character of Austen?s work. She shows readers a real and vivid picture of her era through these small matters in ordinary people?s ordinary life. There is no grand narrative, but readers can feel it from the dialogues characters make. The description of ordinary people and life is easier to understand.
4. Conclusion of This Paper
This paper is focused on views of Jane and Bingley?s marriage in Austen?s popular novels. The study falls into two categories, Jane and Bingley?s marriage and others? marriages in her viewpoints, embodied in Chapter Three althougher.
Austen blends her own views and understanding with interesting stories in her novels, from which readers benefit. People in love learn how to establish love relations from her understanding of “t rue love”. Her stories are quite instructive, and have their guiding meanings even nowadays.
小说《简爱》研究的文献综述
湖南工业大学硕士研究生课程考试试卷 考试科目：美术文献学课程编码：00412011 考试形式：开卷（开/闭卷）考试时间：分钟 适用年级：2012级学年学期：2012-2013 -1 考生学号：M12130500011 考生姓名：高翔考生专业：设计学 ----------------------------------------------------------------------------------------------------------- 题目：结合自身专业特点和研究兴趣，自拟题目撰写一份文献综述。 要求：①文献综述必须包含引言、国内外研究现状和水平、结语和参考文献部分（参考文献部分要分门别类罗列）； ②为该研究设计制作PPT一份，连同此文件word版本刻盘上交； ③注意排版规范，布局合理； ④行文逻辑严密，学术用语规范，语句通顺，标点符号准确。
文献综述 一、前言 《简·爱》（Jane Eyre）是十九世纪英国著名的女作家夏洛蒂·勃朗特的代表作，讲述一位从小变成孤儿的英国女子在各种磨难中不断追求自由与尊严，坚持自我，最终获得幸福的故事。人们普遍认为《简·爱》是夏洛蒂·勃朗特“诗意的生平写照”，是一部具有自传色彩的作品。 浪漫主义”来源于中世纪的传奇一词。最早使用是在18世纪的晚期，当时人们对古代的冒险离奇故事发生普遍的兴趣。以后人们就把那些同传奇故事、离奇遭遇、想象色彩相联系的事统统成为浪漫主义。浪漫主义通常包含两个涵义：一个涵义指一种创作方法，他同现实主义创作方法并存，即按照生活应该有的思想化的样子去描绘生活；另一种涵义是指18世纪末至19世纪上半叶盛行于欧洲各国的文学艺术思想。浪漫主义是文艺的基本创作方法之一，与现实主义同为文学艺术上的两大主要思潮。作为创作方法，浪漫主义在反映客观现实上侧重从主观内心世界出发，抒发对理想世界的热烈追求，常用热情奔放的语言、瑰丽的想象和夸张的手法来塑造形象。浪漫主义的创作倾向由来已久，早在人类的文学艺术处于口头创作时期，一些作品就不同程度地带有浪漫主义的因素和特色。但这时的浪漫主义既未形成思潮，又不是自觉为人们掌握的创作方法。 笔者想通过对浪漫主义的分析与探讨，分析《简·爱》中的一些浪漫主义的因素。作为十九世纪二三十年代的产物，《简·爱》和浪漫主义在同一个大环境中，彼此相互影响互相借鉴。《简·爱》中的很多场景描述，都有强烈的浪漫主义气息，不仅仅是从文学手法上，甚至是在描述的场景的色调，背景，冷暖度，角度以及人物表情上等等视觉因素上，都深受当时浪漫主义的影响。 二、国内外研究现状及水平 （一）国内 国内对《简·爱》研究，以文学作品中文学分析研究居多。现在社会越来越在偏向视觉效果，对多种文学作品的视觉效果分析，能更好的使一个文学作品展现在人们的面前，了解一个作品的时代，一个作品所属的时代风格，才能让读者以作者的视点去看一个作品，感同身受的去体会作品。 国内对《简·爱》相关研究的文献有：潘红的《夹缝里的风景——谈黄源深先生<简爱>译本的审美特点》，袁敏的《<傲慢与偏见>和<简爱>美学追求之比较》，李佳玉的《从<呼啸
英国小说鉴赏_傲慢与偏见鉴赏论文[1]
傲慢与偏见鉴赏论文 摘要：《傲慢与偏见是》是简.奥斯汀的代表作，也是奥斯汀作品中最受欢迎的一部长篇小说。这不小说中有许多亮点：其一，里面有四段婚姻，这四段婚姻基本概括了当时社会中爱情和婚姻的状况，通过对四种不同婚姻和爱情的描写，解析和探讨，充分体现了作者的爱情和婚姻观。其二：采取了讽刺的手法描写了里面的人物，贯穿于整个故事的结构之中。 关键词：不动声色的讽刺，傲慢，偏见，个性，结构，英国乡镇生活。 这部小说以日常生活为素材，一反当时社会上流行的感伤小说的内容和矫揉造作的写作方法，生动地反映了保守和闭塞事情的英国乡镇生活。 小说发生在英国乡村，贝纳特家的五个女儿待嫁闺中，两位贵族先生的出现，民兵团的到来，给他们原本平静的田园生活带来了一些不平凡的意义。 小说开头那句“每一个有钱的单身汉，都得娶一位太太，这就像一条举世公认的真理。”已经是脍炙人口的名句了。小说中“母亲”形象的班纳特太太给人留下了深刻的印象。作者将她描述为：“一个智力贫乏，孤陋寡闻，喜怒无常的女人。她生平最大的事就是把女儿们嫁出去。” 的确，在一个男尊女卑的现象十分严重的社会中，班纳特家中只有女儿，没有男嗣，因而，班纳特家的财产不得不由班纳特先生的侄子继承。这样致使班家小姐的嫁妆只有从其母亲当年的嫁妆中分得，嫁妆的卑微常常使的年轻的小姐们不得不选择通过婚姻来为自己将来的温饱作打算，自然会将婚姻视为金钱至上的买卖。难怪郡里一旦来了一位有钱的绅士，班纳特太太便认定他为自己的准女婿。 贯穿整部小说的几个婚姻故事，既有关于伊丽莎白好友夏洛特的，又有关于她自己姐妹的婚姻，但仔细思考看来，这几个婚姻故事其实是为了衬托出伊丽莎白的爱情。 如夏洛特和柯林斯尽管婚后过着舒适的物质生活，但他们之间没有爱情。柯林斯不仅为人做作、举止粗俗，唯一可取的便是溜须拍马之功。但他可以继承班纳特家的财产，且自己有一份田地和一份牧师的俸禄。在文中柯林斯曾很明确地说过自己结婚的三个理由。“我结婚有这样几个理由：第一，我觉得只要是像我这样生活宽裕的牧师都应当为牧区居民在婚姻方面带头起一个模范作用；第二，我坚信婚姻会大大地促进我的幸福；第三，可能这一点我应当早一点提出来，这也恰恰是我有幸称为恩主的那位贵夫人曾再三建议和嘱咐我要办的事。”结婚对于柯林斯来说仿佛更多的是为了别人而结，自己却从中鲜有收获，这是一种无爱的婚姻。而对于受过教育可是没有多少财产的夏洛特来讲，结婚是唯一的一条体面的出路，虽然可能不见得能使人得到幸福，但毕竟是避免贫穷的最可靠的保险箱。仅仅为了这些，当柯林斯向伊丽莎白求婚失败后的三天中，夏绿蒂一直借看望好友伊丽莎白为由，与柯林斯朝夕相对，终于在第三天使柯林斯向她求婚。她成了柯太太，却不惜失掉伊丽莎白多年的友情……婚后，她不断忍受着丈夫令人生厌的怪异行为，她唯一的安慰是使她的新家有条不紊，并在世人面前构建一个美满的家庭。 而莉迪亚和威克汉姆的婚姻无疑就是《傲慢与偏见》中最荒诞且最不被看好的婚姻了。作者甚至没有正面交代二人是如何走到一起，继而出走的。只是简单的通过简和加丁纳舅妈写给伊丽莎白的信，让读者了解情况的大概。这桩完全由肉欲和金钱操控的婚姻注定是失败的。作者在最后一章含蓄得指出：“威克姆不久便清淡爱情，莉迪亚对他稍许持久一些。”但是这么荒唐的婚姻却使班纳特太太高兴无比，足以可见她有多么期待嫁出女儿。 书中较为美满的便是伊丽莎白的姐姐简和宾利的爱情故事了。当时的婚姻缔结的充要条件是男方有可观的家产，女方有丰厚的嫁妆。于是他们的结合便是幸福，便会为世人所承认接收。但是由于简的家庭条件使得宾利家人对她很不看好，也从中作出了多方阻挠，加上宾利在爱情上有些时候表现得过于懦弱和不自信，这当然在一定程度上和他谦逊随和的性格有所关系。但他总是过多地听信朋友和亲戚的劝告，而对于和简的爱情没有一个很好的把握，致使他们之间有过一些的波折，不过最后他们的结局仍是美好的，因为他们是出于对对方的爱情，而非金钱。 本书的女主人公伊丽莎白与达西的爱情可谓是最有看头的了。达西这个人物是被许多人所喜爱的，达西曾说过“我真的不如有些人那么有本事，和素不相识的人也能大谈特谈。也不能对别人说的话随声附和，假装关心。”这也就容易让人误解为达西的傲慢与冷漠。性格相对内向的达西总喜欢安静地坐在伊丽莎
傲慢与偏见电影观后感英文
傲慢与偏见电影观后感英文本文为傲慢与偏见电影观后感英文范文，让我们通过以下的文章来了解。 Pride and Prejudice ", a novel a pleasure to behold, a beautiful and moving story. The article describes a number of daughters Bo Nate story. Ji-an eldest daughter, gentle kind-hearted, beautiful Keren, Bentley and rich kids at first sight, but at the crucial moment has brought a twist. Second daughter, Elizabeth, Qingli intelligent, ambitious, assertive, consistent with the property of the nobility million youth met Darcy. Can be as arrogant Darcy eccentric, Elizabeth for his prejudice are serious, they love but refuse to recognize the obvious, but also continue to hurt each other with words, but fortunately dispelled the last mistake, married lovers. Reading this novel, I have benefited greatly. In our people, there are many very modest, but there are some arrogant people. These arrogant people who sometimes annoying, they have eyes in the head long, others are dismissive. Indeed, the arrogance is a shortcoming in the environment to develop a character.
红楼梦和傲慢与偏见的比较文献综述
《红楼梦》与《傲慢与偏见》比较的综述文学院08汉语言文学一班闵芙蓉 20082435 引言：从某种意义上说, 爱情是文学永恒的话题, 而作为爱情的升华, 便是婚姻了。《红楼梦》和《傲慢与偏见》两本著作则是这一类的代表。《红楼梦》自18 世纪中叶成书以来, 以其巨大的思想艺术成就, 拨动了亿万读者的 心弦成为享有世界声誉的文学名著。《傲慢与偏见》由19 世纪初期英国女作家简·奥斯丁所创作。在作品中, 作家以其女性独特的敏锐目光, 用现实主义的手法, 细致深刻地表现了那个时代中产阶级的生活是文学宝库中驰名中外的作品。两部作品描写的是同样儿女悲欢事，同样两本世情书，引起了中外许多学者对它们的研究和思考。 关键字：《红楼梦》《傲慢与偏见》爱情女性意识 两部小说作为世界经典名著，许多学者已对他们进行过深刻的研究，并阐发出各自的观点。同时在某些方面，他们的观点还存在着某些相通性。一、赵景俞、赵双之学者的观点较为相似，他们认为两部作品几乎同时产生于 东西方不同的两个国度，但都受到当时社会制度的影响而进行的创作。《红》当时的创作背景是封建专制主义，《傲》则是新兴的资本主义，而且都是对上层社会日常生活的描写。两部小说的取材都不是当时政治生活、社会生活中的重大事件, 也不是具有重大意义的历史题材, 而是上流都是上层人物、封建贵族或新兴资产阶级的生活,天天见的日常家庭生活。也就是鲁迅先生所说的世情小说。《红楼梦》和《傲慢与偏见》都是写实性的小说,《红》以当时封建社会一个官僚家庭贾府为中心, 写出了一群贵族、特别是少男少女们的生活、交往和爱情婚姻。《傲》也是以中产阶级班纳特家为中心, 写了他们家五个女儿和邻里、亲友的交往以及她们的爱情婚姻。 所以前者常被认为是社会的悲剧，后着则是性格的悲剧。 二、张兵和王晶晶两位老师是从两部作品的爱情和婚姻为着眼点而进行阐述 的。他们认为林黛玉和伊丽莎白是爱神分别播在中国和英国的两颗情种。 女子同属“痴情女” , 男儿皆为“钟情郎”。痴情女情重愈斟情, 重情郎情深愈执著。在前一部作品中的林黛玉从小在贾府和宝玉两小无猜的一起长大，感情相当微妙。两个人一直是真心相对，虽然中间穿插着各种
傲慢与偏见论文
浅谈《傲慢于偏见》与《伤逝》中的女性角色 摘要：《傲慢于偏见》与《伤逝》中的男女主角从总体上来说，都是打破了当时那个时代的思想禁锢，努力地去寻求属于自己的幸福。但是细细体味两者又着很大的不同，两位女主角都反对社会世俗的观念、积极追求女性的独立，但是前者的伊丽莎白彻底、果断，而后者的子君则是妥协胜过了理性；两位男主角都有自己的思想与抱负，冲破了世俗的观念，前者在认识到自己的傲慢所带来的后果后勇于改正，而涓生却将生活的不幸归结于与子君的结合上，自私而软弱无能；前者最终幸福的相伴一生，而后者婚姻破灭、子君抑郁而死、涓生一生悔恨。本文主要通过这几个方面，来对两部作品中的女性角色进行对比与剖析。 关键词：婚姻、爱情、独立、金钱、反对、思想禁锢、经济独立 [Abstract]Generally speaking,the“Pride and Prejudice” and “Mourning” the male and the female are breaking the ideological oppressiveness of the era,and take efforts to seek their own happiness.Butsavoringthetwo very different, the former Elizabeth is thorough, decisive, while the latter suZijun is a compromise than a rational ;the two actors all have their own ideas and ambitions tobreak the secular concept, but the former to recognize theconsequencesof his own narrogance,and he has courage to determin tocorrect,but unfortunatelyJuansheng puts life’s misfortune due to combining with Zijun,and he is selfish and incompetent. The former accompany forever with eacherhappily,while the latter’s marriage end in Zijun depression and succumb,Juansheng repents at leisure.In this paper,I select this visual angle to comparison and analysis of the role of women in the two works. [Key Words]marriage love independence money oppose ideological oppressiveness economic independence 一、引言 《傲慢于偏见》主要是围绕伊丽莎白的于达西的爱情故事展开的，叙述两人最初的傲慢与偏见，最终消除彼此之间的傲慢于偏见，重新认识、互相尊重、互相倾慕，最终缔结了美满的姻缘，而故事到此也便结束了；《伤逝》中男女主人公涓生和子君是一对受到“五四”新思潮影响，要求个性解放的青年知识分子。他们相互认识后，而后相互倾慕，在时代精神的感召和鼓舞下，大胆追求自由恋爱，勇敢地反抗封建道德和世俗偏见，毅然地冲出了家庭的束缚，在众目睽睽之下同居在一起。但故事并没有随着有情人终成眷属而煞尾。随之而来的社会的现实，使得涓生于子君相行渐远，最终导致两者婚姻破灭、子君的抑郁而终。通过对这两部小说的解读，我们可以清晰地了解到简·奥斯丁笔下的伊丽莎白与鲁迅笔下的子君所存在的共同性及不同之处。 二、勇于追求独立，爱情是婚姻的基石，而非金钱 《傲慢于偏见》中伊丽莎白可以说是作者奥斯丁最为欣赏的女性角色，虽然她的相貌比不上小说中的第一美女——她的姐姐简，这从达西对宾利说“她（伊丽莎白）长的可以‘容忍’，但还没到能引起他兴趣的程度”便可看出。她的才艺与举止也比不上彬格莱小姐，但她却比小说中的任何一位女性都要睿智、风趣、有主见，其智慧和理性丝毫不逊于小说中的任何一位男性，她是她父亲最引以为傲的女儿。小说中柯林斯“理直气壮”地认为，自己向某一位班纳特小姐求婚，是对其全家的一种善意的表示，更甚至说是一种恩施；从经济的角度来讲，任何一位班纳特小姐都不会，也不可能拒绝他的求婚。所以当伊丽莎白以“要我接受，那是绝对办不到的。我感情上绝对不许可”这样一种直截了当的方式拒绝了他时，
傲慢与偏见读书笔记英文
In this term,I read a book which named
傲慢与偏见 电影观后感
为你如花美眷，似水流年 《傲慢与偏见》身着亚麻色布裙，手捧一本书，快速穿过草原，对着远方的夕阳浅浅一笑，Elizabeth的优雅从她回眸时露出的洁白锁骨流露无疑。 背景音乐是流动的钢琴曲，如丝带连缀起小屋里静坐熟读圣经的Mary，因争夺好看帽子而拌嘴的Lydia和Kitty，而玻璃上总是会浮现她们的大姐Jane平静倾城的面容。 电影“傲慢与偏见”的开场便以唯美的手法嵌入这五个鲜活的生命，阳光湖泊树，中世纪欧洲田园风光如一帧不真切的画像舒缓展开。静谧蔓延到那个信奉“凡是有财产的单身汉，必定需要娶位太太”的妈妈惊呼着尼日斐花园来了一位公子哥而戛然。 记得初中那会儿，班上青春疼痛小说泛滥，我们在作业本遮掩的空隙如饥似渴地阅读那些撩人心弦的剧情，前排一个女生旁若无人地读着这本名著，时不时还捂嘴笑。 我向来对外国文学的长名头晕眼花，对那些排斥插图密密麻麻全是字的泛黄书籍敬而远之。 那时我不懂读名著的乐趣，因为害怕无法承受严肃的思想而下意识抗拒，家里买的高尔基和雨果都被束之高阁。 直至今日，泡在图书馆同夏绿蒂和奥斯汀幸福共处一个个午后，我才真正开始震慑于经典的力量。
那些印刷的字码飘浮空中，钻入波澜肆意的脑海，看见Jane手执鹅毛笔给妹妹写信时睫毛低垂的投影，或是Darcy在花园凝视同众人嬉笑的心爱之人时那道沉默眼神。 花费漫长两周的时日，断断续续地读。最后阖上书页时，揉揉疲惫的眼球，满意地微笑。 奥斯汀太聪明，这个和知识缠绕一生的女子仿佛是女主角Elizabeth 的化身，她鬼马而幽默，在书籍字间狡黠穿梭，因而笔下的男主角Darcy示爱时诚实地说“我爱你的脑子灵活”。 俗话说，“男怕入错行，女怕嫁错郎”，婚姻是女子后半辈子的主题。奥斯汀深谙此理，其著作几乎都是和婚姻有关，而她对于爱情横溢的描述却源于自己终身未嫁的干涸，此事古难全。 或许也不失为一种幸运，正是因了现实中遇人不淑，书写中傲慢与偏见的灵魂才能相遇。 Elizabeth和Darcy的相吸很特别，两个自恃清高的人由厌恶结缘，愈发有成见而愈发想了解，愈了解愈爱慕，但被那份特别的相憎钝化了情感，所以Darcy说“等我发觉我自己开始爱上你的时候，我已经走了一半路了”。 影片里Darcy表现最多的是无声。茫茫舞池的娇艳翠容都不及Elizabeth折射于眼中的大笑，借陪同朋友之由翻山越岭只为看她一眼却没有问候，帮她的糊涂妹妹处理了所有烂摊子却把功劳移给他人，鼓起勇气闯入她的房间竟又忽而无语凝噎。
傲慢与偏见 开题报告
本科生毕业论文（设计）开题报告 学生姓名学号 所在院系专业 指导教师姓名指导教师职称指导教师单位毕业论文题目浅析《傲慢与偏见》中的婚姻观 开题报告内容 选题背景及选题意义（国内外研究现状、初步设想及拟解决的问题）一、选题意义 《傲慢与偏见》是一部世界性的经典名著，作者是英国作家简?奥斯汀。众所周知，简?奥斯汀是被誉为 “可与莎士比亚平起平坐”的作家。《傲慢与偏见》被翻译成多种文字在多个国家发行，作者在小说中将十八世纪末到十九世纪初英国乡镇的社会生活以及人情世故展现在读者面前。长久以来，众多评论家们在持续探究《傲慢与偏见》中作者本人的生活对婚姻的看法，对小说中的婚姻观也进行了细致的分析。《傲慢与偏见》以其独特的魅力以及生动的语言展现了不同态度的婚姻观，无论时代如何发展，婚姻观一直都是社会上广泛讨论的问题，随着时代的发展，逐渐进入了信息大爆炸的社会，人们的思想观念也在潜移默化中受到了很大影响。而今，80后以及90后作 为社会的主体，他们的婚姻观更是引起社会的广泛关注。《傲慢与偏见》中的婚姻观会给予当代的80后及90后很多启示。 理论意义：《傲慢与偏见》是简?奥斯汀于1813年创作的一本深受人们喜爱且被广泛阅读的佳作。该书被社会大众广为流传，其中一个重要原因便是小说通过质朴生动的描写，将作品中的社会生活及人情世故展现在读者面前。
在特殊的年代背景下，造就了金钱在婚姻中的地位，随之，影响了人们的婚姻观。小说中的人物都被赋予的典型性，充分体现金钱在女性选择婚姻中的重要地位，进而，作者也揭示了婚姻中单单有金钱是不够的，更需要爱情的滋润，婚姻这片土壤才能开出美丽的花。 现实意义：《傲慢与偏见》以一种爱情轻喜剧的方式向读者展示着一段段因人而异的婚姻，读起来轻松愉悦，实则包含了深刻的道理：婚姻是爱情的前提，经济能力是爱情的保障。为了财产、地位而结婚是错误的，但是不考虑财产和地位的婚姻也是愚蠢的。当今世界，文化趋于多元化，正是由于文化的多元化导致了人们价值观的多元化。随之，对婚姻的看法自然也存在着差异。时代不同，婚姻展示给我们的风貌也不同。不论世界如何变化，时代怎样变迁，婚姻与爱情一直都是人们关注和讨论的话题。关于这个话题，众说纷纭，有的认为经济上的门当户对是举足轻重的，也有人认为爱情是前提，没有爱情的婚姻是不幸的。不同的人对于婚姻观有着不同的态度。简?奥斯汀通过小说告诉人们只有爱情与经济能力共同兼顾的婚姻，才是理想的婚姻。这为当代人们选择婚姻的态度提供了参考价值以及引导作用。 二、研究现状分析 对于《傲慢与偏见》的研究现状大致可以分为以下五类：（一）对《傲慢与偏见》中的反讽艺术的研究 简·奥斯汀的小说有一个显著的特色，那便是反讽。她是在继承欧洲文学反讽的基础上创造出更为出色的反讽艺术。在她的小说中,反讽艺术的运用大胆创新，不仅仅局限于对话文字，更是穿梭于小说的人物塑造中。因此,探讨奥斯丁小说《傲慢与偏见》中的反讽艺术成了《傲慢与偏见》的热门话题
Pride and Prejudice 傲慢与偏见 中英文双语简介
Pride and Prejudice Pride and Prejudice is a novel by Jane Austen, first published in 1813. The story follows the main character Elizabeth Bennet as she deals with issues of manners, upbringing, morality, education, and marriage in the society of the landed gentry of early 19th-century England. Elizabeth is the second of five daughters of a country gentleman living near the fictional town of Meryton in Hertfordshire, near London. Though the story is set at the turn of the 19th century, it retains a fascination for modern readers, continuing near the top of lists of 'most loved books' such as The Big Read.[1] It has become one of the most popular novels in English literature and receives considerable attention from literary scholars. Modern interest in the book has resulted in a number of dramatic adaptations and an abundance of novels and stories imitating Austen's memorable characters or themes. To date, the book has sold some 20 million copies worldwide Plot summary The narrative opens with Mr Bingley, a wealthy, charming and social young bachelor, moving into Netherfield Park in the neighbourhood of the Bennet family. Mr Bingley is soon well received, while his friend Mr Darcy makes a less favorable first impression by appearing proud and condescending at a ball that they attend (this is partly explained in that he detests dancing and is not much for light conversation). Mr Bingley singles out Elizabeth's elder sister, Jane, for particular attention, and it soon becomes apparent that they have formed an attachment to each other. By contrast, Darcy slights Elizabeth, who overhears and jokes about it despite feeling a budding resentment. On paying a visit to Mr Bingley's sister, Jane is caught in a heavy downpour, catches cold, and is forced to stay at Netherfield for several days. Elizabeth arrives to nurse her sister and is thrown into frequent company with Mr Darcy, who begins to perceive his attachment to her, but is too proud to proceed on this feeling. Mr Collins, a clergyman, pays a visit to the Bennets. Mr Bennet and Elizabeth are much amused by his obsequious veneration of his employer, the noble Lady Catherine de Bourgh, as well as by his self-important and pedantic nature. It soon becomes apparent that Mr Collins has come to Longbourn to choose a wife from among the Bennet sisters (his cousins) and Elizabeth has been singled out. At the same time, Elizabeth forms an acquaintance with Mr Wickham, a militia officer who claims to have been very seriously mistreated by Mr Darcy, despite having been a ward of Mr Darcy's father. This tale, and Elizabeth's attraction to Mr Wickham, adds fuel to her dislike of Mr Darcy. At a ball given by Mr Bingley at Netherfield, Mr Darcy becomes aware of a general expectation that Mr Bingley and Jane will marry, and the Bennet family, with the
傲慢与偏见 书评
不是一部伟大的作品，却深深震撼我心。 ——题记 又一次翻开已经稍稍发黄的书，熟悉而亲切的文字，让我立刻想起伊丽莎白美丽的眼睛，达西似乎冷竣却隐藏着温柔的面容……这并不厚的一本初中就已读过的书，我却不惜千里之远从家里带到学校，让它时刻伴我身边。也许它并不是我所读过的最好的小说，却是让我最难忘的一本。 真的，这不是一部伟大的作品。薄薄300来页，不到30万字，没有波澜壮阔，也谈不上深奥，和例如长达4000余页、超过300万字的意识流小说《追忆似水年华》等等一比就相形见绌。就像作者奥斯汀本人一样无法和那些大文豪相提并论。或许有的人认为这本书太平常而根本就不屑于去评价它。然而这却是一部极具生命力的小说，历经200余年，仍然吸引着无数读者。在今天著名的腾讯BBS论坛外国文学版面上，只要出现与《傲慢与偏见》或者奥斯汀有关话题的帖子，点击率和回复率一定会直线上升，尽管这些话题已不知被讨论过多少次了。 和奥斯汀的其他几部小说一样，《傲慢与偏见》的取材事实上是相当狭窄的。正如夏洛蒂?勃朗特曾说：“我可不愿意在她们的那些高雅而狭窄的房子里跟她（奥斯汀）的那些绅士淑女们呆在一起。”在我看来，奥斯汀的小说有点像小女子文学，缺少一种大气的感觉。但我却喜欢这种“小女子文学”。你可以说她目光狭窄，也可以说她缺乏深度，你却无法抵挡她的魅力。事实上，取材范围的狭窄，并没有限制作者的视野，正如《傲慢与偏见》中达西和伊丽莎白的一段对话。达西说：“在乡下，你四周的环境非常闭塞，很少变化。”而伊丽莎白却回答到：“可是人本身变化那么多，你永远可以在他们身上看出新的东西。”这也许正代表了作者自己的看法吧。奥斯汀自己说“乡间村庄里的三、四户人家”是她“得心应手的好材料”，还把自己的艺术比作在“二寸象牙”上“细细地描画”。在我看来这正是作者的长处，也是其小说独到的地方。精工细致，一丝不苟，娓娓道来，细水长流，这就是我所喜欢的“小女子文学”的特点。无怪乎有人建议奥斯汀换一种写作方式的时候，奥斯汀拒绝道：“我必须保持自己的风格，按自己的方式写下去……”忽然联想到台湾作家三毛的文章，其最受欢迎的几本散文集如《撒哈拉的故事》《稻草人手记》等，无非也是写一些生活琐事，取材也不见得有多广泛多深刻，却如此受亲睐，大概也源于此吧。反映生活的作品即是美的作品，《傲慢与偏见》带给我们的是一种英国乡村浓郁的生活气息，让人倍感亲切自然。对大多数人来说，只有平平淡淡从从容容才是真。好的文学作品总是反应永恒的人性，普通人的心态，在读者中产生共鸣。评论家们始终把奥斯汀排在勃朗特之前，其地位仅次于莎士比亚，就在于她的平淡、安宁。更何况有道是于平凡之中见伟大，于细微之处见深情，取材虽小，反映的问题却不一定小。这一点下面将谈及。 爱情是小说永恒的主题，《傲慢与偏见》以爱情和婚姻为主要内容，自然是吸引读者的。但描写爱情的小说不计其数（言情小说似乎就很多产），要像《傲慢与偏见》这样在世界文学中占有一席之地，也并不是一件容易的事。《傲慢与偏见》之所以称得上世界文学名著而不流俗于一般爱情小说，自有它的魅力所在。那么到底是什么使它脱颖而出呢？一部好的小说，内容、情节是非常重要的。《傲慢与偏见》的内容并不复杂，情节却引人入胜。读过本书的读者应该对小说开篇的一句话记忆犹新：“凡是有财产的单身汉，必定需要娶位太太，这已经成了一条举世公认的真理。(It is a true universally acknowledged, that a single man in possession of a good fortune must be in want of a wife.) ” 在英文中in want of 是指客观需
英语文献综述傲慢与偏见中的婚姻观
On Jane Austen's View of Marriage in Pride and Prejudice written by Zhu Mengxian Abstract: Jane Austen's masterpiece Pride and Prejudice fully embodies her view of marriage. In the following, a brief review is given about her views on marriage by analysing several related articles. Key words: Jane Austen. Pride and Prejudice views of marriage Introduction: Jane Austen humorously described different kinds of marriage relations in Pride and Prejudice. Until today, this novel is still very popular among many readers and arouses people's observation and unlimited thinking of marriage. Review: It has been pointed out that Jane holds the view that love and marriage are associated with but not totally lie on the property and social status, the marriage which is based on the love is a true happy marriage. There are many articles to support this view. For example, one of researchers thought marriage and property and social status are interconnected, but marriage could not only depend on the property and the social status based on researching the four young couples' marriages in this novel which can be categorized into two groups according to their different marriage foundation, Simply one just like Charlotte — Collins and Lydia — Wickham is called unhappy marriage. The other one like Elizabeth —Darcy and Jane —Bingley is the opposite. “ She believed that marriage just for money was wrong, but marriage of no money was stupid.” On the other hand, some papers have reported that Jane attaches great importance to ideal marriage and regards the feelings between men and women as the cornerstone of the ideal marriage. Austen fully expresses her views on love and marriage only by appreciating the marriage founded on the basis of mutual admiration, understanding and mutual respect. In Tang Chunhua’s paper, she considered that “ She believed that a husband not only need have certain number of family property but also must respect women, and at the same time there must be mutual understanding between them.” It happens that there is a similar case, Yu Hongen pointed out that Jane stresses that character is important than appearance in a marriage. “Austen believes that the person’s character is more important than appearance in the matter of a happy marriage.”“They have common in character and mutual appreciation, it is the most solid foundation that they can go into the marriage hall and toward a rational happiness.” At the same time, it emphasizes the independence and dignity of women on the marital problems. Conclusion: During her time, Jane's view was so advanced that it was not accepted widely. Until today, it still has important influence. Austen’s views on marriage and love are also suitable for our real social. We youth should make right marriage and love views to orient our lives. There are a thousand Hamlets in a thousand people’s eyes. In a word, we can find her idea about marriage from the analysis, marriage, property and social status interconnected, but not absolutely. References [1] 王歆.论简-奥斯汀在《傲慢与偏见》中的婚姻观【M】.2005.5