第二十四届韩素音青年翻译奖竞赛译文5
第二十四届"韩素音青年翻译奖"竞赛译文5：如何翻译“toolkit”?
高斋翻译TransElegant 整理的CATTI和MTI备考资料
英译汉
今天分享最后七段，有点多哦。不过也提醒大家快到周末了，是时候把整篇文章和翻译复习一遍咯！
It’s Time to Rethink ‘Temporary’
恰逢其时：对“临时性”的再考量
Testing things out can also help developers chart the right course for their projects. Says Lydon, “A developer can really learn what’s working in the neighborhood from a marketplace perspective — it could really inform or change their plans. Hopefully they can ingratiate themselves with the neighborhood and build community. There is real potential if the developers are really looking to do that.”
充分地加以检验也可以帮助城市开发者为项目做出正确的规划。莱登说：“开发者能够从市场运行的角度真正了解到什么才是在社区中可行的，这有助于计划的形成，甚至是改变他们的计划。他们有希望博得当地居民的好感并打造好社区。如果开发商们有意为之，潜力的确很大。”
And they are. Brooklyn’s De Kalb Market, for example, was supposed to be in place for just three years, but became a neighborhood center where there hadn’t been much of one before. “People gravitated towards it,” says Lydon. “People like going there. You run the risk of people lamenting the loss of that. The developer would be smart to integrate things like the community garden — [giving residents an] opportunity to keep growing food on the site. The radio station could get a permanent space. The beer garden could be kept.”
开发商们确实想要这样做。例如，布鲁克林的笛卡尔市场，原计划三年后就要拆除的，后来却成了社区中心，而原本那里根本就没有类似像样的场所。据莱登说，“人们都被吸引过去了，大家喜欢去那儿，如果把它拆除了，人们可能会抱怨。所以，如果开发商聪明的话，他们就会融进社区的各种元素，如社区田园，使当地居民有机会继续在那里种植农作物。广播站就能有固定的地方，露天啤酒园也可以保留下来。”
San Francisco’s PROXY project is similar. Retail, restaurants and cultural spaces housed within an artful configuration of shipping containers, designed by Envelope Architecture and Design, were given a five-year temporary home on government-owned vacant lots in the city’s Hayes Valley neighborhood while developers opted to sit tight during the recession. Affordable housing is promised for the site; the developers will now be able to create it in a neighborhood that has become increasingly vibrant and pedestrian-friendly.
旧金山的PROXY项目与此类似。围护结构建筑设计公司（Envelope A+D）在旧金山海耶斯谷社区的一块政府所有的闲置土地上设计出了极具艺术品位的集装箱组合，作为零售店、餐
饮和文化场所之用，使用期限是五年。这段时间正值经济萧条，开发商选择了静观的策略。现在这些土地被承诺用来建设廉价房；在这样一个越来越充满活力和方便步行的街区，开发商能够进行开发建设了。
On an even larger scale, the major developer Forest City has been testing these ideas of trial and error in the 5M Project in downtown San Francisco. While waiting out the downturn, the folks behind 5M have been beta-testing tenants and uses at their 5th & Mission location, which was (and still is) home to the San Francisco Chronicle and now also to organizations like TechShop, the co-working space HubSoma, the art gallery Intersection for the Arts, the tech company Square and a smattering of food carts to feed those hungry, hardworking tenants. A few years earlier, Forest City would have been more likely to throw up an office tower with some luxury condos on top and call it a day: according to a company vice president, Alexa Arena, the recession allowed Forest City to spend time “re-imagining places for our emerging economy and what kind of environment helps facilitate that.”
重量级城市开发商“森林城市”（Forest City）一直以更大的规模，利用在旧金山商业中心区实施的5M项目作试探性尝试。在等待经济下行趋势好转的时期内，5M项目的策划者一直在第五街和米申大街的交叉地区做检验，以掌握承租人的情况和房屋的使用情况。这个地区曾经是（现在仍然是）《旧金山记事报》总部所在地，现在还聚集了很多机构组织、像实行会员制的技术工作坊Techshop、协同创作空间HubSoma、十字路口艺术会馆Intersection for the Arts、街心科技公司Square，以及少量食品售货车，为那些辛勤工作、需找地方填饱肚子的承租人提供餐饮。如果在几年前，“森林公司”完全有可能会快速盖起一座顶层带豪华公寓套间的写字楼，然后就万事大吉了。公司的一位副总裁亚历克撒·阿里纳说，经济衰退使“森林城市”公司有时间“为我们复苏中的经济重新设想建设空间，设想有助于促进经济发展的最佳环境”。
In “The Interventionist’s Toolkit,” the critic Mimi Zeiger wrote that the real success for D.I.Y. urbanist interventions won’t be based on any one project but will “happen when we can evaluate the movement based on outreach, economic impact, community empowerment, entrepreneurship, sustainability and design. We’re not quite there yet.”
评论家米米·蔡格在《干预主义者百宝箱》一文中写道，自助式城市建设干预行动是否真正成功，不会取决于任何一个单独的项目。“除非我们从以下方面加以评价，这些因素包括社区扩展、经济影响、社区赋权、开创精神、可持续性和设计理念。目前我们还有距离。”
She’s right. And one doesn’t have to search for examples of temporary projects that not only failed but did so catastrophically (see: Hurricane Katrina trailers, for example). A huge reason for tactical urbanism’s appeal relates to politics. As one practitioner put it, “We’re doing these things to combat the slowness of government.”
蔡格说得没错。失败的、甚至灾难性的临时建筑的例子俯拾皆是（比如卡特琳娜飓风之后修剪的活动房）。事实上，灵活应变地奉行城市主义的主张之所以有吸引力，其很大一部分原因与政治目的有关，正如一位践行者所说：“我们采取这些行动就是为了和政府的拖沓作风相抗衡。”
But all of this is more than a response to bureaucracy; at its best it’s a bold expression of unfettered thinking and creativity … and there’s certainly not enough of that going around these
days. An embrace of the temporary and tactical may not be perfect, but it could be one of the strongest tools in the arsenal of city-building we’ve got.
然而，所有这一切并不只是要对官僚政府作出反应；最佳的实践是能够体现自由思维和创意的大胆表达，……而如今显然还不够。追求临时性、应变性，也许并非万全之策，但是在我们城市建设的锦囊中，它仍不失为最有效的妙策之一。
（集体翻译封一函审定）
韩素音青年翻译奖
On Irritability Irritability is the tendency to get upset for reasons that seem – to other people – to be pretty minor. Your partner asks you how work went and the way they ask makes you feel intensely agitated. Your partner is putting knives and forks on the table before dinner and you mention (not for the first time) that the fork should go on the left hand side, not the right. They then immediately let out a huge sigh and sweep the cutlery onto the floor and tell you that you can xxxx-ing do it yourself if you know better. It was the most minor of criticisms and technically quite correct. And now they’ve exploded. There is so much irritability around and it exacts a huge daily cost on our collective lives, so we deserve to get a lot more curious about it: what is really going on for the irritable person? Why, really, are they getting so agitated? And instead of blaming them for getting het up about “little things”, we should do them the honour of working out why, in fact, these things may not be so minor after all. The journey begins by recognising the role of fear in irritability in couples. Behind most outbursts are cack-handed attempts to teach the other person something. There are things we’d like to point out, flaws that we can discern, remarks w e feel we really must make, but our awareness of how to proceed is panicked and hasty. We give cack-handed, mean speeches, which bear no faith in the legitimacy (even the nobility) of the act of imparting advice. And when our partners are on the receiving end of these irritable “lessons”, they of course swiftly grow defensive and brittle in the face of suggestions which seem more like mean-minded and senseless assaults on their very natures rather than caring, gentle attempts to address troublesome aspects of joint life. The prerequisite of calm in a teacher is a degree of indifference as to the success or failure of the lesson. One naturally wants for things to go well, but if an obdurate pupil flunks trigonometry, it is – at base – their problem. Tempers can stay even because individual students do not have very much power over teachers’ lives. Fortunately, as not caring too much turns out to be a critical aspect of successful pedagogy. Yet this isn’t an option open to the fearful, irritable lover. They feel ineluctably led to deliver their “lessons” in a cataclysmic, frenzied manner (the door slams very loudly indeed) not because they are insane or vile (though one could easily draw these
韩素音翻译大赛原文
Irritability is the tendency to get upset for reasons that seem – to other people – to be pretty minor. Your partner asks you how work went and the way they ask makes you feel intensely agitated. Your partner is putting knives and forks on the table before dinner and you mention (not for the first time) that the fork should go on the left hand side, not the right. They then immediately let out a huge sigh and sweep the cutlery onto the floor and tell you that you can xxxx-ing do it yourself if you know better. It was the most minor of criticisms and technically quite correct. And now they’ve exploded. There is so much irritability around and it exacts a huge daily cost on our collective lives, so we deserve to get a lot more curious about it: what is really going on for the irritable person? Why, really, are they getting so agitated? And instead of blaming them for getting het up about “little things”, we should do them the honour of working out why, in fact, these things may not be so minor after all.
韩素音青翻译奖赛中文原文及参考译文和解析
老来乐 Delights in Growing Old 六十整岁望七十岁如攀高山。不料七十岁居然过了。又想八十岁是难于上青天，可望不可即了。岂知八十岁又过了。老汉今年八十二矣。这是照传统算法，务虚不务实。现在不是提倡尊重传统吗? At the age of sixty I longed for a life span of seventy, a goal as difficult as a summit to be reached. Who would expect that I had reached it? Then I dreamed of living to be eighty, a target in sight but as inaccessible as Heaven. Out of my anticipation, I had hit it. As a matter of fact, I am now an old man of eighty-two. Such longevity is a grant bestowed by Nature; though nominal and not real, yet it conforms to our tradition. Is it not advocated to pay respect to nowadays? 老年多半能悟道。孔子说“天下有道”。老子说“道可道”。《圣经》说“太初有道”。佛教说“邪魔外道”。我老了，不免胡思乱想，胡说八道，自觉悟出一条真理: 老年是广阔天地，是可以大有作为的。 An old man is said to understand the Way most probably: the Way of good administration as put forth by Confucius, the Way that can be explained as suggested by Laotzu, the Word (Way) in the very beginning as written in the Bible and the Way of pagans as denounced by the
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第十三届“韩素音青年翻译奖”竞赛原文及参考译文（汉译英）2010-3-26 23:32|发布者: sisu04|查看: 881|评论: 0 摘要: 韩素音青年翻译奖 歌德之人生启示 宗白华 人生是什么？人生的真相如何？人生的意义何在？人生的目的是何？这些人生最重大最中心的问题，不只是古来一切大宗教家哲学家所殚精竭虑以求解答的。世界上第一流的大诗人凝神冥想，深入灵魂的幽邃，或纵身大化中，于一朵花中窥见天国，一滴露水参悟生命，然后用他们生花之笔，幻现层层世界，幕幕人生，归根也不外乎启示这生命的真相与意义。宗教家对这些问题的方法与态度是预言的说教的，哲学家是解释的说明的，诗人文豪是表现的启示的。荷马的长歌启示了希腊艺术文明幻美的人生与理想，但丁的神曲启示了中古基督教文化心灵的生活与信仰，莎士比亚的剧本表现了文艺复兴时人们的生活矛盾与权力意志。至于近代的，建筑于这三种文明精神之上而同时开展一个新时代，所谓近代人生，则由伟大的歌德以他的人格，生活，作品表现出它的特殊意义与内在的问题。 歌德对人生的启示有几层意义，几种方面。就人类全体讲，他的人格与生活可谓极尽了人类的可能性。他同时是诗人，科学家，政治家，思想家，他也是近代泛神论信仰的一个伟大的代表。他表现了西方文明自强不息的精神，又同时具有东方乐天知命宁静致远的智慧。德国哲学家息默尔（Simmel）说：“歌德的人生所以给我们以无穷兴奋与深沉的安慰的，就是他只是一个人，他只是极尽了人性，但却如此伟大，使我们对人类感到有希望，鼓动我们努力向前做一个人。“我们可以说歌德是世界一扇明窗，我们由他窥见了人生生命永恒幽邃奇丽广大的天空！ 再狭小范围，就欧洲文化的观点说，歌德确是代表文艺复兴以后近代人的心灵生活及其内在的问题。近代人失去了基督教对一超越上帝虔诚的信仰。人类精神上获得了解放，得到了自由；但也就同时失所依傍，彷徨摸索，苦闷，追求，欲在生活本身的努力中寻得人生的意义与价值。歌德是这时代精神伟大的代表，他的主著《浮士德》是这人生全部的反映与其问题的解决。歌德与其替身浮士德一生生活的内容就是尽量体验这近代人生特殊的精神意义，了解其悲剧而努力以解决其问题，指出解救之道。所以有人称他的浮士德是近代人的圣
韩素音青年翻译奖赛
摘要: 韩素音青年翻译奖 歌德之人生启示 宗白华 人生是什么人生的真相如何人生的意义何在人生的目的是何这些人生最重大最中心的问题，不只是古来一切大宗教家哲学家所殚精竭虑以求解答的。世界上第一流的大诗人凝神冥想，深入灵魂的幽邃，或纵身大化中，于一朵花中窥见天国，一滴露水参悟生命，然后用他们生花之笔，幻现层层世界，幕幕人生，归根也不外乎启示这生命的真相与意义。宗教家对这些问题的方法与态度是预言的说教的，哲学家是解释的说明的，诗人文豪是表现的启示的。荷马的长歌启示了希腊艺术文明幻美的人生与理想，但丁的神曲启示了中古基督教文化心灵的生活与信仰，莎士比亚的剧本表现了文艺复兴时人们的生活矛盾与权力意志。至于近代的，建筑于这三种文明精神之上而同时开展一个新时代，所谓近代人生，则由伟大的歌德以他的人格，生活，作品表现出它的特殊意义与内在的问题。 歌德对人生的启示有几层意义，几种方面。就人类全体讲，他的人格与生活可谓极尽了人类的可能性。他同时是诗人，科学家，政治家，思想家，他也是近代泛神论信仰的一个伟大的代表。他表现了西方文明自强不息的精神，又同时具有东方乐天知命宁静致远的智慧。德国哲学家息默尔（Simmel）说：“歌德的人生所以给我们以无穷兴奋与深沉的安慰的，就是他只是一个人，他只是极尽了人性，但却如此伟大，使我们对人类感到有希望，鼓动我们努力向前做一个人。“我们可以说歌德是世界一扇明窗，我们由他窥见了人生生命永恒幽邃奇丽广大的天空！ 再狭小范围，就欧洲文化的观点说，歌德确是代表文艺复兴以后近代人的心灵生活及其内在的问题。近代人失去了基督教对一超越上帝虔诚的信仰。人类精神上获得了解放，得到了自由；但也就同时失所依傍，彷徨摸索，苦闷，追求，欲在生活本身的努力中寻得人生的意义与价值。歌德是这时代精神伟大的代表，他的主著《浮士德》是这人生全部的反映与其问题的解决。歌德与其替身浮士德一生生活的内容就是尽量体验这近代人生特殊的精神意义，了解其悲剧而努力以解决其问题，指出解救之道。所以有人称他的浮士德是近代人的圣经。 但歌德与但丁莎士比亚不同的地方，就是他不单是由作品里启示我们人生真相，尤其在他自己的人格与生活中表现了人生广大精微的义谛。
第二十七届韩素音青年翻译奖竞赛原文
“CATTI杯”第二十七届韩素音青年翻译奖竞赛 英译汉竞赛原文：The Posteverything Generation I never expected to gain any new insight into the nature of my generation, or the changing landscape of American colleges, in Lit Theory. Lit Theory is supposed to be the class where you sit at the back of the room with every other jaded sophomore wearing skinny jeans, thick-framed glasses, an ironic tee-shirt and over-sized retro headphones, just waiting for lecture to be over so you can light up a Turkish Gold and walk to lunch while listening to Wilco. That’s pretty much the way I spent the course, too: through structuralism, formalism, gender theory, and post-colonialism, I was far too busy shuffling through my Ipod to see what the patriarchal world order of capitalist oppression had to do with Ethan Frome. But when we began to study postmodernism, something struck a chord with me and made me sit up and look anew at the seemingly blasécollege-aged literati of which I was so self-consciously one. According to my textbook, the problem with defining postmodernism is that it’s impossible. The difficulty is that it is so...post. It defines itself so negatively against what came before it –naturalism, romanticism and the wild revolution of modernism –that it’s sometimes hard to see what it actually is. It denies that anything can be explained neatly or even at all. It is parodic, detached, strange, and sometimes menacing to traditionalists who do not understand it. Although it arose in the post-war west (the term was coined in 1949), the generation that has witnessed its ascendance has yet to come up with an explanation of what postmodern attitudes mean for the future of culture or society. The subject intrigued me because, in a class otherwise consumed by dead-letter theories, postmodernism remained an open book, tempting to the young and curious. But it also intrigued me because the question of what postmodernism –what a movement so post-everything, so reticent to define itself –is spoke to a larger question about the political and popular culture of today, of the other jaded sophomores sitting around me who had grown up in a postmodern world. In many ways, as a college-aged generation, we are also extremely post: post-Cold War,
二十二届韩素音翻译大赛汉译英优秀译文
汉译英原文： 居在巷陌的寻常幸福 隐逸的生活似乎在传统意识中一直被认为是幸福的至高境界。但这种孤傲遁世同时也是孤独的，纯粹的隐者实属少数，而少数者的满足不能用来解读普世的幸福模样。 有道是小隐隐于野，大隐隐于市。真正的幸福并不隐逸，可以在街市而不是丛林中去寻找。 晨光，透过古色古香的雕花窗棂，给庭院里精致的盆景慢慢地化上一抹金黄的淡妆。那煎鸡蛋的“刺啦”声袅袅升起，空气中开始充斥着稚嫩的童音、汽车 启动的节奏、夫妻间甜蜜的道别，还有邻居们简单朴素的问好。巷陌中的这一切，忙碌却不混乱，活泼却不嘈杂，平淡却不厌烦。 巷尾的绿地虽然没有山野的苍翠欲滴，但是空气中弥漫着荒野中所没有的 生机。微黄的路灯下，每一张长椅都写着不同的心情，甜蜜与快乐、悲伤与喜悦，交织在一起，在静谧中缓缓发酵。谁也不会知道在下一个转角中会是怎样的惊喜，会是一家风格独特食客不断的小吃店？是一家放着爵士乐的酒吧？还是一家摆着高脚木凳、连空气都闲散的小小咖啡馆？坐在户外撑着遮阳伞的木椅上， 和新认识的朋友一边喝茶，一边谈着自己小小的生活，或许也是一种惬意。 一切，被时间打磨，被时间沉淀，终于形成了一种习惯，一种默契，一种文化。 和来家中做客的邻居朋友用同一种腔调巧妙地笑谑着身边的琐事，大家眯起的眼睛都默契地着同一种狡黠；和家人一起围在饭桌前，衔满食物的嘴还发着 含糊的声音，有些聒噪，但没人厌烦。 小巷虽然狭窄，却拉不住快乐蔓延的速度…… 随着城市里那些密集而冰冷的高楼大厦拔地而起，在拥堵的车流中，在污 浊的空气里，人们的幸福正在一点点地破碎，飘零。大家住得越来越宽敞，越来越私密。自我，也被划进一个单独的空间里，小心地不去触碰别人的心灵，也 不容许他人轻易介入。可是，一个人安静下来时会觉得，曾经厌烦的那些嘈杂回想起来很温情很怀念。 比起高楼耸立的曼哈顿，人们更加喜欢佛罗伦萨红色穹顶下被阳光淹没的古老巷道；比起在夜晚光辉璀璨的陆家嘴，人们会更喜欢充满孩子们打闹嬉笑的万航渡路。就算已苍然老去，支撑起梦境的应该是老房子暗灰的安详，吴侬软语的叫卖声，那一方氤氲过温馨和回忆的小弄堂。 如果用一双细腻的眼眸去观照，其实每一片青苔和爬山虎占据的墙角，是 墨绿色的诗篇，不会飘逸，不会豪放，只是那种平淡的幸福，简简单单。 幸福是什么模样，或许并不难回答。幸福就是一本摊开的诗篇，关于在城市的天空下，那些寻常巷陌的诗。 夜幕笼罩，那散落一地的万家灯火中，有多少寻常的幸福正蜗居在巷陌……
第23届韩素音青年翻译奖竞赛参考译文2
摩天大楼指数——如影随形的经济危机 作为一种以巨大的经济力量为支撑的建筑物，摩天大楼常被民众和政客视为展示经济繁荣、社会进步的标志。有些经济学家则持完全相反的看法，认为摩天大楼的出现，特别是摩天大楼的纪录被刷新，往往预示着经济即将衰退。 “高楼建成之日，即是市场衰退之时”，这是德意志银行的证券分析师安德鲁?劳伦斯于1999年发表的判言。2006年2月15日，雷曼兄弟公司在北京召开全球经济会议，其全球首席经济学家卢埃林向我国客户提及“摩天大楼指数”的预言：“如果全球有发生经济危机的可能性，那很可能会在2007年或2008年。” 雷曼的首席经济学家预见了2007年到2008年的经济危机，但却不曾想到，雷曼的百年基业正是在这场危机中化为泡影。对于经济而言，摩天大楼是荣耀还是诅咒？其与经济危机之间是否真的存在这样密切的联系呢？ 1999年，安德鲁?劳伦斯经过研究验证了摩天大楼与经济危机的关联，并将这种关联称为“摩天大楼指数”。每一幢刷新世界纪录的摩天大楼的崛起，往往都伴随着经济的衰退。自20世纪初以来，全球共出现了四轮摩天大楼热，而每一次，都伴随着经济危机或金融动荡。20世纪20年代，美国经济转好，证券市场再度空前繁荣，民用、商用房产建设高歌猛进。这期间，三座刷新纪录的摩天大楼先后兴建。纽约的华尔街40号、克莱斯勒大厦和帝国大厦相继于1929年至1931年的三年中落成，但随之而来的不是新的繁荣，而是空前的大萧条。在经历了被美国人称之为“黄金时代”的20世纪60年代强劲、持续的经济繁荣后，纽约的世贸中心和芝加哥的西尔斯大厦开始兴建。1972年和1974年，两座再次刷新世界纪录的摩天大楼相继落成，随后，全球经济发生了严重滞胀。 摩天大楼与经济危机的关联如此密切，很难用巧合来理解，那么究竟是什么原因让经济危机总是与摩天大楼如影随形呢？ 首先，人性使然。人性当中有盲目自信的一面。具体体现在对客观事物认识不足，偏执于对事物的主观看法上。劳伦斯把他发现的经济危机与摩天大楼的联系称为“百年病态关联”，但此类现象，在人类社会中又何止只存在了百年。以史为鉴，我们不难发现，在我国历史的长河中，此类现象早有体现。商朝兴盛时，纣王兴建造鹿台，引得民怨四起最终于鹿台自焚；清代鼎盛时，乾隆帝大举修建园林，导致国力衰落最终丧权辱国。 其次，利益推动。在商业行为中，逐利是前提条件。在经济繁荣之前，通常有一个低利率的过程，这也是经济向繁荣周期转化的一个先决条件。而在经济繁荣的过程中，利率相对于人们对于未来收益的预期来说，一直都是低的。所以，就会产生一系列的利益传导途径，也就是前面所提到的利益链条。经济的繁荣和相对较低的利率，对土地价值和资本成本有着直接的影响。在土地价格、企业需求和资金支撑三个因素所构成的利益链的作用下，可以刷新世界纪录的摩天大楼计划，就应运而生了。 就像日有昼夜、季有冬夏一样，经济也是存在景气周期的。任何商品的价格，都会受到供需关系的影响。否极泰来，盛极而衰，低廉的利率、膨胀的需求、上涨的资本价格，以及大多数人盲目乐观的心态，所集合产生的“黄金状态”构成了摩天大楼的需求，但这种状态是不可持续的。 所以，通常是在经济已经步入衰退的时候，摩天大楼才刚刚竣工；在它真正投入使用的时候，经济很可能已经深陷困境。这就导致了经济危机总是与摩天大楼的兴建如影随形，也常使全球第一建筑成为逝去繁荣的纪念碑。 参考译文：