Oscar wilde quotes

Oscar wilde quotes
Oscar wilde quotes

Oscar wilde quotes

我们皆深陷泥潭,但我们之中的某些人会仰望星空。

We are all in the gutter, but some of us are looking at the stars.

伟大的艺术家所看到的,从来都不是世界的本来面目,

一旦他看到了真实,他将不再是艺术家。

No great artist ever see things as they really are. If he did, he would cease to be an artist.

当一段爱走到末路时,弱者哭泣,能者另觅,而智者,早已“狡兔三穴”。

When a love comes to an end, weaklings cry, efficient ones instantly find another love, and wise already had one in reserve.

对于那些我们漠不关心的人,我们总能做到温文尔雅。

On can always be kind to people one cares nothing about.

女人是用来爱的,而不是理解。

Woman are meant to be loved, not to be understand.

结婚是误解的结果,男女因误会而结合,因了解而分开。

The marriage is the misunderstanding result, the men and women because of misunderstands unifies, because of understood that separates.

女人是用耳朵恋爱的,而男人却是用眼睛。

The woman is with the ear love, but the man is actually with the eye.

男人只会越变越老,绝不会越变越好。

The man more will only change older, more will not change better.

满口道德的男人,通常都是伪善的;而满口道德的女人,一定相貌平庸。

The full mouth morals' man, usually is hypocritical; But the full mouth morals' woman, certain facial expression is mediocre.

用好坏来群分人是愚蠢荒谬的,人只有两种——迷人,或者乏味。

It is absurd to divide people into good and bad. People are either charming or tedious.

心就是用来碎的。

The heart was made to broken.

摆脱诱惑的唯一途径就是屈从于诱惑……除了诱惑,我什么都能抵御。

The only way to get ri d of temptation is to yield to it…… I can resist

everything but temptation.

我喜欢活人甚于原则,而这世上最叫我喜欢的,就是无原则的,放荡不羁的人。

I like persons better than principles, and I like persons with on principles better than anything else in the world

生活中的两大悲剧——爱而不得,或者,得到了。

There're 2 tragedies in life, one is not getting what one wants and the other is getting it.

爱,始于自我欺骗,终于欺骗他人。这就是所谓的浪漫。

When one is in love, one always begins by deceiveing one's self, and one always ends by deceiving others. That is what would calls a romance.

自恋,是一场与生命等长的罗曼史。

To love oneself is the beginning of a lifelong romance.

离婚的缘由是什么?结婚。

chief cause of divorce? Marriage.

男人的脸是自传,女人的脸是小说。

A man's face is his autobiography. A woman's face is her work of fiction.

女人的悲剧在于她们终会成为母亲的翻版,而男人的悲剧则在于,他们不像父亲。

All women become like their mothers. That is their tragedy. No man does. That's his.

真心,稍许一点就很危险,大剂量使用则必死无疑。

A little sincerity is a dangerous thing, and a great deal of it is absolutely fatal.

美貌是最大的天才,因为它几乎超越了所有的限制,就连最粗鄙的人也能识别感知。

The beautiful appearance is the biggest talent, because it has gone beyond all limits nearly, the most vulgar person can also distinguish the sensation.

如今是这样的年代,读得太多而没时间欣赏,写得太多而没时间思想。

The present is such age, reads too many, but does not have the time appreciation, writes too many, but does not have the time thought.

过去书由文人来写,被大众阅读;如今书由大众来写,无人阅读。

In the past the book wrote by the writer, is read by the populace; Now the book writes by the populace, nobody reading.

我们皆深陷泥潭,但我们之中的某些人会仰望星空。

We are all in the gutter, but some of us are looking at the stars.

历届奥斯卡获奖影片(1971-2013年)

历届奥斯卡获奖影片(1971-2013年) 来自: F小星?(低姿态张扬的自由主张) 2008-10-26 11:33:16 p.s偶觉得有的提名的比获奖好看... 2013年(85届) 获奖:《逃离德黑兰》/ Argo 提名: 《爱》/ Amour 《南国野兽》/ Beasts of the Southern Wild 《乌云背后的幸福线》/ Silver Linings Playbook 《逃离德黑兰》/ Argo 《少年派的奇幻漂流》/ Life of Pi 《猎杀本·拉登》/ Zero Dark Thirty 《林肯》/ Lincoln 《被解放的姜戈》/ Django Unchained 《悲惨世界》/ Les Misérables 2012年(84届) 获奖:《艺术家》TheArtist 提名: 《艺术家》TheArtist,韦恩斯坦 《后裔》The Descendants,福斯探照灯 《咫尺浩劫》ExtremelyLoud and Incredibly Close,华纳兄弟 《相助》The Help,迪士尼梦工厂 《雨果的秘密》Hugo,派拉蒙 《午夜巴黎》Midnight in Paris,索尼经典 《点球成金》Moneyball,索尼哥伦比亚 《生命之树》TheTree of Life,福斯探照灯 《战马》War Horse,迪士尼梦工厂 2011年(83届) 获奖:《国王的演讲》 提名:

《黑天鹅》Black Swan 《斗士》The Fighter 《盗梦空间》Inception 《孩子们都很好》The Kids Are All Right 《国王的演讲》The King's Speech 《127小时》127 Hours 《社交网络》The Social Network 《玩具总动员3》Toy Story 3 《冬天的骨头》Winter's Bone 2010年(82届) 获奖:《拆弹部队》 提名:(从这届开始提名影片翻倍鸟) 拆弹部队(The Hurt Locker) 无耻混蛋(Inglourious Basterds) 直上云霄(Up in the Air) 珍爱(Precious: Based on the Novel Push by Sapphire) 阿凡达(Avatar) 第九区(District 9) 飞屋环游记(Up) 成长教育(An Education) 正经人(A Serious Man) 弱点(The Blind Side) 2009年(81届) 获奖:《贫民窟的百万富翁》 提名: 《本杰明·巴顿奇事》(The Curious Case of Benjamin Button),派拉蒙《福斯特对话尼克松》(Frost/Nixon),环球

名家资料英文介绍:奥斯卡·王尔德 Oscar Wilde

Oscar Wilde (1854-1900), Irish poet and dramatist whose reputation rests on his comic masterpieces Lady Windermere's Fan温夫人的扇子(1892) and The Importance of Being Earnest认真的重要性(1895). Among Wilde's other best-known works are his only novel The Picture of Dorian Gray多利安?格雷的画像(1891) and his fairy tales especially "The Happy Prince." Wilde was born on October 16, 1854 in Dublin to unconventional parents - his mother Lady Jane Francesca Wilde (1820-96), was a poet and journalist. His father was Sir William Wilde, an Irish antiquarian古物研究者,收集古物者(antiques), gifted writer, and specialist in diseases of the eye and ear. Wilde studied at Portora Royal School, Enniskillen, County Fermanagh (1864-71), Trinity College, Dublin (1871-74) and Magdalen College, Oxford (1874-78). In 1878 Wilde received his B.A. and in the same year he moved to London. His lifestyle and humorous wit soon made him the spokesman for

Oscar Wilde - The Nightingale and the Rose

The Nightingale and the Rose Wilde, Oscar Published:1888 Categorie(s):Fiction, Short Stories, Juvenile Source:Wikisource

About Wilde: Oscar Fingal O'Flahertie Wills Wilde(October16,1854–November30, 1900)was an Irish playwright,novelist,poet,and short story writer. Known for his barbed wit,he was one of the most successful playwrights of late Victorian London,and one of the greatest celebrities of his day.As the result of a famous trial,he suffered a dramatic downfall and was im-prisoned for two years of hard labour after being convicted of the offence of"gross indecency".The scholar H.Montgomery Hyde suggests this term implies homosexual acts not amounting to buggery in British legis-lation of the time. Source: Wikipedia Also available on Feedbooks for Wilde: ?The Picture of Dorian Gray(1891) ?The Importance of Being Earnest(1895) ?The Canterville Ghost(1887) ? A House of Pomegranates(1892) Note:This book is brought to you by Feedbooks https://www.360docs.net/doc/7a8232656.html, Strictly for personal use, do not use this file for commercial purposes.

奥斯卡金像奖的由来 奥斯卡是什么意思

[键入文字] 奥斯卡金像奖的由来奥斯卡是什么意思 “奥斯卡金像奖”的正式名称是“电影艺术与科学学院奖”,1927 年设立,1929 年开 始评选。它的标志是一个高13.5 英寸的镀金塑像,在一块电影胶片的底座上,屹立着 一个身材魁伟的男性,他的双手紧握着一柄长剑。凡是从事电影工作的,不论是编 剧、导演、演员,还是摄影、录制、美工人员等,只要有新的贡献和成就,就可以得 到这份荣誉。 “奥斯卡”这个名称的来历说法不一。 1927 年5 月,“好莱坞之王”——米高梅公司总经理梅耶(LouisB.Mayer)在一次晚宴上,向在座的同行提出了一个设想:“应该把好莱坞的精英分子们都集中起来,组成一 个团体。它包括演员、导演、编剧、摄影师,当然还有制片人。使他们成为好莱坞的 支柱,让他们调解纠纷,或者在制片厂里起疏导作用。”一周之后,梅耶草拟了一份关 于成立“美国电影艺术与科学学院”(AmericanAcademyofMotionPictureArtsandSciences,简称AMPAS)的提案,学院的首任主席是米高梅旗下的当红影星道格拉斯·范朋克(DouglasFairbanks) 。 按照梅耶的初衷,该学院的创办是“提高电影艺术和科学的质量;发展文化、教育与艺 术而加强各部门的协作;表彰成绩显著者促进技术研究的技术方法、设备的改善;听取电 影界人士的呼声,推进大众和电影企业的教育活动”。然而没过多久,学院发现仅凭他 们的力量,协调错综复杂的好莱坞矛盾实在是无能为力。 于是,他们把工作的重心侧重到了用颁奖的方式来嘉奖在电影摄制方面有显著成就 的人士,后来被俗称为“奥斯卡奖”的“学院奖”(AcademyAward)由此应运而生。1929 年 五月十六日第一届奥斯卡奖举办一直到今天,奥斯卡奖就成为美国影艺学院的“主营业务”和该机构的代名词。 名字来历:“奥斯卡”这个名称的来历说法不一,较为可信的是,1931 年电影艺术与 1

oscar wilde 的名言

王尔德名言 Oscar Wilde quotes( When a love comes to an end, weaklings cry, efficient ones instantly find anoth er love and wise already had one in reserve. 当爱到了终点,软弱者哭泣,精明者马上去发现另外一个,聪明的早就预备了一个. No great artist ever sees things as they really are. If he did he would cease t o be an artist. 没有伟大的艺术家是看事物真实的样子,如果他这样那他就不再是艺术家 I represent to you all the sins you have never had the courage to commit 我提供给你们的是你们没勇气去犯的罪 One can always be kind to people one cares nothing about 总是善待别人的人对什么都不在意 We Irish are too poetical to be poets; we are a nation of brilliant failures, b ut we are the greatest talkers since the Greeks. 我们爱尔兰人太诗意以至不能做诗人,我们是才华横溢的失败者的国度,可我们是自希腊人以来最伟大的讲演者 What seems to us as bitter trials are often blessings in disguise 痛苦的审判是那些虚伪的祝福 The advantage of the emotions is that they lead us astray. 情感的好处就是让我们误入歧途 Please do not shoot the pianist. He is doing his best. 请不要射击钢琴师,他已经尽力了. The heart was made to be broken 心是用来碎的 The public is wonderfully tolerant. It forgives everything except genius. 公众是惊人地宽容,可以原谅一切除了天才 Religions die when they are proved to be true. Science is the record of dead re ligions. 宗教会死亡,当他们需要证实是真的时候,科学是死亡宗教的记录 Why was I born with such contemporaries 为什么我会和这么多同代人一块出生呢? A poet can survive everything but a misprint. 诗歌可以拯救一切除了印刷错误 Only the shallow know themselves. 只有影子才懂他们自己

奥斯卡获奖影片赏析

奥斯卡获奖影片赏析 众所周知,“奥斯卡奖”是世界上最享盛名的电影奖。它由美国电影艺术与科学学院颁发,又称为“学院奖”。 第一届“奥斯卡奖”在1929年5月16日颁发,其宗旨就是提高电影的艺术质量。 《为奴十二年》 每一年的奥斯卡奖都是从秋季开始,今年的最佳影片无疑最为出众。影片根据所罗门·诺瑟普所写纪传体小说《为奴十二年》改编。其来自作者的亲身经历,他原来是生活在纽约的自由黑人,受过教育而且有一男一女两个孩子,生活也是很幸福。因遇到两个骗子相信他们会帮他在华盛顿找到一份好工作被诱拐绑架,从此开始他的为奴生涯。经历种种辛酸最终靠一个好心的加拿大木匠帮忙送信才得以解脱。 他从最开始的反抗到后来慢慢顺从,从最开始的锋芒毕露到后来的小心翼翼,都表达了对黑人制度的一种批判。 白人自以为非常尊贵非常优越的种族,认为黑人生来就是低等野蛮的存在。却不想暴露出来的是比黑人更加丑陋更加恶劣的行径,他们以各种卑鄙的手段折磨黑人贩卖黑人获取自己的利益。在黑人母亲和两个孩子分离哭的悲痛欲绝的时候白人表现出来的厌恶与黑人同胞表现出来的息事宁人和无奈形成对比。 黑人身处这样的世界,对于所受的苦难更多的是无奈,面对同胞的受苦更多的也只是麻木。他们救不了自己更何况别人,他们只能顺从和接受。 尽管如此,所罗门一定还是在心里存在一点希望的。不然他不会想要写信,不然他不会想要逃跑,不然他更不会信任木匠并求他的帮助......他的勇气和信念让他重获新生。

《贫民窟的百万富翁》 “辉煌”的定义,每一个人的答案都是不一样的,当人老了,即将走完生命的全程,会躺在床榻上回忆自己曾经有过的辉煌过去,或许带点遗憾,或许是心满意足,至少会帮助他们重新明白生活的意义…… 贾马尔?马里克参加了印度一档“谁想成为百万富翁”的电视节目。这一天是他过关斩将来到的最后一关。过了这一关他就能得到一大笔做梦才有的奖金——2千万卢比。 影片采用倒叙的方式,通过贾马尔回答问题来回忆以前的事,也反映了印度底层社会的贫穷和暴力。它以大仲马的《三个火枪手》为线索讲述了三个孩子之间的亲情、友情和爱情。 影片一开始就是一群贫民窟的孩子在打棒球遭到警卫的驱逐。他们是社会最底层的人。 他们为生计发愁,他们的子女永远低人一等,不管在哪里都会受到欺凌。 在这个残酷的世界里,贾马尔和哥哥舍利姆相依为命,并遇见了女主拉提卡。三个孩子被利用儿童乞讨的犯罪集团带走。他们残忍的弄瞎孩子的眼睛。亲眼目睹这一幕的舍利姆带着弟弟贾马尔跳上火车逃跑。拉提卡因为哥哥的放手成为贾马尔最大的遗憾。 贾马尔参加这个节目并不是为了钱,他只是想重新找到真心相爱的拉提卡。他说,因为我认为她在看这个节目,她是我的宿命。 最终他们真的在一起。无论什么也不能阻挡他们,这是他们的宿命。 《阿甘正传》

奥斯卡金像奖的评奖标准对我国的启示概要

一、引言 (一)背景 中国是全球第二大电影市场,同时也是增长最快的市场之一。纵观改革开放后的30多年,中国电影行业可以说先后经历了“高峰—低谷—上升”的发展历程。自2003年电影产业化改革启动以来的十余年间,中国电影的市场规模便一直保持着每年30%左右的增长。2005年,中国电影在度过百年华诞之后,迎来了蓬勃发展的“新元年”,电影产业在国内经济高速发展、综合国力不断增强、电影产业化改革和市场需求的拉动下,焕发出旺盛的生命力和可持续发展的巨大潜力。2010年,中国电影全年票房首次突破百亿元大关。进入21世纪以来,中国电影的产量也一直保持着快速增长的态势。2001年,全国各电影制片厂和制作公司出品的故事片电影总和只有88部,但根据国家新闻出版广电总局电影局公布的数据,2013年各大电影制片方共生产故事片电影638部,相比于2001年提升了625%。 虽然国内电影发展速度很快,但与国际影视业相比还是有很大差距。特别是在奥斯卡奖项获得方面更是少之又少,只有台湾导演李安获得过最佳导演奖。因此,我们需要对国际影视业进行研究,从而得出启示,找到我国影视业发展的方向,争取让更多的中国影视走出国门,走向世界,获得更多引人注目的国际大奖。 (二)文献回顾 1.中国人对奥斯卡金像奖的看法 在中国电影大力;中击各著名国际电影节之中,恐怕让中国电影人最割舍不下的就要算奥斯卡金像奖了,因为其他著名的国际电影节的大奖中国电影早已拿过,独独奥斯卡金像奖,国内电影人没有一个获此殊荣,特别是大陆电影人,这在一定程度上就增加了奥斯卡金像奖的神秘性。 著名摄影师顾长卫说得:“奥斯卡是美国的奖,就象内地的金鸡百花,香港的金像,台湾的金马之类,是一个本地的电影奖,它不同于国际电影节,敞开大门,各国都来。奥斯卡奖评的是美国自己的电影,外语片也要求在美国上映过,它看重的是市场,不象电影节注重影片的艺术价值和内容。”因此,中国电影人不用太在意奥斯卡,毕竟它也不是衡量电影的唯一标准(虽然奥斯卡的权威性和影响力很大)。得奖也并非衡量一个导演或演员甚至一部影片的唯一标准。 西南大学宣传部代碧峰在《电影评介》杂志中认为作为中国电影人,为中国电影长远发展诩当然个人发展除外),更应该脚踏实地,做好内功,少些“冲奖”情结。理性对待“奥斯卡”,立足于本民族,借鉴国外特别是美国等电影发达国家的先进经验和技术,结合我国电影自身的优势和百年来的优良传统,做自己的民族电影,把它做大做强。一位哲人说过“越是民族的,越是世界的。”近几年崛起的韩国日本电影就是最好的明证。 2.奥斯卡电影与美国社会的联系 由美国电影艺术与科学学院颁发的奥斯卡奖,凭借其影响力和专业水平起到了当今电影界的风向标作用。以好莱坞为主的电影产业是美国“文化软实力”的重要组成部分,除了其电影的创意元素、营销模式、高新技术的应用,剖析影片的主题可以看出美国电影大多以美国精神和价值取向为主题,体现了一种在文化和意识形态层面的吸引力与张力。 美国人罗伯特·贝拉在《心灵的习性》一书中提到了奥斯卡电影主题随着时代发展的变化,说明了美国主流价值观的一些转型:第一,个人主义与集体主义的平衡。当奥斯卡反战影片中主人公表现出无奈与内心的折磨,当人们逐渐感受到了社会中人人为自己而独立奋斗

Oscar wilde quotes

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