美国文学重点的名词解释
美国文学名词解释
1 The Enlightenment（启蒙运动）: The Enlightenment was an intellectual movement originating in France, which attracted widespread support among the ruling and intellectual classes of Europ e and North America in the second half of the 18th century. It characterizes the efforts by certain European writers to use critical reason to free minds from prejudice, unexamined authority and oppression by Church or State. Therefore, the Enlightenment is sometimes called the Age of Reason2 American Dream(美国梦): It is the faith held by many in the United States of America that through hard work, courage, and determination one can achieve a better life for oneself, usually through financial prosperity. These were values held by many early European settlers, and have been passed on to subsequent generations. Nowadays the American Dream has led to an emphasis on material wealth asmeasure of success or happiness3. Transcendentalism (超验主义、先验主义) : It was a group of new ideas in literature, religion, culture and philosophy that emerged in New England in the middle 19th century. It began as a protest against the general state of culture and society. Among transcendentalist’s core beliefs was an ideal spiritual state that “transcends” the physical and empirical(以观察或实验为依据的) and is only realized through the individual’s intuition, rather than through the doctrines of established religions. Prominent transcendentalists included Ralph Waldo Emerson（爱默生）, Henry David Thoreau（梭罗）, Walt Whitman（惠特曼）, etc. It is a kind of philosophy that stresses belief in transcendental things and the importanceof spiritual rather than material existence. （相信超凡的事物，认为精神存在比物质存在更重要).4. American Puritanism: It is the practices and beliefs of the Puritans. The Puritans were originally members of a division of the Puritan Church. The first settlers who became the founding fathers of the American nation were quite a few of them. They were a group of serious, religious people, advocating highly religious and moral principles. As the word itself hints, Puritans wanted to purity their religious beliefs and practices. They accepted the doctrine of predestination宿命论, original sin and total depravity性恶说, and limited atonement 有限的救赎 through a special infusion 浸渍 of grace from God. As a culture heritage, Puritanism did havea profound influence on the early American mind.5.Symbolism：It is the writing technique of using symbols. It’s a literary movement that arose in France in the last half of the 19th century and that greatly influenced many English writer, particularly poets, of the 20th century. It enables poets to compress a very complex idea or set of ideas into one image or even one word. It’s one of the most powerful devices thatpoets employ in creation.7.Gothic novel is a type of romance very popular late in the 18th century and at the beginning of the 19th century.Gothic novel emphasizes things which are grotesque怪异的， violent， mysterious， supernatural，desolate 荒凉 and horrifying. Gothic， originally in the sense of“medic医学，not classical”，with its descriptions of the dark，irrational side of human nature，Gothic novel has exerted a great influence over the writers of the Romantic period.8 Imagism: it’s a poetic movement of England and the U.S flourished from 1909 to 1917. The movement insists on the creation of images in poetry by “the direct treatment of the thing” and the economy of wording. The leaders of this movement were Ezra Pound and Amy Lowell艾米•洛威尔.8. Imagism: It came into being in Britain and U.S around 1910 as a reaction to the traditional English poetry to express the sense of fragmentation and dislocation. The imagists, with Ezra Pound leading the way, hold that the most effective means to express these momentary impressions is through the use of one dominant image. Imagism is characterized by the following three poetic principles: direct treatment of subject matter; economy of expression; as regards rhythm, to compose in the sequence of the musical phrase, not in the sequence of metronome 节拍器. Pound’s “In a Station of the Metro” is a well-known imagist poem.9. Stream of Consciousness(意识流): It is a style used in the presentation of the character’s inner working of mind. The assumption is that an individual’s psychological processes are a continuous flow like a shifting, uninterrupted stream, highly changeable and confusing, often appearing illogical and contrary to reason. In tracing the stream of consciousness of an individual the writer may present interior monologue(内心独白) by his character, hint with symbols, reverse(颠倒) the order of time, and alternate（轮流的／交替的） recollections（回忆） with the present or sometime illusions（幻想） with given facts.10. Point of view( 视角)：It is a term referring to the vantage point (能观察某事物的有利位置) or position from which a story is told. To identify（识别） the narrator of a story is to identify the story’s point of view. Basically there are two narrative ways: first-person point of view and the third-personpoint of view.12. The Harlem Renaissance: it was the first important movement in black American literature. Immediately after the First World War, as a result of a massive black migration to Northern cities, a group of young, talented black artists congregated in Harlem, a predominantly black section of New York City, and made it the cultural, and intellectual capital of black America. They carried forward the cultural traditions of their people and demonstrated their achievements to the white society that habitually ignored them.13. Expressionism 表现主义: it arouse in German theater after World War I. Delighting in bizarre (奇异的) stage design and exaggerated makeup and costuming(服装), expressionists sought to reflect intense states of emotion. Its mode is “the externalization(外表性) of t he inner.”14.Black humor: It is a combination of humor with resentment(怨恨), gloom, anger, and despair. Seeing all that is unreasonable, hypocritical,ugly, and even frenzied(狂乱的)，writers of black humor nurse a grievance(不平) against their society which, according to them, is full of institutionalized(制度化的) absurdity. Yet they are cynical. They laugh a morbid(病态的) laugh when facing the hideous（丑恶的）. In hopeless indignation（愤慨） they take up freezing irony and burning satire as their weapons. Their novels are often in the form of anti-novel（反传统小说）, devoid of(缺乏) completeness of plot and characterized by fragmentation （零碎的） and dislocation（混乱）.（专业文档资料素材和资料部分来自网络，供参考。
美国文学文学名词解释
美国文学文学名词解释1 Modernism(现代主义)Modernism is comprehensive but vague term for a movement , which begin in the late19th century and which has had a wide influence internationally during much of the 20th century、2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case、3> the term pertains to all the creative arts、Especially poetry, fiction, drama, painting, music and architecture、现代主义就是全面但运动模糊的术语,在19世纪末期开始,在国际上有广泛影响的在20世纪的大部分时间。
2 >现代主义以非理性哲学与精神分析理论为其理论的情况。
3 >这个词属于所有的创造性艺术。
特别就是诗歌、小说、戏剧、绘画、音乐与建筑。
2 Transcendentalism(超验主义)Transcendentalism is literature, philosophical and literary movement that flourished in new England from about 1836 to 1860、it is the summit of American Romanticism、it originated among a small group of intellectuals who were reacting against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, developing instead their own faith centering on the divinity of humanity and the natural world、Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, and from such English authors as Coleridge and Wordsworth、Its mystical aspects were partly influenced by Indian and Chinese religious teachings、Although Transcendentalism was never a rigorously systematic philosophy, it had some basic tenets that were generally shared by its adherents、The beliefs that God is immanent in each person andin nature and that individual intuition is the highest source of knowledge led to an optimistic emphasis on individualism, self-reliance, and rejection of traditional authority、The ideas of Transcendentalism were most eloquently expressed by Ralph waldo Emerson in such essays as Nature, and by Henry David Thoreau in his book Walden、超验主义就是从1836至1860于新英格兰发起的一场文学,哲学以及艺术运动。
美国文学重点名词解释
2.6.Transcendentalism: is literature，philosophical and literary movement that flourished in New England from about 1836 to1860. It originated among a small group of intellectuals who were reaching against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, their own faith centering on the divinity of humanity and the natural world instead. Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, and from such English authors as Carlyle，Coleridge, and Wordsworth. The ideas of transcendentalism were most eloquently expressed by Ralph Waldo Emerson in such essays as Nature and Self-Reliance and by Henry David Thoreau in his book Walden..Symbolism象征主义：It is the writing technique of using symbols. It’s a literary movement that arose in France in the last half of the 19th century and that greatly influenced many English writer, particularly poets, of the 20th century. It enables poets to compress a very complex idea or set of ideas into one image or even one word. It’s one of the most powerful devices thatpoets employ in creation.8.American naturalism：this term was cr eated by Emile Zola. Charles Darwin’s evolutionary theory played an important role in naturalism. In the works off naturalism，characters were conceived as complex combinations of inherited attributes and habits conditioned by social and economic forces. At the end of the 19th century，this pessimistic form of realism appeared in america. Naturalism attempted to achieve extreme objectivity and frankness. Characters in the works of naturalism were dominated by their environment and heredity. Naturalism emphasized：the world was around；men had no free will；religious“truth”were illusory；the destiny of human beings was misery in life and oblivion in death. The dominant figures in naturalism were Stephen crane，Frank Norris, Jack London and Theodore Dreiser.3.The lost generation: included the young English and American expatriates as well as men and women caught in the war and cut from the old value and yet unable to come to terms with the new era when civilization had gone mad. These writers adopted unconventional style of writing and reacted against the tendencies of the older writers in the 1920s. The term came from Gertrude Stein who said in Hemingway's presence that“you are all a lost generation.”4.Local colorismAs a trend became dominant in American literature in the 1860s and early 1870s，it is defined by Hamlin Garland as having such quality of texture and background that it could not have been written in any other place or by anyone else than a native stories of local colorism have a quality of circumstantial(详细的) authenticity(确实性), as local colorists tried to immortalize(使不朽) the distinctive natural, social and linguistic features. It is characteristic of vernacular(本.国语) language and satirical(讽刺的) humor. The major local colorist is Mark Twain.5.Jazz age: the novelist F. Scott Fitzgerald coined the term"Jazz Age" retroactively to refer to the decade after World War I and before the stock market crash in 1929, during which Americans embarked upon what he called "the gaudiest spree in history". Jazz Age is inextricably associated with the wealthy white"flappers" and socialites immortalized in Fitzgerald's fiction.6.Free verse: is a poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse structure, instead, it uses the cadences of natural speech. While it alternates stressed and unstressed syllables as stricter verse forms do, free verse does so in a looser way. Whitman's poetry is an example of free verse at its most impressive. It has since been used by Ezra Pound, T.S. Eliot and other major American can poets of the 20th century.7.The iceberg analogy: The Iceberg Theory is a writing theory by American writer Ernest Hemingway, as follows：if a writer of a prose knows enough about what he is writing about he may omit things that he knows and the reader，if the writer is writing truly enough, will have a feeling of those things as strongly as though the writer had stated them.1.Poe's Poetic IdeasA.His conviction that the function of poetry is not to summarize and interpret earthly experience,but to create a mood in which the soul soars toward supernal beauty.B.He insists that poetry must be disembarrassed of that moral sense.C.Poe believes that the elevation of excitement of the soul should be “the poetic principle” thuspoe try must concern itself only with “supernal beauty”.D.Poe defines poetry as “the rhythmical creation of beauty” a definition giving unexampledemphasis upon the importance of the rhythmical or musical element in poetry.2．Whitman's style1) The sprawling lines of the poems are often extremely long.2) Parallelism: the parallel lines say the same thing but use different words.3) Envelope structure: the first line begins with the subject, and then more and more lines list modifiers till the verb appears in the last line of the stanza. This is like enclosing a whole list of ideas in an envelope.4) Catalogue technique: means listing. Typical poems by Whitman make long, long lists of images, ofsights, sounds, smells, taste, and touch.5) No regular pattern.6) The verse unit is usually an independent clause.3．Formal features of Dickinson's poetryA.Dickson's poems are usually based on her own experience, her sorrows and joys. Dickinson wasoriginal. She sounded idiosyncratic, sometimes.B.Love is another subject Dickinson dwells on.C.Many poems Dickinson wrote are about nature, in which her general skepticism about therelationship between man and nature is well-expressed. Dickinson sees nature as both gailybenevolent and cruel.D.Dickinson's poetry is unique and unconventional in its own way. Her poems have no titles, henceare always quoted by their first lines.E.On the ethical level Dickinson emphasizes free will and human responsibility.All these characteristics of her poetry were to become popular through Stephen Crane with the Imagists such as Ezra Pound and Amy Lowell in the 20th century. She became, with Stephen Crane, the precursor of the Imagist moverment.4．The theme and techniques in Eliot's "The Waste Land"Theme：The theme is modern spiritual barrenness, the despair and depression that followed the WWI, the sterility and turbulence of the modern world, and the decline and break-down of western culture. It also shows the search for regeneration by people living in a chaotic world.Technique：The poem’s noti ceable characteristics are varied length and rhythm to harmonize with the changing subject matter, the unrhymed lines, lots of borrowings from some thirty-five different writers, the employment of materials such as the legends of the Holy Grail, Frazer’s a nthropological work The Golden Bough several popular songs, and passages in six foreign languages, including Sanskrit. The poem, therefore, is obscure and hard to understand, needless to say its absence of logical continuity. The poem The Wast Land by T. S. Eliot, nevertheless, is broadly acknowledged as one of the most recognizable landmarks of modernism.5．Analysis of "Richard Cory" by Edwin Arlington Robinson"Richard Cory" is a short dramatic poem about a man whose outward appearance belies his inner turmoil. The tragedy in the poem reflects in its spirit the tragedies in Edwin Arlington Robinson's own life: Both of his brothers died young, his family suffered financial failures, and Robinson himself endured hardship before his poetry gained recognition—thanks in part to praise from an influential reader of them, Theodore Roosevelt.Robinson published the poem himself in 1897 as part of a poetry collection called Children of the Night. The poem is a favorite of students and teachers because of the questions it poses about the the title character.6．Comment on"Stopping by Woods on a Snowy Evening" by Robert FrostA.It is a peaceful poem and makes man feel relaxed when we read the lines: "The only other sounds the sweep of easy wind and downy flake." Frost also uses alliteration and repetition in his poems. The rhyme scheme he uses is a-a-b-a.B.It is one of the most quietly moving of Frost’s lyrics. On the surface, it seems to be simple, descriptive verses, records of close observation, graphic and homely pictures.C.It uses the simplest terms and commonest words. But it is deeply meditative, adding far-reaching meanings to the homely music. It uses its superb craftsmanship to come to a climax of responsibility: the promises to be kept, the obligation to be fulfilled. Few poems have said so much in so little.7.Theme and technique in The Great Gatsby by Fitzgerald1. Themes of The Great Gatsby: It resents the decline of the American dream in1920s, the hollowness of the upper class and the falseness of ideals and moves toward disillusion.2. Now Gatsby’s life follow a clear pattern: there is, at first, a dream, then disenchantment, and finallya sense of failure and despair. Gatsby’s personal experience approximates the whole of the American experience up to the first few decades of the 20th century.3. The novel is the presentation of the 1920s, and of what has become known as American Dream. 8.ment on Hemingway's style and Farewell to Arms"1. Hemingway was a glamorous public hero of sorts whose style of writing and living was probably more imitated than any other writers in human memory.2. In one sense Hemingway wrote all his life about one theme, which is neatly summed up in the famous phrase, “grace under pressure”, and created one hero who acts that theme out.3. In the same way that Fitzgerald’s Tales of the Jazz Age becomes a symbol for an age, Hemingway’s book paints the image of a whole generation, the Lost Ge neration.4. Lieutenant Henry in A Farewell to Arms stands the Hemingway hero, an average man of decidedly masculine taste sensitive and intelligent, a man of action; and with other people, somewhat an outsider, keeping emotion under control, stoic and self-disciplined in a dreadful place where one cannot have happiness.5. Hemingway’s world is a world essentially chaotic and meaningless, in which man fights a solitary struggle against a force he does not even understand.6. The war dominates so that the love story represents a mere dream and the brutal and atrocious realities of life do not allow materializing it.10.Analyze "Dry September" by William Faulkner11.“Dry September” was written in 1931, and is a well-known story of Faulkner.This story touches upon the strange relationship between sex and violence, examines the psychological state of the main characters, and exposes the crime of racial discrimination which makes one bristle with anger.The tone of this story contributes much to its effectiveness, particularly to the imagery of infernal heat and dryness and to the setting itself.From the character Miss Minnie the reader could perceive the obvious impact of Freud’s ideas on William Faulkner.。
美国文学名词解释
American Puritanism清教主义:Puritanism is the practices and beliefs of the puritans. The Puritans were originally members of a division of the protestant church who wanted to purify their religious beliefs and practices. They accepted the doctrines of predestination, original sin and total depravity, and limited atonement through a special infusion of grace from God. American literature in the 17th century mostly consisted of Puritan literature. Puritanism had an enduring influence on American literature. It had become, to some extent, so much a state of mind, so much a part of national cultural atmosphere, rather than a set of tenets. Transcendentalism 超验主义: Transcendentalism was a group of new ideas in literature, religion, culture and philosophy that emerged in New England in the early to middle 19th century. Transcendentalists spoke for cultural rejuvenation and against the materialism of American society. It placed emphasis on spirit, or the Over soul, as the most important thing in the world. It stressed the importance of individual and offered a fresh perception nature ad symbolic of the spirit of God. Prominent transcendentalists included Ralph Waldo Emerson and Henry David Thorough.American Naturalism美国自然主义文学: American naturalism was a new and harsher realism. The naturalists attempt to achieve extreme objectivity and frankness, presenting characters of low social and economic classes who were determined by environment and heredity. It emphasized that the world was amoral, the men and women had no free will, that lives were controlled by heredity and environment, that the destiny of humanity was misery in life and oblivion in death. The pessimism and deterministic ideas naturalism pervaded the works of such American writers as Stephen Crane and Theodore Dreiser.American Naturalism(美国自然主义文学)：The American naturalists accepted the more negative interpretation of Darwin’s evolutionary theory and used it to account for the behavior of those characters in literary works who were regarded as more or less complex combinations of inherited attributes, their habits conditioned by social and economic forces.2) naturalism is evolved from realism when the author’s tone in writing becomes less serious and less sympathetic but more ironic and more pessimistic. It is no more than a gloomy philosophical approach to reality, or to human existence.3>Dreiser is a leading figure of his school.The Gilded Age镀金时代:the Gilded Age refers to the era of rapid economic and population growth in the United States during the post-Civil War and post-Reconstruction eras of the late 19th century. The term "Gilded Age" was coined by Mark Twain and Charles Dudley Warner in their 1873 book, The Gilded Age: A Tale of Today.The Gilded Age is most famous for the creation of a modern industrial economy. The end of the Gilded Age coincided with the Panic of 1893, a deep depression. The depression lasted until 1897 and marked a major political realignment in the election of 1896. After that came the Progressive Era.The Lost Generation迷惘的一代:The Lost Generation is a group of expatriate American writers residing primarily in Paris during the 1920s and 1930s. The group was given its name by the American writer Ger trude Stein, who used “a lost generation” to refer to expatriate Americans bitter about their World War I experiences and disillusioned with American society. Hemingway later used the phrase as an epigraph for his novel The Sun Also Rises. It consisted of many influential American writers, including Ernest Hemingway, F. Scott Fitzgerald, William Carlos Williams and Archibald MacLeish.The Lost Generation(迷惘的一代）：The lost generation is a term first used by Stein to describe the post-war I generation of American writers:men and women haunted by a sense of betrayal and emptiness brought about by the destructiveness of the war.2>full of youthful idealism, these individuals sought the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date.3>the three best-known representatives of lost generation are F.Scott Fitzgerald, Hemingway and John dos Passos. Tragedy:In general, a literary work in which the protagonist meets an unhappy or disastrous end. Unlike comedy, tragedy depicts the actions of a central character whois usually dignified or heroic. Through a series of events, this tragic hero is brought to a final downfall. The causes of the tragic hero’s downfall vary. In traditional dramas, the cause can be f ate, a flaw in character or an error in judgment. In modern dramas, where the tragic hero is often an ordinary individual, the causes range from moral or psychological weakness to the evils of society.Catch-22第22条军规:Catch-22 is a general critique of bureaucratic operation and reasoning. Resulting from its specific use in the book, the phrase "Catch-22" is common idiomatic usage meaning "a no-win situation" or "a double bind" of any type. The term was originally from Joseph Heller’s anti novel Catch-22.Beat Generation垮掉的一代:、Group of American writers of the 1950s whose writing expressed profound dissatisfaction with contemporary American society and endorsed an alternative set of values. The term sometimes is used to refer to those who embraced the ideas of these writers. The Beat Generation's best-known figures were writers Allen Ginsberg and Jack Kerouac.The Beat Generation(垮掉的一代):The members of The Beat Generation were new bohemian libertines. Who engaged in a spontaneous, sometimes messy, creativity.2> The Beat writers produced a body of written work controversial both for its advocacy of non-conformity and for its non-conforming style.3> the major beat writings are Allen Ginsberg’s howl.Howl became the manifesto of The Beat Generation.Psychological Realism心理现实主义:It is the realistic writing that probes deeply into the complexities of characters’ thoughts and motivations. It places more than the usual amount of emphasis on interior characterization and on the motives, and internal action which springs from and develops external action. In Psychological Realism, character and characterization are more than usually important. Henry James is considered a great master of psychological realism.Free Verse自由诗体:Free verse is poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse structure, instead, it uses the cadences of natural speech. While it alternates stressed and unstressed syllables as stricter verse form do, free verse dose so in a looser way. Walt Whitman’s poetry is an example of free verse.Confessional Poetry自白诗:It is a type of modern poetry in which poets speak with openness and frankness about their own lives, such as in poems about illness, sexuality and despondence. Robert Lowell, Sylvia Plath and Allen Ginsberg and Theodore Roethke are the most important American poets.Imagism意象派:The 1920s saw a vigorous literary activity in America. In poetry there appeared a strong reaction against Victorian poetry. Imagists placed primary reliance on the use of precise, sharp images as a means of poetic expression and stressed precision in the choice of words, freedom in the choice of subject matter and form, and the use of colloquial language. Most of the imagist poets wrote in free verse, using such devices as assonance and alliteration rather than formal metrical schemes to give structure to their poetry.The movement which had these as its aims is known in literary history as Imagism. Its prime mover was Ezra Pound.Imagism(意象主义)：Imagism came into being in Britain and U.S around 1910 as a reaction to the traditional English poetry to express the sense of fragmentation and dislocation.2>the imagists, with Ezra Pound leading the way, hold that the most effective means to express these momentary impressions is through the use of one dominant image.3>imagism is characterized by the following three poetic principles:A.direct treatment of subject matter;B.economy of expression;C. as regards rhythm ,to compose in the sequence of the musical phrase, not in the sequence of metronome. 4> pou nd’s In a Station of the Metro is a well-known inagist poem. Black Humor:the use of morbid and the absurd for darkly comic purposes in modern fiction and drama. The term refers as much to the tone of anger and bitterness as it does to the grotesque and morbid situations, which often deal with suffering, anxiety, and death. Black humor is a substantial element in the Anti-novel and the Theatre of Absurd. Joseph Heller's Catch-22 is an almost archetypal example.Irony:A contrast or an incongruity between what is stated and what is really meant, or between what is expected to happen and what actually happens in drama and literature. There are types of irony: verbal irony, dramatic irony and irony of situation. Irony of situation typically takes the form of a discrepancy between appearance and reality, or between what a character expects and what actually happens. Both verbal and irony of situation share the suggestion of a concealed truth conflicting with surface appearances.A Jja zz age(爵士时代):Jazz Age describes the period of the 1920s and 1930s, the years between world war I and world war II. Particularly in north America. With the rise of the great depression, the values of this age saw much decline. Perhaps the most representative literary work of the age is American writer Fitzgerald’s The Great Gatsby. Highlighting what some describe as the decadence and hedonism, as well as the growth of individualism. Fitzgerald is largely credited with coining the term” Jazz Age”.Nathaniel Hawthorneworks(1)Two collections of short stories: Twice-toldTales, Mosses from and Old Manse(2)The Scarlet Letter(3)The House of the Seven Gables(4)The Marble Faun1.point of view(1)Evil is at the core of human life, “thatblackness in Hawthorne”(2)Whenever there is sin, there is punishment.Sin or evil can be passed from generation togeneration (causality).(3)He is of the opinion that evil educates.(4)He has disgust in science.2.aesthetic ideas(1)He took a great interest in history andantiquity. To him these furnish the soil onwhich his mind grows to fruition.(2)He was convinced that romance was thepredestined form of American narrative. Totell the truth and satirize and yet not tooffend: That was what Hawthorne had inmind to achieve.3.style – typical romantic writer(1)the use of symbols(2)revelation of characters’ psychology(3)the use of supernatural mixed with theactual(4)his stories are parable (parable inform) – toteach a lesson(5)use of ambiguity to keep the reader in theworld of uncertainty –multiple point ofviewEdgar Allen PoeWorks1.short stories(1)ratiocinative storiesa.Ms Found in a Bottleb.The Murders in the Rue Morguec.The Purloined Letter(2)Revenge, death and rebirtha.The Fall of the House of Usherb.Ligeiac.The Masque of the Red Death(3)Literary theorya.The Philosophy of Compositionb.The Poetic Principlec.Review of Hawthorne’s Twice-told TalesI.Themes1.death –predominant theme in Poe’s writing“Poe is not interested in anything alive. Everythingin Poe’s writings is dead.”2.disintegration (separation) of life3.horror4.negative thoughts of scienceII.Aesthetic ideas1.The short stories should be of brevity, totality,single effect, compression and finality.2.The poems should be short, and the aim should bebeauty, the tone melancholy. Poems should not beof moralizing. He calls for pure poetry and stressesrhythm.III.Style – traditional, but not easy to read Reputation: “the jingle man” (Emerson)I. F. Scott Fitzgerald1.life – participant in 1920s2.works(1)This Side of Paradise(2)Flappers and Philosophers(3)The Beautiful and the Damned(4)The Great Gatsby(5)Tender is the Night(6)All the Sad Young Man(7)(8)The Last Tycoon3.point of view(1)He expressed what the young peoplebelieved in the 1920s, the so-called“American Dream” is false in nature.(2)He had always been critical of the rich andtried to show the integrating effects ofmoney on the emotional make-up of hischaracter. He found that wealth alteredpeople’s characters, making them mean anddistrusted. He thinks money brought onlytragedy and remorse.(3)His novels follow a pattern: dream – lack ofattraction – failure and despair.4.His ideas of “American Dream”It is false to most young people. Only those whowere dishonest could become rich.5.StyleFitzgerald was one of the great stylists in Americanliterature. His prose is smooth, sensitive, andcompletely original in its diction and metaphors. Itssimplicity and gracefulness, its skill inmanipulating the relation between the general andthe specific reveal his consummate artistry.6.The Great GatsbyNarrative point of view – NickHe is related to everyone in the novel and is calmand detected observer who is never quick to makejudgements.Selected omniscient point of viewII.Ernest Hemingway1.life2.point of view (influenced by experience in war)(1)He felt that WWI had broken America’sculture and traditions, and separated from itsroots. He wrote about men and women whowere isolated from tradition, frightened,sometimes ridiculous, trying to find theirown way.(2)He condemned war as purposeless slaughter,but the attitude changed when he took partin Spanish Civil War when he found thatfascism was a cause worth fighting for.(3)He wrote about courage and cowardice inbattlefield. He defined courage as “aninstinctive movement towards or away fromthe centre of violence with self-preservationand self-respect, the mixed motive”. He alsotalked about the courage with which to facetragedies of life that can never be remedied.(4)Hemingway is essentially a negative writer.It is very difficult for him to say “yes”. Heholds a black, naturalistic view of the worldand sees it as “all a nothing” and “all nada”.3.works(1)In Our Time(2)Men Without Women(3)Winner Take Nothing(4)The Torrents of Spring(5)The Sun Also Rises(6) A Farewell to Arms(7)Death in the Afternoon(8)To Have and Have Not(9)Green Hills of Africa(10)The Fifth Column(11)For Whom the Bell Tolls(12)Across the River and into the Trees(13)The Old Man and the Sea4.themes –“grace under pressure”(1)war and influence of war on people, withscenes connected with hunting, bull fightingwhich demand stamina and courage, andwith the question “how to live with pain”,“how human being live gracefully underpressure”.(2)“code hero”The Hemingway hero is an average man ofdecidedly masculine tastes, sensitive andintelligent, a man of action, and one of fewwords. That is an individualist keepingemotions under control, stoic andself-disciplined in a dreadful place. Thesepeople are usually spiritual strong, people ofcertain skills, and most of them encounterdeath many times.5.style(1)simple and natural(2)direct, clear and fresh(3)lean and economical(4)simple, conversational, common found,fundamental words(5)simple sentences(6)Iceberg principle: understatement, impliedthings(7)SymbolismI.Mark Twain – Mississippi1.life2.works(1)The Gilded Age(2)“the two advantages”(3)Life on the Mississippi(4) A Connecticut Yankee in King Arthur’sCourt(5)The Man That Corrupted Hardleybug3.style(1)colloquial language, vernacular language,dialects(2)local colour(3)syntactic feature: sentences are simple, brief,sometimes ungrammatical(4)humour(5)tall tales (highly exaggerated)(6)social criticism (satire on the different uglythings in society)I.Emily Dickenson1.life2.works(1)My Life Closed Twice before Its Close(2)Because I Can’t Stop for Death(3)I Heard a Fly Buzz – When I died(4)Mine – by the Right of the White Election(5)Wild Nights – Wild Nights3.themes: based on her ownexperiences/joys/sorrows(1)religion –doubt and belief about religioussubjects(2)death and immortality(3)love –suffering and frustration caused bylove(4)physical aspect of desire(5)nature – kind and cruel(6)free will and human responsibility4.style(1)poems without titles(2)severe economy of expression(3)directness, brevity(4)musical device to create cadence (rhythm)(5)capital letters – emphasis(6)short poems, mainly two stanzasrhetoric techniques: personification –make some of abstract ideas vivid。
美国文学名词解释
美国文学名词解释美国文学，作为世界文学的重要组成部分，有着丰富多彩的文化背景和独特的创作风格。
在这篇文章中，我将为您解释几个与美国文学相关的重要名词。
1. 美国文学：美国文学是指在美国国土上创作的文学作品，包括小说、诗歌、戏剧和散文等各种文体。
美国文学自17世纪初殖民地时期开始出现，并逐渐形成独特的风格和主题，如自由、探索、个人价值观等。
该文学受到欧洲文学、非裔美国文学、拉丁美洲文学等多个文学传统的影响。
2. 讽刺文学：讽刺文学是通过调侃、嘲笑或批评等手法，通过善意或恶意地对社会、人物、社会习俗等进行揭示和描述的一种文学形式。
美国文学中讽刺常常用来表达对社会问题的关注以及对不公正现象的讽刺批评。
作家马克·吐温的小说《哈克贝里·费恩历险记》便是美国文学中著名的讽刺作品之一。
3. 大都市文学：大都市文学是指以城市为背景、以城市生活为题材的文学作品。
美国是大都市文学的发源地之一，纽约市成为该文学流派的中心。
大都市文学反映了城市的动态与繁华，同时也揭示了城市中的社会问题和人际关系。
美国作家F·斯科特·菲茨杰拉德的小说《了不起的盖茨比》，以及薇拉·刘易斯和李欧·斯坦巴克的作品都是著名的大都市文学作品。
4. 美国本土文学：美国本土文学是指探讨、描写和反映美国本土历史、文化、民族特色的文学作品。
该文学形式着重于展示美洲原住民、欧洲移民、非裔美国人和其他少数族裔的文化传统和经验。
美国作家奥兰多·费斯特的小说《渐近线》以及路易斯·埃里斯的小说《米南多洛之歌》都是美国本土文学的代表作品。
5. 后现代主义文学：后现代主义文学是指具有反传统、颠覆常规、模糊现实与虚幻界限的文学形式。
在晚20世纪以后的美国文学中，后现代主义作品开始兴起。
该文学形式常常使用非线性叙事、多重视角和流派的混合等技巧来表达个体性、主观性和相对主义等概念。
美国作家托马斯·品钦的小说《地下时光》以及大卫·福斯特·华莱士的小说《无人生还》都是后现代主义文学的代表作品。
比较齐全的美国文学名词解释
Stream of consciousness(意识流)(or interior monologue);In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow,tracing as they do a character’s fragmentary thoughts and sensory feelings.famous writers to employ this technique in the english language include James Joyce and William Faulkner.American realism ：（美国现实主义）Realism was a reaction against Romanticism and paved the way to Modernism;2).During this period a new generation of writers, dissatisfied with the Romantic ideas in the older generation, came up witha new inspiration. This new attitude was characterized by a great interest in the realities of life. It aimed at the interpretation of the realities of any aspect of life, free from subjective prejudice, idealism, or romantic color. Instead of thinking about the mysteries of life and death and heroic individualism, people’s attention was now directed to the interesting features of everyday existence, to what was brutal or sordid, and to the open portayal of class struggle;3) so writers began to describe the integrity of human characters reacting under various circumstances and picture the pioneers of the far west, the new immigrants and the struggles of the working class; 4) Mark Twain Howells and Henry James are three leading figures of the American Realism.American Naturalism(美国自然主义文学)：The American naturalists accepted the more negative interpretation of Darwin’s evolutionary theory and used it to accout for the behavior of those characters in literary works who were regarded as more or less complex combinations of inherited attributes, their habits conditioned by social and economic forces.2) naturalism is evolved from realism when the author’s tone in writing becomes less serious and less sympathetic but more ironic and more pessimistic. It is no more than a gloomy philosophical approach to reality, or to human existence.3>Dreiser is a leading figure of his school.Local Colorism(乡土文学)：Generally speaking, the writings of local colorists are concerned with the life of a small, weell-defined region or province. The characteristic setting is the isolated small town. 2) Local colorists were consciously nostalgic historians of a vanishing way of life, recorders of a present that faded before their eyes. Yet for all their sentimentality, they dedicated themselves to minutely accurate descriptions of the life of their regions, they worked from personal experience to record the facts of a local environment and suggested that the native life was shaped by the curious conditions of the local. 3) major local colorists is Mark Twain.Imagism(意象主义)：Imagism came into being in Britain and U.S around 1910 as a reaction to the traditional English poetry to express the sense of fragmentation and dislocation.2>the imagists, with Ezra Pound leading the way, hold that the most effective means to express these momentary impressions is through the use of one dominant image.3>imagism is characterized by the following three poetic principles:A.direct treatment of subject matter;B.economy of expression;C. as regards rhythm ,to compose in the sequence of the musical phrase, not in the sequence of metronome. 4> pound’s In a Station of the Metro is a well-known inagist poem.The Lost Generation(迷惘的一代）：The lost generation is a term first used by Stein to describe the post-war I generation of American writers:men and women haunted by a sense of betrayal and emptiness brought about by the destructiveness of the war.2>full of youthful idealism, these individuals sought the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date.3>the three best-known representatives of lost generation are F.Scott Fitzgerald, hemingway and John dos Passos.The Beat Generation(垮掉的一代):The members of The Beat Generation were new bohemian libertines. Who engaged in a spontaneous, sometimes messy, creativity.2> The Beat writers produced a body of written work controversial both for its advocacy of non-conformity and for its non-conforming style.3> the major beat writings are Allen Ginsberg’s howl.Howl became the manifesto of The Beat Generation.A J azz age(爵士时代):The Jazz Age describes the period of the 1920s and 1930s, the years between world war I and worldwar II. Particularly in north America. With the rise of the great depression, the values of this age saw much decline. Perhaps the most representative literary work of the age is American writer Fitzgerald’s The Great Gatsby. Highlighting what some describe as the decadence and hedonism, as well as the growth of individualism. Fitzgerald is largely credited with coining the term” Jazz Age”.Feminisim(女权主义): Feminisim incorporates both a doctrine of equal rights for women and an ideology of social transformation aiming to create a world for women beyond simple social equality.2>in general, feminism is ideology of women’s liberation based on th e belief that women suffer injustice because of their sex. Under this broad umbrella various feminisms offer differing analyses of the causes, or agents, of female oppression.3> definitions of feminism by feminists tend to be shaped by their training, ideology or race. So, for example, Marxist and socialist feminists stress the interaction within feminism of class with gender and focus on social distinctions between men and women. Black feminists argue much more for an integrated analysis which can unlock the multiple systems of oppression.Hemingway Code Hero(海明威式英雄): Hemingway Code Hero ,also called code hero, is one who, wounded but strong more sentitive, enjoys the pleasures of life( sex, alcohol, sport) in face of ruin and death, and maintains, through some notion of a code, an ideal of himself.2> barnes in the sun also Rises, henry in a Farewell to arms and santiago in the old man and the sea are typical of Hemingway Code HeroImpressionism(印象主义):Impressionism is a style of painting that gives the impression made by the subject on the artist without much attention to details. Writers accepted the same conviction that the personal attitudes and moods of the writer were legitimate elements in depicting character or setting or action.2>briefly, it is a style of literature characterized by the creation of general impressions and moods rather that realistic mood.Modernism(现代主义)：Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting,music and architecture.4> in england from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions.fresh way s of looking at man’s position and function in the universe and many experiments in form and style.it is particularly concerned with language and how to use it and with writing itself.the gilded age: Plains Indians were pushed in a series of Indian wars onto restricted reservations.This period also witnessed the creation of a modern industrial economy. A national transportation and communication network was created, the corporation became the dominant form of business organization, and a managerial revolution transformed business operations. By the beginning of the twentieth century, per capita income and industrial production in the United States exceeded that of any other country except Britain. Long hours and hazardous working conditions, led many workers to attempt to form labor unions despite strong opposition from industrialists and the courts.An era of intense political partisanship, the Gilded Age was also an era of reform. The Civil Service Act sought to curb government corruption by requiring applicants for certain governmental jobs to take a competitive examination. The Interstate Commerce Act sought to end discrimination by railroads against small shippers and the Sherman Antitrust Act outlawed business monopolies. These years also saw the rise of the Populist crusade. Burdened by heavy debts and falling farm prices, many farmers joined the Populist party, which called for an increase in the amount of money in circulation, government assistance to help farmers repay loans, tariff reductions, and a graduated income tax.Mark Twain called the late nineteenth century the "Gilded Age." By this, he meant that the period was glittering on the surface but corrupt underneath. In the popular view, the late nineteenth century was a period of greed and guile: of rapacious Robber Barons, unscrupulous speculators, and corporate buccaneers, of shady business practices, scandal-plagued politics, and vulgar display. It is easy to caricature the Gilded Age as an era of corruption, conspicuous consumption, and unfettered capitalism. But it is more useful to think of this as modern America’s formative period, when an agrarian society of small producers was transformed into an urban society dominated byindustrial corporations.Regionalism(地区主义)：In literature, regionalism or local color fiction refers to fiction or poetry that focuses on specific features –including characters, dialects, customs, history, and topography –of a particular region. Since the region may be a recreation or reflection of the author's own, there is often nostalgia and sentimentality in the writing.Although the terms regionalism and local color are sometimes used interchangeably, regionalism generally has broader connotations. Whereas local color is often applied to a specific literary mode that flourished in the late 19th century, regionalism implies a recognition from the colonial period to the present of differences among specific areas of the country. Additionally, regionalism refers to an intellectual movement encompassing regional consciousness beginning in the 1930s. Even though there is evidence of regional awareness in early southern writing—William Byrd's History of the Dividing Line, for example, points out southern characteristics—not until well into the 19th century did regional considerations begin to overshadow national ones. In the South the regional concern became more and more evident in essays and fiction exploring and often defending the southern way of life. John Pendleton Kennedy's fictional sketches in Swallow Barn, for example, examined southern plantation life at length.multiple points of view（多视角）：Multiple Point of View: It is one of the literary techniques William Faulkner used, which shows within the same story how the characters reacted differently to the same person or the same situation. The use of this technique gave the story a circular form wherein one event was the center, with various points of view radiating from it. The multiple points of view technique makes the reader recognize the difficulty of arriving at a true judgment.Confessional poetry ：Confessional poetry emphasizes the intimate, and sometimes unflattering, information about details of the poet's personal life, such as in poems about illness, sexuality, and despondence. The confessionalist label was applied to a number of poets of the 1950s and 1960s. John Berryman, Allen Ginsberg, Robert Lowell, Sylvia Plath, Theodore Roethke, Anne Sexton, and William De Witt Snodgrass have all been called 'Confessional Poets'. As fresh and different as the work of these poets appeared at the time, it is also true that several poets prominent in the canon of Western literature, perhaps most notably Sextus Propertius and Petrarch, could easily share the label of "confessional" with the confessional poets of the fifties and sixties.Ecocriticism：Ecocriticism is the study of literature and environment from an interdisciplinary point of view where all sciences come together to analyze the environment and brainstorm possible solutions for the correction of the contemporary environmental situation. Ecocriticism was officially heralded by the publication of two seminal works, both published in the mid-1990s: The Ecocriticism Reader, edited by Cheryll Glotfelty and Harold Fromm, and The Environmental Imagination, by Lawrence Buell.In the United States, Ecocriticism is often associated with the Association for the Study of Literature and Environment (ASLE), which hosts biennial meetings for scholars who deal with environmental matters in literature. ASLE has an official journal—Interdisciplinary Studies in Literature and Environment (ISLE)—in which much of the most current American scholarship in the rapidly evolving field of ecocriticism can be found.Ecocriticism is an intentionally broad approach that is known by a number of other designations, including "green (cultural) studies", "ecopoetics", and "environmental literary criticism".Dramatic Conflict：At least not the special kind of conflict that drives plays, the gas that fuels the dramatic engine. Arguments in real life are usually circular -- nobody gets anywhere, except a little steam's been blown off. And they're boring for everyone except the folks doing the yelling.Dramatic Conflict draws from a much deeper vein, rooted in the Subtext of your central characters. It's driven by fundamentally opposing desires.Conflict is a necessary element of fictional literature. It is defined as the problem in any piece of literature and is often classified according to the nature of the protagonist or antagonist。
美国文学史名词解释
1、Romanticism浪漫主义a movement of the 18th and 19th century that affected the whole of Europe and America.It is the predominance of imagination over reason and formal rules and over the sense of fact or the actual, a psychological desire to escape from unpleasant realities.Romanticism was a movement in literature, philosophy, music and art which developed in Europe in the late 18th and early 19th centuries.It emphasized individual values and aspirations above those of society as a reaction to the Industrial Revolution.It looked to the Middle Ages and to direct contact with nature for inspiration的特点：frequently shared certain general characteristics, moral enthusiasm, faith in the value of individualism and intuitive perception, and a presumption that he natural world was a source of corruption.浪漫主义之间大多是相通的，都注重道德，强调个人主义价值观和直觉感受，并且认为自然是美的源头，人类社会是腐败之源。
美国文学的名词解释
美国文学的名词解释美国文学作为世界文学的重要组成部分，具有独特的风格和特点，是文学史上的一大瑰宝。
本文将对美国文学中一些重要的名词进行解释，帮助读者更好地理解美国文学的意义和内涵。
第一部分：美国文学的起源和发展美国文学的起源可以追溯到17世纪早期的殖民地时期。
当时，随着英国殖民者的到来，美国开始有了自己的文学作品。
早期的美国文学主要以宗教和探索为主题，其中最著名的作品就是威廉·布莱克斯通的《“前进”和定居》。
随着美国的独立建国，美国文学开始走上了独立发展的道路。
在19世纪，美国经历了浪漫主义文学的兴盛时期。
浪漫主义思想强调个人感情和自由，反对传统权威和规范。
这一时期涌现了许多优秀作家，如威廉·卡伯特·布莱恩特、华盛顿·欧文、爱德加·爱伦·坡等，他们的作品充满了热情和想象力。
第二部分：美国文学的重要流派1. "大地小说"：大地小说是20世纪初美国文学的重要流派之一，旨在通过描写农村生活和自然环境来反映人类与大自然的关系。
约翰·斯坦贝克的《愤怒的葡萄》和威廉·福克纳的《喧哗与骚动》就是典型的大地小说作品。
2. "垮掉的一代"：垮掉的一代是指20世纪20年代的一群作家，他们对传统价值观和道德规范感到厌倦，试图通过追求个人自由和享乐来突破社会的束缚。
弗朗西斯·斯科特·菲茨杰拉德的《了不起的盖茨比》和欧内斯特·海明威的《太阳照样升起》是垮掉的一代作品的代表。
3. "南方文学"：南方文学是美国文学中的重要分支，它的主要特点是描绘南方地区的生活和文化。
威廉·福克纳是南方文学的代表作家，他的作品《善良人》揭示了南方社会的种族问题和社会矛盾。
第三部分：美国文学中的重要作品1. 《老人与海》：这是海明威的代表作品，以老渔夫圣地亚哥的形象为中心，表达了对生命的坚持和追求的主题。
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New England Transcendentalism:
Philosophically, Transcendentalism means the recognition in man of the capacity of knowing truth intuitively, or of attaining knowledge transcending the reach of the senses. New England Transcendentalism stress the importance of the Over-soul, the Individual and Nature. Other concepts that accompanied Transcendentalism include the idea that nature is enabling and the individual is divine and therefore, self-reliant. The leading figure of New England Transcendentalism is Emerson and Thoreau.
American Romanticism:
It is one of the most important periods in the history of American literature that stretches from the end of the 18th century to the outbreak of the Civil War. Being a period of the great flowering of American literat ure, it is also called “the American Renaissance.” American romantic works emphasize the imaginative and emotional qualities of literature. Romanticists include such literary figures as Washington Irving, Ralph Waldo Emerson, Henry David Thoreau, William Cullen Bryant, Henry Wordsworth Longfellow, Nathaniel Hawthorne, Edgar Allen Poe, Herman Melville, Walt Whitman and some others.
Free Verse:
Poetry without a fixed beat or regular rhyme scheme
American Puritanism:
The first settlers who came to America wer e called “Puritans”, so named after because they wished to “purify” the religious practice in the church. They established their own religious and moral principles as American Puritanism, which stressed predestination, original sin, total depravity, and li mited atonement from God’s grace. American Puritanism is one of the enduring influences in American thought and American literature. American Puritanism was greatly influenced by Calvinism.
Symbolism:
Symbolism is the practice of representing things by means of symbols or of attributing symbolic meanings or significance to objects, events, or relationships.
American Literature:
Literature refers to body of work which for whatever reason deserves to be preserved as part of the reproduction of meaning within a given culture. It mainly includes novel, drama, poetry, short stories, biography and some other forms. American Literature refers to literature written by Americans in English.
Epic
A long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated. Many epics were drawn from an oral tradition and were transmitted by song and recitation before they were written down.
Analysis
"To a Waterfowl" is written in iambic trimeter and iambic pentameter, consisting of eight stanzas of four lines. The poem represents early stages of American Romanticism through celebration of Nature and God's presence within Nature. Bryant is acknowledged as skillful at depicting American scenery but his natural details are often combined with a universal moral, as in "To a Waterfowl"
Figures of speech alliteration metaphor anaphora personification:。