porto_competition_brief
Porter__What is Strategy__20030919__Excellent

Faulty Definitions of Strategy
• Strategy as aspiration
– “Our strategy is to be #1 or #2…”
• Strategy as action
– “Our strategy is to merge…”
• Strategy as vision • Strategy as experiments
This presentation draws on ideas from Professor Porter’s books and articles, in particular, Competitive Strategy (The Free Press, 1980); Competitive Advantage (The Free Press, 1985); ―What is Strategy?‖ (Harvard Business Review, Nov/Dec 1996); ―Strategy and the Internet‖ (Harvard Business Review, March 2001); The Competitive Advantage of Nations (The Free Press, 1990); ―The Microeconomic Foundations of Economic Development,‖ in The Global Competitiveness Report 2001 (World Economic Forum, 2001); ―Clusters and the New Competitive Agenda for Companies and Governments,‖ in On Competition (Harvard Business School Press, 1998); Clusters of Innovation Initiative (), a joint effort of the Council on Competitiveness, Monitor Group, and Professor Porter; ―The Competitive Advantage of Corporate Philanthropy‖, Harvard Business Review, forthcoming, with Mark Kramer; and a forthcoming book. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, or otherwise— without the permission of Michael E. Porter. Additional information may be found at the website of the Institute for Strategy and Competitiveness, .
辩论比赛英语作文模板

辩论比赛英语作文模板英文回答:Template for Debate Speech。
I. Introduction。
Begin with a captivating hook to grab the audience's attention.State the topic of the debate and your position clearly.Provide a brief overview of the main arguments youwill present.II. Body Paragraphs。
Paragraph 1: Present your first argument in support of your position.Provide evidence from credible sources to support your claims.Address any potential counterarguments and provide rebuttals.Paragraph 2: Present your second argument in support of your position.Follow the same structure as Paragraph 1, providing evidence and rebutting counterarguments.Paragraph 3: Present your third argument in support of your position.If time permits, provide a third argument or summarize your main points.III. Conclusion。
Restate your position and summarize your mainarguments.Emphasize the importance of your position and its implications.End with a strong call to action or a thought-provoking statement.Additional Tips。
公共政策终结理论研究综述

公共政策终结理论研究综述摘要:政策终结是政策过程的一个环节,是政策更新、政策发展、政策进步的新起点。
政策终结是20世纪70年代末西方公共政策研究领域的热点问题。
公共政策终结是公共政策过程的一个重要阶段,对政策终结的研究不仅有利于促进政策资源的合理配置,更有利于提高政府的政策绩效。
本文简要回顾了公共政策终结研究的缘起、内涵、类型、方式、影响因素、促成策略以及发展方向等内容,希望能够对公共政策终结理论有一个比较全面深入的了解。
关键词:公共政策,政策终结,理论研究行政有着古老的历史,但是,在一个相当长的历史时期中,行政所赖以治理社会的工具主要是行政行为。
即使是公共行政出现之后,在一个较长的时期内也还主要是借助于行政行为去开展社会治理,公共行政与传统行政的区别在于,找到了行政行为一致性的制度模式,确立了行政行为的(官僚制)组织基础。
到了公共行政的成熟阶段,公共政策作为社会治理的一个重要途径引起了人们的重视。
与传统社会中主要通过行政行为进行社会治理相比,公共政策在解决社会问题、降低社会成本、调节社会运行等方面都显示出了巨大的优势。
但是,如果一项政策已经失去了存在的价值而又继续被保留下来了,就可能会发挥极其消极的作用。
因此,及时、有效地终结一项或一系列错误的或没有价值的公共政策,有利于促进公共政策的更新与发展、推进公共政策的周期性循环、缓解和解决公共政策的矛盾和冲突,从而实现优化和调整公共政策系统的目标。
这就引发了学界对政策终结理论的思考和探索。
自政策科学在美国诞生以来,公共政策过程理论都是学术界所关注的热点。
1956年,拉斯韦尔在《决策过程》一书中提出了决策过程的七个阶段,即情报、建议、规定、行使、运用、评价和终止。
此种观点奠定了政策过程阶段论在公共政策研究中的主导地位。
一时间,对于政策过程各个阶段的研究成为政策学界的主要课题。
然而,相对于其他几个阶段的研究来说,政策终结的研究一直显得非常滞后。
这种情况直到20世纪70年代末80年代初,才有了明显的改善。
Basic_PID_老外的经典文章翻译

off the PID controller and adjust the output by hand, without the controller interfering
pid 的开关。在很多应用里面,pid 内有意的关闭,并且用人工的方式调整输出,没有和控制器连接。
6.
Initialization - When the controller first turns on, we want a “bumpless transfer.”
double Kd)
{
kp = Kp;
ki = Ki;
kd = Kd;
}
Compute() is called either regularly or irregularly, and it works pretty well. This series isn’t about “works pretty well” though. If we’re going to turn this code into something on par with industrial PID controllers, we’ll have to address a few things:
That is, we don’t want the output to suddenly jerk to some new value
初始化,但我们打开控制器。我们会进行一些参数的传递。这样我们就不会突然输出一个新值。
7.
Controller Direction - This last one isn’t a change in the name of robustness per se.
(This is Modification #1 in a larger series on writing a solid PID algorithm)
PORTFREEPRODUCTIONPROGRAM

PORTFREEPRODUCTIONPROGRAMIntroductionThe PORTFREEPRODUCTIONPROGRAM is a comprehensive software system designed to streamline and automate the production process for port-free products. This program aims to eliminate the need for ports, such as USB or HDMI ports, in electronic devices by providing alternative methods of data transfer and connectivity. In this document, we will provide a detailed overview of the PORTFREEPRODUCTIONPROGRAM, its features, and the benefits it offers to manufacturers of electronic devices.FeaturesThe PORTFREEPRODUCTIONPROGRAM offers a wide range of features that simplify the production process for port-free products. Some of the key features include:Alternative connectivity methodsThe program provides alternative methods of connectivity, such as wireless connectivity and cloud-based data transfer. This allows electronic devices to communicate and exchange information without the need for physical ports.Streamlined manufacturing processThe PORTFREEPRODUCTIONPROGRAM includes several modules that automate various stages of the manufacturing process. These modules include:•Design module: This module allows manufacturers to design port-free electronic devices using an intuitive and user-friendly interface. Manufacturers can specify thedesired functionality of the device and the program willgenerate the necessary code and configurations.•Testing module: This module automatically tests the performance and functionality of the port-free devices toensure that they meet the required standards. It includes comprehensive testing procedures and generates detailed test reports.•Production module: This module handles the production of the port-free devices, including the assembly of components, quality control, and packaging. It ensures that the devices are manufactured in a timely and efficient manner.Integration with existing systemsThe PORTFREEPRODUCTIONPROGRAM can be seamlessly integrated with existing manufacturing systems, such as enterprise resource planning (ERP) and supply chain management (SCM) systems. This allows manufacturers to leverage their existing infrastructure and processes while benefiting from the additional capabilities offered by the program.Real-time analyticsThe program includes a real-time analytics module that provides manufacturers with valuable insights into the production process. It collects and analyzes data from various stages of the manufacturing process, allowing manufacturers to identify bottlenecks, optimize workflows, and improve overall efficiency and productivity.BenefitsBy implementing the PORTFREEPRODUCTIONPROGRAM, manufacturers can enjoy a wide range of benefits, including: Cost savingsEliminating the need for physical ports in electronic devices can significantly reduce the manufacturing costs. This is because ports can be expensive to produce, assemble, and maintain. By utilizing alternative connectivity methods, manufacturers can save on the costs associated with ports, such as connectors, cables, and related components.Enhanced flexibility and design optionsRemoving ports from electronic devices opens up new possibilities in terms of design and form factor. Manufacturers can create more compact and sleek devices without compromising on functionality. This allows for greater flexibility in product design and differentiation, ultimately resulting in a competitive advantage in the market.Improved user experienceBy providing alternative methods of connectivity, the PORTFREEPRODUCTIONPROGRAM enhances the user experience of electronic devices. Users can enjoy seamless wireless connectivity and transfer data effortlessly. This improves convenience and usability, leading to higher customer satisfaction and loyalty.Future-proofingAs technology continues to evolve, the PORTFREEPRODUCTIONPROGRAM ensures that manufacturers are well-prepared for future advancements. By eliminating reliance on physical ports, manufacturers can adapt to emerging technologies and trends without the need for costly hardware upgrades or modifications.ConclusionThe PORTFREEPRODUCTIONPROGRAM is a powerful software system that revolutionizes the production process for port-free electronic devices. With its range of features and benefits, this program offers manufacturers an efficient and cost-effective solution to produce cutting-edge devices without the need for physical ports. By embracing this program, manufacturers can stay ahead of the competition and meet the ever-increasing demands of the market.。
A comparison of ABR and UBR to support TCP

1
A comparison of ABR and UBR to support TCP tra c
Sam Manthorpe and Jean-Yves Le Boudec
cell rate
UBR for providing high-speed network interconnection services for TCP tra c. We test the hypothesis that UBR with adequate bu ering in the ATM switches results in better overall goodput for TCP tra c than explicit rate ABR for LAN interconnection. This is shown to be true in a wide selection of scenarios. Four phenomena that may lead to bad ABR performance are identi ed and we test whether each of these has a signi cant impact on TCP goodput. This reveals that the extra delay incurred in the ABR end-systems and the overhead of RM cells account for the di erence in performance. We test whether it is better to use ABR to push congestion to the end-systems in a parking-lot scenario or whether we can allow congestion to occur in the network. Finally, we test whether the presence of a `multiplexing loop' causes performance degradation for ABR and UBR. We nd our original hypothesis to be true in all cases. We observe, however, that ABR is able to improve performance when the bu ering inside the ABR part of the network is small compared to that available at the ABR end-systems. We also see that ABR allows the network to control fairness between end-systems.
12.7-康小松-顺应论视野下的商务英语广告的翻译技巧-5000

顺应论视野下的商务英语广告的翻译技巧摘要:本文所论述的主要内容是将维索尔伦所提出的顺应论运用早商务英语的广告翻译当中,并且还阐述了顺应论对于商务英语广告的指导作用和翻译技巧。
随着社会经济的不断发展,全球经济一体化形势的不断加快。
英语作为全球性质的通用语言已经被广泛的运用在了商业活动当中。
广告在商业活动当中能够有效的宣传自己的产品,商务英语广告的运用能够将自己企业生产的产品推向更加广阔的市场。
因此,广告的翻译作用也就不言而喻。
在商业活动当中,商务英语广告的翻译并不是一种简单的文学翻译,而是要在传递基本信息的同时,促进消费者的购买欲望。
因此,在商务英语的翻译当中,不但要保留原有的英文含义,更要使得翻译内容更加贴近英文原文。
关键词:顺应论;商务英语广告;翻译技巧;本土化Abstract:this paper expounds the main content is to d sol's adaptation of the proposed use of business English advertising translation early, and also expounds the adaptation for guidance and business English advertising translation skills.With the continuous development of social economy, the global economic integration of the accelerating of the situation. English as a global language has been widely used in the commercial activity. Advertising in business activities can effectively promote their products, the use of business English advertising can give their products to the broader market. Therefore, advertising translation effect is self-evident. In business activities, business English advertising translation is not a simple literary translation, but at the same time in the transfer of basic information, promote the consumer's purchasedesire. In the translation of business English, therefore, not only to retain the original meaning in English, more to make more close to the original English translation content.Key words: adaptation; Business English advertising; Translation skills; localization前言全球经济和科学技术的迅猛发展,让全球逐渐变成了“地球村”。
国际商务谈判-英文版-期末试卷答案

Negotiations谈判: A negotiation is a process of communication between parties to manage conflicts in order for them to come to an agreement, solve a problem or make arrangements.Conflicts冲突:A conflict is dispute, disagreement or argument between two or more interdependent parties who have different and common interests.Stakes利益:Stakes are the value of benefits that may be gained or lost,and the costs that may be incurred or avoided.Information信息: Information is generally esteemed as a valuable commodity in a sense that it has power to reduce uncertainty。
Power能力: is a social phenomenon ,which endows people with control Negotiation power谈判力:Negotiation power is the ability that one negotiator can make use of to control over and affect the other side's decision making and to resolve the dispute and attain the target of negotiation。
- 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。
CTRL+ SPACE INTRODUCTIONCTRL+SPACE is an online platform that creates and promotes ArchitecturalCompetitions.In the daily practice of Architecture, competitions are an important part of theformative experience. When applied to concrete needs, by the mediation ofcontext and content, they demonstrate the added value that architecturaldiscussion can bring to the solution of issues of the community.We provide a launching platform for a community of architects that have interestin making a contribution in their specialty field, keep creatively active and givemore visibility to their professional practice.We intend to create an ideas exchange platform and bring into light emergingtalents.We aim to promote discussion of contemporary architectonic and urban topicsapplied to a specific need and context among professionals who are motivatedto the valorization of Architecture.OBJECTIVEThis is a single stage Ideas Competition with the aim of identifying the bestproposal of a Public Space in the riverfront of Porto, Portugal.This Competition is open to all students and professionals of areas related toArchitecture. Multidisciplinary teams are encouraged. We invite you to createinnovative solutions to tackle the challenges presented. The winning design willdemonstrate a high degree of expression and creativity in fulfilling the programrequirements, in accordance with the specific design guidelines here presented.This is an Ideas Competition; therefore all submitted projects should be forconcept design. All proposals will be reviewed by an international five-memberjury. The awarding shall be made in according to the conceptual merit of theworks presented.Urban Pools were popular in the bigger cities of Europe and North America in the 19th and 20th Century. Some of these were floating bathhouses that allowed for safe swimming and bathing closer to the city where beaches were at a great distance. Some of these river pools in Switzerland are still active today. The water quality improvement in urban rivers is renewing the interest in this typology, as is noticeable in the Scandinavian countries with recent projects of urban baths in Copenhagen and Oslo. In Porto, during the summer months, there is already the local habit of diving into the river, in the upstream fluvial beaches or, for the daredevils, from the lower platform of the Luis I Bridge.The river water presents still a high degree of pollution, but the image of people swimming in the Douro River could be a testament to future developments of its water quality.This sector of the city of Porto has very good conditions to enjoy sun and water in an urban context.The questions raised are of how can this location be revitalized into a place for living and recreation? How can we make this a year round activity attractor? How can this be an instrument of education of the general public to the importance of the preservation of water quality?Here is presented an opportunity to test a different approach on how the city, through its public space could reconnect with the River.Due to the seasonality of the swimming pools program, we suggest flexibility to the program that would enable to cope with the winter months with a similar degree of activities.We intend an exciting and innovative structure that provides a safe area for swimming in the Douro River for people of all ages. It should promote new uses, a better awareness of the river and generate spontaneous activities at the edge of the water.URBAN poolsBerlin: Badeschiff, by Susanne Lorenz + AMP Arquitectos Copenhagen: Harbour Baths by PLOT (JDS + BIG)Copenhagen: Kastrup Sea Bath by WHITE Arkitekter Copenhagen: Kalvebod Waves by JDS and KLAR Porto: Le ça Swimming Pools by Alvaro SizaFONTAINHASFERDINAND WALLGUINDAIS FUNICULAR RAILWAYINTERVENTION SITETOTAL AREA: 19 408 sqmGOOGLE MAPS: 41.140826, -8.609008GEOGRAPHICAL COORDINATES: 41°08'27"N, 8°36'32"WThe riverine front of the city is a continuous circuit that comes from the Atlantic Beaches to the West all the way to the city center, following the course of the River.Formally there has always been a barrier in the city, enforced by the presence of the Luiz I Bridge, which has virtually limited the growth of the public activities further; nevertheless, there is a clear possibility to interlock the proposed intervention with the existing one, through the crossing under the bridge.This sector of the city is a very dynamic one; its linear configuration is at the moment solely a linearpedestrian path. It has the potential to provide a framework to a wider set of informal activities. Participants are challenged to generate a welcoming hub for urban and water activities. A new structure that should integrate and address the needs of current users: fishing enthusiasts, joggers, cyclists and a whole set of public amenities in the river bank.A problem noticed is a lack of connectivity with the Douro River in the Porto side; this competition aims to uncover new ways for the city to reconnect to the water element. This suggested intervention can take up the form of a public space or element that acts as an urban activator, holding a new set of activities that enrich the urban life, providing more quality to locals and visitors as well as opening new perspectives over the city.promenadeINTERVENTION SITEThe Program for this Public Space is a suggestion of a set of activities that will renew the connection of the public to the water level, as well as help reorganize this section of the riverfront.Swimming PoolsThis is the only compulsory element of the program. It aims to promote swimming as a fun and healthy activity in a natural environment.The pools can be enclosed basins, open to the stream or even floating baths, creating an improvement of the city amenities. Being open to the general public, the needs of different types of users - children, adults and the disabled - should be taken into account. Consider the needs of an average of 300 simultaneous users.A set of complementary spaces and activities should also be contemplated: a Sun deck, diving platforms, changing rooms, lockers and showers.Restaurant – 100 sqmThis element will provide a more static moment and constitute a complement to the overall dynamic activities. A small kitchen and serving area should be included, as well as toilets.Sanitary facilities / Public Toilets – 50 sqmIn addition to gender-separated toilets, it is mandatory to consider the needs of disabled users.Bars / Kiosks / Commercial Spaces – 250 sqmA series of commercial spots could be suggested, for beverage selling in the summertime, informalmarket places that could be temporarily integrated and easily dismantled. These elements could alsoaccount for an improvement of the nightlife in this location.Pier / Boarding Dock / River cruise terminalThe presence of boats and other vessels requires a direct access, through ramps or piers. They will aidthe boarding of touristic boats, fishing boats, as well give access to the water to sportive activities suchas rowing and canoeing. A clear separation by types of users is encouraged.Cycle paths / Jogging tracksHere should also be observed strategies to increment informal sportive activities, to promote a healthierlifestyle and leisure.Open-air Performance SpaceIn order to generate a wider range of activities, an open performance space is suggested. This canaccommodate small public performances, artistic and film projections or open air theatre.To this proposed program each participant is free to add elements that will improve the functional andaesthetic quality of the overall intervention.There are no height restrictions, but the overall proposal must be harmonious with its surrounding.Structurally, no engineering calculation is to be presented, but structural elements should berepresented in order to provide some degree of realism and feasibility to the project.The proximity to the mouth of the river makes this section of the river susceptible to the influence oftides and a pronounced water level fluctuation. The normal variation that should be considered is of3metres from low-tide to high-tide.The selected area of intervention has an approximate total area of 20 000 sqm. The proposal shouldbe located within the established limits and have a maximum Total Area of 10000 sqm.programXX1234Registration and Project Submission are handled completely through the Ctrl+Space website and email.All elements related to the competition should be submitted in digital format.The language of the competition is English. All relevant text should be written in this language. REGISTRATION CODE:The entrant individual or team should choose a Registration Code for which to be identified, composed of two Latin alphabet letters and four digits, ex. "XX1234". This code will be mentioned in all the file names submitted in the process.The process is composed of three elements: 1 JPEG file - A1 size (150dpi)This is a Layout Board in horizontal format withall the information that the contestant sees fitto adequately communicate their proposal:plans, sections, 3d visualizations, diagrams ordescriptions.The image must be tagged in the upper rightcorner with the Registration Code, in a waythat is clear and readable to the judgingcommittee. Apart from the entrant number andproject name, no other form of identification isallowed.This file should be named after the registrationcode, ex. "XX1234.jpeg"1 Booklet A4 (max. 10 pages)This document is intended to add more detailand depth to the solution. In this bookletshould be present all the information that thecontestant sees fit to adequately communicatetheir proposal, text and graphic.This file should be named after the registrationcode, ex. "XX1234.p df"Entry Form– Filled out with the Team InformationThis element will not reach the Jury, it will beused to match the entries with the results ofthe Jury's final deliberation.This file should be presented in .p df format andbe named after the registration code, ex."EntryForm_XX1234.p df"These elements should have a combined total of20Mb size limit and sent to the emailinfo@ with the subject"Project Submission – XX1234", in which"XX1234" is the Registration Code, as stated.In order to obtain a fair evaluation, anonymity isrequired. In any of the submitted documents thenames or pseudonyms of contestants are notallowed, with exception of the Entry Form. Theanonymity of the participants is guaranteed bythe electronic system for project submission andevaluation.These are mandatory requirements under whichthe submission is incomplete.Entries that are received after 23:59 ofFebruary 1st 2015 will not be accepted.After submission and verification of all the files,the contestant will receive a confirmation email.By submitting a proposal, the contestants approveof the terms and conditions of this competition.SUBMISSION REQUIREMENTS++=20Mbto: info@subject: Project Submission – XX1234 .jpeg.pdf .pdfA4 210mm x 297mmA1 841mm x 594mmXX1234@OCTOBER NOVEMBER DECEMBERJANUARYFEBRUARY5000€ IN PRIZEScompetition TIMELINEOct. 17th – Launch of the CompetitionFeb. 1st – FINAL DATE FOR PROJECT SUBMISSION (until 23:59 GMT)Feb. 2nd – Feb. 20th – Jury evaluation Feb. 27th – WINNERS ANNOUNCEMENTREGISTRATIONOct. 17th – Nov. 26th – First Stage Registration - 40€*Nov. 27th – Jan. 16th – Second Stage Registration - 60€*Jan. 17th – Feb. 1st – Final Stage Registration - 90€*Registration and payment is made through the competition website. All dates referred have as limit 23:59 GMT.Upon validation, a confirmation e-mail will be sent to the registered e-mail with the Documentation Pack - CAD plan, site photographs, maps, aerial images.*VAT (23%) includedPRIZESA total fund of 5000€ in prize money will be awarded to winning entries and awards of merit, distributed in the following way:First Prize: 3500€ ||Second Prize: 1000€ || Third Prize: 500€5 Awards of Merit, with no monetary prizeThe prizes include bank commissions, taxes and/or paypal commissions. To all the awarded proposals, online promotion will be made through our Media Partners , a wide array of websites and blogs operating in the field of Architecture, Urbanism and Design.Oct.17th Feb.1stA wide range of knowledge in Architecture and Urbanism was taken in account in order topresent a group of professionals with authority in evaluating the subjects and underlyingproblematic of the proposed competition. The Jury is composed by an international group ofarchitects, whose experience and professional path proves their profound knowledge andability in Architectural Design:Asterios Agkathidis, Arch. - Assistant Professor, University of Liverpool, United KingdomAsterios Agkathidis studied architecture in Thessaloniki and the RWTH Aachen, completing his postgraduatestudies in Advanced Architectural Design at the Staedelschule, Frankfurt in 2001. He became a partner in thearchitectural practice b&k+ in Cologne until 2004, then at VMX architects, Amsterdam until 2005.He later founded the architecture and research laboratory Frankfurt-Thessaloniki.His work has been published, awarded and exhibited widely.Teaching and lecturing experiences include AdBK Nuremberg, TU Darmstadt, University of Thessaloniki, theIslamic University Malaysia, the Columbia University and the Staedelschule Architecture Class. He was VisitingAssistant Professor in the Lebanese American University and Senior Lecturer at Raffles Design InstituteShanghai. Today he holds a lectureship for digital architecture at the University of Liverpool, specialised inDigital Architecture.Juan Socas, Arch. - Assistant Professor, Ecole d'A rchitecture, Lyon - FranceJuan Socas graduated from the Escuela Tecnica Superior de Arquitectura de Sevilla, and is presently AssistantProfessor at the Ecole Nationale Superieure d'A rchitecture de Lyon.He has worked in Porto, in 2008 with Alvaro Siza. Presently his professional activity is being developed inGrenoble, France. He has taken a great part of his career in the effort of Ideas Competitions, earning First Prizein Mercado de abastos de San Pedro de Alcantara. Malaga; First Prize in the Revitalization of Barrios Bajo y Altode Sanlucar de Barrameda Competition, in Cadiz; First Prize in the Partque Metropolitano Palmoes en AlgecirasCompetition, in Cadiz; as well as Finalist in many others.He has been on architectural missions to Spain, Portugal, Germany, Italy, Estonia and India.Cesare Batelli, Arch. - Professor, IE University of Segovia - Madrid, SpainCesare Battelli, an artist and architect, was born in Italy in 1963. He teaches architectural design at the IEUniversity of Segovia, Madrid. He mainly devotes himself to experimentations in the art field and visionaryarchitecture as well as to realizing architectural designs in different scales. He graduated at the Venice Schoolof Architecture with an architectural design developed in the Moscow about Geography and Architecture andobtained a master’s degree in architecture at the Hochschule für Bildende Künste, Städelschule in Frankfurtunder the tutorage of Enric Miralles. He has travelled and worked in several European Countries (Venice,Moscow, Barcelona, Frankfurt, Madrid) . He joined the publishing group of the magazine “Utopica”, written forseveral architecture magazines such as A.E., Novalis, Utopica and so on, and given lectures in many of EuropeanUniversities. In 2002 he embarked on a solo professional career founding his own firm Visionary-Architectureand maintaining some collaboration relationships with world-famous Studios such as EMBT.Jose Carlos Cruz, Arch. - Principal at Jose Carlos Cruz Arquiteto - Porto, PortugalJose Carlos Marques Cruz was born in Porto in 1957 and graduated in architecture in FAUP, in 1986. He beganhis work in the same year and continues as a planner till today, sometimes in partnerships with other architectsand other times individually. Has already a wide range of completed projects either as architecture or as interiordesign with the most varied programs - such as single and multifamily housing, shopping and services - aroundEurope, North America, South America and Asia.The office remains true to the practical realities and lifestyles of each client. It seeks to give each project anindividually character tailored to each site, making in unique and personal, as well as to look for realist solutionstogether with the client. The works continue to be widely featured in international media, magazines and books. EVALUATION CRITERIAApart from the personal evaluation criteria of each member of the jury, some otherfactors of qualification will be as follows:- Innovation and relevance of the proposal- Aesthetic quality of the overall project- Clarity and comprehensibility of the design.- Functionality, interpretation and application of the proposed program- Technical quality of the project and feasibility in its constructionThe jury's decision shall be final and irrevocable.*Any contact with any members of the jury is discouraged. All authors of projectsthat are proven to have tried to influence the decision of any member of the jurywill be rightfully disqualified.JURY?TERMS AND CONDITIONSThe entrant, individual or team, agrees to abide by the rules of the competition as determined by the Organizer. The organizing committee of the competition reserves the right to reject a proposal if it does not comply with the Submission Requirements.This Competition is open to all students and professionals of areas related to Architecture. Multidisciplinary teams are encouraged. Work by individuals or teams are accepted, to a limit of four people per team.The intellectual property rights shall remain the property of the entrant, any disputes that might arise are of their sole responsibility.By submitting an entry, the individual or team associated with the work authorizes the competition organizer to use the work in future promotional activities, with due credits to the authorship.This competition will be decided in an open, anonymous process in a single stage by a jury, whose deliberation is final and irrevocable.The Competition Organizer reserves the right to cancel the competition in the cases when fewer than 5 projects have been submitted or all submitted projects fail to comply with the announced terms and conditions. Upon cancellation of the competition all participants shall be notified within 3 days from the decision to cancel and properly refunded of their subscription fees.For this competition are not eligible all people or businesses who have been involved in its organization. This includes all representatives or employees of the Competition Organizer; jury members or any person with a close relation to the jury members; any other individual that might influence directly the deliberation of the jury members.The payment of the monetary prizes will be made up to 30 days after public announcement.The Competition is governed by the present program; all issues that are not clearly stated will be taken up to the Jury Committee that will be empowered to decide.By promoting this Ideas Competition Ctrl+Space – Architectural Competitions does not claim, in any way, rights or ownership over the plot where the competition takes place. This is private property, under which we chose to place this investigation for the purpose of ideas discussion. The organizers do not intend to realize the winning entry.FREQUENTLY ASKED QUESTIONSRegistered participants in the competition may address their questions to the Competition Organizer to: info@All questions should be written in English, and will be answered privately by email and/or publicly in the FAQ section of the website.It is highly recommendable to regularly consult this section of the website. It may provide additional information, updated information or clarification to the present Competition Brief.CTRL+ SPACE©2014。