英语影视作品赏析第六单元海上钢琴师
介绍海上钢琴师的英语作文100词
介绍海上钢琴师的英语作文100词英文回答：As a professional writer, I am thrilled to introduce you to the amazing movie "The Piano Player on the Ocean". This movie tells the story of a talented pianist whotravels on a cruise ship, entertaining passengers with his beautiful music. One of the most captivating scenes in the movie is when the pianist plays a mesmerizing piece during a storm, calming the fears of the passengers and bringing a sense of peace and tranquility to the chaotic situation.The character of the pianist is portrayed by the talented actor John Smith, who delivers a powerful performance that truly brings the character to life. His passion for music and his ability to connect with people through his playing make him a beloved figure on the ship.The movie is not only a visual treat but also a musical delight, with a fantastic soundtrack that perfectlycomplements the storyline. The piano pieces played by the main character are both moving and uplifting, leaving a lasting impression on the audience.Overall, "The Piano Player on the Ocean" is a must-watch for anyone who appreciates great music and compelling storytelling. It is a film that will touch your heart and remind you of the power of music to bring people together.中文回答：作为一名专业作家，我非常高兴向大家介绍这部令人惊叹的电影《海上钢琴师》。
经典英文电影赏析——海上钢琴师ppt课件
16
THE LEGEND OF 1900
Once 1900 tried to tread on land but gave up.
17
THE LEGEND OF 1900
What did 1900 think about the world?
18
THE LEGEND OF 1900
朱塞佩·托纳多雷
Best Costume Design (Migliore Costumista)
Maurizio Millenotti
Best Cinematography (Migliore Direttore della Fotografia)
拉乔斯·科泰
Best Film (Miglior Film) (提名)
Francesco Frigeri
金卫星奖 2000
Best Art Direction, Production Design (提名)
Bruno Cesari
Best Original Score (提名)
埃尼奥·莫里康内
意大利电影新闻记者协会银丝带奖 1999
Best Costume Design (Migliori Costumi)
1
THE LEGEND OF 1900
Outline:
*The basic information of this film
*The brief introduction of the film
story.
*Analysis of the story and the
character of 1900.
9
THE LEGEND OF 1900
海上钢琴师英文介绍ppt课件
• 1900: I can never get off this ship. At best, I can step off my life. After all, I don't exist for anyone. You're exception, Max. You're the only one who knows I'm here. You're a minority, and you'd better get used to it. Forgive me, my friend, but I'm not getting off.
• 我不能舍弃这艘船，但至少可以舍弃自己的生命。反正世 间没有人记得我。除了你，只有你知道我在这里。你属于 少数，你最好习惯一下。朋友，原谅我，我不下船了。
10
• Only a man like him can dance with the piano
in a terrifying storm. Only a man like him...
2
本片讲述了一个钢琴天才传奇的一
生。 1900年，Virginian号豪华邮
轮上，一个孤儿被遗弃在头等舱，
由船上的水手抚养长大，取名
1900（蒂姆•罗斯饰）。1900慢慢
长大，显示出了无师自通的非凡钢
琴天赋，在船上的乐队表演钢琴，
每个听过他演奏的人，都被深深打
动。爵士 乐鼻祖杰尼听说了1900
的高超技艺，专门上船和他比赛，
6
• Fame, fortune, girl can’t make him tread on land. 1900 chooses to die on the ship rather than getting off. The marvelous life of 1900 makes him become the legend.
介绍海上钢琴师的英语作文
介绍海上钢琴师的英语作文英文回答："The Legend of 1900," also known as "The Pianist on the Ocean," is an enchanting cinematic masterpiece that transports viewers to a realm of boundless imagination. Released in 1998 and directed by Giuseppe Tornatore, this Italian film has captivated audiences around the globe with its evocative storytelling and unforgettable protagonist.The film follows the extraordinary journey of 1900, an abandoned infant who is discovered on the grand piano of a transatlantic ocean liner. Raised by a compassionate crew, he develops an unyielding bond with the piano, becoming a legendary pianist known only to the passengers of the ship.1900's talent transcends the mundane, enchanting shipmates and passengers alike. His music is infused with a profound understanding of human emotions, eliciting laughter, tears, and everything in between. Captivated byhis melodies, the passengers find solace, love, and escape within the musical sanctuary he creates.Yet, despite his extraordinary gift, 1900 faces an internal conflict. The boundless ocean that surrounds him becomes a metaphor for the unknown and the potential adventures that lie beyond the ship. He yearns for more than the familiar confines of his piano and the ship that has been his home.In the film's climactic scene, legendary jazz trumpeter Max Tooney challenges 1900 to a musical duel. Tooney represents the allure of fame and recognition in the wider world outside the ship, while 1900 embodies the allure of a simple life dedicated to his craft.As the two virtuosos engage in a breathtaking musical battle, their improvisations intertwine and clash, representing the internal struggle within 1900. Ultimately, the pianist chooses the path less traveled, remaining on board the ship and forever entwined with the ocean that nurtured his soul."The Legend of 1900" is more than just a film about a pianist; it is a poignant exploration of the human condition. It delves into the themes of identity, freedom, and the choices we make that shape our destiny. And through the unforgettable character of 1900, the film pays homage to the power of art and the transformative capacity of music.中文回答：《海上钢琴师》，又名《1900》，是一部迷人的电影杰作，带观众进入无限想象的境界。
我最喜欢的电影海上钢琴师英文作文
我最喜欢的电影海上钢琴师英文作文My favorite movie is "The Piano Teacher" written by Hai Zi. The film tells the story of a talented pianist named Guoliang who embarks on a journey to find his true self through music. 我最喜欢的电影是由海子创作的《海上钢琴师》。
这部影片讲述了一个名叫国亮的天才钢琴家，通过音乐踏上寻找真正自我的旅程。
The movie is beautifully shot, with breathtaking cinematography that captures the essence of music and the power of self-discovery. Each scene is carefully crafted to evoke emotions and draw the audience into Guoliang's world. 电影的摄影非常精美，令人叹为观止，捕捉到音乐的本质和自我发现的力量。
每个场景都经过精心构思，引起观众的情感，并将观众带入国亮的世界。
One of the most touching aspects of the film is Guoliang's journey of self-discovery through music. As he delves deeper into his passion for playing the piano, he uncovers hidden truths about himself and his past, leading to a profound transformation. 影片中最触动人心的一点是国亮通过音乐进行自我发现的旅程。
经典英文电影赏析PPT——海上钢琴师
THE LEGEND OF 1900
* All 1900’s life was accompanied by the ship, Байду номын сангаасhe sea and the piano.
THE LEGEND OF 1900
*What did the ship,the sea and the piano mean to him?
THE LEGEND OF 1900
The film story: *An abandoned baby
*A piano genius
THE LEGEND OF 1900
*Lived on ship all his life and never treaded on land *Loved a girl but failed to tell her
THE LEGEND OF 1900
* About 1900’s love: He was not brave in expressing love.
THE LGEND OF 1900
He is too shy when facing the girl.
THE LGEND OF 1900
*He was not brave when facing the girl. *Because he was afraid of being hurt. *Loneliness adversely affected his personality.
THE LEGEND OF 1900 意大利电影新闻记者协会奖(Silver Ribbon) 1999 Best Producer (Migliore Produttore) Best Production Design (Migliore Scenografia) Francesco Frigeri Guild of German Art House Cinemas 2000 Foreign Film (Ausländischer Film) 朱塞佩·托纳多雷 David di Donatello Awards(Scholars Jury David) 1999
海上钢琴师 The Legend Of 1900 review by efilmcritic
海上钢琴师The Legend Of 1900 review by efilmcritic关键字：英语电影影评During the beginning of "The Legend of 1900," I kept think how much it played like an old fable, and it was none to my surprise that when I looked at the press kit that it clearly states: "A FABLE BY GIUSEPPE TORNATORE THE LEGEND OF 1900." It is to my disappointment that I announce that this is only the second film by Tornatore that I have seen, the first being in my opinion, the best foreign film I've ever seen, "Cinema Paradiso." You'd think that after having seen that film even years ago and having loved it, that it would have motivated me to search out more of his work. With "1900," it at least gives me the reminder of the other possibilities out there.With something to the effect of the name Danny Boodmann T.D. Lemon Nineteen-Hundred, Tim Roth takes it all on, and couldn't have been any better. Born and left of the ship, the Virginia, 1900, as he was later named for having been born in that very year on that very ship, was found by Danny (Bill Nunn), an African-American coal room worker. He took the child on as his own until he met his death several years later by accident. 1900 picked up on playing the piano (the film was once entitled "The Legend of the Pianist in the Ocean") and had the ability to create flowing and haunting melodies at the sweep of his fingers; a true ivory tickler you might say.1900's story is told via flashback and reflection by Max (Pruitt Taylor Vince), a friend of 1900's of whom he spent many years with on the ship, and played the trumpet along side him in the jazz orchestra.At first this notion seems a little contrived, been there done that-ish, but like the music, begins to flourish and flow. There's a lot of narration along the way; one might think the story would have been better told straightforward, as it happened, but either way I'm quite content. Max narrates the story in a kind of noir-ish malaise of the old 40s and 50s films, but you get over it. Or maybe not; I could have lived without it but stuck with it hoping for progression, and I got it.Time and years build up, and 1900 has become a prolific pianist, not to our surprise, but as the current time is at stake we learn too, that our dear old Virginia is about to be blown up with tons of dynamite (sorry kiddies, not any of the homemade dynamite we're so familiar with after a certain "Club" everyone's obsessing about). Pretty much, the rest of the story is just that, Max recounting what it was like to know him, what happened while he knew him, and ideas about why he (1900) never left the ship; not even once.I dunno if being a fable consistutes some of the coincidences such as Max happening to go into the onlymusic/pawn shop to sell his trumpet that has the old pianos 1900 used to play. Or that it happens that Max plays a tune that was created by 1900 that somehow triggers the old shopkeeper's memory to bring out an old matrix record that is the same tune, and happens to be the only recorded version of any of his work. Take it or leave it. It felt like more of a pleasure to enjoy this film than to overly criticize it. Some skeptics may feel that it's too large of a pill to swallow, and won't go for it, but I found it to be entrancing and throughly delightful.The music, all by Ennio Morricone, is beautiful. I loved how scenes would just be time after time of 1900 pounding out notes. It reminded me of "Tango" in the sense that you were watching it more for its dancing and cheorography than its storytelling; "The Legend of 1900" was interesting mostly for its musical capabilities.Fine Line will hopefully give a little extra shove or nudge to push the performance of Tim Roth for Best Actor; I certainly wouldn't mind him along the likes of Richard Farnsworth and Kevin Spacey. He takes a modest take on a role of which is hard not to like. Who doesn't want to champion 1900 along as he out jazzes Jelly Roll Morton (an excellent Clarence Williams III). One of the singly funniest scenes in recent cinema included at show down, and the use of cigarettes. It caught me quite by surprise and kept me snickering until several scenes thereafter.Pruitt Taylor Vince was also very good, starring at you with his astigmatic eyes which so effacaciously graced us in "Heavy." Maybe a little over used as far as certain emphasis goes, his humane presence had a more positive influence on the film. Billed as only The Girl, Melanie Theirry was a beauty to stare at, but I knew from the instance I saw her that she had be a super, or at least a model. (I was right, it was confirmed in her bio in the press kit.) However, I still wish there would have been a little more development between her and 1900.It's hard for me to compare the only other work of Tornatore's that I've seen with this, so it would be easier not to. I have much more of a keen interest to go back and research his earlier films, and look at the juxtaposition of them againist his award winner ("Cinema Paradiso"), all the way up to his most recent, and first film in English. All in all, I think the attitude of watching a "fable" is what will eventually make up your mind and feelings of this. It kind of seemed sweet, even a little touching to go along with it. Tornatore seems to enjoy making films, and I seem to enjoy watching them.The cinematography by Lajos Koltai, and the production design by Francesco Frigeri were added bonuses. As opposed to "Titanic," never once did the ship itself look or appear fake, or filmed against a greenscreen. Although both films may have a corny feel to them (example: Roth and Vince slip and spin around sitting at the piano as the ship rocks), one focuses on the story and the characters --"Legend", while "Titanic" uses it's name to only to underscore the ship itself and involve us with a shameless and silly romance between two very fake characters. One uses its possesions, whilst the other uses its front as a shadow for something else wholly less interesting.。
海上钢琴师电影赏析ppt
It wasn’t the same with his fame. His fame had just be known on the land. So even the inventor of jazz came to compete with him. Of course he won. He became even popular.
And then 1900 turned into an excellent pianist. He plays piano with no guide. His music is special and free. But he is lonely.
He played the piano for the people on board. And every time when the ship got the east coast of the USA, he would cried” the America”. But he had never left the ship together with the people on board.
back
Wonderful part
to play the lute to a cow; to cast or throw pearls swine; to preach to deaf ears
before
to plug one's ears while stealing a bell; to deceive oneself; to bury one's head in the sand; to play the ostrich
Unfortunately, when 1900 was 8 years old, Danny died in an accident. In his funeral, little 1900 heard the most important thing in his life –music.
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• 【译文】城市那么大，看不到尽头。尽头在哪里？ 可以给我看看尽头么？当年，我踏上跳板，不觉得 困难。我穿上大衣，很神气，自觉一表人才，有决 心，有把握，有信心。我停下来，不是因为所见， 是因为所不见。你明不明白？是因为看不见的东西。 连绵不绝的城市，什么都有，除了尽头，没有尽头。 我看不见城市的尽头，我需要看见世界尽头。拿钢 琴来说，键盘有始也有终。有88个键，错不了，并 不是无限的。音乐是无限的。在琴键上，奏出无限 的音乐。我喜欢那样，我应付得来。走过跳板，前 面的键盘有无数的琴键。事实如此，无穷无尽，键 盘无限大。
Unit Six The Legend of 1900
第六单元 海上钢琴师
• 英文片名：The Legend of 1900
• 中文片名：《海上钢琴师》
• 更多片名：《声光伴我飞》（香港）
• 导演： Giuseppe Tornatore • • 主演： Tim Roth, Bill Nunn, Pruitt
电影简介
• The Legend of 1900 is a 1998 Italian drama film directed by Giuseppe Tornatore and starring Tim Roth, Pruitt Taylor Vince and Mélanie Thierry. It was Tornatore’s first English-language film. The film is inspired by Novecento, a monologue by Alessandro Baricco. The film was nominated for a variety of awards worldwide, winning several for its soundtrack.
• 【原文】That keyboard is infinite. And if that keyboard is infinite, then on that keyboard there is no music you can play. You are sitting on the wrong bench. That’s God’s piano. Christ! Did you see the streets? Just the street-there were thousands of them. How do you do it down there? How do you choose just one? One woman, one house, one piece of land to call your own, one landscape to look at, one way to die. All that world just weighing down on you. You don’t even know where it comes to an end. Aren’t you ever just scared of breaking apart at the thought of it? The enormity of it.
电影简介
Drama film 剧情片 nominate提名 musician音乐家 abandon遗弃 boiler room锅炉房 orchestra管弦乐队 renown使有声望 duel对决 virtuosity精湛技艺 prowess超凡技术 demo样本唱片 hull船体 offshore离岸的
Taylor Vince
• 类型： Drama, Music
• 片长： 170分钟
演员简介
• Tim Roth（蒂姆•罗斯） • Bill Nunn（比尔•努恩） • Pruitt Taylor Vince（普路特•泰勒•文斯）
Tim rector. Roth made his debut （初次登台）in the 1982 film Made in Britain and the 1984 film The Hit, for which he was nominated（提名）for a BAFTA Award（英国电影学院奖）. He gained more attention for his performances in The Cook, the Thief, His Wife & Her Lover, Vincent & Theo, and Rosencrantz & Guildenstern Are Dead. He later earned international recognition for appearing in Quentin Tarantino films such as Reservoir Dogs, Pulp Fiction, and Four Rooms. He starred in the 1995 film Rob Roy, for which he received an Academy Award（奥斯卡金像奖）nomination for Best Supporting Actor（最佳男配角）and won the BAFTA Award for Best Actor in a Supporting Role（英国电影学院奖最佳男配角 奖）, and made his directional debut with The War Zone, for which he won numerous awards. Roth’s other films include Everyone Says I Love You, Planet of the Apes, The Incredible Hulk, Arbitrage, and Broken. He also starred as Cal Lightman on the Fox series Lie to Me.
monologue独白 flashback倒叙 acquire 取得；获得 immigrant移民 orphan孤儿 trend趋向 vessel船舰 mock取笑 primitive原始的 deserted荒芜的 blow up爆炸 sink使下沉 daunt使气馁、畏缩
精彩片段一
• 【原文】1900: “Why, why, why, why, why… I think land people waste a lot of time wondering why. Winter comes and can’t wait for summer, summer comes and you never can wait for winter. That’s why you never tire of traveling or chasing some place far away, where it’s always summer. Doesn’t sound like a good bet to me.”
Bill Nunn
• He is an American actor best known for his roles as Radio Raheem in Spike Lee’s film Do the Right Thing and Robbie Robertson in the Sam Raimi Spider-Man（《蜘蛛侠》）film trilogy（三部曲）. Nunn made his acting debut in the 1988 Spike Lee film School Daze, and is perhaps best known for his roles as Radio Raheem in Lee’s Do the Right Thing and as Nino Brown’s verbally challenged bodyguard（保镖） Duh Duh Duh Man in New Jack City.
inspire鼓舞；使生灵感 soundtrack电影配音 possession拥有，财产 oceanliner远洋班轮 workplace车间 reputation名望；声誉 tune曲调，和谐 self-proclaimed自称的 improvised即兴创作的 apparatus设备，仪器 gaze at 盯住，凝视 scuttle使船沉没 convince使信服
Pruitt Taylor Vince
• He is an American character actor（性格演员）who has made many appearances in film and television. Vince received an Emmy Award（艾 美奖）in 1997 for Outstanding Guest Actor in a Drama Series for his role as serial killer（连 环杀手）Clifford Banks during the second season of the television series Murder One.
• 【译文】“陆上的人喜欢寻根问底，虚度了大好光 阴。冬天忧虑夏天的姗姗来迟，夏天则担心冬天的 将至。所以他们不停四处游走，追求一个遥不可及、 四季如夏的地方—我并不羡慕。”
精彩片段二
• 【原文】All that city… you just couldn’t see an end to it. The end? Please? Can you please just show me where it ends? It was all very final on that gangway and I was grant too in my over coat. I cut quite a figure, and I was getting off, guaranteed. That wasn’t the problem. It wasn’t what I saw that stopped me, Max, it was what I didn’t see. Do you understand that? What I didn’t see. In all that sprawling city, there was everything except an end. There was no end. What I did not see was where the whole thing came to an end, the end of the world. Take a piano, hmm? The keys begin, the keys end. You know there are 88 of them. Nobody can tell you different. They are not infinite. You are infinite. And on those keys, the music that you can make is infinite. I like that. That I can live by. You get me up on that gangway and you rill out in front of me a keyboard of millions of keys, Millions and billions of keys that never end. That’s the truth, Max, they never end.