About drama intervention-毕业论文翻译
chinese drama的英语作文

chinese drama的英语作文In the vast and rich cultural landscape of China, Chinese drama stands out as a vibrant and dynamic expression of the nation's history, traditions, and contemporary society. Encompassing a wide range of genres and styles, from opera and traditional plays to modern television series and online content, Chinese drama offers a window into the hearts and minds of the Chinese people, reflecting their values, aspirations, and challenges.The roots of Chinese drama can be traced back thousands of years to ancient times, when performances were used to celebrate festivals, mark important occasions, and tell stories of heroes and gods. These early forms of drama were often highly stylized and symbolic, employing elaborate costumes, props, and stagecraft to create a world that was both real and fantastical. Over time, these traditions evolved and adapted to the changing needs and tastes of society, giving rise to a diverse array of drama forms that continue to thrive today.One of the most distinctive features of Chinese dramais its blend of music, dance, and acting. Whether it's the high-pitched melodies and intricate movements of Peking Opera or the fast-paced dialogue and emotional intensity of modern TV dramas, music and dance are integral to the storytelling process. This unique combination of elements creates a powerful and engaging experience for the audience, drawing them into the world of the drama and making themfeel the passions and emotions of the characters.Another noteworthy aspect of Chinese drama is its emphasis on morality and social values. Many dramas, especially those with a historical or mythical backdrop,are designed to teach lessons about righteousness, loyalty, filial piety, and other virtues that are consideredessential to Chinese culture. By presenting these values through engaging and entertaining stories, Chinese dramanot only entertains but also educates its audience, helping them to understand and appreciate their cultural heritage. In recent years, Chinese drama has also madesignificant strides in the realm of modernization and innovation. With the advent of new technologies and mediaplatforms, Chinese drama has embraced changes in production techniques, storytelling methods, and audience engagement. Online streaming services and social media have allowed dramas to reach a wider audience and foster a more interactive and engaged viewing experience. At the same time, Chinese drama has retained its traditional roots, incorporating elements of modernity into its storytelling while still honoring the classics.In conclusion, Chinese drama is a rich and multifaceted art form that reflects the essence of Chinese culture. Its blend of tradition and modernity, music and dance, morality and entertainment, makes it a compelling and engaging form of expression that continues to captivate audiences around the world. As China's influence and cultural soft power grow, so does the appeal of its drama, serving as a powerful bridge between China and the rest of the world.**中国戏剧的魅力:传统与现代的融合**在中国丰富多彩的文化景观中,中国戏剧以其活力与动态的表现方式,成为了国家历史、传统和当代社会的一个缩影。
经典英语美文带翻译:TheBeginningofDrama

There are many theories about the beginning of drama in ancient Greece. The on most widely accepted today is based on the assumption that drama evolved from ritual. The argument for this view goes as follows. In the beginning, human beings viewed the natural forces of the world-even the seasonal changes-as unpredictable, and they sought through various means to control these unknown and feared powers. Those measures which appeared to bring the desired results were then retained and repeated until they hardened into fixed rituals. Eventually stories arose which explained or veiled the mysteries of the rites. As time passed some rituals were abandoned, but the stories, later called myths, persisted and provided material for art and drama. Those who believe that drama evolved out of ritual also argue that those rites contained the seed of theater because music, dance, masks, and costumes were almost always used, furthermore, a suitable site had to be provided for performances and when the entire community did not participate, a clear division was usually made between the "acting area" and the "auditorium." In addition, there were performers, and, since considerable importance was attached to avoiding mistakes in the enactment of rites, religious leaders usually assumed that task. Wearing masks and costumes, they often impersonated other people, animals, or supernatural beings, and mimed the desired effect-success in hunt or battle, the coming rain, the revival of the Sun-as an actor might. Eventually such dramatic representations were separated from religious activities. Another theory traces the theater's origin from the human interest in storytelling. According to this vies tales (about the hunt, war, or other feats) are gradually elaborated, at first through the use of impersonation, action, and dialogue by a narrator and then through the assumption of each of the roles by a different person. A closely related theory traces theater to those dances that are primarily rhythmical and gymnastic or that are imitations of animal movements and sounds. 戏剧的起源 关于古希腊戏剧的起源存在着多种理论,其中⼀个最普遍为⼈接受的理论假设认为戏剧从仪式演化⽽来。
毕业论文的外文译文

毕业论文的外文译文Due to the increasing importance of communication and cooperation in today's globalized world, businesses are constantly looking for ways to improve their cross-cultural communication skills. One area where these skills are crucial is in the internationalization of companies, where firms require a deep understanding of the cultural differences in order to be successful. This requires a comprehensive understanding of not only language, but also the cultural norms and values of the target market. In this thesis, we will explore the importance of cross-cultural communication in international businesses and how it can be improved.The primary challenge in cross-cultural communication is the language barrier. While English is the dominant language in international business, many firms find that it's not enough to communicate effectively with their target market. There are cultural differences in the way people use language, as well as differences in nonverbal communication such as body language and facial expressions. For instance, in Japan, it's common to nod and smile even if one does not agree with astatement, whereas in the United States, a lack of disagreement often means agreement. These differences can lead to misunderstandings in business conversations, which can ultimately harm business relationships.In order to overcome these language barriers, companies need to invest in language training for their employees. This training should focus not only on the language itself, but also on the cultural norms and values associated with the language. For example, a Japanese training program might teach students about the concepts of harmony and respect in Japanese culture, and how these values influence the way people communicate with each other. By understanding these cultural norms, employees will be able to communicate more effectively with their Japanese counterparts.Another challenge in cross-cultural communication is understanding the cultural context of business interactions. In some cultures, business is conducted in a more formal manner, with a strong emphasis on hierarchy and protocol. In other cultures, business is more informal and relaxed. Companies need to understand these differences in order to work effectively in international markets.To overcome these context challenges, companies should incorporate cultural training into their employee training programs. Cultural training should focus on the history, customs, and traditions of the target market. It should also address the specific business practices and protocol required for success in that market.In conclusion, cross-cultural communication is a key determinant of success in international businesses. In order to succeed in foreign markets, companies must have a deep understanding of the language, cultural norms, and values of their target market. This requires a comprehensive training program that not only focuses on language skills, but also on the cultural context of business interactions. With the right training and support, companies can improve their cross-cultural communication skills and achieve success in global markets.。
大学英语专业毕业论文【浅析委婉语的语用功能,以美剧《绝望主妇》为例 】

Ⅰ.IntroductionEnglish euphemism is a common phenomenon in the development of human society in language use. It exists in different backgrounds of culture and in different social level.In the 18th and 19th centuries, euphemism got a rapid development in the UK. A long time ago, some western scholars conducted researches on Euphemism. In 1936, Menken wrote The American Language, which studied the production and development of euphemism in American. Chinese scholars have also published many papers on English Euphemism, for example, Liu Chun, the editor of the knowledge dictionary Dictionary of English Euphemisms. This is a dictionary which contains the detailed introduction to English euphemism and collects more than 8000 Euphemism in total. Based on their achievements, we will have an exploration of English euphemisms from the pragmatic perspective. The goal of this paper is to show the pragmatic function of English euphemism, assisting English learners to improve language skills and enhance the ability of processing language output so as to finally master this communication tool. English euphemism has become one of the major ways to convey meaning and intention for human beings in their daily communication, so it is crucial for us to make some research on English euphemism.Ⅱ.English EuphemismEuphemism is a common linguistic phenomenon. It’s a more polite way when unpleasant or embarrassing things are talked about. It is a figure of speech, but also a cultural phenomenon. Understanding some basic knowledge of euphemism has a great meaning for us English learner.2.1 The Definition of English EuphemismEuphemism is an important rhetorical device, which means that in the talk, people use veiled and obscure words, hiding some taboo words or unpleasant, harsh words. The speaker wants to avoid the awkward and embarrassing situation and to achieve a better communicative effect, therefore Euphemism is employed. With the development of social civilization, modern people pay more and more attention to their own speech and deportment. This can be reflected in the use of euphemism. Euphemism comes from the Greek. The prefix Eu means good and the root means speak, so “euphemism”means to say nice words. The Random House College Dictionary (1979) defines euphemism as: the substitution of a mild, indirect, or vague expression for one thought to be offensive, harsh or blunt, its meaning is "a pleasant, tactful and courteous, sweet words to replace unpleasant, rude the harsh words, sounds".2.2 The Origination of English EuphemismEnglish euphemism originated from religious taboo. In the early stage of human civilization with low productivity, poor living conditions, people could not understand and master the nature, so they had the worship and feared a kind of supernatural powers and superstition, people believed the nature of religion. The language is endowed with certain strength. People think that the language itself can bring happiness or disaster to the people, thus they create "euphemism" to replace ghosts and taboos on death.2.3 The Classification of English EuphemismThere are myriads of changes in expressions of euphemism. This section mainly gives a simple classification from the semantic aspect, which can be divided into the traditional euphemism and stylistic euphemism according to.2.3.1 Traditional EuphemismTraditional euphemism is also known as negative euphemisms, which is related with taboos closely. Take the commonly used word “死” for instance. It will have thefollowing expressions: “expire(逝世),pass away(与世长辞),pay the debt of nature (了结尘缘),close one’s day(寿终),breathe one’s last(断气),go west(归西天),give up the ghost(见阎王),kick the bucket(翘辫子)and so on.”“解手,上厕所”(bathroom)has a variety of euphemistic expressions, such as : be caught short to,call of nature,do ones duty to,go some-where to,go to the bathroom,to see John.2.3.2 Stylistic EuphemismStylistic euphemism is also called positive Euphemisms (hyperbole euphemism). It means praising words and compliment. In interpersonal communication, in order to show politeness or avoid some possible unpleasantness, the speaker sometimes uses some exaggerating praise to replace what they want to express.The word ‘c ollar’means ‘the top part of the clothes’. In modern society, according to the different work classes, it can be divided into blue collar ( 蓝领, manual workers), white collar (白领, white-collar worker).With the refinement of social division of labor, there are other occupations. The salary and social status between the white collar and blue collar is called gray collar (refers to the repair and maintenance workers in the industry). The professional that are higher than white-collar is called gold collar (金领). And bright collar (亮领) is used to describe a female pink collar (粉领) and computer communication professionals.Ⅲ. The Pragmatic Functions of English Euphemism3.1 The Taboo Function.Firstly, we will discuss fertility and sexual taboo. Usually people don't mention fertility directly, but politely say “to come into the world”( 来到人世),while “pregnant”(怀孕) is called “anticipating or excepting” (期待的),and “eating for tow” (吃两份饭),because a woman ’s pregnancy has an inevitable connection with sex. People also use “nature child”, “baby of love” to refer to the illegitimate child. Secondly, it is about the taboo of age. In the traditional idea in the west, the old menare as veterans, who are not in the mainstream of society any more, so people rarely talk about age in front of them. People sometimes refer to the old age as golden age, the elderly (老年人) as senior citizens (资深公民. Thirdly, it is about the taboo of the disease. Such as “ the venereal disease” (性病) is called “social disease”(社会疾病),and AIDS (艾滋病) will be known as the communicable social disease (可传染的社会疾病)。
跨文化交际背景下的戏剧翻译

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要的文学体裁 。 它包括 了论述 、 小说 、 诗歌等体裁 的特 点 , 更拥有 台词这一独特 的 语 言形式 。一部优 秀的剧本不仅能丰富娱乐人们 的生活 , 同时也在传播着不 同的文
化和风俗 , 并且我们也亲身体会到 了戏剧 目前 的崛起 , 它 比较其他 印刷的文学作 品 更 能贴近 生活 , 服务大众 。当然 除了拥有大批 的观众 , 戏剧还可 以拥有众 多的读者 。 也就是说其兼具可的阅读性和可表演性 , 要求剧本不但要通顺达意 , 易于 阅读 , 还
誉为 “ 东方舞 台_卜的奇迹 ”。 显然 , 译本功不 可没 。 译本在让外 国观众 了解 中国文 化的同时也让他们深刻体会到中国话剧 艺术所达到 的高度 。本文将 以文化 因素为主 要切入点结合关联理论对 《茶馆 》 的两个英文译本进行对 比分析 , 以点见面 , 以期
毕业论文 翻译材料(中英)

原文Sometimes it becomes apparent that previous approaches to a problem haven’t quite worked the way you anticipated.Perhaps you just need to clear away the smoky residue of the past,take a deep breath,and try again with a new attitude and fresh ideas. In golf,it’s known as a“mulligan”;in schoolyard sports,it’s called a “do-over”;and in the computer industry,we say it’s a“reboot.”A reboot is what Microsoft has initiated with its new approach to the mobile phone market.With its clean look,striking fonts,and new organizational paradigms, Microsoft Windows Phone7not only represents a break with the Windows Mobile past but also differentiates itself from other smartphones currently in the market. Windows Phone7devices will be made by several manufacturers and available with a variety of cell providers.For programmers,Windows Phone7is also exciting,for it supports two popular and modern programming platforms:Silverlight and XNA.Silverlight—a spinoff of the client-based Windows Presentation Foundation (WPF)—has already given Web programmers unprecedented power to develop sophisticated user interfaces with a mix of traditional controls,high-quality text, vector graphics,media,animation,and data binding that run on multiple platforms and browsers.Windows Phone7extends Silverlight to mobile devices.XNA—the three letters stand for something like“XNA is Not an Acronym”—is Microsoft’s game platform supporting both2D sprite-based and3D graphics with a traditional game-loop architecture.Although XNA is mostly associated with writing games for the Xbox360console,developers can also use XNA to target the PC itself, as well as Microsoft’s classy audio player,the Zune HD.Either Silverlight or XNA would make good sense as the sole application platform for the Windows Phone7,but programmers have a choice.And this we call“an embarrassment of riches.”Targeting Windows Phone7All programs for Windows Phone7are written managed code.Although the sample programs in this book are written in the C#programming language,it is also possible to write Windows Phone7applications in Visual .The free downloadable Microsoft Visual Studio2010Express for Windows Phone includes XNA Game Studio4.0 and an on-screen phone emulator,and also integrates with Visual Studio2010.You can develop visuals and animations for Silverlight applications using Microsoft Expression Blend.2The Silverlight and XNA platforms for Windows Phone7share some libraries,and you can use some XNA libraries in a Silverlight program and vice versa.But you can’t create a program that mixes visuals from both platforms.Maybe that will be possible in the future,but not now.Before you create a Visual Studio project,you must decide whether your million-dollar idea is a Silverlight program or an XNA program. Generally you’ll choose Silverlight for writing programs you might classify as applications or utilities.These programs are built from a combination of markup and code.The markup is the Extensible Application Markup Language,or XAML andpronounced“zammel.”The XAML mostly defines a layout of user-interface controls and panels.Code-behind files can also perform some initialization and logic,but are generally relegated to handling events from the controls.Silverlight is great for bringing to the Windows Phone the style of Rich Internet Applications(RIA), including media and the Web.Silverlight for Windows Phone is a version of Silverlight3excluding some features not appropriate for the phone,but compensating with some enhancements.XNA is primarily for writing high-performance games.For2D games,you define sprites and backgrounds based around bitmaps;for3D games you define models in3D space. The action of the game,which includes moving graphical objects around the screen and polling for user input,is synchronized by the built-in XNA game loop.The differentiation between Silverlight-based applications and XNA-based games is convenient but not restrictive.You can certainly use Silverlight for writing games and you can even write traditional applications using XNA,although doing so might sometimes be challenging.In particular,Silverlight might be ideal for games that are less graphically oriented,or use vector graphics rather than bitmap graphics,or are paced by user-time rather than clock-time.A Tetris-type program might work quite well in Silverlight.You’ll probably find XNA to be a bit harder to stretch into Silverlight territory,however.Implementing a list box in XNA might be considered“fun”by some programmers but a torture by many others.The first several chapters in this book describe Silverlight and XNA together,and then the book splits into different parts for the two platforms.I suspect that some developers will stick with either Silverlight or XNA exclusively and won’t even bother learning the other environment.I hope that’s not a common attitude.The good news is that Silverlight and XNA are so dissimilar that you can probably bounce back and forth between them without confusion!Microsoft has been positioning Silverlight as the front end or“face”of the cloud, so cloud services and Windows Azure form an important part of Windows Phone7 development.The Windows Phone is“cloud-ready.”Programs are location-aware and have access to maps and other data through Bing and Windows Live.One of the available cloud services is Xbox Live,3which allows XNA-based programs to participate in online multiplayer games,and can also be accessed by Silverlight applications.Programs you write for the Windows Phone7will be sold and deployed through the Windows Phone Marketplace,which provides registration services and certifies that programs meet minimum standards of reliability,efficiency,and good behavior. I’ve characterized Windows Phone7as representing a severe break with the past. If you compare it with past versions of Windows Mobile,that is certainly true.But the support of Silverlight,XNA,and C#are not breaks with the past,but a balance of continuity and innovation.As young as they are,Silverlight and XNA have already proven themselves as powerful and popular platforms.Many skilled programmers are already working with either one framework or the other—probably not so many withboth just yet—and they have expressed their enthusiasm with a wealth of online information and communities.C#has become the favorite language of many programmers (myself included),and developers can use C#to share libraries between their Silverlight and XNA programs as well as programs for environments. The Hardware ChassisDevelopers with experience targeting Windows Mobile devices of the past will find significant changes in Microsoft’s strategy for the Windows Phone7.Microsoft has been extremely proactive in defining the hardware specification,often referred to as a“chassis.”Initial releases of Windows Phone7devices will have one consistent screen size.(A second screen size is expected in the future.)Many other hardware features are guaranteed to exist on each device.The front of the phone consists of a multi-touch display and three hardware buttons generally positioned in a row below the display.From left to right,these buttons are called Back,Start,and Search:•Back Programs can use this button for their own navigation needs,much like the Back button on a Web browser.From the home page of a program,the button causes the program to terminate.•Start This button takes the user to the start screen of the phone;it is otherwise inaccessible to programs running on the phone.4•Search The operating system uses this button to initiate a search feature.The initial releases of Windows Phone7devices have a display size of480×800 pixels.In the future,screens of320×480pixels are also expected.There are no other screen options for Windows Phone7,so obviously these two screen sizes play a very important role in phone development.In theory,it’s usually considered best to write programs that adapt themselves to any screen size,but that’s not always possible,particularly with game development.You will probably find yourself specifically targeting these two screen sizes,even to the extent of having conditional code paths and different XAML files for layout that is size-dependent.I will generally refer to these two sizes as the“large”screen and the “small“screen.The greatest common denominator of the horizontal and vertical dimensions of both screens is160,so you can visualize the two screens as multiples of160-pixel squares:480320480800I’m showing these screens in portrait mode because that’s usually the way smartphones are designed.The screen of the original Zune is240×320pixels;the Zune HD is272×480.Of course,phones can be rotated to put the screen into landscape mode.Some programs might require the phone to be held in a certain orientation;others might be moreadaptable.You have complete control over the extent to which you support orientation.By default,Silverlight applications appear in portrait mode,but you’ll probably want to write your Silverlight applications so they adjust themselves to orientation changes.New events are available specifically for the purpose of detecting orientation change,and some orientation shifts are handled automatically.In contrast,game programmers can usually impose a particular orientation on the user. XNA programs use landscape mode by default,but it’s easy to override that.5In portrait mode,the small screen is half of an old VGA screen(that is,640×480).In landscape mode,the large screen has a dimension sometimes called WVGA (“wide VGA”).In landscape mode,the small screen has an aspect ratio of3:2or 1.5;the large screen has an aspect ratio of5:3or1.66….Neither of these matches the aspect ratio of television,which for standard definition is4:3or1.33…and for high-definition is16:9or1.77….The Zune HD screen has an aspect ratio of 16:9.Like many recent phones and the Zune HD,the Windows Phone7displays will likely use OLED(“organic light emitting diode”)technology,although this isn’t a hardware requirement.OLEDs are different from flat displays of the past in that power consumption is proportional to the light emitted from the display.For example, an OLED display consumes less than half the power of an LCD display of the same size, but only when the screen is mostly black.For an all-white screen,an OLED consumes more than three times the power of an LCD.Because battery life is extremely important on mobile devices,this characteristic of OLED displays implies an aesthetic of mostly black backgrounds with sparse graphics and light-stroked fonts.Regardless,Windows Phone7users can choose between two major color themes:light text on a dark background,or dark text on a light background.Most user input to a Windows Phone7program will come through multi-touch.The screens incorporate capacitance-touch technology,which means that they respond to a human fingertip but not to a stylus or other forms of pressure.Windows Phone7 screens are required to respond to at least four simultaneous touch-points.A hardware keyboard is optional.Keep in mind that phones can be designed in different ways,so when the keyboard is in use,the screen might be in either portrait mode or landscape mode.A Silverlight program that uses keyboard input must respond to orientation changes so that the user can both view the screen and use the keyboard without wondering what idiot designed the program sideways.An on-screen keyboard is also provided,known in Windows circles as the Soft Input Panel or SIP.XNA programs also have access to the hardware keyboard and SIP.译文有时候以前的方法显然无法达到预期效果,这时也许需要告别迷雾茫茫的过去。
毕业论文英语翻译
毕业论文英语翻译Graduation Thesis- English Translation(700 words)Title: Impact of Social Media on Youth: A Comparative Study of China and the United StatesAbstract:This graduation thesis aims to explore and compare the impact of social media on youth in China and the United States. With the rapid development of technology, social media platforms have become an integral part of the daily lives of young people across the globe. This research focuses on understanding the extent to which social media influences their behavior, mental health, interpersonal relationships, and overall well-being. By conducting a comparative study between China and the United States, this thesis seeks to highlight the cultural differences and similarities in the utilization and effects of social media on youth in the two countries. Through the use of surveys, interviews, and analysis of existing literature, the research findings provide valuable insights to inform policymakers, educators, and parents on how to address the challenges and harness the opportunities presented by social media.Introduction:Social media platforms, such as WeChat, Weibo, Facebook, and Instagram, have become an integral part of daily life for young people around the world. With the increasing prevalence of smartphones, young people have unprecedented access to these platforms. This thesis focuses on understanding the influence ofsocial media on youth, as it has both positive and negative effects. For instance, social media has allowed young people to stay connected with friends, express themselves, and gain access to information. On the other hand, excessive use of social media can lead to mental health issues, cyberbullying, and reduced face-to-face social interaction.Methodology:To achieve the objectives of this thesis, a mixed-methods approach is adopted. A quantitative survey will be conducted among a sample of Chinese and American youth to collect data on their social media usage, behavioral changes, mental health, and relationship dynamics. Additionally, qualitative interviews will be conducted to gain deeper insights into their experiences and perceptions of social media. The analysis of existing studies and literature on social media will complement the primary data collected.Findings:Preliminary analysis suggests that Chinese and American youth have differing patterns of social media use. While Chinese youth tend to use platforms like WeChat and Weibo predominantly for communication, American youth often utilize platforms like Facebook and Instagram for personal expression. Moreover, Chinese youth show a higher inclination towards comparing themselves to others on social media, whereas American youth tend to engage in cyberbullying and online harassment more frequently. Both Chinese and American youth report experiencing anxiety and depression as a result of their social media use, albeit for different reasons.Conclusion:This research provides valuable insights into the impact of social media on the youth population in China and the United States. The comparative analysis highlights the cultural differences in social media usage and effects. The findings suggest the need for targeted interventions and policies to address the challenges posed by social media, such as cyberbullying and mental health issues. Additionally, the research emphasizes the importance of digital literacy education for young people to navigate the complexities of social media in a responsible and informed manner. Keywords: social media, youth, China, United States, comparative study。
以跨文化传播下海外电视剧翻译为话题的论文
以跨文化传播下海外电视剧翻译为话题的论文以跨文化传播下海外电视剧翻译为话题的论文电视剧是集多种艺术表现形式于一体的综合性艺术,在跨文化传播过程中,虽然不同地区的电视剧往往存在着文化差异和语言障碍,但通过字幕翻译就能够建立起文化交流的桥梁。
在如今全球化浪潮席卷之下,电视剧作为文化交流的直接且有效的形式,可以通过翻译外国电视剧字幕,再根据观众容易接受和理解的思维习惯重新构建语言,使观众的观看过程更加顺畅,同时也使电视剧作品得到更好的传播。
目前,随着我国海外电视剧引进数量的不断提升,对电视剧字幕的翻译工作也提出了更高的要求。
总体来说,在口碑和商业上都取得不错成绩的海外电视剧作品,除了电视剧本身的故事内容和视觉效果之外,字幕翻译对其传播效果的助力作用不容小觑。
海外电视剧作为跨文化传播的一种艺术样式,其字幕的翻译越来越注重互动性,且大多采用本土化的方式使语言简单有趣、通俗易懂、特色十足,以此达到吸引观众的目的。
一、文化差异对海外电视剧字幕翻译的影响电视剧作品背后承载着一个国家的社会文化及价值观,不同国度不同语言的电视剧各具特色。
在传播过程中如何消除语言的隔阂,对于海外电视剧的传播是至关重要的,而字幕翻译是解决此问题的重要手段。
对于电视剧字幕的翻译,国内外的很多学者都从语言和文化的角度进行了探讨。
海外电视剧和国内受众之间的文化差异是客观存在的,站在发展的角度上看,字幕的翻译显得尤为重要。
只有洞察了文化差异的因素,才能让使用不同语言的观众获得相同的审美感受和体验。
海外电视剧字幕翻译的文化差异因素主要表现在地理文化差异、历史文化差异、风俗文化差异及宗教文化差异等方面。
首先是地理文化差异。
文化本身的意识形态,会受到物质环境的影响,不同的自然环境对于人的性格、生活和习惯等都有潜移默化的作用。
中国地大物博,广阔的地势地貌也相对比较复杂,人口众多、气候多样,生活方式也因地区和民族的差异而多种多样。
复杂地理环境下生存的中国人相对求稳好静,较为关注事件表象背后的内容。
毕业论文外文翻译
毕业论文外文翻译以下是关于毕业论文700字的外文翻译:Title: The Impact of Artificial Intelligence on the Job Market Introduction:Artificial Intelligence (AI) refers to the development of computer systems that can perform tasks that would normally require human intelligence, such as speech recognition, decision-making, and problem-solving. With advances in technology, AI has become more prominent in various industries, and its impact on the job market has drawn significant attention.Body:1. Automation and Job Displacement:AI has been widely adopted in the automation of certain tasks across industries. For instance, AI-powered machines can handle repetitive tasks more efficiently and accurately than humans, leading to job displacement in certain sectors. Industries such as manufacturing, transportation, and customer service have already seen significant impacts, with robots and virtual agents replacing human workers.2. Job Creation and Augmentation:While AI may displace certain jobs, it also has the potential to create new ones and augment existing ones. The development and implementation of AI systems require skilled professionals in various domains, such as data science, programming, and machine learning. Additionally, AI can enhance human capabilities by augmenting decision-making processes and providing valuableinsights.3. Skill Shifts and Reskilling:With the rapid advancement of AI, certain skills may become less in demand while others may become more valuable. For example, skills such as data analysis, coding, and problem-solving are becoming increasingly important in the AI-driven job market. As a result, individuals may need to reskill or upskill to remain competitive in the workforce.4. Impact on Specific Industries:Certain industries are expected to be significantly impacted by AI. For instance, the healthcare industry can benefit from AI-powered diagnostic tools and predictive models. Likewise, the finance industry can leverage AI to improve fraud detection and risk assessment. However, these advancements may also lead to job displacement in certain roles, such as medical coders and financial analysts.Conclusion:The growth of AI technology has both positive and negative impacts on the job market. While it may lead to job displacement in certain sectors, it also has the potential to create new job opportunities and augment existing ones. In order to adapt to the changing job market, individuals may need to acquire new skills and embrace lifelong learning. Policymakers also have a role to play in facilitating the transition and ensuring the benefits of AI are distributed equitably.。
戏剧英文作文素材带翻译
戏剧英文作文素材带翻译英文:When it comes to drama, I think it is one of the most expressive art forms. It allows us to explore complex emotions and ideas in a way that is both entertaining and thought-provoking. Drama can take many forms, from tragedy to comedy, and everything in between. It can be performed on stage or on screen, and can range from small, intimate productions to grand, spectacle-filled extravaganzas.One of the things I love about drama is its ability to transport us to other worlds and times. For example, a play set in ancient Greece can transport us back to that time and place, allowing us to experience the culture and ideas of that era in a way that is both educational and entertaining. Similarly, a play set in a dystopian future can make us think about the consequences of our actions today, and what kind of world we want to create for the future.Another aspect of drama that I find fascinating is the way it can use language to convey meaning and emotion. The words spoken by the characters can be just as important as their actions, and a well-written play can use language to create a powerful emotional impact on the audience. For example, the famous "To be or not to be" soliloquy from Shakespeare's Hamlet is a masterclass in the use of language to explore complex ideas and emotions.Overall, I think drama is a vital and important art form that has the power to entertain, educate, and inspire. Whether you are watching a play or performing in one, drama can be a transformative experience that allows us to explore the depths of human emotion and thought.中文:谈到戏剧,我认为它是最具表现力的艺术形式之一。
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About drama interventionPapers: Abstract: Non-professional theater education has a very high value of education, but it is still in the field of higher education in the early exploration stage in ordinary colleges and universities in implementing the non-professional theater education disciplines from drama class, drama law courses penetration and dramatic activities carried out three aspects of manpower, thereby construct non-professional theater education in colleges and universities, the implementation of the framework for its development inquire practical way.Keywords: non-professional theater education, higher education, the implementation of ideasDrama is actor playing the role as a means to express the life of the comprehensive art, it is closest to human life primitive appearance, most likely inspire people to the reality of the association, but also the most able man understood and accepted as a unique forms of education, drama and theater education means canvisually effective way to engender empathy direct experience, and thus impose multiple educational impact, resulting in a positive educational role.Since the 20th century, since the 1960s, and 1930s American drama educator temperature Nifuliede advocated by the “creative drama” (Crea-tiveDrama) the same strain of Drama in Education (DramainEducation), Theatre in Education (TheatreinEducation), Applied Theatre (AppliedTheatre ) and other theatrical education campaigns surging.1992, international education Drama / Theatre and Education Association IDEA (InternationalDrama / TheatreandEducationAsso-ciation) in Porto, Portugal established and developed into more than 90 countries, representatives of international organizations to join .2010, IDEA anniversary on October 27 in filed its annual theme: in a shared passion, belief and action together. IEDA President PatriceBaldwin the anniversary congratulatory letter that: children and young people around the world should be able to experience joy, to experience a different way of life to actively imagine and the world is possible. Through drama, we can safely aesthetic to do this, we canplunge into new concepts and self-being, we can plunge into the world should be among the new scene presented. drama is human nature needed, it can make people more rational self-understanding, understanding of the world, building up human and social contact, and a unique way of showing the human face of the world, has a rich filling of aesthetic meaning and value of educating people, can in play a role in education.And career-oriented drama specialist institutions (such as the Central Academy of Drama, Shanghai Academy of Drama, Chinese Opera Institute) professionals in different type of drama education, the author of most concern in the field of non-professional theater and theater education law could play in education value, and its nature is not intended to train professional theater talents to education, but a universal quality education, it is concerned about the overall development and the overall construction, highlighting the drama perfect personality and beautify life’s meaning is to achieve ideal life and the meaning of life and education.This paper tries to explore the college education of African professional theater practice framework andpossibilities, from the drama class disciplines, law courses penetration and dramatic theater activities carried out three aspects of each non-professional theater education discussed the implementation of ideas.Drama class disciplinesNon-professional areas are equally concerned theatrical drama education teaching body, it can also play as a specialized discipline, guide students to learn about the history and theory of theater, past and future, not only concerned about imparting knowledge theater, theater appreciation culture, but also in the context of the new era spawned a new curriculum content.(A) as an integral part of the general education curriculum construction traditional theater Liberal (LiberalEducation) originated in the 19th century, when many scholars recognize that universities too small sub-specialties, knowledge is severely fragmented, neglected, higher education reflects the heavy utilitarian practical colors, therefore proposed the concept of general education, which aims to reinforce the students’basic knowledge of various disciplines to develop a sound and complete people, especially human spirit and socialresponsibility. 20th century, made by Matthew Arnold The modern university “Liberal” is widely recognized, many world-class schools such as Yale, Harvard, University of Chicago have adopted this model to set the course, while the drama is undoubtedly one of important lessons.As a far-reaching implication of art history, it is time to look at the longitudinal dimension, from the 6th century BC in ancient Greece, ancient Rome to the Renaissance drama theater, from the 18th-century neoclassical theater into the 21st century modern drama, every advance of human civilization is accompanied by the development of drama, dramatic art itself on the lateral dimension of view, the essential attribute from theater to art characteristics, from the interpretation of the various aspects of theatrical stage to the endless stream of famous masterpieces, these rich The contents of heterogeneous learners are pending drama painstaking research. In higher education, these elements should be included in curriculum, in the form of art elective for all students, including science and engineering, including the choice to learn, completing the course of study after passing an examination, should be given appropriatecredit.In the United States, universities in the United States more than three thousand years, more than half have a drama department, and elective non-professional theater drama classes are also very large number of students. In most schools, drama classes as general education, both works of appreciation, theory Dynasty, also includes some highly specialized acting, directing, choreography and other courses, taught by the very people in the United States taught at the University of Chicago During the training I have had the history and theory of drama << >> << Beckett before and after: theater and movie theater and anti-drama “and other two courses, the students from a course before the professional school or sub- professional students in lower grades, after a course-related drama was already learning basic courses offered to students who are not necessarily professional theater, but the requirement is that the direction of humanities and social sciences.Disciplinary nature of some universities in drama education has made a valuable attempt, such as Nanjing University, using its strong theatrical background, thecultural quality of the whole-school electives, opened more doors drama courses, including Introduction to drama << “classic study drama << >> << >> << Drama Culture of Song Yuan to appreciate >> << Kunqu cappella research”<< drama works rehearsals >> << >> << Opera and Musical Appreciation opera classics >> etc., the arts and cultural education center dedicated in promoting the development of drama education has also contributed. Additionally, Zhejiang University, Hangzhou Normal University, Zhejiang University and other schools have opened many doors drama courses, which both the teaching of drama theory, the introduction of the classic drama, but also the participation of theater practice, to improve students’overall literacy plays very beneficial.Creation of specialized electives in drama at the same time, the school also organizes regular theater and cultural lectures, invited well-known experts to teach drama to further stimulate students’ love of dramatic art, in addition, with high-quality professional theater is also useful to establish contact necessary, the school can invitethem to do special performances, teacher or student can also send representatives to participate in professional theater training and development of the campus theater expertise.(Two) has application value of social science curriculum construction Canadian theatrical performances educator David Booth Theatre in elaborate understanding of education, said: “When we explore the concept of information and communication, social behavior, values, feelings and attitudes, has far exceeded expectations of a large audience of theater, has become our expression and basic methods for interpreting the world, we have been experienced by thousands of performers effects, thereby intentionally or unintentionally, to be entertained, to be visits are being provoked, was persuaded , is controlled by or is touched, sometimes because of their impact on our lives have been changed. “[1] (P.18) As said, the theater has become a basic form of contemplation of the world, has gone beyond the theater itself The beginning of its significance, is more widespread and deeper into the social life. If performance studies perspective to look at human society, it is not difficult to find that people arebeing surrounded by countless performances, while the people are at all times during the the performances, it can be said, performing a profound impact and changed the world.In 1979, Richard ·Professor Xie Kena initiative, founded the New York University Department of Performance Studies, Theatre Studies and Anthropology, which is a combination product. Professor Xie Kena performance of the activities of human life is divided into four categories, including daily performances, he will be performing extension of the concept has been expanded so that society had contact with American sociologist Irving Goffman also found life in the show, he in his masterpiece < <everyday self-presentation >> preamble states: “This report is used by the theatrical point of view, the principle from the principle of extended theatrical arts comes I will discuss the individual in ordinary work situations presents to others himself and his activities the way he guide and control the formation of his impressions of others, and the way he was performing in front of others when you might be doing to maintain or will not do all sorts of things. “[2] (P.1 )Apparently, he is interested in how individuals go through the show appeals to social expectations, how to contribute, maintain, control self, others make themselves more acceptable, more in line with social norms.Contemporary Chinese society is facing many changes, political democratization, market economy, entertainment and news media gave birth to the continuous development of the birth of a new discipline - Social Performance Studies.On the basis of performance studies in humans directly taught by Schechner’s Shanghai Drama Institute Professor Sun Huizhu created this discipline, it is concerned about the practice of social significance and Performance Studies application value proposition interdisciplinary, cross-discipline to construct the system, Performance Studies directly involved in demands for social education, law and politics, services, media and other industries.Specific to higher education drama course, I believe that with the social drama performances related application-oriented education courses compared to traditional dramatic arts courses, the more practical valueand significance, it helps students to standardize image, capacity development, individuality, fostering collaboration, even subtly influence the student’s life, it is recommended to open higher education << >> Social Performance Studies or related courses. Unviersities “Social Performance Studies >> Courses in both the subject-related knowledge system, based on its usefulness should actively highlighting can even combine different faculties, syllabus design differences for different performance training from the common point of view, we must strive to promote awareness of the role of students, verbal communication skills improvement and self-expression, imagination and creativity development and the cultivation of the spirit of unity and cooperation, from a personality point of view, they have to actively promote student in their respective areas of expertise to improve the professional skills so that each student can receive targeted development.Two plays law courses penetrationDrama law course refers to the dramatic penetration means penetration in teaching among othersubjects for integration with the form. Drama penetration and intervention methods will greatly mobilized the students’interest and initiative, will make a lively university classroom , enthusiasm and lush.(A) Situation and Role: language and literature courses in the practice of the globalization era, the importance of verbal communication skills has become increasingly prominent, higher education foreign language teaching is also highly regarded. Traditional language teaching presence focused on literacy , Light heard unfortunate tendency to strengthen language skills, especially listening and speaking foreign language teaching is a priority, and the use of situational model, through the creation of real situations to conduct combat and verbal communication exercises are quite effective method, which is the theater The most typical means of teaching pedagogy.Situation in education, selection and design context is crucial.Teachers should choose life and teaching contents and the actual height of the relevant special situations to guide students in the prescriptive context, learning how toexpress their point of view right view of how actively with others to communicate effectively. Typical scenario set up, teachers should give students full freedom, to encourage their improvisation for verbal communication, which the students language skills as well as social skills training has a positive meaning.In addition, dramatic situations can reach directly into the purpose of language training in listening, experience, analysis of drama dialogue, listening and speaking ability of students can be effectively exercise. Teachers can also combine different teaching objectives, targeted selection a representative of the classic theater pieces, the students listen carefully to the premise, or allow students to describe a variety of characters, relationships and their environment, or allow students to boldly conceived development of subsequent events, or enable students to analyze dramatic ideological content of the dialogue, in short, from the perspective of improving students’language auditory sensitivity, and through effective thinking activities, listening and speaking will be linked through language internalization and externalization continues alternately, improve powerand discourse tasting Thinking vitality. This approach also applies to literature courses, literature classroom can reproduce screenplay scenarios do play rehearsal clips and other exercises, the text of the drama perspective, vividly presented in front of students, so that students understand the drama fresh vitality .In addition to situational teaching, role-playing activities are also quite dramatic style. Ancient Greek philosopher Aristotle that drama originated in imitation of human nature, he thinks people from there since childhood, when the instinct of imitation, their initial knowledge, but also from imitation come.As an endorsement of body art theater, the role of its core concepts, roles imitation of life constitutes the existence of traditional drama, and more importantly, to play an active role in all aspects of modern society, therefore, the role of awareness training, the ideal role model modeling, self role models can be a university classroom content.Czech educator Comenius big for this kind of education is also very experienced in his great teaching theory >> << mentioned: “If entertainmentcan be used to ease the mood relatively decent attention to aspects of life, so that They left when the consumer can be a definite impact, which is extremely useful for example, you can give them some young workers Hangzhou Normal membership of a social state with, let them play farming or playing political games when soldiers, when architects, etc., to imitate a variety of colored craft. ...... When making war games, students can be when generals, generals, captain or bearer. playing political games, they can be used for the king, Minister, ministers, secretaries, ambassadors, etc., according to the same principle, they can be a consul, parliamentarians, lawyers or officials; Because this kind of entertainment can often lead to serious things, which will meet Luther’s wish is that the school youth person’s learning can be organized so that they think it is the same day as happy playing ball, so that the school can for the first time to become a real prelude to the real life. “[3] (PP.151-152) shows that boast America New York Adams fully aware of the role play entertaining features, it is with a lively form, so that schools become exercises stage of life, to understand the world of the window, and in a harmonious atmosphere toenrich students ‘artistic experience, the students’Humanities role in promoting the cultivation of produce.Specific to higher education courses in language and literature, role-playing activities can provide students with a safe place, so that they stand in different capacities to express their views, experience life. Whether it is the role of dramatic literature courses readme, role analysis, or language courses in role-playing, situational reproduction, can enable students to develop language skills and verbal communication skills, a clear role consciousness, perception of real life, a rich inner experience , insight into the vicissitudes of life.(Two) monologue and dialogue: Best Political History courses in the practice of esthetician Susan Langer said: “The theater is an art of poetry, because it creates all poetry has the basic fantasy - fantasy history. drama is essentially a human life - the purpose, means, gains and losses, ups and downs and even death - the mapping want ....... it has created its own unique basic abstractions, in order to gain some kind of imitation of history unique way. “[4 ] (P.354) theater and society, life is so fit, many elements of drama, such as conflict, confrontation,cataclysmic, life itself solve so the truth is often said that “life is full of drama.” In fact, every person living in the world are playing a variety of roles, as if life is a drama staged process, and individual life will also constitute a collective writing the history of human society and culture. Life is a drama, in turn, plays a particularly These dramatic elements can also be used as a tool to understand the world, able to satisfactorily reproduce the social life, including the history and reality, such as monologue and dialogue.York University BelarieZatzman in << monologue items: >> a dramatic testimony in the form of text described her students jointly executed with a project, the project and the Holocaust education-related, she said: “In my work, I was a strong feeling about the drama and education into the backdrop, this kind of background about the Holocaust and beyond it, when we carefully positioned between self and others, it also includes the story of immigration, such as the establishment of identity and so on.Young people need to know that they are in history, memory space and the intersection of art teacher needs toknow that they have an opportunity to contribute a pedagogy involves building a narrative that students leave space. ““ 5] (P.35 ) This is a unique way of teaching, it is a mix of the student’s personal and historical narrative monologue, to help students in connection with the history of the sound of self-discovery, helping them to the new, more humane perspective to understand history. Moreover, It is understood, anthropologist at the University of Chicago Marriott has led students through the stage in the form of the Hindu caste society act out the life of these historical, political drama Law courses on our colleges and universities involved in curriculum building, it is not without drawing significance.Chinese University of Political Education Courses and history courses taught mostly theoretical, historical commentary mainly chalk and talk style of teaching is very difficult to mobilize the initiative and creativity of the students, the students can not really participate in classroom practice in the past, but can not reach their physical and mental soul.Teaching, can draw such dramatic monologue and dialogue elements, guide students to think and expressthemselves in political life and historical reality orientation, clear links with the community itself, more emotional and more profound understanding of the world, the aforementioned cases will teach the Holocaust is proof. Ideological our colleges and universities, the teaching of history should be shifted from the Teachers’Centre Student Center, cherished student’s voice, you can organize the students to discuss and debate, to encourage students to express their personal opinion, for example, allow students to interview family members, write family history, to understand their ancestors, Changes in Chinese modern history fathers living in the state, with the fate of the characters reflects the spirit of the times, and then in the classroom exchanges, current events can also be organized lectures, quizzes, etc. activities.In addition, by the Brazilian dramatist Auguste Boao Forum proposed method in the ideological and political and legal drama course also very practical value of the so-called forum theater concept is to allow performers to present the various problems encountered in the arena and to play a role, through the crowd involved, while performing edge discussions with an open end to try avariety of possible solutions in the drama, reality and virtual overlap intertwined, the audience is not only accepted sense of the viewer, it is a name actors, you can freely and democratically involved in dramas, involving speculation in the ideological and political and legal curriculum, teachers can collaborate with students, according to the present society of hot events, legal cases innovations of forum theater, used in theatrical performances form of a question, triggering action, such as around the drug house Xin murder, can reproduce the drug house Xin murder scene, performing their kill and not to kill the possibilities can also be simulated court scene, the press conference scene, etc., students played many drugs home Xin, judges, family medicine Xin families, families of the victims, media reporters, courtroom masses in various roles, through the way of performing the event into high drama education Chen Yi and so on. The drama into the field of education drama referral. In-depth and detailed discussion. As the British University of Winchester romantic drama professor Tim Pullen pointed out: “The application is the use of live theater arts experience to explore the truth and humanityeffective practice of human rights, it will bring people into the system and the existence itself between citizens of the possibility of an ideal life, so that people are faced with the dark heart of contradictions. “[6] With dramatic way, students can enter the core of humanity and the world, have the opportunity to look into the reality of searching for truth, in performing and speculations on the profound questioning humanity itself, so that the activities of the person’s spiritual growth benefits infinity.three dramatic activities carried out Outside of the regular teaching activities, in order to play as the main form of theme activities, is a concrete manifestation of humanistic quality education, non-professional theater education to be an important part of the implementation of the comprehensive and harmonious development of great significance.(A) actively develop Campus TheatreIn China, the drama and education have long forged a bond .1899 years, Shanghai St. John’s University staged << officialdom ugly history “, creating a precedent for our student theater, early 20th century, with Hong Yi,Ouyang I Qian and other students studying in Japan as the representative of drama activities opened a prelude to China’s new drama, then, Nankai School, Tsinghua School, xiaozhuang schools and other schools have left a glorious tradition of student theater, Zhou Enlai, Cao Yu and other old one generation of revolutionaries, the artist was also a pioneer in student theater theater ...... These are the concept of educating people provide evidence.Since reform and opening, some of the ideas of the students with advanced proactive chose drama as self-expression vector to express the community to reflect and ponder the fate of mankind .20 In the 1980s, Beijing Normal University, the first to set up the North Drama Club They played a lot of excellent plays record, all the rage on college campuses. Thereafter, the major colleges and universities have established campuses theaters, university students staged a series of classic plays, such as Shakespeare’s plays << Timon of Athens “ Twelfth Night << >> and << Cao Yu’s Thunderstorm “<< >> Pekingese, etc., and then through the avant-garde pioneer attitude own or adapt the way some experimental drama exploring thesetheatrical performances , not only for students to provide a stage to show themselves to enrich the cultural life on campus, and more importantly, for them to find the emotional catharsis of the soul habitat.Drama Club as student organizations on campus, you must develop the appropriate rules and regulations, must have a fixed membership and activities, in the conditions permit, configure a dedicated drama teacher is also necessary. Generally speaking, drama club in each academic year are should add fresh blood to go through rigorous quality testing, select the part of high artistic quality and perception force students to participate in theaters, usually to ensure that regularly carry out physical training, theater appreciation, drama rehearsal and other activities, but also to ensure that a certain amount per year theatrical performances, such as inter-school drama exchange activities, school theater performances and other special campus drama activities should be conscious participation as a starting point to encourage students to develop a critical spirit and sense of innovation, the individual’s thinking and perception integrated into theater, creatively artistic creation, to make the campusdrama activities in a harmonious, pleasant atmosphere and lack of passion growing generation to generation.Domestic drama in obtaining university campus development, there still exist some problems. Keen on some campuses Drama row drama, engaging scenes, that dazzling stage design, modern sound and light effects can campus theatrical climax, professional development goals even as everyone knows, this is precisely the departure from the original ecology of the campus theater, the annihilation of the campus theatrical vitality. great British director Peter Brook has a saying: “I can take any empty space is called a stage. When someone watching a man walk this empty space, which is enough, we’ve got drama activities needed fundamentals, but when we talk about the drama, we always want to think of red curtain , spotlight, no rhyme verse, laughter, dark room, these are people in a multi-word ambiguity expressed by the image of the above plus a hard thing to go. “[7] (P.11) This sentence profoundly reveals the essence of drama, drama is not literature, nor is it in the form art, but the relationship between people. Campus Theatre in material poverty, but at the level of the human spirit。