EV麦克风类目介绍 EV Mic Catalog 2014
Staying true to its roots as a great American brand, Electro-Voice continues to reach new heights in the 21st century. We were the first to advance microphone technology with N/Dym™ neodymium magnetic structures, and the first to bring fast, automatic channel-coordination to wireless microphones with ClearScan™. But that’s just the beginning— our engineers are constantly working on new ways to capture the full richness and nuance of your tone.
CONTENTS
Electro-Voice Artists
4
Wired Microphones
7
LIVE PERFORMANCE MICROPHONES
PL Series
8
NDYM Series
10
RE Performance
12
BROADCAST MICROPHONES
RE Broadcast
14
Rugged design and construction ensures that Electro-Voice capsules—the heart of any microphone’s performance—remain unfazed by treatment that would ruin lesser brands.
Field Production
15
INSTALLATION MICROPHONES
PolarChoice
16
RE Installation
18
General Microphones
20
Wired Microphone Accessories
21
Wired Guidelines
22
Microphone Selection Chart
Superior polar pattern design enables exceptional control of gain before feedback in both mains and monitors.
Performances that are sonically spectacular for both the audience and the artist. The Electro-Voice sound is synonymous with the highest quality and musicality.
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2
3
ELECTRO-VOICE ARTISTS
Electro-Voice equipment is designed to combine superb sound quality with rugged, real-world reliability. Whether you’re a regional band, a busy DJ or an international artist on tour, the Electro-Voice name ensures your signature sound remains intact, show after show. Electro-Voice gear is made by musicians and audio enthusiasts for musicians and audio enthusiasts – you live for sound, and so do we. That’s why we’re the choice of hard-working performers everywhere, and that’s why our community of artists continues to grow across all genres. Visit www. /evartists to learn more about our family and thanks for choosing EV!
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Wireless Microphones
27
R300
28
RE-2
30
RE-2 Pro
32
Wireless Antenna Accessories
34
Wireless Microphones
36
Wireless Kits, Accessories and Cables
38
Wireless Guidelines
PRO SOUND
Wired & Wireless Microphones
BBorn and bred in the American heartland, Electro-Voice lays claim to over 85 years of unmatched innovation in microphone design and manufacturing. Back in 1927, company founders Al Kahn and Lou Burroughs started out as true pioneers, establishing the industry standard for audio engineering excellence and reliability while continuously upping the ante with breakthrough technologies, such as the humbucking coil for noise cancellation, Variable-D™ for proximity control and VOB™ for reduced resonant distortion at low frequencies.
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55
WIRED MICROPHONES
Live Performance Microphones
Electro-Voice is a proven leader in the design and manufacture of live performance microphones. Preferred by performers the world over since the company was founded in 1927, Electro-Voice microphones have long been the choice of the music industry’s greatest artists. Why do so many top-name performers choose Electro-Voice?
In broadcast field production, where unquestioned reliability and spot-on sonic performance are prime requirements, Electro-Voice mics are the industry’s go-to workhorses. For decades, you’ve seen Electro-Voice microphones in the hands of reporters and news correspondents across the globe, capturing interviews ranging from the President of the United States to the family next door. EV’s RE50 and 635A mics are famous in broadcast, television and radio in-the-field broadcasts, setting the world standard for ENG (electronic news gathering) and EFP (electronic field production). Extremely rugged and able to withstand high humidity, temperature extremes and corrosive environments, such as salt air, Electro-Voice field production microphones combine excellent sound performance with our legendary “Buchanan Hammer” durability.
麦克风
麦克风麦克风是我们生活中常见但又极为重要的一种设备。
它能够将声音转化为电信号，并通过电缆或无线传输给其他设备进行录制、放大或传输。
麦克风广泛应用于语音通信、音频录制、音乐演奏等领域，并且在现代科技的发展中扮演着重要的角色。
麦克风的原理是利用声音振动产生的声波，通过振动膜片使磁场发生变化，进而通过线圈感应出电信号。
这个过程涉及到声音的变换、振动的传递和电信号的转换。
麦克风的种类很多，常见的有电容式麦克风、动圈式麦克风、指向性麦克风等。
电容式麦克风是一种常见的麦克风类型。
它利用了振动膜片与固定电极之间的电容变化来接收声音。
当声音通过麦克风时，膜片会受到声波的振动，从而使得电容的大小发生变化。
这种变化会被电路转化为电信号并输出。
电容式麦克风具有高灵敏度、广泛的频率响应和较低的失真程度的特点，使其在音频录制和演唱会等场合中得到广泛应用。
动圈式麦克风是另一种常见的麦克风类型。
它利用了线圈在磁场中运动产生的感应电流来接收声音。
在动圈式麦克风中，声音传递到膜片时，膜片与线圈连接在一起并固定于磁场中。
当声音通过麦克风时，膜片会受到声波的振动，从而使得线圈在磁场中运动。
运动的线圈会产生感应电流，并通过电路输出。
动圈式麦克风具有坚固耐用、抗冲击和高音质的特点，广泛应用于舞台演出和录制音乐等领域。
除了常见的电容式和动圈式麦克风，还有一些其他类型的麦克风，如指向性麦克风。
指向性麦克风能够根据声音传播的方向性选择感应声音，并屏蔽其他方向的声音。
这使得指向性麦克风在会议记录和新闻采访等场合中非常有用。
麦克风在不同领域有着广泛的应用。
在通讯领域，麦克风用于电话、无线电和对讲机等设备中，为人们提供清晰的语音传输。
在音频录制领域，麦克风是录音棚和现场音乐演出的必备工具，通过精确捕捉声音来创作和演绎音乐。
在语音识别技术中，麦克风广泛用于将人类的语音信号转化为计算机可以理解的数据，推动了人机交互和智能助手的发展。
随着科技的不断进步，麦克风的发展也在不断演进。
EV介绍及案例
1.EV音响介绍创立于1927年的Electro-Vioce®为全球最主要的专业电声设备生产供应商。
作为专业音响领域公认的技术先驱，EV® 产品在演艺中心、剧院、体育场馆、教堂、电影院、夜总会、交通枢纽以及现场音乐会中无处不在。
同时，广播业、全球巡回演出业、固定安装、扩声、音乐重放等应用领域都在使用EV设计和制造的高品质产品。
EV® 通过提供卓越音响产品赢得了良好声誉，同时致力于持续创新。
无论是话筒、音箱、功放还是信号处理器，EV® 提供的解决方案总是追求更好的表现和可靠型。
EV® 与Dynacord®、Klark Teknik®、Midas®、RTS®及Telex® 共享领先技术。
在技术创新方面，EV® 也拥有着诸多领先的专利技术。
1934年，EV® 发明了应用在话筒上的“哼声抑制线圈”，70多年后的今天依旧是行业标准。
1940年，EV® 首家在话筒上采用降噪技术；EV® 彻底革新了坦克和飞机的通讯方式。
1954年，EV® 首家采用Variable-D® 话筒技术，这是减少传统单距离话筒产生『近讲效应』的方法，在教堂和会议室等典型应用环境中可以提高声音的可懂度。
1963年，EV ® Cardiline642型『短枪话筒』获得美国电影艺术与科学学院（奥斯卡颁奖机构）颁发的奖项，以表彰它为电影音质提高创作的巨大贡献。
1974年，EV® 发明了恒指向号筒，这是第一次音箱可以在一定频宽范围内保持额定的覆盖角度，不同位置的听众可以获得更一致、更清晰的声音。
1986年，EV® 革新了音乐会扩音技术，通过采用Manifold Technogy®（多岐管技术）。
四个扬声器中的每一个都覆盖全频宽，四个扬声器的输出无缝隙结合在一起，组成单一的号筒或低频音箱。
电子喇叭 EV PolarChoice 桌面微音箱说明书
PolarChoice DesktopPC Desktop-5/PC Desktop-12/PC Desktop-18Mulit-Pattern Desk Microphonewith Automatic Mixer LogicGeneral Description:Key Features:• RF Shield provides superior RFI/GSM shielding.• Multi-pattern versatility. Choose between omni, cardioid,supercardioid or hypercardioid to easily adapt to any situation.• Consistent microphone voicing across all four patterns.• Switch can be programmed to operate as either latching on/off or momentary push-to-mute/push-to-talk.• Disassembly of the mic isn’t required to change switch functions.• Compatible with echo cancellation for conference applications.• High visibility blue LED clearly displays mic status to the user.• Exceptional sound quality with EV’s proven PolarChoice design.• Available in three gooseneck lengths: 18”, 12” or 5”.The PolarChoice Desktop is a high quality tabletop microphone that can be used with both standard and automatic mixers, and is highly-shielded from RFI/GSM thanks to EV’s exclusive RF Shield technology.The PC Desktop features the exclusive EV PolarChoice miniature multi-pattern gooseneck microphone. The multi-pattern versatility of the PolarChoice microphone makes it a true “problem solver”. With one non-directional and 3 directional polar patterns available, the PolarChoice microphone is ideal for virtually any installation. The PC Desktop also includes a switchable high pass filter that helps reduce any vibration induced noise pickup.The PC Desktop features a large push button mute switch that has a much better “feel” than membrane switches. The mute button can be configured for push-on/push-off, push-to-talk, or push-to-mute function. Switch programming is easily accomplished without disassembling the microphone. A switch on the bottom quickly converts the PC Desktop to automatic mixer mode. In this mode, audio is always on.Technical Specifications:Generation Element:Dual condenser, back electret Frequency Response:50 Hz to 20,000 Hz (see chart)Polar Patterns: (see chart)OmnidirectionalCardioidSupercardioid HypercardioidSensitivity:Open Circuit Voltage, 1 kHz:5.6mV/PascalClipping Level (1% THD):>127 dB SPLEquivalent Noise:<26 dB SPL “A” weighted(0 dB=20 micropascals)Dynamic Range:>101 dBOutput Impedance, 1 kHz:200 ohmsPower Requirements:Phantom, 12 – 52 VDC Current Consumption:< 5 mA with P48 supplyPolarity:Pin 2 positive, referenced to pin 3,with positive pressure on the diaphragmCable:10-foot, 5-conductor(2-conductor shielded) black cable,terminated with a professional 3-pin male XLR style connector with gold plated pins.Logic Levels:Standard TTL levels for switch out and LED Control5 Volts = Logic High 0 Volts = Logic Low Dimensions:Base (all mics):Length: 175 mm (6.9 in.)Width: 117 mm (4.6 in.)Height: 56 mm (2.2 in.)Gooseneck Length:PC Desktop-5: 175 mm (6.9 in.)PC Desktop-12: 318 mm (12.5 in.)PC Desktop-18: 470 mm (18.5 in.)Maximum Head Diameter:14.6 mm (0.58 in.)Gooseneck Diameter:6.4 mm (0.25 in.)Lower section: 7.9 mm (0.31 in.)Accessories Furnished:WindscreenOptional Accessories:WS-PC1 large windscreenColor:Nonreflecting blackNet Weight:PC Desktop-5: 703 grams (24.8 oz)PC Desktop-12: 712 grams (25.1 oz)PC Desktop-18: 730 grams (25.8 oz)Shipping Weight:PC Desktop-5: 1080 grams (38.1 oz)PC Desktop-12: 1102 grams (38.9 oz)PC Desktop-18: 1111 grams (39.2 oz)Applications:The PolarChoice Desktop is acoustically designed for high-quality sound reinforcement and broadcast applications. The frequency response is tailored for wide-range sound reproduction with very natural sound pickup for either distant or close-up use. The PC Desktop can be used on lecterns, podiums, desks, table-tops, or other applications. To maximize gain-before-feedback, the PolarChoice’s three directional polar patterns allow the user to pick the directional polar pattern for optimum effect. For those applications where gain-before feedback is not a problem, anomnidirectional pattern is included. Applications requiring speaking close to the microphone at podiums, lecterns, or pulpits normally require a windscreen (included) to control breath noise and P-popping or, in some cases, wind noise from circulating air.Microphone Setup:Refer to Figure 1 for the following switch function descriptions-Switch “A”:Select High-Pass switch position. Start with this switch set to the left (flat response). If the mic is in a location where low frequency rumble or wind noise is a encountered, moving this switch to the right will help by reducing low frequency sensitivity. Flat ( ): Normal response.High Pass ( ): minimum 5 dB reduction in sensitivity at 100 Hz.Switch “B”:Select preferred polar pattern. The cardioid polar pattern works well for most installations. If feedback from a sound system occurs, switching to the supercardioid or hypercardioid pattern will usually allow increased mic gain before feedback. The omnidirectionalpattern is best suited for situations where there is no sound reinforcement system present, such as for recording.Switch “C” and “D”:Controls action of push-button switch on the top of the PC Desktop microphone.Momentary Modes:When switch “C” is set to the left, the push-button (mute) switch action is momentary.In addition, If switch “D” is in the left hand position, the mic willbe in push-to-mute mode.Alternately, If switch “D” is in the right hand position, the mic will be in push-to-talk mode.Toggle Modes:When switch “C” is in the right hand position, the push-button (mute) switch will be in toggle (push-on/push-off) mode.With switch “C” in the right hand position, the setting of switch “D” determines if the mic audio should be muted when power is first applied.If switch “D” is in the left hand position, the mic audio will be on when power is first applied.If switch “D” is in the right hand position, mic audio will be muted when power is first applied.Switch “E” (Logic Mode Select):When switch “E” is set in the left hand position, the PC Desktopoperates as a normal desk microphone. Mic muting and operation of the LED is controlled by the push-button on the top of the mic. With switch “E” in the right hand position, the mic will be in automatic mixer mode, and the following will apply:1.) Mic audio is always on.2.) The automatic mixer controls LED operation and micmuting.Wiring:For non-automatic mixer applications, the PC Desktop comes equipped with a standard XLR style 3-pin male connector. Forautomatic mixer applications, remove the XLR connector and service the cable as needed.Cable Connections:Red – Balanced Audio High Black – Balanced Audio Low Shield – Audio GroundGreen – Logic Ground (Common to shield unless R45 is removed. See Figure 3.)White – Switch Logic Orange – LED ControlLogic Signals:If the PC desktop mic is in momentary mode (see above section on the mute switch), the logic level on the white wire will normally be “high”, and go “low” when the push-button is pressed. If the mute switch is set for toggle mode, the logic will toggle from high to low, or from low to high, each time the button is pressed. (If desired, a pc board change can be done to force the logic to always be momentary, regardless of switch settings. See Figure 3).LED Control:When the mic is in automatic mixer mode, a low logic signal on the orange LED control wire will cause the LED to light.Logic Ground Lift:If necessary, the logic and audio grounds can be separated. This requires removing a resistor from the pc board. See Figure 3.Figure 2: Bottom ViewFigure 3:PC Board DetailFigure 1:PC Desktop Controls Cardioid Supercardioid Hypercardioid Ominidirectional12000 Portland Avenue South, Burnsville, MN 55337 Phone: 952/884-4051, Fax: 952/884-0043 © Bosch Communications Systems 09/2011 Part Number F.01U.177.760 Rev 05U.S.A. and Canada only. For customer orders, contact Customer Service at:800/392-3497 Fax: 800/955-6831 Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:+ 49 9421-706 0 Fax: + 49 9421-706 265 Other Internatonal locations. For customer orders, Contact Customer Service at:+ 1 952 884-4051 Fax: + 1 952 887-9212 For warranty repair or service information, contact the Service Repair department at:800/685-2606 For technical assistance, contact Technical Support at: 866/78AUDIOSpecifications subject to change without notice.Electro-VoiceFrequency Response:PC Desktop-5 • 5” Gooseneck LengthPC Desktop-12 • 12” Gooseneck LengthPC Desktop-18 • 18” Gooseneck LengthPolar Response:Warranty:Please refer to the Limited Warranty information found at:All PolarChoice microphones come with the exclusive EV Multi-PortWindscreen. This unique one-piece ported design offers greatlyimproved resistance to “P”-popping noise by creating a two-stagefilter that has an air space between the stages. This makes themulti-port windscreen as effective as much larger traditional designs.EV Multi-Port Windscreen:Architects’ and Engineers’ Specifications:PolarChoice Desktop: PC Desktop-5, PC Desktop-12, PC Desktop-18.The microphone shall be a freestanding, tabletop microphone witha high degree of output signal quality despite possibly near-fieldpresence of RF (radio frequency) devices such as cell phones. Thebase will have a 10-foot integral 5-conductor (2-conductor shielded)cable terminated in a 3-pin XLRM connector. The microphoneshall have four selectable polar patterns: omnidirectional, cardioid,supercardioid, and hypercardioid. The mic will use a pair ofback-electret condenser elements with a frequency response of 50Hz to 20 kHz. The microphone shall have a nominal, balanced outputimpedance of 200 ohms. The microphone will have a switchablehigh-pass filter to roll off low frequencies. The microphone shallhave an output level of 5.6 mV/Pascal and outputs shall not beappreciably affected by the following temperature and humidityextremes: -29° to 74° C (-20° to 165°F) when the relative humidityis 0-50%; -29° to 57°C (-20° to 135°F) when the relative humidity is0-95%. Dimensions shall be 231 mm (9.1 in.) long (PC Desktop-5),373 mm (14.7 in.) long (PC Desktop-12), and 526 mm (20.7 in.) long(PC Desktop-18) with a maximum head diameter of 14.6 mm (0.58in). The PC Desktop-5 microphone shall include a 175 mm (6.9 in.)gooseneck. The PC Desktop-12 microphone shall include a 318 mm(12.5 in.) gooseneck. The PC Desktop-18 microphone shall includea 470 mm (18.5 in.) gooseneck. The gooseneck will be attached toa base that has a top mounted push-button and a status LED thatlights when audio is active. The push-button will be configurable tooperate in either momentary or toggle mode. When the microphoneis set in momentary mode, the push-button can be programmedto operate in either push-to-mute or push-to-talk mode. When themicrophone is set in toggle mode and power is initially applied, thestatus of the microphone can be programmed to be either on ormuted. The microphone will be capable of operation with automaticmixers by means of a configuration switch located on the bottom ofthe microphone. When the microphone is in automatic mixer mode,normal LED and top push button functions are disabled. In automaticmixer mode, audio will always be on, the top push button will onlychange the logic level on the microphone’s white wire, and a logiclow level on the microphone’s orange wire will cause the LED toilluminate. All controls except for the push button shall be accessiblefrom the bottom of the microphone base. The microphone base shallbe of metal construction. The microphone will include an externalwindscreen. The microphone shall have a nonreflecting black finish.The Electro-Voice PolarChoice PC Desktop-5, PC Desktop-12, orPC Desktop-18 is specified.Dimension Drawing:。
麦克风种类及运作原理
麦克风种类及运作原理麦克风种类及运作原理麦克风是一种将声音信号转换成电信号的设备，它是现代通信技术中不可缺少的一部分。
麦克风的种类很多，并且可以根据不同的应用需求进行选择。
下面将介绍几种常见的麦克风类型及其运作原理。
1. 电容式麦克风电容式麦克风是一种需要外部电源供电的麦克风。
它利用电容的原理将声音信号转换成电信号。
当声波进入麦克风时，声波会引起麦克风内部的电容板振动，从而改变电容器的电容量，进而改变电路中的电荷量。
这些电荷量的变化反映了声音信号的变化，最终被放大和处理。
电容式麦克风通常用于录音和广播应用中，由于其高质量的输出和灵敏度，是专业录音棚和工作室中常见的类型。
2. 动圈式麦克风动圈式麦克风是一种常用的麦克风类型，广泛用于演唱、话筒和音频记录应用。
它的原理是利用感应原理，通过沿着磁场振动的金属线圈来转换声音信号。
金属线圈固定在主体底部的磁铁周围，并且当声波进入麦克风时产生的振动引起金属线圈的运动。
这些运动产生一个微弱的电流，通过线圈和磁铁之间的感应产生电信号。
动圈式麦克风因为其坚固和可靠性而广泛应用于音频行业，因为它们可以承受很高的噪声水平和振动。
3. 现场反射型麦克风现场反射型麦克风是一种利用声波反射原理的麦克风。
这种麦克风可以安装在表面上，例如墙壁、天花板和地板等。
当人们说话或演唱时，声源的声音将反射进麦克风，然后被转换成电信号。
现场反射型麦克风在会议室、教室、演播室和音乐厅等场合广泛应用，可以提供优质的声音采集和传输效果。
4. 阵列麦克风阵列麦克风是一种多元素麦克风，具有精确的方向性功能。
它们提供全向性、双向性、心形和超心形模式，在不同的应用场合下可以选择不同的模式，以改善音频质量。
阵列麦克风使用多个小型麦克风的阵列排列来改变声源的反射角度，进而扭曲声音和减少噪音。
阵列麦克风在会议、讲座和语音识别系统中广泛应用。
总结麦克风是音频行业中必不可少的组件，不同的麦克风类型适合不同的应用需求。
关于麦克风的参数介绍-驻极体麦克风（ECM）和硅麦（MEMS）
关于麦克风的参数介绍-驻极体麦克风（ECM）和硅麦（MEMS）1、麦克风的分类1.1、动圈式麦克风（Dynamic Micphone）原理：基本构造包含线圈、振膜、永久磁铁三部分。
当声波进⼊麦克风，振膜受到声波的压⼒⽽产⽣振动，与振膜在⼀起的线圈则开始在磁场中移动，根据法拉第的楞次定律，线圈会产⽣感应电流。
特性：动圈式麦克风因含有磁铁和线圈，不够轻便、灵敏度较低、⾼低频响应表现较差；优点是声⾳较柔润，适合⽤来收录⼈声。
应⽤：KTV场所。
1.2、电容式麦克风（Condenser Micphone）原理：根据电容两⽚隔板间距离的改变来产⽣电压变化。
当声波进⼊麦克风，振膜产⽣振动，使得振动膜和基板之间的距离会随着振动⽽改变，于是基板间的电容会变，根据Q=C*V（电容式麦克风中电容极板的电压会维持⼀个定值）得到变化的电荷量Q。
特性：灵敏度⾼，常⽤于⾼质量的录⾳。
应⽤：消费电⼦、录⾳室。
1.3、铝带式麦克风（Ribbon Micphone）原理：在磁铁两极间放⼊通常是铝制的波浪状⾦属箔带，⾦属薄膜受声⾳震动时，因电磁感应⽽产⽣信号。
1.4、碳精麦克风（Carbon Micphone）2、两种常⽤电容式麦克风的对⽐：驻极体电容麦克风（ECM）和微机电麦克风（MEMS Micphone）2.1、驻极体电容麦克风（Electret Condenser Micphone）原理：驻极体麦克风使⽤了可保有永久电荷的驻极体物质，不需要再对电容供电。
（若驻极体麦克风中内置放⼤电路，则需要供电）优点：技术成熟、价格便宜缺点：体积⼤，不⽅便SMT、引线长，造成信号衰减、⽣产⼯序多，⼀致性差、灵敏度不稳定2.2、微机电麦克风（MEMS Micphone）原理：微机电麦克风也称麦克风芯⽚或硅麦克风，硅麦⼀般都集成了前置放⼤器，甚⾄有些硅麦会集成模拟数字转换器，直接输出数字信号，成为数字麦克风。
优点：体积⼩，可SMT、产品稳定性好缺点：价格较⾼备注：⼀般情况下，我们把集成了前置放⼤器或者模拟数字转换器的麦克风称为拾⾳器（pickup）。
sE Elec tronics V7 MC2 无线大胆电动麦克风用户指南说明书
sE ElectronicsUser ManualV7 MC2We would like to thank you cordially for choosing the sE V7 MC2 wireless capsule. The V7 MC2 brings the powerful sound and performance of the V7 handheld wired dynamic mic to your favorite Sennheiser wireless microphonebody, so you can take your V7’s sound with you wherever you go.The V7 MC2 capsule features the same specialized aluminum voice coil, smooth &detailed highs, wind & handling noise protection, excellent off-axis response and superior feed-back rejection of the V7 and V7 MC1. We hope it brings you many years of enjoyment and use.Thank you!Sennheiser is a registered trademark ofSennheiser electronic GmbH & Co. KG and has no affiliation with this product.Please make sure that the piece of equipment to which your V7 MC2 is connected fulfills the safety regulations enforced in your country.Safety & MaintenanceFrequency Response& Polar PatternThis product conforms to the standards listed in the Declaration of Conformity. Technical data subject to change without notice.Technical SpecificationsCapsule DynamicVoice Coil Aluminum Magnet NeodymiumPolar Pattern Supercardioid Frequency Range40 - 19,000 Hz Sensitivity 2.0 mV/PA (-54dBV)300 Ohms ElectricalImpedanceConnectivity Compatible withSennheiser wirelesssystems Dimensions Diameter:54 mm (2.13 in.)Length:87 mm (3.43 in.) Weight116 g (4.08 oz)Feel free to contact us:sE Electronics International, Inc.448 Ignacio Blvd, STE 411Novato, CA 94949 USA/contact-us *************************In case you are experiencing any problems or have any questions regarding your sE product, please contact your dealer first for the fastest and more direct service. If an authorized service is required, it will be arranged by that dealer: /dealers If you still have difficulties with support or assistance, please do not hesitate to contact us directly:/contact-us Lastly, remember to register your new gear to extend your warranty to a full five years:/registrationContactSupportThank you for purchasing an sE product! You are automatically entitled to a two-year warranty, but can extend this to a full three years with registration. To register your new equipment and to read the full warrantydetails, please go here:/registrationMost Sincerely,Your sE TeamIMPORTANTWARRANTY REGISTRATION。
EV功放资料
EV CPS2.4MKⅡ功率放大器全新双通道CPS2.4MKⅡ功放，为专业固定安装带来灵活性和可靠性。
为工程商专门设计，CPS2.12双通道功放2U输入输出为Phornix接口，可预设的开机延时，通过内置接口可实现远程开机，后部音量调节，可开关50Hz高通滤波器（HPF）。
每个通道均可单独提供，无需变压器，并可开关的输出，此特性可使特殊的通道建立最大化式输出（可实现驱动最大化）。
当驱动2Ω，4Ω负载时无需变压器。
在高阻抗运行模式，50Hz 的高通滤波器可提供保护，以免发生对扬声器换能器磁饱和。
另外，功放各通道可以成对的桥接，提供倍增的输出功率。
多种可选信号处理模式，包括：用于电影院的500Hz和800Hz分频模式，用于Zx、Sx、和EVID扬声器的XHP可变高通模式。
产品特点：∙输入输出Phornix接口∙可预设的开机延时∙通过内置接口可实现远程开机∙后部音量调节∙带有RCM-810遥控模块扩展插槽，可通过IRIS-Net实现网络控制功能∙通过使用RCM-810可变负载驱动功能，可调节功放输出功率，与变化的负载匹配，负载可从2Ω到10Ω并以0.1Ω为单位变化技术参数：美国EV 功放 EV S4.5产品名称：EV S4.5产品类别：->美国EV 功放->CPS Series->EV S4.5 制 造 商：美国 产 地：美国 保修条款： 计量单位：只产品描述：全新双通道CPS4.5功放，为专业固定安装带来灵活性和可靠性。
详细介绍EV S4.5全新双通道CPS4.5功放，为专业固定安装带来灵活性和可靠性。
为工程商专门设出为Phornix 接口，可预设的开机延时，通过内置接口可实现远程开机，后部音量调节，可开关来自EV 的全新4通道CPS4.5功放，带来D 类功放技术上的突破，在19英寸宽的箱体内，实到可能的最小程度。
每个通道均可单独提供，无需变压器，并可开关的输出，此特性可使特殊的通道建立最大化动2Ω，4Ω负载，70V 或100V 定压负载时无需变压器。
EV音箱_FI系列产品
2.7kg
箱体结构 安装系统 网罩结构 可选颜色
EVID C8.2/C8.2LP EVID C8.2HC
EVID C12.2
50–20,000 Hz
91dB
100W（过载保护）
110°圆锥 1.88（仅70V）, 3.75, 7.5, 15, 30W 8” 纸盆
1” 钛球顶振膜
EVID商业扬声器具有同类产品最佳的声学性能和出色的 高保真度，适用范围非常广，包括：演出和体育场馆、 零售环境、会议中心、会议室以及如餐馆和酒吧等的招 待服务设施。EVID包括墙面嵌装（Flush-Mount）和 墙面安装（Surface-Mount）两种类型可选，不仅提
供出色的声音，还提供漂亮的外观。EVID3.2、4.2和 6.2同时还提供带有70V或100V内部线性换能器的定压 （“T”）版本。大能量和高性能，让EVID成为现今安 装应用的优秀解决方案。
EVID C4.2
频率范围（-10dB） 灵敏度（SPL，@1W/1M） 功率驱动（8Ω） 覆盖角度 变压器抽头 低频驱动 高频驱动 输入配置 尺寸( 高x 直径) 净重 声学设计
65–20,000 Hz 86dB 80W（过载保护） 130°圆锥 1.88（仅70V）, 3.75, 7.5, 15, 30W 4” 纸盆 0.75” 钛球顶振膜 8Ω, 70V, 100V
• 设计优美、外形紧凑，适合中小尺寸房间 • 1"球顶高频单元重现完美高音 • 能与EVID超低音音箱完美结合 • 全封闭壳体确保一致的表现
EVID
Angle markers
100°
90°
EVID FM 6.2
6”L两分频墙面嵌装扬声器
• 极高的功率处理能力 • 出色的音频表现 • 1"球顶高频单元重现完美高音 • 能与EVID超低音音箱完美结合 • 全封闭壳体确保一致的表现
e 602-II 电子麦克风说明书
e 602-II Manual de instruçõesMaterial fornecido Material fornecido• e 602-II• bolsa• instruções resumidas• instruções de segurançaVista geral do produto1. Grelha do microfone2. Tomada XLR-33. Suporte para tripé integradoInstalaçãoFixar o microfoneAparafuse o suporte de tripé integrado do microfone num tripé suficientemente estável e resis-tente.Ligar o microfoneLigue o conector XLR-3 do cabo microfone (acessório opcional) à tomada XLR-3 do microfone.OperaçãoColocar o microfone num bomboTenha sempre em consideração as seguintes indicações:Pos.Resultado sonoro ObservaçãoAmuito ataquepouca ressonância secoPosicionar o microfone a poucos centímetros de distância da pele de embate.Bpouco ataquemuita ressonância quente e volumoso Posicionar o microfone à altura da pele ressonante.Cpouco ataquePosicionar o microfone entre a pele de embate e aressonante.Para menos ataque em todas as posições, não apontar o microfone na direção do local deembate do batente.AB CPosicionamento dos monitoresPosicione os monitores no ângulo de maior cancelamento (180°) para evitar feedback e interferên-cias.Limpeza e manutenção do e 602-IILimpeza e manutenção do e 602-IICUIDADOOS LÍQUIDOS PODEM DANIFICAR O SISTEMA ELETRÓNICO DO PRODUTO!Podem penetrar na carcaça do produto e provocar um curto-circuito no sistema eletrónico.Mantenha todo o tipo de líquidos afastado do produto.Nunca utilize produtos de limpeza nem solventes.Desligue os produtos da rede elétrica e remova as baterias e as pilhas antes de iniciar a limpeza.Use apenas um pano seco e macio para limpar todos os produtos.Limpar a grelha do módulo de microfoneAparafuse a grelha do microfone.Retire o protetor de espuma da grelha do microfone.Limpe o interior e o exterior da grelha do microfone com um pano ligeiramente húmido.Se necessário, limpe o protetor de espuma com um detergente suave ou substitua-o.Seque a protetor de espuma.Volte a colocar o protetor de espuma.Volte a enroscar a grelha no módulo de microfone.Dados técnicosDados técnicosPrincípio do conversor dinâmico Intervalo de transmissão 20 - 16.000 Hz Característica direcionalcardioideSensibilidade em campo livre, sem carga 0,9 mV/Pa (a 50 Hz)0,25 mV/Pa (a 1 kHz)Impedância nominal (a 1 kHz)350 ΩImpedância terminal mín. 1 kΩConector XLR-3Peso 318 gDimensõesØ 60 x C 153 mmDiagrama polar125 Hz 250 Hz 500 Hz 1,000 Hz 2,000 Hz 4,000 Hz8,000 Hz 16,000 Hz30°0°180°150°120°60°90°0510152025dB30°0°180°150°120°60°90°Resposta em frequência-40-50-60-70-80-90501002005001,0002,0005,00010,00020,000H zdBV 0°, 1 m 0°, 5 cmVista geral das aplicaçõesOcupação das fichasUNBALANCEDBALANCEDVista geral das aplicaçõesAplicação principal Aplicação secundária。
sE V系列 V BEAT V CLAMP 麦克风说明书
V KICK • V BEAT • V CLAMPUser Manual - EN Thank youWe would like to thank you cordially for choosing this sE product! This manual contains some important instructions for setting up and operating your new equipment. Please take a few minutes to read the instructions below carefully. We hope you will enjoy working with it as much as we enjoyed designing and building it for you.Most Sincerely,Your sE TeamBrief DescriptionsV KICKThe V KICK is a dynamic microphone intended for use with kick (bass) drums and other sources such as miking bass guitar speaker cabinets, floor toms or other large drums where capturing low-frequency energy is of the utmost importance. Its specialized capsule provides a sound character tailored specifically for kick drums, which can be further shaped with the use of two switches on the rear side of the microphone.V BEATThe V BEAT is a dynamic microphone intended for use with snare or tom drums, but it can also be used on sources such as miking electric guitar speaker cabinets or brass instruments. Its specialized capsule provides a highly detailed, natural sound character on snares or toms of any size.V CLAMPThe V CLAMP was designed to be the perfect companion for the V BEAT for snare or tom miking purposes. Its sturdy elastic clamp enables setup and tear-down within seconds, and it fits any popular snare or tom drum available.Product DetailsV KICKThe V KICK’s specialized capsule provides a sound character tailoredspecifically for kick drums, which can be further shaped with the use oftwo switches on the rear side of the microphone.The left-hand switch shapes the microphone’s overall voicing, with twoselectable options:“Classic” provides a more traditional kick drum sound with a familiarlow frequency punch and a warmer, more rounded sound. If a morecontemporary, aggressive sound is desired, the “Modern”settingemphasizes the low end and high end (a “scooped” sound).The right-hand switch specifically tailors the microphone’s high-frequency character: “Classic” provides a typical bite in the upper midrange (presence boost) and a more rounded andfamiliar HF sound, while “Modern” provides an open, clear and transient-rich top end for a more contemporary, aggressive drum sound.Each of these switches is recessed slightly into the mic body and requires a small flathead screwdriver or similar implement to switch between settings.The V KICK also has an integrated swivel joint that allows for easypositioning inside or outside a kick drum. Its extremely low profile allowsit to fit easily through the drum head port, and the XLR cable and micstand mount are in parallel to minimize cable clutter. Please rememberto securely tighten the swivel clamp whenever adjusting it, so as toprevent the mic from sagging during a performance or recording.V BEATThe V BEAT’s ultra-compact design lets it occupy a minimal amount of space on your drum, without interrupting lines of sight any more than necessary, and keeping it out of the way of drum sticks and cymbals. With the XLR connector and stand mount on the bottom of the V BEAT and in parallel with one another, the footprint and cable clutter are further minimized.Its swivel mount also allows theangle of the mic to be adjusted withgreat precision, so it can be aimed atalmost any part of the drum head tochange the character of the sound,and to minimize spill from otherdrums or cymbals.Please remember to securely tighten the swivel clamp whenever adjusting it, so as to prevent the mic from sagging during a performance or recording.V CLAMPThe V CLAMP can be fitted to any popular snare or tom drum availableby carefully stretching the elastic clamp over the drum rims to fit. Theheight and rotation of the connected microphone can be changed byloosening the V CLAMP’s knob and adjusting the position of the rod. Thisallows the mic to be positioned perfectly for any desired drum tone, or tominimize spill from nearby drums. The small hole at the bottom of therod can be used for a tie clip to attach a cable, or as a backup solution incase the knob becomes loose for any reason.What’s in the boxYour packaging should contain the follow items. If anything is missing, please contact your sE Electronics dealer and let them know.•Thread adapter•Zipper pouch•Spare black internal windscreen•Knurled nut for LP® Mic ClawTips for practical useThe closer the distance from the microphone to the source, the more bass you’ll get (“proximity effect”). Use this to your advantage when you want it - and be aware of it when yo u don’t.Aim the microphone towards the desired sound source, and angle it away from other drums and cymbals to reduce bleed and maximize off-axis rejection.Ensure that the microphone & cable do not touch the drum head, as this may affect the sound. Safety and maintenanceRisk of damagePlease make sure that the piece of equipment to which your microphone will beconnected fulfils the safety regulations enforced in your country and is fittedwith a ground lead.Cleaning the microphoneAfter every use, clean the microphone with a dry, soft cloth tissue and store it in a solid case or a zipper pouch.Technical SpecificationsV KICKFrequency Response Polar PatternV BEATFrequency Response Polar PatternSupportIn case you are experiencing any problems or have any questions regarding your sE product, please contact your dealer first for the fastest and more direct service. If an authorized service is required, it will be arranged by that dealer: /dealersIf you still have difficulties with support or assistance, please do not hesitate to contact us directly: /contact-usLastly, remember to register your new gear to extend your warranty to a full three years:/registrationContactFeel free to contact us:sE Electronics International, Inc. 448 Ignacio Blvd, STE 411 ************************* Novato, CA 94949USAOur international distributors and sales representatives: /contact-usThis product conforms to the standards listed in the Declaration of Conformity. Please contact us if you want to order a free copy of the Declaration of ConformityTechnical data subject to change without notice.Bedienungsanleitung - DE DankeWir möchten uns bei Dir herzlich bedanken, dass Du Dich für ein Mikrofon von sE Electronics entschieden hast. Diese Bedienungsanleitung beinhaltet wichtige Hinweise zur Inbetriebnahme und zur Anwendung des Produkts. Bitte nimm Dir daher kurz Zeit, diese Anleitung durchzulesen. Wir hoffen, dass Du mit dem Produkt genauso viel Spaß haben wirst, wie wir bei der Entwicklung sowie der sorgfältigen, händischen Fertigung mit viel Liebe zum Detail.Herzliche Grüße,Dein sE TeamKurzbeschreibungV KICKDas V KICK ist ein hervorragendes Mikrofon für die Abnahme von Basstrommeln (Kick Drum) sowie Anwendungen, bei denen eine Bassbetonung gewünscht wird, wie beispielsweise die Abnahme von Bassgitarren-Lautsprecherboxen, Tomtoms, oder anderen großen Trommeln. Der Charakter des dynamischen Mikrofons wurde speziell für diese Anwendungen konzipiert und kann mithilfe zweier Schalter auf der Rückseite des Mikrofons individuell angepasst werden.V BEATDas V BEAT eignet sich ideal für die Abnahme von Snare und Tomtoms. Die dynamische Kapsel verfügt über einen sehr ausgewogenen, offenen und klaren Klangcharakter und ist daher auch eine hervorragende Wahl für andere Instrumente wie beispielsweise die Abnahme von E-Gitarren-Lautsprecherboxen oder Blechblasinstrumenten.V CLAMPDie Montageklammer V CLAMP wurde als ideale Ergänzung zum V BEAT ausgelegt, um Snare und Tomtoms einfach, rasch und platzsparend zu mikrofonieren. Die robuste, aber dennoch flexible Klammer ermöglicht eine Montage auf fast allen gängigen Trommeln innerhalb von Sekunden. ProduktdetailsV KICKDas V KICK wurde speziell für die Abnahme von Basstrommeln (KickDrums) entwickelt. Mit den beiden Schaltern auf der Rückseite kanndessen Klangcharakter individuell angepasst werden.Der linke Schalter formt den generellen Klangcharakter. Es gibt zweiOptionen:…Classic“bietet einen traditionellen, warmen Klang mit bewussterBassanhebung. …Modern“ sorgt mit seinem zeitgemäßen Charakter miteiner bewussten Tiefen- und Höhenbetonung.Der rechte Schalter beeinflusst den oberen Beriech des Klangspektrums. Es gibt zwei Optionen: …Classic“bietet einen vertrauten, runden Klang mit einer bewussten Präsenzanhebung für mehrBiss. …Modern“ sorgt für einen sehr offenen, klaren und transientenreichen Klang – ideal für moderne oder aggressivere Klangvorstellungen.Die beiden Schalter sind bewusst vertieft angeordnet, um ein unbeabsichtigtes Verstellen zu vermeiden. Für die Betätigung empfehlen wir einen kleinen, flachen Schraubendreher oder ähnliches.Das integriertes Schwenkgelenk ermöglicht eine rasche und flexiblePositionierung des V KICKs - sowohl vor als auch in der Basstrommel. Diegeringen Abmessungen des Mikrofons erleichtern die Einführung durchdie Öffnung im Resonanzfell wesentlich. Der integrierte Stativanschlussund die XLR-Buchse sind parallel zueinander angeordnet, um dieKabelführung zu vereinfachen. Bitte achte immer darauf, vor derAufnahme bzw dem Bühneneinsatz den Feststellknopf fest anzuziehen,damit das Schwenkgelenk zuverlässig in seiner Position bleibt.V BEATDie besonders kompakteFormgebung des V BEATsermöglicht einen sehrplatzsparenden Einsatz, der sowohlbei der Montage als auch beimSpiel entgegenkommt. Derintegrierte Stativanschluss und die XLR-Buchse sind parallel zueinander angeordnet, um die Kabelführung zu vereinfachen. Bitte achte immer darauf, vor der Aufnahme beziehungsweise dem Bühneneinsatz den Feststellknopf fest anzuziehen, damit das Schwenkgelenk zuverlässig in seiner Position bleibt.V CLAMPDie V CLAMP lässt sich durch vorsichtiges Dehnen der flexiblenKlammer sehr einfach auf alle gängigen Trommeln montieren. Die Höheund der Winkel lassen sich durch das Lösen der Feststellschraube undVerstellen des Stabes rasch und einfach individuell anpassen. Durchdiese Verstellmöglichkeiten der Mikrofonposition kann man einerseitsden Klang bewusst beeinflussen und andererseits diesupernierenförmige Richtwirkung der Kapsel nutzen, um Einstreuungen unerwünschter Schallquellen wie beispielsweise HiHat, Becken oder benachbarter Trommeln gezielt zu reduzieren. Die kleine Öffnung am unteren Ende des Stabes ermöglicht die Montage von Kabelbindern oder anderen Hilfsmitteln, aber auch eine zusätzliche Sicherung des Mikrofons, falls sich die Feststellschraube unbeabsichtigt lösen sollte.LieferumfangBitte kontrolliere gleich nach dem Öffnen den Inhalt der Verpackung. Falls sie nicht vollständig ist, kontaktiere bitte Deinen sE Electronics Händler. Folgende Komponenten sollten enthalten sein: •Gewindeadapter•Aufbewahrungstasche•schwarzer, interner Windschutz•Gekordelte Mutter für LP® Mic ClawPraxistippsJe näher sich das Mikrofon an der Schallquelle befindet, desto stärker werden Bassfrequenzen betont, je weiter weg, desto schwächer (Nahbesprechungseffekt). Mache Dir diesen Effekt zu nutze. Richte das Mikrofon direkt und so nah wie möglich auf die Schallquelle, um einen trockenen, direkten Klang zu erhalten und das Auftreten von Rückkopplungen zu verringern.Weder das Mikrofon noch das Kabel sollten die Felle berühren, da dies den Klang beeinflussen könnte.Sicherheit und PflegeBeschädigungsgefahrBitte stelle sicher, dass die an das Mikrofon angeschlossenen Geräte diegültigen Sicherheitsbestimmungen erfüllen und mit einer Sicherheitserdungverbunden sind.Reinigung des MikrofonsWir empfehlen das Mikrofon nach jedem Gebrauch mit einem trockenen, fusselfreien Tuch zu reinigen und es in einem soliden Koffer oder in der mitgelieferten Aufbewahrungstasche aufzuheben.Technische DatenV KICKFrequenzgang PolardiagrammV BEATFrequenzgang PolardiagrammKundenserviceFalls Du zu Deinem sE Mikrofon Fragen hast oder damit Probleme auftreten sollten, wende Dich für eine möglichst rasche Abwicklung bitte direkt an den Händler. Wenn eine technische Unterstützung erforderlich ist, wird diese durch den Händler angefordert./dealersSollten dennoch Probleme beim Kundenservice auftreten, wende Dich bitte direkt an uns: /contact-usAbschließend möchten wir Dich an die 3-Jahres-Garantie von sE Electronics erinnern. Bitte registriere Dich dazu hier: /registrationKontaktSo kannst Du mit uns direkten Kontakt aufnehmen:sE Electronics International, Inc. 448 Ignacio Blvd, STE 411 ************************* Novato, CA 94949USAUnsere internationalen Distributoren und Handelsvertreter:/contact-usDieses Produkt entspricht den in der Konformitätserklärung angegebenen Normen. Du kannst die Konformitätserklärung gerne bei uns kostenlos anfordern. Technische Änderungen vorbehalten.使用手册 - CN 致谢非常感谢您购买我们sE的这款麦克风! 这本使用手册包含了一些如何安装和操作您的新麦克风的使用说明。