丧钟为谁而鸣诗歌
关于死亡的诗歌,Thomas Gray,Elegy Written in a Country Churchyard by 澄_LOST_!
[订阅] 关于死亡的诗歌，Thomas Gray，Elegy Written in a Country Churchyard by 澄·LOST?!写评论名字 ( 必填 )Email ( 选填,不会在页面中显示 )主页 ( 选填 ) 记住我的信息如何插图、加链接??发?布取消首页爱米胖美食小游戏 | 我 | 朋友群组乱翻帮助注册 | 登录全部LIVE YOUR LIFE尽日灵风不满旗日志 | 照片 | 朋友 | 更多▼回澄·LOST?!的空间首页关于死亡的诗歌，Thomas Gray，Elegy Written in a Country Churchyard写于2008-11-18 12:57:31 1条评论今天早上难得的早起，赶上了久违的英国文学，今天刚好上的是Thomas Gray的 Elegy Written in a Country Churchyard ，128行的长诗。
读着读着突然想起海明威的《For whom the bell tolls》，丧钟为谁而鸣？记得上学期20世纪美国文学的老师说，她最喜欢的就是《丧》的开篇，海明威引用了约翰·邓恩一段著名的布道辞：No Man Is an Island 没有人是座孤岛No man is an island, 没有人是座孤岛，entire of itself 独自一人，Every man is a piece of the continent 每个人都是一座大陆的一片，A part of the main 是大地的一部分。
If a clod be washed away by the sea, 如果一小块泥土被海水卷走，Europe is the less 欧洲就少一点，As well as if a promontory were 如同一座海岬少了些一样；As well as if a manor of thy friendOr of thine own,wereAny man's death diminishes me 任何人的死亡都是对我的缩小，Because I am involved in mankind 因为我处于人类之中，And,therefore,never send to know 因此不必去知道丧钟为谁而鸣，For whom the bell tolls:It tolls for thee. 它就为你而鸣！！Mainly by John Donne（1572－1631）翻译：当时我读的那个荡气回肠啊，立马就背下来了，可是一个假期以后就忘光光了，直到今天看到Elegy的时候才恍然想起，没人是一座孤岛。
丧钟为谁而鸣两课时市公开课一等奖省赛课微课金奖PPT课件
丽亚坠入爱河。在这三天中，历经生与死考验，人性不停
升华。在炸桥撤退途中，他把生希望让给他人，自己却被
炮弹炸断了大腿，独自留下阻击敌人，最终为西班牙人民
献出了年轻生命。
• 《丧钟为谁而鸣》是海明威流传最广长篇小说之一，凭 借其深沉人道主义力量感动了一代又一代人。
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The war
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艺术特色
• 故事时间跨度只有四天，作者却洋洋洒洒写下几十万字， 可见作者对细节刻画得深入。人在碰到问题时，思绪是混 乱，总会零零碎碎去想很多东西，这些思绪是片段，毫无 章法可言。作者却很好地用语言将这种矛盾心理直观地表 示出来，让读者能够进入人物角色心理，去体味人物那时 复杂心理。这种描写手法是高超，会让你不知不觉跟着书 中人物思绪去发展，如同置身其中。也能够说是主人公罗 伯特·乔丹——一个思想复杂青年知识分子在三天里心灵 轨迹。生与死问题，爱情与战斗职责矛盾，道德伦理与严 酷现实矛盾交织在一起。你反对一切杀人行为，可你既杀 过人，而且还要继续杀人。因为要打胜仗就必须多杀敌人 。一切一切，在钟声敲响时候，都还没有结束，是丧钟还 是希望钟声？它到底在为谁而鸣响不止？
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• 在《丧钟为谁而鸣》中，假如戈尔兹代表是混乱 社会，玛丽亚代表是友好自然，那么皮拉尔和安 塞尔莫代表是自然与社会融合，因为皮拉尔和安 塞尔其身上矛盾情感和双性气质综合了次序与混 乱特征。他们对主人公乔丹影响改变了他性格， 使他从一个理性军事任务机械执行者变成一个有 感倩、有血有肉人，使他摆脱冷漠孤立混乱状态 ，投入自然友好次序和玛丽亚怀抱，使他僵得怎 样去爱，怎样去建立真正感情联络。
海明威文风一向以简练明快著称，俗称“电报式”， 他擅长用极精练语言塑造人物。
美国文学选读-丧钟为谁而鸣
Analysis on the theme ofFor Whom the Bell TollsThe themes of Hemingway’s novel are always about the war ,love and death. But they are describe in different ways depending on his different books. For example, the a farewell to arms and the sun also rises were written in 1920s,for whom the bell tolls was written 10 years later. We can see the attitude of Hemingway to love war and death has developed a lot. After struggling in lostness in a long time,he got rid of his lostness.The theme of war.The writing of war in the novel A Farewell to Arms is based on Hemingway’s early experience in World War I．Frederick Henry the protagonist of the novel，goes to the war in a burst of enthusiasm．This is reflected from his blindness in joining the Italian army．The disillusionment of Frederick Henry comes to stand for the disillusionment of the World War I generation：I was always embarrassed by the words sacred，glorious，and sacrifice and the expression in war．．．now for a long time and I had seen nothing sacred，and the things that were glorious and no glory and the sacrifices were like the stock yards at Chicago if nothing was done with the meat except to bury it．There were many words that you could not stand to bear and finally only the names of places had dignity．Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything．Abstract words such as glory,honor,courage，or hallow were obscene beside the concrete names of villages，the numbers of roads，the name of rivers，and the numbers of regiments and date.The First World War gave that generation too much pain．That is why they got cynical about it and antiwar sentiment permeated everywhere．After World War I grew a lost generation，among which，Hemingway was the representative．But the attitude towards the war changed in the For Whom the Bell Tolls.In the 1930s，Fascism had become militant，imperialistic，and international．Although the artist devoted to the development of his art，isolated from political and social affairs，he could not ignore it any more．Just as Hemingway said that there was only one form of government that could not produce good writers，and that system was fascism．Robert Jordan，the protagonist of the novel For Whom the Bell Tolls，is not only a teacher of Spanish and a lover of Spain；he is also a writer，just like Hemingway．As an artist he is fully aware of the threat of fascist domination．But he take the duty without hesitate. And he came to the poor village and made friends with the soldiers. In the end of the article , he was not fear of death. He felt he could fight for the people who are oppressed by the fascism.Like the feeling you expected to have but did not have when you made your first communion．It was a feeling of consecration to a duty toward all the oppressed of the world which would be a difficult and embarrassing to speak out as religious experience and yet it is authentic as the feeling you had when you heard Bach，or stood in Charters Cathedral or the Cathedral at Leon and saw the light coming through the great windows⋯．It gave you a part in something that you could believe in wholly and completely．．．．It was something that gave much importance to it and the reasons for it that your own death seemed of complete unimportance ．．．．But the best thing was that there Was something you could do without this feeling--You could fight．Human LifeMany characters die during the course of the novel, and we see characters repeatedly question what can possibly justify killing another human being. Anselmo and Pablo represent two extremes with regard to this question. Anselmo hates killing people in all circumstances, although he will do so if he must. Pablo, on the other hand, accepts killing as a part of his life and ultimately demonstrates that he is willing to kill his own men just to take their horses. Robert Jordan’s position about killing falls somewhere between Anselmo’s and Pablo’s positions. Although Robert Jordan doesn’t like to think about killing, he has killed many people in the line of duty. His personal struggle with this question ends on a note of compromise. Although war can’t fully absolve him of guilt, and he has “no right to forget any of it,”Robert Jordan knows both that he must kill people as part of his duties in the war, and that dwelling on his guilt during wartime is not productive.The question of when it is justifiable to kill a person becomes complicated when we read that several characters, including Andrés, Agustín, Rafael, and even Robert Jordan, admit to experiencing a rush of excitement while killing. Hemingway does not take a clear moral stance regarding when it is acceptable to take another person’s life. At times he even implies that killing can be exhilarating, which makes the morality of the war in For Whom the Bell Tolls even murkier.Romantic LoveEven though many of the characters in For Whom the Bell Tolls take a cynical view of human nature and feel fatigued by the war, the novel still holds out hope for romantic love. Even the worldly-wise Pilar, in her memories of Finito, reveals traces of a romantic, idealistic outlook on the world. Robert Jordan and Maria fall in love at first sight, and their love is grand and idealistic. Love endows Robert Jordan’s life with new meaning and gives him new reasons to fight in the wake of the disillusionment he feels for the Republican cause. He believes in love despite the fact that other people—notably Karkov, who subscribes to the “purely materialistic”philosophy fashionable with the Hotel Gaylord set—reject its existence. This new acceptance of ideal, romantic love is one of the most important ways in which Robert Jordan rejects abstract theoriesin favor of intuition and action over the course of the novelFace the DeathFor Whom the Bell Tolls was written after the defeat of the Republic．During the Spanish War,Hemingway saw many heroic deeds．Hemingway,just as Robert Jordan，the hero of the novel，seemed to have found something worth dying for．If you die as these men did．then physical death means nothing and you can say as you breathe your last“Death，where is thy sting?or to use Hemingway’s own words“Those who have entered it honorably，and no man ever entered earth more honorably than those who died in Spain already have achieved immortality．Even though you died without having won，your sacrifice was not in vain，and victory shall yet be yours．Robert Jordan，like many Hemingway’s heroes，is obsessed by death from the beginning of the novel．death，Robert Jordan grows out of the fear of death at last and shows his courage in the face of death．For he has fervent belief in the cause of fighting for the people he loves deeply,as well as his perfect fulfillment in love.time．The bridge is successfully destroyed，and Jordan is mortally wounded．Instead of committing suicide，he decides to stay behind to cover the retreat of the guerrillas with his sub—machine gun．So he accomplishes his personal achievement through self-sacrifice．Each one does what he can，he thinks．He can do nothing for himself but perhaps he can do something for another．He dies not only for Spain，not only to save the girl Maria who he loves，but also his own sake in fulfillment of a moral duty．The grim world in which he had grown up has not broken Jordan nor forced him to a deal with his conscience．Jordan dies a moral victor．Whether one has fear of it or not．one’s death is difficult to accept．Sordo had accepted it but there was no sweetness in its acceptance even atfifty·two，with three wounds and him surrounded on a hill．He joked about itto himself but he looked at the sky and at the far mountains and heswallowed the wine and he did not want it．If one must die，he thought，andclearly one must，1 can die．But 1 hate it．Dying Was nothing and he had nopicture of it for fear of it in his mind．But living was a field of grain blowingin the wind on the side of a hill．Living Was a hank in the sky．Living was anearthen jar of water in the dust of the threshing with the grain flailed out andthe chaff blowing．Living Was a horse between your legs and a carbine underone leg and a hill and a valley and a stream with trees along it and the farside of the valley and the hills beyond．”Hemingway’s heroes grow up，and step by step their idea of meaning of life changes and crystallizes.参考文献1.靳伟英走出迷惘的迷雾—《丧钟为谁而鸣》的主题思想[学位论文]硕士 20022.张娜解读海明威死亡主题【学位论文】硕士 2006。
for whom the bell tolls 名句
for whom the bell tolls 名句摘要：一、引言1.介绍《丧钟为谁而鸣》背景及作者2.分析名句的来源及意义二、名句内容1.名句原文及翻译2.名句中的象征意义三、名句背后的故事1.《丧钟为谁而鸣》的创作背景2.名句产生的背景及影响四、名句在文学史上的地位及影响1.名句在文学史上的评价2.名句对后世文学创作的影响五、结论1.总结名句的意义及其在文学史上的价值2.强调名句对现代社会的启示正文：《丧钟为谁而鸣》是美国作家海明威的代表作之一，讲述了一位美国志愿军在西班牙内战期间的故事。
在这部作品中，有一句脍炙人口的名句：“For whom the bell tolls, it tolls for thee.”这句话充满了哲理，让人深思。
这句名句的原文翻译为：“丧钟为谁而鸣，它为你而鸣。
”它意味着在这个世界上，没有人可以独善其身，每个人都会受到周围环境的影响。
当丧钟响起时，它不仅为别人而鸣，也是为自身而鸣。
这种观念强调了人类命运的紧密相连，以及个体在社会中的责任和担当。
这句名句背后的故事源于《丧钟为谁而鸣》的创作背景。
海明威在西班牙内战期间，以志愿者身份参加了反法西斯战斗。
他在作品中塑造的主人公罗伯特·乔丹，就是以自己为原型创作的。
名句“For whom the bell tolls, it tolls for thee.”出现在作品的结尾，表达了海明威对人类命运的关注，以及对战争的深刻反思。
这句名句在文学史上具有很高的地位，被誉为海明威最具哲理的句子之一。
它对后世文学创作产生了深远的影响，许多作家在作品中都引用了这句话。
这句名句也启示人们要关注社会问题，勇于承担责任，为人类的共同命运而努力。
综上所述，名句“For whom the bell tolls, it tolls for thee.”揭示了人类命运的紧密相连，强调了个体在社会中的责任和担当。
这句名句在文学史上具有很高的价值，并给现代社会带来了深刻的启示。
john donne
不要骄傲》和《病中赞
歌》（Hymn to God, My God, in My Sickness）都是比较有 名的宗教诗歌。
的宫廷爱情诗。
3、散文作品
多恩的散文作品也很出众。《假殉教者》（Pseudo-Martyr）（1610年）批评了为信仰而死的天主教 徒。在《突发事件的祷告》（Devotions Upon Emergent Occasions）（1624年）中，以“没有人是 孤岛”开头的那一节很有名。这部作品是他对疾病和死亡进行的一系列思考。他的布道也很受欢迎， 被收入《布道词》（The Sermons）一书（1640年、1649年、1660年出版）。
邓恩生平简介
多恩 故居
圣保罗大教堂
约翰· 多恩 学习的地方
文艺复兴时期的玄学派诗人在英语诗歌的发展 历程中产生了极其深远的影响，他们的诗歌最 突出的特征便是善于运用醒目而新颖的奇思妙 喻（conceits），而约翰·多恩更是将这种方 式推向极致。 多恩通过使用一种更注重智力的比喻，激情与 推理融为一体，而给诗歌重新注入了活力。他 创造了极为凝炼意象，这些意象通常包含包含 着一种戏剧性对比的因素。他在诗中嘲笑传统 的爱情诗的陈词滥调。多恩不仅在意象和观念 上作大胆的实验，而且在诗的节奏和诗节形式 也作创新。本 琼生曾经说到：“多恩在很多方 面是世界上第一诗人。”
• Thou art slave to Fate, Chance, kings, and desperate men, And dost with poyson, warre, and sicknesse dwell, And poppie, or charmes can make us sleepe as well, And better then thy stroake; why swell'st thou then; One short sleepe past, wee wake eternally, And death shall be no more; death, thou shalt die.
丧钟为谁而鸣
Robert Jordan
Maria
Pilar
Pablo
Origin of the name The name Robert is a Germanic given name, from hrod "fame" and beraht "bright". “Jordan” is also the name of a river, Jordan River.
Romantic Love
The novel holding out hope for romantic love, even Pilar had her own romance .
Jordan and Maria’ s love: mutual salvation.
Robert
Fame&Bright
His final fate & his inner conflicts
Jordan
The Jordan River
Life/Hope
Death
Robert Jordan
1
• Blowing up a bridge • Ending up with death
• Romance with Maria • Change into a real man • Belief: Republican cause? • Inner conflicts
Disagreeable yet not an evil man
Afraid of death and tried of the war
Themes
Death
War experience—Contemplation---tragic ends Destination----value----accomplishment making immortality Jordan’s death---the best interpretation of his life value
丧钟为谁而鸣创作笔记
2004年3月，我们正在《丧钟为谁而鸣》紧张的后期制作中，忽然一个风中的午后，有一个电话告诉我们，周锡卿先生去世了。
周锡卿曾经参加远东国际军事法庭审判，是盟军国际检察局中国检察组的翻译，也是中国检察官向哲浚的内弟。
2003年夏天，我们联系到了这位老人，这让我们很高兴，因为，曾经参加过1946年东京审判的人已经很少了。
但是，我们没想到的是，对这位87岁老人的采访却意外地困难，对于过去的往事他已经记忆模糊而混乱，而且听力也已经十分衰弱，只好由老人的两个女儿陪着，我们问一句，老人的女儿对着老人的耳朵大声重复一句，老人艰难地回忆着，思索着，然后慢慢说一句。
我得承认，那是我经历过的采访中最艰难的一次。
看着老人的艰难，真是心疼。
遥远的叙述时断时续，话语缺乏逻辑联系，曾经的生动变得艰涩，在最终剪辑的片子中，老人的访谈总共也就只用了几十秒时间。
这是一种遗憾，而且，流逝的岁月无法挽回。
只是我们怎样也没有想到，老人走得这样快，再见到的时候，竟是在灵堂中的最后告别。
2毫无疑问，在开始接受这个选题的时候，我们就意识到，这是一个非同寻常的题材，而且，这样的选题哪怕再难也自是义不容辞的，抢救并挖掘那些历史深处中的细节刻不容缓。
随着调研和采访的深入，我们知道，那些曾经参加过远东国际军事法庭审判的当事人与亲历者越来越少了，应该竭尽全力挽留那些弥足珍贵的活历史，尽管回忆经常是支离破碎的，但鲜活生动的往事叙述是无价的。
而我们在相当长的岁月里，却始终忽略了那段历史的珍贵内涵。
《探索·发现》栏目的制片人王新建给了我们强有力地支持，他的观点简洁明快：努力做吧，这段历史很好看。
3在最初搜集资料的时候，我们差点儿误入歧途。
老实说，国内研究远东国际军事法庭审判的资料不多，专门从事研究的专家更是凤毛麟角，这为我们的前期准备工作带来了极大的难度。
有一天，编导张焰忽然兴奋不已地冲进办公室，手里挥舞着一本刚刚出版的书说，找到了！找到了！是一本描写有关东京审判的书。
《丧钟为谁而鸣》摘录
《丧钟为谁而鸣》摘录1.谁都不是一座孤岛，自成一体。
每个人都是那广袤大陆的一部分。
如果有一块泥土被海水冲走，欧洲就会减少一点；如同一座山岬，也如同你的朋友和你自己。
任何人的死亡都使我有所缺损，因为我与人类难解难分。
所以，千万不要去打听丧钟为谁而鸣，丧钟为你而鸣。
——约翰·唐恩2.“太阳一升起，悲哀就消啦。
悲哀就像雾。
”3.如果你不抱怨，不奢望你永远得不到的东西，那么，你就会得到美好的一生。
4.“最讨人厌的男人就是酒鬼。
贼不偷的时候还有人样。
流氓不在自己家里敲诈勒索。
杀人犯不在家里杀人。
可是酒鬼臭气冲天，吐在自己床上，五脏六腑都让酒精给泡烂掉了。
”5.“我要离开这里。
”奥古斯丁说，“一点不错，人家说我们活一辈子至少要听到几吨假话，刚才这一会儿我毎个耳朵里就灌进了二十五磅。
”6.我爱你，就像我爱我们为之奋斗的一切。
我爱你，就像我爱自由、尊严和人们要求工作、不愿挨饿的权利。
我爱你，就像我爱我们所保卫的马德里，就像我爱所有那些牺牲的同志。
7.“不，我和你一起留下来。
” “不，兔子。
我现在要干的事只能由我一个人来干。
有你在身边，我干不好。
要是你走了，那么也就是我走了。
你不明白吗？不管我们俩有谁活着，就是我们两个在一起。
”8.“罗伯托，”玛丽亚转身叫喊，“让我留下来吧！让我留下来！” “我和你在一起呢！”罗伯特·乔丹大叫，“我和你在一起呢。
我们俩一起去那儿。
走啊！”接着他们在沟里拐了弯，消失了。
汗水浸湿了他全身，两眼仿佛什么也看不见了。