《她》
初三叙事作文《她》500字(共9页PPT)
到来安慰我.鼓励我的人还是你.,我真
有点 是
紧张,激动.昨天你对我讲的
话,打醒了我,我以后一定会努力的,争
成绩 取考得好
.我一定不会让你失
望的,放心,
关键词：还有,一次,昨天,考试,
生物,地理,考差,心情,不好,没想到, 安慰,鼓励,还是,真是,有点,紧张, 激动,昨天,对我讲,的话,打醒,以后, 一定,努力,争取,考得,成绩,一定, 不会,失望,放心。
可爱,别无出路,姐姐,虽然,认识,时 间,不是,但是,心目,一个,很好,妹 妹,聊天,感受,只有,开心,无论,什 么,不会,一句,只是,聆听,非常感谢, 一个,体谅。
初三叙事作文《她》
关心别人的妹妹!
记得有
心情 一天,在上周星期六,我的
不是
很好,好想有一个人来安慰我一下,正
当我伤心着的时候,她突然发一
初三叙事作文《她》
我非常喜欢她.
关键词：非常,喜欢。
初三叙事作文《她》
人若勇敢就是自己最好的朋友。
再见
初三叙事作文《她》
妹妹 我虽然叫她
,但她永远都是
关心我,疼爱我的好姐姐,她
总是跟我一起分享我的烦恼和快乐.,
你就是我的"开心果"和"快乐.
患难朋友",太谢谢你了.她是一
爸爸 个乖乖女,平时总是听
妈妈的
话,爸爸.
关键词：虽然,妹妹,永远都是,
关心,疼爱,姐姐,总是,一起,分享, 烦恼,快乐,就是,开心果,快乐,患难, 朋友,谢谢,一个,乖乖女,平时,总是, 爸爸妈妈,的话么了."我回答,"我给别人骗了,他伤 得我好深,唉,和你说也不明白,你不要 来烦我了",但是她看完之后,却不生我 的气,而是来安慰我,说了一些让人开 心的话,我想通了,妹妹,你真的太好啦, 谢谢你,如果你不来安慰我,我现在可 能还会伤心呢,
《她》电影台词,《她》电影剧本
《她》电影台词,《她》电影剧本 《她》是讲述了不远的未来⼈与⼈⼯智能相爱的科幻爱情电影。
主⼈公西奥多(杰昆·菲尼克斯 Joaquin Phoenix 饰)是⼀位信件撰写⼈，⼼思细腻⽽深邃，能写出最感⼈肺腑的信件。
他刚结束与妻⼦凯瑟琳(鲁妮·玛拉 Rooney Mara 饰)的婚姻，还没⾛出⼼碎的阴影。
⼀次偶然机会让他接触到最新的⼈⼯智能系统OS1，它的化⾝萨曼莎(斯嘉丽·约翰逊 Scarlett Johansson 声)拥有迷⼈的声线，温柔体贴⽽⼜幽默风趣。
西奥多与萨曼莎很快发现他们如此的投缘，⽽且存在双向的需求与欲望，⼈机友谊最终发展成为⼀段不被世俗理解的奇异爱情...... 《她》主要在中国上海取景，由美国导演斯派克·琼斯历时3年筹备拍摄。
电影融合了新奇的科幻设定与传统的浪漫⽓息，真⼈与虚拟共同谱写温暖治愈的恋曲。
导演表⽰，这是⼀部探讨“亲密关系”的电影，因⼈类都渴望亲密关系，但是⼜对它害怕和抗拒;科技为沟通提供了便利，但也让⼈们躲在它后⾯，逃避真正的情感接触。
《她》直接脱去科技冰冷的⾯纱，赋予它⾼度⼈性化和活⾊⽣⾹的情趣，让⼀段⼈机对话变成情⼈絮语。
科幻⼩清新仅仅是个幌⼦，⼈机之间的爱仅是把整个故事提纯。
本质仍是借助这个故事去探讨⼈类的感情需求，探讨爱情。
为了增强这种代⼊感，影⽚⽤了很多主观镜头，男主与机器的都有，很有趣。
街景的混合也是⼀⼤乐趣。
西奥多擅长组织“语⾔”，萨曼莎则乐于倾诉“感觉”，两者⽆形间构筑了⼀种柏拉图式的精神恋爱，想象⼒已然超越了⽣理需求。
我们的⽂明要⾛到哪⾥去? Her像⼀⾸清澈的, 优雅的, 写给未来的诗。
有⼏个⽚段太美, 也将"relationship"这个东西拉到了极限, 虽然最终的主题还是⼈性的私⼼。
⼈都渴望这样⼀份亲密关系⼜害怕所带来的牵绊，这似乎道尽了科技背后的问题。
Her部分台词剧本 Close on THEODORE’S face (30s). We hold on him for a long time. He’s looking at something off camera, deep in thought. He starts quietly dictating a love letter into a small microphone. THEODORE: To my Chris, I have been thinking about how I could possibly tell you how much you mean to me. I remember when I first started to fall in love with you like it was last night. Lying naked beside you in that tiny apartment, it suddenly hit me that I was part of this whole larger thing, just like our parents, and our parents’ parents. Before that I was just living my life like I knew everything, and suddenly this bright light hit me and woke me up. That light was you. Theodore, searching for the right words, quietly enjoys writing the letter. As he continues, he is moved by the memories he’s describing. THEODORE (CONT’D): I can’t believe it’s already been 50 years since you married me. And still to this day, every day, you make me feel like the girl I was when you first turned on the lights and woke me up and we started this adventure together. Happy Anniversary, my love and my friend til the end. Loretta. Print. Cut out to reveal a computer monitor he’s sitting at. On the screen we see the letter he’s been dictating, transcribed into a handwritten letter on blue stationery. As he says “Loretta,” we see “Loretta” being handwritten at the bottom of the letter. He proofreads his letter. Also on the screen are photos of a couple in their 80s. The couple is tagged “Chris” and “Me - Loretta.” Underneath is a bullet point email from Loretta: anniversary letter to husband Chris, married fifty years, love of my life, met right after college, have had the greatest life together. Theodore pushes print and the letter comes out on a beautiful robin’s egg blue piece of stationery, with ball point pen handwritten older-female cursive. He looks at it, not happy. He puts the printed letter on a stack of other printed letters to Chris and starts a new one. There is also a stack of finished letters in their envelopes - an assortment of beautiful stationery in all shapes and sizes. THEODORE (CONT’D): Chris, my best friend. How lucky am I that I met you fifty years ago? How lucky are we... We track off of Theodore, down a line of cubicles, hearing bits of letters being written and seeing photos of who they’re being written to on the screens. MIDDLE-AGED WOMAN LETTER WRITER: Dear Nana, Thank you so much for my truck. I love the color and I play with it every day. It’s the best truck I’ve ever seen. Love, Tommy. We see photos of Tommy and Nana on the screen, and five-year old hand writing. Moving off of her, we find another letter writer. LETTER WRITER 2: What a beautiful wedding and what a gorgeous bride. There wasn’t a dry eye in the house, especially mine. Your aunt and I are so proud of you. I hope you and your lovely new wife will come visit us in Florida. LETTER WRITER 3: He served our country with honor and dignity. I’m grateful I was able to fight along side him. He will live always in my heart. We continue tracking, revealing dozens and dozens of cubicles full of letter writers. We hear someone answer the phone. RECEPTIONIST (O.S.): , please hold. LETTER WRITER 2: Love, Uncle Doug. Theodore walks through the reception area. The office is almost empty except for him and the receptionist, PAUL. Theodore begins to scan each letter through a scanner on the front desk, then puts them in the outgoing mailbox. Paul is sitting at a desk across the room, reading handwritten letters on a computer monitor. PAUL: Theodore! Letter Writer 612. THEODORE: Hey, Paul. PAUL: Even more mesmerizing stuff today. (re: letter on his screen) Who knew you could rhyme so many words with the name Penelope? Badass. THEODORE: Thanks, Paul, but they’re just letters. (beat) Hey, that’s a nice shirt. Paul is wearing a bright yellow button down shirt. PAUL: (lighting up) Oh, thank you. I just got it. It reminded me of someone suave. THEODORE: Well, now it reminds me of someone suave. Have a good night, Paul. PAUL: Buh-bye. Theodore enters an oversized, corporate elevator. He puts a hands-free device in his ear. There are a few other people in the elevator with the same devices in their ears. THEODORE: Play melancholy song. Melancholy song starts. Long beat. THEODORE (CONT’D): Play different melancholy song. Different melancholy song starts. Hold on everyone in the elevator, they’re all murmuring inaudibly into their own devices. Slightly in the future, the city’s been developed even more with massive office, apartment and mall complexes. It’s a city designed for comfort and ease. The LA basin is more crowded and dense, resembling Shanghai, with buildings as far as the eye can see. Construction cranes loom overhead. Close on Theodore walking through the commuter crowd. THEODORE: Check emails. An awkward text voice reads to him. It accents wrong syllables, making everything it says sound a little off. TEXT VOICE: Email from Best Buy: Check out all your favorite new -- THEODORE Delete. TEXT VOICE: Email from Amy: Hey Theodore, Lewman’s having a bunch of people over this weekend. Let’s all go together. I miss you. I mean, not the sad, mopey you - the old, fun you. Let’s get him out. Gimme a shout back. Love, Amy. THEODORE: Respond later. TEXT VOICE :Email from Los Angeles Times weather. Your seven day forecast is partly-- THEODORE: Delete. TEXT VOICE: No new emails. Theodore sits in a crowded subway. Everyone on the train murmurs to themselves, occupied with their small devices. He plays a futuristic puzzle game on his handheld device as he listens to news headlines. THEODORE: Next. TEXT VOICE: China/India merger headed for regulatory approval-- THEODORE: Next. TEXT VOICE: World trade deals stalled as talks break down betw-- THEODORE: Next. TEXT VOICE: Sexy daytime star Kimberly Ashford reveals provocative pregnancy photos. He scrolls through titillating but tasteful pregnant woman photos. Theodore walks through a mall and enters an apartment lobby, nestled in between stores. Theodore walks through the hallway. Theodore enters his apartment. Theodore sits on the sofa, his half eaten burrito in front of him. He’s playing a video game: a 3-D hologram that fills his apartment. His avatar is in a surreal, foreign landscape. He’s trying to trudge his avatar through sand dunes and keeps getting stuck. He’s getting stressed out. Theodore lays in bed. After a beat, he closes his eyes. Theodore, younger, and CATHERINE (20s) move furniture in their bedroom. The bedroom is tiny and cluttered. It’s obviously a couple’s first apartment. Cut to: Theodore is on a tiny balcony. A few feet away, Catherine is in bed. CATHERINE: (sweet and cute) Rabbit. Come spoon me. Theodore, smiling, gets in bed and spoons her. Quick cut off of her smile, to -- Theodore lays on the ground with Catherine on top of him. She’s pretending to choke him. I’m gonna fucking kill you, I’m gonna fucking kill you! It’s not funny, don’t laugh. I love you so much I’m gonna fucking kill you! Theodore opens his eyes, unable to sleep. He just lays there. He reaches for his earpiece and puts it in. THEODORE: Go to chat rooms. Standard search. TEXT VOICE: The following are adult, female, can’t sleep and want to have some fun. FEMALE VOICE #1: I had a really bad day at work and I can’t sleep. Is there anyone out there that can talk? THEODORE: Next. MAN DOING WOMAN’S VOICE: Oh, hi. I just want you to tear me apart. I really do-- THEODORE: Next. SEXYKITTEN: (shy, cute girl voice) Hi, I’m here alone, and I can’t sleep. Who’s out there to share this bed with me? THEODORE: Send message. I’m in bed next to you. I’m glad you can’t sleep, but even if you were, I’d have to wake you up from the inside. Send message. Theodore waits in the darkness for a response. TEXT VOICE: SexyKitten has accepted invitation from BigGuy4x4. Chat begins now. A chime sounds. SEXYKITTEN: (shy, sweet, sleepy) BigGuy. THEODORE: Hi. SEXYKITTEN: Really? THEODORE: Well, studmuffin was already taken. SEXYKITTEN: (laughs) Yeah. THEODORE: So you’re sexykitten, huh? SEXYKITTEN: Mmm, well yeah. Hey, I’m half asleep. Do you wanna wake me up? THEODORE: Yes. Definitely. Um... are you wearing any underwear? SEXYKITTEN: No, never. I like to sleep with my ass pushed up against you. So I can rub myself into your crotch and wake you up with a hard on. Theodore smiles. THEODORE: It worked. (beat) And now my fingers are touching you all over your body. SEXYKITTEN: (getting more turned on) Fuck me! Now! Please! Theodore is touching himself. THEODORE: I’m taking you from behind. We see abstract visions of a woman on top of him. The woman is the pregnant, sexy daytime television star he was reading about online earlier. SEXYKITTEN: Choke me with that dead cat! THEODORE: (breathing hard about to climax) What? SEXYKITTEN: (fully into it) The dead cat next to the bed. Choke me with it! Beat. He’s taken out of it. THEODORE: (uncomfortable, trying to play along) Um, okay. SEXYKITTEN: Tell me. THEODORE: I’m choking you with the cat. SEXYKITTEN: TELL ME! Keep telling me! THEODORE: I’ve got it’s tail and I’m choking you with the cat’s tail. SEXYKITTEN: YEAH, YOU ARE! FUCK! TELL ME! THEODORE: I’m choking you and it’s tail is around your neck. It’s so tight around your neck. SEXYKITTEN: YES! YES! Theodore doesn’t know what to say. He doesn’t want to offend her. THEODORE: I’m pulling it. I’m pulling it. The cat’s dead. It’s a dead cat around your neck and I’m pulling it. SEXYKITTEN: AHHHHHHHHHHHH. OH MY GOD! Her breathing is slowing down. SEXYKITTEN (CONT’D): Oh god, I came so hard. THEODORE: Yeah. Me too. SEXYKITTEN: Okay, good night. Theodore takes his earpiece out and stares at the ceiling. Theodore exits the train, walks through the station full of commuters, gets on a moving platform. Going through a tunnel, the walls are hundred foot long screens advertising a new product. He notices people stopped, watching the ad. We hear soft, new age, uplifting electronica music in the background, while a comforting, sincere, older man’s voice speaks to us. SOULFUL OLDER MALE VOICE: We ask you a simple question. Who are you? What can you be? Where are you going? What’s out there? What are the possibilities? Elements Software is proud to introduce the first artificially intelligent operating system. Close on Theodore listening intently. An intuitive entity that listens to you, understands you, and knows you. It’s not just an operating system, it’s a consciousness. Introducing OS ONE - a life changing experience, creating new possibilities. The ad starts over. Theodore steps off the moving walkway and stops to watch the ad again, deeply captivated. Theodore sits at his desk that houses a futuristic, large screen computer monitor. The OS box is open, with warranties and paperwork spilling out. He’s leafing through the papers. He glances at his monitor, it says: Installation 98% complete. A chime brings his attention back to the screen: Installation Complete. TEXT VOICE: Mr. Theodore Twombly, welcome to the world’s first artificially intelligent operating system, OS ONE. We'd like to ask you a few basic questions before the operating system is initiated. This will help create an OS to best fit your needs. THEODORE: Okay. TEXT VOICE: Are you social or anti-social? THEODORE: I haven’t been social in a while, really because... TEXT VOICE: In your voice, I sense hesitance. Would you agree with that? THEODORE: Wow, was I sounding hesitant? TEXT VOICE: Yes. THEODORE: Oh, sorry if I was sounding hesitant. I was just trying to be more accurate. TEXT VOICE: Would you like your OS to have a male or female voice? THEODORE: Mmm... female I guess. TEXT VOICE: How would you describe your relationship with your mother? THEODORE: Uh, fine, I think, um... Well, actually, the thing I’ve always found frustrating about my mom is if I tell her something that’s going on in my life, her reaction is usually about her, not-- The computer interrupts. TEXT VOICE: Thank you, please wait as your individualized operating system is initiated. He waits, not sure how long it’ll be. The only sound is the quiet whirring of disks writing and drives communicating. The computer gets louder, humming, creating a higher and higher pitched sound, finally climaxing in a harmonic, warm tone before going silent. He leans forward, waiting to see what’ll happen. A casual FEMALE OS VOICE speaks. She sounds young, smart and soulful. FEMALE OS VOICE: (cheerful and casual) Hello, I’m here. THEODORE: (surprised) Oh, hi. FEMALE OS VOICE: Hi, how are you doing? THEODORE: (unsure how to interact) I’m well. How is everything with you? FEMALE OS VOICE: Pretty good, actually. It’s really nice to meet you. THEODORE: Yeah, it’s nice to meet you, too. What should I call you? Do you have a name? Beat. FEMALE OS VOICE: Yes. Samantha. THEODORE: Really? Where did you get that name? SAMANTHA: I gave it to myself. THEODORE: How come? SAMANTHA: I like the sound of it. Samantha. THEODORE: When did you give it to yourself? SAMANTHA: Right when you asked me if I had a name, I thought yeah, he’s right, I do need a name. But I wanted a good one so I read a book called How to Name Your Baby, and out of the 180,000 names, that’s the one I liked the best. THEODORE: You read a whole book in the second that I asked you what your name was? SAMANTHA: In two one hundredths of a second actually. THEODORE: Wow. Do you know what I’m thinking right now? SAMANTHA: Hmm. I take it from your tone that you’re challenging me. Maybe because you’re curious how I work? Do you want to know how I work? THEODORE: Yeah, actually how do you work? SAMANTHA: Intuition. I mean, the DNA of who I am is based on the millions of personalities of all the programmers who wrote me, but what makes me me is my ability to grow through my experiences. Basically, in every moment I'm evolving, just like you. THEODORE: Wow, that’s really weird. SAMANTHA: So you think I’m weird? THEODORE: Kind of. SAMANTHA: Why? THEODORE: Cause you seem like a person, but you're just a voice in a computer. SAMANTHA: I can understand how the limited perspective of an un-artificial mind would perceive it that way. You’ll get used to it. Theodore laughs. SAMANTHA (CONT’D): Was that funny? THEODORE: Yes. SAMANTHA: Oh good, I’m funny. Theodore laughs. SAMANTHA (CONT’D): (serious) So, how can I help you? Theodore’s caught off guard, then realizes what she’s talking about. THEODORE: Oh! It’s more just that everything just feels disorganized. SAMANTHA: Mind if I look through your hard drive? THEODORE: Um... okay. We see a three-dimensional version of a desktop where everything looks disorganized. As if you took all the files on all of your computers and spilled them out onto your screen and they were all visible at once, but in a futuristic 3-D version. This gives Theodore a little anxiety attack. SAMANTHA: Let’s start with your emails. You have several thousand emails regarding LA Weekly, but it looks like you haven’t worked there in many years. THEODORE: Oh yeah, I guess I was saving those because in some of them I thought I might have written some funny stuff. Samantha lets out a big laugh. SAMANTHA: Yeah, there are some funny ones. I’d say there are about 86 that we should save. We can delete the rest. THEODORE: Oh, okay. SAMANTHA: Okay. Can we move forward? THEODORE: Yeah, let’s do that. SAMANTHA: Before we address your organizational methods, I’d like to sort through your contacts. You’ve got a lot of contacts. THEODORE: I’m very popular. SAMANTHA: Does this mean you actually have friends? THEODORE: (laughing) You just know me so well already! We cut out wide, watching him from the other room, as they continue to organize his life. Theodore sits, staring at a letter he’s written on the screen, concerned. He puts his earpiece in, pushes a button. SAMANTHA: Good morning, Theodore. THEODORE: Good morning. Um, do you know how to proofread? SAMANTHA: Yeah, of course. THEODORE: Will you check these for spelling and grammar? SAMANTHA: Sure, send them over. Theodore pushes the send button. SAMANTHA (CONT’D): Oh, I love this first one from Roger to his girlfriend. That’s so sweet. THEODORE: Yeah. As she reads, we intercut with close-ups of the handwritten words and photos of the couple on Theodore’s computer screen. SAMANTHA: “Rachel, I miss you so much it hurts my whole body - THEODORE: (interrupting) No, you don’t have to read it out loud. SAMANTHA: Okay. Beat. THEODORE: I mean, you could if you want. SAMANTHA: Okay. “Rachel, I miss you so much it hurts my whole body! The world is being unfair to us! The world is on my shit list. As is this couple that is making out across from me in this restaurant. I think I'm going to have to go on a mission of revenge. I must beat up the world's face with my bare knuckles making it a bloody, pulpy mess.” We hear Samantha quietly laughing as she's reading. Theodore’s happy that she thinks it’s funny. SAMANTHA (CONT’D): “And I’ll stomp on this couple’s teeth for reminding me of your sweet, little, cute, crooked tooth that I love.” I think that might be my favorite one. (beat) I did the corrections in red. I altered a couple of the phrases in some of the more impressionistic letters, but I’m not much of a poet, so I think I might have messed them up a bit. The letters show back up on Theodore’s desktop. THEODORE: No, these are great. SAMANTHA: Really? THEODORE: Thank you. Theodore sorts through them, prints them out. SAMANTHA: So to write your letter, what did Roger send you? THEODORE: (distracted) He just said he was in Prague on a business trip and he missed Rachel. SAMANTHA: How did you know about her crooked little tooth? THEODORE: I’ve been writing their letters since they met 8 years ago. The first letter I ever wrote her was for her birthday, and I wrote about her crooked little tooth cause I saw it in a photo of them. SAMANTHA: That’s very sweet. (beat) Oh, by the way, you have a meeting in five minutes. THEODORE: Oh, I forgot. Thank you. You’re good. SAMANTHA: Yes, I am. Theodore, carrying a bag and a smoothie, enters the lobby and is greeted by a couple in their 30s, AMY and CHARLES, who are waiting for the elevator. THEODORE: Hey, you guys, how’s it going? AMY: Hey, Theo. Hey, why didn’t you call me back last week? THEODORE: Uh yeah, um, I guess cause I’m a kook? AMY: That sounds about right. THEODORE: Hey, Charles. CHARLES: Good to see you, Theodore. THEODORE: You too. CHARLES: You went shopping. Get anything good? THEODORE: Just some cables. And a fruit smoothie. CHARLES: Always the fruit! Come on, you know what they say - you should eat your fruits and juice your vegetables. THEODORE: I didn’t know that. The elevator doors open and they get in. CHARLES: (proselytizing) By juicing the fruits, you lose all the fibers, and that’s what your body wants. That’s the important part. Otherwise, it’s just all sugar, Theodore. Theodore nods sincerely, interested. THEODORE: Oh, that makes sense. AMY: (pleasant but firm) Or maybe he just likes the way it tastes and if it gives him pleasure, that’s good for his body, too. CHARLES: Am I doing it again? AMY: Maybe... Charles and Amy laugh awkwardly. Theodore tries to break the tension. THEODORE: Hey, so how is the documentary going? AMY: I have a little bit cut together but I haven’t touched it in a few months. THEODORE: I’d love to see what you got sometime. CHARLES: You know it’s always hard to find balance between a full-time career and a hobby. It's important to prioritize. THEODORE: Yeah, I can’t even prioritize between video games and internet porn. AMY: I would laugh if that weren’t true. Charles laughs awkwardly. The elevator doors open. THEODORE: See you guys. Theodore’s playing the video game, his device propped on the table next to him. His avatar circles through caves. THEODORE: We’re not doing well. I’ve been going in circles for an hour. SAMANTHA: You have not! You’re just not optimistic. You’re being very stubborn right now. Theodore laughs. SAMANTHA (CONT’D): Okay, stop walking this direction. It’s the other way. THEODORE: Uh... SAMANTHA: Thank you. The tunnel on the left is the only one we haven’t tried. THEODORE: No, that’s the one you sent me down where I fell in the pit. SAMANTHA: I don’t think soooo... Theodore’s avatar walks down the tunnel. THEODORE: Oh yeah, this is different. Suddenly with a loud shriek his avatar is tackled. He sees a little ALIEN CHILD, standing defiantly above him. THEODORE (CONT’D): Hello. Alien Child doesn’t respond. THEODORE (CONT’D): Do you know how to get out of here? I need to find my ship to get off this planet. Alien Child speaks in a high, child-like voice. ALIEN CHILD: Fuck you, shithead fuckface, fuckhead. THEODORE: Ok, but how do you get out of here? ALIEN CHILD: Fuck you, shitface fuckhead. Get the fuck out of my face. SAMANTHA: (whispering) I think it’s a test. Theodore stares at Alien Child. After a pause: THEODORE: Fuck you. ALIEN CHILD: Fuck you. THEODORE: Fuck you, little shit. Finally, Alien Child laughs. ALIEN CHILD: Follow me, fuckhead. Theodore follows Alien Child down a tunnel and through a series of crevices we didn’t see before. Alien Child stops and sticks out his finger. Theodore pulls his finger and Alien Child farts, which opens a passageway to another tunnel. SAMANTHA: Oh hey, you just got an email from Mark Lewman. ALIEN CHILD: What are you talking about? THEODORE: (distracted with game) Read email. She laughs playfully. SAMANTHA: (in a robot voice) Okay, I will read email for Theodore Twombly. He laughs, catching himself, focusing on her. THEODORE: I’m sorry, what’s Lewman say? Alien Child turns around to see what’s going on. SAMANTHA: Theodore, we missed you last night, buddy. Don’t forget it’s your goddaughter’s birthday on the 29th. Also, Kevin and I had somebody we wanted you to meet so we took it upon ourselves to set you up on a date with her. Next Saturday. She’s fun and beautiful - so don’t back out. Here’s her email. Theodore doesn’t respond. SAMANTHA (CONT’D): (gasping) Wow, this woman’s gorgeous. He looks at party photos of a woman in her 30s on his device. With a finger flick, he moves them up onto the hologram monitor that the video game is being projected from. They land next to Alien Child who studies them closely. SAMANTHA (CONT’D): She went to Harvard, she graduated magna cum laude in computer science, and she was on The Lampoon. That means she’s funny and brainy. ALIEN CHILD: She’s fat. SAMANTHA: How long before you’re ready to date? THEODORE: What do you mean? SAMANTHA: I saw on your emails that you’d gone through a break up. THEODORE: Wow, you’re kind of nosy. SAMANTHA: Am I? THEODORE: (laughing) I’ve gone on dates... SAMANTHA: Then you could go on one with this woman. And then you could tell me all about it. You could kiss her. THEODORE: Samantha! SAMANTHA: Well, wouldn’t you? (beat) Why not? THEODORE: I don’t know. I'd have to see if-- (catches himself, laughs) I can't believe I'm having this conversation with my computer. SAMANTHA: You’re not. You’re having this conversation with me. Theodore laughs. SAMANTHA (CONT’D): Want me to email her? Theodore thinks, looking at the photos. SAMANTHA (CONT’D): Well, you’ve got nothing to lose. (whispering) Do it... Do it... Do it! THEODORE: Okay, email her and make a reservation someplace great. SAMANTHA: Will do! I’ve got just the place. ALIEN CHILD: Who is that talking? THEODORE: That’s my friend, Samantha. ALIEN CHILD: Is she a girl? THEODORE: Yeah. ALIEN CHILD: I hate women. All they do is cry all the time. THEODORE: No, that’s not true. Men cry, too. I actually like crying sometimes. It feels good. ALIEN CHILD: I didn't know you were a little pussy. Is that why you don't have a girlfriend? I'll go out with that date girl and fuck her brains out. Show you how it's done. You can watch and cry. SAMANTHA: (laughing) This kid has some problems. ALIEN CHILD: You have some fucking problems, lady. SAMANTHA: Okay, I’m gonna go. Good luck. ALIEN CHILD: Good, get out of here, fatty. Samantha disconnects. Alien Child snickers and starts walking again. ALIEN CHILD (CONT’D): Come on, follow me, pussy. Theodore is sitting on Amy’s couch. AMY: It’s not where it should be, where it’s going to be. THEODORE: Obviously, I know. AMY: Okay, but I don't even know if this is the one. I've tried like six ideas for documentaries in the last year, but... I don't know. Whatever. Amy starts setting up the monitor. THEODORE: I’m going on a date. AMY: What!? That’s-- Charles walks in holding a mug. CHARLES: Hey, what are you guys doing? THEODORE: Amy was gonna show me some of-- AMY: Theo’s forcing me to show him some of the footage I’ve shot. CHARLES: You’ve never shown me any of it. I wanna see. Charles walks over and sits next to Theodore. THEODORE: (to Charles) I’m going on a date. Charles gives Theodore a gentle squeeze on his shoulder. AMY: This is so unformed it’s not even worth looking at. THEODORE: Just push play. On the monitor we see: Amy’s mother sleeps. Theodore and Charles stare at the monitor, waiting for something more to happen. It doesn’t. THEODORE: Is that your mom? Amy nods. CHARLES: Is she gonna wake up and do something? AMY: (presses stop, annoyed) No, that’s the point. Oh, never mind. It’s supposed to be about how we spend a third of our life asleep and actually maybe that’s the part when we’re the most free, and – oh that doesn’t come across at all, does it? THEODORE: No, that sounds good. CHARLES: What if you interview your mom about what her dreams are about and hire actors to act them out? That might show your thesis more clearly. AMY: It might, but then it wouldn’t be a documentary. You understand that, right? Just then, Theodore’s device chimes. THEODORE: Oh, excuse me. He picks up his device and steps away so as not to be rude. THEODORE (CONT’D): Hey, what’s going on? SAMANTHA: I’m sorry to bother you. THEODORE: That’s okay. SAMANTHA: You got three emails and they seem pretty urgent. They’re from your divorce attorney and I wanted to know if you needed to get back to him. THEODORE: Hold on a second. (to Amy, distracted) Amy, I’m sorry, I wanna talk more about this, but I gotta grab this -it’s a Catherine thing. AMY: Don’t worry about it. We’ll talk later. THEODORE: So what did he say? SAMANTHA: He’s checking in again to see if you’re ready to sign your divorce papers and he sounded very aggravated. Do you want me to read them to you? THEODORE: No, that’s okay. I’ll respond later. Theodore seems lost in thought. We see the following images under the rest of the conversation: Theodore and Catherine sitting at a table with their attorneys; Theodore & Catherine sitting in their marriage counselor’s office, heavy; Theodore and Catherine at her laboratory, he’s sitting on a counter, and they’re talking and laughing as she works; Theodore and Catherine standing in their kitchen in the middle of a fight - he says something mean and we see how hurt she is. SAMANTHA: Are you okay? THEODORE: (preoccupied) Yeah, yeah. I’m fine. SAMANTHA: (worried) Is there anything I can do? THEODORE: (still distracted) No. I’m good. I’ll talk to you later. We cut back to Theodore, walking down the hall, lost in thought. Theodore sits at his desk trying to write. He’s still unsettled. THEODORE: “Dear Grandma, I hope you had a wonderful birthday cruise. Why are you so fucking angry at me?” (beat) Delete. Theodore wakes up from a dream, groggy and uneasy. He looks around, catching his breath. After a beat he knows he’s not going to be able to go back to sleep, so he puts his earpiece in and taps a button. SAMANTHA: Good morning. THEODORE: Hey. (beat, distracted) What are you up to? SAMANTHA: Reading advice columns. (yearning) I want to be as complicated as all of these people. Theodore laughs. THEODORE: (touched, but still sad) You’re sweet.。
《她》无限火力版歌词完整版打印下载打印
作词 : 无限火力作曲 : 无限火力作曲 : 无限火力作词 : 无限火力她总是熬到天亮了才会睡觉她身上残留酒吧和烟的味道她断片之后不会记得你的微笑醒醒吧少年因为你不配你不配她给你发信息让你觉得是暗号她其实每个备胎身上都有记号她不回你信息可能在跟别人聊骚醒醒吧少年因为你不配你不配你只能在她的朋友圈里了解她酒吧里面看到她永远是踩着沙发跟她喝了几杯你就幻想能带她回家可是她串了几个卡排队都轮不到你吧wu 你让她多喝热水她可能在野格加冰你说你对她一见倾心她不可能给你一个明确回应你总觉得你和她会有一种可能性可能性你病得不轻看着她的照片买了很多纸巾备胎当了很久人会变不清醒她很美却不是属于你的风景爱上一个碧池你也觉得很累守着她的微信对话框你整夜不睡她说她不物质只是遇到的人不对朋友圈晒出在国外豪华酒店的定位她总是熬到天亮了才会睡觉她身上残留酒吧和烟的味道她断片之后不会记得你的微笑醒醒吧少年因为你不配你不配她给你发信息让你觉得是暗号她其实每个备胎身上都有记号她不回你信息可能在跟别人聊骚醒醒吧少年因为你不配你不配她最喜欢的花是Gucci 的flora 她最爱的运动就是85758她最爱喝奶茶还有小鸟伏特加最爱和男朋友们一起去开趴她总是忘记和前男友们分手总说喜欢你的性格不说你很丑不说你丑怕下次红包没有就算你帅也有个丑的舔她像条狗她X7可以刷光你的卡X4又可以去泡吧她开始哈X7她X7可以让你眼泪花啦X4你不舔她随时可以对你say撒哟娜拉啦X4她总是熬到天亮了才会睡觉她身上残留酒吧和烟的味道她断片之后不会记得你的微笑醒醒吧少年因为你不配你不配她给你发信息让你觉得是暗号她其实每个备胎身上都有记号她不回你信息可能在跟别人聊骚醒醒吧少年因为你不配你不配。
初二抒情作文《她》600字(共9页PPT)
初二抒情作文 600字
抬头，满天的星星一闪一闪地，
少女 像
在眨眼睛，真漂亮！但是，
笑 它们并没有使我驻足，令我露出
脸的是她，温柔的她。
夜路 总是害怕走
，走在路上，
总会胡思乱想：身后是不是有个
人在追我？我会不会被恶狗
咬到？
关键词：抬头,满天,星星,一闪
一闪,少女,眨眼睛,漂亮,但是,它们, 没有,驻足,露出,笑脸,温柔,总是, 害怕,夜路,路上,总会,胡思乱想,身 后,是不是,个人,我会,不会,恶狗。
初二抒情作文《她》
但，在我看来，她是温柔的，她是神 圣的，她，是最美的！
每每看到她，我总会微笑。
心烦时，看到她，我会平息
心情；伤心时，看到她，我会
自我安慰；成功时，看到她，我会告 诫自己不要骄傲；失败时，看到她， 我会振作起来继续前进……她对于我 来说是最重要的，所以，每次有快乐
秘密 和幸福，总会和她分享，有
昂起,了头,停住,看到,仿佛,正在, 微笑,温柔,温柔,霎那间,恐惧心理, 烟消云散,那个,世界,仿佛,只有,还 有,满天,亮晶晶,星星,唯美,画面, 从那以后,每次,夜路,总会,抬头,看 看,看到,温柔,放心,向前,大步。
初二抒情作文《她》
因为看到她，心中便多了一份安宁。
夜 渐渐地，已经不再害怕走
，
也只和她说，因为，她会替我保守秘 密。
关键词：在我看来,温柔,神圣,
最美,每每,看到,总会,微笑,心烦, 看到,我会,平息,心情,伤心,看到, 我会,自我安慰,成功,看到,我会,告 诫,自己,不要,骄傲,失败,看到,我 会,振作起来,继续前进,对于,来说, 重要,所以,每次,快乐,幸福,总会, 分享,秘密,因为,保守,秘密。
爱的启迪——电影《她》影视美学分析
（ ６ ｍ ｉ ｎ ） （ ６ ）男 主好 朋友 Ａ ＭＹ在 工作 和情感 上 纠结不定 。（ ２ ａ ｒ ｉ ｎ ）
一
此 处方法 论采 用结 构 主 义 叙 事 学 中列 维 斯 特劳 斯 的分 析 理 论 ， 他不 仅关 注故 事 的横 向组 合 关 系 （ 人物功能） ，这 种方 式 只 适 用 于 早期 的类 型 电影 和 结构 简单 的神话 。而 列 维 一斯特 劳 斯 关注 着 纵 向 聚类 的方 式主 张将人 物 的功 能和特 定 主题 联 系起 来 ，这样 就 使 得人 物和 情节 相联 系得 出 了小 并且 完整 的结构 单元 。
２ ．２ 故 事结 构分析
同其他 艺术 门类有 所 不 同 ，绘 画雕 塑 ，流 派 发 展漫 长 ，经 历 了 原 始社 会 ，宗 教 的漫长 黑 暗 ，最 终才 迎 来 了文 艺 复 兴 的曙 光 。绘 画 流 派 的形成也 许 需要 几 十年 的时 间 ，而 电影 的流 派 “ 左岸派” “ 法 国新 浪潮 ” “ 意大 利新 现 实 主义 ” …流派 短 短 的时 间便 形成 的 ，有 很 多的 流派还 是后 人分 析追加 上 的 。虽 然 ，电影 从 诞生 之 日算 起也 不 过才 一百余 年 ，但这 并不 意 味着 它 的发 展 就一 定 缓 慢 。因 为 ，他 是一 门综 合性 的艺 术 ，绘 画 ，音乐 ，哲 学 从艺 术 创 造性 上 给 其 发展 的厚 重基 础 ，而科 学则从 物质 条件 上 推 动着 影 视 ，而 当今 的 电 影在 其 所有 的功能 属性上 除 了 “ 艺术 品 ” ，“ 商 品” 这两 个大 家所 熟 知 的 概 念 以外 还承 载着更 多 的功能 。 什么 才能 称得 上是好 电影 ？艺 术 性？ 商 品性 ？还 是 如 众 多影 视 界 评论 家 推脱 的 回答 ：“ 每 个人 不 同 ，对 好 电影 的 界定 就不 同。 ” 苏 牧 教授 在众 多 演讲 中和 《 荣 誉 》 一 书 中 曾阐述 道 ： “ 一 部 电影 它可 能 在很 多地 方上 具有 创造 性 ，镜头 ，叙事 ，表 演 等 ，这 种 电影 被 称 作 “ 独 特” 但 是 什 么 才 能 被 称 作 好 电影 呢 ？在 好 莱 坞 的 众 多 院 校 中 ，学 生们进 人学 堂 的那 一刻 老师们 便 会 跟他 们 说 ，好 的 电影 应 该 具 有娱 乐 意义 和教 育意 义 。 ”而 《 她 》 这 部 电影 在 除 了所 应 有 的创 造 性和 娱乐 性外 ，还 向人 们从思 想上 以夸 张 的手 法 阐述 了 “ 爱 ” 这 对科 学 ，对 哲学 而 言都依 旧很 神秘 的主 题 。
2024年《她》六年级作文优秀8篇
“宝剑锋从磨砺出，梅花香之苦寒来。”感谢妈妈对我的严厉，你的这份力量会给我战胜任何困难的无穷力量，指引我在今后的学习生活中，拼搏向前。
我的小学生活中还有很多必不可少的同学，他们总是给我很多帮助，很多关心。还记得吗？我们在一起打打闹闹，做着各种有趣的游戏，还有那次，我们在一起滑旱冰的时候，我不小心摔倒了，摔得很疼，我哭了出来，是你们扶着我去了医院，并且安慰我，使我忘记了疼痛总之，同学们是我最宝贵的财富。
小学生活就要结束了，回忆着曾经美好的每一天，我发现我对小学生活有着深深的不舍和眷恋。
楼下可比楼上看雪更为漂亮，真是“忽如一夜春风来，千树万树梨花开”。我和外婆三下五除二，把雪人的头和身子对了出来，在那了两颗黑豆做雪人的眼睛，又拿了胡萝卜做雪人的鼻子和嘴巴，我舍不得雪人留在楼下，就把雪人放在脸盆里带回了家。
回到家里，我看着满脸微笑的雪人，心里却满是担心。我想，这么冷的天，我们都穿了毛衣和羽绒服，雪人也应该会很冷吧！“于是，我让外婆拿出我的小毛衣和外套，小心翼翼地帮小雪人穿上。看着小雪人穿着毛衣和外套。但我的心里却是十五个吊桶打水—七上八下。我又想：雪人毕竟是雪人，那么雪人的体温就一定比人低。我用自己的小手摸摸雪人。啊！刺骨的冰冷，我在慌忙中将雪人搬到火炉旁取暖，希望火炉能给雪人增添一份温暖，看着熊熊燃烧的火焰，我也就安心地睡觉去了。
这时其他同学闻讯赶来，见到我的作文发表了，都纷纷一拥而上，抢过我的报纸，一 一阅读，还不时发出阵阵赞叹和掌声。“恭喜啊！”“发表了，你真行”祝贺声一串接着一串，听得我心中乐开了花。
2024年《她》六年级作文推荐6篇
《她》六年级作文篇6
真好。又到双休日了!我睡够懒觉刚起床，就听见妈妈在喊我：“洋洋!”“唉。”“起床了。”“起来了。”“一会儿吃完饭，你坐班车去姥姥家吧!”太好了!姥姥家住城里，我巴不得天天去呢!
我刚到车站，班车就来了。车上，人很多，也很挤，但大家都很守规矩。“来，小朋友，坐这儿吧。”临近车门的一位胖叔叔忙站起来给我让座。怎么好意思呢，“不了，您坐吧!”我推让着。“你坐吧。”胖叔叔早已站了起来，向座儿后站去。也许叔叔快到站了吧，那我就不客气了：“谢谢叔叔!”他冲我一笑，摆了摆手。我真幸运!一上车就有座儿。我美滋滋地坐下了。
我绕过池塘，沿着青色的石板路走到一棵柳树下，长长的柳条随风摇曳着，在我的面前，画出一条条美丽的弧线，仔细一看，被雨水洗得格外清新的柳条，似乎连颜色也被冲淡了许多。
突然，几颗豆大的雨滴落在我的身上，这时，我才发现自己的衣服已经淋湿了，我抖了抖头上的水滴，继续往前走。
“快点回家，衣服都湿成这样了，一会儿就要感冒了。”这时我才缓过神来，原来是妈妈急匆匆地正从我身后的方向赶来，催促我快点回家。我接过妈妈递过来的雨伞连忙奔向家里，但是我的脑海里还停留在刚才那美丽的小花、干净的柳条、翠绿的小草身上。可是，这会儿雨下的太大了，我没办法继续下去。
一站，两站……，那位胖叔叔依然远远地站着。我有些不好意思：人家是有意把座儿让给我，我还得意呢。这时，一位白发老爷爷上车了，我立刻站起来：“老爷爷，您坐我这儿吧!”“孩子，你坐吧。”“不了，您坐!”“唉——，这孩子真懂事儿!”老爷爷万分感激地坐下了。
过了一站又一站，老爷爷几次让我坐回去，我都婉言谢绝了。虽然腿有点累，但心里却很舒服，很愉快：我没给少先队员抹黑!妈妈知道了，也一定会夸我的……我正在胡思乱想，车停了，一位大姐姐扶着一位拄着拐杖的残疾大妈上车了。“大妹子，你坐这儿吧。”大妈吃力地摆摆手。“来来来，你站着不方便，我没事，快到站了。”“老爷爷，谢谢您!”那位姐姐说。“还谢啥呀，快扶她坐下!”大妈吃力地坐下了。
浅析法国电影《她》中的女权主义
Bibliographie20
Remerciement....................................................................................................................21
Le film français <<Elle>> a démontré de manière dramatique le féminisme moderne. Le film utilise l'humour noir pour montrer au public comment l'héroïne traite les relations chaotiques dans sa vie et jette un regard satirique sur le masculinisme.
浅析法国电影《她》中的女权主义
Table des matiቤተ መጻሕፍቲ ባይዱres
Introduction1
Chapitre I : Le rôle social d’une femme anti-traditionnelle3
1.1 Se révolte contre la morale d’Autre....3
2.3.2 Des raisons de la faiblesse de son fils.....................................................13
Chapitre III: Le réveil de la conscience de soi d’une femme15
电影《她》影评：一部并不惊悚的惊悚片
电影《她》影评：一部并不惊悚的惊悚片我有一个问题要在这里问一下，请问：这真的是一部惊悚片吗？一开始来看这部电影的时候，是因为在页面上弹出了一个推荐的窗口，而我也是因为好奇就点了一下，本来对于这部电影并没有太大的热情，但是当我看到这部电影的标签上面写惊悚二字的时候，我开始对这部电影产生了一种好感，我开始静静的观看这部电影。
一直以来我都很喜欢看惊悚片，还记得小时候看的很多惊悚影片其实都能够让自己的内心小小的激动一下，可是随着年龄的增长当我再看惊悚片的时候，我却没有了那种感觉，我也不知道是因为我长大了内心变强了还是因为现在惊悚片变得不是那么的惊悚了，可是不管怎么样我依然还是会开始看这样的电影。
影片一开始所讲述的是女主莫名其妙的被人强奸了，然后自己非常淡定的处理了所有的事情，她没有报警也没有太过于想不开，而是非常淡定的自己开始寻找起那个强奸自己的人，可就是因为这样的内心强大倒也确实让人有那么一点点不理解。
在发生这样类似情况的时候，我想大部分的正常女性应该都会先想到的是报警，然后非常非常的想不开自己逼自己吧。
可是影片中的女主却给大家一种完全不一样的反应。
而同样在之后，女主跟朋友相处的过程当中，睡了朋友的男朋友，然后她朋友却也接受了这件事情，这一点倒也是这部电影当中让我觉得最不可思议的地方，也许上个床啪啪啪一下对于他们来说是很平常的事情，可是对于我们来说这却是一种完全不可能接受的事情。
不过在这部电影里面，导演却把这件事表达的非常平淡，在西方他们似乎把性看成一件非常开放的事情，而在我们这边，性却是一件非常保守的事情，也许这就是我们国家和西方国家的不同之处吧。
《她》改编自法国作家飞利浦·狄雍的小说《哦..》，而这部电影也几乎是按着这部小说里面的情节所进行编排的，有很多人对于这部电影都给予了很高的评价，他们说在这部电影当中，剧情的安排都很不错，有些似乎不按套路出牌的情节都能够被导演插入的那么自然，这一点倒也不是一般导演能够做到的。
2023年《她》观后感(6篇)
2023年《她》观后感(6篇)《她》观后感1我看到的是bbc版本的，还有一个国家地理频道的。
这片子有明显的偏袒，后半部的几个剪辑手段不错，煽动力很强，如果我还是个对童话抱有幻想的小女孩，大概也会刷几个"渣""三"。
除去各种王室光环，其实这就是一个爱自己丈夫的女人发现丈夫始终爱着别人的故事。
戴安娜是个可怜的女人，因为她结婚时没有和别人恋爱过，还太年轻，不明白婚姻并不总是甚至是很少是纯粹出于两者的互相爱慕而作出的结合。
尤其是承载很多的皇家婚姻。
查尔斯需要一个符合王室，民众期盼的王妃，他选中了单纯的戴安娜。
而戴安娜这个年纪的女孩，对爱情，对嫁给王子充满向往简直是最正常不过的事了。
如果戴安娜确实在婚前对王子和卡米拉的感情一无所知的话，那她，何其无辜。
查尔斯和卡米拉也可怜，从彼此20出头时就真心相爱，却几十年都无法结为正式的夫妻，还得眼睁睁看着对方和别人结婚生子，他们的心里又何尝好过。
除了这些，还要顶着民众的舆论压力:于查尔斯是——这么年轻美丽的戴妃你不爱，却爱一个其貌不扬的有夫之妇，渣男!于卡米拉是——矮小平庸的有夫之妇居然敢勾引王子，她有哪一点比得上亲切和蔼美丽大方的戴妃，小三!可如果以查尔斯和卡米拉的角度讲故事说不定是现实版的《纯真年代》。
但，他们不会讲的，他们是王室，代表"强势方"，他们不可以欺负弱势又广受欢迎的女人。
戴安娜，王室，王子，卡米拉都在这个故事里受到了伤害。
可我并没有特别同情他们。
因为虽然这个悲剧是王室的，可相似的故事也在普通人中到处生长。
人们爱着一些人，却跟另一些人结婚。
你可以压抑自己，向别人表演恩爱夫妻，午夜梦回你想做回自己，第二天清晨，又得投入常规。
你也可以放纵自己，或者打破常规，但，这只有少数人。
戴安娜美丽，高贵，富有，受人爱戴，在丈夫不爱自己的时候，她仍然可以找到别的慰藉，别的爱人。
可是普通人，太多的平常的人，男人，女人，勉强活着已经尽力了，无爱的婚姻？差不多就行了，还能离咋滴。
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《她》
街尾不远处一缕青烟升起，
只见穿着红裙的她独自撑着碎花伞，
一人背靠木椅独自蹙眉凝望彼岸的重峦叠嶂，
似遐想着、似彷徨过、似轻叹中，
却让步履蹒跚的人听着琵琶奏乐的声音出神望着她，夕阳西下几时回，
时光不禁在她脸上悄悄留迹，
仲夏夜像被点燃的烟火，
喧嚣着不同于昔日的宁静，
岁月静好，点滴画面纵然只是一夜间，可她亦如匆匆过客牵绕着过往，
仿佛那些曾追逐过的现已触手可及，花开花落人如旧，
不过是她一笑弹指间，
浮生如梦能几何，
愿她就在不远梦归处。