When timing is everything Age of

合集下载

超能陆战队所有台词

超能陆战队所有台词

超能陆战队所有台词人物:小宏Hiro、大白、弗雷德、神行御姐、芥末无疆、哈妮柠檬、罗伯特·卡拉汉教授、泰迪、卡斯阿姨、阿里斯泰、阿里斯泰·格利、弗雷德父亲1.get up ! Ge up!2.The winner! By total annihilation. Yama3.Yama:Who’s next ? Where’s the guts to stop me in the ring.With little Yama!4.Hiro:Can I try?5.Hiro:I have a robot.I built it myself.6.Beat it kid!House Rules:You gotta pay to play.7.Hiro:Oh,is this enough?8.Yama:What’s your name,little boy?9.Hiro, Hiro Hamada.10.Yama:Prepare your bot,Zero...11.Two bots enter...One might leaves. ----Fighters ready?-----Fight!12.Hiro:That was my first fight. Can I try again?13.Yama:No one likes a sore loser little boy.----Go home.14.Hiro:I’ve got more money...15.Fighters ready?----Fight!16.Hiro:Megabot!----destroy.17.Hiro:Not more “Little Yama”.18.Yama:But what?----This is not possible!19.Hiro:Hey, I’m as surprised as you are.Beginner’s luck.20.Hiro:do you wanna go again?----Yama?21.Yama:No one hustles Yama!22.Hiro:Wooh!hey!23.Yama:Teach him a lesson!24.Tadashi:Hiro,get on!25.Hiro:Tadashi,Ooh!Good timing.26.Tadashi:Are you okay?27.Hiro:yeah.28.Tadashi:Are you hurt?29.Hiro:No!30.Tadashi:Then, what are you thinking, knuckle head!31.Tadashi:You graduated high school and you’re 13 and this is what you’re doing---- Hold on!32.Tadashi:Bot fighting is illegal.You’re gonna get yourself arrested.33.Hiro:Bot fighting is not illegal.Betting on bot fighting...t hats...that’s illegal.----But, so who could heed. I’m on a roll, big brother.----And there is no stopping me!34.Oh, no.35.Hi,Aunt cass36.Cass:Are you guys okay? Tell me you’re okay...37.Hiro:We’re fine.38.Tadashi:We’re okay39.Cass:Then what were you two knuckle heads inking?!---For 10years,I heed the best I could to raise you .---have I been perfect?No!----Do I know anything about children?No!----Should I pick a book on parenting?Probably?----Where I was going with this? I had a point...40.Tadashi:sorry.41.Hiro:We love you, Aunt cass.42.Cass:I love you too!----I had to close up early because of you two fellons on beat poetry night----Strees eating because of you! Come on Moty!----This is really good!43.Tadashi:44.Tadashi:You’d better make this up to Aunt cass,before she eats everything in the cafe.45.Hiro:For sure.46.Tadashi:And I hope you learn your lesson, bone head.47.Hiro:Absolutely48.Tadashi:You’re going fight boting, aren’t you?49.Hiro:There’s a fight across town.If I book now ,i could still make it.50.Tadashi:When are you gonna start doing something with that big brain of yours?51.Hiro:What? Go to college like you ?----So people can tell me stuff Ialready know?52.Tadashi:Unbelievable.----Ahh, What would Mom and Dad say?53.I don’t know.They’re gone.----The died when I was 3,remember?54.Tadashi:I’ll take you.55.Hiro:Really?56.Tadashi:I can’t stop you from going,but I’m not gonna let you go on your own.57.Hiro:Sweet58.Hiro:What are we doing at your nerd school?----Bot fights that way!59.Gotta grab something .60.Hiro:Is this gonna take long?---Relax, you big baby, we will be in and out.----Anyway,you’ve never seen my lab.61.Hiro:Oh great! I get to see your Nerd Lab.62.Gogo:Heads up!63.Hiro:Wooh!----Electromag suspension?64.Gogo:Who are you!65.Tadashi:Gogo, this is my brother,Hiro.66.Gogo:Welcome to the Nerd Lab.67.Hiro:Yeah....I’ve never seen electromag suspension on a bike before.68.Gogo:Zero resistance, faster bike.----But...Not fast enough.----Yet69.Tadashi:Hey,Wasabi,This is my brother, Hiro.70.WaSabi:Hello,Hiro.Prepare to be amazed.----catch!----71.Hiro:Laser induced Plasma?72.Wasabi:Oh yeah.----With a little magnetic confinement for ah...ultra precision.73.Hiro:Wow,how did you find anything in this mess?74.Wasabi:I have a system.There is a place for everything, and everything in its,place.75.Gogo:I need this!76.Wasabi:you can’t do that!----This is anarchy! Society has rules!77.Lemon;Excuse me!Coming through!----Tadashi!----oh my gosh,you must be Hiro!----I’ve heard so much about you!----Perfect timing!Perfect timing78.Hiro:that’s a whole lot of Tungsten carbide.79.Lemon:400 pounds of it.----Come here!Come here! You’re gonna love this.----A dash of per chloric acid. A smidge of cobalt, a hint Hydrogen Peroxide...super heated to 500 Kelvin,and...Tadah!---I know right!----Chemical metal embrittlement!80.Tadashi:Not bad,Honey Lemon.81.Hiro:Honey lemon? Gogo?Wasabi?82.Wasabi:I spilled wasabi on my shirt one time people, One time!83.Tadashi:Fred is the one who comes up with the nicknames.84.Hiro:Ah...Who’s Fred?85.Fred:This guy right here!----Ah! Ah! Don’t be alarmed, it is justsuit.This is not my real face and body.----The name is Fred.----School mascot by day but by night.----I’m also a school mascot.86.Hiro:So,what’s your major?87.Fred:No!No!I’m not a student but I am a major science enthusiast ----I’ve been turning to get honey to develop a formula....That can turn me into a fire breathing lizard at will.----But she says that’s not “science”.88.L:It’s really not.89.F:yeah,and I guess the shrink ray I ask Wasabi for isn’t science, either?Is it?90.W:Nope!91.F:Well then, what about invinsible sandwich?92.T:Hiro,93.F:Imagine eatin g a sandwich but,everybody just thinks you’re crazy.94.Just top95.F:Laser Eye?96.Hiro:What?97.Tingly fingers?98.Never gonna happen!99.Then what about grocery stores.100.H:So,what are you been working on?101.T:I’ll show you.102.H:Duct Tape?----I hate to break it to you, Bro.Already been invented.103.Awww!Dude!Awww104.T:This is what I’ve been working on.105.Baymax:Hello,I am Baymax.Your personal health care companion. ----I was alerted to the need for medical attention when you said:Awww... 106.H:A robotic nurse?107.B:On a scale of 1 to 10,How would you rate your pain?108.H:Physical,or emotional?109.B:I will scan you now.----Scan complete.----you have a slight epidermal abrasion on your forearm.----I suggest an anti-bacterial spray. 110.H:Whoa, whoa...What’s in the spray specifically?111.B:The Primary ingredi ent is:”Bacitracin.”112.H:That’s a bummer,I’m actually allergic to that.113.B:You’re not allergic to Bacitracin.----You do have a mild allergy to:Peanuts.114.H:Not bad.115.H:You’ve done some serious coding on this thing huh!116.T:Ahah!Programmed to over more than 10,000 medical procedures ----This chip!Is what makes Baymax,”Baymax”117.Vinyl?118.T:Yeah,going for a non-threatening huggable kind of thing.119.H:Looks like a walking marshmallow.No offense.120.B:I am a robot.I can not be offended.121.H:Hyperspectro Cameras.122.T:yup.123.H:Titanium skeleton.124.T:carbon fiber.125.H:Right.Even lighter.----:Killer actuators, where did you get those? 126.T:Machined them right here...In house...127.H:Really?128.T:Yup---He can lift a thousand pounds.129.H:Shut up!130.B:You have been a good boy, have a lollipop.131.H:Nice132.B:I can not deactivate until you say:”You are satisfied with your care.”133.H:Well then, I’m satisfied with my care.134.T:He’s gonna help a lot of people.135.H:Hey,what kind of battery does it use?136.T:Lithium lon.137.H:you know,Super capacitor would charge way faster.138.R:Buring the midnight oil, Mr.Hamada?139.T:Hey,Professor, I actually was finishing up.140.R:You must be Hiro.Bot fighter, right?----When my daughter was younger,That’s all she wanted to do.----May I.141.H:Sure!142.R:Hom, Magnetic bearing Servos.143.H:Pretty sick huh? Wanna see how I put them together?144.T:Hey,Genius! He invented them!145.H:You are Robert Callaghan?---Like as in ,Callaghan...Callaghan’s Laws of Robotics?146.R:That’s right.Ever think about applying here?your age wouldn’t be an issue.147.T:I don’t know, he’s pretty serious abo ut his career in bot fighting. 148.H:Well, kind of serious,149.R:I can see why.-----with you bot winning must come easy.150.H:Yeah, I guess.151.R:Well, if you like things easy,then my program isn’t for you.We push the boundaries of robotics here.My students go on to shape the future. Nice to meet you, Hiro.Good luck with the bot fights.==================152.T:You gotta hurry if you wanna catch that bot fight.153.H:I have to go here!if I don’t go to this nerd school.I’m gonna lose my mind.How do I get in?154.T:Every year, the school has a student showcase.You came up with something that blows Callaghan away.you’re win.But,it’s gotta be great. 155.H:Trust me...It will be...Nothing!No eless empty brain.156.T:Well, washed up at 14.so sad157.H:I got nothing!I’m done! I’m never getting in!158.T:I’m not giving up on you.159.H:What are you doing?160.T:Shake things e that big grain of yours to think your way out. 161.T:Look for a new angle.162.T:Wow, a lot of sweet tech here today.How you feelin?163.H:You’re talking to an ex-bot fighter,It takes a lot more than this to rattle me.164.G:Yup,he’s nervous.165.F:Oh!you have nothing to fear little fella.166.G:he’s so tense.167.H:No!I’m not.168.L:Relax.Hiro.Your tech is amazing!Tell him, Gogo....169.G:Stop whining, woman up.170.H:I’m fine!171.W:What you need, little man?Deodorant breath mint, fresh pair of under pants?172.G:Under pants?You need serious help173.W:Hey, I come prepared.174.F:I haven’t done laundry in 6 months.One pair last me four days.I go front, I go back, I go inside out then I go front and back175.T:Wow!That is both disgusting and awesome.176.G:Don’t encourage him177.F:It’s called “Recycling”.178.Next Presenter:Hiro Hamada.179.F:Oh yeah.this is it!180.H:I guess I’m up.181.L:Okay!Okay,photo!Photo!Everybody say:”Hiro!”182.“Hiro”183.L:We love you Hiro.Good luck!184.G:Don’t mess it up185.W:Break a leg,little man!186.F:Science, yeah!187.T:Alright, Bro. This is it!What’s going on?188.JH:I really wanna go here.189.T:Hey, you got this.190.H:Hi....My name is Hiro.Sorry.My name is Hiro Hamada.And.I’ve been working on something that I think is pretty cool.I hope you like it.This, is a microbot191.T:Breath.192.It doesn’t look like much.But when it links up with the rest of its pals...Things gonna get a little more interesting.The Microbots are controlled with this neurotransmitter.I think about what I want them todo...The do it.The applications for this tech are limitless. Construction... What use to take teams of people working by hands for months or years. Can now be accomplished by one person.And that’s just the beginning... How about,Transportation?Microbots can move anything, anywhere, with ease.If you can think it...microbots can do it.The only limit is your imagination.Microbots!193.Cass:That’s my nephew! My family! I love my family!194.T:Nailed it!195.You did it!196.You did it bad.197.Good job,Hiro.198.It blows my mind, dude.199.They loved you.That was amazing!200.Krei:Yes,With some development, your tech could be revolutionary. 201.H:Alastair Krei.202.K:May I?---Extraordinary.I want your microbots at Krei Tech. 203.H:Shut up.204.R:Mr.Krei is right.Your microbots are an inspired piece of tech.You can continue to develop them...Or you can sell them to a man whose only guided by his own self interest.205.K:Robert,I know how you fell about me.But it shouldn’t affect you... 206.R:This is your decision, Hiro.But you should know,Mr krei has cutcorn has cut corners.and ignored sound science to get where he is.207.K:That’s just not true.208.R:I wouldn’t trust Krei Tech with you microbots.or anything else 209.K:Hiro...I’m offering you more money that any fourteen year old could imagine.210.H:I appreciate the offer, Mr.Krei.But they are not for sale211.K:I thought you were smarter than that.Robert.212.T:Mr.Krei...That’s my brother’s213.K:oh, that’s right.214.R:I’m looking forward of seeing you in class...215.Wohoo! Yeah ! Unbelievable!216.Cass:Alright geniuses! Let’s feed those hungry brains. Back to cafe,dinner is on me!217.F:Yes,nothing is better that free food.218.T: Aunt Cass...219.Unless it’s moldy.220.T:We’ll catch up, okay?221.Cass:Sure.I’m so proud of you!Both of you!222.T:Thanks, Aunt Cass.223.H:I know what you gonna say.I should be proud of myself,because I’m finally using my gift for something important...224.T:No! No, I was just gonna tell you, your fly was down for the wholeshow.225.H:Haha, Hilarious! What? Ahh!226.Welcome to Nerd School. Nerd!227.H:Hey, I am... I wouldn’t be here if it wasn’t for you, so... You know... Thanks for not giving up on me.228.T: Are you Okay?229.Yeah, I’m okay.But Professor Callaghan is still in there.230.H:Tadashi,No!231.T: Callaghan’s in there. Someone has to help.232.H:Tadashi.Tadashi.Tadashi.233.Cass:Hey...234.H: Hey, Aunt Cass.235.Mrs.Matsuda’s in the cafe. She’s wearing something su per inappropriate for 80 year old. It always cracks me up. You shold come down.236.H:Maybe later.237.Cass: Oh the university called again.It’s been a few weeks science classes started, but they said its not too late to register.238.H:Okay, thanks.I’ll think about i t.239.Hey Hiro240.L:We just wanted to check in and see how you’re doing.241.W:We wish you were here , buddy.242.F:Hiro,if I could have only one super power right now... It would be the ability to crawl through this cameras and give you a big hug.243.B:Hello,I am Baymax, Your personal health care companion.244.H:Hey...Baymax,I didn’t know you were still active.245.B:I heard a sound of distress. What seems to be the trouble?246.H:Oh, I just had my toe a little, I’m fine.247.B:On a scale of 1 to 10, How would you rate your pain?248.H:Zero?...I’m okay, really, Thanks. You can shrink now.249.B:Does it when I touch it?250.H: That’s okay, No! No touching! Ahh251.B: You have fallen252.H: You think?253.B:On the scale of ..On a scale...On a scale...On a scale of one to ten... On a scale of one to ten, How would you rate your pain?254.H:Zero.255.B: It is alright to cry.256.H: No! No...257.B: Crying is a natural response to pain.258.H: I’m not crying.259.B: I will scan you for injury.260.H:Don’t scan me.261.B:Scan complete.262.H:Unbelieveable,Unbelieveable263.B:You have sustained no injuries.However. Your hormone and neurotransmitter levels indicate that you are experiencing mood swings. Common on adolesscenes.Diagnosis:Puberty.264.H:Woah! What? Okay,time to shrink now.265.B:You should expect an increase in body hair. Especially on your face, chest armpits, and....266.Thank you ,that’s enough.267.B: You may also experience strange and powerful new urges.268.H:Okay,let’s go you back in your luggage.269.B:I can not deactivate until you say: You are satisfied with your care. 270.H:Fine, I’m satisfied with my... My microbot? This doesn’t make any sense.271.B: Puberty can often be a confusing time for young adolescent flowering into a manhood.272.H:No! The thing is attracted with other microbot, but...That’s impossible, they were destroyed in a fire.Something’s broken.273.B:Your tiny robot is trying to go somewhere.274.H:oh yeah? Why don’t you find out where he is trying to go?275.B:Would that stabilize your pubescent mood swings?276.H:Absolutely. .... BayMax?277.Cass:Hiro?278.H:Hi, Aunt Cass.279.Cass:Wow, you’re up?280.H: Yeah, I figured it was time.281.Cass:Are you registering for school?282.H: Ah, yes ,I’ve thought about what you said.Really inspired me. 283.Cass:oh,honey, That’s so great.Okay, specal dinner tonight. I leave up some chicken wings...You know, with a hot sauce that makes us faces numb.284.H:Okay,sounds good.285.Cass:Great!Last hug.286.H:Baymax!Are you crazy? What are you doing?287.B:I have found where your tiny robot wants to go...288.H: I told you , its broken! It’s not trying to go... Locked.289.B:There is a window290.B:Please exercise caution.291.B:A fall from this height could lead to bodily harm.292.B:Oh,no293.B:Excuse me, while I let out some air.294.H:Are you done?295.B:Yes.296.B:It will take me a moment to re-inflate.297.H:Fine, just keep it down.298.H:My microbots? Someone’s making more.299.B:Hiro?300.H:You gave me a heart attack.301.B:My hands are equipped with defibrillators.302.B:Clear!303.H:Stop! Stop.It’s just an expression.304.B:oh, no.305.H:Run , oh, come on!306.B:I am not fast.307.H:Yeah, no kidding!308.H: Go , go ,come on.Kick it down! Punch it! Go go,Come on , go go go .Move e on!Come on ! The window!Suck in!BayMax309.police:Alright,let me get this straight.A man in a kabuki mask. Attacked you withan army of miniature flying robot.310.H:Microbots311.Police:Microbots312.H:Yeah,he was controlling them telepathically with a neurocranial transmitter.313.Police:So Mr.Kabuki was using ESP to attack you and balloon man. 314.Police:Did you file a report when your flying robots was stolen? 315.H:No,I thought they were all destroyed.Look, I know it sounds crazy but Baymax was there too.Tell him.316.B:Yes ,officer.He is telling the tru...th.317.H:What the...What’s wrong with you?318.B:Low battery.319.H:Whoa!Whoa, try to keep it ho...me320.B:I am a health care, your personal Baymax...321.Police:Kid,How about we call your parents and get them down here. 322.H:What?323.Police:Write your name and number down in this piece of paper,and we can...324.H: I gotta get you home to your charging station.325.H:Can your walk?326.B:I will scan you now. Scan complete. Health care.327.H:Okay,If my aunt asked, You are at school all day, got it?328.B:We jump out of window.329.H:No, But be quiet! Shhh!330.B:We jump out of window.331.H:But you can’t say things like that on our Aunt Cass.332.Cass:Hiro,You home,sweetie?333.H:That’s right!334.Cass:I thought I heard you, Hi!335.H:Hey.Aunt Cass336.Cass:Oh, look at my little college man.Ah!I can’t wait to hear allabout it.Oh! Means its almost ready.337.H:You be quiet?338.Cass:Alright, get ready to have your face melted.We are gonna feel this things tomorrow.You know what I’m saying?Okay,sit down,tell me everything.339.H:The thing is,since I registered so late.I’ve got a lot of school stuff to catch up on.340.Cass:What was that?341.H:Mochi.Oh. That darn cat342.Cass:Oh!Just take a plate for the road.okay?Don’t work too hard. 343.H:Thanks for understanding.344.B:Hairy baby.Hairy baby.345.H:Alright, come on.346.B:I’ll carry on, I’m your personal Baymax.347.H:One foot in front of the other.348.H:This doesn’t make any sense.349.B:Tadashi350.H:What?351.B:Tadashi352.H:Tadashi’s gone353.B:When will he return?354.H:He is dead,Baymax.355.B:Tadashi was in excellent health.With a proper diet and exercise.He should have lived a long life.356.H:Yeah,he should have.But there is a fire...Now he’s gone.357.B:Tadashi is here.358.H:No, people keep saying he is not really gone.As long as who remember him.Still hurts...359.B:I seen no evidence of physical injury.360.H:It’s a different kind of hurt361.B:You are my patient, I would like to help362.H:You can’t fix this one buddy. Ah, What are you doing?363.I am downloading a database on personal lost. Database downloaded. Treatments include:contact with friends, and loved ones.I am contacting them now.364.H:No!No,don’t do that.365.B:Your friends have been contacted.366.H:Unbelieveable! Now what are your doing.367.B:Other treatments include:Compassion,and physical reassurance. 368.H:Okay,Really369.B:You will be alright.There,there.370.H:Thanks, Baymax.371.B:I am sorry about the fire.372.H:It’s okay,it was an accident. Unless.....Unless it wasn’t a ...373.H:Ah!The showcase,the guy in the masked stole my microbots and set the fire to cover his tracks.He’s responsible for Tadashi.We gotta catch that guy.374.Television:it’s alive,It’s alive,It’s alive,It’s alive!375.H:I f we’re gonna catch that guy,you need some upgrades.376.B:Will apprehending the man in the masked improve your emotional state?377.H:Absolutely,Let’s work on your moves.378.B:I have some concerns.This armor may undermine my non-threatening huggable design.379.H:That’s gotta be the idea,buddy,you look sick.380.B:I can not be sick.I’m a robot.381.H:it’s just an expression.382.Data transfer complete.383.H:I fail to see how karate makes me a better health care companion. 384.H:You wanna keep me healthy, don’t you?Punch this.Yes.Hammer fist. Knife hand!Back kick!Gummy Bears!385.H:Yeah,fist bump!386.B:Fist bump is not in my fighting database.387.H:No, this isn’t a fighting thing.It’s what people do sometimes when they are excited or pumped up.Hey now you’re getting it.388.H:I will add fist bump to my care giving matrix.389.H:Alright!Let’s go get that e on.get him Baymax.390.H:We’re too late391.B:Your tiny robot is trying to go somewhere.392.H:Come on393.B:Always wait one hour after eating before swimming.394.H:Come on!395.B: Your heart rate has increased dramatically.396.H:Okay,Baymax.Time to use those upgrades.397.L:Hiro?398.H:No!No,get out of here! Go!399.W:What are you doing out here.400.H:Nothing!Just stop for a walk.Helps my pubescent mood swings 401.W:Is that Baymax?402.H:Yeah,but you really...403.G:Ahh!Why is he wearing carbon fiber under pants?404.B:I also know Karate.405.H:You guys need to go.406.L:No,don’t push us away,Hiro.We’re here for you.That’s why Baymax contacted us.407.B:Those who suffer a lose, requires support from friends and loved ones.408.H:Who would like to share their feelings first?409.F:Oh!I’ll go! Okay!My name is Fred,and it has been 30 days since... Holy Mother of Megazod! Am I the only one seeing this?410.W:Aaahhh,My gosh! Oh no!411.H:Go! Baymax,get him!412.H:No!no!no, what are you doing.413.G:I am saving your life.414.H:Baymax can handle that guy.415.B:Oh!no!416.G:Wasabi417.W:Goodbye!418.G:Hiro,explanation now!419.H:He stole my microbots,he started the fire.I don’t know who he is! Baymax,palm hill strike!420.G:Hard left!421.F:That Mask,black suit...We are under attack from a super villain people!I mean,how cool is that?I mean it’s scary obviously,but how cool? 422.G:Why are we stopped?423.W:The lights red.424.G:There are no red lights in a car chase!425.W:Why is he trying to kill us?426.W:Why are you trying to kill us?427.F:it’s classic villain, we’ve seen too much!428.L:Let’s not jump t conclusions,We don’t know he is trying kill us. 429.L:Car,he is trying to kill us!430.G:Did you just put your blinker on?431.W:You have to indicate your turn,it’s the law!432.G:That’s it!433.H:Stop the car!Baymax and I can take this guy!434.B:Seat belts save lives.Buckle up everytime.435.W:Whoa!Wha,what are you doing?436.L:I think we lose him.437.W:Watch out438.G:Baymax hold on!439.W:We are not gonna make it!440.G:We are gonna make it!441.W:We are not gonna make it!442.G:We are gonna make it!443.W:We are not gonna make it!444.G:We are gonna make it!445.L:We made it!Yes~!446.L:I told you we’re gonna make it.447.B:Your injuries require my attention and your body temperatures are low448.H:We should get out of here449.F:I know a place.450.G:Where are we?451.H:Fred?Where are you going?452.F:Oh,welcome to the MiCasa.It’s French for “Front door”.453.G:It’s really not.Listen,nitwit!A lunatic in a mask just tried to kill us.I’m not in the mood,fred!454.Servant:Welcome home,Mr.Frederick.455.F:Heathcliff,My man!Come on in guys.We’ll safe in here.Give me some.456.G:Freddie?This is your house?I thought you lived under a bridge. 457.F:Well,technically it belongs to my parents.They are on a vacay in a family island.We should totally go sometime.For all luck!458.L:You gotta be kidding me.459.W:If I wasn’t just attacked by a guy in a kabuki mask.I think this would be the w eirdest thing I’ve seen today.My brain hates my eyes for saying this.460.B:Your body temperature is still low.461.H:Oh!Yeah,Hh462.F:Ahh!It’s like spooning a warm marshmallow.463.L:Oh!It’s so nice! Ah yeah!464.W:Ah!It’s toasted.465.G:Ahh!Good robot.466.H:Does that symbol mean anything to you guys?467.F:Yes ,It’s a bird!468.H:No!The guy in the mask was carrying something with this symbol on it.469.B:Apprehending the man in the mask will improve Hiro’s emotional state470.G:Apprehend him?We don’t event know who he is!471.F:I have a theory.472.W:Dr.Slaughter,MD?473.F:Actually, millionaire weapons designer, Malcolm Chastletick. 474.H:The annihilator.475.F:Behind the mask,industrialists.Reed Exworthy.476.G:Baron von De-Struck? Oh,just get to the point!477.F:Don’t you guys get it?The man in the masked who attacked us,Is none other than....V oila!Alastair Krei.478.H:What?479.F:Think about it,Krei wanted your microbots and you said no.Rules don’t apply to a man like Krei.480.H:There’s n way! The guy’s too high profile.481.L:Then who was that guy in the mask?482.H:I don’t know,we don’t kno w anything about him.483.B:His blood type is AB negative.Cholesterol levels are..484.H:Baymax,you scanned him?485.B:I am programmed to assess everyone’s health care needs.486.H:Yes.I can use the data from your scan to find him.487.G:Uh,you’d have to scan everyone in San Fransokyo...and that might take,I don’t know forever?488.H:No!No...No,I just have to look for another angle.Got it! I’ll scan the whole city at the same time.I just have to upgrade Baymax’s sensor.Actually,if we’re gonna catch this guy,I need to upgrade all o f you. 489.W:Upgrade who now?490.B:Those who suffer a lose,requires support from friends and loved ones.491.F:Oh wohhooh!Okay! I like where this is heading.492.W:We can’t go aginst that guy!We’re nerds!493.L:Hiro,We want to help,But we’re just us.494.H:No!You can be way more.495.G:Tadashi Hamada is our best friend.We’re in.496.F:Can you feel it?Do you guys can feel these?Our origin story begins. We are gonna be Superhero.497.H:Arms up!The neurotransmitters must be in his mask.We498.499.500.501.G: 502.。

《乡谣情缘》里能搜到的所有歌的歌词

《乡谣情缘》里能搜到的所有歌的歌词
Flyin high and fallin down
Well the time has come at last
To rest my heart and ease my past
I'm gonna leave these blues behind
For some other fool to find
Whisper the sweetest words 说著温柔甜蜜的耳语
And if you're ever sad 如果你的过去充满伤悲
I'll make you laugh 我会让你再次开心的笑
I'll chase the hurt 我会为你驱逐伤悲
(Hedlund&Meester)
But you locked me out of your mind.
Left me standin here behind.
Silver wings
Shine in the sunlight.
Roaring engines
Heading somewhere in flight.
But you know its grace
It can happen so fast
Or a little bit late
Timing is everything
You know I've had close calls
Are the words I couldnt say
Theres a rain that will never stop fallin
There a wall that I tried to take down

领先商务英语阅读

领先商务英语阅读

领先商务英语阅读1. In today's competitive business environment, staying ahead of the curve is essential.在当今竞争激烈的商业环境中,保持领先地位至关重要。

2. Our company is committed to delivering innovative solutions that drive business growth.我们公司致力于提供推动业务增长的创新解决方案。

3. Effective communication is the key to success in the business world.有效的沟通是在商业世界取得成功的关键。

4. We pride ourselves on providing exceptional customer service and support.我们以提供卓越的客户服务和支持为傲。

5. To stay competitive, companies must constantly adapt and evolve.为了保持竞争力,公司必须不断适应和发展。

6. Our team of experts has extensive industry knowledge and experience.我们的专家团队拥有广泛的行业知识和经验。

7. We are dedicated to building long-term relationships with our clients.我们致力于与客户建立长期关系。

8. In business, timing is everything.在商业中,时机就是一切。

9. Our goal is to exceed our clients' expectations and deliver outstanding results.我们的目标是超越客户的期望,提供卓越的结果。

2024届福建省部分地市高中毕业班第一次质检英语试题及答案

2024届福建省部分地市高中毕业班第一次质检英语试题及答案

2024.福建省部分地市2024届高中毕业班第一次质量检测英语试题1注意事项:1.答卷前,考生务必将自己的姓名、准考证号填写在答题卡上。

2.回答选择题时,选出每小题答案后,用铅笔把答题卡上对应题目的答案标号涂黑。

如需改动,用橡皮擦干净后,再选涂其他答案标号。

回答非选择题时,将答案写在答题卡上。

写在本试卷上无效。

3.考试结束后,将本试卷和答题卡一并交回。

第一部分听力(共两节,满分30分)做题时,先将答案标在试卷上。

录音内容结束后,你将有两分钟的时间将试卷上的答案转涂到答题卡上。

第一节(共5小题;每小题1.5分,满分7.5分)听下面5段对话。

每段对话后有一个小题,从题中所给的A 、B 、C 三个选项中选出最佳选项。

听完每段对话后,你都有10秒钟的时间来回答有关小题和阅读下一小题。

每段对话仅读一遍。

例:How much is the shirt?A.£19.15.B.£9.18.C.£9.15.答案是C 。

1.What was the final score?A.3:2.B.3:3.C.3:4.2.Why does the man make the call?A.To change an appointment.B.To ask about work.C.To arrange a trip.3.What does the woman think of the science test?A.Demanding.B.Unexpected.C.Easy.4.Where are the speakers?A.At an airport.B.In a hotel.C.In a department store.5.What are the speakers discussing?A.A fish.B.A dish.C.A roommate.第二节(共15小题;每小题1.5分,满分22.5分)听下面5段对话或独白。

红酒酿造流程英文

红酒酿造流程英文

IntroductionThe production of high-quality red wine is an intricate dance between artistry, science, and nature, involving a meticulous series of steps that transform humble grapes into complex, nuanced libations. This comprehensive guide delves deep into the red wine production process, elucidating each stage from vineyard management and grape harvesting to fermentation, aging, and bottling. By examining these stages in detail, we gain insight into the rigorous standards and precision required to craft exceptional wines that captivate both the palate and the soul.1. Vineyard Management: The Foundation of QualityThe journey of fine red wine begins long before the grapes are plucked from their vines. Vineyard management is the cornerstone of quality, dictating the health, character, and ultimate potential of the fruit.a) Site Selection and Soil Analysis: Optimal terroir, a French term encompassing soil, climate, and topography, is crucial for cultivating premium grapes. Winemakers carefully select sites with well-draining soils rich in minerals, adequate sun exposure, and suitable microclimates to nurture specific grape varieties. Regular soil analysis ensures proper nutrient balance and pH levels, enabling vines to thrive.b) Vine Training and Pruning: The trellising system, pruning techniques, and canopy management practices employed influence grapevine growth, yield, and fruit quality. Vertical Shoot Positioning (VSP), for instance, encourages optimal sunlight penetration and air circulation, reducing disease pressure and promoting even ripening. Pruning, typically conducted during winter dormancy, controls yields by limiting the number of buds per vine, concentrating flavors and aromas in the remaining grapes.c) Irrigation and Fertilization: While many premium wine regions advocate dry farming to enhance grape intensity, judicious irrigation may be necessary in drier climates or during drought years. Organic or biodynamic fertilizers may be applied to replenish soil nutrients, maintaining vine health withoutcompromising wine purity.2. Grape Harvest: Timing is EverythingThe decision to harvest is one of the most critical junctures in winemaking, as it determines the final wine's sugar content, acidity, and phenolic maturity.a) Berry Sampling and Testing: Winemakers and viticulturists regularly sample grapes, measuring sugar (Brix), acid (TA and pH), and tasting for flavor development. The ideal harvest window balances sugar levels for desired alcohol content, sufficient acidity for structure and freshness, and ripe tannins and anthocyanins for color, mouthfeel, and longevity.b) Harvest Method: Depending on the winery's philosophy and the vintage conditions, grapes may be harvested by hand or machine. Hand-picking allows for selective picking, ensuring only the best clusters reach the winery, while mechanical harvesting can be more efficient and cost-effective, particularly for large-scale operations.3. Vinification: Transforming Grapes into WineOnce harvested, grapes undergo a series of transformative processes to extract color, flavor, and tannins, ultimately yielding the finished wine.a) Crushing and Destemming: Grapes are gently crushed to release juice and partially broken skins, which contain valuable color pigments and tannins. Simultaneously, destemming removes stems to prevent bitter tannins from entering the must. Some winemakers may opt for whole-cluster fermentation, incorporating intact stems for added complexity and structure.b) Maceration and Fermentation: Crushed grapes (must) are transferred to fermentation vessels, where they undergo alcoholic fermentation. Yeast converts sugars into alcohol and carbon dioxide, generating heat and releasing aromatic compounds. During this period, the must is periodically punched down or pumped over to ensure skin contact, extracting color, tannins, and flavor compounds. Temperature control is crucial, as excessive heat can lead to loss of delicate aromas and flavors.c) Pressing and Malolactic Fermentation: Once primary fermentationconcludes, the wine is pressed to separate the liquid (free-run wine) from the solids (skins, seeds, and stems). The press wine, containing higher tannins, may be blended with free-run wine to achieve the desired style. Many red wines then undergo malolactic fermentation, a secondary bacterial fermentation that converts harsh malic acid into softer lactic acid, contributing to wine's texture and stability.4. Aging and Maturation: Enhancing Complexity and HarmonyThe aging process is instrumental in refining a young wine's character, integrating its components, and developing tertiary aromas and flavors.a) Barrel Aging: Many premium red wines are aged in oak barrels, which contribute vanilla, spice, and toast notes, as well as subtle oxygenation that softens tannins and enhances complexity. The choice of oak origin (French, American, Hungarian, etc.), toast level, and barrel size (barrique, puncheon, or larger formats) significantly impacts the wine's profile. Periodic racking, or transferring wine from one barrel to another, helps clarify the wine and prevent spoilage.b) Stainless Steel or Concrete Aging: Some winemakers prefer to age their wines in inert containers like stainless steel tanks or concrete eggs to preserve the purity of fruit flavors and minimize oak influence. These vessels can also offer temperature control and micro-oxygenation benefits.c) Blending and Assemblage: Prior to bottling, winemakers may blend different grape varieties, vineyard blocks, or batches fermented and aged separately to achieve the desired style, balance, and consistency. This artful process involves numerous tastings and adjustments to create a harmonious final product.5. Fining, Filtration, and Bottling: Ensuring Stability and ClarityThe final stages of red wine production focus on stabilizing the wine and preparing it for bottling.a) Fining and Clarification: Fining agents such as egg whites, bentonite clay, or activated charcoal may be used to remove excess tannins, proteins, andother suspended particles, resulting in a clearer, more stable wine. Alternatively, cold stabilization can precipitate tartrate crystals, preventing unsightly sediment in the bottle.b) Filtration: Depending on the desired level of clarity and the wine's natural stability, it may be filtered using various methods ranging from coarse filtration to sterile filtration. However, some producers advocate against filtration, believing it can strip wine of its character and complexity.c) Bottling: Once the wine is deemed ready, it is bottled under carefully controlled conditions to minimize oxygen exposure and prevent contamination. Corks or alternative closures are chosen based on their oxygen transmission rates, compatibility with the wine, and environmental impact. Finally, the bottles are labeled, sealed, and stored for further maturation or immediate release.ConclusionThe production of high-quality red wine is a multifaceted, exacting endeavor that combines centuries-old traditions with cutting-edge technology. From the meticulous cultivation of grapes in the vineyard to the artful blending and careful bottling, every step is guided by a relentless pursuit of excellence. This comprehensive overview underscores the dedication, skill, and passion required to craft exceptional wines that not only satisfy but inspire, reflecting the unique terroir, vintage nuances, and the winemaker's vision. Ultimately, it is this unwavering commitment to quality that distinguishes fine red wines, making them a testament to the profound synergy between nature, craftsmanship, and time.。

SIGNAL INTEGRITY(信号完整性) 外文翻译

SIGNAL INTEGRITY(信号完整性) 外文翻译

SIGNAL INTEGRITYRaymond Y. Chen, Sigrid, Inc., Santa Clara, CaliforniaIntroductionIn the realm of high-speed digital design, signal integrity has become a critical issue, and is posing increasing challenges to the design engineers. Many signal integrity problems are electromagnetic phenomena in nature and hence related to the EMI/EMC discussions in the previous sections of this book. In this chapter, we will discuss what the typical signal integrity problems are, where they come from, why it is important to understand them and how we can analyze and solve these issues. Several software tools available at present for signal integrity analysis and current trends in this area will also be introduced.The term Signal Integrity (SI) addresses two concerns in the electrical design aspects – the timing and the quality of the signal. Does the signal reach its destination when it is supposed to? And also, when it gets there, is it in good condition? The goal of signal integrity analysis is to ensure reliable high-speed data transmission. In a digital system, a signal is transmitted from one component to another in the form of logic 1 or 0, which is actually at certain reference voltage levels. At the input gate of a receiver, voltage above the reference value Vih is considered as logic high, while voltage below the reference value Vil is considered as logic low. Figure 14-1 shows the ideal voltage waveform in the perfect logic world, whereas Figure 14-2 shows how signal will look like in a real system. More complex data, composed of a string of bit 1 and 0s, are actually continuous voltage waveforms. The receiving component needs to sample the waveform in order to obtain the binary encoded information. The data sampling process is usually triggered by the rising edge or the falling edge of a clock signal as shown in the Figure 14-3. It is clear from the diagram that the data must arrive at the receiving gate on time and settle down to a non-ambiguous logic state when the receiving component starts to latch in. Any delay of the data or distortion of the data waveform will result in a failure of the data transmission. Imagine if the signal waveform in Figure 14-2 exhibits excessive ringing into the logic gray zone while the sampling occurs, then the logic level cannot be reliably detected.SI ProblemsTypical SI Problems“Timing” is everything in a high-speed system. Signal timing depends on the delay caused by the physical length that the signal must propagate. It also depends on the shape of the waveform when the threshold is reached. Signal waveform distortions can be caused by different mechanisms. But there are three mostly concerned noise problems:•Reflection Noise Due to impedance mismatch, stubs, visa and other interconnect discontinuities. •Crosstalk Noise Due to electromagnetic coupling between signal traces and visa.•Power/Ground Noise Due to parasitic of the power/ground delivery system during drivers’ simultaneous switching output (SSO). It is sometimes also called Ground Bounce, Delta-I Noise or Simultaneous Switching Noise (SSN).Besides these three kinds of SI problems, there is other Electromagnetic Compatibility or Electromagnetic Interference (EMC/EMI) problems that may contribute to the signal waveform distortions. When SI problems happen and the system noise margin requirements are not satisfied – the input to a switching receiver makes an inflection below Vih minimum or above Vil maximum; the input to a quiet receiver rises above Vil maximum or falls below Vih minimum; power/ground voltage fluctuations disturb the data in the latch, then logic error, data drop, false switching, or even system failure may occur. These types of noise faults are extremely difficult to diagnose and solve after the system is built or prototyped. Understanding and solving these problems before they occur will eliminate having to deal with them further into the project cycle,and will in turn cut down the development cycle and reduce the cost[1]. In the later part of thischapter, we will have further investigations on the physical behavior of these noise phenomena, their causes, their electrical models for analysis and simulation, and the ways to avoid them.1. Where SI Problems HappenSince the signals travel through all kinds of interconnections inside a system, any electrical impact happening at the source end, along the path, or at the receiving end, will have great effects on the signal timing and quality. In a typical digital system environment, signals originating from the off-chip drivers on the die (the chip) go through c4 or wire-bond connections to the chip package. The chip package could be single chip carrier or multi-chip module (MCM). Through the solder bumps of the chip package, signals go to the Printed Circuit Board (PCB) level. At this level, typical packaging structures include daughter card, motherboard or backplane. Then signals continue to go to another system component, such as an ASIC (Application Specific Integrated Circuit) chip, a memory module or a termination block. The chip packages, printed circuit boards, as well as the cables and connecters, form the so-called different levels of electronic packaging systems, as illustrated in Figure 14-4. In each level of the packaging structure, there are typical interconnects, such as metal traces, visa, and power/ground planes, which form electrical paths to conduct the signals. It is the packaging interconnection that ultimately influences the signal integrity of a system.2. SI In Electronic PackagingTechnology trends toward higher speed and higher density devices have pushed the package performance to its limits. The clock rate of present personal computers is approaching gigahertz range. As signal rise-time becomes less than 200ps, the significant frequency content of digital signals extends up to at least 10 GHz. This necessitates the fabrication of interconnects and packages to be capable of supporting very fast varying and broadband signals without degrading signal integrity to unacceptable levels. While the chip design and fabrication technology have undergone a tremendous evolution: gate lengths, having scaled from 50 µm in the 1960s to 0.18 µm today, are projected to reach 0.1 µm in the next few years; on-chip clock frequency is doubling every 18 months; and the intrinsic delay of the gate is decreasing exponentially with time to a few tens of Pico-seconds. However, the package design has lagged considerably. With current technology, the package interconnection delay dominates the system timing budget and becomes the bottleneck of the high-speed system design. It is generally accepted today that package performance is one of the major limiting factors of the overall system performance.Advances in high performance sub-micron microprocessors, the arrival of gigabit networks, and the need for broadband Internet access, necessitate the development of high performance packaging structures for reliable high-speed data transmission inside every electronics system.Signal integrity is one of the most important factors to be considered when designing these packages (chip carriers and PCBs) and integrating these packages together.3、SI Analysis3.1. SI Analysis in the Design FlowSignal integrity is not a new phenomenon and it did not always matter in the early days of the digital era. But with the explosion of the information technology and the arrival of Internet age, people need to be connected all the time through various high-speed digital communication/computing systems. In this enormous market, signal integrity analysis will play a more and more critical role to guarantee the reliable system operation of these electronics products. Without pre-layout SI guidelines, prototypes may never leave the bench; without post-layout SI verifications, products may fail in the field. Figure 14-5 shows the role of SI analysis in the high-speed design process. From this chart, we will notice that SI analysis is applied throughout the design flow and tightly integrated into each design stage. It is also very common to categorize SI analysis into two main stages: reroute analysis and post route analysis.In the reroute stage, SI analysis can be used to select technology for I/Os, clock distributions, chip package types, component types, board stickups, pin assignments, net topologies, and termination strategies. With various design parameters considered, batch SI simulations on different corner cases will progressively formulate a set of optimized guidelines for physical designs of later stage. SI analysis at this stage is also called constraint driven SI design because the guidelines developed will be used as constraints for component placement and routing. The objective of constraint driven SI design at the reroute stage is to ensure that the signal integrity of the physical layout, which follows the placement/routing constraints for noise and timing budget, will not exceed the maximum allowable noise levels. Comprehensive and in-depth reroute SI analysis will cut down the redesign efforts and place/route iterations, and eventually reduce design cycle.With an initial physical layout, post route SI analysis verifies the correctness of the SI design guidelines and constraints. It checks SI violations in the current design, such as reflection noise, ringing, crosstalk and ground bounce. It may also uncover SI problems that are overlooked in the reroute stage, because post route analysis works with physical layout data rather than estimated data or models, therefore it should produce more accurate simulation results.When SI analysis is thoroughly implemented throughout the whole design process, a reliable high performance system can be achieved with fast turn-around.In the past, physical designs generated by layout engineers were merely mechanical drawings when very little or no signal integrity issues were concerned. While the trend of higher-speed electronics system design continues, system engineers, responsible for developing a hardware system, are getting involved in SI and most likely employ design guidelines and routing constraints from signal integrity perspectives. Often, they simply do not know the answers to some of the SI problems because most of their knowledge is from the engineers doing previous generations of products. To face this challenge, nowadays, a design team (see Figure 14-6) needs to have SI engineers who are specialized in working in this emerging technology field. When a new technology is under consideration, such as a new device family or a new fabrication process for chip packages or boards, SI engineers will carry out the electrical characterization of the technology from SI perspectives, and develop layout guideline by running SI modeling and simulation software [2]. These SI tools must be accurate enough to model individual interconnections such as visa, traces, and plane stickups. And they also must be very efficient so what-if analysis with alternative driver/load models and termination schemes can be easily performed. In the end, SI engineers will determine a set of design rules and pass them to the design engineers and layout engineers. Then, the design engineers, who are responsible for the overall system design, need to ensure the design rules are successfully employed. They may run some SI simulations on a few critical nets once the board is initially placed and routed. And they may run post-layout verifications as well. The SI analysis they carry out involves many nets. Therefore, the simulation must be fast, though it may not require the kind of accuracy that SI engineers are looking for. Once the layout engineers get the placement and routing rules specified in SI terms, they need to generate an optimized physical design based on these constraints. And they will provide the report on any SI violations in a routed system using SI tools. If any violations are spotted, layout engineers will work closely with design engineers and SI engineers to solve these possible SI problems.3.2.Principles of SI AnalysisA digital system can be examined at three levels of abstraction: logic, circuit theory, and electromagnetic (EM) fields. The logic level, which is the highest level of those three, is where SI problems can be easily identified. EM fields, located at the lowest level of abstraction, comprise the foundation that the other levels are built upon [3]. Most of the SI problems are EM problems in nature, such as the cases of reflection, crosstalk and ground bounce. Therefore, understanding the physical behavior of SI problems from EM perspective will be very helpful. For instance, in the following multi-layer packaging structure shown in Figure 14-7, a switching current in via a will generate EM waves propagating away from that via in the radial direction between metal planes. The fields developed between metal planes will cause voltage variations between planes (voltage is the integration of the E-field). When the waves reach other visa, they will induce currents in those visa. And the induced currents in that visa will in turn generate EM waves propagating between the planes. When the waves reach the edges of the package, part of them will radiate into the air and part of them will get reflected back. When the waves bounce back and forth inside the packaging structure and superimpose to each other, resonance will occur. Wave propagation, reflection, coupling and resonance are the typical EM phenomena happening inside a packaging structure during signal transients. Even though EM full wave analysis is much more accurate than the circuit analysis in the modeling of packaging structures, currently, common approaches of interconnect modeling are based on circuit theory, and SI analysis is carried out with circuit simulators. This is because field analysis usually requires much more complicated algorithms and much larger computing resources than circuit analysis, and circuit analysis provides good SI solutions at low frequency as an electrostatic approximation.Typical circuit simulators, such as different flavors of SPICE, employ nodal analysis and solve voltages and currents in lumped circuit elements like resistors, capacitors and inductors. In SI analysis, an interconnect sometimes will be modeled as a lumped circuit element. For instance, a piece of trace on the printed circuit board can be simply modeled as a resistor for its finite conductivity. With this lumped circuit model, the voltages along both ends of the trace are assumed to change instantaneously and the travel time for the signal to propagate between the two ends is neglected. However, if the signal propagation time along the trace has to be considered, a distributed circuit model, such as a cascaded R-L-C network, will be adopted to model the trace. To determine whether the distributed circuit model is necessary, the rule of thumb is – if the signal rise time is comparable to the round-trip propagation time, you need to consider using the distributed circuit model.For example, a 3cm long stripling trace in a FR-4 material based printed circuit board will exhibits 200ps propagation delay. For a 33 MHz system, assuming the signal rise time to be 5ns, the trace delay may be safely ignored; however, with a system of 500 MHz and 300ps rise time, the 200ps propagation delay on the trace becomes important and a distributed circuit model has to be used to model the trace. Through this example, it is easy to see that in the high-speed design, with ever-decreasing signal rise time, distributed circuit model must be used in SI analysis.Here is another example. Considering a pair of solid power and ground planes in a printed circuit board with the dimension of 15cm by 15cm, it is very natural to think the planes acting as a large, perfect, lumped capacitor, from the circuit theory point of view. The capacitor model C= erA/d, an electro-static solution, assumes anywhere on the plane the voltages are the same and all the charges stored are available instantaneously anywhere along the plane. This is true at DC and low frequency. However, when the logics switch with a rise time of 300ps, drawing a large amount of transient currents from the power/ground planes, they perceive the power/ground structure as a two-dimensional distributed network with significant delays. Only some portion of the plane charges located within a small radius of the switching logics will be able to supply the demand. And voltages between the power/ground planes will have variations at different locations. In this case, an ideal lumped capacitor model is obviously not going to account for the propagation effects. Two-dimensional distributed R-L-C circuit networks must be used to model the power/ground pair.In summary, as the current high-speed design trend continues, fast rise time reveals the distributed nature of package interconnects. Distributed circuit models need to be adopted to simulate the propagation delay in SI analysis. However, at higher frequencies, even the distributed circuit modeling techniques are not good enough, full wave electromagnetic field analysis based on solving Maxwell’s equations must come to play. As presen ted in later discussions, a trace will not be modeled as a lumped resistor, or a R-L-C ladder; it will be analyzed based upon transmission line theory; and a power/ground plane pair will be treated as a parallel-plate wave guide using radial transmission line theory.Transmission line theory is one of the most useful concepts in today’s SI analysis. And it is a basic topic in many introductory EM textbooks. For more information on the selective reading materials, please refer to the Resource Center in Chapter 16.In the above discussion, it can be noticed that signal rise time is a very important quantity in SI issues. So a little more expanded discussion on rise time will be given in the next section.信号完整性介绍在高速数字设计领域,信号完整性已经成为一个严重的问题,是造成越来越多的挑战的设计工程师。

制造幽默感英语作文

制造幽默感英语作文Title: Unleashing the Power of Humor: A Guide to Crafting Hilarious Essays。

Humor, often hailed as the spice of life, has a unique ability to captivate audiences and infuse joy into mundane situations. Crafting a humorous essay in English demands a delicate balance of wit, timing, and creativity. In this guide, we will explore various techniques to harness the power of humor and create compelling compositions that leave readers grinning from ear to ear.1. Understanding Your Audience:Humor is subjective, varying from person to person and culture to culture. Before embarking on your comedic journey, it's crucial to understand your target audience's preferences and sensibilities. Tailoring your humor to resonate with your readers ensures maximum impact and engagement.2. Embrace the Absurd:One effective technique for eliciting laughter is embracing the absurdity of everyday life. Take ordinary situations and exaggerate them to absurd proportions, highlighting their inherent silliness. For example, imagine a world where socks have a secret society plotting against mismatched pairs or where pigeons attend prestigious universities to study human behavior. By injecting absurdity into your narrative, you invite readers into a whimsical world where anything is possible.3. Pun-tastic Wordplay:Wordplay, particularly puns, is a staple of comedic writing. Playing with language and exploiting double meanings can yield hilarious results. Whether it's a clever pun, a witty one-liner, or a well-timed quip, incorporating wordplay adds depth and charm to your essay. Just be sure not to overdo it, as too many puns can leave readers groaning instead of laughing.4. Observational Comedy:Observational comedy thrives on keen observations of everyday life. Pay attention to the quirks and idiosyncrasies of human behavior, societal norms, and pop culture phenomena. From the peculiarities of online shopping to the absurdity of celebrity gossip, there's no shortage of material to mine for comedic gold. By presenting familiar situations in a fresh and humorous light, you invite readers to see the world through your comedic lens.5. The Power of Irony and Satire:Irony and satire are potent tools for social commentary disguised as humor. By juxtaposing expectations withreality or highlighting the absurdities of society, you can deliver biting commentary with a comedic twist. Whetherit's poking fun at political figures, mocking societal norms, or lampooning cultural trends, irony and satire add layers of depth to your humor while sparking criticalthinking in your audience.6. Timing is Everything:In comedy, timing is paramount. Knowing when to deliver the punchline, when to pause for effect, and when to build anticipation can make or break a joke. Mastering the art of timing requires practice and intuition, but with experience, you'll learn to gauge the rhythm of your writing anddeliver laughs with precision.7. Embrace Self-Deprecation:Self-deprecating humor, when used sparingly and tastefully, can endear you to your audience. By poking funat your own flaws, mishaps, and insecurities, you demonstrate humility and relatability. However, it's essential to strike a balance between self-deprecation and self-respect, ensuring that your humor remains light-hearted and uplifting rather than self-destructive.8. Revise and Refine:Crafting a hilarious essay is a process of trial and error. Don't be afraid to experiment with different comedic styles, structures, and tones until you find what works best for you. Once you've drafted your essay, take the time to revise and refine your jokes, ensuring they land with maximum impact. Solicit feedback from friends, family, or peers to gauge the effectiveness of your humor and make any necessary adjustments.In conclusion, mastering the art of humor in English writing requires creativity, sensitivity to your audience, and a willingness to think outside the box. By embracing the absurd, playing with language, keenly observing the world around you, and mastering the nuances of timing, you can craft essays that entertain, enlighten, and leave a lasting impression on your readers. So, embrace your comedic instincts, unleash your wit, and let the laughter flow!。

时机总是不对 英语作文

时机总是不对英语作文Title: Timing Is Everything。

In life, timing plays a crucial role in determining our success, happiness, and fulfillment. It often seems that the right opportunity never arrives at the right moment, leaving us feeling frustrated and disheartened. However, it is essential to understand that timing is not always within our control, and learning to navigate its intricacies can lead to growth and resilience.Firstly, it's important to acknowledge that timing encompasses various aspects of our lives, including career advancement, relationships, and personal goals. In the realm of career development, individuals may find themselves awaiting the perfect moment to pursue a promotion or switch careers. However, external factors such as market conditions, organizational changes, or personal circumstances can disrupt these plans, making it challenging to seize the opportune moment.Similarly, in matters of the heart, timing can be a decisive factor in the success or failure of relationships. Meeting the right person at the wrong time or vice versa is a common experience shared by many. Circumstances such as geographical distance, emotional readiness, or conflicting life goals can hinder the development of a romantic connection, regardless of the mutual feelings involved.Moreover, personal aspirations and endeavors are often subject to the whims of timing. Whether it's embarking on a creative project, pursuing further education, or making significant life decisions, the alignment of external factors and internal readiness is crucial. Yet, it's not uncommon for individuals to encounter setbacks or delays along the way, leading to frustration and doubt about their capabilities.However, despite the challenges posed by unfavorable timing, there are strategies that individuals can employ to navigate through such situations effectively.One approach is to cultivate patience and resilience. Recognizing that timing is beyond our immediate control can alleviate feelings of frustration and helplessness. Instead of fixating on the notion of the "perfect moment," focus on incremental progress and continuous self-improvement. Embracing setbacks as opportunities for learning and growth can foster resilience and adaptability in the face of adversity.Additionally, maintaining a proactive mindset can create opportunities for serendipity and fortuitous encounters. By actively seeking out new experiences, expanding your network, and staying open to unexpected possibilities, you increase the likelihood of stumbling upon favorable circumstances. While you may not be able to control the timing of opportunities, you can certainly position yourself to capitalize on them when they arise.Furthermore, practicing self-reflection and introspection can provide valuable insights into your own aspirations, values, and priorities. By gaining clarity on what truly matters to you, you can make more informeddecisions about when to pursue certain goals or when to exercise patience and wait for the right moment. Trusting your instincts and intuition can guide you towards paths that resonate with your authentic self, regardless of external pressures or societal expectations.In conclusion, while it may often feel like the timing is never right, it's essential to adopt a perspective that embraces uncertainty and volatility. By cultivating patience, resilience, and proactive engagement with the world around us, we can navigate through life's uncertainties with grace and determination. Remember, timing is not always within our control, but our response to it certainly is.。

和运动相关的英文谚语

和运动相关的英文谚语Sports-Related English Proverbs.Sports have played an integral role in human culturefor centuries, shaping our language and inspiring countless proverbs and sayings. These expressions not only capture the essence of athletic competition but also offer valuable life lessons that resonate far beyond the playing field. Here's a collection of sports-related English proverbs that have stood the test of time:1. No pain, no gain.This enduring adage emphasizes the inextricable link between effort and reward. In any endeavor, whether physical, mental, or creative, progress often requires overcoming challenges and enduring discomfort. The proverb reminds us that true success is rarely achieved without sacrifice and perseverance.2. Practice makes perfect.Repetition is the cornerstone of mastery. This proverb acknowledges the transformative power of consistentpractice in honing skills and improving performance. Whether it's a musical instrument, a sport, or a craft, the act of repetition strengthens neural pathways and develops muscle memory, leading to increased proficiency and confidence.3. A sound mind in a sound body.Borrowed from the writings of the Roman poet Juvenal, this proverb underscores the interconnectedness of physical and mental health. A healthy body provides the foundationfor a clear and agile mind, enabling us to think creatively, make sound decisions, and maintain emotional well-being. Conversely, a healthy mind promotes physical activity and a balanced lifestyle.4. Teamwork makes the dream work.In the realm of sports and beyond, collaboration is essential for achieving extraordinary results. This proverb celebrates the power of working together, leveraging diverse strengths and perspectives to overcome obstacles and accomplish shared goals. It emphasizes the importance of communication, coordination, and mutual support in any group endeavor.5. The early bird catches the worm.This familiar saying extols the virtues of punctuality, diligence, and seizing opportunities. By being proactive and starting the day early, one positions themselves to make the most of the day and take advantage of potential benefits. In a competitive world, timing is often everything.6. There's no 'I' in team.This playful yet profound expression reminds us of the importance of subordinating individual egos for the sake of the collective. In team sports and other collaborativeendeavors, success depends on putting the team's objectives ahead of personal ambitions. It encourages selflessness, cooperation, and a shared sense of purpose.7. If you can't stand the heat, get out of the kitchen.Originating from the world of culinary arts, this proverb has been widely adopted in other spheres of life.It advises us to face challenges head-on rather than avoiding them. If a task or situation becomes too daunting, it may be better to step away and reassess our capabilities.8. You can't judge a book by its cover.This adage cautions us against making quick judgments based on superficial appearances. In sports, it reminds us that the outcome of a game is not always determined by the physical attributes or past performances of the competitors. It encourages us to look beyond the obvious and considerall factors before making assessments.9. Slow and steady wins the race.This proverb emphasizes the importance of patience, persistence, and consistent effort over short-term burstsof speed or intensity. It teaches us that true success is often achieved gradually, through a steady and unwavering approach rather than reckless haste or impulsive actions.10. The ball is in your court.Borrowed from the game of tennis, this expression is used to indicate that the next move or decision is up to a particular person or group. It conveys a sense of responsibility and ownership, encouraging us to take proactive steps and make informed choices that will shape the outcome of a situation.These sports-related proverbs offer timeless wisdom and valuable life lessons that transcend the playing field.They remind us of the importance of effort, practice, teamwork, punctuality, selflessness, perseverance, patience, and thoughtful decision-making. By embracing the spirit ofthese proverbs, we can strive for excellence in all aspects of our lives, both on and off the court.。

关于泡茶的英语作文,要求有泡茶步骤

关于泡茶的英语作文,要求有泡茶步骤全文共3篇示例,供读者参考篇1The Art of Brewing the Perfect Cup of TeaTea has always been an integral part of my life. From a very young age, I can vividly recall the aroma of freshly brewed tea wafting through our home, beckoning me to the kitchen. It was a ritual, a time-honored tradition that brought my family together, allowing us to savor the moment and appreciate the simple pleasures in life.As a student, the art of tea brewing has become even more significant, serving as a much-needed respite from the demands of academic life. Amidst the chaos of assignments, exams, and extracurricular activities, the act of preparing a cup of tea offers a sense of calm and tranquility – a moment to pause, reflect, and rejuvenate.Through my experiences and observations, I have come to understand that brewing the perfect cup of tea is a delicate balance of science and artistry. It is a process that demandspatience, attention to detail, and a genuine appreciation for the subtleties that make each tea variety unique.The Journey Begins with the Selection of TeaThe first step in this journey is the selection of tea leaves. This decision is akin to an artist choosing their medium, as the type of tea will ultimately shape the flavor profile and overall experience. From the robust and invigorating black teas to the delicate and refreshing green teas, the options are vast and enticing.Personally, I have a particular fondness for loose-leaf teas, as they allow me to fully immerse myself in the brewing process. The act of measuring the leaves, inhaling their distinct aromas, and witnessing their unfurling dance as they steep becomes a meditative ritual in itself.The Importance of Water QualityWhile the tea leaves are undoubtedly the stars of the show, the quality of the water used cannot be overlooked. Just as a painter selects the finest paints, a tea connoisseur must choose the purest water available. Fresh, filtered water is the ideal canvas upon which the flavors of the tea will be painted.Heating the Water: A Delicate BalanceThe next step in the brewing process is to heat the water. This stage requires precision and care, as the temperature of the water can significantly impact the taste and aroma of the tea. Each tea variety has its own optimal temperature range, and deviating too far from this can result in a bitter or insipid brew.For delicate green teas, the water should be heated to around 160-170°F (70-75°C), allowing the tea leaves to gently unfurl and release their subtle flavors. Black teas, on the other hand, thrive with water temperatures ranging from 190-212°F (88-100°C), unleashing their robust and full-bodied character.The Steeping Process: Timing is EverythingOnce the water has reached the desired temperature, it is time to introduce the tea leaves. This is where the art of steeping comes into play. Like a composer orchestrating a symphony, the steeping time must be carefully monitored to achieve the perfect balance of flavors.For most teas, a general guideline is to steep for 2-5 minutes, though this can vary depending on the specific tea variety and personal preferences. During this time, the tea leaves will release their essence, infusing the water with a myriad of flavors and aromas.As the steeping progresses, I find myself captivated by the ever-changing hues and the subtle dance of the leaves within the teapot or infuser. It is a visual spectacle that adds to the overall experience, reminding me that tea is not just a beverage but a multisensory journey.The Final Touch: Enjoying the Perfect CupAfter the tea has steeped to perfection, it is time to pour and savor the fruits of your labor. This final step is akin to an artist adding the finishing touches to their masterpiece.Some teas may benefit from the addition of a slice of lemon or a touch of honey, enhancing their flavors and creating a harmonious blend. Others, like delicate white teas or first-flush Darjeelings, are best enjoyed in their purest form, allowing their nuances to shine through unadorned.As I take that first sip, I am transported to a realm of tranquility. The warmth of the tea envelops me, and the flavors dance across my palate, revealing layers of complexity that I had not previously noticed. It is in this moment that I truly appreciate the art of tea brewing, a ritual that transcends mere sustenance and becomes a celebration of life's simple pleasures.Brewing the perfect cup of tea is a journey, one that demands patience, attention to detail, and a willingness to embrace the beauty in the seemingly mundane. It is an art form that has been perfected over centuries, passed down from generation to generation, and one that continues to captivate and inspire me.As a student, the art of tea brewing has become more than just a means of caffeine consumption; it is a respite, a moment of mindfulness amidst the chaos of academic life. Each cup serves as a gentle reminder to slow down, to savor the present, and to appreciate the simple joys that life has to offer.So, whether you're a seasoned tea connoisseur or a curious newcomer, I invite you to embark on this journey with me. Embrace the art of tea brewing, and let each cup be a masterpiece, a symphony of flavors and aromas that nourish not only the body but also the soul.篇2The Art of Tea BrewingTea has been an integral part of my life since childhood. Growing up in a household where tea was revered as a sacred ritual, I learned to appreciate the nuances and complexities ofthis ancient beverage from a young age. As a student, the art of tea brewing has become a cherished practice, not only for the enjoyment of the beverage itself but also for the meditative and calming experience it provides amidst the hustle and bustle of academic life.The process of making tea is a delicate dance, a harmonious interplay of leaves, water, and heat. Each step is imbued with reverence, a testament to the centuries-old traditions that have shaped this humble yet profound ritual. As I prepare to embark on this journey, a sense of tranquility washes over me, and I find myself transported to a realm where time seems to slow down, allowing me to savor every moment.Step 1: Choosing the LeavesThe first step in this sacred ritual is the selection of the tea leaves. I take great care in curating my collection, sourcing leaves from reputable suppliers who prioritize quality and sustainability. Each variety, be it the robust and invigorating Assam or the delicate and fragrant Darjeeling, holds its own unique character, waiting to be unlocked through the art of brewing.Step 2: Preparing the VesselWith the leaves chosen, I turn my attention to the vessel in which the tea will be prepared. A well-seasoned teapot or gaiwan (a lidded cup used for brewing) is essential, as it not only retains heat but also carries the subtle aromas and flavors of countless brews past. I carefully warm the vessel, allowing it to shed any lingering chill and prepare itself for the dance to come.Step 3: Heating the WaterWater is the lifeblood of tea, and its quality and temperature play a pivotal role in the final outcome. I use filtered or spring water, free from impurities that could taint the flavor. As the water comes to a gentle boil, I carefully monitor its temperature, adjusting it to suit the specific type of tea I am brewing. Green teas, for instance, require a lower temperature to preserve their delicate flavors, while robust black teas can withstand higher temperatures.Step 4: The InfusionWith the water at the perfect temperature, I gently pour it over the awaiting leaves. The aroma that wafts through the air is a tantalizing prelude to the flavors that will soon unfold. I watch as the leaves unfurl, releasing their essence into the water, transforming it into a vibrant liquid canvas of color and fragrance.Step 5: Steeping and SavoringAs the tea steeps, I am enveloped in a sense of anticipation. The duration of the steep varies depending on the type of tea and my personal preferences. Some teas require a brief encounter with the water, while others demand a longer immersion to fully develop their complex flavors. With each passing moment, the tea gains depth and character, until the perfect balance is achieved.Step 6: The First SipFinally, the moment I have been waiting for arrives. I carefully pour the fragrant elixir into my favorite cup, savoring the warmth that radiates from its depths. The first sip is a revelation, a harmonious interplay of flavors that dances across my palate. I close my eyes, allowing the subtleties of the tea to unfold, each note resonating with my senses.As I continue to sip, the tea reveals layer upon layer of complexity. The initial burst of flavor gives way to nuanced undertones, each one a testament to the skill and care with which the leaves were cultivated and processed. Some teas offer a refreshing astringency, while others present a velvety smoothness that coats the palate with a lingering sweetness.Throughout this ritual, I am reminded of the rich history and cultural significance of tea. From the ancient tea houses of China to the grand tea estates of India, this beverage has transcended boundaries, uniting people across continents and generations. With each sip, I am transported to distant lands, experiencing the vibrant tapestry of flavors that have captivated humans for millennia.But tea is more than just a drink; it is a way of life, a practice that encourages mindfulness and presence. As the warmth of the cup envelops my hands, I am grounded in the present moment, free from the distractions and worries that often plague the student mind. In these fleeting moments, I find solace, a respite from the relentless demands of academia.The art of tea brewing is a journey of self-discovery, a path that leads to a deeper appreciation for the simple pleasures in life. Each time I engage in this ritual, I am reminded of the interconnectedness of all things – the soil that nurtured the tea plants, the hands that tended to their growth, and the countless individuals who have shared in this ancient tradition.As the last drop is savored, I am filled with a sense of gratitude for this humble yet profound experience. The tea has not only nourished my body but has also nourished my soul,leaving me refreshed and rejuvenated, ready to face the challenges that lie ahead with a renewed sense of clarity and purpose.In the ever-evolving landscape of modern life, where distractions abound and pace often supersedes presence, the art of tea brewing stands as a beacon of tranquility. It is a reminder to slow down, to appreciate the intricacies of the world around us, and to find joy in the simple act of savoring a warm cup of tea. As a student, this ritual has become an anchor, a way to ground myself amidst the turbulence of academic pursuits and to cultivate a sense of balance and well-being.So, the next time you find yourself reaching for a cup of tea, remember the rich tapestry of history and tradition that lies within each steaming brew. Embrace the ritual, savor each moment, and allow the gentle whispers of the tea leaves to guide you on a journey of mindfulness and self-discovery. For in the art of tea brewing, we find a sanctuary, a place where the mind can rest, and the soul can be nourished.篇3The Art of Brewing TeaTea has been an integral part of my life for as long as I can remember. From the fragrant jasmine tea my grandmother would brew for our family gatherings to the strong black tea I learned to make during my time in England, the ritual of preparing and drinking tea holds a special place in my heart. It is a moment of pause, a respite from the hustle and bustle of daily life, where I can slow down, appreciate the present, and connect with flavors that have been cultivated for centuries.In this essay, I will guide you through the art of brewing tea, drawing from my experiences and the knowledge passed down to me. We will explore the rich history and cultural significance of tea, as well as the practical steps to craft the perfect cup. So, let us embark on this aromatic journey together.The Origins of TeaThe origins of tea can be traced back to ancient China, where legend has it that the discovery of this beloved beverage was a happy accident. As the story goes, in the year 2737 BCE, the emperor Shennong was sitting beneath a Camellia sinensis tree while his servant boiled drinking water over an open fire. A gentle breeze carried a few leaves from the tree into the pot, infusing the water with a captivating aroma and flavor. Thus, the first cup of tea was born.From these humble beginnings, tea quickly spread throughout China and eventually made its way to other parts of the world. Each region adapted the brewing methods and flavors to suit their cultural preferences, giving rise to the vast array of tea varieties we enjoy today.The Journey of the Tea LeafBefore we dive into the brewing process, it is essential to understand the journey of the tea leaf. All true teas, whether black, green, oolong, or white, are derived from the leaves of the Camellia sinensis plant. The differences in flavor and appearance arise from the processing methods employed after the leaves are harvested.Black tea, for instance, undergoes a process called oxidation, where the leaves are rolled and exposed to air, allowing the enzymes within to react and transform the chemical composition of the leaf. This results in the rich, robust flavor and dark color that black teas are renowned for.Green tea, on the other hand, is minimally processed, with the leaves being heated soon after harvesting to prevent oxidation. This preserves the delicate, grassy notes and vibrant green hue that green tea enthusiasts cherish.Oolong teas strike a balance, undergoing partial oxidation, which yields a complex flavor profile that combines the best of both worlds – the bright, floral notes of green tea and the depth of black tea.The Art of BrewingNow, let us delve into the heart of this essay – the steps to brewing the perfect cup of tea. While the specifics may vary slightly depending on the type of tea and personal preferences, the following general guidelines will serve as a solid foundation.Begin with fresh, high-quality tea leaves or tea bags. The quality of your ingredients will directly impact the flavor of your final brew.Use fresh, filtered water. Tea is approximately 99% water, so the quality of your water plays a crucial role in the taste of your tea.Warm your teapot or cup by rinsing it with hot water. This step helps maintain the optimal brewing temperature throughout the steeping process.For loose-leaf tea, use approximately one teaspoon of leaves per cup of water. Adjust the amount to suit your desired strength.Heat your water to the appropriate temperature. Black and herbal teas generally require water around 212°F (100°C), while green and white teas prefer slightly cooler water, around175-185°F (80-85°C).Once the water has reached the desired temperature, pour it over the tea leaves or tea bag.Allow the tea to steep for the recommended time. Black teas typically require 3-5 minutes, while green and white teas should steep for 2-3 minutes. Oolong teas can range from 3-7 minutes, depending on the desired strength.During the steeping process, avoid stirring or squeezing the tea bag, as this can release unwanted bitterness.Once the tea has steeped to your desired strength, separate the leaves from the liquid. For loose-leaf tea, use a strainer or remove the infuser. For tea bags, simply remove them from the cup or pot.If desired, add any additional flavorings or sweeteners at this point. A touch of honey, a slice of lemon, or a sprinkle of spices can enhance the flavors.Savor the aroma and flavors of your freshly brewed tea. Take a moment to appreciate the journey that brought this cup toyour hands – the tea leaves, the water, the heat, and the time it took to craft this moment of tranquility.Beyond the BasicsWhile the steps above provide a solid foundation for brewing tea, the true artistry lies in experimentation and exploration. The world of tea is vast, with countless varieties and blends to discover, each with its unique flavor profile and brewing nuances.Experiment with different steeping times and water temperatures to unlock the full potential of each tea. Try brewing the same tea at different temperatures and compare the flavors that emerge. Some teas may even benefit from multiple infusions, where the leaves are steeped again with fresh hot water, revealing new layers of flavor with each brew.Embrace the art of tea blending, combining different varieties to create your own signature blends. A touch of jasmine, a hint of bergamot, or a sprinkle of spices can transform a simple cup of tea into a truly memorable experience.The Cultural Significance of TeaBeyond the practical aspects of brewing, tea holds a deep cultural significance in many societies around the world. In Japan,the traditional tea ceremony, known as "Chanoyu," is a revered art form that celebrates the principles of harmony, respect, purity, and tranquility.In England, the ritual of afternoon tea has become an iconic tradition, where friends and family gather to enjoy delicate finger sandwiches, scones, and, of course, a perfectly brewed cup of tea.In Morocco, the act of pouring tea from a height, known as "pouring with gusto," is a cherished custom that showcases hospitality and skill.These cultural traditions remind us that tea is more than just a beverage; it is a shared experience, a way to connect with others, and a moment to appreciate the simple pleasures in life.In ConclusionAs I reflect on the journey we have taken together, exploring the art of brewing tea, I am reminded of the profound wisdom found in the simple act of preparing and enjoying this beloved beverage. It is a ritual that transcends time and cultures, connecting us to the past while grounding us in the present moment.Whether you are a seasoned tea connoisseur or a curious newcomer, I hope this essay has inspired you to delve deeper into the world of tea. Embrace the experimentation, savor the flavors, and create your own tea traditions. For in each sip, we celebrate the beauty of nature, the ingenuity of human craftmanship, and the universal language of shared experiences.So, let us raise our cups and toast to the art of brewing tea –a timeless tradition that nourishes the body, calms the mind, and enriches the soul.。

  1. 1、下载文档前请自行甄别文档内容的完整性,平台不提供额外的编辑、内容补充、找答案等附加服务。
  2. 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
  3. 3、如文档侵犯您的权益,请联系客服反馈,我们会尽快为您处理(人工客服工作时间:9:00-18:30)。

Applied Psycholinguistics28(2007),537–549Printed in the United States of AmericaDOI:10.1017.S0142716407070294When timing is everything:Age offirst-language acquisition effects on second-language learningRACHEL I.MAYBERRYUniversity of California,San DiegoADDRESS FOR CORRESPONDENCERachel I.Mayberry,Department of Linguistics,0108,University of California,San Diego,9500 Gilman Drive,San Diego,CA92093.E-mail:rmayberry@ABSTRACTThe present paper summarizes three experiments that investigate the effects of age of acquisition on first-language(L1)acquisition in relation to second-language(L2)outcome.The experiments use the unique acquisition situations of childhood deafness and sign language.The key factors controlled across the studies are age of L1acquisition,the sensory–motor modality of the language,and level of linguistic structure.Findings consistent across the studies show age of L1acquisition to be a determining factor in the success of both L1and L2acquisition.Sensory–motor modality shows no general or specific effects.It is of importance that the effects of age of L1acquisition on both L1and L2 outcome are apparent across levels of linguistic structure,namely,syntax,phonology,and the lexicon. The results demonstrate that L1acquisition bestows not only facility with the linguistic structure of the L1,but also the ability to learn linguistic structure in the L2.The investigation of sign languages has altered our understanding of the nature of language in a profound way.Sign languages have hierarchical structure identical to that of spoken languages despite the fact they are gestured and watched.Speci-fically,sign languages have multilayered and interrelated,linguistic organization: a lexicon with sublexical structure(i.e.,phonology),grammatical and deriva-tional morphology,syntax,and semantics(Klima&Bellugi,1979;Liddell,1980; Padden,1988;Stokoe,Casterline,&Cronneberg,1965;Supalla&Newport,1978). Using the architecture of sign language,psycholingusitic research has discovered that the human mind packs and unpacks meaning in sign language via its linguistic structure,in a fashion identical to how speakers produce and perceive meaning from spoken language(for a review,see Emmorey,2002).Consistent with these linguistic and psychological discoveries,developmental research has found that the milestones of sign language acquisition by children exposed to it from birth are no different from those for spoken language(Mayberry&Squires,2006;Meier, 1987;Petitto,1991;Reilley,McIntyre,&Bellugi,1990).Given the linguistic, psycholinguistic,and developmental parallels between sign and spoken language, it comes as no surprise that the neurocortical underpinnings of sign language are ©2007Cambridge University Press0142-7164/07$15.00highly similar to those of spoken language(MacSweeney et al.,2002;Petitto et al.,2000).Sign language research has thus unearthed a key cognitive principle.Linguistic structure,its acquisition,processing,and neurocortical representation transcend sensory–motor modality.The structure and processing of language are properties of the human mind as it communicates with other minds.The properties of the sensory and motor systems clearly provide the raw materials from which language builds its architecture,but they do not determine its form,function and acquisition, or social and neurocortical use.Sign language research can potentially yield another critical insight into the human mind,which is the role of early linguistic experience in language ac-quisition.How does early linguistic experience affect the trajectory of language acquisition over the life span?The present paper focuses on the role of early linguistic experience in second-language(L2)learning.We ask here whether and how age of acquisition(AoA)of thefirst language(L1)affects the outcome of L2 learning.We also ask whether sensory–motor modality is a relevant factor in the transfer of linguistic skills from the L1to the L2.Specifically,we ask whether a visual L1can support subsequent learning of a spoken L2.Before summarizing a series of three experiments conducted in two languages,it is necessary for us to consider the unique circumstances of sign language acquisition vis-`a-vis spoken language acquisition.THE BIOLOGICAL AND CULTURAL CONTEXTS OF SIGN LANGUAGE ACQUISITIONThe age of onset of L1exposure is quite different for babies born with and without normal hearing.Babies born with hearing are immersed in spoken language from birth and even before.Age of onset of L1exposure is thus homogeneous for children who hear normally.We,consequently,know little about the effects of delayed L1exposure on the outcome of L1acquisition,except for the most aberrant and atypical of child-rearing circumstances,such as the case of Genie(Curtiss, 1977).By contrast,age offirst exposure to an accessible L1is highly variable for children born with severe or profound hearing impairments.Because their deafness is greater than the sound level of speech,and distorts speech even when amplified,they are isolated from the language spoken to and around them.More than90%of children born deaf have parents who hear normally and know no sign language,which means that they are not exposed to sign language from birth (Schien&Delk,1974).A host of additional social and cultural factors serve to further delayfirst exposure to an accessible L1for the deaf child.For example,the age when the child’s hearing loss is detected varies widely,as does the age when the child and family receive special intervention.Once special services are available to the child and family,the goal is typically focused on audition and speech training,omitting exposure to sign language.Listening to and lipreading speech provide insufficient linguistic details for the child,even with powerful hearing aids and cochlear implants,to acquire spoken language spontaneously as a L1within the normal, developmental time frame.Children who are deaf frequently must demonstratethat they are unable acquire language via audition alone before they are exposed to sign language.The growing linguistic paradox in North America is that infants who hear normally are enthusiastically exposed to signs at an early age,whereas those who cannot hear appear to have lost the privilege because of beliefs that sign language impedes the deaf child’s language acquisition(Padden&Humphries, 2005;Signing with your baby,2006).Biological and cultural factors can thus converge to create a period of prolonged linguistic isolation for many young children born deaf.This complex situation means that age of exposure to an accessible L1is heterogeneous when the lan-guage is signed.We use the heterogeneous timing in the onset of L1exposure to answer a series of questions about the effects of delayed L1acquisition on the outcome of language acquisition in general.The questions we ask are,first, does the age when accessible L1exposure begins makes a difference?What are the effects of age of L1exposure on the ability to comprehend language?If age of L1exposure affects language comprehension,how does it affect compre-hension of various syntactic structures?Second,do age of L1exposure effects extend beyond the syntactic level of language to phonological processing and word identification?Third,and equally important,are the effects of delayed L1 exposure on linguistic outcome similar to,or different from,documented AoA effects on L2learning?The most common means by which researchers have investigated AoA effects on the outcome of language is using the L2context. L2learning is highly common,and characterized by a variable age of onset (Birdsong,1996).Here we take a novel and morefinely tuned approach.We manipulate AoA for the L1and ask how it affects the outcome of L2learning. Fourth,andfinally,we ask what effects delayed L1exposure has on L2literacy development.AoA EFFECTS ON AMERICAN SIGN LANGUAGE(ASL)SYNT AXChildren acquiring sign language,like those acquiring spoken language,begin mastery of syntactic structures with simple sentences and eventually acquire more complex ones.Thus,we might expect AoA to interact with syntax such that the effects are more apparent for complex and later acquired structures than for simpler and earlier acquired structures.To test the hypothesis,we used a grammat-icality judgment paradigm to assess syntactic proficiency in ASL(Boudreault& Mayberry,2006).We tested a variety of ASL syntactic structures including(a) simple sentences using subject–verb–object(SVO)order with noninflecting verbs;(b)negative sentences with either a negative sign inserted in the verb phrase or a negative headshake produced simultaneously with the verb;(c)inflecting verbs where the beginning and ending loci of the verb are inflected for case, person,and number;(d)questions created with either the wh-signs WHO or WHAT given at the end of the sentences or with an accompanying question facial expression and without a wh-sign;(e)subject–subject relative clauses with the embedded clause marked via facial expression or sign marker;and (f)sentences with classifier predicates.Children exposed to ASL from birth initially use word order rather than verb inflection to indicate subject and ob-ject.They negate verb phrases with negative signs prior to using negative facialFigure1.Mean performance accuracy on a grammatical judgment task given in American Sign Language(ASL)expressed as mean A score(a computation that takes guessing into account) as a function of ASL syntactic structure andfirst age of ASL exposure.ASL structures include simple,negative,inflected verb(for person,number,and case),wh-questions,relative clauses (RCs),and classifier constructions(CLs).Native learners were exposed to ASL from birth;5to 7were participantsfirst exposed to ASL in early childhood,and8to13were participantsfirst exposed to ASL in late childhood.Chance performance would be at0.50,as indicated by the minimum on the Y axis.Adapted from“Grammatical Processing in American Sign Language: Age of First-Language Acquisition Effects in Relation to Syntactic Structure,”by P.Boudreault and R.I.Mayberry,2006,Language and Cognitive Processes,21,p.623.Copyright2006by Taylor&Francis.Adapted with permission.expressions.They use wh-movement at somewhat older ages and master the full ASL classifier system in the preschool years(for a review,see Mayberry&Squires, 2006).Onset of exposure to ASL in this study was defined as the age when the participant wasfirst in the company of peers who were deaf and used ASL, that is,an immersion situation.This is a memorable event for our participants and a reliable indicator offirst ASL exposure.The adults we test are severely or profoundly deaf from birth,unable to navigate everyday life solely through speech,listening,and lipreading,have used ASL as a primary language for10 years or more,and have normal,nonverbal intelligence.AoA exerted significant effects on the ASL syntactic proficiency,as Figure1 shows.As AoA increased,grammatical judgment accuracy decreased(Boudreault &Mayberry,2006).ASL syntactic performance tended also to decrease with increased syntactic complexity regardless of AoA.The exception was for ASL classifier constructions,structures that are not yet well described by linguists.This shows that complex structures are more difficult to process in sign languages,just as they are for spoken languages.We thus observe that AoA affects the outcome of syntactic learning of ASL, just as AoA has been found to affect the syntactic outcome of L2spoken language learning in some cases(Johnson&Newport,1989).However,the AoA effect is inconsistent for L2learning,and appears to vary as a function of the linguistic relationship of the L1and the L2,in addition to the amount of education undertaken in the L2(Birdsong&Molis,2001;Flege,Yeni-Komshian,&Liu,1991).Note that in the ASL grammaticality judgment study,participantsfirst exposed to ASL at the oldest ages performed at near chance levels on the more complex wh-questions and relative clause structures.Because ASL was the primary language used by the participants for many years(and they were notfluent in spoken language),this finding suggests the AoA effects we found here are unique to delayed L1learning. By definition,L2learning entails complete L1acquisition begun in early child-hood.Children born deaf often arrive at the ASL acquisition task with only a modicum of spoken language acquisition.In previous work,we found that AoA exerts greater effects on the outcome of ASL acquisition when it began after little or no previous language acquisition in contrast to when it was a second language (Mayberry,1993,1994).We turned to another language in the next study,English, to further probe this complex question with new learner groups,including those who hear normally.The question we ask is whether delayed L1acquisition affects the outcome of L2learning.DELAYED L1EFFECTS ON L2SYNT AXUsing grammaticality judgment,we assessed English syntactic proficiency con-trolling AoA for both the L1and the L2(Mayberry&Lock,2003).We accom-plished this with four groups of participants who had normal hearing,or were deaf,and had contrasting linguistic experience in early life with respect to L1 exposure.All the groups had similar AoA for the L2,which was English in all cases.Adults with normal hearing who had acquired English as a mother tongue served as the control group.The experimental comparison was among the three groups who did not acquire English from birth.One L2group learned English as an L2in school subsequent to acquiring a different spoken language in early life, Urdu,German,Spanish,or French.The other L2group learned English as an L2 in school after having acquired a sign language in early life,ASL.All participants in this group were severely or profoundly deaf and their parents,who were deaf, signed to them from infancy.The critical group was also severely and profoundly deaf,but they had normally hearing parents who knew no sign language;they werefirst exposed to ASL in school.The main characteristic of this group with respect to L1exposure is that they acquired little functional spoken language prior to ASL exposure.The question is whether this delay in exposure to an accessible language during early life affects the outcome of subsequent language learning.The results of our previous experiments showed this to be the case for ASL.The question we ask with this experiment is whether a similar outcome characterizes English learning. For the English experiment,we selected syntactic structures ranging from simple to complex,structures that typically developing children acquire early and late over the course of English acquisition.The structures we tested included(a) monoclause SVO sentences with present tense,(b)dative structures,(c)conjoinedFigure2.Mean performance accuracy on a grammatical judgment task given in English expressed as mean A score(a computation that takes guessing into account)as a function of syntactic structure and early language experience;native English control(NC),early sign language learners,early spoken language learners,and no early language learners.Chance performance would be at0.50,as indicated by the minimum on the Y axis.Adapted from“Age Constraints on First Versus Second Language Acquisition:Evidence for Linguistic Plasticity and Epigenesis,”by R.I.Mayberry and E.Lock,2003,Brain and Language,87.Copyright 2003by Elsevier.Adapted with permission.clauses,(d)full,nonreversible passive sentences,and(e)subject–subject relative clauses.The two L2groups of English learners performed remarkably similarly on the grammatical task,as Figure2shows.Indeed,the two groups’performance is nearly identical.The L2groups’performance shows high convergence even though one L2group had normal hearing and the other group was deaf from birth.The two groups’performance converges even though one group’s native languages were spoken and the other group’s native language was signed.Despite these radical differences in both the linguistic structures and sensory–motor modality of the early language experience,the groups whose L1language exposure began in early infancy showed similar performance on their L2syntactic proficiency in English. When the L2AoA is held constant,and the L1AoA is held constant,no apparent differences in L2syntactic processing arise(Mayberry&Lock,2003).Now we consider the third group.If AoA is the sole factor determining L2 outcome,then the performance of the group who began to learn English at the same age as the other groups should also be similar.Recall that the critical contrastbetween the third group and the other two L2groups is that the former experienceda marked absence of accessible language exposure in early life.Speech input was insufficiently robust in their early lives to enable them to acquire spoken language either spontaneously or through daily instruction.Hence,they arrived at the ASL learning task in later childhood with only a modicum of L1acquisition.We observe that their performance on the English grammatical judgment task is significantly below that of the L2learner groups,as Figure2shows.Their performance is at near-chance levels for the more complex syntactic structures of wh-questions and relative clause structures.The unique,language acquisition circumstances caused by congenital deafness show that AoA is not the only or even the most important factor in L2syntactic outcome.Thesefindings corroborate thefindings of other L2studies(Birdsong& Molis,2001;Flege et al.,1991).Instead,the unique language acquisition situation of childhood deafness reveals that the timing of L1exposure in early life affects the outcome of all subsequent language learning,both the L1and the L2,independent of sensory–motor modality(Mayberry,Lock,&Kazmi,2002).Thesefindings require that we narrow the definition of a critical,or sensitive, period for language to the L1(Lenneberg,1967;Penfield&Roberts,1959). Moreover,thesefindings have far reaching implications for L2acquisition.L1 and L2acquisition are clearly interindependent.Severely delayed L1acquisition significantly affects the outcome of L2syntactic learning as well.Thus,the unique situation of childhood deafness demonstrates the strong link between L1and L2 learning.We return to the theoretical question of how L1and L2acquisition may be linked below after exploring AoA effects on another domain of language. Linguistic structure is multilayered and hierarchical so that a remaining question about AoA effects on sign language,as either the L1or L2,is whether the effects are located only in syntactic processing.In the case of spoken L2outcome,AoA has widely been shown to affect the outcome of phonological knowledge and processing,in addition to its widely investigated syntactic effects.Could the same be true in the case of sign language?AoA AFFECTS PHONOLOGICAL AND LEXICAL PROCESSING IN ASLThe breakthrough discovery about sign language structure was that signs have parts,or sublexical structure(Stokoe et al.,1965).In contrast to gestures,regardless of whether they accompany speech,every sign consists of a set of articulation units,which include handshape,orientation,place of articulation on the body,and movement.Signs are highly specified at the sublexical level in a way that gestures, being holistic in formation and meaning,are not(McNeill,1992).Signs thus have the linguistic structure of spoken words.Nearly all work demonstrating the psychological reality of ASL sublexical structure has come from production studies.For example,the phonological struc-ture of signs explains the sign mistakes made byfluent adults in“slips of the hand”where the sublexical features of adjacent words influence one another(Klima& Bellugi,1979).In short-term memory errors,partial remembering entails recall of most,but not all the phonological units of a target sign(Bellugi,Klima,&Siple, 1975).The sign errors made by young children over the course of acquisition show systematic sensitivity and mastery of the ASL phonological system(Marentette&Figure3.A phonological error made by a participant in an ASL experiment where the target sign AND,shown on the left,differs from the response sign SLEEP,shown on the right,by only one phonological feature,the place of articulation.Illustration by Betty Raskin.Mayberry,2000).Finally,the paraphasic errors made by aphasic signers are faith-ful to the phonological structure of ASL signs(Corina,2000).Unlike pictures or gestures,the form of signs is highly specified in the unitized,systematic fashion characteristic of phonological systems.Signers’production errors demonstrate that the mind uses these phonological units to express sign meaning.Thus,phonology is an important part of the signers’mental toolkit for language.Turning now to AoA effects,we ask whether and how AoA affects the outcome of phonological knowledge and processing in ASL.It is clear that ASL has a complex and detailed phonological system.Conversely,the phonological effects of AoA on L2learning arise in the context of an acoustic and oral speech signal. Is it possible for AoA to affect phonological processing when the signal is visual and signed?In other words,is it easier to recognize the meanings of words in the L2when they are watched rather than listened to?Our previousfindings suggest that the answer is ing a sentence memory paradigm to investigate AoA effects on ASL outcome,we found a marked tendency for sign phonological substitution errors to increase in tandem with increased AoA(Mayberry&Eichen,1991).For example,one participant substituted the sign SLEEP for the sign AND in the target sentence,“I ate too much turkey and potato,”as Figure3shows.Atfirst glance the error seems bizarre.The word sleep is semantically unrelated to the sign and.Even the lexical categories are wrong. The target sign is a closed class word,a conjunction,whereas the error is a verb.On closer inspection,however,we see that there is a significant phonological overlap between the two signs.The signs can be said to visually rhyme.The two signs are phonological minimal pairs in ASL because they share all phonological featuresexcept one,place of articulation.These phonological errors are suggestive of difficulty processing the phonolog-ical structure of signs.This was borne out by a negative correlation between the commission of phonological errors on a narrative shadowing task and narrative comprehension(Mayberry&Fischer,1989).Thisfinding suggests that,although sign is visual,a possible locus of AoA effects on ASL processing may be at the phonological level.Using a primed,lexical decision paradigm,we asked whether delayed L1ac-quisition differentially affects phonological processing in service of lexical recog-nition in sign language(Mayberry&Witcher,2006).In the lexical decision task, the participant decides with a button press whether the target is a real sign or not, that is,whether the sign is a part of the ASL lexicon.Half the targets were thus possible signs that we created by altering a single articulatory feature of extant ASL signs.The remaining targets were either unrelated to the prime,and thus served as the control condition,or phonologically related to the prime by sharing three out of four phonological parameters.These phonological primes visually rhymed with the following targets,as do the target and error signs shown in Figure3.We again investigated the contrast between delayed L1acquisition and L2 acquisition,but here the target language was ASL.The critical contrast is between two groups.One test group was delayed L1ASL learners,who werefirst exposed to ASL in late childhood and whose spoken language acquisition prior to being exposed to ASL was minimal.The second test group was classic L2learners;they had used ASL for more than10years.All the L2learners were normally hearing and acquired English as an L1in early life.Two control groups were born severely and profoundly deaf.One control group acquired ASL in early life from their deaf parents,native L1learners.The other control group acquired ASL in early childhood at school.As AoA increased,the time needed to recognize signs also increased.More revealing is thefinding that AoA affected how the groups engaged in phonological processing during lexical access.At intervals less than330ms,phonological overlap between the prime and target facilitated the sign recognition of both the native and early childhood learners of ASL.They recognized signs faster when the signs were phonologically related.Thisfinding suggests spreading phonological activation in the mental lexicon during word recognition when ASL is acquired early in life(Mayberry&Witcher,2006).By contrast,the two groups who learned ASL after early childhood,both L1 and L2learners,showed phonological inhibition at the brief interval.They recog-nized signs more slowly when the signs were phonologically related.Thisfinding indicates that the ability to use phonological structure to identify signs is indeed linked to early childhood language exposure.Learners who begin to learn ASL after early childhood are clearly sensitive to phonological structure in ASL,but phonological structure hinders rather than helps their sign recognition.We were also interested in observing AoA effects on sign recognition when the duration between the prime and target was increased by more than300%to an entire second.In this condition,there is more time to consider the phonological structure of the prime before seeing the target.Again,we observe differential effects of delayed L1acquisition on language processing,but in this case at thelevel of phonological structure.Even when the interval between contiguous signs is increased three times,the delayed L1learners of ASL continue to show inhibition related to phonological structure.Hyperinhibition for phonological structure was not evident in the sign recognition of the L2ASL learners,however.With increased time in between signs,the sign recognition the L2ASL learners now resembled that of the early L1learners of ASL.The phonological inhibition the L2learners showed at the brief interval had fully dissipated.Strikingly,the phonological inhi-bition shown by the late L1learners persisted over an entire second(Mayberry& Witcher,2006).The lexical processing results show,first,that AoA effects are found at the single word level in sign language.AoA effects on language processing are not restricted to syntax but occur at the level of the single sign as well.AoA affects phonological processing in sign language,just as it affects phonological processing in spoken language.Just as speakers must recognize and unpack the phonological structure of spoken words to understand them,signers must also recognize and unpack the phonological structure of signed words to understand them.Clearly,AoA has a significant impact on the knowledge and processing of the phonological structure of language.This is true regardless of whether the language is visual and signed in the case of sign language,or auditory and spoken in the case of spoken language. Thefindings further demonstrate a critical difference in AoA effects for the L1 compared to the L2at the lexical level.Signers exposed to ASL in early childhood show evidence that phonology is an organizing structure in their mental lexicon for ASL.By contrast,signers exposed to ASL after early childhood show evidence that phonological structure is not the means by which their mental lexicon is organized. The phonological structure of sign is a stumbling block in their recognition of sign meaning.The key difference between the L2ASL learners and the delayed L1 learners of ASL is that the former are able to circumvent the problem in some way whereas the later cannot.Early L1exposure appears to tune the visual system for phonology,just as it tunes the auditory system for the same linguistic structure (Werker&Tees,1984).To summarize our results thus far,we observe multiple,differential effects of AoA on L2learning in contrast to L1acquisition.Differential AoA effects on the L1and L2are found at the syntactic,phonological,and lexical levels of linguistic structure.Early L1exposure throughout early life appears to bolster subsequent L2outcome.The question remains as to whether the phenomenon extends to reading development.Simply put,does early and rich L1exposure facilitate later L2reading development?DELAYED L1EFFECTS ON L2READING DEVELOPMENTA common requirement of bilingualism is literacy in the L2.Unlike infant lan-guage acquisition,reading the L2can serve as a major source of input for the L2 learner.A major difference between online language comprehension and reading comprehension is that the former entails a dynamic and rapidly changing signal, whereas reading entailsfixed visual symbols.The language learner has more control over reading words and sentences than listening to,or watching,them in spoken or signed language.Might we thus observe AoA effects on L1and。

相关文档
最新文档