毕业答辩ppt模板-中南财经政法大学武汉学院

择………………………………………………………………16 4.2立体裁剪与平面制作 版…………………………………………………...16 4.3服装制作与工艺流 程………………………………………………………17 4.3.1服装制作与工艺流 程……………………………………………………17 4.3.2工艺流 程…………………………………………………………………17 5 结 论…………………………………………………………………………19 参考文 献………………………………………………………………………..20 致 谢……………………………………………………………………………..21 附 录……………………………………………………………………………..22 附录 A………………………………………………...………………………..22 附录 B…………………………………………………………………………..23
毕业设计（论文）设计艺术学院 设 计 报 告 书
题目：古韵今香——民族服饰手法时装设计
ANCIENT CHAIM IN TODAY——THE NATIONAL TECHNIQUE FASHION DESIGN 学生姓名： 学 号： 班 级: 专 业： 指导教师： CLOTHING
200437160201 04-02 服装设计与工程 王 谦
同时，通过研究和分析后得出设计艺术手法有多种但主要有借用、解



构、装饰、参照和创造。在服饰设计的艺术中，装饰是最传统又最常 用的方法（运用传统手工工艺进行创意装饰）。装饰并不等于“罪 恶”，也不等于错误，关键在于使用是否恰如其分。 [6] 运用手工编织课中学习的手工制作方法进行局部装饰，可以掩去设计 的冷漠，增添服装的情感因素与民族内涵，与其他设计艺术手法相结 合，增强了设计的艺术感染力，并从中挖掘出民族服饰元素服饰发展 的新方向。 1.2 我国民族元素服饰时装设计的现状 中国风在国际时尚界里吹拂已久，20世纪初欧洲服装界掀起的“解放 束缚身体的紧身衣”的革命浪潮中，中国风的影响就已经比较深入。 当时神似于中国宽袍大袖古装的新式服装被命名为“孔子”，成为巴 黎和欧洲的时尚。 20世纪70年代，中国旗袍的国际品牌版已在西方一流影星的身上绽放。 80年代以后，中国风西渐更有越吹越烈的势头，从国家领导人在 APEC会议上带领各种元首穿唐装、章子怡古装形象争宠奥斯卡，到 几位长于运用中国元素的服装设计师和长着中国脸的国际级服装设计 师日益走红，都加重了国际时尚界里的中国味道。到了2006年春夏， 中国元素已渗入了时尚的各个领域。由此我们可以说，民族风格始终 不会被人遗忘。
3.1 古韵今香系列时装设计的灵感来 源……………………………………..9 3.1.1 民族服饰元素与现代时装造型设 计……………………………………9 3.1.2 民族色彩与现代时装色彩设 计………………………………………..11 3.1.3 民族服饰元素与材料的选 择………………………………………….12 3.2 古韵今香系列民族元素时装设计的设计方 案………………………….12 3.2.1设计目 的…………………………………………………………....12 3.2.2设计（研究）的重点与难 点…………………………………..…..12 3.2.3 设计手法…………………………………………………………..12 3.2.4 进度规则…………………………………………………………..13 3.3服装效果 图……………………………………………………………....13 4 设计制作过程………………………………………………………………16 3.3.1 初稿(草稿) ………………………………………………………..13 4.1材料的选购……………………………………………………………….16 3.3.2 初稿（修 正）……………………………………………………...14 3.3.3 完成效果 图………………………………………………………...15
ANCIENT CHAIM IN TODAY ——THE NATIONAL CLOTHING TECHNIQUE FASHION DESIGN ABSTRACT
Inherits and carries forward the motherland outstanding traditional culture, Is each children's wish of china, But in now time tide, Essence, the charm, the esthetic sense our country nationality will entrust with the time color , Enables it to have the internationalization tidal current characteristic, And forms the non-region the approval, only then has achieved the ideal combining site. The national customs, not the eternal subject which abandons, is having the sincere historical feeling and the new fashionable feeling, has swept across the fashionable stage which is eternally changing. Recent years, the national customs appeared the form were more Yuan, was not must highlight the Chinese element desirably, but paid great attention the detailing as well as multiplex matching. The silk, the cotton
detailing as well as multiplex matching. The silk, the cotton and kapok hemp and so on have the Chinese tradition flavor the needed materials to become clothing's pet extremely; China's traditional culture “the embroidery” becomes is all the rage a clothing's big supporting role, it appears, in the clothing and personal adornments skirt suspends is even on the hale and hearty pants ; The tumbling wave also occupies the small space, continues the young girl mood and the mature model fusion. Expresses feelings becomes one kind of design inspiration origin in the native place culture, Chinese red, the Chinese dress, the Chinese knot, the lantern sleeve, embroider and so on to become the design conception foundation. This design bases noblly on the native place clothing culture element abstraction, these, fine, the modernization, graceful, causes it to have the cultural essence and the artistic content stems from the native place actually to fuse the world, causes it to inquire into feeling of tracing at the same time from the traditional culture, does not lose modern the breath. Alternates, grafts national in traditional and in the fashion tunnel the craft. The rich clothing's multiplex style, causes traditional and the modern culture essence fuses mutually, collides mutually, develops harmoniously. Has manifested the Has manifested the individuality time characteristic fully - - “
寄情于本土文化成为一种设计灵感来源，中国红、 旗袍、中国结、灯笼袖、绣花等成为设计构想基础。本 次设计将这些立足于本土的服饰文化元素抽象化、高贵 化、精致化、现代化、优雅化，使其更具文化精髓和艺 术含量源于本土却融合世界，使其从传统文化中寻根溯 源之感的同时，又不失现代的气息。在传统与时尚的隧 道中穿插、嫁接民族的工艺。丰富服饰的多元化风格， 使传统与现代文化间的精髓相互融合、相互碰撞，和谐 地发展。更是充分体现了个性时代的特征——“以人为 本”，经济和人文的关注，反映了“民族元素服饰时装 设计”发展的新动向。 关键词：民族元素时装设计；现代风格；视觉感受； 传统文化；民间艺术
“humanist”, the economical and the humanities attention, has reflected “the national element clothing fashion design” the development new trend.