【Guitar_Rig5】中文使用手册(完整版32页)
吉他爱好者必备软件Guitar Pro简单教程(图解)

从0到1!GTP(Guitar Pro 5)简单教程前言我所使用的GTP版本为5.2,这个教程的所有内容都是居于此版本。
这个教程只是针对常用的功能进行说明,并不是完整教程。
其实弄懂这些已经够了,相信我。
我不保证本教程完全没有纰漏,如果使用了本教程导致你的电脑发生任何问题,本人不负任何责任。
请见谅。
使用本教程之前,确认你会:●基础到不能再基础的乐理知识;●懂得吉它的一些术语;●熟悉键盘按键的位置;●认识中文。
OK,让我们立即开始!第一篇界面篇首先打开GTP,可以看到整个界面如下:我将它分为三个部分。
第一部分是菜单与工具栏(工具栏分为上部工具栏和下部工具栏):第二部分是曲谱编辑区:第三部分是音轨区:接下来会挑选其中常用的功能来进行说明,基础的功能(如保存,播放等)就不分别说明了。
Part One!关于显示的设置!1.页面显示的设置这几个工具栏按钮用来设置页面的显示模式,从左到右分别是:分页模式,卷页模式,纵向模式和横向模式。
个人推荐使用第三种纵向模式。
后面的80%是页面缩放设置,推荐80%或者90%(下拉选项中是没有的,可以手动输入)。
视力不好的同学,请使用200%。
2.如何隐藏和显示五线谱也许你的GTP中五线谱和六线谱是同时显示的。
对于不识5线谱的同学来说,看着会碍眼。
如图:隐藏五线谱的功能在菜单栏这个位置:3.如何隐藏和显示把位、键盘工具栏上面这两个按钮用来隐藏\ 显示把位和键盘:4.音符力度的显示和隐藏有同学发现,为何音符会变成灰白色,几乎看不见?这是因为设置了显示音符的力度。
如图:取消显示音符力度的功能在菜单栏在这个位置(或者用快捷键F11):5.灰色的非活动声音有些同学还会发现,取消了音符力度的显示,为什么还有灰色音符?这是因为你选择了把非活动音符显示为灰色。
取消的按钮在工具栏的这个位置:(最后一个按钮,或者用快捷键Ctrl+D)Part Two!关于乐曲的设置!1.乐曲的节拍每个曲子都有节拍,所以创建一份GTP后,首先得设置拍号。
GUITAR RIG 5 中文模块使用手册

1介绍这本手册会对Guitar Rig5中的每个效果模块进行更加深入地介绍,会帮助您更好地对声音进行塑形,以及当作是对每个模块每个旋钮参数的工具手册,在以下章节中,将对Guitar Rig 5中的所有放大器、效果器、以及工具模块进行介绍,顺序与在Guitar Rig5的模块浏览器中的顺序是相同的。
要学习Guitar Rig5的基础操作,我们推荐您先从Getting Started(快速开始)手册开始,然后可以阅读Application Reference(软件使用手册)来对Guitar Rig本身的操作功能有更深入地了解。
您可以通过Guitar Rig软件界面的Help(帮助)>Open Manual(打开手册)命令来打开各个英文使用手册。
2Amplifiers(放大器)除了乐器本身以外,对吉他和贝斯的音色调节通常都是从放大器开始(俗称箱头)。
Guitar Rig 5精挑细选了一些1950年到现在的经典放大器模块。
就像真实的放大器一样,不同的放大器和参数设置会直接影响到其他模块处理后的声音,所以使用放大器来作为探索声音效果的最开始是非常必要的,另外,在每个放大器模块中都有一部分额外的扩展参数,这些参数可以模拟真实世界的各种因素对音色的影响,这些额外的参数在几乎所有的放大器上都是相同的,下一章节会先对这些额外的控制功能进行介绍。
2.1额外控制功能点击模块界面右上角的三角标志按钮可以展开额外控制面板,这里提供了绝大多数放大器都具有的相同控制功能:·POWER SUPPLY(电源设置)可以将放大器的电源在50Hz和60Hz之间进行切换,用于对放大器电源内部的DC电压进行校正,不正确的电压可以对声音产生一点微妙的调制效果。
·VARIAC(变压器)会尽力模拟一种AC电源中的可调变压器效果,从而实现可变电压的特点(著名的‘brown sound’效果),或者是超过正常电压值(可以让声音显得更加‘凶猛’)。
Guitar rig5中文版教程

1 介绍这本手册会对Guitar Rig 5中的每个效果模块进行更加深入地介绍,会帮助您更好地对声音进行塑形,以及当作是对每个模块每个旋钮参数的工具手册,在以下章节中,将对Guitar Rig 5中的所有放大器、效果器、以及工具模块进行介绍,顺序与在Guitar Rig 5的模块浏览器中的顺序是相同的。
要学习Guitar Rig 5的基础操作,我们推荐您先从Getting Started(快速开始)手册开始,然后可以阅读Application Reference(软件使用手册)来对Guitar Rig本身的操作功能有更深入地了解。
您可以通过Guitar Rig软件界面的Help(帮助)> Open Manual(打开手册)命令来打开各个英文使用手册。
2 Amplifiers(放大器)除了乐器本身以外,对吉他和贝斯的音色调节通常都是从放大器开始(俗称箱头)。
Guitar Rig 5精挑细选了一些1950年到现在的经典放大器模块。
就像真实的放大器一样,不同的放大器和参数设置会直接影响到其他模块处理后的声音,所以使用放大器来作为探索声音效果的最开始是非常必要的,另外,在每个放大器模块中都有一部分额外的扩展参数,这些参数可以模拟真实世界的各种因素对音色的影响,这些额外的参数在几乎所有的放大器上都是相同的,下一章节会先对这些额外的控制功能进行介绍。
2.1 额外控制功能点击模块界面右上角的三角标志按钮可以展开额外控制面板,这里提供了绝大多数放大器都具有的相同控制功能:·POWER SUPPLY(电源设置)可以将放大器的电源在50Hz和60Hz之间进行切换,用于对放大器电源内部的DC电压进行校正,不正确的电压可以对声音产生一点微妙的调制效果。
·VARIAC(变压器)会尽力模拟一种AC电源中的可调变压器效果,从而实现可变电压的特点(著名的‘brown sound’效果),或者是超过正常电压值(可以让声音显得更加‘凶猛’)。
吉他爱好者必备软件Guitar-Pro简单教程(图解)

从0到1!GTP(Guitar Pro 5)简单教程前言我所使用的GTP版本为5.2,这个教程的所有内容都是居于此版本。
这个教程只是针对常用的功能进行说明,并不是完整教程。
其实弄懂这些已经够了,相信我。
我不保证本教程完全没有纰漏,如果使用了本教程导致你的电脑发生任何问题,本人不负任何责任。
请见谅。
使用本教程之前,确认你会:●基础到不能再基础的乐理知识;●懂得吉它的一些术语;●熟悉键盘按键的位置;●认识中文。
OK,让我们立即开始!第一篇界面篇首先打开GTP,可以看到整个界面如下:我将它分为三个部分。
第一部分是菜单与工具栏(工具栏分为上部工具栏和下部工具栏):第二部分是曲谱编辑区:第三部分是音轨区:接下来会挑选其中常用的功能来进行说明,基础的功能(如保存,播放等)就不分别说明了。
Part One!关于显示的设置!1.页面显示的设置这几个工具栏按钮用来设置页面的显示模式,从左到右分别是:分页模式,卷页模式,纵向模式和横向模式。
个人推荐使用第三种纵向模式。
后面的80%是页面缩放设置,推荐80%或者90%(下拉选项中是没有的,可以手动输入)。
视力不好的同学,请使用200%。
2.如何隐藏和显示五线谱也许你的GTP中五线谱和六线谱是同时显示的。
对于不识5线谱的同学来说,看着会碍眼。
如图:隐藏五线谱的功能在菜单栏这个位置:3.如何隐藏和显示把位、键盘工具栏上面这两个按钮用来隐藏\ 显示把位和键盘:4.音符力度的显示和隐藏有同学发现,为何音符会变成灰白色,几乎看不见?这是因为设置了显示音符的力度。
如图:取消显示音符力度的功能在菜单栏在这个位置(或者用快捷键F11):5.灰色的非活动声音有些同学还会发现,取消了音符力度的显示,为什么还有灰色音符?这是因为你选择了把非活动音符显示为灰色。
取消的按钮在工具栏的这个位置:(最后一个按钮,或者用快捷键Ctrl+D)Part Two!关于乐曲的设置!1.乐曲的节拍每个曲子都有节拍,所以创建一份GTP后,首先得设置拍号。
GTP5教程

GP第一次运行时会自动弹出MIDI设置窗口。
这里必须要进行简单的设置,否则可能会有不发声的问题!我们在Port Device一定选择你系统的声卡,Instrument Pa tch选择General MIDI 把后一项打钩,设置好后按一下中间那个喇叭,如果有发出一段琴声就证明设置完成了!如果没有音乐发出把选项交替设置试试,直至成功!在这里要提醒大家,GP播放的音乐其实就是MIDI,效果的好坏与硬件中的声卡有直接关系,对于有很多网友的电脑是主板自带声卡的,建意安装,一个很出色的硬波表,相信会最大程度上提升播放MIDI音乐的效果!如果你已经安装了它,那么就像下图中的下拉表中有它的存在,点选它吧!我们曾收到很多网友询问,为什么我的机器上的Guitar-pro不会发声,基本上按上面介绍的设置肯定能解决大部份网友的问题!还有小部份估计是声卡不兼容(老声卡),可以试试安装Yamaha S-YXG100看有没有效果。
由于我们不是什么软件测试小组,无法把其他问题一一测试出来,希望网上有大侠出手相助吧!以下就对GP的*作进行简单介绍------->在网上你很容易就能收集到一堆.gtp和.gp3的歌谱,GP本身也自带了很多示范歌谱的。
现在你就可以用GP将它们打开,熟悉的六线谱就会出现在你的眼前。
当然了,GP还可以为你演奏歌谱,如左图,按下从开头演奏键,GP马上为你演奏一份歌谱就这么简单。
当制谱者有意突出某段吉他SOLO或其他乐器小节时就会如图出现 Play from(),这样你可以很方便地马上转到这份谱精彩的SOLO中去!但是国内大多数打谱的人都很少用到这个功能!以下是金属女孩在论坛发表的简单使用说明对各网友特别是新手一定有很大帮助此吉他编辑器看上去有16个音轨,只要你的Instrument够多,也可以无限制编辑(最多999)在文件菜单中可以选择midi或tab文件输入输出。
在Score In *** 102;ormation [乐谱信息]填入:Title[标题]、Subtitle[副标题]演唱者Album[唱片]Author[作者]Copyright[版权]Tab[标签]Instrucitions[用法说明]Notice[注意]等。
V5管道电吉他放大器说明书

Owner’s ManualTABLE OF CONTENTSIntroduction (3)The Front Panel (4)The Rear Panel (5)Important Information About Tubes and Tube Products (6)A Brief History of Tubes (6)Tube Types and Usage (6)The Nature of Tubes: Why (and When) to Replace Them (7)The Importance of Proper Biasing (8)Survival Tips for Tube Amplifiers (9)System Block Diagram (10)Service Information (11)Technical Specifications (12)2IntroductionCongratulations! You are now the proud owner of a Crate V5 tube guitar amplifier. This combo amplifier packs a whole lot of vintage tube sound into its compact cabinet, providing you with an amp that is portable and easy to operate, yet still produces incredible sounds!The V-Series amps offer the versatility required for many different musical styles, and have the unique tonal purity of a hot-rodded tube amp. The V5 is a single-channel amplifier with a mas-ter volume control and a tone control. It cranks out 5 watts from a single EL84 output tube in a Class A single-ended configuration into one 10” internal speaker. It provides a wide range of clean to overdriven sounds, making it ideal for recording as well as a practice amp.Like all Crate products, your V5 amplifier is designed by musicians and built using only the best components. Each amplifier is tested to confirm that it meets our specifications, and we believe that this amplifier is the absolute best that it can be.In order to get the most out of your new amplifier, please read this manual before you begin playing.And thank you for choosing Crate.Here are some of the features packed into your new V5 Combo Amplifier:• EL84 power vacuum tube for smooth overdrive sound• 5 watts rms power output• 1 x 10" ceramic magnet speaker• Volume control• Tone control31. INPUT: Use this jack to connect yourguitar to the amplifier using a shieldedinstrument cable.2. VOLUME: Use this to adjust the gainand channel overdrive. With the controlturned counter-clockwise, the gain islow and very little distortion is present.As you rotate it clockwise, the gainincreases, producing more overdrivedistortion, and a higher output volumelevel.3. TONE: This adjusts the overall tone ofthe sound. Turning the control clockwiseincreases the higher frequencies for abrighter, crisper sound. Turning the con-trol counterclockwise reduces the higherfrequencies for a darker sound.4. LAMP: This illuminates when the ampli-fier is turned on.5. ON/OFF SWITCH: Use this switch toturn the amplifier on and off.46. AC LINE CO R D: The grounded powercord should only be plugged into agrounded power outlet that meetsall applicable electrical codes, and iscompatible with the voltage, power, andfrequency requirements stated on theV5 rear panel. Do not attempt to defeatthe safety ground connection.7.FUSE: This protects the unit fromdamage due to overload conditions orpower line surges. If the fuse blows,replace it only with the same size andtype as listed on the chassis.8. Voltage Select Switch: Set this switchto “115” for 120 VAC mains, and to“230” for 220-240 VAC mains.With the amplifier power cordunplugged, use the tip of a small flat-blade screwdriver to slide this switch tothe proper position.9. SPEAKE R8 OHMS: The V5 is shippedwith a cable connected from this jack tothe internal 10-inch 8-ohm speaker.5Important Information about Tubes and Tube Products:A Brief History Of The Tube:In 1883, Edison discovered that electrons would flow from a suspended filament when enclosed in an evacuated lamp. Years later, in 1905, Fleming expanded on Edison’s discovery and created the “Fleming Valve.” Then, in 1907, Dr. Lee de Forest added a third component– the grid – to the “Fleming Valve” and the vacuum tube was a fact of life. The door to elec-tronic amplification was now open.During World War II, data gleaned from their intensive research on the detectors used in radar systems, led Bell Telephone Laboratories to the invention of the transistor. This reliable little device gained quick support as the new component for amplification. The death of the vacuum tube seemed imminent as designers, scientists, and engineers reveled in the idea of replacing large, fragile glass tubes with these small, solid-state devices.However, there were (and still are) many serious listeners who realized that the sound pro-duced by a “transistor” amplifier is significantly different from that produced by a tube ampli-fier with identical design specifications. They considered the sound produced by these new solid-state devices to be hard, brittle, and lifeless. It was determined that solid-state devices produced a less musical set of harmonics than tubes. When pushed past their limits, they tend to mute the tone and emphasize the distortion.Tubes, on the other hand, produce a more musical set of harmonics, the intensity of which can be controlled by the player. This characteristic adds warmth and definition to the sound which has become the hallmark of tube amplifiers. When tubes are driven into clipping, the harmonic overtones can be both sweet and pleasing or intense and penetrating, depending on the musician’s musical taste and playing technique.Over the years, application engineers have designed a number of outstanding solid-state amplifiers that sound very, very good. Some use special circuitry which enables them to simu-late the distortion characteristics of a tube amplifier. However, the tube amplifier, still held in the highest esteem by many musicians, offers a classic “vintage” sound in a contemporary market.Tube Types And Usage:Tube amplifiers are based primarily on two types of tubes – preamplifier tubes and power tubes. The tubes used in preamplifiers (12AX7, 12AU7, 12AT7, etc.) are smaller than the power tubes. These tubes amplify the signal from your instrument and shape the sound. They are inherently microphonic (they can mechanically pick up and transmit external noises). Since these tubes are used in the critical first stages of a tube amplifier’s circuitry, it is very impor-tant to use high-quality, low noise/low microphonic tubes for this application. Although tubesof this quality may be difficult to find and typically cost more than “off-the-shelf” tubes, the improvement in performance is worth the investment.Preamplifier tubes are also used to drive the power tubes. When used in this application, a12AX7 will produce a more distorted tone than a 12AT7, which produces a clearer, sweeter sound. A 12AU7 is even cleaner and brighter than a 12AT7, giving more definition to the sound. (In some cases it is possible to change the sound by changing the type of preampand/or driver tubes. When making any modification to your equipment, it is highly recommend-ed that you consult with a qualified service center.)6The power tubes are the largest tubes used in an amplifier. These tubes convert the low-level, conditioned signal from the preamplifier into a level that is sufficient to drive the speakers. There are several types of power tubes available, each of which offers a different perfor-mance/sound characteristic. For example, the EL34 power tube produces a great classic rock sound. When an EL34 is driven into distortion, it produces a unique sound (“crunch”). When compared to the 6L6, the EL34 distorts more quickly, exhibits a “looser” low-end response and produces more harmonics at mid and high frequencies (“creamier” sound). These differ-ences become more noticeable at higher volumes.The EL84 is similar to the EL34 but produces less output power. It can be easily driven into distortion and is characterized by a smooth, sweet tone with excellent touch sensitivity.6L6 tubes produce a big low-end thump and have a very good dynamic range. They offer a more traditional “American Rock” sound. The 6V6 tubes produce a creamy sound with nice distortion. On the other hand, the KT88 produces a big low-end but sounds more like an EL34 in the mid and high frequencies.6550 power tubes are more rugged and stay cleaner-sounding even at full power. When they do distort, the sound produced is more solid and has a tighter low end; more of a “heavy metal” type distortion with lots of power.Some tubes are available in matched sets. These tubes have been extensively tested for opti-mum performance and longevity.The Nature Of Tubes — Why (And When) To Replace Them:Tubes are made up of a number of fragile mechanical components that are vacuum-sealed in a glass envelope or bubble. The tube’s longevity is based on a number of factors which include how hard and often the amplifier is played, vibration from the speakers, road travel, repeated set up and tear down, etc.Any time you notice a change in your amplifier’s performance, check the tubes first.If it’s been a while since the tubes were replaced and the sound from your amplifier lacks punch, fades in and out, loses highs or lows or produces unusual sounds, the power tubes probably need to be replaced. If your amplifier squeals, makes noise, loses gain, starts to hum, lacks “sensitivity”, or feels as if it is working against you, the preamplifier tubes may need to be replaced.The power tubes are subjected to considerably more stress than the preamplifier tubes. Consequently, they almost always fail/degrade first. If deteriorating power tubes aren’t replaced they will ultimately fail. Depending on the failure mode, they may even cause severe damage to the audio output transformer and/or other components in the amplifier. Replacing the tubes before they fail completely has the potential to save you time, money and unwanted trouble. Since power tubes work together in an amplifier, it is crucial that they (if there is more than one) be replaced by a matched set. If you’re on the road a lot, we recommend that you carry a spare matched set of replacement power tubes and their associated driver tubes. After turning off the power and disconnecting the amplifier from the power source, carefully check the tubes (in bright light) for cracks or white spots inside the glass or any other appar-ent damage. Then, with the power on, view the tubes in a dark room. Look for preamplifier tubes that do not glow at all or power tubes that glow excessively red.7Whenever you replace the power tube(s):• Always have the amplifier’s bias voltage checked by a qualified service center. Improper bias voltage will cause degradation in performance and possibly damage the tubes and/or the amplifier. (See “The Importance of Proper Biasing”, below for more information).• We highly recommend that you replace the driver tube(s) as well. The driver tube deter-mines the shape and amplitude of the signal applied to the power tube(s) and has to work almost as hard as the power tube(s).You can check your preamplifier tubes for microphonics by turning the amplifier on, turning up the gain and tapping lightly on each tube with the end of a pencil or a chop stick (my favorite). You will be able to hear the tapping through your speakers, which is normal. It is not normal for a tube to ring like a bell after it’s tapped. If it does ring then it’s microphonic and should be replaced. Remember to use only high quality, low microphonic tubes in the preamplifier section.Even though power tubes are rarely microphonic, you should check them anyway. The power tubes can be checked for microphonics just like pre-amp tubes.In the case of very high gain amps, you may be able to reduce the amount of noise generated by simply swapping the preamp tubes around.The Importance Of Proper Biasing:For the best performance and longest tube life, proper biasing is imperative. Bias is the nega-tive voltage which is applied to the power tube’s control grid to set the level of idle current. We cannot over emphasize the difference in warmth of tone and dynamic response that come with proper biasing. If the bias is set too high (over biased), the sound from the amp will be distorted at all levels. If the bias is set too low, (under biased) the power tubes will run hot (the plates inside the tubes may glow red due to excessive heat) and the sound from the amplifier will lack power and punch. The excessive heat greatly reduces tube life – from a few days to as little as a few hours in extreme cases. Setting the bias on your amp is like setting the idle on your car. If it’s too high or hot it’s running away with you and if it’s too low or cold it will choke when you step on it.The bias is adjusted at the factory in accordance with the type of power tube(s) installed in your amplifier. It is important to point out that tubes of the same type and specification typi-cally exhibit different performance characteristics. Consequently, whenever power tubes are replaced, the bias voltage must be checked (unless the amplifier is equipped with “self-biasing”circuitry) and readjusted to accommodate the operating parameters of the replacement tubes. Depending on the model and amplifier type, there may be hum balance controls, trim pots, or bias adjustment controls on its rear panel. However, the bias adjustment should be performed only by qualified service personnel with the proper, calibrated test equipment.8Survival Tips For Tube Amplifiers:To prolong tube life, observe these tips and recommendations:• Match the impedance of your speaker cabinet(s) to your amplifier. Improper impedance matching will contribute to early tube degradation and may cause premature tube failure.• Make sure the speaker(s) are properly connected prior to turning on the amplifier.• After playing the amplifier, allow sufficient time for it to properly cool down prior to moving it. A properly cooled amplifier prolongs tube life due to the internal components being less susceptible to the damage caused by vibration.• Allow the amplifier to warm up to room temperature before turning it on. The heat gener-ated by the tube elements can crack a cold glass housing.• Replace the output tube(s) before the performance degrades or the tubes fail completely.Replace the tube(s) on a regular basis (at least once per year or as often as every 4 to 6 months if you play long and hard every day).• Always have the bias checked after replacing the output tubes (unless the amplifier is equipped with “selfbiasing circuitry”). This should be done ONL Y at a qualified servicecenter. Improper biasing could result in the tubes running too hot, which greatly reduces the life of the tubes – or too cold, which results in distorted sound regardless of level settings. Do not play the amplifier if it exhibits these symptoms – get the bias checked/ adjusted immediately to prevent tube failure and/or other damage.• If the locating notch on the base of a power tube breaks off, replace the tube. This signifi-cantly reduces the risk of damaging your amplifier by incorrectly inserting the tube.• Protect the amplifier from dust and moisture. If liquid gets into the amplifier proper, or if the amplifier is dropped or otherwise mechanically abused, have it checked out at an authorized service center before using it.• Proper maintenance and cleaning in combination with routine checkups by your authorized service center will insure the best performance and longest life from your amplifier. CAUTION: Tube replacement should be performed only by qualified service personnel who are familiar with the dangers of hazardous voltages that are typically present in tube circuitry.910System Block Diagram INPUT V1AV1B 8 OHM INTERNAL SPEAKER EL8411Declaration Of ConformityManufacturer: LOUD Technologies Inc.16220 Wood-Red Rd. NEWoodinville, WA 98072, USAProduct Name: Crate V5Product Type: Audio AmplifierComplies with Standards:LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWGSafety: EN60065EMC: EN55013, EN55020, EN55022, EN55103, EN61000-3-2, & EN61000-3-3The official Declaration of Conformity for this product is kept on file at:LOUD Technologies Inc., 16220 Wood-Red Road NE, Woodinville, WA 98072 • Tel: 1-866-858-5832Service InformationIf you are having a problem with your V5, you can go to our website () and click on Support for service information, or call 1-800-898-3211 during business hours (7 am to 5 pm PST, Monday-Friday). If you are outside of the U.S., contact your local distribu-tor for technical support and service.The V5 is covered with a durable fabric-backed vinyl material. Wipe it clean with a lint-free cloth.Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.Crate continually develops new products, as well as improves existing ones. For this reason, the specificationsand information in this manual are subject to change without notice.“Crate” is a registered trademark of LOUD Technologies Inc. All other brand names mentioned are trademarks orregistered trademarks of their respective holders and are hereby acknowledged.12V5 TECHNICAL SPECIFICATIONSOutput Power Rating5 W rms @ 5% THD, 8 ohm load, 120 VAC Input Impedance700 kohms Signal-to-Noise Ratio42 dB, Typical Gain58 dB, all controls @ 10Tone±30 dB @ 10 kHz Speaker Specs1 x 10", 5 W, 8 ohm, ceramic magnet Preamp Tubes(1) 12AX7A Power Tubes(1) EL84Power Requirements90-132 VAC, 60 Hz, 30 watts220-240 VAC, 50 Hz, 30 watts Size (H x W x D)13.75 in/34.9 cm x 14.25 in/36.2 cm x8.11 in/20.6 cm Weight 19.2 lb/8.7 kgPart No. 0024538 Rev. A 07/07。
LeMaker Guitar S500_pinctrl使用说明书_V1.0

ActDuino S500_pinctrl 使用说明书
最新版本号:1. 0 2015-1 Nhomakorabea-16ActDuino S500_pinctrl 使用说明书
1目 录
1 目 录 ......................................................................................................................1 2 引 言 ......................................................................................................................3
7 uboot接口使用说明.............................................................................................33 8 版本历史 ..............................................................................................................34 9 声 明 ....................................................................................................................35
维吉尔吉他手册 We Three Kings of Orient Are说明书

We Three Kings of Orient Are Page 1G Tuning Key of Em3/4 Time Single String MelodyX=Rest1Em Verse2B34EmBear -ing gifts we tra -verse -a far5G6D G78C9Am10B Em1112D13Fol -low -ing yon -der star Oh Oh14G Chorus15C1617GStar with loy -al beau -ty bright18Em19D20C21D22G2324C25GWe Three Kings of Orient AreJohn Henry Hopkins, JrChorusO star of wonder, star of night,Star with royal beauty bright,Westward leading, still proceeding,Guide us to thy perfect Light.Clawhammer Page 2 1Em Verse23B4EmD2242B00000G.020000.D.24422.G0000We Three Kings of Or -I -ent areBear -ing gifts we tra -verse -a far5G6D G78C000000100001000222000000Field and foun -tain moor and moun-tain9Am10B Em111213 0020010011 22200002222222200000 Fol -low -ing yon -der star Oh -Oh -14G Chorus15C1617G00200010.000000000..00 -22.0000Star of Won -der Star of nightStar with loy -al beau -ty bright18Em192021200001011010000222220000West -ward lead -ing still pro -ceed-ing22G2324C25G0020001000000000000 -220000Guide us to that per -fect lightVerse 2Verse 4Born a king on Bethlehem's plain,Myrrh is mine: it's bitter perfumeGold I bring to crown Him again,Breaths a life of gathering gloom.King forever, ceasing never Sorrowing, sighing, bleeding dying,Over us all to reign.Sealed in the stone-cold tomb.Chorus ChorusVerse 3Verse 5Frankincense to offer have I.Glorious now behold Him arise,Incense owns a Deity nigh.King and God and Sacrifice.Prayer and praising all men raising,Alleluia, alleluia!Worship Him, God on high.Sounds through the earth and skies.Chorus Chorus。
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Guitar Rig5
中文使用
1.欢迎来到Guitar Rig Array
1.1.什么是Guitar rig?
1.2.Guitar rig5新功能
1.3.关于COMPLETE Effects powered by Guitar Rig产品
1.4.安全注意事项
2.设置
2.1.激活Guitar Rig
2.2.概述
2.2.1.运行模式
2.2.2.查看模式
3.使用Guitar Rig(运行模式)
3.1.独立运行模式
3.1.1.音频和MIDI设置
3.1.2.选择MIDI控制器设置
3.1.3.延迟优化
3.2.插件模式
4.操作指南
4.1.使用机架预置
4.1.1.演奏所加载的设置
4.1.2.对加载的预置进行调整
4.2.改变模块
4.2.1.拖放方式
4.2.2.替换模块
4.2.3.机架模块通用控制功能
4.3.从零开始组建一个机架
4.3.1.概述
4.3.2.添加一个放大器
4.3.3.机架组建基础
5.用户操作界面
5.1.用户界面概述
5.1.1.全局控制栏
5.1.2.主界面
5.1.3.机架工具栏
5.1.4.虚拟Rig Kontrol
5.1.5.侧边栏
5.2.机架工具
5.2.1.前置与后置录音器
5.2.2.调音器
5.2.3.节拍器
5.2.4.预设音量
5.2.5.总线效果器
5.3.使用Rig Kontrol控制参数
5.4.预置
5.4.1.预置浏览器
5.4.2.创建属性与分类
5.4.3.使用模块预置
5.4.4.创建模块预置
6、接下来做什么。