(2) Mt Stromlo and Siding Springs Observatories The Australian National University

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鹧鸪天代人赋描写春天的诗句

鹧鸪天代人赋描写春天的诗句

鹧鸪天代人赋描写春天的诗句英文回答:Partridge Sky, Written for Someone Else, Depicting Spring.Amidst the verdant fields, where nature awakens fromher slumber, the gentle breeze whispers secrets of rebirth and renewal. The air is alive with the vibrant chorus of birdsong, a symphony that heralds the arrival of spring.The tender buds burst forth in a kaleidoscope of colors, painting the landscape with vibrant hues. Petals unfurllike delicate dancers, their fragrant perfume carried onthe wings of the wind. The willows sway gracefully by the water's edge, their long, trailing branches creating a canopy of ethereal beauty.As the sun ascends to its zenith, casting a golden glow upon the earth, the fields transform into a tapestry ofvibrant blooms. Poppies, daisies, and buttercups bloom in abundance, their cheerful faces turned towards thecelestial light. The vibrant colors blend seamlessly, creating a breathtaking spectacle that delights the senses.In the tranquil embrace of the meadow, the gentle humof bees fills the air. They flit from flower to flower,their industrious labor contributing to the pollinationthat ensures the continuation of life. The verdant grass, dotted with wildflowers, invites weary travelers to restand bask in the beauty of nature's embrace.As twilight descends, casting long shadows across the land, the air grows cool and the birdsong fades into a muted whisper. The stars twinkle above, casting a celestial glow upon the slumbering earth. The fragrance of night-blooming flowers fills the air, a sweet lullaby that lulls the world into peaceful slumber.Spring, a season of renewal, hope, and boundless beauty, paints the world in vibrant colors and fills the air with the promise of new beginnings. It is a time for celebration,a time to embrace the joy and wonder that nature has to offer.中文回答:鹧鸪天·春日代人赋。

春天紫藤花的作文英语

春天紫藤花的作文英语

The Beauty of Springtime WisteriaIn the embrace of spring, the world awakes to a tapestry of vibrant colors and fragrant scents. Among these, the delicate purple blooms of wisteria stand out, a symbol of elegance and tranquility.The wisteria vine, gracefully clinging to its support, unfurls its blossoms with a sense of quiet majesty. The flowers, their petals a deep, velvety purple, hang in clusters, almost like pendants, swaying gently in the breeze. Their fragrance, a sweet and subtle perfume, wafts through the air, inviting one to linger and savor the moment.As the sun shines down, casting its warm light on the blossoms, the wisteria seems to glow, its color deepening and its fragrance intensifying. Bees and butterflies are drawn to this floral paradise, dancing among the petals and sipping the nectar.The wisteria in springtime is not just a visual treat; it's a sensory experience. Its beauty is not just skin-deep; it resonates in the heart and soul. It reminds us of the fleeting nature of beauty and the importance of cherishing every moment.In conclusion, the wisteria in springtime is a breathtaking sight, a testament to the wonders of nature and a source of inspiration for all who behold it. Its elegance and tranquility are a welcome addition to the already vibrant palette of spring.。

在青山寻找春天的英语作文

在青山寻找春天的英语作文

在青山寻找春天的英语作文Seeking Spring in the Verdant Heights of Qingshan.Nestled amidst the rolling embrace of nature's tapestry, Qingshan beckons as a sanctuary where the vivacious spiritof spring unfurls its vibrant embrace. As the icy grip of winter relents, the mountains don a verdant mantle, adorned with a symphony of wildflowers swaying gently in thefragrant breeze.Upon embarking on this captivating expedition, one's senses are tantalized by the intoxicating fragrance of blooming azaleas. Their vibrant hues paint the slopes witha kaleidoscope of colors, transforming the landscape into a living masterpiece. From the delicate pinks to the bold magentas, each flower whispers a tale of nature's resurgence.Ascend the winding trails that weave through the heartof Qingshan, and be greeted by a chorus of birdsong. Avivacious cacophony of melodies fills the air, harmonizing with the rustling leaves beneath your feet. The symphony of nature orchestrates a captivating performance that stirs the soul.Cast your gaze towards the distant peaks, and witness the breathtaking spectacle of snow-capped summits emerging from the ethereal mist. The interplay of white and green creates an otherworldly tapestry, reminiscent of an ancient landscape painting come to life.Along the path, pause at secluded nooks where the gentle murmur of streams serenades your presence. The crystalline waters reflect the vibrant colors of the surrounding flora, creating a mesmerizing display that captures the very essence of spring.As you traverse the verdant expanse, encounter tranquil ponds teeming with vibrant aquatic life. The rhythmic croaking of frogs echoes through the air, a symphony of nature's renewal. Damselflies and dragonflies, their iridescent wings shimmering with ethereal beauty, dartthrough the reeds, adding a touch of whimsy to the scene.Venture into the secluded groves where ancient trees stand as silent guardians of the forest. Their gnarled branches reach towards the heavens, bearing witness to the passage of time. The dappled sunlight filters through the canopy, casting ethereal shadows that dance upon the ground below.Ascend to the summit of Qingshan, and be enveloped by a panoramic vista that will forever etch itself upon your memory. The sprawling vista extends in all directions, offering a breathtaking perspective of the surrounding mountains, valleys, and the distant skyline.In this realm of ethereal beauty, it is as if timeitself stands still. Allow your spirit to wander amidst the grandeur of nature's embrace. Let the gentle breeze carry away your worries and replace them with a sense of tranquility and wonder.As day transitions into dusk, the symphony of natureundergoes a subtle transformation. The chirping of birds gradually subsides, replaced by the gentle hooting of owls and the nocturnal chorus of crickets. The vibrant hues of the sky dissolve into a tapestry of twilight, casting asoft glow upon the verdant slopes.Embark on a nocturnal expedition, and discover Qingshan in a new light. As the veil of night descends, the forest transforms into a realm of mystery and enchantment. The nocturnal symphony of nature unfolds, punctuated by the rustling of leaves and the occasional flutter of a bat's wings.With each step, your senses are heightened, attuned to the subtle wonders of the night. The faint glow offireflies dances amidst the foliage, illuminating the path like celestial lanterns. The aroma of night-blooming flowers permeates the air, creating an intoxicating fragrance that lingers in the memory.As dawn breaks, the forest gradually awakens from its slumber. The gentle rays of the morning sun pierce throughthe canopy, casting a warm glow upon the awakening landscape. The chorus of birdsong resumes, heralding the arrival of a new day.With your spirit renewed and your senses awakened, descend from the heights of Qingshan, carrying with you the essence of nature's rebirth. The memories of this sojourn will forever reside within your heart, a timeless reminder of the beauty and wonder that unfolds in the verdant embrace of spring.。

找春天修辞,对话作文

找春天修辞,对话作文

找春天修辞,对话作文英文回答:Spring is a season that brings new life and rejuvenation after the cold winter months. It is a time of renewal and growth, where nature comes alive with vibrant colors and fragrant scents. The arrival of spring brings a sense of hope and optimism, as we leave behind the dreary days of winter and look forward to brighter days ahead.One of the most noticeable signs of spring is the blooming of flowers. As the weather warms up, flowers such as tulips, daffodils, and cherry blossoms start to bloom, adding a splash of color to the landscape. The sight of these beautiful flowers can instantly lift one's mood and bring a sense of joy and happiness.Another characteristic of spring is the return of birds and the chirping of their songs. After migrating to warmer climates during the winter, birds start to return to theirbreeding grounds in the spring. The sound of birdsong is a delightful reminder that nature is awakening and that warmer days are on their way.In addition to flowers and birds, spring is also a season of growth and new beginnings. It is a time whentrees and plants start to sprout new leaves and buds, symbolizing the start of a new cycle of life. This growth can be seen in gardens, parks, and even in our own backyard. Watching plants grow and flourish can be a rewarding experience and a reminder of the beauty and resilience of nature.Furthermore, spring is a season that is oftenassociated with outdoor activities and celebrations. People take advantage of the pleasant weather to go for walks,have picnics, or engage in sports and recreational activities. It is a time when communities come together to celebrate events such as Easter, May Day, and various cultural festivals. These activities not only bring people closer but also create a sense of unity and belonging.中文回答:春天是在寒冷的冬季过后带来新生和复苏的季节。

咏柳鉴赏英语作文

咏柳鉴赏英语作文

咏柳鉴赏英语作文In the gentle embrace of spring's tender breath, the willows stand as the epitome of nature's grace, their slender branches swaying in the breeze like a dancer's delicate steps. The poem "Ode to the Willow" captures this essence, paintinga vivid picture with its words, a symphony of nature's beauty that resonates with the reader's soul. The poet's choice of imagery is nothing short of enchanting, as they describe the willow's leaves as if they were crafted by the finest silk, shimmering with the softest green that only the first buds of spring can boast.The poem's rhythm is as soothing as the rustling ofwillow leaves, inviting the reader to step into a serene landscape where tranquility reigns. Each line is a testamentto the poet's keen observation and deep appreciation for the willow's role in the tapestry of spring. The willow'sreflection in the water is not just a visual delight but a metaphor for the fleeting nature of life, as ephemeral as the shadows that dance across the surface of the pond."Ode to the Willow" is a celebration of the simple yet profound beauty that can be found in the most humble ofnature's creations. It is a reminder to pause, to observe,and to cherish the transient moments that life offers. The poem's message transcends the mere description of a tree; itis a meditation on the beauty of existence and the interconnectedness of all living things. As one reads, theycannot help but feel a sense of kinship with the willow, a silent companion in the ever-changing dance of seasons.。

习作作文,哪种植物是换醒春天的使者

习作作文,哪种植物是换醒春天的使者

习作作文,哪种植物是换醒春天的使者(中英文实用版)Spring is a season of renewal and revival, where the earth comes back to life after a long winter slumber.Among the various plants that signal the arrival of spring, the cherry blossom is undoubtedly the messenger of this awakening.With their delicate and fragrant petals, cherry blossoms serve as a symbol of hope and beauty.As they start to bloom, painting the landscape in shades of pink and white, one cannot help but feel a sense of awe and joy.These blossoms signal the end of winter"s chill and the beginning of nature"s rebirth.The significance of cherry blossoms in heralding spring is not just limited to their aesthetic appeal.They also play a crucial role in the ecosystem.Bees and other pollinators are drawn to the blossoms, kickstarting the process of pollination which is vital for the growth of many plant species.Moreover, the blooming of cherry trees often coincides with the migration of birds, adding to the overall sense of rejuvenation in the environment.In conclusion, while many plants and flowers contribute to the beauty of spring, it is the cherry blossom that stands out as the true使者, awakening the world from its winter slumber with its enchanting charm.春天是一个万物复苏、焕发生机的季节,在大地经过漫长的冬眠之后,逐渐苏醒。

阳关三叠英语

阳关三叠英语

阳关三叠英语Yáng Guān Sān Dié is a famous poem written by Wang Wei, a renowned poet in the Tang Dynasty. This poem depicts the serene and picturesque scenery of the Yangguan Pass, which was a vital checkpoint on the ancient Silk Road. Through vivid descriptions and skillful use of imagery, the poet transports readers to this ancient pass and immerses them in its beauty. Let's explore the enchanting world of Yangguan Pass through the lines of this poem.The poem begins with the phrase "A thousand miles beyond the Yangguan Pass." This line immediately sets the scene and captures the reader's attention. It suggests that the poet is looking beyond the pass, implying that there is something extraordinary awaiting us.The next line reads, "The yellow River enters the sea." This line introduces the Yellow River, one of China's major rivers, and its journey towards the vastness of the sea. The use of color imagery with "yellow" and "sea" creates a vivid contrast and adds depth to the poem.Moving on, the poem describes the scenery of Yangguan Pass. "Rolling hills and mountains stretch endlessly" portrays the grandeur and vastness of the landscape. The use of the word "endlessly" emphasizes the immensity of the surroundings.The poem then introduces the image of a lonely goose flying in the sky. "A lonely goose flies far away" evokes a sense of solitude and longing. The poet's choice to include this image adds a touch of melancholy to the poem, as if the goose is yearning for something beyond its reach.The next line reads, "Autumn winds blow through the reed pipes." This line brings attention to the sound of the wind passing through the reeds, creating a serene and peaceful atmosphere. The mention of autumn suggests a change in season, further enhancing the imagery.Continuing with the theme of nature, the poem describes the sound of horses' hooves. "The sound of horses' hooves fades away" evokes a sense of transience and passing time. It reminds us that everything in life is fleeting and that we should cherish the present moment.The final lines of the poem are particularly poignant. "The setting sun casts a golden glow" paints a vivid image of the sun setting, casting a warm and golden light over the landscape. This line signifies the end of the day and the beginning of a new chapter.In conclusion, Yáng Guān Sān Dié is a remarkable poem that transports readers to the enchanting world of the Yangguan Pass. Through vivid descriptions and skillful use of imagery, the poet captures the beauty and serenity of this ancient checkpoint on the Silk Road. The poem's themes of longing, transience, and the beauty of nature resonate with readers, reminding us to appreciate the fleeting moments in life.。

关于柳树的英语作文好的开头好句

关于柳树的英语作文好的开头好句

关于柳树的英语作文好的开头好句Nestled at the serene banks of meandering rivers, amidst verdant meadows and whispering breezes, stands the majestic willow tree, an arboraceous sentinel that has graced our planet for eons. With its graceful silhouette, flowing tresses that dance in the wind like a silken tapestry, and an aura of tranquility that envelops all who behold it, the willow has captured the hearts and imaginations of poets, artists, and nature enthusiastsalike for centuries.The willow's botanical lineage traces back to the genus Salix, a diverse group of deciduous trees and shrubs belonging to the Salicaceae family. With over 400 species distributed across the Northern Hemisphere, willows exhibit a remarkable adaptability to diverse climates and habitats, ranging from temperate forests and wetlands to alpine meadows and arid steppes.A defining characteristic of the willow is itsdistinctive growth habit. Unlike many trees that aspire skyward with a singular trunk, willows often exhibit amulti-stemmed, sprawling form. Their branches cascade downwards in a picturesque manner, creating an umbrella-like canopy that provides ample shade and shelter for weary travelers, grazing livestock, and the myriad creatures that call the willow their home.The leaves of the willow are equally captivating, with their lanceolate shape and serrated margins. Their upper surfaces gleam with a vibrant green hue, while their undersides display a soft, silvery sheen. As the wind rustles through the willow's foliage, the play of light and shadow creates a mesmerizing effect, akin to the shimmering scales of a mythical creature.In the realm of folklore and mythology, the willow holds a prominent place. Ancient Greeks associated it with the goddess Hecate, who was said to preside over crossroads and the liminal spaces between life and death. In Celtic tradition, the willow was considered a sacred tree, believed to possess healing and protective powers. Itssupple branches were often woven into amulets and charms, and its bark was used to create medicinal concoctions.The willow's association with water is deeply ingrained in its symbolism. Its roots greedily seek out moisture, anchoring it firmly in the banks of rivers, streams, and lakes. In many cultures, the willow is seen as a guardianof water sources, ensuring their purity and abundance. Its graceful form, reflected in the shimmering surface of the water, adds an air of serenity and contemplation to any landscape.Beyond its mythological and symbolic significance, the willow has also played a practical role in human societies throughout history. Its pliable branches were used byNative Americans to craft baskets, mats, and otherutilitarian objects. The bark of some willow species contains salicylic acid, a compound that forms the basis of aspirin, one of the world's most widely used pain relievers.In modern times, willows continue to be valued fortheir ornamental and ecological benefits. They are plantedin parks, gardens, and along streetscapes, providing shade, beauty, and a touch of nature to urban environments. Their ability to tolerate wet soils makes them ideal for erosion control and water filtration projects, helping to protect waterways and improve water quality.As we delve deeper into the intricate world of the willow tree, we discover a symphony of adaptations that have allowed it to thrive in diverse environments. Its extensive root system, for instance, not only anchors it firmly in the ground but also enables it to extract water and nutrients from even the most challenging soils. Its flexible branches, capable of withstanding strong winds and heavy snowfalls, ensure its survival in exposed and unstable landscapes.The willow's reproductive strategies are equally remarkable. It produces both male and female catkins, wind-pollinated structures that release tiny seeds equipped with silky hairs. These hairs catch the wind, allowing the seeds to travel long distances and colonize new areas. Some willow species also exhibit a remarkable ability toreproduce vegetatively, sprouting new trees from fallen branches or fragments of root.The ecological importance of willows cannot be overstated. They provide food and shelter for a vast array of wildlife, including insects, birds, and mammals. Their dense foliage offers nesting sites for numerous songbirds, while their bark and leaves serve as a valuable source of nutrition for deer, rabbits, and other herbivores. Willows also play a crucial role in maintaining the health of riparian ecosystems, stabilizing riverbanks, reducing erosion, and filtering pollutants from the water.Throughout history, the willow tree has been a source of inspiration for artists, poets, and musicians. Its graceful form and evocative symbolism have found expression in countless works of art, from the delicate brushstrokes of Chinese scroll painters to the haunting melodies of Celtic folk songs. In literature, willows often appear as symbols of beauty, grace, and resilience, their presence enhancing the emotional depth and resonance of the narrative.In the realm of music, the willow has been immortalized in compositions by renowned composers such as Beethoven, Schubert, and Chopin. Its melancholic sway and association with water have inspired countless songs and instrumental pieces, capturing the essence of longing, sorrow, and the bittersweet passage of time.The willow tree, with its timeless beauty, ecological significance, and enduring presence in human culture, stands as a testament to the interconnectedness of life on our planet. As we continue to appreciate and protect these majestic trees, we not only safeguard their well-being but also preserve a vital part of our natural heritage. May future generations continue to find solace, inspiration, and a deep connection to the natural world beneath the sheltering canopy of the willow tree.。

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29.THE POTENTIAL OF NEAR-INFRARED ASTRONOMY IN ANTARCTICAM.G. Burton(l), D.A. Allen(l), P.J. McGregor(2)(1)Anglo Australian ObservatoryEpping LaboratoryEpping NSW 2121Australia(2)Mt Stromlo and Siding Springs ObservatoriesThe Australian National UniversityWeston Creek ACT 2611AustraliaABSTRACTThe highest part of the Antarctic Plateau (Dome A) holds the promise of providing a superlative site for near-infrared (IR) astronomy and, in particular, for observations in the 2.27 - 2.45 µm waveband. This is a result of the intense cold, which reduces the thermal background by 6 magnitudes compared to a mid-latitude site, the absence of OH airglow emission between these wavelengths and the minimum in the zodiacal emission which occurs in the near-IR. The prospects exist for the darkest site for astronomy at any wavelength, anywhere in the inner solar system. Some possible scientific projects to exploit this potential, particularly deep cosmological surveys, are outlined.29.1INTRODUCTIONDuring the past few years it has become increasingly evident that the Antarctic plateau may be the best site on the planet for astronomical observations at infrared (IR), sub-mm and mm wavelengths. This is a result of the combination of high altitude, extreme cold and low water vapour content of the atmosphere. The 'seeing', or atmospheric-turbulence-limited resolution, may also be exceptional. Research groups from a number of countries have now conducted astronomical experiments from the South Pole, mainly focusing on the research areas of the microwave background and cosmic rays, and their experiences confirm the general expectations that Antarctica may provide an exceptional site for astronomy. In this paper we discuss the scientific potential of the Antarctic plateau for near-IR astronomy, and some of the plans that are being made to exploit it. There are fundamental astrophysical problems which might only be tackled from Antarctica. Other papers in this volume discuss the prospects for Antarctic astronomy at other wavelengths (see Gillingham 1992, Smith1992, Storey and Hyland 1992). 29.2NEAR-IR ASTRONOMYIR astronomy can loosely be described as encompassing all observations spanning the wavelength range from 1 µm to 1 mm,and is subdivided into several regimes resulting from differences in detector capability and observational difficulty with wavelength.The near-IR regime covers the 1–5 µm waveband, and several factors conspire to make it an integral part of astronomy. Firstis the cosmological redshift, whereby distant (and therefore young) objects in the universe recede from us at ever greater speeds and thus have their radiation Doppler shifted into IR wavelengths. Second, the extinction of light waves passing through interstellar material is vastly reduced in the IR compared to the optical, a factor of 10 between 5500Å and 2.2 µm. Hence we are able to peer into and through the numerous dark clouds of dust and gas that lie along the plane of our galaxy. We can witness star formation, which otherwise would be hidden from us, and explore the dynamic and often violent interstellar medium through the many atomic and molecular emission lines that are radiated in these wavelengths. Third, the exponential leading edge of the blackbody function, that moderates most astronomical emission mechanisms. Many types of object are intrinsically cool and radiate only in the IR and most of the photon energy of the universe is emitted in the IR. Figure 1 illustrates some of these points by showing the blackbody emission from a 300 K source and a 10 000 K body subject to 100 magnitudes of visual extinction.Figure 1. The Blackbody emission flux from sources at 300 K (right-hand curve) and at 10 000 K (left-hand curve) but subjected to 100 magnitudes of visual extinction (and divided by a factor of 1000). Also shown is the intrinsic (unextinguished) emission from the 10 000 K body. The figure illustrates that both cool bodies and heavily reddened objects are observable only at IR wavelengths.29.3SENSITIVITY LIMITATIONS IN IR ASTRONOMYThree factors have been limiting the achievements of IR astronomy, as compared to the optical. These are:1.Inferior technology2.Poor atmospheric transmission3.High thermal backgroundThe first of these restrictions is now, however, receding. In the past five years, in what has been dubbed the 'infrared revolution', two dimensional array-format near-IR detectors, the equivalent of CCDs used in the optical, have replaced single element detectors and led to improvements of 103 to 104 in observational efficiencies. Although there still remains another order of magnitude improvement to equilibrate with the optical, it is realistic to expect that within the next decade IR arrays will be comparable in capability to optical CCDs. We are thus free to pursue the other two factors that limit performance.The best IR observatories in the world are on high, dry mountain top sites, where the low water vapour content improves the atmospheric transparency over a lower altitude site and the low temperature reduces the IR thermal background radiation from both atmosphere and telescope. On the Antarctic plateau these gains are multiplied still further. Near-IR (1 – 5 µm) wavelengths lie on the Wien side of the blackbody radiation spectrum emitted by the earth. The decrease in temperature in Antarctica from a mid-latitude site results in an enormous decrease in the background. This is illustrated in Figure 2, which compares the blackbody emission fluxes in the near-IR at 273 K and 210 K, representative of a mountain top site, such as Mauna Kea, and the South Pole, respectively. The drop in the thermal emission from the sky in Antarctica is over two orders of magnitude over much of the near-IR spectrum. At longer wavelengths, although the drop in background levels are not so dramatic, the very low water vapour density over the Antarctic plateau considerably improves the atmospheric transparency, even opening some new 'windows' which are opaque at other observing sites (Smith 1992, Storey and Highland 1992).Figure 2. Blackbody emission fluxes in the near-IR (1 – 5 µm) regime for an atmosphere at 273 K (upper curve) and 210 K (lower curve), illustrating the relative thermal backgrounds at Mauna Kea and the South Pole.In the near-IR, sensitivity is limited by a combination of airglow emission from OH radicals at altitudes of 80 – 90 km and thermal emission from the telescope and atmosphere. As demonstrated above, a small decrease in the ambient temperature results in a large decrease in the thermal background. Ultimately, if these could be reduced, we would be limited by the zodiacal emission (scattered and thermally re-emitted sunlight off solar system dust). This itself is at a minimum in the near-IR (Figure 3). Furthermore, and fortuitously, the 2.27 to 2.45 µm region is devoid of airglow emission. Model calculations (Figure 4) indicate that at the South Pole, with an air temperature of -60°C, the background is reduced by a factor of 220 from Mauna Kea, the best observing site currently in use, to a level close to the zodiacal emission itself. Even larger reductions can be expected above 4000 m, at the highest point on the Antarctic plateau (Dome A), where the temperature may drop to -90°C. The Antarctic plateau may therefore provide a site with as dark a sky background as can be found anywhere within the inner solar system.Figure 3. The Zodiacal emission in the IR, comprised of scattered sunlight off interplanetary dust in the optical and near-IR, thermal emission from interplanetary dust in the mid-IR, and thermal emission from interstellar dust in the far-IR. The minimum occurs in the near-IR regime. Also shown, for comparison, is the thermal emission from a 300 K site, representative of the background at Anglo Australian Telescope. (Adapted from Lee et al. 1990).The reduced background can be translated into significant improvements in observing efficiencies. For a background limited observation between 2.27 and 2.45 µm, a decrease of a factor 220 in background corresponds to the following gains for a telescope in Antarctica compared to Mauna Kea (Harper 1989):1.With the same size telescope and integration time, to observing a source2.9 magnitudes fainter in Antarctica with the same signal-to-noise ratio;2.To achieve the same signal-to-noise ratio on the same source, with the same integration time, requires a telescope 15 times larger in diameter on Mauna Kea;3.With the same size telescope, to achieve the same signal-to-noise ratio on the same object, requires an integration time 220 times longer on Mauna Kea.In other words, for such observations a 1 m telescope in Antarctica is equivalent to a 15 m telescope on Mauna Kea, with a price vastly smaller! A 1 m class telescope can be constructed from kit form, whereas building a 15 m class telescope is at the very limits of current technological capability.Figure 4. Comparison of the background at the South Pole (lower curves) and Mauna Kea (upper curves) in the 2.25 – 2.50 µm region. Contributions from the atmosphere are shown as thin solid lines, from the telescope as thin dashed lines and from the zodiacal light as a thick dashed line. The total background at each site is shown by the thick solid line. At the South Pole the background is close to the fundamental limit set by the zodiacal emission. (Adapted from Lubin 1988 and Harper 1989).For the very deepest observations there is an additional and perhaps even more important gain. The ultimate sensitivity achievable depends on how accurately it is possible to flatfield the data in order to measure a signal which is a tiny fraction of the sky background. Practical experience shows that this is about 0.1% of the background level. In this case an Antarctic telescope will enjoy an advantage in signal-to-noise ratio directly proportional to the decrease in background, an improvement in limiting flux density of some 5.9 magnitudes. This has significant implications for cosmological surveys.29.4 SCIENCE PROJECTSSeveral key problems in cosmology, star formation, the physics of the interstellar medium and the galactic centre might be addressed by high sensitivity observations from the Antarctic plateau. Despite great strides in our understanding of the universe in the past few decades, major questions remain unanswered. How did galaxies form from an initially smooth and expanding primordial gas and when? How do stars actually form and what is the mass spectrum and formation rate? What is the role of the interstellar medium in regulating this process? Is there a massive blackhole at the centre of our galaxy? Significant progress can be made on these issues through observations at IR wavelengths from the Antarctic plateau. Some example projects which can be tackled are described below.29.4.1Early Star Formation in GalaxiesHow did the first stars form from a gas of only hydrogen, helium and a little lithium? Without dust and metals the usual mechanisms of star formation observed in our galaxy cannot operate. Molecular hydrogen must have formed at some point and the heat of gravitational contraction be radiated away through its cooling lines, mainly at mid-IR wavelengths. After the first generation of stars formed and heavy elements built up, collapsing clouds could cool through fine structureFigure 5. (a) Left. A predicted number-magnitude relation at K (2.2 µm) for stars and galaxies, as would be observed at high galactic latitude, based on K-corrections determined at low redshift and for two different cosmological models. The number counts are dominated by galaxies in the faint IR sky. For an equivalent survey, a sensitivity gain of nearly 3 magnitudes will be achieved from the Antarctic Plateau compared to Mauna Kea.(B) Right. As for (a), but also including possible populations of brown dwarf stars and high redshift proto-galaxies. The curves for brown dwarfs represent the field populations for different mass ranges which will account for the local 'missing mass'. The dashed line for proto-galaxies represents a locus along which plausible luminosity functions will slide depending on model parameters. The very deepest surveys might reach limits 0.1% of the sky level, or 7.5 magnitudes fainter than the K = 13 magnitudes per square arcsec background of Mauna Kea. On the Antarctic plateau the background is reduced a further 6 magnitudes at K. (Both figures from Lilly and Cowie 1987.)lines of elements such as O and C, emitted at far-IR wavelengths. For redshifts in the range z = 3 - 10, where Galaxy formation probably occurred, the peak of mean stellar spectrum can be observed at near-IR wavelengths. Deep near-IR surveys are required to search for and detect these proto-galaxies.Figure 5(a) (Lilly and Cowie 1987) shows a prediction of the number-magnitude relation at K (2.2 µm)for stars and galaxies for a field at high galactic latitude, extrapolated from measurements at shorter wavelengths and lower sensitivity. Galaxies will clearly dominate any faint survey. Assuming a sensitivity improvement of 2.9 magnitudes over a similar survey conducted from Mauna Kea, as discussed above (i.e. with the same size telescope and integration times), an order of magnitude more sources will be detected for the same effort.For the very deepest survey of a small region we may expect to do even better. A practical limit to such a survey is 0.1% of the sky background, which for Mauna Kea, where the background is K = 13 magnitudes per square arcsec, corresponds to K~20.5. On the Antarctic plateau, if we are able to achieve such a limit, this would take us down by a factor of 220, to K~26.5! In Figure 5(b) (Lilly and Cowie) are shown the same number-magnitude relation predictions but this time including contributions from possible brown dwarf stars, postulated to account for the 'missing mass', and from high-redshift proto-galaxies. It is clear that with these sensitivity levels, not only are the prospects of discovering orders of magnitude more proto-galaxies than from Mauna Kea excellent but that a significant number of brown dwarfs would be detected too, if they exist. The brown dwarf yield for a similar survey from Mauna Kea is too low to result in a significant chance of detection.29.4.2Formation of Stars and PlanetsSome of the nearest and richest star forming regions lie in the southern sky and their embedded stars are only observable at IR wavelengths. In the near-IR the extinction is at most a few magnitudes to such regions and the sensitivity high enough that a complete population census of the cluster membership of several nearby star forming regions, such as Rho Ophiuchus and R Coronae Australis, can be undertaken to determine the distribution and range in mass of the young stars. The strongest lines from shocked and fluorescent molecular hydrogen, which trace the energetic activity associated with young stellar objects, are also emitted near 2.4 µm.29.4.3The Galactic CentreThe study of the stars at the centre of our galaxy is the domain of IR astronomy, as they are totally obscured by intervening gas and dust in the visible. The stars are readily apparent by 2.4 µm, but the region is so crowded at the highest spatial resolutions achieved that we still do not know what lies at the very centre of our galaxy. With the prospects of super-seeing, combined with high sensitivity at 2.4 µm, we may hope to understand the nature of the galactic nucleus.29.5CURRENT PLANSA number of countries have expressed interest in Antarctic astronomy and undertaken exploratory experiments. The most developed plans come from the Center for Astrophysical Research in Antarctica (CARA) in the USA, which has been funded and has initial plans for three telescopes at the South Pole; a sub-millimetre telescope, a cosmic background microwave detector, and anear-IR telescope. The latter, the South Pole Infrared Explorer (SPIREX), is a 60 cm transportable telescope which will be used with a near-IR array camera and spectrometer and is designed to exploit the minimum of zodiacal emission in 2.27 - 2.45 µm window. There are only proto-designs at present, however, for a 2 m-class telescope, which also offers the potential of benefiting from 'super-seeing', as well as from the low background in the near-IR and yet remains relatively simple to construct.29.6 SUMMARYThe combination of extreme cold and minimal atmospheric water vapour content mean that the summit of the Antarctic plateau (Dome A) might prove to be the preeminent site on the Earth for astronomical observations across the entire IR and sub-mm wavebands with superior atmospheric transparency and reduced background to any other site on the Earth. The thermal background in the near-IR is reduced by over two orders of magnitude from mid-latitude sites like Mauna Kea. In particular, in the 2.27-2.45 µm regime, devoid of atmospheric airglow emission, observations will be limited only by the natural zodiacal background which is itself at a minimum in this region. Thus, the background against which observations must be made is at a minimum for a site anywhere within the inner solar system. This offers us an unprecedented window to peer out upon the universe and pursue fundamental astrophysical problems in star formation and cosmology. REFERENCESHarper, D.A. (1989). Infrared astronomy in Antarctica. In: Mullan, D.J., Pomerantz, M.A. and Stanev, T. (Eds). Astrophysics in Antarctica. American Institute of Physics ConferenceProceedings 1988. Pp. 123 - 129.Lee., T.J., Hawarden, T.G., Thronson, H.A., Mountain, C.M., Davies, J.K. and Longair, M.S.(1990). Radiatively cooled telescopes for infrared space astronomy. Proceedings of the 24th Liege International Astrophysical Colloquium, July 1990, ESA SP 314:373 - 379. Lilly, S.J. and Cowie, L.L. (1987). Deep infrared surveys. In: Wynn-Williams, C.G. and Becklin,E.E. (Eds). Infrared Astronomy with Arrays. Pp. 473 - 482.Lubin, D. (1988). Masters Thesis. University of Chicago.。

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