帝企鹅日记观后感英文

帝企鹅日记观后感英文
帝企鹅日记观后感英文

帝企鹅日记观后感英文

描绘了处于南极洲的帝企鹅每年为了生存和繁衍而进行的艰苦旅程,是一部真实反映企鹅生活的电影。下面是X 为大家整理的观后感,希望大家喜欢!

观后感篇一

以前,如果有人问过:什么是坚持?我可能会想老半天,可能还是说不好,但是,自从我看过一部电影后,我想,我已经找到完整的答案了。

这部电影就是。

这是一部纪录片,记录了一群帝企鹅的生活片段。

电影刚开始,视觉效果就非常好:冰天雪地中,到处都是白茫茫的一片,阳光照耀下,金光灿灿,这时,一群帝企鹅出现在我们的视线里。

帝企鹅长着小小的头,大大的白肚皮,黑黑的尾巴像剪刀,连着背后同样黑黑的毛,简直就是一位高贵的绅士。它们还有两颗“绿豆眼”,黑亮亮的,真像两个黑宝石。它们走起路来摇摇摆摆,使原本肥胖的企鹅显得有些好笑了。

一群企鹅慢慢地走着,不时有几只爬在冰面上,让白溜溜的肚皮挨着地面,用翅膀做滑冰的工具,“忽”一下可以滑很远。妈妈说,它们这样做可以节省体力,不会累。很快,它们就停下来了,企鹅妈妈开始生蛋,生蛋的过程我没有看

到。生完蛋后,企鹅妈妈就要将蛋转交给企鹅爸爸,孵蛋期间是很危险的,因为,一不小心,蛋里的小企鹅就会冻死,它们爱情的结晶也就没有了。我看到一对企鹅成功“转交”蛋后,它们就很开心的大叫,大概是在欢呼自己的胜利吧。

把蛋宝宝交给企鹅爸爸后,企鹅妈妈依依不舍地告别了企鹅爸爸和她的孩子,踏上了回家之路。这里的冰层非常结实,可见这里和海边相距很远,帝企鹅在这里找不到食物,也没有能力破坏冰面,所以只能原路返回到大海里去寻找食物。企鹅爸爸负责孵蛋,孵蛋期间没有吃的,只能一直饿着,忍受着暴风雪的折磨,直到小企鹅破壳而出。经过120多天,企鹅妈妈终于“旅行”回来了,小企鹅吃着妈妈从远方带来的美食,发出了清脆的啼叫。这时,企鹅爸爸则要赶紧去海边找吃的,他已经忍饥挨饿了120天了,再不去找吃的,自己就要饿死了。

企鹅爸爸踏上寻找食物的征程,电影结束了。

妈妈告诉我,由企鹅爸爸孵蛋的原因是:企鹅妈妈生下蛋后,体力消耗了三分之二,撑不了120天,所以,这个充满爱心的艰巨的工作只能交给企鹅爸爸来做了——我又增加了一点知识。

现在我知道了什么是坚持:坚持是忍受120天的饥饿,只为了孩子的企鹅爸爸;坚持是靠一点水游向大海的鱼儿;坚持是传承中国文明礼仪之邦的美德而永远不闯红灯;坚持

是为了世界更美好而不乱丢垃圾;坚持是为了祖国富强文明而刻苦学习。

我又坚持了什么?

望着远方,我常常陷入沉思……

帝企鹅日记观后感篇二

我今天一部电影纪录片是关于动物的,叫,这部电影是20XX年时拍的。这是一个关于母爱父爱以及生命的故事,主要讲述了南极岛上的居民帝企鹅们结婚的故事。他们不是在海边结婚的,他们要去一个岛——奥默克,所有的企鹅们都是在那里结婚的。他们成群结队地排成一队走向奥默克。奥默克离这里很远很远,企鹅们要日夜不停地走,走了10天、20天……终于到达那个岛了。企鹅们为什么要去那里结婚呢?因为那个地方很安全,冰很厚,不容易裂开,小宝宝们就不会掉入大海。孵出小企鹅,不让企鹅宝宝死掉,健康地活下来,那是非常困难的。企鹅爸爸们要先找到一个企鹅妈妈跟她结婚,要花几天时间,才能找到互相喜欢的。不久企鹅妈妈生下一个蛋,那就是企鹅宝宝喽,企鹅妈妈要把蛋宝宝交给企鹅爸爸,途中如果不赶快弄的话,蛋壳碰到冰要裂开的,小宝宝也就要死亡了。然后,企鹅爸爸把蛋藏在温暖的怀抱里,开始孵蛋。企鹅妈妈出去找食物,要快速去找,要不然,小企鹅和企鹅爸爸要饿死的。过了20多天企鹅妈妈终于回来了,然后把小企鹅交给企鹅妈妈照看,接着企鹅爸爸去找

食物,他很久没有吃东西啦,已经很累了。那时候,在奥默克经常有野鹅、老鹰来抓小企鹅,非常危险,幸好有企鹅妈妈的保护。在大海里找食物要十分小心海洋里危险的动物,有的企鹅爸爸被凶猛的海豹吃掉了,再也回不来了,好可怜啊!然后企鹅爸爸回来了,一家三口团圆了,小企鹅也渐渐地长大了,爸爸妈妈把小企鹅带到海边去,让小企鹅自己独立生活。这部电影后,我很受感动,企鹅是世界上最坚强的动物,居然能在南极这么恶劣的环境下生存。企鹅爸爸和企鹅妈妈的爱是世界上最伟大的爱,小企鹅们真幸福啊!我的爸爸妈妈也非常爱我,每天照顾我,让我幸福地生活,等他们老了以后,我也要照顾他们。

观后感篇三

描绘了处于南极洲的帝企鹅每年为了生存和繁衍而进行的艰苦旅程,是一部真实反映企鹅生活的电影。这部纪录片不管是拍摄手法、选题、画面还是叙事、音乐、旁白,都制作的十分精彩。

选题上,这部纪录片选择的是生活在南极的帝企鹅。帝企鹅与人类生存的时间还不够长,它们之间也是陌生的,所以这部影片让观众更好地了解帝企鹅这样一种神奇、特别并且富有感情的动物。导演用不可思议的影像表现了帝企鹅在寒冬时的艰苦生活,并且将帝企鹅的生活比作人类的生活一样来记录。

拍摄上,摄影师全天都在拍摄帝企鹅的一天,真实、全面地记录了帝企鹅的生活,还记录下了南极的绚丽风光,不管是极光还是日出日落,都完整地呈现在了观众眼前。对于帝企鹅的生活,有远景拍摄,也有近距离拍摄,还有一些特写,例如雌雄企鹅之间的爱情,还有雌企鹅孵蛋的瞬间。摄影师还使用了蒙太奇的手法,在企鹅父亲孵化小企鹅的时候,为观众呈现了暴风雪来临时的场景。

叙事上,导演将纪录片故事化,在纪录片中加入了情节的描绘,使用拟人的手法,显得更加人性化,感性、生动地传达着主题。采用了线性叙事,截取企鹅生活中的每个具有代表性的片段让观众更直观地了解企鹅的生活。在企鹅们温馨生活的同时,也穿插了一些危险来临是的片段,比如海狮的袭击,用这样的冲突性情节来调动观众的情绪。

旁白上,使用了纪录片一贯的画外音的方式,解说的同时也饱含深情,台词也具有诗意,不是用说教的形式硬是将内容灌进观众的脑中,极具人文关怀色彩。

画面上,整个纪录片中的特写都集中在了“爱情”这个方面,整体色调十分清新、明丽,蓝色的大海、白色的冰山、帝企鹅颈上的明亮的黄色羽毛,都被拍摄的真实而具有美感。导演还运用镜头、景别的变化来呈现画面的多变。

音乐上,艾米丽·西蒙天籁般的声音使得纪录片显得更加空灵,导演合理的运用了主题曲、插曲、背景音乐,使得

情节更加紧凑连贯且故有感情。在这部纪录片中,音乐代替了文字,补充了镜头语言的不足,强化了影片的情感表达,很好地起到了营造氛围、烘托了主题。

例如小企鹅学会自己走路时,使用了欢快又温馨的音乐,体现了小企鹅以及企鹅妈妈的喜悦之情;暴风雪来临时,又将自然风声与缓慢深沉的音乐结合起来,营造一种危险逼近的紧张氛围;暴风雪过去,企鹅妈妈寻找丢失的小企鹅,此时使用了沉重、缓慢的音乐,特别是看小企鹅死去,企鹅妈妈悲切的叫声,都将这个场景烘托得格外悲切;还有危险逼近时的紧张急促的音乐等等。导演用声音展现了这部片子的故事性,推动了情节的发展。

这部影片,不仅是用内容还是用技巧,都将帝企鹅的生活活灵活现的展现在了观众面前,是一部很不错的生态纪录片。

观后感

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