Final PR 14e Ch 1
国际歌歌词--各种语言版
国际歌歌词--各种语言版《国际歌》中文版歌词(完整) 第一段:起来，饥寒交迫的奴隶～起来，全世界受苦的人～满腔的热血已经沸腾，要为真理而斗争～旧世界打个落花流水，奴隶们起来，起来～不要说我们一无所有，我们要做天下的主人～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～第二段:从来就没有什么救世主，也不靠神仙皇帝～要创造人类的幸福，全靠我们自己～我们要夺回劳动果实，让思想冲破牢笼～快把那炉火烧得通红，趁热打铁才会成功～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～第三段: 压迫的国家、空洞的法律，苛捐杂税榨穷苦;富人无务独逍遥。
穷人的权利只是空话，受够了护佑下的沉沦。
平等需要新的法律，没有无义务的权利，平等～也没有无权利的义务～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～第四段:矿井和铁路的帝王，在神坛上奇丑无比。
他们除了劳动，还抢夺过什么呢,在他们的保险箱里，劳动的创造一无所有～从剥削者的手里，他们只是讨回血债。
这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～第五段: 国王用烟雾来迷惑我们，我们要联合向暴君开战。
让战士们在军队里罢工，停止镇压，离开暴力机器。
如果他们坚持护卫敌人，让我们英勇牺牲;他们将会知道我们的子弹，会射向我们自己的将军。
这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～第六段: 是谁创造了人类世界,是我们劳动群众～一切归劳动者所有，哪能容得寄生虫,～最可恨那些毒蛇猛兽，吃尽了我们的血肉～一旦将它们消灭干净，鲜红的太阳照遍全球～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～这是最后的斗争，团结起来到明天，英特纳雄耐尔就一定要实现～法语版【L'INTERNATIONALE】 Version francaise s tabilisée 1871 Paroles d'【Eugène POTTIER】, Musique de 【Pierre DEGEYTER】 Couplet 1 :Debout ! les damnés de la terre Debout ! les forcats de la faim La raison tonne en soncratère : C’est l’éruption de la fin Du passé faisons table rase Foule esclave,debout ! debout ! Le monde va changer de base : Nous ne sommes rien, soyons tout !Refrain : (2 fois sur deux airs différents) C’est la lutte finale Groupons nous et demain L’Internationale Sera le genre humain. Couplet 2 : Il n’est pas de sauveurs suprêmes : Ni Dieu, ni césar, ni tribun, Producteurs, sauvons-nous nous-mêmes ! Décrétons le salut commun ! Pour que le voleur rende gorge, Pourtirer l’esprit du cachot Soufflons nous-mêmes notre forge, Battons le fer tant qu'il est chaud ! RefrainCouplet 3 : L’Etat opprime et la loi triche ; L’Impot saigne le malheureux ;Nul devoir ne s’impose au riche ; Le droit du pauvre est un mot creux. C’est assez languir en tutelle, L’égalité veut d’autres lois ; < Pas de droits sans devoirs, dit-elle,Egaux, pas de devoirs sans droits ! > RefrainCouplet 4 : Hideux dans leur apothéose, Les rois de la mine et durail Ont-ils jamais fait autre chose Que dévaliser le travail ? Dans les coffres-forts de la bandeCe qu’il a créé s’est fondu. En décrétant qu’on le lui re nde Le peuple ne veut que son du^. RefrainCouplet 5 : Les Rois nous saoulaient de fumées. Paix entre nous, guerre aux tyrans ! Appliquons la grève aux armées, Crosse en l’air et rompons les rangs !S’ils s’obstinent, ces cannibales, A faire de nous des héros, Ils sauront bientot que nos balles Sont pour nos propres généraux. Refrain Couplet 6 : Ouvriers, Paysans, nous sommes Le grand parti des travailleurs ;La terre n’appartient qu’aux hommes, L'oisif[*] ira loger ailleurs. Combien de nos chairs se repaissent ! Mais si les corbeaux, les vautours, Un de ces matins disparaissent,Le soleil brillera toujours ! Refrain [*] : dans certaines versionson trouve "le riche" au lieu de "l'oisif"英语版(一)Arise you prisoners of starvation Arise you toilers of the earth For reason thunders new creation `Tis a better world in birth. Never more traditions\\' chains shall bind usArise ye toilers no more in thrall The earth shall rise on new foundations We are but naught we shall be all. Then comrades, come rally And the last fight let us faceThe Internationale Unites the human race. (bis) Arise ye workersfrom your slumbersArise ye prisoners of want For reason in revolt now thunders And at last ends the age of cant. Away with all your superstitions Servile masses arise, arise We\\'ll change henceforth the old tradition Andspurn the dust to win the prize. Then comrades, come rally And the last fight let us face The Internationale Unites the human race. (bis) No more deluded by reaction On tyrants only we\\'ll make war The soldiers too will take strike action They\\'ll break ranks and fight no more And if those cannibals keep trying To sacrifice us to their pride They soon shall hear the bullets flying We\\'ll shoot the generals on our own side. Then comrades, come rally Andthe last fight let us face The Internationale Unites the human race. (bis) No saviour from on high delivers No faith have we in prince orpeer Our own right hand the chains must shiver Chains of hatred, greed and fear 英语版(二)stand up, all victims of oppression for the tyrants fear your might don't cling so hard to your possessions for you have nothing, if youhave no rights let racist ignorance be ended for respect makes the empires fall freedom is merely privilege extended unless enjoyed by one and all. so come brothers and sisters for the struggle carries on the internationale unites the world in song so comrades come rally for this is the time and place the international ideal unites the human race let no one build walls to divide us walls of hatred nor walls of stone come greet the dawn and stand beside us we'll live together or we'll diealone in our world poisoned by exploitation those who have taken, now they must give and end the vanity of nations we've one but one earth on which to live so come brothers and sisters for the struggle carries on the internationale unites the world in song so comrades come rally for this is the time and place the international ideal unites the human race and so begins the final drama in the streets and in the fields we stand unbowed before their armour we defy their guns and shields when we fight, provoked by their aggression let us be inspired by life and love for though they offer us concessions change will not come from above. so come brothers and sisters for the struggle carries on the internationale unites the world in song so comrades come rally for this is the time and place the international ideal unites the human race俄语版Вставай, проклятьем заклейм?нный,Весь мир голодных и рабов! Кипит нашразум возмущ?нный И в смертный бойвести готов. Весь мир насилья мыразрушим До основанья, а затем Мы наш,мы новый мир построим, —Кто был ничем,тот станет всем. Припев: |: Это есть нашпоследний Ирешительный бой. С ИнтернационаломВоспрянет род людской! :| Никто не дастнам избавленья: Ни бог, ни царь и нигерой. Добь?мся мы освобожденья Своеюсобственной рукой. Чтоб свергнуть гн?т рукой умелой, Отвоевать сво?добро, —Вздувайте горн и куйте смело, Пока железо горячо! |: Это есть нашпоследний И решительный бой. СИнтернационалом Воспрянет родлюдской! :| Лишь мы, работники всемирной Великой армии труда, Владеть земл?йимеем право, Но паразиты —никогда! Иесли гром великий грянет Над своройпсов и палачей, —Для нас вс? так жесолнце станет Сиять огн?м своих лучей. |: Это есть наш последний И решительныйбой. С Интернационалом Воспрянет родлюдской! :| 影片引用，《空军一号》中芮狄将军被释放时监狱内大批囚徒齐唱国际歌。
离港系统简介
报文类型介绍 报文代码:SOM 英文全称: Seats Occupied Message 中文名称: 占座报 报文说明:发下第一个航站,那些座位已经被占用了. 报文实例: SOM CA994/27APR PEK PART1 -HKG.3AD 4CD 8AE 9ABCE 10ABCEFG 11A 12AB 14BCDEF 15ABCEFG 16ABCEFG 17ABCEFG 18ABCEFG 19ABCEFG 20ACEFG 21ABCDEFG 22BCEF 23BCEFG 24A 25AEFG 28G PROT EX -PEK.3C 8CD SI PAD NIL ENDSOM 到HKG的旅客所有座位号 航班PAD无航空公司ID旅客占座
报文类型介绍 报文代码: TPM 电传旅客名单报 报文说明: 发下第一个航站.下一站下机旅客信息.分舱位显示,姓名按字母顺 利排序. 报文实例: PTM CA994/27APR HKG PART1 -PEKHKG CLASS C/4 CHIAMENTI/ROBERTO B3/35 SUN/YONGHONG WANG/CHAOYONG ZHANG/ZHIFENG …………………… ENDTPM 此航班PEK到HKG,C舱有4名旅客.其中CHIAMENTI/ROBERTO旅客有3件35公 李.SUN/YONGHONG无托运行李.
1级 3级
4级 2级 1级 3级
准备航班指令操作—— 航班座位控制
为要客预留座位 >JCS:#序号，R座位 座位图字符为“D”
为普通旅客预留座位 >PA: #序号，R座位 >PA: #序号，SNR座位 座位图字符为“P” 座位图字符由“C”变为“P”
第二部分 离港系统的操作简介
MX155 七通道预置放大器混音器（云合同者系列）操作手册说明书
CONTRACTOR SERIESMX1557CH PRE AMP MIXERMANUALThank you for choosing Cloud Contractor Series for your sound system. T o make sure that this product meets your expectations and provides long-term, reliable performance, please read and follow this instruction manual carefully. IMPORTANT SAFETY INSTRUCTIONS•Read these instructions and all markings on the product. Keep these instructions.•Heed all warnings and instructions, both in this manual and on the product.•Clean only with a dry cloth. Unplug from AC supply before cleaning.•Do not use this product near water and avoid any exposure to water.•Before connecting this product to any AC supply, make sure to check whether the AC mains voltage and frequency match the indication on the product and its packaging.•Only connect this product to an AC supply with sufficient power handling, protective earth connection, ground-fault (earth-fault) protection and overload protection.•Disconnect the product from the AC supply during thunderstorms or longer periods of being unused.•Make sure any heat sink or other cooling surface, or any air convection slot , is exposed•sufficiently to free air circulation and is not blocked.•Do not operate this product in environmental temperatures exceeding 35 degrees Celsius and/or 85% relative humidity.•Position the product in a safe and stable place for operation, out of reach of unauthorized persons.•Make sure any cable connections to and from the product are neither subject to potentially•destructive mechanical impact nor present any risk of stumbling or other accident risk to people.•Audio equipment may generate sound pressure levels sufficient to cause permanent hearing damage to persons. Always start up at low volume settings and avoid prolonged exposure to sound pressure levels exceeding 90 dB.•Do not open this product for service purposes. There are no user-serviceable parts inside.•Warranty will be void in any case of unauthorized service by the user or other not authorized persons.•T ake any precaution required by local law, applicable regulations or good business practice to avoid injury of people or material damage by use of this product.ATTENTION! Read manual before installation and operation.DANGER!Safety hazard.Risk of injury or death.WARNING!Hazardous voltage.Risk of severe or fatalelectric shock.WARNING!Fire hazard.OverviewGeneralThe MX155 is a mic/line mixer with 5 multi-purpose mic/line inputs, one dedicated microphone input and talkover feature. All inputs feature EQs and Gain control. The balanced output is provided on a Phoenix-compatible connector. Remote muting and emergency signal replay facilitate the use in installed sound systems.Health adviceThis unit produces and absorbs electromagnetic radiation. T he strength of radiation and the sensitivity for disturbing interference matches the CE and FCC requirements. A corresponding sign is printed on the backside of the unit. Any change or modification may affect the behavior of the unit concerning electromagnetic radiation, with the CE requirements eventually not to be met any more. The manufacturer takes no responsibility in this case.Functional adviceThis unit is immune to the presence of electromagnetic disturbances – both conducted and radiated - up to a certain level. Under peak conditions, the unit is classified to show a “class C” performance criteria and may encounter temporary degradation or loss of function which may need manual help to recover. In such case, disconnect the AC power from the unit and reconnect it again to recover.Environmental adviceThis unit is built to conform to the ROHS standards and the WEEE directive 2002/96/EC of the European Parliament and of the Council of the European Union. Under these regulations, the product shall not be discarded into regular garbage at the end of its life, but shall be returned to authorized recycling stations.UnpackingPlease check that the box contains the following items:Main parts: 1 pc. MX155 main unit 1 pc. Mains cable 1 pc. Operation manualIf any part is missing, please contact your dealer immediately for replacement.AC mains voltage settingIf the AC mains voltage of your power outlet and the setting of the AC supply voltage on your unit do not match, contact your dealer, contractor or a qualified service workshop to change the setting of the AC voltage selector. The AC voltage selector switch is located on the side panel of the unit, close to the AC inlet.WARNING After unpacking, and before plugging the AC cord in the wall outlet, check whether the AC mains voltage and frequency is the same as this product is specified for (see rear panel of product). Whenever the specified voltage or your AC plug should not match the local conditions, do NOT plug the AC cord into the wall outlet and contact your dealer immediately.AC VoltageControls and ConnectionsConnections - RearOutput SectionInput SectionControls - FrontInput SectionOutput Section1213151614181917202123242627252822Functional DescriptionThe MX155 is a mic/line mixer with 5 multi-purpose mic/line inputs, one dedicated microphone input and talkover feature. All inputs feature EQs and Gain control. The balanced output is provided on a Phoenix-compatible connector. Remote muting and emergency signal replay facilitate the use in installed sound systems.1A C inlet and fuse holder. Use the supplied AC cord to connect the unit to AC mains. Make sure voltage and frequency stated and set on the unit comply with your local AC supply. The fuse can be accessed by the small drawer at the AC inlet. T o change the fuse, unplug the AC cord first, pull out the fuse drawer and replace the fuse ONLY with a fuse of SAME voltage and rating. If the fuse blows again after replacement, hand over the unit to qualified service personnel.2Stereo Main output. This is a balanced terminal block output.3M ono switch for main output. Sums the left and right channel to a mono signal when pressed.4M aximum level setting for Stereo Main output. This control allows to limit the maximum level at the outputs (2) in order to match the connected sound system. Adjustments made on this control will not be displayed by the output level meter(25). Adjustments shall be made with a small screw driver. Note that the total angle is 300 degrees; do not apply excessiveforce with the screw driver.5T alkover threshold adjustment for Stereo Main output. This controls allow to set the level at which the talkover is enabled.The amount of damping which is applied once the talkover is active (DPG) is set by a front panel control (23). Adjustments shall be made with a small screw driver. Note that the total angle is 300 degrees; do not apply excessive force with the screw driver.6R ecord output. T his is an unbalanced stereo output carrying the same signal as the main outputs (2), but not influenced by the main volume control (24). T his is normally used for recording the output to an external tape, CD or memory device. 7M usic Mute input. T his is a terminal block input which allows to remotely mute the main output by simply shorting the contacts.8E mergency input. This is an auto-sensing, balanced terminal block input which allows the connection to an emergency evacuation system. Once a signal is present on this input, the main output signal will be muted and the emergency message/ signal from this input will become audible instead. Note that the unit can be set to include or exclude the microphone signals from this muting process, please see section “microphone emergency priority setting”.9E mergency volume control. This control allows to set the level with which the signal fed into the emergency input (8) will be replayed at the main output (2).10P riority microphone input “MIC”. This is a balanced input with adjustable priority over other signals by means of the talkover controls (5) and (23). Phantom power can be enabled or disabled depending on the connected microphone type, see section “microphone phantom power setting”.11G AIN control for priority microphone input. “MIC” This allows the sensitivity (input gain) for input (10) to be adjusted to match different microphone output levels.12M ICROPHONE input for CH1/2/3/4/5. T hese are balanced Phoenix-compatible connectors, which can be internally set to either carry phantom power or not, thus these inputs can be used both with condenser and dynamic microphones.Please see section “microphone phantom power setting”. The signal of these inputs is controlled by the front panel controls (19)/(20).13L INE input for CH1/2/3/4/5. These RCA connectors provide inputs for line-level signals to the assigned channels.14S OURCE selector switch for CH1/2/3/4/5. Allows to switch the input source between the connected LINE signal (13) or microphone signal (12) of the respective channel.15G AIN control for input channels 1/2/3/4/5. This allows the sensitivity (input gain) for every input to be adjusted, so that sources of different output level can be mixed at properly balanced levels.16L INE input for FOH/AUX channel. This is a Phoenix-compatible balanced stereo input specifically designed to allow the connection of the output of a stage mixer or any other balanced audio source at larger distance, in order to use the connected sound system for the replay of such source‘s signal. This is useful in applications where, e.g., apart from stereo source replay also live music is performed over the same sound system, or where a source signal from a different room/ area needs to be replayed. The volume of this input is controlled by a rotary front-panel control (18). Note that this input is disabled when a connector is inserted into the front-panel AUX IN jack (17).17A UX Input for FOH/AUX channel. This is a 3.5mm TRS stereo socket which allows to connect sources like MP3 players etc. without removing the mixer from its mounting position. Once a plug is inserted, the rear panel balanced line inputs for this channel (16) are disabled and the connected source is active.18V OLUME control for FOH/AUX channel. Controls the volume of the signal inserted in the balanced rear-panel input (16) or the front-panel TRS input (17) respectively.19V OLUME controls for channels 1/2/3/4/5. Control the volume of the signal inserted in the rear-panel microphone inputs(12)or line inputs (13) depending on the setting of the source selector switch (14). The maximum attainable volume isadjustable by the rear-panel gain control (15).20E QUALIZER for channels 1/2/3/4/5. Allows the adjustment of the tonal balance for the respective input in two frequency bands with an adjustment range of ±12dB.21V OLUME control for priority microphone channel. Controls the volume of the signal inserted in the rear-panel priority microphone input (10). The maximum attainable volume is adjustable by the rear-panel gain control (11).22E QUALIZER for priority microphone channel. Allows the adjustment of the tonal balance for the priority microphone in two frequency bands with an adjustment range of ±12dB.23T alkover Damping Control. This control determines the amount of level reduction applied to the program signal when the priority microphone is spoken into. Being fully turned clockwise, once speaking into the microphone, the program signal is completely suppressed. Being turned fully counter-clockwise, the talkover function is off. Any position in between allows seamless adjustment of the amount of reduction applied to the program signal. The threshold level from which on this function is enabled can be set by the rear panel sensitivity level control (5).24M AIN (stereo) output level control. Determines the main output level present at output (2).25M AIN (stereo) output level meter. Displays the output level of the stereo main output (2). Note that the level limitation applied by means of the rear-side maximum level control (4) is not displayed on this meter.26P FL level. Determines the signal volume at the headphone output (27). Always set this control to minimum before putting on headphones, as sudden high-volume impact may damage your ears. See further health advice below.27H eadphone output. A ¼” TRS connector to connect headphones. T urn the PFL level (26) down before plugging in any headphones.28P ower switch. Switches the unit on and off. Make sure to switch the unit off when not in use.Internal SettingsWARNING - DANGER Changing the internal settings requires to open the unit. Prior to opening the unit, the unit shall be disconnected from any AC supply. Any work on an open unit shall be expedited only by qualified, certified personnel.T o make the settings, locate and set the jumpers on the rear PCB as show below.CH1-5 MIC PHANTOM POWER:MIC INPUT PHANTOM POWER:ONOFF (DEFAULT)EMERGENCY MIC PRIORITY:OFF (DEFAULT)ONOFF (DEFAULT)ONA.Microphone phantom power settingWhile most applications will work well with dynamic microphones, on certain occasions the use of a condenser microphone may be required. T o supply the necessary voltage to the microphone, the MX155 provides an internal option to activate phantom power, separately for the priority microphone and for all other microphone inputs (CH1...CH5). Please note that the phantom power settings for channels 1-5 can only be made globally, not individually. Open the unit and locate the rear PCB as shown above. Set the jumpers as required.B.Microphone emergency priority settingIn the case of an external emergency signal muting the unit’s outputs, an internal jumper can be set to either mute the connected microphones (”off”) as well or to to keep them active (so that aside of a emergency message broadcasted, additional instructions can be given by a local microphone - “on”). T o make the setting, locate and set the jumper on the rear PCB as shown above.OperationA.ConnectionsFor connecting this unit to AC mains, please note:•Check whether the AC mains voltage and frequency is the same as this product is specified for (see rear panel of product). Whenever the specified voltage or your AC plug should not match the local conditions, do NOT plug the AC cord into the wall outlet and contact you dealer immediately.•Do not operate this unit without the line cord earth ground connected. T o do so may increase the risk of electric shock and increase line cord conducted emissions.For making audio signal connections, always remember that good and reliable connections are a basic requirement for good sound and reliable operation. Bad soldering of cables can result in intermittent audio signals or temporarily lost ground connections, hence always use good cables. In case of doubt about making proper connections, please see check the standard pin assignments required for proper operation in the following section of this manual.B.Powering upFollowing a proper power-up sequence protects your equipment – specifically speakers – and your ears. Follow the below procedure:•T urn down all output volume controls of any equipment in your audio system.•Switch on your audio sources first (T uners, CD Players, PCs with soundcards, T apedecks, etc.).•Switch on the audio mixer•Switch on any audio processor between the mixer and the amplifier(s) [if any].•Switch on the amplifier(s).•T urn up the audio level on your sources if such controls are provided.•Set the audio output of your mixer to a low level.•Set the audio output of any audio processor between the mixer and the amplifier(s) to a medium level [if any such processors].•T urn up the volume controls of your amplifier(s) slowly.•Make adjustments to all volume settings as needed.For switching off, follow the inverse sequence – always switch off your amplifier(s) first, then any processors between mixer and amplifier(s), then the mixer, then the sources.eApart from using good equipment, good sound comes from using it correctly. Level setting mistakes are one of the common reasons why even good equipment may not perform as desired. For setting levels, please be reminded that two guidelines need to be followed:•Avoid distortion by leaving some headroom. Never overrun any audio equipment’s inputs. Level meters and displays allow you to make sure that signals do not enter critical levels.•Avoid unnecessary amplification by using as little attenuation as possible. For example, if you turn down the input gain ofa mixer to minimum, and then increase the main output of the mixer to maximum to drive your amplifier properly, youwill create unnecessary noise, as you first dispose of some already existing signal level, and then later apply amplification (tainted with noise) to make it up.WARNING - HEAL TH RISK Excessive volume levels on headphones or other sound systems may cause hearingdamage. Always turn the volume control to minimum when you switch the unit on, and avoid prolonged exposure to sound pressure levels exceeding 90dB.ConnectionsThe MX 155 uses the connector types below, for which the pin assignment must comply with the following specification. Always make sure to use good connectors and cables to ensure proper operation. Balanced connections are to be preferred over unbalanced connections where applicable and feasible. Avoid unbalanced connections exceeding 2m of cable length.T echnical SpecificationsSignal/Noise ................>82dBu (unwgtd 22Hz-22KHz)Crosstalk Damping...........>65dB (Line)THD......................<0.03% (Line)Frequency response..........20Hz – 20 kHzAC IN ....................115V/230~ 50/60HzPower consumption..........max. 20WDimensions.................W483 x H44.5 x D152.0mmWeight ....................2.30 kgBlock DiagramMaintenance and WarrantyWhile we have chosen the best components to make this product as rugged and reliable as possible, some parts in audio products (potentiometers, faders, switches) are subject to wear which is a matter of operation cycles, and not of time. While providing a full time-based warranty according to the country’s of purchase requirements on the function of the electronic circuitry, we hence have to limit the warranty on such electro-mechanical parts to 90 days from the date of purchase.In many cases, malfunction of electro-mechanical parts occurs due to dust contamination, which may require cleaning of such parts. As the inside of such parts is not accessible, a common practice is to use cleaning fluids in the shape of sprays. Please be reminded that many of such fluids contain chemicals which may wash away the dust but at the same time corrode or damage contact surface and may cause cosmetic damage to other parts. We hence explicitly exclude any claims for exchange of damaged part due to mechanical or chemical impact. www.cloudusa.proCONTRACTOR SERIES。
离港系统简介
座位图上符号的含义 * 可利用的座位 = 过道 + 为婴儿/手提狗笼等预留座位 I 此行婴儿优先 X 锁定（不可利用）座位 V ASR订座名单中保留座 C 最后可利用座位，*用完后才可用 R 团体留座，系统自动给9人以上团留座 2级 A 为本段保留的座位 1级 N 看不到电影的座位 1级 G RS指令保留的团体座位 > 在本航站转港的旅客占用的座位 3．*用完用O，O用完用C
准备航班指令操作—— 航班座位控制
航班座位图显示 >SE:FLT/DATE/CLASS/SEG （>SE*） SE:CA1321/19JAN01/*PEKCAN CNF/C18Y196 767/2J6A C Y 1 [[[ [[[[[2[[ 3 123 5678901234 5678901234567890123 RG D.. G G XCCC.*... C...*...*...*.....B G R RF B.. F F XCCC..... C...*....*.*....... F R R E== ========== E=================E R R E== ========== E=================E R RE ... E E ...... ....**********.... E R LC **. C D C.*... ....**********.... D L L E== C C...*. ....**********.... C L L E== ========= E=======:==========E L LB ... B ========= E==================E L LA ... A B .CCC..*.. C........*........C B L L A .CCC..... C...*........****.. A L 123 5678901234 5678901234567890123 C Y 1 [[[ [[[[[2[[ 3
pr的复制前一段素材的效果参数
pr的复制前一段素材的效果参数1.引言在视频编辑和设计领域，常常需要对素材进行各种效果处理，以达到更好的视觉效果。
而复制前一段素材的效果参数是一项非常方便的功能，它可以帮助我们快速复制并应用前一段素材的效果参数，从而提高工作效率。
本文将介绍如何使用P R（A do be Pr em i er eP ro）软件中的复制前一段素材的效果参数功能，以及它的具体效果参数。
2.复制前一段素材的效果参数功能的使用方法在P R软件中，复制前一段素材的效果参数功能可以通过以下步骤实现：1.选中目标素材：在时间轴上选择你想要复制效果参数的素材。
2.复制效果参数：使用快捷键C om ma nd+C（Ma c）或C tr l+C（W in do ws）来复制选中素材的效果参数。
3.选择目标位置：在时间轴上选择你想要应用效果参数的目标素材。
4.粘贴效果参数：使用快捷键C om ma nd+V（Ma c）或C tr l+V（W in do ws）将之前复制的效果参数粘贴到目标素材上。
3.复制前一段素材的效果参数的效果参数类型复制前一段素材的效果参数功能可以复制并应用以下类型的效果参数：1.基本效果参数：包括位置、旋转、缩放等基本的变换效果参数。
2.视频效果参数：如亮度、对比度、饱和度等视频调色效果参数。
3.音频效果参数：包括音量、音调等音频调节效果参数。
4.图形效果参数：如阴影、边框、蒙版等图形处理效果参数。
5.滤镜效果参数：包括模糊、锐化、镜像等滤镜效果参数。
6.文字效果参数：如字体、颜色、大小等文字处理效果参数。
4.注意事项在使用复制前一段素材的效果参数功能时，需要注意以下几点：1.确保素材类型一致：只有相同类型的素材之间才能复制和应用效果参数。
2.忽略位置信息：如果目标素材与原素材位置不同，应忽略位置信息，只复制其效果参数。
3.精确选择目标位置：请确保在时间轴上准确选择目标位置，以避免应用到错误的素材上。
4.调整参数细节：在应用效果参数后，可能需要根据具体情况进行微调和调整，以达到所需效果。
E1CE1T1PRIBRI知识介绍和配置
E1/CE1/T1/PRI/BRI知识介绍和配置E1简介：①一条E1是2.048M的链路，用PCM编码。
②一个E1的帧长为256个bit,分为32个时隙，一个时隙为8个bit。
③每秒有8k个E1的帧通过接口，即8K*256=2048kbps。
④每个时隙在E1帧中占8bit，8*8k=64k，即一条E1中含有32个64K。
E1帧结构E1分为有成帧，成复帧与不成帧三种方式，在成帧的E1中第0时隙用于传输帧同步数据，其余31个时隙可以用于传输有效数据；在成复帧的E1中，除了第0时隙外，第16时隙是用于传输信令的，只有第1到15，第17到第31共30个时隙可用于传输有效数据；而在不成帧的E1中，所有32个时隙都可用于传输有效数据。
E1信道的帧结构简述在E1信道中，8bit组成一个时隙（TS），由32个时隙组成了一个帧（F），16个帧组成一个复帧（MF）。
在一个帧中，TS0 主要用于传送帧定位信号（FAS）、CRC-4（循环冗余校验）和对端告警指示，TS16主要传送随路信令（CAS）、复帧定位信号和复帧对端告警指示，TS1至TS15和TS17至TS31共30个时隙传送话音或数据等信息。
我们称TS1至TS15和TS17至TS31为“净荷”，TS0和TS16为“开销”。
如果采用带外公共信道信令（CCS），TS16就失去了传送信令的用途，该时隙也可用来传送信息信号，这时帧结构的净荷为TS1至TS31，开销只有TS0了。
由PCM编码介绍E1：由PCM编码中E1的时隙特征可知，E1共分32个时隙TS0-TS31。
每个时隙为64K，其中TS0为被帧同步码，Si、Sa4、Sa5、sa6、Sa7、A比特占用，若系统运用了CRC校验，则Si比特位置改传CRC校验码。
TS16为信令时隙，当使用到信令(共路信令或随路信令)时，该时隙用来传输信令，用户不可用来传输数据。
所以2M的PCM码型有①PCM30：PCM30用户可用时隙为30个，TS1-TS15,TS17-TS31。
2024版高中英语全程复习【人教版2019】课件 选择性必修第四册 UNIT 1
___ta_k_e_o_v_e_r ___ the job.
·会积累 联想拓展·
1．前缀over-表示“过度；在……之上” ①overstatement n．夸大；夸张 ②overweight adj. 超重的 ③overlook vt. 俯瞰；忽视 ④overuse vt.&n. 过度使用 ⑤overeat vi. 吃得过量
drawer
拓展单词用活
【记全记牢】 1．week n．星期→__w_e_ek_l_y__ adj.每周的 n．周刊 2 ． calculate vt. 计 算 ； 核 算 ； 预 测 →_c_al_c_ul_a_ti_o_n n ． 计 算 ； 预 测 →_c_al_c_u_la_to_r_ n．计算器 3．declare vt.表明；宣称；公布→_d_ec_l_ar_a_ti_on_ n．公告；宣言 4 ． urge n. 强 烈 的 欲 望 ； 冲 动 vt. 催 促 ； 力 劝 ； 大 力 推 荐 →__u_r_g_en_t__ adj. 紧急的；紧迫的；催促的；急切的→__u_rg_e_n_cy__ n. 紧
核心单词练透 1．The salesman wants to live in an apartment，_w__h_e_re_a_s_(然而；但是)his
wife would rather live in a flat. 2．No matter how rich you are，you must treat the old with __d_ig_n_i_ty__(尊
小学一年级英语自然拼读法基本规则和小窍门
小学一年级英语自然拼读法基本规则和小窍门在学习英语的过程中，我们可以发觉，全部的英语单词都是由26个字母组成。
细心的同学可以发觉，单词发音是有规律的，这些规律对于绝大多数英文词汇都是适用的，这就是自然拼音法。
下面我具体给大家介绍一下英语自然拼读法的基本规章和小窍门，供大家参考。
学校一班级英语自然拼读法基本规章和小窍门1、字母与发音一一对应的辅音b -- balld -- dogf -- fishh -- hatj -- jumpk -- kitel -- legm -- mann -- notp -- penq quickr -- runs -- sunt -- tenv -- vestw -- waterz -- zoo(留意q与u总是连在一起的)2、有多个发音的辅音：字母发音例词c字母c后面接a，o，u的时候，c的发音与字母k发音相同，叫做“hard c sound”cat, cap, call, coat, cup当字母c后面接e，i，或y的时候，通常c的发音与字母s发音相同，叫做“soft c sound”city, ice, rice, face, cell, cent,voice, pencil, juice有时在e或i前面，c会发/sh/音 ocean, racial, socialg字母g后面接a，o，u的时候，所发的音叫做“hard g sound” gi rl, gas, get,give, go当字母g后面接e，i，或y的时候，有时g的发音与字母j的发音相同，叫做“软g音”age,change, ginger, Egypt, gentle, giraffe, badge 特例：forget, give, girl中的g发hard soundx x在单词中间或结尾时发/ks/音 box, next, mix, six,foxx在单词中间时有时发/gz/音 exit, exam, exactx在单词起始位置时发/z/音 xylophone, xeroxy y在单词起始位置时发音为辅音 yes, you, yard, year, yelly在单词或音节中间或结尾时被当做元音y在结尾，单词只有一个音节时y发长/i/音，y在结尾，单词有两个或以上音节时y发长/e/音y在单词或音节中间时，发短/i/音小测试：my, cry, fly, sky3、辅音字母组合辅音字母组合的发音很简洁，就是把每个辅音字母的发音连在一起就可以了。
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11
Formality in Strategic Management
• Formality is the degree to which participation, responsibility, authority, and discretion in decision-making are specified in strategic management
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Forces Determining Formality – why?
• Organizational Size • Problems in the Firm • Predominant Management Styles • Purpose of the • Complexity of Planning System Environment • Stage of Firm’s • Production Process Development
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Benefits of a Participative Approach to Strategic Management
• Managers at all levels interact in planning and implementing strategy • Similar to participative decision making • Assessing strategy formulation requires looking at nonfinancial evaluations as well as financial ones • Promoting positive behavioral consequences enables achievement of financial goals
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Three Modes of Formality
• Entrepreneurial Mode – most small firms • Planning Mode – most large firms • Adaptive Mode – most medium size firms
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Entrepreneurial Mode
• The informal, intuitive, and limited approach to strategic management associated with owner-managers of smaller firms.
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Planning Mode
• The strategic formality associated with large firms that operate under a comprehensive, formal planning system.
16
Adaptive Mode
• The strategic formality associated with medium-sized firms that emphasize the incremental modification of existing competitive approaches.
7
Ex. 1.4
Hierarchy of Objectives and Strategy
8
Hale Waihona Puke Characteristics of Strategic Management Decisions: Corporate
• Often carry greater risk, cost, and profit potential • Greater need for flexibility • Longer time horizons • Choice of businesses, dividend policies, sources of long-term financing, and priorities for growth
4
What is Strategy?
Large-scale, future-oriented plan Used to interact within competitive environment to achieve company goals Provides a framework for managerial decisions Reflects a company’s awareness of the main elements of competition Making appropriate “strategic decisions”
Chapter 1
Strategic Management
© 2015 by McGraw-Hill Education. This is proprietary material solely for authorized instructor use. Not authorized for sale or distribution in any manner. This document may not be copied, scanned, duplicated, forwarded, distributed, or posted on a website, in whole or part.
The Nature and Value of Strategic Management • Strategic management:
The set of decisions and actions that result in the formulation and implementation of plans designed to achieve a company’s objectives
19
The Strategic Management Process
• Businesses vary in formulation and other processes • The basic components of the models used to analyze strategic management are similar • Strategic management is a process—a flow of information through interrelated stages of analysis toward the achievement of some goal
5
Dimensions of Strategic Decisions
• Strategic issues require top-management team decisions • Strategic issues require large amounts of the firm’s resources • Strategic issues often affect the firm’s long-term prosperity • Strategic issues are future oriented • Strategic issues usually have multifunctional or multibusiness consequences • Strategic issues require considering the firm’s external environment
2
Nine Critical Tasks of Strategic Management -- Tasks 1-5:
• Formulate the company’s mission • Conduct an internal analysis • Assess the external environment – competitive and general contexts • Analyze the company’s options by matching its resources with the external environment • Identify the most desirable options in light of the mission
6
Levels of Strategy
• Corporate level: board of directors, CEO & administration [Highest] • Business level: business and corporate managers [Middle] • Functional level: Product, geographic, and functional area managers [Lowest]
3
Nine Critical Tasks of Strategic Management -- Tasks 6-9:
• Select a set of long-term objectives and grand strategies that will achieve the most desirable options • Develop annual objectives and short-term strategies that are compatible with long-term objectives and grand strategies • Implement the strategic choices • Evaluate the success of the strategic process for future decision making
10
Characteristics of Strategic Management Decisions: Business/SBU