A Perfect Day For Bananafish--The New Yorker, Jan 31, 1948
小学三年级下册K卷英语第二单元期测验题(答案和解释)
小学三年级下册英语第二单元期测验题(答案和解释)英语试题一、综合题(本题有50小题，每小题2分，共100分.每小题不选、错误，均不给分)1.Which one is a day of the week?A. MondayB. JanuaryC. WinterD. Summer2.This morning, I ______ (wake) up late because I ______ (stay) up too late last night.I ______ (miss) the bus and ______ (have) to walk to school. When I ______ (arrive), I ______ (be) tired, but I ______ (feel) happy because I ______ (still/get) to school on time.st week, we ______ (have) a picnic in the countryside. The weather ______ (be) perfect. We ______ (bring) sandwiches, fruit, and juice. After eating, we ______ (take) a walk around the farm. I ______ (see) many animals, like cows, sheep, and chickens.4.Which one is a wild animal?A. LionB. CatC. DogD. Elephant5.Which one is the correct spelling?A. RecieveB. ReceiveC. RecsiveD. Reciive6.Which one is a body part?A. EyeB. PlateC. KnifeD. Chair7.Choose the sentence that uses the verb “to be” correctly.A. I am a teacher.B. I is a teacher.C. I are a teacher.D. I be a teacher.8.Which of these animals is a mammal?A. FishB. BirdC. DogD. Lizard9.Which of these is a type of flower?A. RoseB. TreeC. CarD. Chair10.Which of these animals is a mammal?A. BirdB. WhaleC. FishD. Frog11.I ______ (study) for my English test every night. Yesterday, I ______ (study) for two hours, and then I ______ (take) a break. After my break, I ______ (continue) studying until I ______ (finish) all the chapters. I ______ (feel) confident about the test.12.Which of these is a type of tree?A. OakB. CarC. DogD. Plate13.Which of these is a famous landmark in Egypt?A. Eiffel TowerB. Big BenC. PyramidsD. Colosseum14.Which of these is a food?A. TableB. BookC. RiceD. Car15.Which of these is a type of tree?A. PineB. CarrotC. OnionD. Potatost year, I ______ (take) a trip to the mountains with my family. We ______ (hike) for three days and ______ (see) many beautiful views. It ______ (be) an amazing experience.17.Which animal says "moo"?A. CatB. CowC. DogD. Duck18.Which of these is a day of the week?A. JanuaryB. MondayC. SummerD. December19.We _______ (visit) my grandmother last Sunday. She _______ (live) in the countryside, so we _______ (spend) the day walking around the farm. My grandmother_______ (give) us some fresh fruits, and we _______ (enjoy) them under a tree.20.Which one is the correct spelling?A. ApplleB. ApplC. AppleD. Aplle21.Which of these is a tool for cleaning?A. BroomB. PlateC. ChairD. Knife22.Which animal is known for saying "Moo"?A. DogB. CowC. CatD. Horse23.What is the opposite of "hot"?A. ColdB. WarmC. SpicyD. Wet24.My favorite food is __. I eat it with __ and sometimes add __ on top. I also like to drink a glass of __ with it. Sometimes, we eat it for dinner, and sometimes for lunch. I can also make it at home, but my mom makes it the best. It’s so __!25.Which of the following is a healthy food?A. CandyB. AppleC. CakeD. Soda26.Which one is used to clean the floor?A. BroomB. SpoonC. BookD. Chair27.Tomorrow, my class will go on a field trip. We are going to a zoo. I am really excited because I love animals. We will see lions, tigers, and bears. I hope to take lots of pictures. After the zoo, we will have lunch at a nearby park.28.Which of these animals is a mammal?A. SharkB. BirdC. WhaleD. Fish29.Which of these is a fruit?A. CarrotB. BananaC. CucumberD. Lettuce30.On Sunday, I ______ (help) my parents clean the house. We ______ (vacuum) the floor, ______ (dust) the shelves, and ______ (wash) the windows. Afterward, we ______ (sit) down and ______ (enjoy) some tea. It ______ (be) a productive day.31.Which of these is a wild animal?A. CatB. DogC. TigerD. Cow32.Which of these is a mode of transportation?A. TrainB. TableC. ChairD. Pen33.I ______ (not/finish) my homework last night because I ______ (feel) very tired. I ______ (decide) to go to bed early, and I ______ (finish) the homework this morning. 34.Which of these is an animal?A. AppleB. DogC. CarD. Tree35.What is the opposite of "short"?A. TallB. SmallC. BigD. Long36.Which of the following is an animal?A. TreeB. DogC. BookD. Car37.What animal says "meow"?A. DogB. CowC. CatD. Duck38.We are going on a trip to the __ next week. I am very excited because we will visit famous __ and take pictures. My brother and I will bring our __ to take some great photos. We also look forward to trying the local __.39.Which animal has a long tail?A. DogB. MonkeyC. CatD. Elephant40.Which one is used to play music?A. GuitarB. ChairC. SpoonD. Plate41.Which of these is a vegetable?A. BananaB. CucumberC. PearD. Strawberry42.Which of these is used for drinking?A. CupB. SpoonC. PlateD. Chair43.What do you use to cut paper?A. PencilB. ScissorsC. KnifeD. Ruler44.Which of the following is the correct way to say "hello" in English?A. GoodbyeB. GoodnightC. HelloD. See you45.Which of these is a musical instrument?A. GuitarB. PlateC. SpoonD. Chair46.Which one is an animal?A. AppleB. CarC. DogD. Book47.What is the opposite of "big"?A. SmallB. TallC. LargeD. Short48.What do we use to measure weight?A. ThermometerB. ScaleC. ClockD. Plate49.Which one of these is a building material?A. WoodB. BookC. ShoeD. Water50.Which of these is the name of a season?A. SummerB. JanuaryC. TuesdayD. School (答案及解释)。
bananafish
A Perfect Day for BananafishJ. D. SalingerTHERE WERE ninety-seven New York advertising men in the hotel, and, the way they were monopolizing the long-distance lines, the girl in 507 had to wait from noon till almost two-thirty to get her call through. She used the time, though. She read an article in a women's pocket-size magazine, called "Sex Is Fun-or Hell." She washed her comb and brush. She took the spot out of the skirt of her beige suit. She moved the button on her Saks blouse. She tweezed out two freshly surfaced hairs in her mole. When the operator finally rang her room, she was sitting on the window seat and had almost finished putting lacquer on the nails of her left hand.She was a girl who for a ringing phone dropped exactly nothing. She looked as if her phone had been ringing continually ever since she had reached puberty.With her little lacquer brush, while the phone was ringing, she went over the nail of her little finger, accentuating the line of the moon. She then replaced the cap on the bottle of lacquer and, standing up, passed her left--the wet--hand back and forth through the air. With her dry hand, she picked up a congested ashtray from the window seat and carried it with her over to the night table, on which the phone stood. She sat down on one of the made-up twin beds and--it was the fifth or sixth ring--picked up the phone."Hello," she said, keeping the fingers of her left hand outstretched and away from her white silk dressing gown, which was all that she was wearing, except mules--her rings were in the bathroom."I have your call to New York now, Mrs. Glass," the operator said."Thank you," said the girl, and made room on the night table for the ashtray.A woman's voice came through. "Muriel? Is that you?"The girl turned the receiver slightly away from her ear. "Yes, Mother. How are you?" she said."I've been worried to death about you. Why haven't you phoned? Are you all right?""I tried to get you last night and the night before. The phone here's been--""Are you all right, Muriel?"The girl increased the angle between the receiver and her ear. "I'm fine. I'm hot. This is the hottest day they've had in Florida in--""Why haven't you called me? I've been worried to--""Mother, darling, don't yell at me. I can hear you beautifully," said the girl. "I called you twice last night. Once just after--""I told your father you'd probably call last night. But, no, he had to-Are you all right, Muriel? Tell me the truth.""I'm fine. Stop asking me that, please.""When did you get there?""I don't know. Wednesday morning, early.""Who drove?""He did," said the girl. "And don't get excited. He drove very nicely. I was amazed.""He drove? Muriel, you gave me your word of--""Mother," the girl interrupted, "I just told you. He drove very nicely. Under fifty the whole way, as a matter of fact.""Did he try any of that funny business with the trees?""I said he drove very nicely, Mother. Now, please. I asked him to stay close to the white line, and all, and he knew what I meant, and he did. He was even trying not to look at the trees-you could tell. Did Daddy get the car fixed, incidentally?""Not yet. They want four hundred dollars, just to--""Mother, Seymour told Daddy that he'd pay for it. There's no reason for--""Well, we'll see. How did he behave--in the car and all?""All right," said the girl."Did he keep calling you that awful--""No. He has something new now.""What?""Oh, what's the difference, Mother?""Muriel, I want to know. Your father--""All right, all right. He calls me Miss Spiritual Tramp of 1948," the girl said, and giggled."It isn't funny, Muriel. It isn't funny at all. It's horrible. It's sad, actually. When I think how--""Mother," the girl interrupted, "listen to me. You remember that book he sent me from Germany? You know--those German poems. What'd I do with it? I've been racking my--""You have it.""Are you sure?" said the girl."Certainly. That is, I have it. It's in Freddy's room. You left it here and I didn't have room for it in the--Why? Does he want it?""No. Only, he asked me about it, when we were driving down. He wanted to know if I'd read it.""It was in German!""Yes, dear. That doesn't make any difference," said the girl, crossing her legs. "He said that the poems happen to be written by the only great poet of thecentury. He said I should've bought a translation or something. Or learned the language, if you please.""Awful. Awful. It's sad, actually, is what it is. Your father said last night--""Just a second, Mother," the girl said. She went over to the window seat for her cigarettes, lit one, and returned to her seat on the bed. "Mother?" she said, exhaling smoke."Muriel. Now, listen to me.""I'm listening.""Your father talked to Dr. Sivetski.""Oh?" said the girl."He told him everything. At least, he said he did--you know your father. The trees. That business with the window. Those horrible things he said to Granny about her plans for passing away. What he did with all those lovely pictures from Bermuda--everything.""Well?" said the girl."Well. In the first place, he said it was a perfect crime the Army released him from the hospital--my word of honor. He very definitely told your father there's a chance--a very great chance, he said--that Seymour may completely lose control of himself. My word of honor.""There's a psychiatrist here at the hotel," said the girl."Who? What's his name?""I don't know. Rieser or something. He's supposed to be very good.""Never heard of him.""Well, he's supposed to be very good, anyway.""Muriel, don't be fresh, please. We're very worried about you. Your father wanted to wire you last night to come home, as a matter of f--""I'm not coming home right now, Mother. So relax.""Muriel. My word of honor. Dr. Sivetski said Seymour may completely lose contr-""I just got here, Mother. This is the first vacation I've had in years, and I'm not going to just pack everything and come home," said the girl. "I couldn't travel now anyway. I'm so sunburned I can hardly move.""You're badly sunburned? Didn't you use that jar of Bronze I put in your bag?I put it right--""I used it. I'm burned anyway.""That's terrible. Where are you burned?""All over, dear, all over.""That's terrible.""I'll live.""Tell me, did you talk to this psychiatrist?""Well, sort of," said the girl."What'd he say? Where was Seymour when you talked to him?""In the Ocean Room, playing the piano. He's played the piano both nights we've been here.""Well, what'd he say?""Oh, nothing much. He spoke to me first. I was sitting next to him at Bingo last night, and he asked me if that wasn't my husband playing the piano in the other room. I said yes, it was, and he asked me if Seymour's been sick or something. So I said--""Why'd he ask that?""I don't know, Mother. I guess because he's so pale and all," said the girl. "Anyway, after Bingo he and his wife asked me if I wouldn't like to join them for a drink. So I did. His wife was horrible. You remember that awful dinner dress we saw in Bonwit's window? The one you said you'd have to have a tiny, tiny--""The green?""She had it on. And all hips. She kept asking me if Seymour's related to that Suzanne Glass that has that place on Madison Avenue--the millinery.""What'd he say, though? The doctor.""Oh. Well, nothing much, really. I mean we were in the bar and all. It was terribly noisy.""Yes, but did--did you tell him what he tried to do with Granny's chair?""No, Mother. I didn't go into details very much," said the girl. "I'll probably get a chance to talk to him again. He's in the bar all day long.""Did he say he thought there was a chance he might get--you know--funny or anything? Do something to you!""Not exactly," said the girl. "He had to have more facts, Mother. They have to know about your childhood--all that stuff. I told you, we could hardly talk, it was so noisy in there.""Well. How's your blue coat?""All right. I had some of the padding taken out.""How are the clothes this year?""Terrible. But out of this world. You see sequins--everything," said the girl."How's your room?""All right. Just all right, though. We couldn't get the room we had before the war," said the girl. "The people are awful this year. You should see what sits next to us in the dining room. At the next table. They look as if they drove down in a truck.""Well, it's that way all over. How's your ballerina?""It's too long. I told you it was too long.""Muriel, I'm only going to ask you once more--are you really all right?""Yes, Mother," said the girl. "For the ninetieth time.""And you don't want to come home?""No, Mother.""Your father said last night that he'd be more than willing to pay for it if you'd go away someplace by yourself and think things over. You could take a lovely cruise. We both thought--""No, thanks," said the girl, and uncrossed her legs. "Mother, this call is costing a for--""When I think of how you waited for that boy all through the war-I mean when you think of all those crazy little wives who--""Mother," said the girl, "we'd better hang up. Seymour may come in any minute.""Where is he?""On the beach.""On the beach? By himself? Does he behave himself on the beach?""Mother," said the girl, "you talk about him as though he were a raving maniac--""I said nothing of the kind, Muriel.""Well, you sound that way. I mean all he does is lie there. He won't take his bathrobe off.""He won't take his bathrobe off? Why not?""I don't know. I guess because he's so pale.""My goodness, he needs the sun. Can't you make him?"You know Seymour," said the girl, and crossed her legs again. "He says he doesn't want a lot of fools looking at his tattoo.""He doesn't have any tattoo! Did he get one in the Army?""No, Mother. No, dear," said the girl, and stood up. "Listen, I'll call you tomorrow, maybe.""Muriel. Now, listen to me.""Yes, Mother," said the girl, putting her weight on her right leg."Call me the instant he does, or says, anything at all funny--you know what I mean. Do you hear me?""Mother, I'm not afraid of Seymour.""Muriel, I want you to promise me.""All right, I promise. Goodbye, Mother," said the girl. "My love to Daddy." She hung up."See more glass," said Sybil Carpenter, who was staying at the hotel with her mother. "Did you see more glass?""Pussycat, stop saying that. It's driving Mommy absolutely crazy. Hold still, please."Mrs. Carpenter was putting sun-tan oil on Sybil's shoulders, spreading it down over the delicate, winglike blades of her back. Sybil was sitting insecurely on a huge, inflated beach ball, facing the ocean. She was wearing a canary-yellow two-piece bathing suit, one piece of which she would not actually be needing for another nine or ten years."It was really just an ordinary silk handkerchief--you could see when you got up close," said the woman in the beach chair beside Mrs. Carpenter's. "I wish I knew how she tied it. It was really darling.""It sounds darling," Mrs. Carpenter agreed. "Sybil, hold still, pussy.""Did you see more glass?" said Sybil.Mrs. Carpenter sighed. "All right," she said. She replaced the cap on the sun-tan oil bottle. "Now run and play, pussy. Mommy's going up to the hotel and have a Martini with Mrs. Hubbel. I'll bring you the olive."Set loose, Sybil immediately ran down to the flat part of the beach and began to walk in the direction of Fisherman's Pavilion. Stopping only to sink a foot in a soggy, collapsed castle, she was soon out of the area reserved for guests of the hotel.She walked for about a quarter of a mile and then suddenly broke into an oblique run up the soft part of the beach. She stopped short when she reached the place where a young man was lying on his back."Are you going in the water, see more glass?" she said.The young man started, his right hand going to the lapels of his terry-cloth robe. He turned over on his stomach, letting a sausaged towel fall away from his eyes, and squinted up at Sybil."Hey. Hello, Sybil.""Are you going in the water?""I was waiting for you," said the young man. "What's new?""What?" said Sybil."What's new? What's on the program?""My daddy's coming tomorrow on a nairiplane," Sybil said, kicking sand."Not in my face, baby," the young man said, putting his hand on Sybil's ankle. "Well, it's about time he got here, your daddy. I've been expecting him hourly. Hourly.""Where's the lady?" Sybil said."The lady?" the young man brushed some sand out of his thin hair. "That's hard to say, Sybil. She may be in any one of a thousand places. At the hairdresser's. Having her hair dyed mink. Or making dolls for poor children, in her room." Lying prone now, he made two fists, set one on top of the other, and rested his chin on the top one. "Ask me something else, Sybil," he said. "That's a fine bathing suit you have on. If there's one thing I like, it's a blue bathing suit."Sybil stared at him, then looked down at her protruding stomach. "This is a yellow," she said. "This is a yellow.""It is? Come a little closer." Sybil took a step forward. "You're absolutely right. What a fool I am.""Are you going in the water?" Sybil said."I'm seriously considering it. I'm giving it plenty of thought, Sybil, you'll be glad to know."Sybil prodded the rubber float that the young man sometimes used as a head-rest. "It needs air," she said."You're right. It needs more air than I'm willing to admit." He took away his fists and let his chin rest on the sand. "Sybil," he said, "you're looking fine. It's good to see you. Tell me about yourself." He reached in front of him and took both of Sybil's ankles in his hands. "I'm Capricorn," he said. "What are you?""Sharon Lipschutz said you let her sit on the piano seat with you," Sybil said."Sharon Lipschutz said that?"Sybil nodded vigorously.He let go of her ankles, drew in his hands, and laid the side of his face on his right forearm. "Well," he said, "you know how those things happen, Sybil. I was sitting there, playing. And you were nowhere in sight. And Sharon Lipschutz came over and sat down next to me. I couldn't push her off, could I?""Yes.""Oh, no. No. I couldn't do that," said the young man. "I'll tell you what I did do, though.""What?""I pretended she was you."Sybil immediately stooped and began to dig in the sand. "Let's go in the water," she said."All right," said the young man. "I think I can work it in.""Next time, push her off," Sybil said. "Push who off?""Sharon Lipschutz.""Ah, Sharon Lipschutz," said the young man. "How that name comes up. Mixing memory and desire." He suddenly got to his feet. He looked at the ocean. "Sybil," he said, "I'll tell you what we'll do. We'll see if we can catch a bananafish.""A what?""A bananafish," he said, and undid the belt of his robe. He took off the robe. His shoulders were white and narrow, and his trunks were royal blue. He folded the robe, first lengthwise, then in thirds. He unrolled the towel he had used over his eyes, spread it out on the sand, and then laid the folded robe on top of it. He bent over, picked up the float, and secured it under his right arm. Then, with his left hand, he took Sybil's hand.The two started to walk down to the ocean."I imagine you've seen quite a few bananafish in your day," the young man said.Sybil shook her head."You haven't? Where do you live, anyway?""I don't know," said Sybil."Sure you know. You must know. Sharon Lipschutz knows where she lives and she's only three and a half."Sybil stopped walking and yanked her hand away from him. She picked up an ordinary beach shell and looked at it with elaborate interest. She threw it down. "Whirly Wood, Connecticut," she said, and resumed walking, stomach foremost."Whirly Wood, Connecticut," said the young man. "Is that anywhere near Whirly Wood, Connecticut, by any chance?"Sybil looked at him. "That's where I live," she said impatiently. "I live in Whirly Wood, Connecticut." She ran a few steps ahead of him, caught up her left foot in her left hand, and hopped two or three times."You have no idea how clear that makes everything," the young man said.Sybil released her foot. "Did you read `Little Black Sambo'?" she said."It's very funny you ask me that," he said. "It so happens I just finished reading it last night." He reached down and took back Sybil's hand. "What did you think of it?" he asked her."Did the tigers run all around that tree?""I thought they'd never stop. I never saw so many tigers.""There were only six," Sybil said."Only six!" said the young man. "Do you call that only?""Do you like wax?" Sybil asked."Do I like what?" asked the young man. "Wax.""Very much. Don't you?"Sybil nodded. "Do you like olives?" she asked."Olives--yes. Olives and wax. I never go anyplace without 'em.""Do you like Sharon Lipschutz?" Sybil asked."Yes. Yes, I do," said the young man. "What I like particularly about her is that she never does anything mean to little dogs in the lobby of the hotel. That little toy bull that belongs to that lady from Canada, for instance. You probably won't believe this, but some little girls like to poke that little dog with balloon sticks. Sharon doesn't. She's never mean or unkind. That's why I like her so much."Sybil was silent."I like to chew candles," she said finally."Who doesn't?" said the young man, getting his feet wet. "Wow! It's cold." He dropped the rubber float on its back. "No, wait just a second, Sybil. Wait'll we get out a little bit."They waded out till the water was up to Sybil's waist. Then the young man picked her up and laid her down on her stomach on the float."Don't you ever wear a bathing cap or anything?" he asked."Don't let go," Sybil ordered. "You hold me, now.""Miss Carpenter. Please. I know my business," the young man said. "You just keep your eyes open for any bananafish. This is a perfect day for bananafish.""I don't see any," Sybil said."That's understandable. Their habits are very peculiar." He kept pushing the float. The water was not quite up to his chest. "They lead a very tragic life," he said. "You know what they do, Sybil?"She shook her head."Well, they swim into a hole where there's a lot of bananas. They're very ordinary-looking fish when they swim in. But once they get in, they behave like pigs. Why, I've known some bananafish to swim into a banana hole and eat as many as seventy-eight bananas." He edged the float and its passenger a foot closer to the horizon. "Naturally, after that they're so fat they can't get out of the hole again. Can't fit through the door.""Not too far out," Sybil said. "What happens to them?""What happens to who?""The bananafish.""Oh, you mean after they eat so many bananas they can't get out of the banana hole?""Yes," said Sybil."Well, I hate to tell you, Sybil. They die.""Why?" asked Sybil."Well, they get banana fever. It's a terrible disease.""Here comes a wave," Sybil said nervously."We'll ignore it. We'll snub it," said the young man. "Two snobs." He took Sybil's ankles in his hands and pressed down and forward. The float nosed over the top of the wave. The water soaked Sybil's blond hair, but her scream was full of pleasure.With her hand, when the float was level again, she wiped away a flat, wet band of hair from her eyes, and reported, "I just saw one.""Saw what, my love?""A bananafish.""My God, no!" said the young man. "Did he have any bananas in his mouth?""Yes," said Sybil. "Six."The young man suddenly picked up one of Sybil's wet feet, which were drooping over the end of the float, and kissed the arch."Hey!" said the owner of the foot, turning around."Hey, yourself We're going in now. You had enough?""No!""Sorry," he said, and pushed the float toward shore until Sybil got off it. He carried it the rest of the way."Goodbye," said Sybil, and ran without regret in the direction of the hotel.The young man put on his robe, closed the lapels tight, and jammed his towel into his pocket. He picked up the slimy wet, cumbersome float and put it under his arm. He plodded alone through the soft, hot sand toward the hotel.On the sub-main floor of the hotel, which the management directed bathers to use, a woman with zinc salve on her nose got into the elevator with the young man."I see you're looking at my feet," he said to her when the car was in motion."I beg your pardon?" said the woman."I said I see you're looking at my feet.""I beg your pardon. I happened to be looking at the floor," said the woman, and faced the doors of the car."If you want to look at my feet, say so," said the young man. "But don't be a God-damned sneak about it.""Let me out here, please," the woman said quickly to the girl operating the car.The car doors opened and the woman got out without looking back."I have two normal feet and I can't see the slightest God-damned reason why anybody should stare at them," said the young man. "Five, please." He took his room key out of his robe pocket.He got off at the fifth floor, walked down the hall, and let himself into 507. The room smelled of new calfskin luggage and nail-lacquer remover.He glanced at the girl lying asleep on one of the twin beds. Then he went over to one of the pieces of luggage, opened it, and from under a pile of shorts and undershirts he took out an Ortgies calibre 7.65 automatic. He released the magazine, looked at it, then reinserted it. He cocked the piece. Then he went over and sat down on the unoccupied twin bed, looked at the girl, aimed the pistol, and fired a bullet through his right temple.。
a perfect day for bananafish读后感
a perfect day for bananafish读后感
作为一篇经典的短篇小说，J.D. Salinger的《一个完美的闹猴
猴的日子》深刻描绘了一个战争幸存者和他曾经的精神状态之间的断裂。
作为读者，我被Salinger的独特写作风格，深刻的
主题和细致的描绘所吸引，对这个故事产生了深深的共情。
主角西蒙的形象是真实的，让人不寒而栗。
即使是整个故事中的角色都是虚构的，他的却充满了真实感。
他所经历的战争噩梦、他的各种心理问题、他对这个世界的怀疑和不信任，都使他成为一个真正能够引起读者共鸣的角色。
与此同时，故事中另一个主角，墨林夫人，是一个完美的对比。
她是一位开朗、慈祥的女性，看起来完全没有西蒙那样黑暗的过去和问题。
她与西蒙之间的对比，更加突出了西蒙内心的孤独和痛苦。
通过这个故事，Salinger深刻地揭示了战争对人类的影响，特
别是对那些幸存者的影响。
故事中西蒙的表现就是一个突出的例子。
同时，他表达了对真实性和自我融合的渴望。
故事结尾那悲伤的场景，给我留下了深刻的印象。
在这个故事中，Salinger使我们冷静深入地反思人性。
总之，《一个完美的闹猴猴的日子》是一个力度深刻的故事，它强调人与人之间因心理问题和时代差异而造成的断裂，让人察觉到人性的脆弱和复杂。
这个故事不仅让我看到了人类的一个面向和一个色彩，也提醒我们更加留意身边的人及事物，加深相互间的理解和体谅。
少女乙女的恋爱革命全中文攻略
深水飒大生日：4月17日礼物：大型的松鼠布偶|香水/凯利熊|相框木野村透生日：5月10日礼物：画集+7（周末买）皮质钱包+5羊绒袜子3双套+5时田枫生日：6月13日礼物：球藻+7 手帕+7香水/分离 +7橘剑之助生日：6月30日礼物：柔软的枕头+7香水/武士之石+7小刀+5若月龙太郎生日：11月22日礼物：银手镯(+7)香水/黑暗岁月（+7）相框(+5)闹钟(+5)游戏软件/ACT(+5)华原雅纪生日：1月17日礼物：游戏软件/RPG +7 香水/蓝天+5 相框+5一之濑莲生日：2月4日礼物：怀表（你要是没钱的话，送“柔软枕头”也凑合）香水/巴西帝红游戏软件/PUZ 神城绫人生日：2月24日礼物：小刀|香水/库丘林|游戏碟/ADV鹰士生日：8月9日礼物：香水/鬼魂+7柔软的枕头+7皮质的钱包+7小刀+5怀表+5恶魔词典+5游戏软件/SLG +5（1）曾经的美少女（自动发生）（2）鲜明的对比（自动发生）（3）你这个无可救药的家伙！（自动发生）【档案】生日：5月10日血型：A型星座：金牛身高：似乎是169cm左右……学年：2年级学生房间号：203俱乐部：漫画研究会，还很喜欢动画，漫画，游戏爱好：写剧本或者是画素描之类的吧擅长学科：很擅长社会学！擅长运动：乒乓球的话……最重要的：啊，那，那个……喜欢的音乐：安静的气氛吧喜欢的食物：文字烧！御好烧也非常喜欢讨厌的季节：夏天……我怕热，没空调的话，或许会溶化……【礼物】*给男生的礼物最好提前买，一般休息日出门可以买到。
因为生日时候虽然可以去买，但是也可能正好没货，七夕、圣诞节的礼物更要提前买，完全没时间的画集+7（周末买）皮质钱包+5羊绒袜子3双套+5【理想条件】方向：体力好文学好漂亮的女孩数值要求：体重45-65kg 美容61 手臂41 腿41 体力81 毅力41 减肥情报21 常识41 文科61 理科21 体育41【CG事件】（1）那，那是……？（好感度绿心，8月一起去假期旅行时发生）（2）不为人知的努力（好感度蓝心，9月23日运动会时发生）（3）将来的梦（好感度橙心，10月5日发生）（4）谁！？（Good ED路线，好感度粉心，11月18日发生）（5）意料外的勇姿（Good ED路线，好感度粉心，12月25日发生）（6）祈祷中的侧脸（Good ED路线，好感度红心，1月2日发生）（7）放松的时间（Good ED路线，好感度红心，1月25日发生）（8）青梅竹马（Bad ED结局）（9）结局呢？（Good ED结局）（10）数年后的未来（正确输入3个KEY WORD之后出现）【物品事件】1）阿婆的梅干（好感度蓝心以上，5月以后，美容、毅力的数值中任意一项没有达到◎）（结果：得到辅助食品，可以使用5次，每次消费1个减肥点数，使用后体重-0.1KG、美容+5、毅力+5）（2）超级电脑（好感度绿心以上，6月以后，情报、学习数值中任意一项没有达到◎）（结果：瘦身情报学习道具，可以使用5次，每次消费5个减肥点数，使用后情报+10、常识+8、文科+8、理科+8、体育+8）（3）传说的泳装（好感度橙心以上，8月以后，体重、臂部、腿部、体力的数值中任意一项没有达到◎）（结果：游泳用辅助道具，可以使用5次）（4）老爸的拳头（好感度粉心以上，暑假以后，毅力没有达到◎）（结果：入手就有效果，体力+5、毅力+15）【食品事件】*男生送的食物可以收也可以不收，收下的话，好感度会增加一些，做梦也能梦到对方，但体重也会增加；不收下的话，对好感度的影响也不大，如果实在不忍心拒绝，那就建议收下第1次的吧，后面两次的还是算了地域限定文字烧君（压力全回复，体重+1Kg）地域限定章鱼烧君（压力全回复，体重+2.5kg）地域限定煎饼君1盒（压力全回复，体重+4kg）【其他事件】（*这些不是必要事件，没时间就不用去了）俯卧撑11次俱乐部活动18次打工平日第11次、平日第16次，假日共计第11次、假日共计第26次所持金钱25000yan【约会选项】动物园Q：看到你那样，我也会变得很高兴A：谢谢……Q：丰满的兔子A：确实，就那样也不错Q：动最开始看的是白熊A：什么嘛，那样不错啊电影院Q：看动画电影A：当然，可以咯Q：通过电影学习A：真厉害啊Q：有名监督人A：非常有趣呢。
a perfect day for bananafish(可打印修改)
A Perfect Day for BananafishBy J.D. SalingerThere were ninety-seven New York advertising men in the hotel, and, the way they were monopolizing the long-distance lines, the girl in 507 had to wait from noontill almost two-thirty to get her call through. She used the time, though. She read an article in a women’s pocket-size magazine, called "Sex Is Fun - or Hell." She washed her comb and brush. She took the spot out of the skirt of her beige suit. She moved the button on her Saks blouse. She tweezed out two freshly surfaced hairs in her mole. When the operator finally rang her room, she was sitting on the window seat and had almost finished putting lacquer on the nails of her left hand.She was a girl who for a ringing phone dropped exactly nothing. She looked as if her phone had been ringing continually ever since she had reached puberty.With her little lacquer brush, while the phone was ringing, she went over the nail of her little finger, accentuating the line of the moon. She then replaced the cap on the bottle of lacquer and, standing up, passed her left—the wet—hand back and forth through the air. With her dry hand, she picked up a congested ashtray from the window seat and carried it with her over to the night table, on which the phone stood. She sat down on one of the made-up twin beds and—it was the fifth or sixth ring—picked up the phone."Hello," she said, keeping the fingers of her left hand outstretched and away from her white silk dressing gown, which was all that she was wearing, except mules—her rings were in the bathroom."I have your call to New York now, Mrs. Glass," the operator said."Thank you," said the girl, and made room on the night table for the ashtray.A woman’s voice came through. "Muriel? Is that you?"The girl turned the receiver slightly away from her ear. "Yes, Mother. How are you?" she said."I’ve been worried to death about you. Why haven’t you phoned? Are you all right?""I tried to get you last night and the night before. The phone here’s been—.""Are you all right, Muriel?"The girl increased the angle between the receiver and her ear. "I’m fine. I’m hot. This is the hottest day they’ve had in Florida in --.""Why haven’t you called me? I’ve been worried to - -.""Mother, darling, don’t yell at me. I can hear you beautifully," said the girl. I called you twice last night. Once just after - -."I told your father you’d probably call last night. But, no, he had to – Are youall right Muriel? Tell me the truth.""I’m fine. Stop asking me that, please.""When did you get there?""I don’t know. Wednesday morning, early.""Who drove?""He did," said the girl. "And don’t get excited. He drove very nicely. I was amazed.""He drove? Muriel, you gave me your word of-."" Mother," the girl interrupted, "I just told you. He drove very nicely. Underfifty the whole way, as a matter of fact.""Did he try any of that funny business with the trees?""I said he drove very nicely, Mother. Now, please. I asked him to stay close to the white line, and all, and he knew what I meant, and he did. He was even trying notto look at the trees - you could tell. Did Daddy get the car fixed, incidentally?"Not yet. They want four hundred dollars, just to--.""Mother, Seymour told Daddy that he’d pay for it. There’s no reason for --.""Well, well see. How did he behave—in the car and all?""All right," said the girl."Did he keep calling you that awful--.""No. He has something new now.""What?""Oh, what’s the difference, Mother?"Muriel, I want to know. Your father--.""All right, all right. He calls me Miss Spiritual Tramp of 1948," the girl said, and giggled."It isn’t funny, Muriel. It isn’t funny at all. It’s horrible. It’s sad, actually. When I think how--""Mother," the girl interrupted, "listen to me. You remember that book he sent me from Germany? You know, those German poems. What’d I do with it? I’ve been racking my-.""You have it."‘Are you sure?" said the girl."Certainly. That is, I have it. It’s in Freddy’s room. You left it here and I didn’t have room for it in the—Why? Does he want it?""No. Only, he asked me about it, when we were driving down. He wanted to know ifI’d read it.""It was in German!""Yes, dear. That doesn’t make any difference," said the girl, crossing her legs. "He said that the poems happen to be written by the only great poet of the century. He said I should’ve bought a translation or something. Or learned the language, if you please.""Awful. Awful. It’s sad, actually, is what it is. Your father said last night—.""Just a second, Mother," the girl said. She went over to the window seat for her cigarettes, lit one, and returned to her seat on the bed. "Mother", she said, exhaling smoke."Muriel. Now, listen to me.""I’m listening.""Your father talked to Dr. Sivetski.""Oh?" said the girl."He told him everything. At least, he said he did—you know your father. The trees. That business with the window. Those horrible things he said to Granny about her plans for passing away. What he did with all those lovely pictures from Bermuda—everything.""Well?" said the girl."Well. In the first place, he said it was a perfect crime the Army released him from the hospital – my word of honor. He very definitely told your father there’s a chance – a very great chance, he said, that Seymour may completely lose control of himself. My word of honor.""There’s a psychiatrist here at the hotel," said the girl."Who? What’s his name?""I don’t know. Rieser or something. He’s supposed to be very good.""Never heard of him."‘Well, he’s supposed to be very good, anyway.""Muriel, don’t be fresh, please. We’re very worried about you. Your father wanted to wire you last night to come home, as a matter of f—.""I’m not coming home right now, Mother. So relax.""Muriel. My word of honor. Dr. Sivetski said Seymour may completely lose contr—."‘I just got here, Mother. This is the first vacation I’ve had in years, and I’m not going to just pack everything and come home," said the girl. "I couldn’ttravel now anyway. I’m so sunburned I can hardly move.""You’re badly sunburned? Didn’t you use that far of Bronze I put in your bag? I put it right—.""I used it. I’m burned anyway.""That’s terrible. Where are you burned?""All over, dear, all over.""That’s terrible.""I’ll live.""Tell me, did you talk to this psychiatrist?’"Well, sort of," said the girl."What’d he say? Where was Seymour when you talked to him?""In the Ocean Room, playing the piano. He’s played the piano both nights we’ve been here.""Well, what’d he say?""Oh. Nothing much. He spoke to me first. I was sitting next to him at Bingo last night, and he asked me if that wasn’t my husband playing the piano in the other room. I said yes, it was, and he asked me if Seymour’s been sick or something. So I said –.""Why’d he ask that?""I don’t know, Mother. I guess because he’s so pale and all," said the girl. "Anyway, after Bingo he and his wife asked me if I wouldn’t like to join them for a drink. So I did. His wife was horrible. You remember that awful dinner dress we saw in Bonwit’s window? The one you said you’d have to have a tiny, tiny—.""The green?""She had it on. And all hips. She kept asking me if Seymour’s related to that Suzanne Glass that has that place on Madison Avenue - the millinery.""What’d he say, though? The doctor.""Oh. Well, nothing much, really. I mean we were in the bar and all. It was terribly noisy.""Yes, but did - did you tell him what he tried to do with Granny’s chair?""No, Mother. I didn’t go into details very much," said the girl. "I’II probably get a chance to talk to him again. He’s in the bar all day long.""Did he say he thought there was a chance he might get - you know - funny or anything? Do something to you!""Not exactly," said the girl. "He had to have more facts, Mother. They have to know about your childhood - all that stuff. I told you, we could hardly talk, it was so noisy in there.""Well. How’s your blue coat?""All right. I had some of the padding taken out.""How are the clothes this year?""Terrible. But out of this world. You see sequins – everything," said the girl."How’s your room?""All right. Just all right, though. We couldn’t get the room we had before the war,"’ said the girl. "The people are awful this year. You should see what sits next to us in the dining room. At the next table. They look as if they drove down in a truck."‘Well, it’s that way all over. How’s your ballerina?""It’s too long. I told you it was too long.""Muriel, I’m only going to ask you once more - are you really all right?""Yes, Mother," said the girl. "For the ninetieth time.""And you don’t want to come home?""No, Mother.""Your father said last night that he’d be more than willing to pay for it if you’d go away some place by yourself and think things over. You could take a lovely cruise. We both thought –.""No, thanks," said the girl, and uncrossed her legs. "Mother, this call is costing a for-""When I think of how you waited for that boy all through the war - I mean when you think of all those crazy little wives who—.""Mother," said the girl, "we’d better hang up. Seymour may come in any minute.""Where is he?""On the beach.""On the beach? By himself? Does he behave himself on the beach?""Mother," said the girl, "you talk about him as though he were a raving maniac - ""I said nothing of the kind, Muriel.""Well, you sound that way. I mean all he does is lie there. He won’t take his bathrobe off.""He won’t take his bathrobe off? Why not?""I don’t know. I guess because he’s so pale.""My goodness, he needs the sun. Can’t you make him?""You know Seymour," said the girl, and crossed her legs again. "He says he doesn’t want a lot of fools looking at his tattoo.""He doesn’t have any tatoo! Did he get one in the Army?""No, Mother. No, dear," said the girl, and stood up. "Listen, I’ll call you tomorrow, maybe.""Muriel. Now, listen to me.""Yes, Mother," said the girl, putting her weight on her right leg."Call me the instant he does, or says, anything at all funny – you know what I mean. Do you hear me?""Mother, I’m not afraid of Seymour.""Muriel, I want you to promise me.""All right, I promise. Goodbye, Mother," said the girl. "My love to Daddy." She hung up."See more glass," said Sybil Carpenter, who was staying at the hotel with her mother. "Did you see more glass?""Pussycat, stop saying that. It’s driving Mommy absolutely crazy. Hold still, please."Mrs. Carpenter was putting sun-tan oil on Sybil’s shoulders, spreading it down over the delicate, wing-like blades of her back. Sybil was sitting insecurely on a huge, inflated beach ball, facing the ocean. She was wearing a canary-yellow two-piece bathing suit, one piece of which she would not actually be needing for another nine or ten years."It was really just an ordinary silk handkerchief -you could see when you got up close," said the woman in the beach chair beside Mrs. Carpenter’s "I wish I knew how she tied it. It was really darling.""It sounds darling," Mrs. Carpenter agreed. "Sybil, hold still, pussy.""Did you see more glass?" said Sybil.Mrs. Carpenter sighed. "All right," she said. She replaced the cap on the sun-tan oil bottle. "Now run and play, pussy. Mommy’s going up to the hotel and have a Martini with Mrs. Hubbel. I’ll bring you the olive."Set loose, Sybil immediately ran down to the flat part of the beach and began to walk in the direction of Fisherman’s Pavilion. Stopping only to sink a foot in a soggy, collapsed castle, she was soon out of the area reserved for guests of the hotel.She walked for about a quarter of a mile and then suddenly broke into an oblique run up the soft part of the beach. She stopped short when she reached the place where a young man was lying on his back."Are you going in the water, see more glass?" she said.The young man started, his right hand going to the lapels of his terry-cloth robe. He turned over on his stomach, letting a sausaged towel fall away from his eyes, and squinted up at Sybil."Hey. Hello, Sybil.""Are you going in the water?’"I was waiting for you," said the young man. "What’s new?""What?" said Sybil."What’s new? What’s on the program?""My daddy’s coming tomorrow on a airplane," Sybil said, kicking sand."Not in my face, baby," the young man said, putting his hand on Sybil’s ankle. "Well, it’s about time he got here, your daddy. I’ve been expecting him hourly. Hourly.""Where’s the lady?" Sybil said."The lady?" The young man brushed some sand out of his thin hair. "That’s hard to say, Sybil. She may be in any one of a thousand places. At the hairdresser’s. Having her hair dyed mink. Or making dolls for poor children, in her room." Lying prone now, he made two fists, set one on top of the other, and rested his chin on the top one. "Ask me something else, Sybil," he said. "That’s a fine bathing suit you have on. If there’s one thing I like, it’s a blue bathing suit."Sybil stared at him, then looked down at her protruding stomach. "This is a yellow," she said. "This is a yellow.""It is? Come a little closer."Sybil took a step forward."You’re absolutely right. What a fool I am.""Are you going in the water?" Sybil said."I’m seriously considering it. I’m giving it plenty of thought, Sybil, you’ll be glad to know."Sybil prodded the rubber float that the young man sometimes used as a head-rest."It needs air," she said."You’re right.It needs more air than I’m willing to admit." He took away hisfists and let his chin rest on the sand. "Sybil," he said, "you’re looking fine. It’s good to see you. Tell me about yourself." He reached in front of him and took both of Sybil’s ankles in his hands. "I’m Capricorn," he said. "What are you?""Sharon Lipschutz said you let her sit on the piano seat with you," Sybil said."Sharon Lipschutz said that?"Sybil nodded vigorously.He let go of her ankles, drew in his hands, and laid the side of his face on his right forearm. "Well," he said, "you know how those things happen, Sybil. I was sitting there, playing. And you were nowhere in sight. And Sharon Lipschutz came over and sat down next to me. I couldn’t push her off, could I?""Yes.""Oh, no. No. I couldn’t do that," said the young man. I’II tell you what I did do, though.""What?""I pretended she was you."Sybil immediately stooped and began to dig in the sand. "Let’s go in the water," she said."All right," said the young man. "I think I can work it in.""Next time, push her off," Sybil said."Push who off?""Sharon Lipschutz.""Ah, Sharon Lipschutz," said the young man. "How that name comes up. Mixing memory and desire." He suddenly got to his feet. He looked at the ocean. "Sybil," he said, "I’ll tell you what we’ll do. Well see if we can catch a bananafish.""A what?""A bananafish," he said, and undid the belt of his robe. He took off the robe. His shoulders were white and narrow, and his trunks were royal blue. He folded the robe, first lengthwise, then in thirds. He unrolled the towel he had used over his eyes, spread it out on the sand, and then laid the folded robe on top of it. He bent over, picked up the float, and secured it under his right arm. Then, with his left hand, he took Sybil’s hand.The two started to walk down to the ocean."I imagine you’ve seen quite a few bananafish in your day," the young man said.Sybil shook her head."You haven’t? Where do you live, anyway?""I don’t know," said Sybil."Sure you know. You must know. Sharon Lipschutz knows where she lives and she’s only three and a half."Sybil stopped walking and yanked her hand away from him. She picked up an ordinary beach shell and looked at it with elaborate interest. She threw it down. "Whirly Wood, Connecticut," she said, and resumed walking, stomach foremost."Whirly Wood, Connecticut," said the young man. "Is that anywhere near Whirly Wood, Connecticut, by any chance?"Sybil looked at him. "That’s where I live," she said impatiently. "I live in Whirly Wood, Connecticut." She ran a few steps ahead of him, caught up her left foot in her left hand, and hopped two or three times."You have no idea how clear that makes everything," the young man said.Sybil released her foot. "Did you read ‘Little Black Sambo’?" she said."It’s very funny you ask me that," he said. ‘It so happens I just finished reading it last night." He reached down and took back Sybil’s hand. "What did you think of it?" he asked her."Did the tigers run all around that tree?""I thought they’d never stop. I never saw so many tigers.""There were only six," Sybil said."Only six!" said the young man. "Do you call that only?""Do you like wax?" Sybil asked."Do I like what?" asked the young man."Wax.""Very much. Don’t you?"Sybil nodded. "Do you like olives?" she asked."Olives - yes. Olives and wax. I never go anyplace without ‘em.""Do you like Sharon Lipschutz?" Sybil asked."Yes. Yes, I do," said the young man. "What I like particularly about her is that she never does anything mean to little dogs in the lobby of the hotel. That little toy bull that belongs to that lady from Canada, for instance. You probably won’t believe this, but some little girls like to poke that little dog with balloon sticks. Sharon doesn’t. She’s never mean or unkind. That’s why I like her so much."Sybil was silent."I like to chew candles," she said finally."Who doesn’t?" said the young man, getting his feet wet. "Wow! It’s cold." He dropped the rubber float on its back. "No, wait just a second, Sybil. Wait’ll we get out a little bit."They waded out till the water was up to Sybil’s waist. Then the young man picked her up and laid her down on her stomach on the float."Don’t you ever wear a bathing cap or anything?" he asked."Don’t let go," Sybil ordered. "You hold me, now.""Miss Carpenter. Please. I know my business," the young man said. "You just keep your eyes open for any bananafish. This is a perfect day for bananafish."I don’t see any," Sybil said."That’s understandable. Their habits are very peculiar. Very peculiar." He kept pushing the float. The water was not quite up to his chest."They lead a very tragic life," he said. "You know what they do, Sybil?"She shook her head."Well, they swim into a hole where there’s a lot of bananas. They’re very ordinary-looking fish when they swim in. But once they get in, they behave like pigs. Why, I’ve known some bananafish to swim into a banana hole and eat as many as seventy-eight bananas." He edged the float and its passenger a foot closer to the horizon. "Naturally, after that they’re so fat they can’t get out of the hole again. Can’t fit through the door.""Not too far out," Sybil said, "What happens to them?""What happens to who?""The bananafish.""Oh, you mean after they eat so many bananas they can’t get out of the banana hole?""Yes," said Sybil."Well, I hate to tell you, Sybil. They die.""Why?" asked Sybil."Well, they get banana fever. It’s a terrible disease.""Here comes a wave," Sybil said nervously."We’ll ignore it. Well snub it," said the young man. "Two snobs." He took Sybil’s ankles in his hands and pressed down and forward. The float nosed over the top of the wave. The water soaked Sybil’s blond hair, but her scream was full of pleasure.With her hand, when the float was level again, she wiped away a flat, wet band of hair from her eyes, and reported, "I just saw one.""Saw what, my love?""A bananafish.""My God, no!" said the young man. "Did he have any bananas in his mouth?""Yes," said Sybil. "Six."The young man suddenly picked up one of Sybil’s wet feet, which were drooping over the end of the float, and kissed the arch."Hey!" said the owner of the foot, turning around.‘Hey, yourself! We’re going in now. You had enough?""No!""Sorry," he said, and pushed the float toward the shore until Sybil got off it. He carried it the rest of the way."Goodbye," said Sybil, and ran without regret in the direction of the hotel.The young man put on his robe, closed the lapels tight, and jammed his towel into his pocket. He picked up the slimy, wet, cumbersome float and put it under his arm. He plodded alone through the soft, hot sand toward the hotel.On the sub-main floor of the hotel, which the management directed bathers to use, a woman with zinc salve on her nose got into the elevator with the young man."I see you are looking at my feet," he said to her when the car was in motion."I beg your pardon?" said the woman."I said I see you’re looking at my feet.""I beg your pardon. I happened to be looking at the floor," said the woman, and faced the doors of the car."If you want to look at my feet, say so," said the young man. "But don’t be a God-damned sneak about it.""Let me out here, please," the woman said quickly to the girl operating the car.The car doors opened and the woman got out without looking back."I have two normal feet and I can’t see the slightest God-damned reason why anybody should stare at them," said the young man. "Five, please." He took his room key out of his robe pocket.He got off at the fifth floor, walked down the hall, and let himself into 507. The room smelled of new calfskin luggage and nail-lacquer remover.He glanced at the girl lying asleep on one of the twin beds. Then he went over to one of the pieces of luggage, opened it, and from under a pile of shorts and undershirts he took out an Ortgies calibre 7.65 automatic. He released the magazine, looked at it, then reinserted it. He cocked the piece. Then he went over and sat down on the unoccupied twin bed, looked at the girl, aimed the pistol, and fired a bullet through his right temple.。
a perfect day for bananafish简析
a perfect day for bananafish简析
《A Perfect Day for Bananafish》讲述了一对年轻夫妻在海边度假的一天，其中丈夫西摩给一个小女孩讲述了香蕉鱼的故事，随后他回到宾馆房间，用手枪结束了自己的生命。
这篇小说的细节丰富，信息量大，通过一两个单词就传达出人物之间的关系、未明写的心理过程、小说文本以外的情节等。
小说的情节发展轻盈地解开了故事开头的许多谜团，逐渐浮现出故事的重心，让读者感觉这还是一篇短篇小说，至少篇幅上如此。
从信息量上来说，塞林格的短篇小说具有长篇的容量和厚度。
这篇小说通过描写一个受到严重战争创伤的年轻人，表现了他内心的善良和童真，同时也反映了战争对人类的伤害和影响。
DIN_EN_10296-1_2004-02
DIN EN 10296-1:2004-02
Nationaler Anhang NA (informativ) Literaturhinweise
DIN EN 10208-1, Stahlrohre für Rohrleitungen für brennbare Medien – Technische Lieferbedingungen — Teil 1: Rohre der Anforderungsklasse A; Deutsche Fassung EN 10208-1:1997. DIN EN 10217-1, Nahtlose Stahlrohre für Druckbehälter — Technische Lieferbedingungen — Teil 1: Rohre aus unlegierten Stählen mit festgelegten Eigenschaften bei Raumtemperatur; Deutsche Fassung EN 10216-1:2002. DIN EN 10224, Rohre und Fittings aus unlegierten Stählen für den Transport wässriger Flüssigkeiten einschließlich Trinkwasser — Technische Lieferbedingungen; Deutsche Fassung EN 10224:2002. DIN V 17006-10, Bezeichnungssysteme für Stähle — Zusatzsymbole für Kurznamen; Deutsche Fassung CR 10260:1998.
Gesamtumfang 36 Seiten
海洋奇缘中英文对白
海洋奇缘In the beginning...混沌初开之时there was only ocean...世界只有一片汪洋until the Mother Island emerged.直到母亲岛Te Fiti.特菲提出现Her heart held the greatest power ever known.特菲提之心拥有世上最强大的力量It could create life itself.能够创造生命And TeFiti shared it with the world.特菲提创造了世间一切生命But in time...可不久之后some began to seek Te Fiti's heart.有些人开始寻找特菲提之心They believed if they could possess it...他们坚信得到它the great power of creation would be theirs.就能获得创造一切的强大力量And one day...有一天the most daring of them all...这些人中最大胆的一位voyaged across the vast ocean to take it.跨越浩瀚的海洋去夺取特菲提之心He was a demigod of the wind and sea.他是主宰风与海的半神He was a warrior.他是一名勇士A trickster.一位魔术师A shapeshifter who could change form...一个能用他神奇鱼钩的法力with the power of his magical fish hook.随意变换形体的变形者And his name...他的名字叫作was Maui.毛伊But without her heart, Te Fiti began to crumble...但是失去了心之后特菲提开始瓦解giving birth to a terrible darkness.创造出了可怕的黑暗Maui tried to escape...毛伊试图逃走but was confronted by another who sought the heart.但碰上了另一个寻找特菲提之心的人Te Ka!特卡A demon of earth and fire.他是土与火的恶魔Maui was struck from the sky...毛伊被从空中击中never to be seen again.从此了无踪迹And his magical fish hook and the heart of Te Fiti...而他的魔法鱼钩和特菲提之心were lost to the sea.一起沉入了大海Where, even now 1,000 years later...即使在一千年之后的今天Te Ka and the demons of the deep特卡和深海的恶魔still hunt for the heart.仍在寻找特菲提之心Hiding in a darkness that will continue to spread...他们隐藏在不断蔓延的黑暗之中chasing away our fish...赶跑我们的鱼群draining the life from island after island...侵占一座又一座岛屿until every one of us is devoured...我们所有人都将by the bloodthirsty jaws...被那嗜血的死亡魔爪of inescapable death!吞噬殆尽But one day...但总有一天the heart will be found...会有人找到特菲提之心by someone who will journey beyond our reef...那个人将驶过环礁扬帆远航find Maui...找到毛伊deliver him across the great ocean...带他穿洋过海to restore Te Fiti's heart...归还特菲提之心and save us all.拯救众生Thank you, Mother. That's enough.谢谢母亲讲到这儿就行了Papa.爸爸No one goes outside the reef.谁都不准越过环礁We are safe here. There is no darkness.这里很安全世上没有黑暗势力There are no monsters.也没有什么怪兽Monsters! Monsters!怪兽怪兽- There's no monsters, no monsters.- It's the darkness!-不不没有怪兽 -黑暗势力来了No, there is nothing beyond our reef,but storms and rough seas.不 ,环礁外只有风暴和汹涌的大海I'm gonna throw up.我要吐了As long as we stay on our very safe island...只要我们大家都待在这座岛上we'll be fine.就会很安全The legends are true.传说都是真的Someone will have to go.一定有人会扬帆远航的Mother, Motunui is paradise.母亲莫图鲁尼岛就是天堂Who would want to go anywhere else?谁还想去别的地方呢Moana!莫阿娜There you are, Moana.总算找到你了莫阿娜What are you doing? You scared me.你在做什么吓坏我了What? I wanna's go back.干嘛我想回去I know, I know. But you don't go out there.我知道但你不能靠近海边It's dangerous.那里很危险Moana, e on.莫阿娜走吧Let's go back to the village.我们回村子去You are the next great chief of our people.你是我们族人的下一任伟大的酋长And you will do wondrous things,my little minnow.你会做许多了不起的事我的小宝贝Oh, yes. But first, you must learnwhere you're meant to be.没错但首先你要清楚自己的所属之地Moana莫阿娜驾到Make way, make way大伙都让开Moana, it's time you knew莫阿娜你是时候该知晓The village of Motunui is all you need你有莫图鲁尼村就已足够The dancers are practicing舞者们在排练They dance to an ancient song伴着古老的歌曲起舞Who needs a new song, this old one's all we need要新歌干嘛我们只要这首老歌This tradition is our mission继承传统是我们的使命And Moana, there's so much to do莫阿娜还有很多事要做We share everything we make劳动成果人人共享We joke and we weave our baskets有说有笑编织篮子The fishermen e back from the sea渔夫从大海归来I wanna see我想看看Don't walk away别走远Moana, stay on the ground now莫阿娜快快坐下Our people will need a chief族人需要一位酋长And there you are就是你There es a day终有一天When you're gonna look aroundand realize happiness is当你回首就会明白真正的幸福Where you are就在你的所属之地Consider the coconut瞧瞧这椰子The what? Consider its tree什么瞧瞧这椰树We use each part of the coconut.我们充分利用椰子的每一处It's all we need我们有它已足够We make our nets from the fibers纤维制成鱼网The water is sweet inside椰汁清甜可口We use the leaves to build fireswe cook up the meat inside树叶生火椰肉烹调Consider the coconuts瞧瞧这些椰子The trunks and the leaves这树干和树叶The island gives us what we need小岛给予我们所需*无人离开**And no one leaves**没错我们留在这里**That's right, we stay**这里安全又富饶**We're safe and we're well-provided**未来引导我们之人**And when we look to the future**就是你**There you are**不用担心**You'll be okay**你会学我所学**In time you'll learn just as I did**你必须在所属之地找到幸福**You must find happiness right where you are**我喜欢随海浪起舞伴着潮起潮落**I like to dance with the water the undertow and the waves**海水十分顽皮但我就喜欢它淘气**The water is mischievous. I like how it misbehaves**村民们可能觉得我疯了**The village may think I'm crazy**或者我的思维漂得太远**Or say that I drift too far**可一旦你知晓所爱这才是真正的你**But once you know what you like. Well, there you are**女儿像爸爸顽固又骄傲**You are your father's daughter stubbornness and pride* *他的教导自有道理但你的心声也许不同**Mind what he says but remember, you may hear a voice inside**如果你内心轻喃追随最远的那颗星**And if the voice starts to whisper to follow the farthest star**莫阿娜那心声就是真实的你**Moana, that voice inside is who you are*Dad!爸爸I was only looking at the boats.I wasn't gonna get on them.我只是看看那些船没打算登船e on. There's something I need to show you.来吧我给你看样东西I've wanted to bring you here从你出生起from the moment you opened your eyes.我就一直想带你来这里This is a sacred place.这是个神圣的地方A place of chiefs.酋长之地There will e a time...总有一天when you will stand on this peak你会站在这峰顶and place a stone on this mountain.给这座山添上一块石头Like I did. Like my father did.就像我我的父亲And his father, and every chief that has ever been.他的父亲还有每一代酋长都这么做And on that day...到那一天when you add your stone...等你把你的石头放上去you will raise this whole island higher.你就会让这座小岛变得更高You are the future of our people, Moana.你是我们族人的未来莫阿娜And they are not out there.他们并非远在天边They are right here.而是近在眼前It's time to be who they need you to be.你是时候该成为他们需要的人了*纤维制成鱼网**We make our nets from the fibers**椰汁清凉可口树叶生火**The water is sweet inside. We use the leaves to build fires**大伙一起歌唱**We sing these songs in our choirs**椰肉烹调养活族人**To cook up the meat inside. We have mouths to feed inside* *大家都信任我们没错**The village believes in us. That's right**大家都信任**The village believes**小岛给予我们所需**The island gives us what we need**无人离开**And no one leaves**所以我会留在这里**So here I'll stay**与我的家人族人一起**My home, my people beside me**当我展望未来之时**And when I think of tomorrow**我们相伴**There we are**我会带领大家**I'll lead the way**也需要族人指引我**I'll have my people to guide me**我们会共筑未来**We'll build our future together**就在此地**Where we are**因为每条路都会带你回到**'Cause every path leads ya back to**你的所属之地**Where you are**你会发现幸福就在**You can find happiness right**你的所属之地**Where you are**你的所属之地**Where you are*And every storm,每次风暴过后this roof leaks, no matter how many fronds I add.无论我铺了多少树叶这屋顶还是漏水Fixed! Not the fronds.搞定不是树叶的问题Wind shifted the post.是风把柱子吹偏了That's good pork!这猪肉真好吃I didn't mean... I wasn't...不是说你我的意思是What? They are calling me. So I gotta--. Bye!什么他们在叫我那我先走了You're doing great.你表现得很好Is it done yet?好了吗So close.就快了I'm curious about that chicken eating the rock.我好奇为什么那只鸡喜欢啄石头He seems to lack the basic intelligence它看起来好像required for pretty much everything.已经完全丧失理智了Should we maybe just cook him?我们能把它给煮了吗Sometimes our strengths lie beneath the surface.有时我们的优点隐藏在外表之下Far beneath in some cases.某些时候还藏得很深But I'm sure there's more to Heihei than meets the eye.但憨憨一定有我们看不到的过人之处It's the harvest.这是今天摘的This morning, I was husking the coconuts and...今早我在剥椰子时发现...We should clear the diseased trees我们应该砍掉这些病树and we will start a new grove.然后重新种一片椰子林There.就在那Thanks, Moana.谢谢莫阿娜She's doing great.她做得真棒This suits you.这活很适合你Chief?酋长There's something you need to see.有些东西你得瞧瞧Our traps in the east lagoon...这是我们在东礁湖设的捕鱼篓they're pulling up less and less fish.捕到的鱼越来越少了Then we'll rotate the fishing grounds.那我们就换个地方捕鱼We have. There's no fish.我们试过了还是没有鱼Then we'll fish the far side of the island.那我们就去岛的另一面捕鱼We tried.也试过了The windward side.迎风的那边呢And the leeward side, the shallows, the channel.还有背风的那边浅滩海峡We've tried the whole lagoon.整个礁湖我们都试过了They're just gone.到处都没有鱼Have you tried using a different bait?你试过用另一种鱼饵吗I don't think it's the bait. There's no fish.我觉得不是鱼饵的问题完全没有鱼It seems like it's getting worse and worse.而且情况越来越糟Of course, I understand you have reason for concern.当然我理解你的担心不无道理I will talk to the council. I'm sure we...我会和长老们商量我确信...What if we fish beyond the reef?如果我们去环礁之外捕鱼呢No one goes beyond the reef.谁都不准越过环礁I know. But if there are no fish in the lagoon...我明白但如果礁湖里面没有鱼群Moana. - And there's a whole ocean.-莫阿娜 -而海洋那么大-We have one rule.我们要遵守规矩An old rule, when there were fish.那是有鱼可捕时的旧规矩A rule that keeps us safe... - But Dad...-遵守规矩我们才安全 -可是爸爸-Instead of endangering our people不准你为了能再次靠近大海so you can run right back to the water.而使我们的族人身陷危险Every time I think you're past this...我还以为你早放弃了那个念头...No one goes beyond the reef!谁都不能越过环礁Well, it's not like you said it in front of your dad你不该当着你爸爸的面Standing on a boat.提出海的事情I didn't say go beyond the reef.'我说的是出海捕鱼Because I want to be on the ocean.;又不是要去冒险Butyousilldo,但你还是想去He's hard on you, BecauseBecause he doesn't get me.你爸爸生你的气是因为-是因为他不懂我- Because he was you.是因为他也曾跟你一样Drawn to the ocean.对大海着迷Down by the shore.想去海上He took a canoe, Moana.!莫阿娜他曾经驾着独木舟He crossed the reef.绕过那片礁石And found an unfogiving sea.驶入了-片危险的海或Waves like mountains.哪里的浪像山-样高His best friend beged to be on that他最好的朋友非要跟他一起出海Your dad couldn't save him.但你爸爸没能教回他He's hoping he can save you.现在他不想让你重蹈覆辙Sometimes, who we wish we were有时候我们总想首What we wish we could do要做些大事It'sjustnotmeanttobe.却忘了该做些什么I've been staring at the edge of the water.我每天总喜欢眺望这海洋Long as I can remember.I没有尽头的彼方Never rally knowing why.却不明白为什么I wish I could be the perfect daugher.也许你希望我听你的话ButIebacktothewater.我也曾经努力的尝试No matter how hard I try.我还是回到这海洋Every tum I take, every trail I track.每一个转弯每一个路段Every path I make, every road leads back.每一次选择每一.次失望To the place I know where I cannot go.不怕多困难那熟悉的地方Where I long to be.是我的渴望See the line where the sky meets the sea?!我听到地平线的那- -边It calls me.呼唤我Andnooneknows.谁会知道How far it goes能走多远f the wind in my sail on the sea stays behind乘着风迎着浪扬着帆me One dav I＇ll know终会知道If I go theres just no telling how far Til go我要走的路不管有多远也好1 know everybody on this虽然在这海岛每一个人island seems so happy. on this island仿佛开心没有忧愁Everything is by design所有事都被安排1 know everybody on this虽然海岛上的每一个人都有他们的责任island has a role. on this islandSo maybe I can roll with mine.也许我有自己主X1 can lead with pride. I can make us strong我可以带领让你们坚强I＇li be satisfied if I play along.也可以妥协不再有期望But the voice inside sines a different song我心中想起另一个声音What is wrong with me?我不能自己See the light as it shines on the sea?那海岸在闪烁很耀眼Its binding的光芒But no one knows谁会知道How deep it goes.海有多深And it seems like its calling out to me仿佛它在等待我的回应So e find me我在这里An let me know.请告诉我What＇s beyond that line， wil I cross that line?我应该期待什么是未来See the line where the sky meets the sea在那地平线的另一边It calls me呼我And no one knows谁会知道How far it goes能走多远1 f te wind in Iuy sail on the sea stays乘着风迎着浪扬着帆勇敢前行One day TT1know.总会知道How far I＇ll go能走多远Okay，Pua别担心胖胖1 can do this相信我There＇s more fish beyond the reet.出海肯定能捕到更多的鱼There＇s more beyond the reef我相信肯定能的Not so had没那么嘛Pua!胖胖Whatever just happened.不管发生了什么事Blame it on the pig就说是胖胖干的Grandma奶奶Are you gonna tell dad.你会告诉爸爸吗? I m his mon我是他妈I don＇t have to tell him anything.不用事事都跟他汇报He was right.他说得对About going out there海上很危险It＇s time to put my stone on the mountain.我也应该接任酋长了Okay好呀Well then head on back那就回村子去 Put that stone up there.把你的石头放上去Why aren't you trying to talk me out of it?你为什么不劝阻我呢You said that's what you wanted.你说了那是你想做的事It is.没错呀WhenI die.等我死了I'm going to e back as one of these.我想要变成一条黄貂鱼Or I chose the wrong tatoo.不然我背上的刺青就白刺了Why you're acting weird?你今天怎么怪怪的?I'm the village crazy, lady.我是村里的怪奶奶啊That's my job.这才是我嘛If there's something you want to tell me.如果你有什么话想跟我说Just tell me.就直说吧Is there something you want to tell me?您有什么话想跟我说吗?Is there something you want to hear?你想听我说什么啊?You've been told all our people stories.我们族人的故事你都已经听过了But one.可这个除外 What is this place?这是哪儿啊?Do you really think our ancestors stayed with the reef?你真以为我们的祖辈从来没有出过海吗?What's in there?里面有什么呢?The answer.有你To the question you keep asking yourself. 一直在苦苦寻找的答案Who are you meant to be你想要做什么样的人Go inside.走进去 Bang the drum.敲敲鼓And find out. 你就能找到答案Bang the drum.对了敲敲We read thewind and sky. 看太阳高高在上When the sun is high.风吹散云彩We sail the length of the seas on the ocean breeze 我们在大海航行迎着风前进 At night we name every star. We knowwhere we are在夜里数每颗星能找到方向Weknowwhoweare. 知道我是谁 Who we are. 我是谁We set acourse to find.定好了目的地 A brand new island everywhere we roam.每一次出行找寻新天地We keep our island in our mind.家乡的模样放心里And when it's time to find home.时间到了就回家We know the way..千山万水We are explorers reading every sign.我们去探索每一个符号We tell the stories of our elders.这里有我们的祖先In a never ending chain.古老的故事与传承Naeko hakilia. We know the way!千山万水We were voyagers.我们是航海者We were voyagers!我们是航海者Why'd we stop?后来发生了什么?Maui是毛伊When he stole from the Mother Island.在他偷走了特菲提之心后Darkness fell.黑暗降临到了人间Te Ka awoke.恶卡苏醒了Monsters lurked and boats stopped ing back.海底的怪兽吞噬了渔船To protect our people, the ancientchief 为了族人的安全历代酋长都下令Forbid voyaging.禁止航海And now we have forgottenwho we are于是人们渐渐忘记了自已是航海者的后代And the darkness has continued to spread.然而黑暗势力仍在不断扩XChasing away our fish.他们赶走了我们的鱼群Draining the life霸占了From island after island.一座又一座海岛Our island我们的岛But one day但是终有一天Someone will journey beyond our reef有人会重新扬帆起航Find Maui找到毛伊Deliver him across the great ocean.并带他跨越整片大海To restore the heart of Te Fiti归还特菲提之心Iwas there that day.那天我都看到了你The ocean chose you!大海选择了你1 thought it was a dream.我还以为那只是个梦Nope!不是梦Our ancestors believed, Maui lies there.我们的祖先相信毛伊就在那里At the bottom of his hook.在钩形星座的尽头Follow it, and you will find him.朝着它的方向走你就能找到毛伊But..但是Why would it choose me?大海为什么会选中我呢?I don't even know how to make it pass thereef我连怎么驾船出海都不会But I know who docs. 但我知道谁能教我The crops are turning black!庄稼都变黑了What about the fish?那鱼呢?This is happening all over the island.Please Please 现在整座岛都是这样. 安静 Settle down! - What are you going to do请安静- 我们该怎么办? -Wewilldignewfields..我们会开皇更多田地- We will find a way toWe can stop the darkness找到解决方法的. 我们能战胜黑暗势力Saveourisland!拯救我们的小岛There's a cavern boats!我发现一个山洞里有船Huge canoes!很大的船We can take them, find Maui我们可以驾着那些船找到毛伊Make him restore the heart让他归还特菲提之心We were voyagers.我们是航海者We can voyage again!我们应该重新出海You told me to help our people.你说过族人需要我们的保护This is how we help our people!只有这样才能保护他们Dad?爸爸What are you doing?你要干什么?I should've burned those boats a long time ago我早就应该把那些船全都烧掉No! Don't!不不要We have to find Maui我们必须找到毛伊We have to restore the heart.然后归还特菲提之心There is no heart!根本没有什么心This..this is just a rock! 这就是一块石头No!不Chief! 酋长It's your mother!你母亲不行了Mother.妈妈What can be done?现在还能做什么?Go.快去Grandma. 奶奶Go.快去Not now. 现在不行Ican't我不能You must! 你必须去The ocean chose you大海选择了你Follow the fish hook. - Grandma. 朝着钩状星座的方向走. 奶奶-And when you find Maui等你找到毛伊You grab him by the ear!你就揪着他的耳朵You say.. 告诉他I am Moana of Motunui我是莫图鲁尼岛的莫阿娜You will board my boat!快上船Sail across the sea!跨越整片大海And restore the heart of Te Fitil归还特菲提之心I.. can't leave you.我离不开您There is no way you could go,无论你在哪里,that I won't be with you我都与你同在Go!快去There's a line where the sky meet the seaand he calls me我听见地平线另- 边在呼唤我But no one knows.谁会知道How far it goes.能走多远All time wondering where I need to be is behind me曾经的不知所措的日子已经远离I'monmyown全靠自已Towards unknown!我往前走Every turn I take. Every rail I track每一一个转弯每一个路段It's a choise I make. Now I can't turn back都是我选择不能有遗憾From a great unknown.过去多伟大Where I go alone. Where I long to be.未来独自闯我渴望那里See her light of the night. in the sea, she calls me她光芒照亮了这海洋呼唤我And yes, I know.让我知道That I can go.能走得到There'samoonintheskyandthewindis behind me在天空的月亮与晚风陪我前行Sonow I'llknow.终会知道How far Ill go!能走多远I am Moana Motunui我是莫图鲁尼岛的莫阿娜You will board my boat.快上船Sail across the sea!我要带你跨越整片大海And restore the heart ofTe Fiti归还特菲提之心IamMoana.我是莫图鲁尼岛Of Motu.. nui.的莫阿..娜Hei-hei?!憨憨?It's okay别害怕You're alright没事的See?看到了吧?There we go.我们走吧Nice water.多棒的海水啊The ocean is a friend of mine.大海是我们的朋友Hei-hei?憨憨Hei-heil憨憨Stay!别动Okay.好了Next stop下一站Maui毛伊I am Moana of Motunui.我是莫图鲁尼岛的莫阿娜快上船You will board my boat. 我要带你跨越整片大海Sail across the sea归还特菲提之心And restore the heart of Te Fiti我是莫图鲁尼岛的莫阿娜IamMaa..of.M.t...快上船Board my boat!不Oh, no!不不No .. no... n..no!不No!大海Ocean?你能帮帮我吗? Can I get a little help?糟了No.. no拜托Please.快点儿e on!救命Help me!救命Please! 什么情况What?!我说了我需要帮助I saidhelpme!但你让大浪来袭击我的船? And wrecking my boat?!这也叫帮忙Not helping!就让你被鱼群臭死吧Fish pee in you.. all day!那么So.. ,毛伊? Maui?毛伊Maui!毛伊主宰风和海的半神Maui demigod of the wind and sea我是莫图鲁尼岛的莫阿娜IamMoanaofMotunui!请上船吧You will board my boat!不No!快上船You will board my boat!没错Yeah!我是莫图鲁尼岛的莫阿娜Hi,I'mMoanaofMotunui快上... - 船-You will board my.. - Boat!这有艘船Aboat!老天爷赐给我-艘..The Gods have given me ...毛伊Mau万能的变形者Shape shifter.主宰风和海的半神Demigod of the wind and sea.我是莫图鲁尼岛的莫阿娜. 男人们的英雄- I am Moana of Mo.. .hero of men什么?Wha.What?应该说毛伊是万能的变形者 It＇s actually Maui， shape shifter主率风和海的半神 Demigod of the wind and sea男人们的英雄 Hero of Men不好意思打断你了,从头开始吧人类的英雄 I interupted. From the top.hero of men开始Go!我是莫-等等等等- I am Mo..-Sorry，Sorry，Sorry，Sorry所有人 And women.包括男人和女人所有人才对 Men and women. Both!All这个可不分男女 Not a guy- girl thing你知道的毛伊是所有人的英雄 You know? Maui is a hero to all再来一遍吧 You＇re doing great什么?What?不我来这儿是.我知道-No! I came here toOf course. ofcourse好吧好吧Yes，yes，yes，yes毛伊对他的祟拜者总是很有耐心的 Maui always has time for his fans.这种用鸟来写字的方式 When you use a bird to write with叫做欧 It＇s called＂ tweeting＂我明白的英雄可不是想见就能见到的 I know， not every day， you get a chance to meet your hero 你可不是我的英雄 You are not my hero!我来这儿也不是为了让你在我的桨上签名 And I＇m not here so you can sign my oar我来这是因为你偷走了特菲提之心I'm here because you stole the heart of Te Fiti现在我要你上船And you will board my boat.跟我一-起把它还回去Sail across the sea and put it back!好吧Yeah.听起来你好像不太喜欢我It almost sounded like you don't like me.但这是不可能的因为我已经被困在这里Which is impossible because IGot stuck here一千年了就是为了For a thousand years, trying to get the heart..给你们凡人寻找那颗心As a gift for you, mortals...好让你们拥有创造生命的力量So you could have the power to createlife itself 所以我猜你原本想说的是Yeah, so what I believe you're trying to say.谢谢-谢谢?-Is thank you. -Thank you?不用谢- 什么?不You're wele. - What? No, no, no.我没有我不会I.. I didn't .. I wasn't ..我为什么要说谢谢- 好啦好啦~ Why would I ever say.. I mean.. –Okey okey 我知道发生了什么I see what's happening, yeah.面对这伟大的神明很奇妙You're face to face with greatness and it'sstrange都不知道该怎么反应You don't even know how you feel.这是很可爱的It's adorable!我发觉人类- -直没有改变Well, it's nice to see that humans never change现在让你开眼界Open your eyes let's begin.要看清楚是我毛伊请冷静Yeg，it＇s really me，It＇s Maui. Breathe it in. 我这完美的发型身型I know it＇s a lot the hair，the body!当你盯着这优质神明When you＇re staring at a Demigod我只能说一句What can I say?不客气Except you＇re wele把汐睛天送你For the tides，the sun，the sky这很简单很容易不客气Hey，it＇s okay. It is okay. You＇re wele.我只是一个普通硬汉子I＇m just an ordinary demi-guy，Hey!我用手指把天空托起Hey，what has two thumbs and pulled up the sky当你蹒跚前行有我扶持When you were waddling yay high. This guy!在寒冷夜里When the nights got cold.取暖的火都被偷走Who stole you fire from down below?有我在这里哟You＇re looking at him，yo!噢是我让太阳升起Oh，also I lasso＇d the sun.不客气You＇re wele让你多点开心日子To stretch your days and bring you fun.我能把狂风驾驭Also I harnessed the breeze不客气让船航行树叶落地You＇re wele，to fill your sails and shake your trees 这不过是小意思不客气So what can I say except You're wele.我让大地从海中耸立For the islands I pulled from the sea.不需要膜拜的意思不客气There's no need to pray, it's okay. You'rewele.我只是单纯的做我自已I guess it's just my way of being me不客气You're wele.不客气You're wele.啊回头想一想Well, e to think of it.我其实可以一-口气的Kid, honestly I can go on and on.把所有大自然的现象都解释I can explain every natural phenomenon.潮汐草地大地The tide, the grass, the ground.都是我毛伊所做的好事Oh.. that was Maui just messing around.我把海鳗狠狠地除掉I killed an eel, I buried is guts.种一颗树让你得到椰子Sprouted a tee, now you got coconuts.明不明白What's the lesson?有没有新启示What is the takeaway.就是当毛伊生气你快点回避Don't mess with Maui when he's on the breakaway你看我皮肤上的印记And the tapestry here in my skin.都是彰显胜利的标志Is a map of the victories I win.我到哪里哪里就出现好事Look where I've been, I make everything过去小气的小毛伊已变好脾气Look at that mean mini Maui just tikitty tappin’还是这句告诉你不客气Well anyway, let me say, You're wele我把这世界变美丽For the wonderful world you know.这很简单很容易不客气Hey, it's okay.. it's okay. You're wele我现在想起来我要出行Well, e to think of it, I gotta go.给你机会说声不客气Hey, it's your day to say You're wele.我要借用你的船Cause I'm gonna need that boat.要扬帆而去远地不客气I'm sailing away... aw ay. You're wele.我除了源浮什么都最棒Cause Maui can do everything but float.不客气You're wele.不客气You're wele.谢谢你And thank you!放我出去Hey, let me out!你这个中鄙的大骗子You lying, slimy, son of a..不用谢You're wele.不No!我可不想跟着个小孩去特菲提岛I'm not going to Te Fi with some kid.我还得找回我的鱼钩I'm gonna get my hook.你有一个但我没有毛伊不能没有鱼钩You have yours. And I'm not好了去我背后安静会儿Okay, talk to the back.旅途小点心Boat snack!再见啦讨厌的石头品Good riddance you filthy pile of pebbles!不Oh,no,no,no.别那样看着我Don't look at me like that.那个山洞挺好的她肯定喜欢It's a beautiful cave, she's gonna love it.而且我会好好And I'm going to love you.享用你的In my belly不过得先让你长点肉Now let's fatten you up, drumstick!真是精彩的- -跳啊I could watch that all day.好了这座岛是你的了Okay, enjoy the island!-毛伊号出发-不Maui, out! - No!;停下Stop!; 你必须把那颗心还回去Hey! You have to put back the heart!什么时候回来的Did not see that ing.;我是莫图鲁尼岛的莫阿娜IamMoanaofMotunui这是我的船This is my canoe.你必须跟我去...And you will journey 好了摆平了我们得走了All right, get over it. We gotta to move.她又回来了And she's back我是莫图普尼岛的莫..I am Moana of Motunu.-你叫莫阿娜对吧. 没错- It was Moana, righ?- Yes.你必须把这颗心还回去And you will restore the heart.好吧我认输All right, I'm out.。
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