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英国园林

英国园林

背景:自十七世纪哲人文豪竭力讴歌自然,《失乐园》中风光旖旎的自然园林集中体现人们对自然景观的高度崇尚和向往开始,英国风景园林的历史就开始展开。

不列颠群岛潮湿多云的气候条件,资本主义生产方式造成庞大的城市,促使人们追求开朗、明快的自然风景。

18世纪发展起来的自然风景园,本土丘陵起伏的地形和大面积的牧场风光为园林形式提供了直接的范例,社会财富的增加为园林建设提供了物质基础。

这些条件促成了独具一格的英国式园林的出现。

这种园林与园外环境结为一体,又便于利用原始地形和乡土植物,所以被各国广泛地用于城市公园,也影响现代城市规划理论的发展。

类型与风格的特点:英国园林素以自然主义和浪漫主义闻名于世英国自然风景园林的总体特征是自然,疏朗,色彩明快,富有浪漫情调。

早期的英国园林是规则式的,并受到了文艺复兴时期意大利风格园林和法国规则式园林的影响,这种规则式的园林景观风格在英国延续了两个世纪之久。

这种风景园摒弃规则,尽量避免人工雕刻的痕迹,以自然流畅的湖岸线,动静结合的水面,缓缓起伏的草地,高大稀疏的乔木或丛植的为特色。

与靳诺特式的园林完全相反,它否定了纹样植坛、笔直的林荫道、方正的水池、整形的树木,扬弃了一切几何形状和对称均齐的布局,代之以弯曲的道路、自然式的树丛和草地、蜿蜒的河流,讲究借景和与园外的自然环境相融合。

从造园家列普顿 (Humphry Replom) 开始又使用台地、绿篱、人工理水、植物整形修剪以及日冕、鸟舍、雕像等的建筑小品;特别注意树的外形与与建筑形象的配合衬托以及虚实、色彩、明暗的比例关系。

甚至有在园林中故意设置废墟、残碑、朽桥、枯树以渲染一种浪漫的情调,这就是所谓的“浪漫派”园林。

但这又逐渐走向另一个完全以自然风景或者风景画作为抄袭的蓝本,以至于经营园林虽然耗费了大量的人力和资金,而所得到的效果与原始的天然风致并没有什么区别。

看不到多少人为加工的点染,虽本与自然但未必高与于自然。

这种情况也引起了人们的反感。

景观英语词汇

景观英语词汇

景观规划中常用的一些英语词汇中国古典园林——classical Chinesegarden 中国传统园林——traditional Chinese garden 中国古代园林——ancient Chinese garden 中国山水园——Chinese mountain and water garden 帝王宫苑——imperial palace garden 皇家园林——royal garden私家园林——private garden江南园林——garden on the Yangtze delta 西方古典园林——western classical garden 英国式园林——English style garden 中英混合式园林——angle Chinese style garden 意大利式园林——Italian style garden 西班牙式园林——Spanish style garden 法兰西式园林——French style garden勒诺特尔式园林——le notre's style garden 文艺复兴庄园——renaissance style garden 洛可可式园林——rococo style garden 巴洛克式园林——baroque style garden 庄园——manor,villa garden廊柱园——peristyle garden,patio绿廊——xystus迷阵——maze,labyrinth灵囿——ling you hunting garden周代术语灵沼——ling zhao water garden周代术语灵台——ling tai platform garden周代术语阿房宫----e-pang palace秦代术语上林苑——shang-lin yuan汉代术语未央宫——wei-yang palace汉代术语洛阳宫----luoyang palace魏代术语华清宫——hua-qing palace唐代术语艮岳——gen yue imperial garden宋代术语圆明园——yuan-ming yuan imperial garden颐和园——yi-he yuan imperial garden承德避暑山庄——chengde imperial summer resort苏州园林——suzhou traditional garden悬园----hanging garden又称“悬空园”,“架高园”。

西方园林英国自然风景式园林

西方园林英国自然风景式园林

钱伯斯的设计风格终于形成了一个设计流 派,法国人称之为“中英折中式园林”。 后来人们也将这种园林称之为感伤主义园 林或英中式园林。
三:“园艺派”时期(极盛时期) 由于欧洲资本主义的发展和英国海外贸易和殖民事业 的日益拓展,世界各地的名花异卉陆续传人,从而形成了19 世纪的主要流派“自然风致园的园艺派”。 这种造园流派在自然风致园林原有面貌下有了一些新特点: 如增加了具有时代特点的玻璃温室,种植各地的名木异卉和 奇花异草;此外,常在草地上设置不规则的花坛,以各种鲜花 密植在一起,花期、颜色和株形均经过仔细的搭配;树木也 注意其高矮、冠型、姿态和四季的变化,巧加搭配。这一种 园林,因为更具商业性和折衷性,符合商业时代的需求,逐渐 成为19 世纪的主流,并直接影响到20 世纪的世界园林艺术。
17世纪的许多英国哲人文豪竭力讴歌自然,著名 诗人弥尔顿(1608-1674年)写的《失乐园》将基 督教的理想天国伊甸园描绘成风光旖旎的自然园 地,集中体现了对自然美的高度崇尚和向往。
2.自然环境的影响 欧洲兴起法国勒诺特尔造园热时,英国受 影响极少,原因有二:1是英国人固有的保 守性,2是在英国丘陵起伏的地形上,要想 建造勒诺特尔式宏伟壮丽的效果,必须大 动土方改造地形,从而耗资巨大。 英国多雨潮湿的气候条件下,植物生长十 分有利,而树木的整形修剪要花费更多的 劳力。
4:中国园林文化的影响 当时英国在园林艺术领域受到中国古典园 林的影响。如钱伯斯的丘园等。
起步或萌芽:
17世纪前20年,是英国自然风景园的起步阶段。它的重要 开拓者亚历山大· 蒲伯(alexander pope,1688-1744年)和 约瑟夫· 爱迪生(Joseph addison1672-1719年)非常赞赏 picturesque所代表的风景构图,并探讨了风景画同园林设 计之间的关系。 亚历山大· 蒲伯以自己主持建造的园林阙根海姆 (twinkenheim)为例,论证了绘画可以作为园林设计的合 理模式的观点。 艾迪生于1712年,在《旁观者》上发表文章,支持如画景 观的观点。 不过,18世纪早期英国的造园实践还不具备今天通常就历 史文化风格而论的英国自然风景式园林。

古建筑英文word精品

古建筑英文word精品

中国古典园林---- c lassical Chinese garden中国传统园林---- t raditional Chinese garden中国古代园林---- a ncient Chinese garden中国山水园------ C hinese mountain and water garden帝王宫苑----- imperial palace garden皇家园林----- royal garden私家园林----- private garden江南园林-------- g arden on the Yangtze Delta西方古典园林-------- western classical garden英国式园林------------- English style garden中英混合式园林--------- Anglo-Chinese style garden意大利式园林----------- Italian style garden西班牙式园林----------- Spainish style garden法兰西式园林----------- French style garden勒诺特尔式园林--------- Le Notre\'s style garden文艺复兴庄园------------- Renaissance style garden洛可可式园林--------------- Rococo style garden巴洛克式园林------------- Baroque style garden庄园---------------- manor,villa garden廊柱园-------------- peristyle garden,patio绿廊---------------- xystus迷阵---------------- maze,labyrinth灵囿---------------- Ling You Hunting Garden 周代术语灵沼--------- Ling Zhao Water Garden 周代术语灵台--------- Ling Tai Platform Garden 周代术语阿房宫------- E-Pang Palace 秦代术语上林苑---------- S hang-Lin Yuan 汉代术语未央宫---------- W ei-Yang Palace 汉代术语洛阳宫---------- L uoyang Palace 魏代术语华清宫---------- H ua-Qing Palace 唐代术语艮岳------------ G en Yue Imperial Garden 宋代术语圆明园---------- Y uan-Ming Yuan Imperial Garden颐和园------------ Yi-HE Yuan Imperial Garden承德避暑山庄-------- Chengde Imperial Summer Resort苏州园林------------ Suzhou traditional garden悬园------ Hanging Garden 又称“悬空园” ,“架高园” 。

Kew Gardens中文译版

Kew Gardens中文译版

卵形的花坛里栽得有百来枝花梗,从半中腰起就满枝都是团团的绿叶,有心形的也有舌状的;梢头冒出一簇簇花瓣,红的蓝的黄的都有,花瓣上还有一颗颗斑点,五颜六色,显眼极了。

不管是红的、蓝的、还是黄的,那影影绰绰的底盘儿里总还伸起一根挺直的花柱,粗头细身,上面乱沾着一层金粉。

花瓣张得很开,所以夏日的和风吹来也能微微掀动;花瓣一动,那红的、蓝的、黄的光彩便交叉四射,底下褐色的泥土每一寸都会沾上一个水汪汪的杂色的斑点。

亮光或是落在光溜溜灰白色的鹅卵石顶上,或是落在蜗牛壳棕色的螺旋纹上,要不就照上一滴雨点,点化出一道道稀薄的水墙,红的,蓝的,黄的,色彩之浓,真叫人担心会浓得迸裂,炸为乌有。

然而并没有迸裂,转眼亮光一过,雨点便又恢复了银灰色的原样。

亮光移到了一张叶片上,照出了叶子表皮底下枝枝杈杈的叶脉。

亮光又继续前移,射到了那天棚般密密层层的心形叶和舌状叶下,在那一大片憧憧绿影里放出了光明。

这时高处的风吹得略微强了些,于是彩色的亮光便转而反射到顶上辽阔的空间里,映入了在这七月天来游邱园的男男女女的眼帘。

花坛旁三三两两的掠过了这些男男女女的身影,他们走路的样子都不拘常格,随便得出奇,看来跟草坪上那些迂回穿飞、逐坛周游的蓝白蝴蝶倒不无相似之处。

来了一个男的,走在女的前面,相隔半英尺光景,男的是随意漫步,女的就比较专心,只是还常常回过头去,留心别让孩子们落下太远。

那男的是故意要这样走在女的前面,不过要说有什么心眼儿恐怕倒也未必,他无非是想一路走一路想想自己的心思罢了。

“十五年前我跟莉莉一块儿上这儿来过,”他心想。

“我们坐在那边的一个小湖畔,那天天也真热,我向她求婚,求了整整一个下午。

当时还有只蜻蜓老是绕着我们飞个没完。

这蜻蜓的模样我至今还记得清清楚楚,我还记得她的鞋头上有个方方的银扣。

我嘴里在说话,眼睛可看得见她的鞋子,只要看见她的鞋子不耐烦地一动,我连头也不用抬一下,就知道她要说的是什么了。

她的全副心思似乎都集中在那鞋上。

英国皇家植物园

英国皇家植物园

英国皇家植物园:Royal Botanic Gardens.英国皇家植物园,大家都叫它“邱园”,即Kew Botanical Gardens,是联合国认定的世界文化遗产。

它拥有几个世纪以来英国皇室收集的世界各地的珍稀植物,其中包括超过1.4万棵树,是植物界的“大英博物馆”。

它坐落在伦敦三区的西南角,北纬51°,最近的地铁站就是kew garden,比较方便的到达方法是Hammersmith city地铁站下,换乘391路到Kew Garden Station即可。

邱园的历史可以追溯到1759年:最初的邱园只有3.5公顷,是那时乔治二世于卡罗琳女王之子威尔斯亲王的遗孀奥古斯塔派人在自家庄园中建立的。

到了1840年,才逐步向公众开放。

一直到1904年,在英国皇室的捐资下,邱园的规模才达到了现在的121公顷。

植物园拥有数十座造型各异的大型温室,收录了约5万种植物,是已知植物种类的1/8,规模之大种类之丰,堪称是世界之最。

走进大门,就看到这世界最著名的温室之一:棕榈室(Palm House)外景,建设于1844-1848年,是维多利亚时代玻璃钢结构,由Decimus Burton设计,面积有4880平方米。

温室创造与热带雨林相似的气候条件,棕榈科植物展示于此。

据说这里保存的棕榈类植物中有四分之一在野生环境下已经濒临灭绝。

在棕榈室外的Griffon雕塑背面,可以看到拱形透明的棕榈室,气势恢弘。

Griffon 雕塑正面。

Griffon是希腊神话中半狮半鹫的怪兽。

邱园,从南到北从西往东,分为:野生动植物观测区(wildlife observation center),保留区(conservation area),獾区badger sett,甲壳虫区(beetle bank loggery),夏洛蒂皇后别墅(queen charlotte’s cottage),松林(pinetum),水百合池塘(waterlily pond),compost heap,sackler crossing,红树林(redwood grove),林区(woodland glade),日本门(japanese gateway),宝塔(pagoda),拱门遗留区(ruined arch),玛丽安北廊(Marianne north gallery),进化屋(evolution house),温带园(temperate house),地中海园(mediterranean garden),威廉王寺(king william’s temple),小蘖属溪谷(berberis dell),罗神庙(temple of bellona),北美杜鹃溪谷(rhododendron dell), 竹园(bamboo garden),(minka house),杜鹃园(azalea garden),水百合屋(waterlily house),玫瑰园(rose garden),棕榈园(palm house),水生植物展区(aquatic display),水神庙(temple of arethusa),儿童游乐场(climbers&creepers),皇后园(queen’s garden),邱宫(kew palace),纳什温室(nash conservatory),丁香园(lilac collection),时间舱(time capsule),银杏园(ginkgo biloba),宝塔树(pagoda tree),隐秘园(secluded garden),威尔士公主温室(princess of wales conservatory),戴维斯高山植物区(davies alpine house),植物与人展览区(plants+people exhibition),风神庙(temple of aeolus),分类区及玫瑰藤架(order beds,rose pergola),岩石园(rock garden),盆景屋(bonsai house),外来植物区(exotic border),邱园美术馆(kew gardens gallery),公爵园(duke’s garden)。

英国自然式风景园林发展简介

英国自然式风景园林发展简介

英国自然式风景园林发展简介英国自然式风景园林发展简介世界园林一般分为三大体系:中国园林、伊斯兰园林以及欧洲园林。

一般而言,中国园林代表了一种浪漫与感性;而欧洲园林则是规整、典雅的象征,是以理性思考为造园思想的中世纪园林。

千百年来,一提起欧洲园林,人们就会想起巴黎的凡尔赛花园等一系列具有鲜明的规整几何特色的规模宏大、景色壮观的宫廷式园林。

殊不知,欧洲园林中存一“异数”———英国风景式园林。

英国园林素以自然主义和浪漫主义闻名于世。

英国自然风景园林始于18世纪,受欧洲资本主义思潮的影响和中国园林艺术的启发,人们开始追求开朗明快富有浪漫主义色彩的自然式园林景观。

一、英国自然式园林的特点与靳诺特式的园林完全相反,英国自然式园林抛弃了一切几何形状和对称均齐的布局,代之以弯曲的道路、自然式的树丛和草地、蜿蜒的河流,讲究借景和与园外的自然环境相融合。

英国自然风景园林的总体特征是自然,疏朗,色彩明快,富有浪漫情调[3]。

早期的英国园林是规则式的,并受到了文艺复兴时期意大利风格园林和法国规则式园林的影响,这种规则式的园林景观风格在英国延续了两个世纪之久。

二、英国自然式风景园发展的历史背景。

1、自然地理因素英国北部为山地和高原,南部为平原和丘陵,属海洋性气候。

历史上是一个农牧国家,牧场占国土面积的40%以上,而森林只占10%(与其它欧洲国家有较大的差别)。

经济文化发达地区主要在南部以牧场为主的平原地区,自然缓坡牧地和孤立树构成英国独特的自然风景—这是著名的“自然风景园”在英国出现并长盛不衰的主要地理人文因素。

另外,由于英国是一个岛国,而且远离欧洲文明的发祥地希腊、罗马,英国文化受古典主义文化影响较小,而得以形成自己独特的文化。

2、经济因素在17世纪工业革命以前的长时期里,英国是一个封建的农业国。

以畜牧业为首,加上由其带动的毛纺织业,构成了英国的经济支柱。

这种经济组成是直接由盎格鲁--撒克逊游牧民族的生活方式流传下来的。

外国植物园案例解读

外国植物园案例解读

外国植物园案例解读一、英国邱园(Kew Gardens)1. 基本概况。

邱园那可是相当有名啊,就像植物界的超级明星。

它的面积超大,有121公顷呢。

这里面的植物种类多得让人眼花缭乱,据说有超过5万种不同的植物。

它的地理位置也好,在伦敦西南部的泰晤士河畔。

就像一个植物王国坐落在那片美丽的土地上,周围的环境也给它增添了不少魅力。

2. 特色之处。

建筑与植物的完美结合。

邱园里有很多超酷的建筑,比如那个标志性的棕榈温室。

这个温室就像一个巨大的玻璃城堡,里面种满了各种各样的棕榈树。

当你走进去,就感觉像是进入了一个热带的童话世界。

那些高大的棕榈树,叶子在阳光的照耀下闪烁着绿色的光芒,而玻璃温室的建筑结构也特别精致,有着漂亮的弧形和线条,和里面的植物相得益彰。

科学研究与教育功能强大。

邱园可不仅仅是让大家来看看漂亮植物的地方。

这里的科学家们可忙乎了,他们一直在做各种关于植物的研究。

从研究植物的分类,到探索植物在医药方面的潜力等等。

而且邱园在教育方面也做得很棒。

他们经常举办各种活动,像是针对小朋友的植物科普之旅。

小朋友们可以跟着工作人员,在园子里一边玩一边学习关于植物的知识,就像参加一场超级有趣的植物冒险。

植物收藏的多样性。

邱园的植物收藏涵盖了世界各地的植物。

不管是来自寒冷的北极地区的苔藓,还是来自炎热的非洲的多肉植物,你都能在这里找到。

这种多样性就像一个植物的联合国,不同地域的植物在这里汇聚,让人们可以在一个地方就领略到全球植物的魅力。

3. 成功的启示。

保护与展示并重。

邱园告诉我们,保护植物和展示植物可以很好地结合起来。

一方面,通过精心的养护和科学的管理,让那些珍稀植物能够在这里茁壮成长。

另一方面,把这些植物以最美的姿态展示给游客,让大家都能认识到植物的重要性,从而提高人们保护植物的意识。

国际合作的力量。

邱园在全球范围内开展合作。

他们会和其他国家的植物园交换植物种子或者研究成果。

这种国际合作就像植物界的外交,大家互相分享,共同进步。

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The Royal Botanic Gardens, Kew, usually referred to as Kew Gardens, is 121 hectares[1] of gardens and botanical glasshouses between Richmond and Kew in southwest London, England. "The Royal Botanic Gardens, Kew" and the brand name "Kew" are also used as umbrella terms for the institution that runs both the gardens at Kew and Wakehurst Place gardens in Sussex. The Royal Botanic Gardens, Kew, a non-departmental public body sponsored by the Department for Environment, Food and Rural Affairs, is an internationally important botanical research and education institution with 700 staff and an income of £56 million for the year ended 31 March 2008, as well as a visitor attraction receiving almost two million visits in that year.[2]Created in 1759,[3]the gardens celebrated their 250th anniversary in 2009.The Director of the Royal Botanic Gardens, Kew is responsible for the world's largest collection of living plants. The organisation employs more than 650 scientists and other staff. The living collections include more than 30,000 different kinds of plants, while the herbarium, which is one of the largest in the world, has over seven million preserved plant specimens. The library contains more than 750,000 volumes, and the illustrations collection contains more than 175,000 prints and drawings of plants. The Kew site includes four Grade I listed buildings and 36 Grade II listed structures in an internationally significant landscape.[4]HistoryKew Gardens originated in the exotic garden at Kew Park formed by Lord Capel John of Tewkesbury. It was enlarged and extended by Augusta, Dowager Princess of Wales, the widow of Frederick, Prince of Wales, for whom Sir William Chambers built several garden structures. One of these, the lofty Chinese pagoda built in 1761 still remains. George III enriched the gardens, aided by William Aiton and Sir Joseph Banks. The old Kew Park (by then renamed the White House), was demolished in 1802. The "Dutch House" adjoining was purchased by George III in 1781 as a nursery for the royal children. It is a plain brick structure now known as Kew Palace.Some of the early plants came from the walled garden established by William Coys at Stubbers in North Ockendon.[5]The collections grew somewhat haphazardly until the appointment of the first collector, Francis Masson, in 1771.[6] In 1840 the gardens were adopted as a national botanical garden. Under Kew's director, William Hooker, the gardens were increased to 30 hectares (75 acres) and the pleasure grounds, or arboretum, extended to 109 hectares (270 acres), and later to its present size of 120 hectares (300 acres). The first curator was John Smith. The Palm House was built by architect Decimus Burton and iron-maker Richard Turner between 1844 and 1848, and was the first large-scale structural use of wrought iron. The structure's panes of glass are all hand-blown. The Temperatehouse, which is twice as large as the Palm House, followed later in the 19th century. It is now the largest Victorian glasshouse in existence.Kew was the location of the successful effort in the 19th century to propagate rubber trees for cultivation outside South America.In February 1913 the Tea House was burnt down by suffragettes Olive Wharry and Lilian Lenton during a series of arson attacks in London.[7]In October 1987 Kew Gardens lost hundreds of trees in the Great Storm of 1987. In July 2003, the gardens were put on the list of World Heritage Sites[3] by UNESCO.The current director is Professor Stephen D. Hopper, who succeeded Professor Sir Peter Crane. In November 2010, it was announced that Dr Tim Entwisle, Executive Director of the Royal Botanic Gardens, Sydney, was to become Director of Conservation, Living Collections & Estates.[8]Professional activitiesHerbariumThe Kew herbarium is one of the largest in the world with approximately 7 million specimens used primarily for taxonomic study.[9] The herbarium is rich in types for all regions of the world, especially the tropics.Despite unfavourable growing conditions (atmospheric pollution from London, dry soils and low rainfall) Kew remains one of the most comprehensive plant collections in Britain. In an attempt to expand the collections away from these unfavourable conditions, Kew has established two out-stations, at Wakehurst Place in Sussex, a National Trust property, and (jointly with the Forestry Commission) Bedgebury Pinetum in Kent, the latter specialising in growing conifers.The Harvard University Herbaria and the Australian National Herbariumco-operate with Kew in the IPNI database to produce an authoritative source of information on botanical nomenclature.SeedbankKew is important as a seedbank. It co-sponsors the Millennium Seed Bank Project inside the Wellcome Trust Millennium Building at Wakehurst Place in Sussex. Library and archivesThe library and archives at Kew are one of the world's largest botanical collections, with over half a million items, including books, botanical illustrations, photographs, letters and manuscripts, periodicals, and maps. The Jodrell Library was recently merged with the Economic Botany and Mycology Libraries and all are now housed in the Jodrell Laboratory.Forensic horticultureKew provides advice and guidance to police forces around the world where plant material may provide important clues or evidence in cases. In one famous case the forensic science department at Kew are able to certain that the contents of the stomach of a headless corpse found in the river Thames contained a highly toxic African bean.[10]Economic BotanyThe Sustainable Uses of Plants group (formerly the Centre for Economic Botany), focus on the uses of plants in the United Kingdom and the world's arid and semi-arid zones. The Centre is also responsible for curation of the Economic Botany Collection, which contains more than 90,000 botanical raw materials and ethnographic artefacts, some of which are on display in the Plants + People exhibit in Museum No. 1. The Centre is now located in the Jodrell Laboratory.[11]Jodrell LaboratoryThe original Jodrell laboratory, named after Mr T.J. Phillips Jodrell who funded it was established in 1877 and consisted of four research rooms and an office. Originally research was conducted into plant physiology but this was gradually superseded by botanical research. In 1934 an artists studio was added together with a photographic darkroom highlighting the importance of botanical illustration. In 1965, following increasing overcrowding a new building was constructed and research expanded into seed collection for plant conservation. The biochemistry section also expanded to facilitate research into secondary compounds that could be derived from plants for medicinal purposes. In 1994 the centre was expanded again, tripling in size and a decade later it was further expanded by the addition of the Wolfson Wing.[10]AttractionIn March 2006, the Davies Alpine House opened, the third version of an alpine house since 1887. Although only 16 metres long the apex of the roof arch extends to a height of 10 metres in order to allow the natural airflow of a building of this shape to aid in the all important ventilation required for the type of plants to be housed.The new house features a set of automatically operated blinds that prevent it overheating when the sun is too hot for the plants together with a system that blows a continuous stream of cool air over the plants. The main design aim of the house is to allow maximum light transmission. To this end the glass is of a special low iron type that allows 90% of the ultraviolet light in sunlight to pass. It is attached by high tension steel cables so that no light is obstructed by traditional glazing bars. To conserve energy the cooling air is not refrigerated but is cooled by being passed through a labyrinth of pipes buried under the house at a depth where the temperature remains suitable all year round. A design goal of the house is that the maximum temperature will not exceed 20 degrees Celsius.Kew's collection of Alpine plants (defined as those that grow above the tree-line in their locale - ground level at the poles rising to over 2000 metres in the Alps), extends to over 7000 and as the Alpine house can only house around 200 at a time the ones on show are regularly rotatedCompost heapsKew has one of the largest compost heaps in Europe, made from green waste from the gardens and the waste from the stables of the Household Cavalry. The compost is mainly used in the gardens, but on occasion has been auctioned as part of a fund-raising event for the gardens.[12]The compost heap is in an area of the gardens not accessible to the general public, but a viewing platform has been erected to allow visitors to observe the heap as it goes through its cycle.[12]Kew PalaceKew Palace is the smallest of the British royal palaces. It was built by Samuel Fortrey, a Dutch merchant in around 1631. It was later purchased by George III. The construction method is known as Flemish bond and involves laying the bricks with long and short sides alternating. This and the gabled front tend to give the construction a definite Dutch appearance.To the rear of the building is the "Queen's Garden" which includes a collection of plants believed to have medicinal qualities. Only plants that were extant in England by the 17th century are grown in the garden.The building underwent significant restoration before being reopened to the public in 2006.It is administered separately from the gardens and is the only permanently open attraction within the grounds that requires an additional fee to view.[edit]Minka HouseFollowing the Japan 2001 festival, Kew acquired a Japanese wooden house called a minka. It was originally erected in around 1900 in a suburb of Okazaki. Japanese craftsmen reassembled the framework and British builders who had worked on the Globe Theatre added the mud wall panels.Work on the house started on 7 May 2001 and when the framework was completed on 21 May, a Japanese ceremony was held to mark what was considered an auspicious occasion. Work on the building of the house was completed in November 2001 but the internal artifacts were not all in place until 2006.The Minka house is located within the bamboo collection in the West central part of the gardens.[edit]Marianne North GalleryThe Marianne North Gallery was built in the 1880s to house the paintings of Marianne North, an MP's daughter who travelled alone to North and South America, South Africa and many parts of Asia, at a time when women rarely did so, to paint plants. The gallery has 832 of her paintings. The paintings were left to Kew by the artist and a condition of the bequest is that the layout of the paintings in the gallery may not be altered.The gallery had suffered considerable structural degradation since its creation and during a period from 2008 to 2009 major restoration and refurbishment took place. During the time the gallery was closed the opportunity was also taken to restore the paintings to their original condition. The gallery reopened in October 2009. The gallery originally opened in 1882 and is the only permanent exhibition dedicated solely to the work of one woman in Great Britain.[edit]MuseumNear the Palm House is a building known as "Museum No. 1" (even though it is the only museum on the site), which was designed by Decimus Burton and opened in 1857. Housing Kew's economic botany collections including tools, ornaments, clothing, food and medicines, its aim was to illustrate human dependence on plants. The building was refurbished in 1998. The upper two floors are now an education centre and theground floor houses the "Plants+People" exhibition which highlights the variety of plants and the ways that people use them.Admission to the galleries and museum is free after paying admission to the Gardens. [edit] Nash ConservatoryOriginally designed for Buckingham Palace, this was moved to Kew in 1836 by King William IV.[13] With an abundance of natural light the building is used to house displays of photographs and small, educational exhibitions.[edit] OrangeryThe Orangery was designed by Sir William Chambers, and was completed in 1761. It measures 28 m x 10 m. After many changes of use, it is currently used as a restaurant.[edit] PagodaIn the South East corner of Kew Gardens stands the Great Pagoda (by Sir William Chambers), erected in 1762, from a design in imitation of the Chinese Ta. The lowest of the ten octagonal storeys is 49 feet (15 m) in diameter. From the base to the highest point is 163 feet (50 m).Each storey finishes with a projecting roof, after the Chinese manner, originally covered with ceramic tiles and adorned with large dragons; a story is still propagated that they were made of gold and were reputedly sold by George IV to settle his debts.[14]The truth is that the dragons were made of wood painted gold, and simply rotted away with the ravages of time. The walls of the building are composed of brick. The staircase, 253 steps, is in the centre of the building. The Pagoda was closed to the public for many years, but was reopened for the summer months of 2006. There are still, supposedly, plans for it to open to the public once again.During the Second World War holes were cut in each floor to allow for drop-testing of model bombs.[15][edit] Palm HouseThe Palm House (1844–1848) was the result of cooperation between architect Decimus Burton and iron-founder Richard Turner,[16] and continues upon the glass house design principles developed by John Claudius Loudon[17][18] and Joseph Paxton.[18] A space frame of wrought iron arches, held together by horizontal tubular structures containing long prestressed cables,[18][19] supports glass panes which were originally[16] tinted green with copper oxide to reduce the significant heating effect. The 19m high central nave is surrounded by a walkway at 9m height, allowing visitors a closer look upon the palm tree crowns.[edit] Princess of Wales ConservatoryKew's third major conservatory, the Princess of Wales Conservatory, designed by architect Gordon Wilson, was opened in 1987 by Diana, Princess of Wales in commemoration of her predecessor Augusta's associations with Kew.[20]In 1989 the conservatory received the Europa Nostra award for conservation.[21] The conservatory houses ten computer-controlled micro-climatic zones, with the bulk of the greenhouse volume composed of Dry Tropics and Wet Tropics plants. Significant numbers of orchids, water lilies, cacti, lithops, carnivorous plants and bromeliads are housed in the various zones. The cactus collection also extends outside the conservatory where some hardier species can be found.With an area of 4499 square meters the conservatory is designed to minimise the amount of energy taken to run it and to this end the cooler zones are grouped around the outside with the more tropical zones in the central area where heat is conserved. The glass roof extends down to the ground which give the conservatory a distinctive appearance and helps to maximise the use of the sun's energy.During the construction of the conservatory a time capsule was buried containing the seeds of basic crops and endangered plant species and key publications on conservation.[21][edit] Queen Charlotte's CottageWithin the conservation area is a cottage that was given to Queen Charlotte as a wedding present on her marriage to George III. It has been restored by Historic Royal Palaces and is separately administered by them.It is open to the public on the May Day and August bank holidays and at weekends during July and August.[edit] rhizotronA rhizotron opened at the same time as the "treetop walkway" giving visitors the opportunity to investigate what happens beneath the ground where trees grow. The rhizotron is essentially a single gallery containing a set of large bronze abstract castings which contain LCD screens that carry repeating loops of information about the life of trees.[edit] Sackler CrossingThe Sackler Crossing bridge made of granite and bronze opened in May 2006. Designed by Buro Happold and John Pawson, it crosses the lake and is named in honour of philanthropists Dr Mortimer and Theresa Sackler.The minimalist styled bridge is designed as a sweeping double curve of black granite and the sides are formed of bronze posts that give the impression, from certain angles, of forming a solid wall whereas from others, and to those on the bridge, they are clearly individual entities that allow a view of the water beyond.It forms part of a path designed to encourage visitors to visit more of the gardens than had hitherto been popular and connect the two art galleries, via the temperate and evolution houses and the woodland glade, to the Minka House and bamboo garden.The crossing won a special award from the Royal Institute of British Architects in 2008.[edit] Shirley Sherwood GalleryThe Shirley Sherwood Gallery of Botanic Art opened in April 2008, and holds paintings from Kew's and Dr Shirley Sherwood's collections, many of which had never been displayed to the public before. It features paintings by artists such as Georg D. Ehret, the Bauer brothers, Pierre-Joseph Redoutéand Walter Hood Fitch. The paintings and drawings are cycled on a six monthly basis. The gallery is linked to the Marianne North Gallery (see above).[edit] Temperate HouseThis greenhouse has twice the floor area of the Palm House and is the world's largest surviving Victorian glass structure. It contains plants and trees from all the temperate regions of the world. It was commissioned in 1859 and designed by architect Decimus Burton and ironfounder Richard Turner. Covering 4880 square metres, it rises to a height of 19 metres. Intended to accommodate Kew's expanding collection of hardy and temperate plants, it took forty years to construct, during which time costs soared.There is a viewing gallery in the central section from which visitors may look down on that part of the collection.[edit] Treetop walkwayA new treetop walkway[22]opened on 24 May 2008. This walkway is 18 metres (59 ft) high and 200 metres (660 ft) long and takes visitors into the tree canopy of a woodland glade. Visitors can ascend and descend by stairs. The floor of the walkway is made from perforated metal and flexes as it is walked upon. The entire structure sways in the wind.The image to the left shows a section of the walkway and the steel supports that were designed to rust to a tree-like appearance to help the walkway fit in with its surroundings.There is a short film detailing the construction of the walkway available online.[。

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