THE PHANTOM OF THE OPERA歌剧魅影
The Phantom of the Opera
The Phantom of the Opera (歌剧魅影)一．剧情简介In a theatre lives a mysterious person, who is called the phantom.When he was born, he was so ugly that his own mother made him weara mask. He is a musical genius and can control the operation of thetheatre. There is a dancing girl named Christine that he has loved for a long time. However, nobody has seen the phantom, even Christine.With the help of the angel of music in Christine’s mind, she can sing well since she was a little girl. The phantom catches the chance to replace the original main role by Christine. But the phantom wanted Christine for himself. In the end, he kidnapped her form the stage, in front of the whole audience. He took her down to his secret home on the lake. Only one man was brave enough to follow. He was Raoul, a young man who loved Christine. Then, the story begins.角色安排P: The phantom (魅影defaced, genius, cruel…)Ch: Christine (克里斯汀beautiful face and voice, kind-hearted, pure)R: Raoul (劳尔handsome, rich, deep love with Christine, the new investor)二．剧本正文Scene six地点：密室道具：台灯、灯架、两张桌子、盖桌子的布、烛台，剑（Christine躺在桌子上，慢慢地从昏迷中醒来，发现周围的一切很陌生。
Lyrics of The Phantom of the Opera歌剧魅影歌词及台词完全版
Prologue-The Stage of the Paris Opera, 1911 AUCTIONEER:Sold. Your number, sir? Thank you.Lot 663, then, ladies and gentlemen:a poster for this house's production of "Hannibal" by Chalumeau.PORTER:Showing here.AUCTIONEER:Do I have ten francs? Five then. Five I am bid.Six, seven. Against you, sir, seven.Eight. Eight once. Selling twice.Sold, to Raoul, Vicomte de Chagny.Lot 664: a wooden pistol and three human skullsfrom the 1831 production of "Robert le Diable" by Meyerbeer.T en francs for this. Ten, thank you.Ten francs still. Fifteen, thank you, sir Fifteen I am bid.Going at fifteen. Your number, sir?665, ladies and gentlemen:a papier-mache musical box, in the shape of a barrel-organ.Attached, the figure of a monkey in Persian robes playing the cymbals.This item, discovered in the vaults of the theatre, still in working order.PORTER:Showing here.AUCTIONEER:May I start at twenty francs? Fifteen, then?Fifteen I am bid. Sold, for thirty francs to the Vicomte de Chagny.Thank you, sir.RAOUL:A collector's piece indeed . . . every detail exactly as she said . . .She often spoke of you, my friend ....Your velvet lining, and your figurine of lead...Will you still play, when all the rest of us are dead?AUCTIONEER:Lot 666, then: a chandelier in pieces.Some of you may recall the strange affair of the Phantom of the Opera:a mystery never fully explained.We are told, ladies and gentlemen,that this is the very chandelier which figures in the famous disaster.Our workshops have repaired it and wired parts of it for the new electric light,so that we may get a hint of how it may look when reassembled.Perhaps we may frighten away the ghost of so many years agowith a little illumination, gentlemen?HannibalCARLOTTA:This trophy from our saviours, from our saviours!From the enslaving force of Rome!GIRL'S CHORUS:With feasting and dancing and song, tonight in celebration, we greet the victoriousthrong, returned to bring salvation!MEN'S CHORUS:The trumpets of Carthage resound! Hear, Romans, now and tremble! Hark to our step on the ground!ALL:Hear the drums -- Hannibal comes!PIANGI:Sad to return to find the landwe love threatened once more by Roma's far-reaching grasp,REYER:Signor . . . if you please: "Rome".We say "Rome' not "Roma"PIANGI:Si, si, Rome, not Roma. Is very hard for me.LEFEVRE:This way, gentlemen, this way.Rehearsals, as you see, are under way, for a new production of Chalumeau's"Hannibal".Ladies and gentlemen, some of you may already, perhaps, have met M. Andre and M.Firmin ...REYER:I'm sorry, M. Lefevre, we are rehearsing.If you wouldn't mind waiting a moment?LEFEVRE:My apologies, M. Reyer. Proceed, proceed ...REYER:Thank you, monsieur."Sad to return..." Signor ...LEFEVRE:M. Reyer, our chief repetiteur. Rather a tyrant, I'm afraid.PIANGI:Sad to return to find the land we lovethreatened once more by Rome's far-reaching grasp.Tomorrow, we shall break the chains of Rome.Tonight, rejoice - your army has come home.LEFEVRE:Signor Piangi, our principal tenor.He does play so opposite La Carlotta.GIRY:Gentlemen, please! If you would kindly move to one side?LEFEVRE:My apologies, Mme. Giry.Mme. Giry, our ballet mistress.I don't mind confessing, M. Firmin, I shan't be sorry to be rid of the whole blessedbusiness.FIRMIN:I keep asking you, monsieur, why exactly are you retiring?LEFEVRE:We take a particular pride here in the excellence of our ballets.ANDRE:Who's that girl, Lefevre?LEFEVRE:Her? Meg Giry, Madame Giry's daughter.Promising dancer, M. Andre, most promising.GIRY:You! Christine Daa? Concentrate, girl!MEG:Christine . . . What's the matter?FIRMIN:Daa? Curious nameLEFEVRE:Swedish.ANDRE:Any relation to the violinist?LEFEVRE;His daughter, I believe.Always has her head in the clouds, I'm afraid.CHORUS:Bid welcome to Hannibal's guests -the elephants of Carthage!As guides on our conquering quests, Dido sends Hannibal's friends!CARLOTTA:Once more to my welcoming arms my love returns in splendour!PIANGI:Once more to those sweetest of charms my heart and soul surrender!CHORUS:The trumpeting elephants sound -- hear, Romans, now and tremble! Hark to their step on the ground -- hear the drums! Hannibal drums!LEFEVRE:Ladies and gentlemen - Madame Giry, thank you - may I have your attention, please?As you know, for some weeks there have been rumours of my Imminent retirement.I can now tell you that these were all true and it is my pleasure to introduce to youthe two gentlemen who now own the Opera Populaire, M. Richard Firmin and M. Gilles Andre.Gentlemen, Signora Carlotta Giudicelli, our leading soprano for five seasons now. ANDRE:Of course, of course. I have experienced all your greatest roles, Signora. LEFEVRE:And Signor Ubaldo Piangi.FIRMIN:An honour, Signor.ANDRE:If I remember rightly, Elissa has a rather fine aria in Act Three of "Hannibal".I wonder, Signora, if, as a personal favour, you would oblige us with a private rendition?Unless, of course, M. Reyer objects . . .CARLOTTA:My manager commands . . . M. Reyer?REYER:My diva commands. Will two bars be sufficient introduction?FIRMIN:Two bars will be quite sufficientREYER:Signora?CARLOTTA:Maestro.CARLOTTA:Think of me, think of me fondlywhen we've said goodbye ...Remember me, Every so often,Please promise me you'll try ...On that day, that not so distant day,when you are far away and free,if you ever find a moment, spare a thought for me ...Think of me, think of me...CHORUS:The Phantom of the Opera! He's with us, he's a ghost ...He's here! The Phantom of the Opera!LEFEVRE:Signora! Are you all right? Buquet! Where is Buquet? Get that man down here! Chief of the flies. He's responsible for this.Buquet! For God's sake, man, what's going on up there?BUQUET:Please monsieur don't look at me:as God's my witness,I was not at my post.Please monsieur, there's no one there:and if there is, well then, it must be a ghost . . .MEG:He's there; the Phantom of the Opera ...ANDRE:Good heavens! Will you show a little courtesy?FIRMIN:Mademoiselle, please ...ANDRE:These things do happen!CARLOTTA:Si! These things do happen! Well, until you stop these things happening, this thingdoes not happen!Ubaldo! Andiamo!PIANGI:Amateurs!LEFEVRE:I don't think there's much more to assist you, gentlemen. Good luck.If you need me, I shall be in Frankfurt .ANDRE:La Carlotta will be back.GIRY:You think so, messieurs? I have a message, sir, from the Opera Ghost.FIRMIN:God in Heaven, you're all obsessed!GIRY:He merely welcomes you to his opera houseand commands you to continue to leave Box Five empty for his useand reminds you that his salary is due.FIRMIN:His salary?GIRY:Monsieur Lefevre paid him twenty thousand francs a month.Perhaps you can afford more, with the Vicomte de Chagny as your patron. ANDRE:Madame, I had hoped to have made that announcement myself.GIRY:Will the Vicomte be at the performance tonight, monsieur?FIRMIN:Yes, in our box.ANDRE:Madame, who is the understudy for this role?REYER:There is no understudy, monsieur - the production is new.MEG:Christine Daae could sing it, sir.FIRMIN:The chorus girl?MEG:She's been taking lessons from a great teacherANDRE:From whom?CHRISTINE:I don't know, sir . . .FIRMIN:Oh, not you as well! Can you believe it?A full house - and we have to cancel!GIRY:Let her sing for you monsieur. She has been well taught!REYER:From the beginning of the aria then, mam'selle.Think of MeCHRISTINE:Think of me, think of me fondly, when we've said goodbye. Remember me every sooften -- promise me you'll try.FIRMIN:Andre, this is doing nothing for my nerves.ANDRE:Don't fret, Firmin.CHRISTINE:On that day, that not so distant day, when you are far away and free, if you ever find a moment, spare a thought for me ...And though it's clear, though it was always clear that this was never meant to be, if you happen to remember, stop and think of me ....Think of August when the trees were green - don't think about the ways things mighthave been ...Think of me, think of me waking, silent and resigned. Imagine me, trying too hard toput you from my mind. Think of me, please say you'll think of me, whatever else youchoose to do -- There will never be a day when I won't think of you ...RAOUL:Can it be? Can it be Christine? Brava! ... Brava!Long ago ... It seems so long ago ... How young and innocent we were ... She may not remember me, but I remember her ...CHRISTINE:Flowers fade, the fruits of Summer fade -- they have their season, so do we ... Butplease promise me that sometimes, you will think ... ... of me!GIRY:Yes, you did well. He will be pleased.(to the DANCERS) And you! You were a disgrace tonight!Such ronds de jambe! Such temps de cuisse! Come, we rehearse. Now!Angel of MusicPHANTOM:Brava, brava, bravissima ...MEG:Where in the world have you been hiding?Really, you were perfect!I only wish I knew your secret!Who is this new tutor?CHRISTINE:Father once spoke of an angel ...I used to dream he'd appear ...Now as I sing I can sense him ...And I know he's here ...Here in this room he calls me softly ...somewhere inside ... hiding ...Somehow I know he's always with me ...he - the unseen genius ...MEG:I watched your face from the shadowsDistant through all the applauseI hear your voice in the darkness,but the words aren't yoursCHRISTINE:Angel of Music! Guide and guardian!Grant to me your glory!MEG:Who is this angel? This ...BOTH:Angel of Music! Hide no longer!Secret and strange angel ...CHRISTINE:He's with me, even now ...MEG:Your hands are cold ...CHRISTINE:All around me ...MEG:Your face, Christine, it's white ...CHRISTINE:It frightens me...MEG:Don't be frightened ...GIRY:Meg Giry. Are you a dancer?Then come and practice.My dear, I was asked to give you this.CHRISTINE:A red scarf ... the attic ... Little Lotte ...ANDRE:A tour de force! No other way to describe it!FIRMIN:What a relief! Not a single refund!MME. FIRMIN:Greedy.ANDRE:Richard, I think we've made quite a discovery in Miss Daa? FIRMIN:Here we are, Monsieur le Vicomte.RAOUL:Gentlemen if you wouldn't mind.This is one visit I should prefer to make unaccompanied. ANDRE:As you wish, monsieur.FIRMIN:They appear to have met before ...Little LotteRAOUL:Christine Daae, where is your scarf?CHRISTINE:Monsieur?RAOUL:You can't have lost it. Not after all the trouble I took.I was just fourteen and soaked to the skin ...CHRISTINE:Because you had run into the sea to fetch my scarf.Oh, Raoul. So it is you!RAOUL:Christine.Little lotte Let your mind wander ...CHRISTINE:Remember that, too ... ?RAOUL:Little lotte thought: Am I fonder of dolls,BOTH:Or of goblins or shoesCHRISTINE:Or of riddles or frocks ...RAOUL:Those picnics in the attic?or of chocolatesCHRISTINE:Father playing the violin ...RAOUL:As we read to each other dark stories of the North ...CHRISTINE:No, what I love best, Lotte said, is when I'm asleep in my bed,and the Angel of Music sings songs in my head!"BOTH:the Angel of Music sings song in my head!CHRISTINE:Father said, "When I'm in heaven, child, I will send the Angel of Music to you".Well, father is dead, Raoul, and I have been visited by the Angel of Music. RAOUL:There's no doubt of that. But now, we'll go to supper!CHRISTINE:No, Raoul, the Angel of Music is very strict.RAOUL:I shan't keep you up late!CHRISTINE:No, Raoul ...RAOUL:You must change. I must get my hat. Two minutes Little Lotte. CHRISTINE:Raoul!Things have changed, Raoul.The Mirror PHANTOM:Insolent boy!This slave of fashion,basking in your glory!Ignorant fool!This brave young suitor,sharing in my triumph!CHRISTINE:Angel! I hear you!Speak - I listen ...stay by my side, guide me!Angel, my soul was weak -forgive me ...enter at last, Master!PHANTOM:Flattering child,you shall know me,see why in shadow I hide!Look at your face in the mirror -I am there inside!CHRISTINE:Angel of Music!Guide and guardian!Grant to me your glory!Angel of Music!Hide no longer!Come to me, strange angel ...The Phantom of the Opera CHRISTINE:In sleep he sang to me,in dreams he came ...that voice which calls to meand speaks my name ...And do I dream again?For now I findthe Phantom of the Opera is there -inside my mind ...PHANTOM:Sing once again with meour strange duet ...My power over yougrows stronger yet ...And though you turn from me,to glance behind,the Phantom of the Opera is there -inside your mind ...CHRISTINE:Those who have seen your facedraw back in fear ...I am the mask you wear ...PHANTOM:It's me they hear ...BOTH:Your/my spirit and your/my voicein one combined:the Phantom of the Opera is there -inside your/my mind ...CHORUS:He's there,the Phantom of the Opera ...Beware, the Phantom of the Opera ...PHANTOM:In all your fantasies,you always knewthat man and mystery ...CHRISTINE:... were both in you ...BOTH:And in this labyrinth,where night is blind,the Phantom of the Opera is there/hereinside your/my mind ...PHANTOM:Sing, my Angel of Music!CHRISTINE:He's there, the Phantom of the Opera ...PHANTOM:Sing for me ... sing.Sing my Angel ... sing.Sing for me.PHANTOM:I have brought you to the seat of sweet music's throne ...To this kingdom where all must pay homage to music ...Music ... You have come here for one purpose and one alone ...Since the moment I first heard you sing,I have needed you with me to serve me,to sing for my music ...my music ...The Music of the Night PHANTOM:Night-time sharpens, heightens each sensation ...Darkness stirs and wakes imagination ...Silently the senses abandon their defensesSlowly, gently, night unfurls its splendour ...Grasp it, sense it, tremulous and tender ...Turn your face away from the garish light of day,turn your thoughts away from cold, unfeeling lightand listen to the music of the night ...Close your eyes and surrender to your darkest dreams!Purge your thoughts of the life you knew before!Close your eyes, let your spirit start to soar!And you'll live as you've never lived before...Softly, deftly, music shall caress you ...Hear it, feel it, secretly possess you.Open up your mind, let your fantasies unwind,in this darkness which you know you cannot fight --the darkness of the music of the night ...Let your mind start a journey through a strange, new world!Leave all thoughts of the world you knew before!Let your soul take you where you long to be!Only then can you belong to me ...Floating, falling, sweet intoxication!Touch me, trust me, savour each sensation!Let the dream begin, let your darker side give into the power of the music that I write --the power of the music of the night...You alone can make my song take flight -help me make the music of the night...I Remember / Stranger than you Dreamt it CHRISTINE:I remember, there was mist ...Swirling mist upon a vast glossy lake ...There were candles all around And on the lake there was a boat ...And in the boat there was a man ...Who was that shape in the shadows?Whose is the face in the mask?PHANTOM:Damn you! You little prying Pandora!You little demon! Is this what you wanted to see?Curse you! You little lying Delilah!You little viper! Now you cannot ever be free!Damn you!Curse you!Stranger than you dreamt itCan you even dare to look?Or bear to think of me?This loathsome gargoyle who burns in hell,but secretly, yearns for heaven,secretly, secretly ... But, Christine,fear can turn to loveYou'll learn to see, to find the man behind the monster,this repulsive carcass ... who seems a beast,but secretly, dreams of beauty,Secretly, secretly ... Oh, Christine ...Come, we must return!Those two fools who run my theatre will be missing you.Magical LassoBUQUET:Like yellow parchment is his skin ...A great black hole serves as the nose that never grew ...You must be always on your guard ...Or he will catch you with his magical lasso ... !GIRY:Those who speak of what they know, find too late that prudent silence is wise ...Joseph Buquet, hold your tongueHe will burn you with the heat of his eyes ... !Notes/Prima DonnaFIRMIN:"Mystery after gala night,"it says, "Mystery of soprano's flight!""Mystified," baffled Surete say,"We are mystified -- we suspect foul play!"Bad news on soprano scene --first Carlotta, now Christine!Ah, but still at least the seats get sold --gossip's worth its weight in gold ...Diva tenders resignation!Cover does a moonlight flit!Half your cast disappears,but the crowd still cheers!Opera!To hell with Gluck and Handel --have a scandal and you're sure to have a hit!Damnable!Will they all walk out?This is damnable!FIRMIN:Andre, please don't shout ...It's publicity!And the take is vast!Free publicity!ANDRE:But we have no cast ...FIRMIN:But Andre,have you seen the queue?Oh, it seems you've got one too ... ANDRE:"Dear Andre, what a charming gala!Christine enjoyed a great success!We were hardly bereft when Carlotta left --otherwise, the chorus was entrancing,but the dancing was a lamentable mess!" FIRMIN:"Dear Firmin, just a quick reminder:my salary has not been paid.Send it care of the ghost,by return of post --P.T.O.:No one likes a debtor,so it's better if my orders are obeyed!" BOTH:Who would have the gall to send this?Someone with a peurile brain!FIRMIN:These are both signed "O.G." ... ANDRE:Who the hell is he?BOTH:"Opera ghost!"FIRMIN:It's really not amusing!ANDRE:He's abusing our position!FIRMIN:In addition he wants money!He's a funny sort of spectre ...BOTH:... to expect a large retainer!Nothing plainer -- He is clearly quite insane! RAOUL:Where is she?ANDRE:You mean Carlotta?RAOUL:I mean, Miss Daae -- where is she? FIRMIN:Well, how should we know?RAOUL:I want an answer --I take it that you sent me this note? FIRMIN:What's all this nonsense?ANDRE:Of course not!FIRMIN:Don't look at us!RAOUL:She's not with you, then?FIRMIN:Of course not!ANDRE:We're in the dark ...RAOUL:Monsieur, don't argue --Isn't this the letter you wrote?FIRMIN:And what is it that we're meant to have wrote?Written!ANDRE:"Do not fear for Miss Daae.The Angel of Music has her under his wing.Make no attempt to see her again." RAOUL:If you didn't write it, who did?CARLOTTA:Where is he?ANDRE:Ah, welcome back!CARLOTTA:Your precious patron --CARLOTTA/PIANGI:Where is he?RAOUL:What is it now?CARLOTTA:I have your letter --a letter which I rather resent!FIRMIN:And did you send it?RAOUL:Of course not!ANDRE:As if he would!CARLOTTA/PIANGI:You didn't send it?RAOUL:Of course not!FIRMIN:What's going on ... -CARLOTTA:You dare to tell methat this is not the letter you sent?!RAOUL:And what is it that I'm meant to have sent?"Your days at the Opera Populaire are numbered.Christine Daae will be singing on your behalf tonight.Be prepared for a great misfortune, should you attempt to take her place." ANDRE/FIRMIN:Far too many notes for my taste --and most of them about Christine!All we've heard since we came, is Miss Daae's name ...GIRY:Miss Daae has returned.FIRMIN:In which case, I think our meeting is adjourned.ANDRE:Where precisely is she now?GIRY:I thought it best that she went home ...MEG:She needed rest.RAOUL:May I see her?GIRY:No, monsieur, she will see no one.CARLOTTA/PIANGI:Will she sing? Will she sing?GIRY:Here, I have a note ...RAOUL/CARLOTTA/ANDRE:Let me see it!FIRMIN:Please!"Gentlemen, I have now sent you several notes of the most amiable nature,detailing how my theatre is to be run.You have not followed my instructions.I shall give you one last chance ... "PHANTOM:... shall give you one last chance ... Christine Daae has returned to you,and I am anxious her career should progress.In the new production of "Il Muto", you will therefore cast Carlotta as the Pageboy, and put Miss Daae in the role of the Countess.The role which Miss Daae plays calls for charm and appeal.The role of the Pageboy is silent -- which makes my casting, in a word, ideal.I shall watch the performance from my normal seat in Box Five,which will be kept open for me.Should these commands be ignored,a disaster beyond your imagination will occur ...FIRMIN:"... I remain, gentlemen, your obedient servant, O.G."MEG:Christine ... Christine.CARLOTTA:Christine!ANDRE:Whatever next ... ?CARLOTTA/PIANGI:It's all a ploy to help Christine!FIRMIN:This is insane ...CARLOTTA:I know who sent this The Vicomte -- her lover!RAOUL:Indeed? Can you believe this?ANDRE:Signora!PIANGI:How can you do this?CARLOTTA:I am unwanted!FIRMIN:This is a joke!ANDRE:This changes nothing!CARLOTTA:I am unwelcome!FIRMIN:Signora!ANDRE:You are our star!FIRMIN:And always will be!ANDRE:Signora ...FIRMIN:The man is mad!ANDRE:We don't take orders!FIRMIN:Miss Daae will be playing the Pageboy -- the silent role ... ANDRE/FIRMIN:Carlotta will be playing the lead!PIANGI:You don't deserve her!CARLOTTA:It's useless trying to appease me!PIANGI:Appease her --CARLOTTA:You're only saying this to please me!PIANGI:To please her --CARLOTTA:I will not listen!You thus insult the honour of your prima donna? CARLOTTA/PIANGI:Padre mio! Dio!GIRY:Who scorn his word, beware to those ...CARLOTTA:You have reviled me!GIRY:The angel sees, the angel knows ... RAOUL:Why did Christine fly from my arms ... ? MEG:Christine ...CARLOTTA:You have rebuked me!ANDRE/FIRMIN:Signora, pardon us ...CARLOTTA:You have replaced me!ANDRE/FIRMIN:Please, Signora we beseech you ... GIRY:This hour shall see your darkest fears ... MEG/RAOUL:I must see her ...CARLOTTA/PIANGI:This is uncalled-for for!This is unfounded!This is unheard of!GIRY:The angel knows, the angel hears ... RAOUL:Where did she go?CARLOTTA:You are unthinking! You are unfeeling! PIANGI:They are unthinking. They are unfeeling. ANDRE/FIRMIN:Signora, sing for us! Don't be a martyr ... RAOUL/GIRY/MEG:What new surprises lie in store ... ? ANDRE/FIRMIN:Our star!CARLOTTA/PIANGI:You go too far!ANDRE:Your public needs you!FIRMIN:We need you, too!CARLOTTA:Would you not rather have your precious little ingenue? ANDRE/FIRMIN:Signora, no! the world wants you!Prima donna, first lady of the stage!Your devotees are on their knees to implore you!ANDRE:Can you bow out when they're shouting your name? FIRMIN:Think of how they all adore you!BOTH:Prima donna, enchant us once again!ANDRE:Think of your muse ...FIRMIN:And of the queues of the theatre!BOTH:Can you deny us the triumph in store?Sing, prima donna, once more!RAOUL:Christine spoke of an angel ...CARLOTTA:You took a snubbut there's a public who need you!GIRY:She has heard the voice of the angel of music ... ANDRE/FIRMIN:Those who hear your voice liken you to an angel! CARLOTTA:Think of their cry of undying support!RAOUL:Is this her angel of music ... ?ANDRE:We get our opera ...FIRMIN:She gets her limelight!CARLOTTA:Follow where the limelight leads you!PIANGI:The limelight once again shall shine upon her.MEG:Is this ghost an angel or madman ... ?RAOUL:Angel or madman ... ?ANDRE/FIRMIN:Leading ladies are a trial!CARLOTTA:Prima donna, your song shall never die!PIANGI:When she sings we see heavenMEG:Voice of hell, or of heaven ... ?GIRY:Heaven help you, those who doubt ...CARLOTTA:You'll sing again, and to an unending ovation!RAOUL:Order! Warnings! Lunatic demands!GIRY:This miscasting will invite damnation ...ANDRE/FIRMIN:Tears ... oaths ... lunatic demands are regular occurrences! PIANGI:Unending ovation now and always ...MEG:Bliss or damnation? Which has claimed her? CARLOTTA:Think how you'll shine in that final encore!Sing, prima donna, once more!GIRY:Oh fools, to have flouted his warnings!RAOUL:Surely, for her sake ...PIANGI:Surely heads will roll ...MEG:Surely he'll strike back ...ANDRE/FIRMIN:Surely there'll be further scenes - worse than this!GIRY:Think, before those demands are rejected!RAOUL:... I must see these demands are rejected!PIANGI:If his threats and demands are rejected.MEG:... if his threats and demands are rejected!ANDRE/FIRMIN:Who'd believe a diva happy to relieve a chorus girl,who's gone and slept with her patron?Raoul and his soubrette, entwined in love's duet!Although he may demur, he must have been with her!MEG/RAOUL:Christine must be protected!PIANGI/GIRY:Honour must be protected!CARLOTTA:Deposed! Rejected! Reappraised and re-elected?ANDRE/FIRMIN:You'd never get away with all this in a play,but if it's loudly sung and in a foreign tongue,it's just the sort of story audiences adore, in fact, a perfect opera! RAOUL:His game is over!PIANGI:Their game is over!GIRY:This is a game you cannot hope to win!RAOUL:And in Box Five a new game will begin ...GIRY:For, if his curse is on this opera ...MEG:But if his curse is on this opera ...ANDRE/FIRMIN:Prima donna, the world is at your feet!A nation waits, and how it hates to be cheated!CARLOTTA/PIANGI:The stress that falls upon a famous prima donna!Terrible diseases, coughs and colds and sneezes!Still, the dryest throat will reach the highest note,in search of a perfect opera!MEG/GIRY:... then I fear the outcome ...RAOUL:Christine plays the Pageboy, Carlotta plays the Countess ... GIRY:... should you dare to ...MEG:... when you once again ...ALL:。
自己听记、翻译The?phantom?of?the?opera歌词
自己听记、翻译The phantom of the opera歌词【前言】最近在MP4里发现了一首The phantom of the opera，是歌剧The phantom of the opera（歌剧魅影）的主题曲，越听越好听，了解了一下这种歌的背景和歌剧剧情以后，觉得愈发喜欢这首歌，想将它翻译一遍。
后来在找歌词的过程中发现网上歌词很有问题，所以干脆听记歌词。
以下为我的翻译和听记的内容，第一次翻译英文歌词，所以可能有些生涩。
Christine:In sleep he sang to me, 在睡梦中他对我歌唱In dreams he came. 他在梦中前往That voice which calls to me, 那个呼唤着我的声音And speaks my name 还叫着我的名字And do I dream again? 我是否又梦一场For now I find, 因为我现在发现了The phantom of the opera is there, 歌剧的幽灵就在那里Inside my mind 在我的心灵深处Phantom:Sing once again with me, 同我再歌唱一次吧Our strange duet. 我们奇异的二重唱My power over you, 我支配你的力量Grows stronger yet. 变得愈发强大You give your love to me, 你献予我你的爱For love is blind. 即使是盲目的爱情The Phantom of the Opera is there, 歌剧的幽灵就在那里Inside your mind. 在你的心灵深处Christine:Those who have seen your face, 那些曾经看过你面孔的人Draw back in fear. 都在恐惧中后退I am the mask you wear. 我是你所着的面具Phantom:It's me they hear. 他们听到的是我Both:Your/my spirit and my/your voice, 你（我）的灵魂和我（你）的声音In one combined. 融为一体The Phantom of the Opera is here/there 歌剧的幽灵就在这里（那里）Inside your/my mind/heart. 在你（我）的心灵深处Offstage（幕后的人）:He's there, the Phantom of the Opera! 他在那，歌剧的幽灵！Beware, The Phantom of The Opera! 看哪，歌剧的幽灵！Both：Sing once again with me, 同我再歌唱一次吧Our strange duet. 我们奇异的二重唱My power over you, 我支配你的力量Grows stronger yet. 变得愈发强大You give your love to me, 你献予我你的爱For love is blind. 即使是盲目的爱情The Phantom of the Opera is there, 歌剧的幽灵就在那里Inside your mind. 在你的心灵深处Phantom:Sing，my Angel of Music！唱吧，我的音乐天使！Christine:He's there, The Phantom of the Opera! 他在那里，歌剧的幽灵！(Vocalizing )Phantom:Sing! 唱吧！Sing once again with me, 同我再歌唱一次吧Our strange duet. 我们奇异的二重唱Christine:(Vocalizing higher)Phantom:My power over you, 我支配你的力量grows stronger and stronger 变得愈发强大Christine:(Vocalizing higher)Phantom:Sing，my angel of music! 唱吧，我的音乐天使！Sing! 唱吧！Sing our strange duet! 唱出我们奇异的二重唱！Christine:(Sings higher)Phantom:THE PHANTOM OF THE OPERA! 歌剧的幽灵啊！I am here, inside your mind! 我在这里，在你的心灵深处！I am everywhere! 我无处不在！Sing! 唱吧！SING, MY ANGEL OF MUSIC! 唱吧，我的音乐天使！Phantom:I have brought you, 我已经把你带到To the seat of sweet music's throne. 甜美音乐的宝座上To this kingdomwhere all must pay homage to music, 来到这个臣民都必须效忠于音乐的国度Music... 音乐……You have come here. 你已经来到了这里For one purpose and one alone. 目的只有一个Since the moment I first heard you sing, 自从我第一次听见你歌唱的那个瞬间I have needed you with me to serve me, 我就需要你和我一起，为我效忠，to sing, 为我歌唱For my music. 为我的音乐My music 我的音乐。
【微书评】《歌剧魅影》(The Phantom of the Opera)
【微书评】《歌剧魅影》（The Phantom of the Opera）发表于：2013-12-12【推荐理由】《歌剧魅影》（The Phantom of the Opera），该书主要讲述了19世纪发生在巴黎歌剧院的一个神秘而凄美的爱情悲剧。
克里斯蒂娜本是剧团一名默默无闻的小演员，在一个偶然的机会中，她顶替剧团的首席女演员上台演唱，那天使般美妙的歌声立刻受到了观众的热烈欢迎，也引起了她小时候的玩伴，英俊富有的子爵拉乌尔的注意。
原来，有位神秘的老师暗中教授克里斯蒂娜歌唱。
这位被克里斯蒂娜称作“音乐天使”的老师其实就是巴黎歌剧院人人谈之色变的“歌剧幽灵”。
歌剧幽灵的真名叫埃里克，是个集音乐家、建筑师、魔术师……于一身的奇才。
然而不幸的是，他的容貌被毁，因此遭到人们的厌恶，不得不戴上面具，栖身于巴黎歌剧院迷宮般的地下室中，成为传说中亦人亦鬼的歌剧幽灵。
歌剧幽灵和拉乌尔同时爱上了美丽的克里斯蒂娜。
克里斯蒂娜爱的是拉乌尔，但因痴迷于歌剧幽灵展现给她的美妙的音乐世界，因此随他来到了地下室。
歌剧幽灵希望克里斯蒂娜留在自己身边，克里斯蒂娜却出于好奇，趁歌剧幽灵不备揭开了他的面具。
克里斯蒂娜立刻为掩藏在面具后的那张脸感到震惊。
克里斯蒂娜的这一举动使歌剧幽灵狂怒异常，然而，他还是将克里斯蒂娜送回了地面。
歌剧幽灵命令剧院让克里斯蒂娜担任主角，并提出了种种要求。
当这些要求未能得到满足后，他施展手段，在歌剧院中制造了各种各样令人心惊胆战的事故。
拉乌尔向克里斯蒂娜保证，他要帮助和保护克里斯蒂娜。
希望她不再被歌剧幽灵的魅影折磨。
两人相偎相依的时候，歌剧幽灵出现在一旁。
他深爱着克里斯蒂娜，克里斯蒂娜和拉乌尔的互相表白让他撕心裂肺。
他觉得克里斯蒂娜背叛了他。
他发誓要报复。
歌剧幽灵将克里斯蒂娜劫到地下室，拉乌尔和一个与歌剧幽灵早就相识、并始终对其有所提防的波斯人随后赶到，却不幸中计。
歌剧幽灵要克里斯蒂娜做出选择：是跟他走，还是眼看着自己的爱人以及歌剧院中所有的人都丢掉性命。
the phantom of the opera歌曲赏析
the phantom of the opera歌曲赏析《The Phantom of the Opera》（剧院魅影/歌剧魅影/歌剧院幽灵）是音乐剧大师安德鲁·劳埃德·韦伯的代表作之一，以精彩的音乐、浪漫的剧情、以及华丽的舞蹈，成为音乐剧中永恒的佳作。
这首歌曲中，旋律优美动人，营造出一种神秘而浪漫的氛围。
通过管风琴、电子琴、吉他等乐器的巧妙运用，曲子呈现出一种独特的魅力，引人入胜。
同时，歌曲中的歌词也充满了诗意和浪漫色彩，表达了魅影对于歌剧院的深深眷恋和对于爱情的执着追求。
除此之外，《The Phantom of the Opera》在音乐结构上也堪称完美。
这首曲子包含了丰富的音乐元素，从古典到摇滚，从独唱到合唱，每一种音乐元素都得到了充分的展现。
而且，整首曲子节奏紧凑，旋律跌宕起伏，既有深沉的低音，又有激昂的高潮，让人听得过瘾。
此外，这首歌曲的影响范围也非常广泛。
作为人物角色歌，《The Phantom of the Opera》传唱度最高，影响范围最广。
它不仅在音乐剧领域有着极高的地位，在电影、电视剧、广告等领域也经常被引用和改编。
总的来说，《The Phantom of the Opera》是一首充满魅力和感染力的歌曲。
它以优美的旋律、浪漫的歌词和丰富的音乐元素征服了无数的听众。
同时，这首歌曲也展现了音乐剧作为一种艺术形式的独特魅力和无限可能性。
最后，值得一提的是，《The Phantom of the Opera》的成功离不开韦伯的创作才华和演员们的出色表现。
韦伯以他独特的音乐风格和对于剧情的深刻理解，创作出了这首永恒的经典。
而演员们的出色表现和精湛的演技，则为这首歌曲注入了生命力和灵魂。
歌剧魅影简介
歌剧魅影简介一、背景介绍《歌剧魅影》（The Phantom of the Opera）是一部由安德鲁·劳埃德·韦伯创作的音乐剧，根据加斯顿·勒鲁的同名小说改编而成，于1986年在伦敦首演，至今已成为世界上最受欢迎和最长寿的音乐剧之一。
歌剧讲述了一个有关音乐家与他对一位歌剧女神的痴迷与疯狂的故事。
二、剧情梗概《歌剧魅影》的故事发生在19世纪巴黎歌剧院。
故事开始，一位神秘的音乐家，被称为“魅影”，开始对歌剧院展开恐怖活动。
他通过地下通道进出歌剧院，并以各种手段控制着剧院的运作。
在这个过程中，他暗恋上了歌剧女主角克里斯汀。
他成为克里斯汀的音乐教师，并以其一流的音乐才能留住了克里斯汀的心。
魅影对克里斯汀的痴迷逐渐演变为一种危险的病态爱情。
他要求克里斯汀取消与其他男演员之间的交往，并通过威胁和恐吓来控制她。
与此同时，新的歌剧院台柱劳尔也爱上了克里斯汀，并为了保护她与魅影展开了斗争。
最终，在一次音乐会上，劳尔和魅影进行了一场决斗，克里斯汀得救了。
魅影在一片烟雾中消失，留下了对克里斯汀的无尽思念。
三、音乐与舞台《歌剧魅影》的音乐是其独特魅力的重要组成部分。
安德鲁·劳埃德·韦伯以他精湛的作曲技巧创作了许多令人难以忘怀的音乐。
其中最著名的包括《魅影进入》、《天使之声》和《歌剧魅影主题曲》等。
韦伯的音乐巧妙地将歌剧与摇滚、流行音乐和古典音乐相结合，为观众营造出一种全新的音乐体验。
舞台设计也是《歌剧魅影》的一大亮点。
舞台上的巨大悬挂幕布、华丽的道具和精美的服装为剧情的展现增添了浓厚的艺术氛围。
特殊的照明效果和布景设计使观众仿佛身临其境，进入了一个神秘而引人入胜的故事世界。
四、成功与影响自1986年首演以来，《歌剧魅影》在全球范围内取得了巨大的成功，并留下了深远的影响。
该剧曾在伦敦、百老汇和各大城市的舞台上演，吸引了数以百万计的观众。
其原声录音和演出现场的录音也广受欢迎，成为了经典音乐剧作品。
THE PHANTOM OF THE OPERA剧院魅影
一幕THE PHANTOM OF THE OPERA剧院魅影开场：CHRISTINE第一次演出成功，反响热烈。
（魅影主题进入，她从梳妆镜前拿起黑丝带玫瑰。
）CHRISTINE从梳妆镜前拿起黑丝带玫瑰。
这时魅影说：Bravo, bravo, bravissimi!子爵捧了一束花，进来送给CHRISTINE，两人相认，亲切交谈，子爵让CHRISTINE换衣服去吃晚饭，不等她拒绝就关门出去备车。
CHRISTINE准备换衣服，灯忽然一盏盏灭下去，魅影音乐进入魅影唱白：真傲慢，这个追求时髦的人……两人交替唱或道白。
子爵敲门说：“谁在里面？”The mirror (Angel of music)克里斯蒂娜：傲慢的男孩！时尚之奴仆沉醉在你的荣耀之中无知的愚人！勇敢年轻的追求者天使我听到你请说我倾听陪伴我身旁指引我天使我的灵魂脆弱不堪原谅我您终于来了导师！魅影：谄媚的孩子你应了解我明白我为何藏匿阴影中看看你镜中的容颜我就在那里面！克里斯蒂娜：赐我汝之荣耀音乐天使莫再躲藏来到我身边吧陌生的天使魅影：吾乃汝之音乐天使来到我身边吧音乐天使子爵：那是谁的声音?谁在里面？魅影：I am your Angel of Music...Come to me: Angel of Music...魅影在从镜子后面现身，将CHRISTINE带入地下迷宫（蜡烛队上场，穿梭其中）。
The phantom of the opera剧院魅影3：36克里斯蒂娜沉睡中他对我歌唱在梦里他来到我身旁他的声音呼唤着我声声呼唤着我的名字我是否又回到梦中此时我发现歌剧魅影就在那里在我心灵最深处魅影：再次你与我合唱我们奇特的二重唱我对你渴望的力量一次比一次更强烈纵然你离我而去留下回眸一瞥歌剧魅影就在那里在你心灵最深处克里斯蒂娜：凡见过你面容之人都惊吓得倒退一步我是你戴的面具魅影：他们听见的是我合唱：你/我的灵魂和声音和为一体in one combined:歌剧魅影就在那里克里斯蒂娜：他就在那里，歌剧魅影在哪里……魅影：Sing, my Angel of Music!Sing, my Angel ！Sing, for me!Sing, my Angel ！Sing, for me!第二幕ALL I ASK OF YOU除了你我一无所有魅影大闹剧场后，CHRISTINE带子爵逃离剧场，上到楼顶，两人对白（带上黑丝带玫瑰）扔掉玫瑰，接着三声“CHRISTINE”，第三声由躲在一旁的魅影说（回声）两人开唱：ALL I ASK OF YOU除了你我一无所有5：00拉乌尔：别再提黑暗忘记这些恐惧我在这里，没有什么能伤害你我的话能温暖并抚慰你让我带给你自由让白昼带走你的泪水我在这里，在你身边陪伴着你守护并引导你克里斯蒂娜：说你爱我，在每个梦醒时分诉说夏日欢乐时光说你需要我陪伴从现在直到永远向我保证你说的都是真的那就是我对你的期盼拉乌尔：让我做你的避风港让我成为你的阳光你很安全没人能找到你你的恐惧将远离你克里斯蒂娜：解脱是我唯一所求一个没有黑暗降临的世界而你，永远陪伴我支持我并保护我拉乌尔：而你永远陪伴着我，此生不渝让我引领你走出孤独说你需要我陪伴，陪伴在你身畔无论去何处都让你我形影不离克里斯蒂娜：那就是我对你的期盼说你永远陪伴着我，此生不渝说爱我，我将跟随你合唱：让你我共享每一天，每一个晨昏时分克里斯蒂娜：说你爱我拉乌尔补充：你知道我确实爱你合唱：Love me -that's all I ask of you ...无论去何处，都让你我形影不离爱我that's all I ask of you ...两人远去，魅影上场，捡起玫瑰PHANTOM我赐你音乐让你的歌声振翅翱翔现在你是如何回报我拒绝我又背叛我.只要他听见你的歌声，就一定会爱上你Christine ...Christine ...RAOUL/CHRISTINE两人在远处吟唱（背景）Say you'll share with me onelove, one lifetime ...say the word and I will follow you ...Share each day with me, each night, each morning ...魅影扯烂玫瑰花，大吼PHANTOM你会备受诅咒当你没有做到魅影对你要求那一天时！第三幕MASQUERADE化妆舞会假面舞蹈（扇子舞）后，音乐突变，灯光转暗，魅影出现：此时，气氛突然由欢乐转为紧张，大家看到一个装扮成" 红色死神" ( The Red Death ) 的人缓缓从台阶上走下，他其实就是Phantom ( 怎么那么安静... )Phantom:为什么那么安静？诸位先生好！你认为我永远离开你了吗？你们思念我吗，诸位？我给你们写了一部歌剧，《唐璜的胜利》，——“Don Juan Triumphant”！唱一段插曲，说CHRISTINE应该回到老师（自己）身边Phantom 走向Christine，扯下她颈上的订婚戒指，转身离去。
歌剧魅影故事梗概英文
歌剧魅影故事梗概英文摘要：一、歌剧魅影故事背景介绍二、主人公介绍三、故事情节概述四、歌剧魅影的影响力与启示五、结语正文：【歌剧魅影故事背景介绍】歌剧魅影（The Phantom of the Opera）是一部由法国作家Gaston Leroux 于1909年创作的悬疑小说。
故事背景设定在19世纪末的巴黎，讲述了发生在著名的歌剧院里的神秘事件。
【主人公介绍】故事的主人公有三个人：年轻的歌剧演员克里斯蒂娜（Christine）、神秘的魅影（The Phantom）以及剧院经理拉乌尔（Raoul）。
克里斯蒂娜是一位天赋异禀的歌手，魅影则是一个因面部畸形而被隐藏在剧院地下室的神秘人物。
拉乌尔则是克里斯蒂娜的真爱对象。
【故事情节概述】故事开始于克里斯蒂娜在歌剧院的舞台上意外发现了一副面具，随后在魅影的引导下，她学会了许多歌唱技巧。
克里斯蒂娜对魅影充满了好奇和敬畏，而魅影则暗自爱上了克里斯蒂娜。
然而，拉乌尔的出现让魅影感到了威胁。
他试图通过各种手段将克里斯蒂娜留在自己身边，甚至不惜以恐怖手段威胁剧院管理层。
【歌剧魅影的影响力与启示】歌剧魅影自出版以来，一直备受读者喜爱。
这部作品不仅具有很高的文学价值，还具有很强的可读性和实用性。
它揭示了人性的复杂和悲剧，使读者对爱情、勇气和自我牺牲有了更深刻的理解。
同时，歌剧魅影也被改编成了音乐剧、电影等多种形式，在全球范围内产生了广泛的影响。
【结语】歌剧魅影是一部充满神秘、恐怖和爱情的故事。
通过这部作品，我们可以看到作者对人性的剖析，以及对爱情、勇气和自我牺牲的赞美。
它不仅为我们带来了一场视觉盛宴，还让我们思考了人生、爱情和责任等诸多问题。
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My opinion
First, this is a first-class musical. And I enjoy the story as well. The phantom‟s relationship with Christine and his tragedy touches me most and I DO THINK THEY ARE MADE FOR EACH OTHER!!! Second ,I am extremely bewitched by the charm of music. Christine‟s singing is like a stream, pure and clear. And phantom‟s voice is like a risky mountain, dark but yet gentle. When I heard their duet for the first time, I closed my eyes and felt myself melting. There was nothing but music in my mind and when it finished, I opened my eyes and shouted “goodness me!” As you can see, I had never felt like that before. And third, I love the scene! It was magical and everything on stage is completely amazing. I‟d be thrilled if I can have a chance to see thel Of Music
Father once spoke of an angel , I used to dream he‟d appear , Now as I sing I can sense him, And I know he„s here. Here in this room he calls me softly, Somewhere inside...hiding. Somehow I know, he's always with me, he's the unseen genius.
Love Never Dies
Love Never Dies
The phantom of the opera 2:Love never dies. Ten years later, the three of them meet again in Coney island, U.S. Raoul is becoming angry because he lost all his property in Monte Caro. Christine has already had a lovable boy named Gustave. The phantom run to this place to hide with the help of Meg and Mrs. Giry ten years ago. Now he has his own sideshow and he has been suffering for 10 long years because he is still craving for Christine‟s singing. Christine‟s old friend Meg is in love with the phantom but she always knows that he is still thinking of Christine. Christine tells the phantom that the tenyear-old boy is his, not Raoul‟s. Raoul and the phantom make a bet, if Christine sings, Raoul will leave alone. If she doesn‟t sing, Raoul‟s debts will be wiped away and he can leave with his son and his wife. Finally, Christine sings a song named Love never dies but when the performance is over, she can‟t find her son Gustave. In fact, Meg is driven crazy and she takes Gustave to a lake and decide to suicide.Christine and the phantom find them and persuade Meg. But the gun goes out of control and Christine gets hurt and dies.
Till I Hear You Sing
Sometimes at nighttime I dream that you are there. But wake holding nothing but the empty air…And years come and years go. time runs dry. Still I ache deep in my core. My broken soul can't be live and whole 'til I hear you sing once more. And music your music it teases at my ear. I turn and it fades away and you„re not here! Let hopes pass let dreams pass. let them die! Without you what are they for? I always feel no more than halfway real 'til I hear you sing once more!
Once Upon Another Time
Once upon that other time, we did what we thought must be done. And now we have no choice. We do what we must do. We love, we live, we give what we can give. And take what little we deserve.
Magician Of The Musical
Andrew Webber
This musical is made by the very famous musician—Andrew Lloyd Webber. Andrew is really talented, his sense of music is a gift from his family. His father was the principal of a music school in London, his mother was a violinist, his aunt was an actor in a theatre and his little brother is a famous violoncello player. Andrew made lots of musicals, including The Phantom Of The Opera, Cats, etc. He is called Magician Of The Musical by TIME magazine.
Thank You!
LILY LEE
The phantom’s basement
Christine and the phantom can understand each other by playing music, their souls are the same---they both live for music. They have sooo many things in common and they are both fond of each other! I still don‟t understand why they haven‟t lived happily ever after!!!Let‟s just say love is a curious thing.
The Phantom Of The Opera
It is told that in the basement of the Paris opera house, there is a ghost called The Phantom Of The Opera, he is hideous and horrible, everyone is afraid of him. The phantom is in love with the new diva Christine Daae. The phantom tells Christine that he is her angel of music and Christine is attracted by his peerless voice. But Christine falls in love with the agent Raoul and this makes the phantom really pissed and he feels betrayed and jealous. He kidnaps Christine into his basement and forces her to marry him, or else he will kill her fiance Raoul. In the end, Christine kisses the phantom with sympathy, and the phantom realised that he still can‟t have her even he forces her to go through marriage with him. So the RUTHLESS phantom let them go and stay with his sadness for the rest of his life.