街舞学习的基础知识理论.docx
街舞课程推荐教案模板范文
课程名称：街舞基础入门课程适用对象：初学者，年龄不限课程目标：1. 了解街舞的基本概念、风格和起源。
2. 掌握街舞的基本动作和步伐。
3. 培养学员的节奏感和身体协调性。
4. 增强学员的自信心和团队协作能力。
课程时长： 8周，每周2次，每次1.5小时课程内容：第一周：街舞入门介绍1. 课程导入：- 简要介绍街舞的起源和发展。
- 讲解街舞的几种主要风格：嘻哈、霹雳、波普等。
2. 理论学习：- 街舞的历史与文化背景。
- 街舞的动作元素和身体语言。
3. 实践练习：- 学习基本的站立姿势和呼吸方法。
- 简单的头部和手部动作练习。
第二周：基础步伐学习1. 课程导入：- 介绍街舞中的基本步伐，如滑步、锁步、擦步等。
2. 理论学习：- 解释步伐的技巧和要领。
3. 实践练习：- 单独练习每种步伐。
- 组合练习，将步伐串联起来。
第三周：身体协调性与节奏感训练1. 课程导入：- 强调身体协调性和节奏感在街舞中的重要性。
2. 理论学习：- 分析如何提高身体协调性和节奏感。
3. 实践练习：- 通过音乐进行节奏感练习。
- 在音乐的节奏下进行步伐练习。
第四周：高级步伐学习1. 课程导入：- 介绍一些较为复杂的步伐，如旋转、跳跃等。
2. 理论学习：- 分析复杂步伐的技巧和难点。
3. 实践练习：- 单独练习高级步伐。
- 在音乐中尝试组合练习。
第五周：街舞组合动作1. 课程导入：- 介绍如何将基本步伐和高级步伐组合成完整的街舞动作。
- 分析组合动作的流畅性和连贯性。
3. 实践练习：- 在音乐中练习完整的街舞组合动作。
第六周：街舞表演技巧1. 课程导入：- 讲解街舞表演的基本技巧和注意事项。
2. 理论学习：- 分析如何通过表情、动作和音乐来传达街舞的精髓。
3. 实践练习：- 学员分组进行街舞表演练习。
- 教师点评并提出改进建议。
第七周：街舞比赛准备1. 课程导入：- 介绍街舞比赛的基本规则和注意事项。
2. 理论学习：- 分析如何准备一场成功的街舞比赛。
街舞理论知识
街舞理论知识地板霹雳舞(Breaking、Breakdance、b-boying)是一种难度较高的街舞舞步，比较重视舞步技巧性。
1970年代起源于美国纽约市的布朗克斯区。
Breaking的中文翻译是地板，地板动作或霹雳舞。
比较值得注意的是，早期跳霹 ...下面是店铺整理的一些关于街舞理论知识的资料，供你参考。
街舞理论知识1:PowerMove这些动作大多需要很强的上肢力量，感觉，以及灵活性。
它们惯性很大，经常在旋转动作中甩动腿，扭转躯体。
手臂，特别是肱三头肌和肩膀，经常需要在特别的位置承受全身的重量当腹肌和lower back muscle要移动腿部转圈时。
胸肌和手臂后部的肌肉也需要承受巨大压力。
PowerMove顾名思义就是力量移动。
PowerMove是街舞Breaking中最华丽给人印象最深刻的元素。
这经常是以街舞Breaking动作为特色的配合街舞(routine)的中心焦点。
但是，大多数BBoy都不喜欢那些只使用PowerMove的人(称之为Powerhead)。
最广为人知的三个PowerMove动作是Swipe(360，跳转)，Windmill(风车)，以及Flare(托马斯)。
其他的也很有挑战性以及让人印象深刻的动作包括Halos和Air tracks(大回环)，有些Breaking 舞者将1990s和2000s列入powermove中。
街舞理论知识2:地板霹雳舞(Breaking、Breakdance、b-boying)是一种难度较高的街舞舞步，比较重视舞步技巧性。
1970年代起源于美国纽约市的布朗克斯区。
Breaking的中文翻译是地板，地板动作或霹雳舞。
比较值得注意的是，早期跳霹雳舞的舞者多为西班牙语裔美国人，而非裔美国人，然而他们当初偏好的音乐风格却大大影响至今嘻哈音乐。
Bre地板霹雳舞其他具个人特色的动作为主。
对跳地板舞的人称呼为B-boy或B-girl (beat boy)、(breaking boy)。
《街舞基础入门知识》
中国街舞文化呈现的矛盾
考察街舞文化在中国的现状，我们会发现很多诸多有意思的情形：一方面街舞作为时尚潮流的代名词，通过电视广告，明星伴舞，MV演出等，频频出现在大众的面前;一方面大众对这种曝光视若无睹，多数人对街舞的认知还停留在霹雳舞、太空步的阶段，或者干脆把街舞中一个小种类breaking,当成是街舞的全部，而把大量的DANCER默认为隐形，看热闹的人多，而懂得欣赏街舞，会看门道的,却只限于少数圈内人。于是第一个矛盾,街舞的大众潮流性与小众隐匿性竟然奇迹般的结合了。
第三个矛盾，即是hiphop文化的主流性与边缘性。我们打开电视，发现荧屏上各类歌唱伴舞，从西方到东方，从美国，到日本到韩国，到中国，借用到HIPHOP元素占到80%以上。世界一体化，HIPHOP文化早已经融入了我们的日常生活，成为各类潮流文化中的主打和主流，另一方面，HIPHOP文化以其特立独行，个性张扬的表达方式，对主流文化进行抨击和诟病。反主流的先锋性是HIPHOP文化中核心内容之一，HIPHOP甚至也包含着永远的，对自我的否定，并在自我否定中前行。于是哪怕是占据了主流的地位，HIPHOP文化会自动自觉的自我边缘化。顺便提一句，HIPHOP文化的上述特质，也暗合了哲学世界时下流行的后现代解构主义特征。
第二个矛盾，街舞，既蕴含着大的商业性价值，又始终保持着反商业化姿态。因为时尚，潮流与极具标志特色又个性化的装扮，街舞，一直受到商家热烈的追捧，商业价值非常高。而真正的街舞舞者，对于这种追捧，一直保持着清醒的态度，并适度的远离。一些商业性的比赛和表演，始终只是街舞舞者谋生的手段之一，他们真正看重的，是那些地下性质的圈内小派对，小比赛中自己的表现。甚至作为hiphop文化中的另外一个分支，RAP，如果太过商业化，也是会被圈内人诟病甚至唾弃的。
《街舞课程教案》
《街舞课程教案》word版一、教学目标：1. 让学生了解街舞的起源和发展，掌握街舞的基本动作和技巧。
2. 培养学生对街舞的兴趣和热情，提高学生的舞蹈素养和团队协作能力。
3. 帮助学生塑造自信、勇敢、坚持的品质，增强学生的自我表达能力。
二、教学内容：1. 街舞的起源和发展历程2. 街舞的基本动作和技巧3. 街舞的练习方法和技巧4. 街舞的音乐节奏和舞蹈编排5. 街舞的表演和比赛技巧三、教学重点与难点：1. 教学重点：街舞的基本动作和技巧的掌握，舞蹈编排和表演能力的提升。
2. 教学难点：街舞动作的熟练度和灵活性，舞蹈编排的创新性和表演的感染力。
四、教学方法：1. 示范法：教师或学生示范街舞动作，让学生跟随模仿。
2. 练习法：学生通过反复练习，提高街舞动作的熟练度和灵活性。
3. 小组合作法：学生分组练习，相互观摩、交流和协作，共同进步。
4. 创编法：学生根据所学动作和技巧，进行舞蹈编排和创新。
5. 表演法：学生进行街舞表演，展示自己的才华和进步。
五、教学准备：1. 教学场地：宽敞的教室或舞蹈房，地面平整、干净。
2. 教学设备：音乐播放设备、镜子、舞蹈道具（如舞蹈鞋、服装等）。
3. 教学资料：街舞教学视频、图片、舞蹈编排示例等。
4. 教学辅助工具：瑜伽垫、拉伸带等，用于辅助学生完成动作。
六、教学进程：1. 课前准备：提前10分钟到达教学场地，检查教学设备和场地情况，确保一切准备就绪。
2. 课程导入：以一段精彩的街舞表演视频引入课程，激发学生的兴趣和热情。
3. 教学环节：a. 街舞基本动作教学：教师示范并讲解街舞基本动作，学生跟随模仿。
b. 街舞技巧练习：学生分组练习，教师巡回指导，纠正动作不规范的地方。
c. 舞蹈编排教学：教师展示舞蹈编排示例，学生跟随学习，并进行小组合作练习。
d. 街舞表演练习：学生进行街舞表演，教师点评并给予建议。
4. 课程总结：对本节课的学习内容进行总结，强调街舞动作的要点和注意事项。
学街舞的知识点总结
学街舞的知识点总结一、起源与发展街舞（Street Dance）起源于美国，是20世纪70年代末期在美国纽约布朗克斯区产生的一种现代流行舞蹈，融合了美国黑人、西印度裔和波多黎各裔等少数族裔文化的特点。
街舞的发展源于少数族裔在经济困难和社会歧视的环境下对生活的抗争和对音乐、舞蹈的追求，从而形成了一种富有创造力和情感表达力的舞蹈形式。
街舞的发展历程可以追溯到非洲蓝调音乐和舞蹈的起源，经过了锅贴舞（Locking）、蹦蹦舞（Popping）、霹雳舞（Breaking）、放克舞（Funk）等多个阶段的演变和发展，逐渐形成了今天的街舞风格。
二、街舞的分类街舞主要包括了锅贴舞（Locking）、蹦蹦舞（Popping）、霹雳舞（Breaking）、放克舞（Funk）、街舞舞种的细分如上述所述。
每种舞种都有其独特的风格和动作特点，运用不同的节奏和音乐风格，可以展现出不同的表现形式和感觉。
除了单独的舞种外，街舞还可以根据舞蹈者的表现形式和动作特点被细分为各种衍生舞种，如Hip Hop、Krumping、House Dance等。
街舞在不同地区和文化中还存在着一些地方性的特色和发展方向，如在中国大陆地区发展起来的中国街舞、民族街舞等。
三、街舞的基本功街舞的基本功是学习街舞的第一步，包括了基本的姿势、步法、舞步和舞姿等。
在学习街舞的过程中，要不断地练习和完善这些基本功，以便在后续的学习中能够更加灵活和自如地表现出来。
除了单独的基本功外，还需要掌握一些平衡、灵活和力量等方面的训练，以保证自己在舞台上的表演质量和效果。
四、街舞的技巧在学习舞蹈的过程中，掌握一定的舞蹈技巧是非常重要的。
街舞的技巧主要包括了运动技巧、舞蹈步法和舞姿的把握等。
在进行舞蹈训练的时候，要注重练习和提高自己的技巧水平，增强自己的表现力和感染力，以吸引观众的目光和感受。
此外，还要不断地注重自己的形体训练和舞蹈技术的提高，以确保自己在表演时可以有更好的表现和效果。
街舞学习的基础知识理论
街舞学习的根底知识理论不是想吃饭，想吃就能吃到的，想要练好街舞，对于身体素质以及努力程度的要求是很高的，下面是为大家出来的有关于街舞学习的根底知识理论，希望可以帮助到大家！街舞一般可以分为两种，一种是个人的技巧街舞。
个人技巧街舞是最早流行的一种街舞，因为它能表达年轻人精力旺盛的一面，他们的很多地面动作，譬如说翻滚、倒立、弹跳都是比较高技巧的个人街舞表演。
另外一种就是集体街舞，是目前比较流行的街舞形式。
要求舞者具有较高的力量、柔韧性和协调性，属于技巧性较高的体育舞蹈，所以最先为国内青少年所喜爱。
跳这种类型舞蹈的青少年叫做B-Boy/B-Girl。
20世纪80年代，被称为“Hip-Hop之父”的DJ Kool Herc创造了B-Boy的概念，也就是Breaking Boy。
每年，全世界的许多国家都有一些为B-Boy们举办的比赛，较有名的是每年一度的BOTY(Battle of The Year)和在英国举办的B-BoyChampion，超过10个国家的百名参赛选手会参加这样的盛事。
比赛的优胜者很快就会声名远播，成为青少年的明星。
Hip-Hop这个词中文译作嘻哈，诞生于1974年美国纽约，创造者是著名的DJ和MC爱虫斯塔尔斯基(Love Bug Starski)。
Hip-Hop翻译过来是嘻哈，RAP翻译过来是饶舌，这两个概念不同。
Hip-Hop实际上不是音乐名词而是文化名词，包括说唱、涂鸦、街舞和DJ打碟四部分;RAP起源于60年代，而作为音乐理解的Hip-Hop那么起源于70年代初，它的前身是RAP(有时候会加一点R(B)。
Hip-Hop从字面上来看，Hip是臀部，Hop是单脚跳，加在一起就是轻扭摆臀，原先指的是雏形阶段的街舞(也就是我们以前说的霹雳舞)，后来才逐渐开展成一种宏大的概念——我们现在说的Hip-Hop文化还包括了那些宽大的衣服、沉甸甸的纯金饰品、平时说起话来就“YoYo what’s up?”的口语习惯——总之就是那种美国贫民街区里黑人的生活方式以及他们的“范儿”。
街舞基本知识（Basicknowledgeofhip-hop）
街舞基本知识（Basic knowledge of hip-hop）街舞 (Street dance或streetdancing) 诞生于二十世纪六十年代末, 是美国黑人城市贫民的舞蹈, 到了七十年代它被归纳为嘻哈文化(Hip Hop Culture) 的一部分, 与涂鸦 (graffiti或writing) 、打碟 (、说唱 (MCing, DJing)) 这些同时代产生的黑人地下文化并称为嘻哈四大元素.街舞在两个地方同时诞生、独立发展, 最后相互影响合而为一, 一个地点是美国东海岸城市纽约; 另一个地点是美国西海岸的加利福尼亚州.在纽约的布朗克斯区, 贫穷的黑人青少年在黑人歌手詹姆斯·布朗(James Brown) 的影响下, 以一种模拟帮派打斗的舞蹈 - 战斗步(up 为基础 (Rock), 发展出一种以摇摆步 Top Rock) 、地板步(footwork) 、冻姿 (Freeze) 三种形式组成的舞蹈 - B - boying.八十年代初一系列高难度、技巧性的力量动作 (被不断创新出来power move), 在媒体的炒作下, 这种舞蹈以霹雳舞 (Breaking) 的名称被广泛接受.霹雳舞有一种特殊的舞蹈形式 - 斗舞 (Battle),它源自以前的帮派斗殴, 只不过斗舞是以霹雳舞者 (B - boy或b 的创造力而不是暴力来赢得比赛.参加斗舞的两个霹雳舞团队 Girl) (Crew, 也是由帮派背景而来的一种组织形式) 分站一方, 每队队员逐个轮流跳入圈中舞蹈, 技艺最高超、动作最新颖的一方获胜.加州的街舞起源于黑人民权运动中心 - 奥克兰.在二十世纪六十年代, 奥克兰的许多黑人团体根据早期街头艺人、喜剧或哑剧演员的杂耍和新奇动作, 在灵歌音乐的基础上发展出一套舞蹈来, 他们称之为布加洛舞 (Boogaloo).这种舞可以多人编排一起舞蹈, 也可以单独舞蹈, 但是它没有一定的舞蹈形式, 每个人都可以做自己的动作, 创造自己的风格.到了七十年代, 疯克音乐 (Funk) 在加州出现, 为西岸的舞蹈注入新的活力, 催生出两种新的舞蹈.一个是锁舞(locking), 七十年代初由洛杉矶黑人青年唐·康佩尔 (Don compell) 发明.这种舞蹈以手腕和手臂的快速翻转移动并在突然间停顿为特色, 停顿的一刹那身体就像被锁住一样, 舞蹈因之得名;另一个是加州小镇弗雷斯诺的天才少年萨姆·所罗门 (Sam Solomon) 创造的, 他在以前布加洛舞的基础上结合疯克音乐创造了一系列舞蹈动作, 形成新的舞蹈风格, 并借用了布加洛舞的名字, 后来他改称布加洛·萨姆.萨姆同期还借鉴早期奥克兰的机器人舞 (robot)创造了另一种舞蹈 - 爆舞 (popping).这种舞蹈以身体各部位肌肉持续的收缩与放松 (POP) 为特色, 视觉上产生震动的效果.由于共同的音乐基础, 锁舞、爆舞、萨姆的布加洛舞以及早期的机器人舞等奥克兰舞蹈现在统称为疯克舞 (FUNK DANCE Style).二十世纪八十年代, 纽约的黑人舞蹈因嘻哈音乐的兴起而改变.在一批天才舞者, 如亨利·林克 (Henry 、布达·斯特雷齐 (link) 的改编和创造下 Buddha stretch), 一种可以用嘻哈、节奏布鲁斯 (R & b) 、爵士等各种音乐跳舞的, 混合了各种风格舞蹈动作的新的舞蹈风格诞生了, 为了区分七十年代的黑人舞蹈, 人们为它取名为新派嘻哈舞蹈 (New School Hip Hop Dance) 或者干脆简称为嘻哈舞 (hip hop) 传统,.嘻哈舞继承了纽约黑人舞蹈一贯的摇摆 (Rock)With the body up and down, left and right fluctuation swing characteristic (Up &Down), but the rhythm is more relaxed, light. It does not have standardized dance movements, and dancers can add any component to the music as long as it fits. Since it was based on all previous black dances, hip hop dancing requires a touch of dance. Moorhouse later appeared in New York (with the tap dance dance dance (Swing), (Salsa) and Campo sauce (Capoeira), House dance music dance), New Jazz (New Jazz, ballet and hip-hop dance combination), Bipop (Be-Bop, Moorhouse dance and jazz combined new tide dance)...... They have become a part of a new breed of hip hop.Hip-hop was introduced into China in the mid - 1980s, thanks to a 1984 American hip-hop movie called Breakin. The first wavein 1984 coincided with the American hip-hop, hip-hop has been widespread concern in society, from the ground up at the ground by major media coverage, appeared in the "National Geographic" cover and major prime time television, even President Reagan watched dancing performances. Hip hop films or television films have emerged only in 1984, had 7 in one year of hip-hop movie. The peak of the whole hip-hop craze happened at the closing ceremony of the 1984 Olympic Games in Losangeles. When Lionel Rich sang the song "night", in the light of the fireworks, 200 dancers from more than 10 groups of 100 thousand people in a street dance, dancers began to hit at the same time (more than a high degree of difficulty of the action force break dancing), millions of viewers in front of the television to see this exciting scene.At that time China, video started to enter the family, "breaking" video delivered to the hands of China youth through various channels, the earliest have TV. Teenagers become family communication center breakdance. The streets for a time there have been many head cloth, pedal warrior shoes "motor" ("Dancing" in one of the main characters, named Boogaloo Shrimp (Boogaloo Shrimp), a famous hip-hop dancer in History), they like the brain out of the same while a hand to another "electricity". While walking around "moonwalk", while also facing the air "wipe glass". In fact, even the American media got dizzy when they were in their first hip-hop craze. They took the break dance, the name of the dance in New York, on the West Bank dance. "Break dance" should be called "funk dance" or "lock dance" and "pop dance", because it is filmed in California and basically reflects the dance of the West coast. But anyway, the break dance has a huge impact on China, and there is a largenumber of street dancers in the United States almost simultaneously with the United States, and the level is quite high. The late young dancer Tao Jin was a famous professional dancer who studied and experienced hip-hop at that time. In 1988, he filmed the movie rock youth, which used a lot of hip hop movements, which were very popular among teenagers at that time. He also went to the United States to learn the famous crazy dancer Pop N Taco, hip-hop, including Taiwan dancers, the first to get hip-hop, master of the Chinese face pass.Unfortunately, by the end of the 80s, the break dance quickly disappeared in china. There are three main reasons for this: first, the influence of the United states. Since the beginning of 1986, hip-hop heat cooling gradually in the United States, excessive commercial speculation that quickly became popular in the hip-hop chewed gum pop artists quickly steal popular products repackaged into hip-hop results will more easily accepted by the public, but the real hip-hop abandoned. The break dance became a thing of the past in New York, and it seemed as if the world's B-Boy had been swept away overnight; two, the "break dance" was not properly understood by society. Jump "breakdancing" of young people, in addition to art majors, mostly do not love learning, fun and love students or social idle youth, many of whom are then known as the "riffraff" bad boy.In 80s the social consciousness is far from open now (even today, hip hop is still not completely understood and accepted by the public), of the young hip-hop hip-hop cast the disgust of unhealthy social image, thus not treated properly, not to mention the guidance and support; three is the "Dancing" didnot grow and the development of the market environment at the time. The first wave of hip-hop in America was built on mass commercial and commercial development, and in 80s China had few commercials, no commercial packaging and development. Hip hop dance hip-hop, in addition to satisfying personal interests, have no income, no laziness, to survive the economic foundation, as a non-traditional form of art, hip-hop in China finally can only lose vitality.Another important early influence of hip-hop in China is Michael Jackson, who still has many young people imitating his dance steps today, showing the influence of the "king of pop". In fact, Michael Jackson is a typical "steal popular products" will be repackaged into hip-hop results more easily accepted by the public of the artist, and almost all of his representative dance are learned from American underground hip-hop artist. In early 1974, 16 year old Michael Jackson as "Jackson Godte" singing group members in the television singing the song "dancing machine" (Dancing Machine), and a robot dance, the dance hot country. In 1983, Jackson performed a space walk (moonwalk) on Motown, a record company's 25th anniversary television special. Since the beginning of the wall, each of his albums has produced many excellent music videos, including a large number of dance performances, and dancing has become an important part of his musical art. "Thriller" and "bad" (Thriller) (Bad) and "time memory" (Remember The Time) is one of the most exciting dance performances of the three music videos, the dance is the funk dance, hip-hop dance, jazz dance combines new hip-hop classic, is New York's famous choreographer the hip-hop master, Henry Link et al. And Jackson's dance performance in the concert is more popular inChina, lasting.The revival of street dancing in the United States in 1990s was largely due to the popularity of hip-hop and the whole hip hop culture around the world. In 80s, New York hip hop artists worked hard to promote the world, and their hip hop tours traveled all over the United States, to France and England, and to Japan in 1984. By 90s, hip hop had developed rapidly throughout the world as a new and fashionable form of culture and lifestyle. In 1990, Germany held the first "Battle of the Year" street dance competition, now becoming the world's most important annual hip-hop event. Japanese teenagers, with their hard work, intelligence and creativity, soon mastered and developed hip-hop. The success of Japanese street dancers is recognized by Americans, who spread the culture to surrounding areas like South Korea and Taiwan. Since the beginning of 90s, hip-hop has been spreading in mainland China as the center of three cities in Guangzhou, Shanghai and Beijing.Influenced by Hongkong and Taiwan, hip-hop and hip-hop culture in Guangzhou appeared earlier and popularized quickly in the whole province. The word "hip-hop" was first spread in Guangdong. In fact, in the United States is not a term to collectively hip-hop culture in the dance, hip-hop (Street Dance) is the west coast of the United States. In New York, people only address specific kinds of names: Hip-Hop, Breaking, Popping etc.. It's the name of the Chinese hip hop dance. Hip hop people who tend to the east coast, such as B-Boy, are less likely to use hip hop. Guangdong's hip-hop dance is influenced by the New York style, with break dancing as well as a group of high explosive dancers. As early as the emergence of goodeconomic foundation, so Guangdong's hip-hop level has been leading the country until the rise of Shanghai and Beijing. Because of the vicious competition between hip-hop groups over the years,In recent years, the hip-hop market in Guangdong has been declining. The dancers are more than enough to cross regional, Nanling north and other parts of the team even indulge in self-admiration exchanges, but Guangdong is still extremely arrogant, even the best foundation for national hip-hop hip-hop culture area.Shanghai hip hop influenced by Japan, the leading national level new hip-hop dance, dance, lock a burst of master, to break dance style movements. Maybe it's about the style and personality. There are fewer break dance groups in Shanghai and the south of the Yangtze river. Shanghai has long established a system, formal hip-hop training, 7 years to train a few generations of hip-hop students, Shanghai and even the country's hip-hop culture development has laid a good foundation. Because of economic development, the cultural market in accordance with the laws of the market, and mass base is very good, so Shanghai's hip-hop market is very promising.Although the rise of Beijing hip-hop culture is late, it is the most representative. From 1996 to 1998, the national "Korean wave" wind, Beijing is the hardest hit". Beijing, and even the national concept of hip-hop, with this "Korean wave" came. After the Korean wave, the emergence of a large number of hip-hop youth in Beijing. They each team up to imitate the dance of the Korean group and perform at the gathering place forteenagers. But at that time, the combination of hip-hop youth was rather loose, and there was no formal market operation, which hardly affected the whole country. At the beginning of 2002, Beijing had the first commercial operation of hip-hop groups in Beiwutang, standardized management system and market development, the rapid development of Beiwutang, known as the best team in "a hero" Chinese dance in the circle. Beiwutang is on behalf of the Beijing hip-hop hip-hop style, it is comprehensive, break dance, funk, hip-hop dance style is the first-class level. In addition, with several national competitions held in Beijing, with its leading cultural influence, Beijing has become a place for all hip-hop fans to aspire to.In addition to the above three, the country almost every place -- to the capital city, small rich town, can see the B-Boy figure, including Zhengzhou, Wuhan, Shenyang, Chongqing, Kunming and other places have become the most active, hip-hop teen favorite fashion culture. Now, hip-hop has begun to establish its own style in the cities such as Beijing and Shanghai. It is not a dream to innovate its hip-hop culture, catch up with the world's advanced level, and figure out the best in the international competition.Why is hip-hop popular among teenagers in China and even around the world? First of all, starting from the characteristics of hip-hop.We know that hip hop is a folk dance born in the black ghettos of the United States. Its environment is full of competition and confrontation. A poor, discriminated and forced black youth,in order to survive, his dance must strive for distinction and excellence. Therefore, competition has become one of the inherent characteristics of hip-hop. Black dance has natural freedom tradition, they have a fixed pattern, whenever and wherever possible any action can be dancing. The liberation of their bodies by the blacks made them save a lot of body language. When we were still wondering and wondering, they had created a huge dance system hip-hop. So free expression is another characteristic of hip-hop. Dance is dance dance than form, in the battle, all through innovative action to win the game. For dancers, the more free the thought, the richer the creativity, the richer the creative power, the more likely the competition will be to win, and the characteristics of competition and freedom are unified here. Publicity, personality,self-expression, courage to accept challenges, create a person can not, this is the spirit of hip-hop. It meets the psychological and physiological characteristics of young people and is popular with young people all over the world.Hip hop, on the other hand, is an important part of this fashionable culture, and hip hop is popular with teenagers in the world. "Hip hop godfather," Afrika Bambaataa (Afrika Bambaataa) said: "hip-hop represents the whole culture,Rappers, MC, and DJ are part of hip-hop culture, and clothing and language are part of hip-hop culture. Break dance, B-Boy, B-girl, your behavior, walk, look, talk, it's hip hop culture. And music, hip-hop comes from different races, whatever tone and rhythm, it's hip hop." So, hip-hop and body than the four elements combined with simple, nearly 40 years of development in the world. It has become a popular way of life, or even asymbol of the spirit, on behalf of the freedom of expression, individuality and enjoy life, the courage to challenge the view of life. The first explosion, fat pants, dance, tattoos, sports shoes, club party...... These are the concrete manifestation of them. All these things are organically combined, and they are a kind of life. Hip hop life is positive, every life in which people are constantly exploring and improving one or several skills, in order to let more people see and hear his talent, continue to break through the limitation of life, so that the entire hip hop culture more vitality. In our own back 20 years of our popular culture almost all come from the United States, in the face of a strong economy and the liberation of ideology as the backing of hip-hop culture, for young people around the world there is no reason not to.The development of street dance in China has begun to take shape, but if we want to further develop, we can not do without the cultivation of the cultural market. Obviously, the importance of hip-hop is far from enough in the current cultural market.On the one hand, the Chinese dance industry has adopted a rather conservative view of hip-hop, refusing to accept it. In fact, if we can accept jazz dance, hip-hop should not be accepted as a problem. Many people refuse or don't understand hip-hop because they don't want to know about hip-hop. What is the reason why they don't want to know hip-hop? This is actually a question of ideas, a learning attitude, and the question of how to look at all the new pop culture. Hip hop is a young folk dance, it has its own aesthetic. To know it, to know its beauty, and to use it to make our life more beautiful. In 1986, the Toni prize giving ceremony invited the famous New York street danceman "Mr. Weigel J" (Mr. Wiggles) to perform, which was the first time for underground dancers to go on broadway. Since then, hip-hop has been used extensively on broadway. At the end of 2002, the French musical "Notre Dame de Paris" was staged at the Great Hall of the people. We saw a lot of hip-hop dancing in it. However, at the beginning of the second half of 2003 China dance enthusiasm, there are many dance professionals smatter, arrogant and reckless attitude, the hip hop as a gimmick popular abused, television is filled with hip-hop and dance aerobics, dance with such disgusting works. I hope our choreographer and choreographer can lay down their airs and study with an open mind, so as to be responsible for others and the art of their own, and let this vulgar and ridiculous things happen.On the other hand, the business operators who see the potential of hip-hop market can change the form of street dance randomly, and make it become the cloak of making money for themselves. Typical has held two sessions organized by the Chinese aerobics Association "national television dance contest" is such a cry up wine and sell vinegar. There is a substantial difference between aerobics and dance as a sport, aerobics is in shaping beauty for the purpose, in addition to what is not necessarily associated with music, it meets the requirement of all movements of the body's natural movement patterns. In aerobics, all anti joint movements are strictly prohibited; hip hop is a dance art, it does not have any "material" purpose, it is closely integrated with music. In general, the characteristics of hip-hop are: break through the limits of the human body, create a person can not. For traditional dance, dance movement is very strange, a lot of action is unbelievable or is a violation of human physiological movement patterns, such asdancing in the head and other large anti joint action.Many people think this is discordant, and there is no way to judge its aesthetic orientation. However, hip-hop is through such "disharmony" movement to express individuality, passing "I can, you can not" information, highlighting personal value.A single act of dissonance, connected by hip hop dancers, will become harmonious in the rhythm of the music. Because one of the maxims of hip-hop is: to make incredible movements as much as possible, but to make people feel very natural, not deliberately. The new street due to confounding many traditional dance elements and become soft and flexible, but a variety of body twisting, deformation, folding grasp and control, is still the key to dance dance. Many of the hip-hop dance moves come from imitation. The hip-hop dancers imitate nature, animals and people's social activities and working conditions, and even create the whole dance style. It is said that the first is the lock dance martial arts nunchaku routine hand action imitation; famous action "Boogaloo man" (Old Man) is for the elderly to walk form of imitation; animation dance (Animation) of animated characters to mimic the action step is to fight the battle; imitation...... Another imitation is the dancer's imitation of his own mind. The best dancer is dancing by thought, not by movement; his action is in the realization of some idea in his head. This is the highest level of hip-hop, but also the highest level of all dance.Aerobics and hip-hop theft name, packaging himself as "fitness dance", the "popular hip-hop hip-hop", but also created a series of "what hip-hop pedal" and "light equipment Street" is the name of the fantastic. I believe that if one day Yangkopopular in the youth market, they will also dress up as "fitness Yangko", they say "popular Yangko". In the fitness center, filled with so-called "hip-hop" coach, some little-known foreign coach is invited to teach "street dance fitness center". In fact, they just teach with a few simple hip-hop action aerobics just, its hip-hop level, Citylink street street youth is not as good as. In business society, making money is right. But in this China characteristics to make money, in any case is not what a glorious thing, for a rare love dance China teenagers is a wrong guide, highly destructive.From the United States to China, hip-hop development twists and turns, spent more than 30 years. Although hip-hop has created one after another brilliant in Japan, the Americans become the national sport dance sit up and take notice; in South Korea, back a champion in the world, but in Chinese is still in the bud, time can be destroyed completely. Youth culture is the most dynamic, the most promising culture, we should not be to suppress or change their cultural tastes, we only have to respect and learn from. This can help the development of its commercial value, so that it can be in the right direction and self benign development. Youth culture market eventually formed a vigorous and healthy, which makes all the benefit.。
街舞培训知识点总结
街舞培训知识点总结街舞作为一种充满活力与激情的舞蹈形式，已经在全世界范围内广泛流行。
越来越多的人对街舞产生了浓厚的兴趣，因此在各地也出现了不少街舞培训机构。
如果你也对街舞感兴趣，那么街舞培训就是一个很好的选择。
街舞培训的知识点非常多，下面就来总结一些重要的知识点。
1. 舞蹈基础知识舞蹈基础知识是街舞学习的基础。
它主要包括节奏感、肢体协调和动作技巧等方面。
学习者需要通过一定的训练和练习，提高自己的节奏感和身体协调能力，从而更好地进行街舞表演。
2. 音乐知识街舞表演必然离不开音乐，因此学习者需要对不同类型的音乐有一定的了解。
他们需要学习如何通过音乐的节奏和旋律来编排舞蹈动作，以及如何与音乐做出更好的配合。
3. 基本动作基本动作是街舞学习中的重要组成部分。
它主要包括了踢腿、转身、跳跃、摇摆等基本动作。
学习者需要通过系统的训练和练习，掌握这些基本动作，从而为日后的高级动作做好准备。
4. 表演技巧在街舞表演中，除了动作本身之外，表演技巧也是非常重要的。
学习者需要学习如何面对观众、如何在舞台上表现出自己的个性魅力，以及如何与其他舞者进行配合，创造出更好的表演效果。
5. 舞台表演舞台表演是街舞学习的一个重要环节。
学习者需要学习如何在舞台上进行动作编排、如何与灯光和舞美进行配合，以及如何面对观众进行表演。
只有通过不断的训练和练习，才能够在舞台上表现出最好的自己。
6. 团队合作街舞表演通常是由一个团队来完成的，因此团队合作也是学习者需要重点学习的内容。
他们需要学会如何与其他舞者进行配合、如何分工合作，以及如何克服团队中的矛盾和问题，从而为团队的表演提供最好的支持。
7. 健康知识街舞需要一定的体能和技巧，因此学习者需要有一定的健康知识。
他们需要了解如何进行正确的体能训练、如何进行适当的休息和饮食调理，以及如何预防舞蹈伤害，从而保证自己能够更好地进行街舞表演。
总的来说，街舞培训知识点非常丰富。
学习者需要通过系统的学习和练习，不断提高自己的舞蹈技能和表演能力，从而为将来成为一名优秀的街舞表演者打下坚实的基础。
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街舞学习的基础知识理论
街舞分两大类：Hip-Hop和Breaking
街舞一般可以分为两种，一种是个人的技巧街舞。
个人技巧街舞是最早流行的一种街舞，因为它能体现年轻人精力旺盛的一面，他们的很多地面动作，譬如说翻滚、倒立、弹跳都是比较高技巧的个人街舞表演。
另外一种就是集体街舞，是目前比较流行的街舞形式。
技巧型街舞
要求舞者具有较高的力量、柔韧性和协调性，属于技巧性较高的体育舞蹈，所以最先为国内青少年所喜爱。
跳这种类型舞蹈的青少年叫做B-Boy/B-Girl。
20世纪80年代，被称为“Hip-Hop之父”的DJ Kool Herc创造了B-Boy的概念，也就是Breaking Boy。
每年，全世界的许多国家都有一些为B-Boy们举办的比赛，较有名的是每年一度的BOTY(Battle of The Year)和在英国举办的B-BoyChampion，超过10个国家的百名参赛选手会参加这样的盛事。
比赛的优胜者很快就会声名远播，成为青少年的明星。
Hip-Hop
Hip-Hop这个词中文译作嘻哈，诞生于1974年美国纽约，发明者是著名的DJ和MC爱虫斯塔尔斯基(Love Bug Starski)。
Hip-Hop翻译过来是嘻哈，RAP翻译过来是饶舌，这两个概念不同。
Hip-Hop实际上不是音乐名词而是文化名词，包括说唱、涂鸦、街舞和DJ打碟四部分;RAP起源于60年代，而作为音乐理解的Hip-Hop则起源于70年代初，它的前身是RAP(有时候会加一点R(B)。
Hip-Hop从字面上来看，Hip是臀部，Hop是单脚跳，加在一起就是轻扭摆臀，原先指的是雏形阶段的街舞(也就是我们以前说的霹雳舞)，后来才逐渐发展成一种巨大的概念——我们现在说的Hip-Hop文化还包括了那些宽大的衣服、沉甸甸的纯金饰品、平时说起话来就“YoYo what’s up?”的口语习惯——总之就是那种美国贫民街区里黑人的生活方式以及他们的“范儿”。
舞蹈型街舞
有Popping、Locking、Electric、Turbo、House等多种风格。
它们都不如Breaking 那样需要较高的技巧，但更要求舞者的动作协调性和舞感，以及肢体灵活性和控制力。
好的Hip-Hop舞者同样需要艰苦的练习。
由于Hip-Hop Dance不如Breaking那样技巧性强，也缺乏竞赛性，以前没有受到街舞爱好者足够的重视，现在随着舞蹈观念的增强，这种情况得到了改变，甚至B- Boy也开始练习并出现了许多全能型的街舞好手。
Hip-Hop是人们最常接触的一种舞蹈，它有着幅度大而简单的舞步，能够表现出复杂的舞感。
因为容易学习，跳起来也相当好看，所以很受大众喜爱。
POPPIN：
运用身体各部位的肌肉和关节，随着音乐的节拍，加上自己丰富的想像力，创造出令人惊讶的舞步。
属于难度较高的街舞类型
FREESTYLE：
这是一种出神入化的舞步，它将各种类型的舞蹈混合在一起，随心所欲地表现，没有舞蹈风格的限定，脱离一般舞蹈的规范，可以说是一种个性化的街舞.
HOUSE：
随着house音乐，运用复杂而神奇的步伐表现的一种舞步，它可以加上拉丁舞的扭腰、武术的空翻、踢踏舞的基本步以及芭蕾的转圈，跳起来既可以十分优雅，也可以相当狂野。
New JAZZ
其实New JAZZ翻译过来不是新的爵士。
它的全称是NEW YORK JAZZ。
NEW JAZZ 并不是女生的专属。
其实在NEW JAZZ最开始是男的跳NEW JAZZ。
而女的只能跳一起丑爵。
而随着时间的推移，女生才渐渐的占据了NEW JAZZ。
RAGREA(雷鬼，女生专属):
这个舞据说起源于法国,也有人说起源于美国。
是非常性感的一种舞蹈，演绎的舞者穿着也很暴露，以下半身的动作为主，主要用到臀部，腰部，腿部，还会有一些简单的倒立，同时在空中摇晃大腿的诱惑动作。
在色情业发达的日本发展非常好。
而正常的演绎亦非常性感。
锁舞locking
在约70年代时，位于洛杉矶的一家夜总会里DonCampbell发明了locking(又称
Campbellocking)这种即兴发挥的独特舞步。
这样的舞步与它的附属文化很快的就向外延烧并掀起一阵狂热，还促成了当时一个人称Soul Train的新兴电视节目。
在这节目里，舞者飞快地展现锁(locking)与指(pointing)这些动作，并且不时伴著手拍(hand slaps)与劈(splits)的技巧来诠释自己独特的风格。