英美文学_Ezra_Pound
Ezra pound (1885-1972)
E1102：
李姗姗
陈银斐
Character
introduction Life experience Major works Writing style Comments
Ezra Pound
Ezra Pound(30October18851November1972)was an expatriate American poet and critic who was a major figure of the early modernist movement. His contribution to poetry began with his development of imagism.
⑶Cantos 《诗章》 the intellectual diary since 1915 ~encyclopedic epic poem （学识渊博的史诗性诗歌）
Ezra Pound ′s major works
☆A Lume Spento --1908
☆Personae --1909
☆Des Imagistes --1914
☆ The Spirit of Romance --1910
☆ Homage to Sextus Propertivs --1917 ☆ Hugh Selwyn Mauberley --1920 ☆ The Cantos --1917~1959
Writing style:
Nadel writes that imagism was to change Pound‟s writing style. Pound said poetry require a precise and economic use of language and that the poet should always use the „exact‟ word and expression.
Historic Position
A leading spokesman of the “Imagist Movement” One of the most influential American poets and critic The father of the American modern poetry
London to Paris
1924 left Paris for Italy W.W. Ⅱ Italian government, radio
broadcasts
1945 arrested and brought back to
USA to be tried for treason
1946-1958 stayed in sanatorium
Thanks!
1972 died
Literary Contribution
Imagism Vorticism 意象主义 旋涡主义（画派）
Modernism 现代主义
works
⑴Cathay 《华夏集 》《神州集 》《中国诗章》 ~based on translations from older Chinese poets like Li Bai ⑵Hugh Selwyn Mauberley 《休赛尔温 毛伯利》 ~his disillusionment and his view of his own career
Ezra Pound's Life
1855,born in Hailey Idaho
university of Pennsylvania
1906,Master degree
1908,left for Europe and
settled in London
1920, W.W.Ⅰ, moved from
Pound advocated the use of myth and personae in poetry .He argued the poet cannot relate a delightful psychic experience by speaking out directly in the first person.
As an important leader of the Imagists, Pound endorsed its three famous principals: „direct treatment‟, „economy of expression‟ and „rhythm‟.
Comments:
E1102：
李姗姗
陈银斐
Character
introduction Life experience Major works Writing style Comments
Ezra Pound
Ezra Pound(30October18851November1972)was an expatriate American poet and critic who was a major figure of the early modernist movement. His contribution to poetry began with his development of imagism.
⑶Cantos 《诗章》 the intellectual diary since 1915 ~encyclopedic epic poem （学识渊博的史诗性诗歌）
Ezra Pound ′s major works
☆A Lume Spento --1908
☆Personae --1909
☆Des Imagistes --1914
☆ The Spirit of Romance --1910
☆ Homage to Sextus Propertivs --1917 ☆ Hugh Selwyn Mauberley --1920 ☆ The Cantos --1917~1959
Writing style:
Nadel writes that imagism was to change Pound‟s writing style. Pound said poetry require a precise and economic use of language and that the poet should always use the „exact‟ word and expression.
Historic Position
A leading spokesman of the “Imagist Movement” One of the most influential American poets and critic The father of the American modern poetry
London to Paris
1924 left Paris for Italy W.W. Ⅱ Italian government, radio
broadcasts
1945 arrested and brought back to
USA to be tried for treason
1946-1958 stayed in sanatorium
Thanks!
1972 died
Literary Contribution
Imagism Vorticism 意象主义 旋涡主义（画派）
Modernism 现代主义
works
⑴Cathay 《华夏集 》《神州集 》《中国诗章》 ~based on translations from older Chinese poets like Li Bai ⑵Hugh Selwyn Mauberley 《休赛尔温 毛伯利》 ~his disillusionment and his view of his own career
Ezra Pound's Life
1855,born in Hailey Idaho
university of Pennsylvania
1906,Master degree
1908,left for Europe and
settled in London
1920, W.W.Ⅰ, moved from
Pound advocated the use of myth and personae in poetry .He argued the poet cannot relate a delightful psychic experience by speaking out directly in the first person.
As an important leader of the Imagists, Pound endorsed its three famous principals: „direct treatment‟, „economy of expression‟ and „rhythm‟.
Comments:
合集下载
E.Pound翻译家 庞德及 翻译理论 简介
埃 兹 拉 庞 德
Ezra Pound
埃兹拉·庞德在英美现代诗坛和评坛上无可非 议是最有影响的人物，他对第一次世界大战后兴 起的现代文学运动的一代青年有着巨大的影响， 几乎是一位传奇式的人物。
庞德生于爱达荷洲，早年在宾夕法尼亚大学学 习.毕业时他不但精通英文文法和文学，而且掌握 了九种外语，22岁时在印第安纳的一所大学任教 授。由于他生活放荡，不久被解职，开始漂流他 乡。1908年来到伦敦并结识了著名爱尔兰诗人 W.B.叶芝。1912年他同几位青年诗人发起了意象 主义运动，成为英美新诗运动的积极倡导者。作 为一位诗人和诗歌理论家，他不但推动传播意象 技巧的新发明，而且还在探索盎格鲁-撒克逊，普 罗旺斯，汉语，日语及拉丁语诗歌并不断充实创 新，他的大多数杰作实际上是这些古老传统诗的 编译或再创作
Light rain is on the light dust. 渭城朝雨浥轻尘
庞德把握住了诗人诗歌语言中的图画性。 用“light”这个包含着清、轻、亮色含义的词
来点写出“雨”和“尘” 顿时就把原诗所要表达的语境刻画出来
“The willows of the inn-yard will be going greener and greener”
其中把“阳关”译成了“the gates of Go”
河西走廊尽头的阳关，和它北面的玉门关相对，从汉代以 来一直是内地通向西域的交通要塞，在盛唐人心中，从军或出 使阳关，是一种令人向往的壮举，“西出阳关”也因此而成为 中国文学一个常见文化意象，被人反复咏颂，具有了丰富的文 化意义。西出阳关在中国读者心中唤起的那种联想遥远、广裹、
二、 翻译是独立于原作的创作 对庞德来说，除了“阐释性翻译”外，还有“另一种翻
译”。“有时‘译者’显然是在创作新诗”，走出旧的逻辑， 回到当代，通过译语文化的主流诗学或译者的诗学进行调试。 这样，翻译就被视作改写，译作独立于原作，在译语文化中赋 予了新的意义。
Ezra Pound
埃兹拉·庞德在英美现代诗坛和评坛上无可非 议是最有影响的人物，他对第一次世界大战后兴 起的现代文学运动的一代青年有着巨大的影响， 几乎是一位传奇式的人物。
庞德生于爱达荷洲，早年在宾夕法尼亚大学学 习.毕业时他不但精通英文文法和文学，而且掌握 了九种外语，22岁时在印第安纳的一所大学任教 授。由于他生活放荡，不久被解职，开始漂流他 乡。1908年来到伦敦并结识了著名爱尔兰诗人 W.B.叶芝。1912年他同几位青年诗人发起了意象 主义运动，成为英美新诗运动的积极倡导者。作 为一位诗人和诗歌理论家，他不但推动传播意象 技巧的新发明，而且还在探索盎格鲁-撒克逊，普 罗旺斯，汉语，日语及拉丁语诗歌并不断充实创 新，他的大多数杰作实际上是这些古老传统诗的 编译或再创作
Light rain is on the light dust. 渭城朝雨浥轻尘
庞德把握住了诗人诗歌语言中的图画性。 用“light”这个包含着清、轻、亮色含义的词
来点写出“雨”和“尘” 顿时就把原诗所要表达的语境刻画出来
“The willows of the inn-yard will be going greener and greener”
其中把“阳关”译成了“the gates of Go”
河西走廊尽头的阳关，和它北面的玉门关相对，从汉代以 来一直是内地通向西域的交通要塞，在盛唐人心中，从军或出 使阳关，是一种令人向往的壮举，“西出阳关”也因此而成为 中国文学一个常见文化意象，被人反复咏颂，具有了丰富的文 化意义。西出阳关在中国读者心中唤起的那种联想遥远、广裹、
二、 翻译是独立于原作的创作 对庞德来说，除了“阐释性翻译”外，还有“另一种翻
译”。“有时‘译者’显然是在创作新诗”，走出旧的逻辑， 回到当代，通过译语文化的主流诗学或译者的诗学进行调试。 这样，翻译就被视作改写，译作独立于原作，在译语文化中赋 予了新的意义。
Lesson Plan 27 - Ezra Pound英美文学
The Cantos of Ezra Pound
• Portions of Pound's major work, Cantos, were first published in 1925; the first complete English edition of all the published segments was issued in 1970 as The Cantos of Ezra Pound. • The Cantos by Ezra Pound is a long, incomplete poem in 120 sections, each of which is a canto. • Most of it was written between 1915 and 1962. • The most striking feature of the text is the inclusion of Chinese characters as well as quotations in European languages other than English.
Legacy
• Even though many people thought politics and writing should be separated, Pound acquired many enemies in the latter period of his life because of his support for Mussolini. • Pound championed and in some cases edited the works of several avant-garde authors writing in England, including the Anglo-American poet T. S. Eliot, the Irish poet William Butler Yeats, and the Irish novelist James Joyce. • Pound also set forth the theories behind the literary movement of imagism.
自考《英美文学选读》（美）现代文学时期（3）
The major writers of the Modern Period Ⅰ。
Ezra Pound （1885-1972） ⼀。
⼀般识记 Ezra Pound's contribution to American literature： Pound was one of the most important poets and critics of his time and he was regarded as the father of modern American poetry. He is a leading spokesman of the "Imagist Movement"， which though short-lived， had a tremendous influence on modern poetry. ⼆。
识记 His major works： Pound composed poems， wrote criticisms and did translations. （1） His poetic works： In 1915 Pound began writing his great work， The Cantos， which spanned from 1917 to 1959 and were collected in The Cantos of Ezra Pound （1986）。
He joined a famous literary salon run by an American woman writer Gertrude Stein， and became involved in the experimentations on poetry. His other poetic works include twelve volumes of verse Collected Early Poems of Ezra Pound （1982）， and Personae （1909）， and some longer pieces such as Hugh Selwyn Mauberley （1920）。
Ezra-Pound知识讲解
Thought transformation 思想转变
第二次世界大战时，庞德在罗马电台发表了数百 次广播讲话，抨击美国的战争行动，攻击罗斯福的作 战政策，赞扬墨索里尼，鼓吹墨索里尼的治国政策能 促成一个没有贪婪和高利贷的社会。
During World War II, the Roman Pound radio broadcast speech delivered hundreds of times, criticized the U.S. war effort, attacking Roosevelt's war policy, praised Mussolini, Mussolini's rule advocated policies can contribute to a no-greed and usury society.
The creation background 创作背景
❖ 我写了一首三十行的诗，然后销毁了，6 个月以后，我写了一首比那首短一半的诗， 一年后我写了日本和歌式的诗句。”
❖ 可以确定，这首短诗是庞德在法国的地铁 站触景而作，通过意象的叠加，诗歌最终大 大方方地落笔成简洁的14字。
Ezra Pound was America famous imagist poet. He and Eliot in the same post symbolist poetry leader. He Chinese from classical poetry, Japanese haiku of Health issued "poetry" theory, and made outstanding contributions to each other Eastern and Western poetry.
埃兹拉·庞德(Ezra Pound)
The 1920s
The 1920s is a flowering period of American literature . It is considered “the second renaissance” of American literature.
Nicknames
(1)Roaring 20s--- cofluenced by French symbolism , ancient Chinese poetry and Japanese literature “haiku”.
Development: Three Stages
1.1908-1909:London ,Hulme
Features
Contribution
Experience
Look！
Genius
@Famous work： 《在地铁站内》
《In a Station of the Metro》
Cathay
华 夏 集
Translate
送友人 –李白
青山横北郭， 白水绕东城。 此地为一别， 孤蓬万里征。 浮云游子意， 落日故人情。
挥手自兹去，
萧萧班马鸣。
落叶哀蝉曲—刘彻
罗袂兮无声，玉墀兮尘生。 虚房冷而寂寞，落叶依于重阿。 望彼美之女兮，安得感余心之未宁？
青青河畔草，郁郁园中柳。 盈盈楼上女，皎皎当窗牗。 娥娥红粉妆，纤纤出素手。
Features of Literature
Writers: three groups
(1)Participants
(2)Expatriates
(3)Bohemian,on-lookers
Two areas:
(1)Failure of communication of American (2)Failure of the American society
The 1920s is a flowering period of American literature . It is considered “the second renaissance” of American literature.
Nicknames
(1)Roaring 20s--- cofluenced by French symbolism , ancient Chinese poetry and Japanese literature “haiku”.
Development: Three Stages
1.1908-1909:London ,Hulme
Features
Contribution
Experience
Look！
Genius
@Famous work： 《在地铁站内》
《In a Station of the Metro》
Cathay
华 夏 集
Translate
送友人 –李白
青山横北郭， 白水绕东城。 此地为一别， 孤蓬万里征。 浮云游子意， 落日故人情。
挥手自兹去，
萧萧班马鸣。
落叶哀蝉曲—刘彻
罗袂兮无声，玉墀兮尘生。 虚房冷而寂寞，落叶依于重阿。 望彼美之女兮，安得感余心之未宁？
青青河畔草，郁郁园中柳。 盈盈楼上女，皎皎当窗牗。 娥娥红粉妆，纤纤出素手。
Features of Literature
Writers: three groups
(1)Participants
(2)Expatriates
(3)Bohemian,on-lookers
Two areas:
(1)Failure of communication of American (2)Failure of the American society
Ezra_Pound英文介绍
W. W. II, Italian government, radio broadcasts died in in 1972, in Italy
Pound’s
Ezra Weston Loomis Pound (October 30, 1885 – November 1, 1972) was an American expatriate poet, critic and intellectual who was a major figure of the Modernist movement in the first half of the 20th century. He is generally considered the poet most responsible for defining and promoting a modernist aesthetic in poetry.[1] The critic Hugh Kenner said of Pound upon meeting him: "I suddenly knew that I was in the presence of the center of modernism."[2] In the early teens of the twentieth century, he opened a fruitful exchange of work and ideas between British and American writers, and was famous for the generosity with which he advanced the work of such major contemporaries as Robert Frost, William Carlos Williams, Marianne Moore, H. D., Ernest Hemingway, Wyndham Lewis, and especially T. S. Eliot. Pound also had a profound influence on the Irish writers W. B. Yeats and James Joyce. His own significant contributions to poetry begin with his promotion of Imagism, a movement in poetry which derived its technique from classical Chinese and Japanese poetry—stressing clarity, precision, and economy of language, and forgoing traditional rhyme and meter in order to, in Pound's words, "compose in the sequence of the musical phrase, not in the sequence of the metronome."[3] His later work, spanning nearly fifty years, focused on his epic poem The Cantos.
Ezra-Pound-美国文学庞德课件
Imagism
four principles: 1) direct treatment 单刀直入 2) precise image 意象清晰 3) economical expression 表达简洁 4) musical rhythm 富有乐感
Image
master works: 埃兹拉· 庞德（Ezra Pound） 《女孩》 （Girl） 杜利特尔（Hilda Doolittle） 《不倒的墙》 （The Walls Do Not Fall） 威廉姆斯（William Carlos Williams） 《佩特森》（Paterson）
Ezra Pound 埃兹拉· 庞德
（1885-1972）
“the prophet of the open spirit”
自由精神的预言 者
Life
Born in Idaho (1885) Hamilton college and the University of Pennsylvania left for Europe (1908) Foreign editor of Poetry (1912) Paris (1920) Italy, his misbehavior in WWII (1925-45) Death in Italy (1972)
Cantos--Intellectual Diary Since 1915
Theme: an attempt to impose, through art, order and meaning upon a chaotic and meaningless world.
Image
generalization: A literary movement launched by British and American poets early in the 20th century in reaction against Victorian sentimentalism that advocated the use of free verse, common speech patterns, and clear concrete images.
Ezra pound (1885-1972)
埃兹拉· 庞德（Ezra Pound），美国著名诗人，意象派的 代表人物。他和艾略特同为后期象征主义诗歌的领军人物。 他从中国古典诗歌、日本俳句中生发出“诗歌意象”的理 论，为东西方诗歌的互相借鉴做出了卓越贡献。 除此之外，庞德还是一个热衷于介绍中国古典诗歌和哲 学的翻译家，他自称为儒者。经他改编并翻译了《神州 集》、《诗经》、《论语》等儒家经典。
Ezra ቤተ መጻሕፍቲ ባይዱound（18851972） 艾兹拉· 庞德
By
GuanXiao
Ezra Pound was identified as the father of American poetry and the most influential leader of the Imagist Movement.
‘In a Station of the Metro ’
The apparition of these faces in the crowd; Petals on a wet, black bough.
1、在地铁车站 （辜正坤) 人丛中这些幽灵似的人脸， 潮湿的黑色树枝上的花瓣。
3、地铁站上 （余光中） 人群中，这些面孔的鬼影； 潮湿的黑树枝上的花瓣。
Cantos (1915)
● It contains 117 poems. ● It is about social history, cultures and languages. ● He imposes order and meaning upon a meaningless world. ● He sees Chinese history and Confucius孔子 counteract抵消 Western gloom and confusion. ● A chaotic inhuman and non-spiritual world needs saving.
Ezra ቤተ መጻሕፍቲ ባይዱound（18851972） 艾兹拉· 庞德
By
GuanXiao
Ezra Pound was identified as the father of American poetry and the most influential leader of the Imagist Movement.
‘In a Station of the Metro ’
The apparition of these faces in the crowd; Petals on a wet, black bough.
1、在地铁车站 （辜正坤) 人丛中这些幽灵似的人脸， 潮湿的黑色树枝上的花瓣。
3、地铁站上 （余光中） 人群中，这些面孔的鬼影； 潮湿的黑树枝上的花瓣。
Cantos (1915)
● It contains 117 poems. ● It is about social history, cultures and languages. ● He imposes order and meaning upon a meaningless world. ● He sees Chinese history and Confucius孔子 counteract抵消 Western gloom and confusion. ● A chaotic inhuman and non-spiritual world needs saving.
美国文学Unit17(1)Imagism+EzraPound
Imagism: its representatives
T. E. Hulme: Autumn F. S. Flint: The Swan Richard Aldington Hilda Doolittle: Oread Amy Lowell: Wind and Silver William Carlos Williams: The Red Wheelbarrow Ezra Pound: In a Station of the Metro
Pound's poetry is best known for its clear, visual images, fresh rhythms, and muscular, intelligent, unusual lines
2. His works:
主要作品有《面具》（1909）、 《反击》（1912）、 《献祭》（1916）、 《休· 西尔文· 毛伯莱》（1920） 和《诗章》（1917-1959）等。
I.
1)
Imagism:
It is a Movement in U.S. and English poetry characterized by the use of concrete language and figures of speech, modern subject matter, metrical freedom, and avoidance of romantic or mystical themes, aiming at clarity of expression through the use of precise visual images.
Ezra Pound
• Imagism: it’s a poetic movement of England and the U.S flourished from 1909 to 1917. The movement insists on the creation of images in poetry by “the direct treatment of the thing” and the economy of wording. The leaders of this movement were Ezra Pound and Amy Lowell艾米•洛威尔.
The doctrine and poetic practice of a small but influential group of American and British poets calling themselves imagists bewtween 1909-1917. Led at first by Ezra Pound, then after his defection to vorticism by Amy Lowell. Imagism is characterized by the 3 principles: 1. Direct treatment of "the thing", whether subjective or objective 2. To use absolutely no word that does not contribute to the presentation 3. As regards rhythm, to compose in the sequence of the musical phrase, not in the sequence of a metronome节拍器