Ode To Nightingale解析
ode to a nightingale中英对照
ode to a nightingale中英对照"Ode to a Nightingale" is one of the most celebrated poems written by John Keats. Through this ode, Keats explores the themes of nature, mortality, and the transformative power of art. Below is a Chinese-English comparison of some key aspects and interpretations of the poem.1. Theme of Nature:In the poem, Keats is captivated by the nightingale's song and its connection to the natural world. He feels a deep appreciation for the beauty of nature and seeks to escape the troubles of life through an immersion in its sights and sounds.Chinese: 《莺啼赋》中，济慈被夜莺的歌声所吸引，并感受到它与自然界的联系。
他对自然的美感到无比赞叹，试图通过沉浸在自然景观的声色中来逃离生活中的烦恼。
2. Mortality and Transience:Keats reflects upon the transient nature of life, symbolized by the fleeting song of the nightingale. He longingly considers the bird's timeless existence and ponders the brevity of human life. This exploration of mortality serves as a reminder of the ephemeral nature of existence.Chinese: 济慈反思了生命的短暂性，以夜莺歌声瞬间即逝为象征。
致云雀英语原文注释
致云雀英语原文注释《致云雀》是一首著名的英语诗歌，也被称为《致雀鸟》或《鸟儿之歌》，由英国诗人约翰·基茨（John Keats）创作于1819年。
这首诗以优美的语言和丰富的意象表达了诗人对自由、美丽和逝去的渴望。
下面是《致云雀》的原文注释：Ode to a Nightingale.My heart aches, and a drowsy numbness pains.My sense, as though of hemlock I had drunk,。
Or emptied some dull opiate to the drains.One minute past, and Lethe-wards had sunk:'Tis not through envy of thy happy lot,。
But being too happy in thine happiness,—。
That thou, light-winged Dryad of the trees.In some melodious plot.Of beechen green, and shadows numberless,。
Singest of summer in full-throated ease.1. "Ode to a Nightingale"，这是诗歌的标题，直译为《致云雀》。
2. "My heart aches, and a drowsy numbness pains"，我的心痛，一种昏昏欲睡的麻木感折磨着我。
3. "My sense, as though of hemlock I had drunk"，我的感觉，仿佛我喝了毒芹汁。
4. "Or emptied some dull opiate to the drains"，或者将某种乏味的麻醉剂排空到下水道。
约翰济慈明诗《夜莺颂》欣赏
约翰济慈明诗《夜莺颂》欣赏[摘要]约翰济慈(John Keats)是十九世纪英国浪漫主义时期的杰出诗人。
他的名作《夜莺颂》(ode tonightingale)是作者创造力最旺盛年代的作品，同时又由于作者身患绝症，自觉不久于人世而创作的，因此诗歌里渗透着对青春的渴望和对死亡的恐惧心理。
[关健词]浪漫主义济慈夜莺颂在诗歌的第一节里，诗人主要描写夜莺的歌声给诗人带到了飘飘欲仙的忘我境界，在艰难的现实生活里，诗人感到无情命运对其压迫产生的饿痛楚：My heart aches，and a drowsy numbness painMv sense，as though of hemlock I had drunk诗人的心里痛苦，困顿麻木，就象吃了鸦片一样，但是痛苦带来的麻木又使诗人感到一丝慰藉：Or emptied some dull opiate to the drainsOne minute past，and Lethe-wards had sunk；列撕忘川是哈帝斯冥城里的一条让人忘记过去的河流。
作者通过引用这日引吭高歌，并且这种欢快的声音在某种程度上引起诗人的嫉妒：This not through envy of the happy lot,But being too happy in thine happiness在第一节诗里’作者先用现实生活带来的饿痛苦感受来引出夜莺快乐的情感，这种矛盾修饰辞法(paradox)大大加强了诗歌的戏剧效果，让人更感受到夜莺歌声的魅力，从而自然引出了夜莺歌声而产生的快乐意境。
在第二节里，诗人通过运用了通感修辞手法(synesthesia)把夜莺的歌声比作温酿可口的清醇的葡萄酒葡萄酒产生于法国南部的普鲁旺斯省(Provencal)这一带地区气候温暖湿润，阳光明媚，是一处宜人可爱的地方一樽珍藏在地窖多年的美酒就更加清醇可口了，在这里，诗人联想力得到了极大的发挥：听着夜莺的歌声就象喝下了清醇的美酒。
英文诗歌鉴赏对比研究-夜莺颂（济慈）和我孤独地漫游-像一朵云（华兹华斯）
IntroductionThe names Wordsworth and Keats are to a certain extent tantamount to Romanticism, especially from the perspective of modern academics.John Keats's "Ode to a Nightingale" and William Wordsworth's "I wandered lonely as a cloud" seem to have been written with the intention of describing a moment in one's life, like that of the fleeting tune of a nightingale or the discovery of a field of daffodils by a lake. Within each of these moments a multitude of emotions are established, with each morphing from one to another very subtly. What are also more subtle about these two poems are their differences. While they do touch on very similar topics, the objects used to personify Keats' ideas on death and immortality differs from Wordsworth's ideas on an inherent unity between man and nature. Thus, the ideas represented by them do diverge at different points in the poems as well.Comparison of John Keats's "Ode to a Nightingale" and William Wordsworth's "I wandered lonely as a cloud"JohnKeats uses this beauty to create a central theme in one of his prominent poems, "Ode to a Nightingale". The beauty in "Ode to a Nightingale" is that of the Nightingale's song. The beautiful song of the nightingale is reminding the poet of his own mortality by singing to his senses. It is the beauty that he sees in the world which makes it apparent that society is destined to perish and die. Keats shows the deepest expression of human mortality in this poem as he discusses the relationship to mature age and how it compares to the fluid song of the Nightingale. The man in the poem longs to flee from the world he lives and join the bird in its world.Keats's symbolism of the Nightingale and the contrast between life and death reveals his changing view of life resulting in the belief of death being his means to overcome pain. Keats begins this revelation by describing the beauty of life, but his use of fantasy words foreshadows a change in his outlook. By using the symbolism of the nightingale, Keats becomes uncertain of his view of life and begins to ponder theconcept of death. In the conclusion, Keats feels deceived by the nightingale's representation of life, and desires death to overcome his pain instead of enduring it in life.As Keats continues his thoughts, he becomes more and more skeptical of life. Fascinated by the nightingale, Keats recognizes the bird's innocence: "What thou among the leaves hast never known, /The weariness, The fever, and the fret". One would fret when uneasy or uncertain towards a matter. Keats reveals that the nightingale is oblivious to the concept of death as it sings its melody. The nightingale is completely free for it does not know about death. Keats becomes tormented by the innocence and freedom of the bird, as all of Keats' uncertainties regarding life and death overwhelm him: "Where but to think is to be full of sorrow". Living his life brings a constant reminder of his pain, driving Keats to change his opinion of life and death.Similarly, as a great poet of nature, William Wordsworth wrote many famous poems to express his love for nature, one of which is "I wandered lonely as a cloud". In the narrative poem, the poet successfully compared his loneliness with the happy and vital daffodils. The daffodils, the symbol of the nature, bring great joy and relief to the speaker. So Wordsworth's conception of nature is that nature has a lot to do with man, it can not only refresh one's soul and fill one with happiness, but it can also be reduced into a beautiful memory which will comfort one's heart when in solitude.I chose the poem "I wandered lonely as a cloud" by William Wordsworth because I like the imagery in it of dancing daffodils. Upon closer examination, I realized that most of this imagery is created by the many metaphors and similes Wordsworth uses. In the first line, Wordsworth says "I wandered lonely as a cloud". This is a simile comparing the wondering of a man to a cloud drifting through the sky.I suppose the wandering cloud is lonely because there is nothing up there that high in the sky besides it. It can pass by unnoticed, touching nothing. Also, the image of a cloud brings to mind a light, carefree sort of wandering. The cloud is not bound by any obstacle, but can go wherever the whim of the wind takes it.This simple poem, one of the loveliest and most famous in the Wordsworthcanon, revisits the familiar subjects of nature and memory, this time with a particularly (simple) spare, musical eloquence. The plot is extremely simple, depicting the poet's wandering and his discovery of a field of daffodils by a lake, the memory of which pleases him and comforts him when he is lonely, bored, or restless. Romantic poet William Wordsworth's "I Wandered Lonely as a Cloud" extols the virtue of nature and highlights the value of participating in its beauty.ConclusionIn "Ode to a Nightingale" and" I wandered lonely as a cloud ", both poems tells of an experience in which the human characters encounters nature in the poems, and the experiences are handled quite differently in the two poems. Natures have always held significance in human lives. They achieved heights unattainable to humans and sung while they did that. These two poets use nature as their muse and also symbolically for the human experience. The two poems, "Ode to a Nightingale" and "I wandered lonely as a cloud", clearly portray both of the poets' treatment on the idea of escape.Both poems construct vivid illusions but insist on their desolating failure. The poems do seem similar in several ways because in both, Keats and Wordsworth do portray symbols of realism while depicting the nature, as well as the spectrum of emotions from grief to joy. The central themes of the two poems are neither a nightingale nor a daffodil, but, the poets' eternal search for a center of refuge in a world of flux. It is through such a conception that Keats and Wordsworth sets to resolve the dichotomy between the world of the ideal and that of reality within the order of experience.Reference[1]Plumly, Stanley.: "The immortal evening: a legendary dinner with Keats, Wordsworth, and Lamb." New Y ork; London: Norton, 2014. pp. 368. (2014)[2]Lau, Beth.: review of Stillinger, Jack. "Romantic complexity: Keats, Coleridge, and Wordsworth." Studies in Romanticism (47:3) 2008, 420-5. (2008)[3]Horrell, William C.: review of Milnes, Tim. "The truth about Romanticism: pragmatism and idealism in Keats, Shelley,Wordsworth and Coleridge."Wordsworth Circle (42:4) 2011, 266-9. (2011)[4]Burkett, Andrew.: review of Roe, Nicholas. "John Keats: a new life." Studies in Romanticism (54:1) 2015, 138-42. (2015)[5]Michael, Timothy.: review of Milnes, Tim. "The truth about Romanticism: pragmatism and idealism in Keats, Shelley, Coleridge." Romanticism (19:1) 2013, 101-3. (2013)[6]Scott, Matthew.: "Wordsworth among the Romantics." In (pp. 749-66) Gravil, Richard; Robinson, Daniel (eds). The Oxford handbook of William Wordsworth. Oxford; New Y ork: [2015:458328]. (2015)[7] Wu, Duncan.: "Wordsworth and sensibility." In (pp. 467-81) Gravil, Richard; Robinson, Daniel (eds). The Oxford handbook of William Wordsworth. Oxford; New Y ork [2015:458328]. (2015)。
ode to a nightingale
ode to a nightingale《夜莺颂》John Keats 约翰·济慈Thou wast not born for death, immortal Bird!No hungry generations tread thee down;The voice I hear this passing night was heardIn ancient days by emperor and clown:Perhaps the self-same song that found a path Through the sad heart of Ruth, when, sick for home, She stood in tears amid the alien corn;The same that oft-times hathCharmed magic casements, opening on the foam Of perilous seas, in faery lands forlorn.在失掉了的仙域里引动窗扉饿的世代无法将你蹂躏永生的鸟,你不会死去今夜,我偶然听到的歌曲当使古代的帝王和村夫喜悦或许这同样的歌也曾激荡露丝忧郁的心,使她不禁落泪站在异邦的谷田里想著家就是这声音常常一个美女望著大海险恶的浪花1.Thou wast not born for death, immortal B ird! A2.No hungry generations tread thee d own; b3.The voice I hear this passing night was h eard a4.In ancient days by emperor and cl own: b5.Perhaps the self-same song that found a p ath c6.Through the sad heart of Ruth, when, sick for home, d7.She stood in tears amid the alien corn; e8.The same that oft-times h ath c9.Charmed magic casements, opening on the foam d10.Of perilous seas, in faery lands forlorn. eThou wast not born for death, immortal Bird!No hungry generations tread thee down;The voice I hear this passing night was heardIn ancient days by emperor and clown:Perhaps the self-same song that found a pathThrough the sad heart of Ruth, when, sick for home,She stood in tears amid the alien corn;The same that oft-times hathCharmed magic casements, opening on the foamOf perilous seas, in faery lands forlorn.7Thou wast not born for death, immortal Bird! 永生的鸟,你不会死去wast：古代用法，be的第二人称单数过去式。
ode to a nightingale
• And the at end of the Ode, the poet have to leave the imaginary world, so we may feel that the pain is deeper than ever before.
• John Keats„ poem “Ode to a Nightingale” explores the paradoxes(矛盾） of immortality（永生） and death, beauty and truth, and imagination and reality. Its main concept is about temporary changes in life, such as those brought about by art forms that take one away from reality into a world of imagination and fantasy, only to return the individual to the world. The nightingale in the poem serves as a metaphor for immortality; nature is always dying but always alive, forever changing but always the same.
• In the sixth stanza, the poet show us the conflict between death and live. Keats were facing the serious disease which at that time was unable to be treated, and only left to death. He is frightened and do not wants to die. • So the conflict show that the poet consider death as a new life.
英国文学简史名词解释
1，什么叫文艺复兴The Renaissance (“rebirth” in French) was a cultural and intellectural movement that spanned roughly the 14th through the 17 century, beginning in Italy and later spreading to the rest of Europe 2，Renaissance is considered as the great flowering of art, architecture, politics, and the study of literature, and is also usually seen as the end of the Middle Ages and the beginning of the modern world.2，什么叫玄学派诗歌the Metaphysical school of poetryI. Definition: A school of highly intellectual（智力的）poetryTime: the early 17th centuryMajor features: mysticism in content and fantasticality in form; peculiar conceit（奇思妙想）, unique way of reasoning and comparisonMain themes: life, death, love, religion, universeRepresentatives: John Donne, Andrew Marvell and George HerbertSignificance: greatly influenced the modernists of the 20th centuryII. Metaphysical conceits悬想比喻，奇喻，别出心裁的比喻Conceit: an elaborate metaphor that offers a surprising or unexpected comparison between two seemingly highly dissimilar things. This can involve original images or familiar images used in an unfamiliar way.Literature in This Age: The 18th century marked the beginning of an intellectual movement throughout in Europe known as Enlightenment. It was a progressive intellectual movement throughout Western Europe in the 18th century and Russia in the 19th Century.In late 17th and early 18th century England, there was a change of taste, which was part of a general movement in Europe, seen perhaps most impressive in 17th century France. The dominant literary theory of this period was “Neoclassicism”.Literary Genre文学流派Generally speaking, literature of the 18th century was very complex. We may classify it under three general heads: the reign of classicism, the pre-romantic poetry, and the beginning of modern novel.3，什么是启蒙运动Enlightenment (1) a progressive intellectual movement(2) flourished in France and swept through the whole Western Europe(3) aims at enlightening the whole world with the light of modern philosophical and artistic ideas; celebrated reason (4) called for a reference to order, reason and rules4，什么是前浪漫主义Pre-RomanticismWhen did Pre-romanticism appear? in the latter half of the 18th centuryWhat are the major features of Pre-romanticism?1)Romantic Revival;2)Strong protest against the bondage ofClassicism; 3)Claims of passion and emotion;4)Renewed interests in medievalliterature.Who are the representatives? William Blake and Robert BurnsWhat’s the significance?marked the decline of classicismPaved the way for the coming of romanticism in England5，什么叫Byron hero: Byronic hero was created by Byron in the Romantic period of the English literature. Such a hero is a proud, rebellious figure of noble origin. Passionate and powerful, he is to right all the wrongs in a corrupt society, and he would fight single-handedly against all the misdoings. These heroes rise against tyranny and injustice, but they are merely lone fighters striving for personal freedom and some individualistic ends.1. epic 史诗a long narrative poem, grand in style, about heroes and heroic deeds, embodying heroic ideals of a nation or race in the making. Beowulf is the English national epic that was passed from mouth to mouth and written down by many unknown hands.3. alliteration 头韵the repetition of the same sound or sounds at the beginning of two or more words that are close to each other. It is a feature of Beowulf and other Old English poems.4. alliterative verse 头韵诗poetry written in alliteration. Nearly all Old English verse, including Beowulf, is heavily alliterative, and the pattern is fairly standard – with either two or three stressed syllables in each line alliterating.5. kenning 隐喻语a metaphor usually composed of two words and used for description and association. Beowulf is full of kennings, such as ―helmet bearer‖ for ―warrior‖ and ―swan road‖ for ―sea‖.8. romance 传奇a type of literature that was popular in the Middle Ages, usually containing adventures and reflecting the spirit of chivalry. Sir Gawain and the Green Knight was a great verse romance, but its author remains unknown.11. heroic couplet 英雄双韵体two successive lines of rhymed poetry in iambic pentameter. Geoffrey Chaucer’s masterpiece The Canterbury Tale was written in heroic couplet.12. ballad meter 民谣体traditionally a four-line stanza containing alternating four-stress and three-stress lines, usually with a refrain and the rhyme scheme of abcb. Robert Burns’ ―A Red, Red Rose‖ is a great love ballad.14. English Renaissance 英国文艺复兴the literary flowering of England in the late 16th century and early 17th century, with humanism as its keynote. William Shakespeare’s Hamlet is considered the summit of this renaissance. 15. Elizabethan literature 伊丽莎白时代的文学literature written in the Elizabethan Age (1558-1603). William Shakespea re’s Romeo and Juliet was a masterpiece of this period.16. sonnet 十四行诗a fixed form consisting of fourteen lines of 5-foot iambic verse. It first flourished in Italy in the 14th century. William Shakespeare was a great English sonnet writer famous for his 154 sonnets.20. rhyme scheme 押韵格式the pattern of end-thymes in a stanza or poem, generally described by using letters of the alphabet to denote the recurrence of rhyming lines. For example, heroic couplets are ―aabbcc‖ and so on.21. quatrain 四行诗节a stanza of four lines, rhymed or unrhymed. It is the commonest of all stanzaic forms in English poetry. Robert Burns’ ―A Red, Red Rose‖ has four quatrains.24. verse drama 诗剧drama written in the form of verse. It was most widely used in the Elizabethan Age. William Shakespeare’s dramas are all verse dramas, Hamlet being the most famous.25. blank verse 无韵诗，素体诗unrhymed iambic pentameter, the most widely used of English verse forms and usually used in English dramatic and epic poetry. William Shakespea re’s play Hamlet is written in blank verse.27. essay 散文a composition, usually in prose, which may be of only a few hundred words or of book length and which discusses, formally or informally, a topic or a variety of topics. It is one of the most flexib le and adaptable of all literary forms. Francis Bacon is a great essayist; his ―Of Studies‖ isa model of good essay.28. English Romanticism 英国浪漫主义a literary movement that aimed at free expression of the writer’s ideas and feelings and flourished in the early 19th century England. A great representative of this movement is Percy Bysshe Shelley, the author of ―Ode to the West Wind‖.Sonnet 18One of the best known of Shakespeare’s sonnets, Sonnet 18 is memorable for the skillful and varied presentatio n of subject matter, in which the poet’s feelings reach a level of rapture unseen in the previous sonnets. The poet here abandons his quest for the youth to have a child, and instead glories in the youth’s beauty.Initially, the poet poses a question—‖Shall I compare thee to a summer’s day?‖—and then reflects on it, remarking that the youth’s beauty far surpasses summer’s delights. The imagery is the very essence of simplicity: ―wind‖ and ―buds.‖ In the fourth line, legal terminology—‖summer’s lease‖—is introduced in contrast to the commonplace images in the first three lines. Note also the poet’s use of extremes in the phrases ―more lovely,‖ ―all too short,‖ and ―too hot‖; these phrases emphasize the young man’s beauty.Although lines 9 through 12 are marked by a more expansive tone and deeper feeling, the poet returns to the simplicity of the opening images. As one expects in Shakespeare’s sonnets, the proposition that the poet sets up in the first eight lines—that all nature is subject to imperfection—is now contrasted in these next four lines beginning with ―But.‖ Although beauty naturally declines at some point—‖And every fair from fair sometime declines‖—the youth’s beauty will not; his unchanging appearance is atypical of nature’s steady progression. Even death is impotent against the youth’s beauty. Note the ambiguity in the phrase ―eternal lines‖: Are these ―lines‖ the poet’s ver ses or the youth’s hoped-for children? Or are they simply wrinkles meant to represent the process of aging? Whatever the answer, the poet is jubilant in this sonnet because nothing threatens the young man’s beautiful appearance.Then follows the concludi ng couplet: ―So long as men can breathe, or eyes can see, / So long lives this, and this gives life to thee.‖ The poet is describing not what the youth is but what he will be ages hence, as captured in the poet’s eternal verse—or again, in a hoped-for child. Whatever one may feel about the sentiment expressed in the sonnet and especially in these last two lines, one cannot help but notice an abrupt change in the poet’s own estimate of his poetic writing. Following the poet’s disparaging reference to his ―pupil pen‖ and ―barren rhyme‖ in Sonnet 16, it comes as a surprise in Sonnet 18 to find him boasting that his poetry will be eternal.John Keats认为，夜莺的歌声是美妙绝伦的，是不朽的，是永恒的，将世世代代的唱下去。
诗人 约翰济慈(英文版)
“Beauty is truth, truth beauty” 美即是真，真即是美
——
Introduction Life Story
Works His Position in English Literature
1.Ode to a Nightingale “夜莺颂“
2.On a Grecian Urn“希腊古 瓮颂”
3. On Melancholy “忧郁颂”
4.
Short Poems
When I have Fear“当我害怕的时候”
TO Autumn “秋颂” On the Grasshopper and the Cricket“蛐蛐与蟋蟀” Bright Star “闪亮的星星”
5. 6.
7.
8. O Solitude “哦，孤独”
1.Endymion《恩底弥 翁》 2.Isabella 《伊莎贝拉》
Five long poems
3.The Eve of St. Agnes 《圣亚尼节前夜》
mia 《莱米亚》
5.Hyperion 《赫坡里 昂》
1.Ode to a Nightingale “夜莺颂”
Introduction
John Keats (1795-1821) >One of the 2nd generation of romantic poets >Famous as Byron and Shelley >Outstanding representative of European Romantic Movement
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Ode to a Nightingale
My heart aches, and a drowsy numbness pains My sense, as though of hemlock I had drunk, Or emptied some dull opiate to the drains One minute past, and Lethe-wards had sunk: （toward Lethe) 'Tis not through envy of thy happy lot, (it is) But being too happy in thine happiness – That thou, light winged Dryad of the trees, In some melodious plot Of beechen green, and shadows numberless, Singest of summer in full-throated ease.
Group 5 Member：彭睿、岳璐 罗雪亮、叶倩倩
Catalogue
About the author The creation background Theme of poem Metrical Pattern Ode to a Nightingale Analysis of Ode to a Nightingale Rhetorical devices Conclusion
O, for a draught of vintage! that hath been (has) Cooled a long age in the deep-delved earth, (cooled) Tasting of Flora and the country green, Dance, and Provencal song, and sunburnt mirth! O for a beaker full of the warm South, Full of the true, the blushful Hippocrene, With beaded bubbles winking at the brim, And purple-stained mouth, That I may drink, and leave the world unseen, And with thee fade away into the forest dim.
Representative works
The Eve of St Agnes 《圣爱格尼斯之夜》 Ode to a Nightingale 《夜莺颂》 Ode on a Grecian Urn 《希腊古翁颂》 To Autumn 《秋颂》 ……
The creation background
The author ‘s life
1795:He was borned in a poor family, and he has two brothers and only one sister 1804: His father died 1810:His mother died of tuberculosis（肺结核） 1815：He entered a medical school , but gave up with in a year 1818~1820:He created most of his wissolve, and quite forget What thou amongst the leaves hast never known, (have) The weariness, the fever, and the fret Here, where men sit and hear each other groan; Where palsy shakes a few, sad, last grey hairs. Where youth grows pale, and spectre-thin, and dies; Where but to think is to be full of sorrow And leaden-eyed despairs; Where Beauty cannot keep her lustrous eyes, Or new Love pine at them beyond to-morrow.
Metrical Pattern
(韵律) The poem contains eight stanzas. All the lines in each stanza are in iambic pentameter(抑扬格五步格诗), with the exception of the eighth line which has only three feet is in iambic trimester(抑扬格音步).
In 1818， Keats 23 year old
Tuberculosis (肺结核)
Emotion: Anxious Yearn
Brother died
He is fall in the love
Theme of poem
Theme : This ode was inspired by the singing of a nightingale that had built its nest close to the house of a friend of the poet in Hampstead（汉普斯特德）. He doesn’t only expresses it, but also shows his deep sympathy for and his keen understanding of human miseries in the society in which he lived.