美国文学简史名词解释定义
美国文学术语解释(全面且简练)

美国文学术语解释(全面且简练)美国文学是指具有美国独特文化地域色彩的文学作品。
包括小说、戏剧、诗歌、散文以及加拿大和多明尼加等国家的文学作品。
其短篇小说及戏剧都有着浓厚的美国文化特色,其龙头主流的文学派别是在17世纪后期形成的新约克郡派,主要有约翰•德拉谢尔(John Dryden)、Jonathan Swift 等人,他们为美国文学写下了精彩绝伦的篇章。
新约克郡派把文章写成了装满宗教特质、歌颂胜利、崇高赞美的模式,也就是赞美诗,发掘探索细节、夸张搭配修辞,准确表达真实情境,是后期美国文学的重要基础;而在早期的美国文学发展史上,更多的是宗教文学。
随着美国政治的发展,社会文化的不断进步,宗教文学慢慢地被实用的文学文本所取代。
美国的文学活动开始贴近人文主义的文学脉络,表现出散文风格,致力于针对现状的批判性反思以及自我叙述性自觉。
然而,到了18世纪末,受英国文学传统影响,美国文学正式步入正轨,并开始向两群导向,即诗歌与小说。
第一类作品赞美自然风景、积极的立场或事实内容,通过句法、修辞手法和宋体表达,以“说服力”为特征;而小说,基本上描写人物及其情感,作者给予考量和评析,以构建一个小说世界。
有关美国文学习派别方面,它指的是具有某种特殊特性的作品、作者或趋势,这些特性可以汇聚成学派,如经典主义派、象征主义派、古典注重艺术形式翻新派、现代主义派、问题类型派、客观散文派等等。
美国文学家们也是新的运动的团体来提倡这些派别,如1820年墨西哥战争、当时的托马斯汉密尔顿著名的圣教徒笃信运动引起的“波厄特派”,其中的小说作家和写报人表达了一种激进的、反殖民主义的文学潮流。
波厄特派的影响很大,它声称小说应该坚持自然、客观原则,实证严谨,保持超验主义,而不是神话传说,也不是把文学作品改写成像诗歌一样的形式。
自19世纪初美国文学思想开始发展至今,美国文学进入了一个更加多样化、开放空间愈加广阔的阶段,无论是宗教、哲学还是政治新思想都将重新回归到文学之中,美国文学也变得更加丰富多彩了。
美国文学史名词解释

1.A m e r i c a n P u r i t a n i s m清教2.It comes from the American puritans, who were the first immigrants moved to American continent in the 17th century. Original sin, predestination(预言)and salvation(拯救)were the basic ideas of American Puritanism. And, hard-working, piousness(虔诚,尽职),thrift a n d s o b r i e t y(清醒)w e r e p r a i s e d. Characteristics: 特点1. Idealistic: Puritans pursue the purity and simplicity in worship. They focuse the glory of God, and the angry God.They believe in the doctrine of destiny, original sin, limited atonement2. Practical: Puritans come to Amrican to do business and make profits with the desire of chasing wealth and status. They have to struggle for survival under the severity of the western frontier.3 .The struggle between the spiritual and the material is the basics of the Puritan mind. On the one hand, Puritans chase the purity of the early church.On the other hand, they come to America to earn money. This contradictory will be reflected by their thoughts.4. In a word, it rests on purity, ambition, harding work, and an intense struggling for success.3.Romanticism浪漫主义: the literature term was first applied to the writers of the 18th century in Europe who broke away from the formal rules of classical writing. When it was used in American literature it referred to the writers of the middle of the 19th century who stimulated(刺激)the sentimental emotions of their readers. They wrote of the mysterious of life, love, birth and death. The Romantic writers expressed themselves freely and without restraint. They wrote all kinds of materials, poetry, essays, plays, fictions, history, works of travel, and biography.4.Transcendentalism先验说,超越论: is a philosophic and literary movement that flourished in New England, particular at Concord, asa reaction against Rationalism and Calvinism (理性主义and喀尔文主义). Mainly it stressed intuitive understanding of God, without the help of the church, and advocated independence of the mind. The representative writers are Emerson and Thoreau.5.American Realism现实主义: In American literature, the Civil War brought the Romantic Period to an end. The Age of Realism came into existence. It came as a reaction against the lie of romanticism and sentimentalism. Realism turned from an emphasis on the strange toward a faithful rendering of the ordinary, a slice of life as it is really lived. It expresses the concern for commonplace and the low, and it offers an objective rather than an idealistic view of human nature and human experience6.Local colorism乡土文学: as a trend became dominant in American literature in the 1860s and early 1870s,it is defined by Hamlin Garland as having such quality of texture and background that it could not have been written in any other place or by anyone else than a native stories of local colorism have a quality of circumstantial(详细的) authenticity(确实性), as local colorists tried to immortalize(使不朽) the distinctive natural, social and linguistic features. It is characteristic of vernacular(本国语) language and satirical(讽刺的) humor7.Naturalism自然主义: American naturalism was a new and harsher realism. American naturalism had been shaped by the war; by the social upheavals(剧变)that undermined the comforting faith of an earlier age. America’s literary naturalists dismissed the validity of comforting moral truths. They attempted to achieve extreme objectivity and frankness, presenting characters of low social and economic classes who were determined by their environment and heredity. Although naturalist literature described the world with sometimes brutal realism, it sometimes also aimed at bettering the world through social reform.8.Stream of consciousness意识流:It is one of the modern literary techniques. It is the style of writing that attempts to imitate the natural flow of a character’s thoughts, feelings, reflections, memories, and mental images as the character experiences them. It was first used in 1922 by the Irish novelist James Joyce. Those novels broke through the bounds of time and space, and depicted vividly and skillfully the unconscious activity of the mind fast changing and flowing incessantly。
美国文学简史 名词解释

美国文学Chapter 1 Colonial PeriodI.Background: Puritanism1.features of Puritanism(1)Predestination: God decided everything before things occurred.(2)Original sin: Human beings were born to be evil, and this original sin can bepassed down from generation to generation.(3)Total depravity(4)Limited atonement: Only the “elect” can be saved.2.Influence(1)A group of good qualities –hard work, thrift, piety, sobriety (serious andthoughtful) influenced American literature.(2)It led to the everlasting myth. All literature is based on a myth – garden of Eden.(3)Symbolism: the American puritan’s metaphorical mode of perception waschiefly instrumental in calling into being a literary symbolism which is distinctly American.(4)With regard to their writing, the style is fresh, simple and direct; the rhetoric isplain and honest, not without a touch of nobility often traceable to the direct influence of the Bible.II.Overview of the literature1.types of writingdiaries, histories, journals, letters, travel books, autobiographies/biographies, sermons2.writers of colonial periodAnne Bradstreet/ Edward Taylor/ Roger Williams/ John Woolman/ Thomas Paine/ Philip FreneauIII.Jonathan Edwards1.works(1)The Freedom of the Will(2)The Great Doctrine of Original Sin Defended(3)The Nature of True Virtue2.ideas – pioneer of transcendentalism(1)The spirit of revivalism(2)Regeneration of man(3)God’s presence(4)Puritan idealismIV.Benjamin Franklin1.works(1)Poor Richard’s Almanac <穷查理的历书>(2)Autobiography2.contribution(1)He helped found the Pennsylvania Hospital and the American PhilosophicalSociety.(2)He was called “the new Prometheus who had stolen fire (electricity in this case)from heaven”.(3)Everything seems to meet in this one man –“Jack of all trades”. HermanMelville thus described him “master of each and mastered by none”.Chapter 2 American RomanticismSection 1 Early Romantic PeriodWhat is Romanticism?●An approach from ancient Greek: Plato● A literary trend: 18c in Britain (1798~1832)●Schlegel Bros.I.Preview: Characteristics of romanticism1.subjectivity 主观性(1)feeling and emotions, finding truth(2)emphasis on imagination(3)emphasis on individualism –personal freedom, no hero worship, naturalgoodness of human beings2.back to medieval, esp medieval folk literature(1)unrestrained by classical rules(2)full of imagination(3)colloquial language(4)freedom of imagination(5)genuine in feelings: answer their call for classics3.back to naturenature is “breathing living thing” (Rousseau)II.American Romanticism1.Background(1)Political background and economic development(2)Romantic movement in European countries Derivative – foreign influence 2.features(1)American romanticism was in essence the expression of “a real newexperience and contained “an alien quality” for the simple reason that “the spirit of the place” was radically new and alien.(2)There is American Puritanism as a cultural heritage to consider. Americanromantic authors tended more to moralize. Many American romantic writings intended to edify more than they entertained.(3)The “newness” of Americans as a nation is in connection with Am ericanRomanticism.(4)As a logical result of the foreign and native factors at work, Americanromanticism was both imitative and independent.III.Washington Irving1.several names attached to Irving(1)first American writer(2)the messenger sent from the new world to the old world(3)father of American literature2.works(1)A History of New York from the Beginning of the World to the End of theDutch Dynasty(2)The Sketch Book of Geoffrey Crayon, Gent. (He won a measure ofinternational recognition with the publication of this.)(3)The History of the Life and V oyages of Christopher Columbus(4)A Chronicle of the Conquest of Granada(5)The Alhambra3.style – beautiful(1)gentility, urbanity, pleasantness(2)avoiding moralizing – amusing and entertaining(3)enveloping stories in an atmosphere(4)vivid and true characters(5)humour – smiling while reading(6)musical languageIV.James Fenimore Cooper1.works(1)Precaution (1820, his first novel, imitating Austen’s Pride and Prejudice)(2)The Spy (his second novel and great success)(3)Leatherstocking Tales (his masterpiece, a series of five novels)The Deerslayer, The Last of the Mohicans, The Pathfinder, The Pioneer,The Prairie2.point of viewthe theme of wilderness vs. civilization, freedom vs. law, order vs. change, aristocrat vs. democrat, natural rights vs. legal rights3.style(1)highly imaginative(2)good at inventing tales(3)good at landscape description(4)conservative(5)characterization wooden and lacking in probability(6)language and use of dialect not authentic4.literary achievementsHe created a myth about the formative period of the American nation. If the history of the United States is, in a sense, the process of the American settlers exploring and pushing the American frontier forever westward, then Cooper’s Leatherstocking Tales effectively approximates the American national experience of adventure into the West. He turned the west and frontier as a useable past and he helped to introduce western tradition to American literature.Section 2 Summit of Romanticism – American TranscendentalismI.Background: four sources1.Unitarianism 一神论者(1)Fatherhood of God(2)Brotherhood of men(3)Leadership of Jesus(4)Salvation by character (perfection of one’s character)(5)Continued progress of mankind(6)Divinity of mankind(7)Depravity of mankind2.Romantic IdealismCenter of the world is spirit, absolute spirit (Kant)3.Oriental mysticismCenter of the world is “oversoul”4.PuritanismEloquent expression in transcendentalismII.Appearance1836, “Nature” by EmersonIII.Features1.spirit/oversoul2.importance of individualism3.nature – symbol of spirit/Godgarment of the oversoul4.focus in intuition (irrationalism and subconsciousness)IV.Influence1.It served as an ethical guide to life for a young nation and brought about the ideathat human can be perfected by nature. It stressed religious tolerance, called to throw off shackles of customs and traditions and go forward to the development of a new and distinctly American culture.2.It advocated idealism that was great needed in a rapidly expanded economywhere opportunity often became opportunism, and the desire to “get on”obscured the moral necessity for rising to spiritual height.3.It helped to create the first American renaissance –one of the most prolificperiod in American literature.V.Ralph Waldo Emerson1.works(1)Nature(2)Two essays: The American Scholar, The Poet2.point of view(1)One major element of his philosophy is his firm belief in the transcendence ofthe “oversoul”.(2)He regards nature as the purest, and the most sanctifying moral influence onman, and advocated a direct intuition of a spiritual and immanent God in nature.(3)If man depends upon himself, cultivates himself and brings out the divine inhimself, he can hope to become better and even perfect. This is what Emerson means by “the infinitude of man”.(4)Everyone should understand that he makes himself by making his world, andthat he makes the world by making himself.3.aesthetic ideas(1)He is a complete man, an eternal man.(2)True poetry and true art should ennoble.(3)The poet should express his thought in symbols.(4)As to theme, Emerson called upon American authors to celebrate Americawhich was to him a lone poem in itself.4.his influenceVI.Henry David Thoreau1.works(1)A Week on the Concord and Merrimack River(2)Walden(3)A Plea for John Brown (an essay)2.point of view(1)He did not like the way a materialistic America was developing and wasvehemently outspoken on the point.(2)He hated the human injustice as represented by the slavery system.(3)Like Emerson, but more than him, Thoreau saw nature as a genuine restorative,healthy influence on man’s spiritual well-being.(4)He has faith in the inner virtue and inward, spiritual grace of man.(5)He was very critical of modern civilization.(6)“Simplicity…simplify!”(7)He was sorely disgusted with “the inundations of the dirty institutions of men’sodd-fellow society”.(8)He has calm trust in the future and his ardent belief in a new generation ofmen.Section 3 Late RomanticismI.Nathaniel Hawthorne1.works(1)Two collections of short stories: Twice-told Tales, Mosses from and OldManse(2)The Scarlet Letter(3)The House of the Seven Gables(4)The Marble Faun2.point of view(1)Evil is at the core of huma n life, “that blackness in Hawthorne”(2)Whenever there is sin, there is punishment. Sin or evil can be passed fromgeneration to generation (causality).(3)He is of the opinion that evil educates.(4)He has disgust in science.3.aesthetic ideas(1)He took a great interest in history and antiquity. To him these furnish thesoil on which his mind grows to fruition.(2)He was convinced that romance was the predestined form of Americannarrative. To tell the truth and satirize and yet not to offend: That was whatHawthorne had in mind to achieve.4.style – typical romantic writer(1)the use of symbols(2)revelation of characters’ psychology(3)the use of supernatural mixed with the actual(4)his stories are parable (parable inform) – to teach a lesson(5)use of ambiguity to keep the reader in the world of uncertainty –multiplepoint of viewII.Herman Melville1.works(1)Typee(2)Omio(3)Mardi(4)Redburn(5)White Jacket(6)Moby Dick(7)Pierre(8)Billy Budd2.point of view(1)He never seems able to say an affirmative yes to life: His is the attitude of“Everlasting Nay” (negative attitude towards life).(2)One of the major themes of his is alienation (far away from each other).Other themes: loneliness, suicidal individualism (individualism causingdisaster and death), rejection and quest, confrontation of innocence andevil, doubts over the comforting 19c idea of progress3.style(1)Like Hawthorne, Melville manages to achieve the effect of ambiguitythrough employing the technique of multiple view of his narratives.(2)He tends to write periodic chapters.(3)His rich rhythmical prose and his poetic power have been profuselycommented upon and praised.(4)His works are symbolic and metaphorical.(5)He includes many non-narrative chapters of factual background ordescription of what goes on board the ship or on the route (Moby Dick) Romantic PoetsI.Walt Whitman1.work: Leaves of Grass (9 editions)(1)Song of Myself(2)There Was a Child Went Forth(3)Crossing Brooklyn Ferry(4)Democratic Vistas(5)Passage to India(6)Out of the Cradle Endlessly Rocking2.themes –“Catalogue of American and European thought”He had been influenced by many American and European thoughts: enlightenment, idealism, transcendentalism, science, evolution ideas, western frontier spirits, Jefferson’s individualism, Civil War Unionism, Orientalism.Major themes in his poems (almost everything):●equality of things and beings●divinity of everything●immanence of God●democracy●evolution of cosmos●multiplicity of nature●self-reliant spirit●death, beauty of death●expansion of America●brotherhood and social solidarity (unity of nations in the world)●pursuit of love and happiness3.style: “free verse”(1)no fixed rhyme or scheme(2)parallelism, a rhythm of thought(3)phonetic recurrence(4)the habit of using snapshots(5)the use of a certain pronoun “I”(6)a looser and more open-ended syntactic structure(7)use of conventional image(8)strong tendency to use oral English(9)vocabulary – powerful, colourful, rarely used words of foreign origins, someeven wrong(10)sentences – catalogue technique: long list of names, long poem lines4.influence(1)His best work has become part of the common property of Western culture.(2)He took over Whitman’s vision of the poet-prophet and poet-teacher andrecast it in a more sophisticated and Europeanized mood.(3)He has been compared to a mountain in American literary history.(4)Contemporary American poetry, whatever school or form, bears witness to hisgreat influence.II.Emily Dickenson1.works(1)My Life Closed Twice before Its Close(2)Because I Can’t Stop for Death(3)I Heard a Fly Buzz – When I died(4)Mine – by the Right of the White Election(5)Wild Nights – Wild Nights2.themes: based on her own experiences/joys/sorrows(1)religion – doubt and belief about religious subjects(2)death and immortality(3)love – suffering and frustration caused by love(4)physical aspect of desire(5)nature – kind and cruel(6)free will and human responsibility3.style(1)poems without titles(2)severe economy of expression(3)directness, brevity(4)musical device to create cadence (rhythm)(5)capital letters – emphasis(6)short poems, mainly two stanzas(7)rhetoric techniques: personification – make some of abstract ideas vivid parison: Whitman vs. Dickinson1.Similarities:(1)Thematically, they both extolled, in their different ways, an emergentAmerica, its expansion, its individualism and its Americanness, their poetrybeing part of “American Renaissance”.(2)Technically, they both added to the literary independence of the new nationby breaking free of the convention of the iambic pentameter and exhibitinga freedom in form unknown before: they were pioneers in American poetry.2.differences:(1)Whitman seems to keep his eye on society at large; Dickinson explores theinner life of the individual.(2)Whereas Whitman is “national” in his outlook, Dickinson is “regional”.(3)Dickinson has the “catalogue technique” (direct, simple style) whichWhitman doesn’t have.Edgar Allen PoeI.Works1.short stories(1)ratiocinative storiesa.Ms Found in a Bottleb.The Murders in the Rue Morguec.The Purloined Letter(2)Revenge, death and rebirtha.The Fall of the House of Usherb.Ligeiac.The Masque of the Red Death(3)Literary theorya.The Philosophy of Compositionb.The Poetic Principlec.Review of Hawthorne’s Twice-told TalesII.Themes1.death –predominant theme in Poe’s writing“Poe is not interested in anything alive. Everything in Poe’s writings is dead.”2.disintegration (separation) of life3.horror4.negative thoughts of scienceIII.Aesthetic ideas1.The short stories should be of brevity, totality, single effect, compression andfinality.2.The poems should be short, and the aim should be beauty, the tone melancholy.Poems should not be of moralizing. He calls for pure poetry and stresses rhythm.IV.Style – traditional, but not easy to readV.Reputation: “the jingle man” (Emerson)Chapter 3 The Age of RealismI.Background: From Romanticism to Realism1.the three conflicts that reached breaking point in this period(1)industrialism vs. agrarian(2)culturely-measured east vs. newly-developed west(3)plantation gentility vs. commercial gentility2.1880’s urbanization: from free competition to monopoly capitalism3.the closing of American frontierII.Characteristics1.truthful description of life2.typical character under typical circumstance3.objective rather than idealized, close observation and investigation of life“Realistic writers are like scientists.”4.open-ending:Life is complex and cannot be fully understood. It leaves much room forreaders to think by themselves.5.concerned with social and psychological problems, revealing the frustrations ofcharacters in an environment of sordidness and depravityIII.Three Giants in Realistic Period1.William Dean Howells –“Dean of American Realism”(1)Realistic principlesa.Realism is “fidelity to experience and probability of motive”.b.The aim is “talk of some ordinary traits of American life”.c.Man in his natural and unaffected dullness was the object of Howells’sfictional representation.d.Realism is by no means mere photographic pictures of externals but includesa cen tral concern with “motives” and psychological conflicts.e.He condemns novels of sentimentality and morbid self-sacrifice, and avoidssuch themes as illicit love.f.Authors should minimize plot and the artificial ordering of the sense ofsomething “desultory, unfinished, imperfect”.g.Characters should have solidity of specification and be real.h.Interpreting sympathetically the “common feelings of commonplace people”was best suited as a technique to express the spirit of America.i.He urged writers to winnow tradition and write in keeping with currenthumanitarian ideals.j.Truth is the highest beauty, but it includes the view that morality penetrates all things.k.With regard to literary criticism, Howells felt that the literary critic should not try to impose arbitrary or subjective evaluations on books but should follow the detached scientist in accurate description, interpretation, and classification.(2)Worksa.The Rise of Silas Laphamb. A Chance Acquaintancec. A Modern Instance(3)Features of His Worksa.Optimistic toneb.Moral development/ethicscking of psychological depth2.Henry James(1)Literary career: three stagesa.1865~1882: international theme●The American●Daisy Miller●The Portrait of a Ladyb.1882~1895: inter-personal relationships and some plays●Daisy Miller (play)c.1895~1900: novellas and tales dealing with childhood and adolescence,then back to international theme●The Turn of the Screw●When Maisie Knew●The Ambassadors●The Wings of the Dove●The Golden Bowl(2)Aesthetic ideasa.The aim of novel: represent lifemon, even ugly side of lifec.Social function of artd.Avoiding omniscient point of view(3)Point of viewa.Psychological analysis, forefather of stream of consciousnessb.Psychological realismc.Highly-refined language(4)Style –“stylist”nguage: highly-refined, polished, insightful, accurateb.V ocabulary: largec.Construction: complicated, intricateLocal Colorism1860s, 1870s~1890sI.Appearance1.uneven development in economy in America2.culture: flourishing of frontier literature, humourists3.magazines appeared to let writer publish their worksII.What is “Local Colour”?Tasks of local colourists: to write or present local characters of their regions in truthful depiction distinguished from others, usually a very small part of the world.Regional literature (similar, but larger in world)●Garland, Harte – the west●Eggleston – Indiana●Mrs Stowe●Jewett – Maine●Chopin – LouisianaIII.Mark Twain – Mississippi1.works(1)The Gilded Age(2)“the two advantages”(3)Life on the Mississippi(4)A Connecticut Yankee in King Arthur’s Court(5)The Man That Corrupted Hardleybug2.style(1)colloquial language, vernacular language, dialects(2)local colour(3)syntactic feature: sentences are simple, brief, sometimes ungrammatical(4)humour(5)tall tales (highly exaggerated)(6)social criticism (satire on the different ugly things in society)parison of t he three “giants” of American Realism1.ThemeHowells – middle classJames – upper classTwain – lower class2.TechniqueHowells – smiling/genteel realismJames – psychological realismTwain – local colourism and colloquialismChapter 4 American NaturalismI.Background1.Darwin’s theory: “natural selection”2.Spenser’s idea: “social Darwinism”3.French Naturalism: ZoraII.Features1.environment and heredity2.scientific accuracy and a lot of details3.general tone: hopelessness, despair, gloom, ugly side of the societyIII.significanceIt prepares the way for the writing of 1920s’ “lost generation” and T. S. Eliot. IV.Theodore Dreiser1.life2.works(1)Sister Carrie(2)The trilogy: Financier, The Titan, The Stoic(3)Jennie Gerhardt(4)American Tragedy(5)The Genius3.point of view(1)He embraced social Darwinism – survival of the fittest. He learned to regardman as merely an animal driven by greed and lust in a struggle for existencein which only the “fittest”, the most ruthless, survive.(2)Life is predatory, a “game” of the lecherous and heartless, a jung le strugglein which man, being “a waif and an interloper in Nature”, a “wisp in thewind of social forces”, is a mere pawn in the general scheme of things, withno power whatever to assert his will.(3)No one is ethically free; everything is determined by a complex of internalchemisms and by the forces of social pressure.4.Sister Carrie(1)Plot(2)Analysis5.Style(1)Without good structure(2)Deficient characterization(3)Lack in imagination(4)Journalistic method(5)Techniques in paintingChapter 5 The Modern PeriodSection 1 The 1920sI.IntroductionThe 1920s is a flowering period of American literature. It is considered “the second renaissance” of American literature.The nicknames for this period:(1)Roaring 20s – comfort(2)Dollar Decade – rich(3)Jazz Age – Jazz musicII.Background1.First World War –“a war to end all wars”(1)Economically: became rich from WWI. Economic boom: new inventions.Highly-consuming society.(2)Spiritually: dislocation, fragmentation.2.wide-spread contempt for law (looking down upon law)3.Freud’s theoryIII.Features of the literatureWriters: three groups(1)Participants(2)Expatriates(3)Bohemian (unconventional way of life) – on-lookersTwo areas:(1)Failure of communication of Americans(2)Failure of the American societyImagismI. BackgroundImagism was influenced by French symbolism, ancient Chinese poetry and Japanese literature “haiku”II. Development: three stages1.1908~1909: London, Hulme2.1912~1914: England -> America, Pound3.1914~1917: Amy LowellIII. What is an “image”?An image is defined by Pound as that which presents an intellectual and emotional complex in an instant of time, “a vortex or cluster of fused ideas” “endowed with energy”. The exact word must bring the effect of the object before the reader as it had presented itself to the poet’s mind at the time of writing.IV. Principles1.Direct treatment of the “thing”, whether subjective or objective;2.To use absolutely no word that does not contribute to the presentation;3.As regarding rhythm, to compose in the sequence of the musical phrase, not inthe sequence of a metronome.V. Significance1.It was a rebellion against the traditional poetics which failed to reflect the newlife of the new century.2.It offered a new way of writing which was valid not only for the Imagist poetsbut for modern poetry as a whole.3.The movement was a training school in which many great poets learned theirfirst lessons in the poetic art.4.It is this movement that helped to open the first pages of modern English andAmerican poetry.VI. Ezra Pound1.literary career2.works(1)Cathay(2)Cantos(3)Hugh Selwyn Mauberley3.point of view(1)Confident in Pound’s belief that the artist was morally and culturally thearbiter and the “saviour” of the race, he took it upon himself to purify the arts and became the prime mover of a few experimental movements, the aim of which was to dump the old into the dustbin and bring forth something new.(2)To him life was sordid personal crushing oppression, and culture producednothing but “intangible bondage”.(3)Pound sees in Chinese history and the doctrine of Confucius a source ofstrength and wisdom with which to counterpoint Western gloom and confusion.(4)He saw a chaotic world that wanted setting to rights, and a humanity,suffering from spiritual death and cosmic injustice, that needed saving. He was for the most part of his life trying to offer Confucian philosophy as the one faith which could help to save the West.4.style: very difficult to readPound’s early poems are fresh and lyrical. The Cantos can be notoriously difficult in some sections, but delightfully beautiful in others. Few have made serious study of the long poem; fewer, if anyone at all, have had the courage to declare that they have conquered Pound; and many seem to agree that theCantos is a monumental failure.5.ContributionHe has helped, through theory and practice, to chart out the course of modern poetry.6.The Cantos –“the intellectual diary since 1915”Features:(1)Language: intricate and obscure(2)Theme: complex subject matters(3)Form: no fixed framework, no central theme, no attention to poetic rules VII. T. S. Eliot1.works(1)poems●The Love Song of J. Alfred Prufrock●The Waste Land (epic)●Hollow Man●Ash Wednesday●Four Quarters(2)Plays●Murder in the Cathedral●Sweeney Agonistes●The Cocktail Party●The Confidential Clerk(3)Critical essays●The Sacred Wood●Essays on Style and Order●Elizabethan Essays●The Use of Poetry and The Use of Criticisms●After Strange Gods2.point of view(1)The modern society is futile and chaotic.(2)Only poets can create some order out of chaos.(3)The method to use is to compare the past and the present.3.Style(1)Fresh visual imagery, flexible tone and highly expressive rhythm(2)Difficult and disconnected images and symbols, quotations and allusions(3)Elliptical structures, strange juxtapositions, an absence of bridges4.The Waste Land: five parts(1)The Burial of the Dead(2)A Game of Chess(3)The Fire Sermon(4)Death by Water(5)What the Thunder SaidVIII. Robert Frost1.point of view(1)All his life, Frost was concerned with constructions through poetry. “amomentary stay against confusion”.(2)He understands the terror and tragedy in nature, but also its beauty.(3)Unlike the English romantic poets of 19th century, he didn’t believe that mancould find harmony with nature. He believed that serenity came fromworking, usually amid natural forces, which couldn’t be understood. Heregarded work as “significant toil”.2.works – poemsthe first: A Boy’s Willcollections: North of Boston, Mountain Interval (mature), New Hampshire3.style/features of his poems(1)Most of his poems took New England as setting, and the subjects werechosen from daily life of ordinary peopl e, such as “mending wall”, “pickingapples”.(2)He writes most often about landscape and people –the loneliness andpoverty of isolated farmers, beauty, terror and tragedy in nature. He alsodescribes some abnormal people, e.g. “deceptively simple”, “philoso phicalpoet”.(3)Although he was popular during 1920s, he didn’t experiment like othermodern poets. He used conventional forms, plain language, traditional metre,and wrote in a pastured tradition.IX. e. e. cummings“a juggler with syntax, grammar and diction” –individualism, “painter poet”Novels in the 1920sI. F. Scott Fitzgerald1.life – participant in 1920s2.works(1)This Side of Paradise(2)Flappers and Philosophers(3)The Beautiful and the Damned(4)The Great Gatsby(5)Tender is the Night(6)All the Sad Young Man(7)The Last Tycoon3.point of view(1)He expressed what the young people believed in the 1920s, the so-called“American Dream” is false in nature.(2)He had always been critical of the rich and tried to show the integrating effectsof money on the emotional make-up of his character. He found that wealth altered people’s characters, making them mean and distrusted. He thinks money brought only tragedy and remorse.(3)His novels follow a pattern: dream – lack of attraction – failure and despair.4.His ideas of “American Dream”It is false to most young people. Only those who were dishonest couldbecome rich.5.StyleFitzgerald was one of the great stylists in American literature. His prose issmooth, sensitive, and completely original in its diction and metaphors. Itssimplicity and gracefulness, its skill in manipulating the relation between the general and the specific reveal his consummate artistry.6.The Great GatsbyNarrative point of view – NickHe is related to everyone in the novel and is calm and detected observer whois never quick to make judgements.Selected omniscient point of viewII.Ernest Hemingway1.point of view (influenced by experience in war)(1)He felt that WWI had broken America’s culture and traditions, and separatedfrom its roots. He wrote about men and women who were isolated from tradition, frightened, sometimes ridiculous, trying to find their own way.(2)He condemned war as purposeless slaughter, but the attitude changed when hetook part in Spanish Civil War when he found that fascism was a cause worth fighting for.(3)He wrote about courage and cowardice in battlefield. He defined courage as“an instinctive movement towards or away from the centre of violence with self-preservation and self-respect, the mixed motive”. He also talked about the。
美国文学名词解释

美国文学名词解释美国文学,作为世界文学的重要组成部分,有着丰富多彩的文化背景和独特的创作风格。
在这篇文章中,我将为您解释几个与美国文学相关的重要名词。
1. 美国文学:美国文学是指在美国国土上创作的文学作品,包括小说、诗歌、戏剧和散文等各种文体。
美国文学自17世纪初殖民地时期开始出现,并逐渐形成独特的风格和主题,如自由、探索、个人价值观等。
该文学受到欧洲文学、非裔美国文学、拉丁美洲文学等多个文学传统的影响。
2. 讽刺文学:讽刺文学是通过调侃、嘲笑或批评等手法,通过善意或恶意地对社会、人物、社会习俗等进行揭示和描述的一种文学形式。
美国文学中讽刺常常用来表达对社会问题的关注以及对不公正现象的讽刺批评。
作家马克·吐温的小说《哈克贝里·费恩历险记》便是美国文学中著名的讽刺作品之一。
3. 大都市文学:大都市文学是指以城市为背景、以城市生活为题材的文学作品。
美国是大都市文学的发源地之一,纽约市成为该文学流派的中心。
大都市文学反映了城市的动态与繁华,同时也揭示了城市中的社会问题和人际关系。
美国作家F·斯科特·菲茨杰拉德的小说《了不起的盖茨比》,以及薇拉·刘易斯和李欧·斯坦巴克的作品都是著名的大都市文学作品。
4. 美国本土文学:美国本土文学是指探讨、描写和反映美国本土历史、文化、民族特色的文学作品。
该文学形式着重于展示美洲原住民、欧洲移民、非裔美国人和其他少数族裔的文化传统和经验。
美国作家奥兰多·费斯特的小说《渐近线》以及路易斯·埃里斯的小说《米南多洛之歌》都是美国本土文学的代表作品。
5. 后现代主义文学:后现代主义文学是指具有反传统、颠覆常规、模糊现实与虚幻界限的文学形式。
在晚20世纪以后的美国文学中,后现代主义作品开始兴起。
该文学形式常常使用非线性叙事、多重视角和流派的混合等技巧来表达个体性、主观性和相对主义等概念。
美国作家托马斯·品钦的小说《地下时光》以及大卫·福斯特·华莱士的小说《无人生还》都是后现代主义文学的代表作品。
美国文学简史名词解释定义[管理资料]
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American Puritanism: Puritanism was a religious reform movement that arose within the Church of England in the late sixteenth century. Under siege from church and crown, it sent an offshoot in the third and forth decades of the seventeenth century to the northern English colonies in the New World--- a migration that laid the foundation for the religious, intellectual, and social order of New England, Puritanism, however,was not only a historically specific phenomenon coincident with the founding of New England; it was also a way of being in the world---a style of response to lived experience---that has reverberated through American life ever since. Doctrinally, Puritans adhered to the Five Points of Calvinism as codified at the Synod of Dort in 1619:(1) unconditional election ( the idea that God had decreed who was damned and who was saved from before the beginning of the world); (2) limited atonement ( the idea that Christ died for the elect only); (3) total depravity (humanity's utter corruption since the Fall); (4) irresistible grace (regeneration as entirely a work of God, which cannot be resisted and to which the sinner contributes nothing); and (5) the perseverance of the saints (the elect, despite their backsliding and faintness of heart , cannot fall away from grace).American Dream: The American Dream is the faith held by many in the United States of America that through hard work, courage, and determination one can achieve a better life for oneself, usually through financial prosperity. These were values held by many early European settlers, and have been passed on to subsequent generations. Nowadays the American Dream has led to an emphasis on material wealth as a measure of success and\ or happiness.Gothic tradition: Gothic novel or Gothic romance is a story of terror and suspense, usually set in a gloomy old castle or monastery. In an extended sense, many novels that do not have a medievalized setting, but which share a comparably sinister, grotesque, or chaustrophobic atmosphere have been classed as Gothic. It contributed to the new emotional climate of Romanticism.Historical novel: a novel in which the action takes place during a specific historical period well before the time of writing ( often one or two generations before, sometimes several centuries), and in which some attempt is made to depict accurately the customs and mentality of the period. The central character---real or imagined---is usually subject to divided loyalties within a larger historic conflict of which readers know the outcome. The pioneers of this genre were Walter Scott and James Fenimore CooperAmerican Romanticism:Romanticism refers to an artistic and intellectual movement originating in Europe in the late 18th century and characterized b y a heightened interest in nature, emphasis on the individual's expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions. The romantic period in American literature stretched from the end of the 18th century through the outbreak of the CivilWar. It was an age of great westward expansion, of the increasing gravity of the slavery question, of an intensification of the spirit of embattled sectionalism in the South, and of a powerful impulse to reform in the North. In literature it was America 's first great creative period. A full flowering of the romantic impulse on American soil. Although foreign influences were strong, American romanticism exhibited from the very outset distinct features of its own. First, American romanticism was in essence the expression of "a real new experience " and contained " an alien quality " for the simple reason that " the spirit of the place " was radically new and alien. Second, Puritan influence over American romanticism was conspicuously noticeable. Emerging as new writers of strength and creative power were the novelists Hawthorne, Simms, and Melville; the poets Poe, Whittier, Holmes, Longfellow, Lowell. Dickinson, and Whitman; the essayists Thoreau, Emerson, and Holmes. These American writers had made a great literary period by capturing on their pages the enthusiasm and the optimism of that dream.Transcendentalism:Transcendentalism is literature, philosophical and literary movement that flourished in New England from about 1836 to 1860. In originated among a small group of intellectuals who were reacting against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, developing instead their own faith centering on the divinity of humanity and the natural world. Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, and from such English authors as Carlyle, Coleridge, and Wordsworth. Its mystical aspects were partly influenced by Indian and Chinese religious teachings. Although transcendentalism was never a rigorously systematic philosophy, it had some basic tenets that were generally shared by its adherents, The beliefs that God is immanent in each person and in nature and that individual intuition is the highest source of knowledge led to an optimistic emphasis on individualism, self-reliance, and rejection of traditional authority. The ideas of Transcendentalism were most eloquently expressed by Ralph Waldo Emerson in such essays as Nature, and Self-Reliance and by Henry David Thoreau in his book Walden.American Renaissance:American Renaissance the name sometimes is given to a flourishing of distinctively American literature in the period before the Civil War. This renaissance is represented by the work of Ralph Waldo Emerson, H.D. Thoreau, Nathaniel Hawthorne, Herman Melville, and Walt Whitman. Its major works are Hawthorne 's The Scarlet Letter, Melville's Moby-Dick, and Whitman's Leaves of Grass. The American Renaissance may be regarded as a delayed manifestation of Romanticism, especially in Emerson's philosophy of Transcendentalism. Unitarianism:Unitarianism as, in general, the form of Christianity that denies the doctrine of the Trinity, believing that God exists only in one person. While there were previous anti-Trinitarian movements in the early Christian Church, like Arianism andMonarchianism, modern Unitarianism originated in the period of the Protestant Reformation.Realism:It is, in literature, am approach that attempts to describe life without idealization or romantic subjectivity. In part, Realism was a reaction against the Romantic emphasis on the strange, idealistic, and long-ago and far-away. Although realism is not limited to any one century or group of writers, it is most often associated with the literary movement in 19th-century France, specifically with the French novelists Flaubert and Balzac. George Eliot introduced realism into England, and William Dean Howells introduced it into the United States, Realism has been chiefly concerned with the commonplaces of everyday life among the middle and lower classes, where character is a product of social factors and environment is the integral element in the dramatic complications. Later writers felt that realism laid too much emphasis on ecternalteality. Many, notably Henry James, turned to a psychological realism that closely examined the com plex working of th e mind.。
美国文学术语解释

美国文学术语解释美国文学术语解释American puritanism(美国清教主义)Colonial American(殖民时期的美国)Great Aweaking(宗教大觉醒运动)American Romanticism(美国浪漫主义)Gothic tradition(哥特传统) Historical novel(历史小说)Civil War(美国内战)Transcendentalism(超验主义) Individualism(个人主义) Unitarianism(上帝一位论) Allegory(寓言) American Renaissance(美国文艺复兴)Original Sin(原罪)American Enlightenment(美国启蒙运动)Free verse(自由诗) Alliteration(头韵) Assonance(类韵) Consonance(和音)Lyric(抒情诗)Sonnet(十四行诗)Point of view(视角)Realism(现实主义)Local Colorism(地方特色主义) Irony(反讽)Naturalism(自然主义)Social Darwinism(社会达尔文主义)Dadaism(达尔文主义) Expressionism(表现主义) Harlem Renaissance(哈姆雷特文艺复兴)Imagism(意象主义)Jazz Age(爵士乐时代) Surrealism(超现实主义)V orticism(漩涡派)Dramatic Monologue(戏剧性独白)Lost Generation(迷惘的一代) Metaphysical poets(玄学派诗人)Narrator(叙述者)Stream of Consciousness(意识流) The Beat Generation(垮掉的一代) The 1930s(美国30年代)New Criticism(新批评主义) Theatre of the Absurd(荒诞剧) Postmodernism(后现代主义) Metafiction(元小说) Confessional poetry(自白派诗歌) The New York School(纽约派诗人)The absurd(荒谬派)Parody(戏讽)Magic realism(魔幻现实主义) The National Association for the Advancement of ColoredPeople(NAACP)(美国有色人种协进会)The Native American Renaissance(土著美国人文艺复兴)。
美国文学简史【疏通美国文学史脉络必备!】

美国文学美国文学表现为平民化、多元化,富阳刚之气,热爱自由,追求以个人幸福为中心的美国梦。
美国文学大致出现3次繁荣:19世纪前期形成民族文学,一、二战后,美国文学两度繁荣,并产生世界影响,已有近10位作家获诺贝尔文学奖。
●简介美国文学(American literature或Literature of the United States)指在美国产生的文学(也包括建国前殖民时期文学)。
用英语写成的美国文学可视为英语文学的一部分。
美国文学历史不长,它几乎是和美国自由资本主义同时出现,较少受封建贵族文化束缚。
美国早期人口稀少,有大片未开发的土地,为个人理想的实现提供可能性。
美国人民富于民主自由精神,个人主义、个性解放的观念强烈。
美国是多民族的国家,移民不断涌入,各自带来本民族文化,这决定了美国文学风格的多样性和庞杂性。
美国文学发展的过程就是不断吸取、融化各民族文学特点的过程。
●殖民时期1、印第安人文化:欧洲人发现新大陆时,北美洲土著居民印第安人处于原始公社制度不同阶段。
印第安人在向大自然的斗争中创造自己的文化,主要是民间口头创作,包括神话传说和英雄传说。
没有文字,这些传说后得以整理问世,启发后世美国作家的灵感。
2、早期移民文化:移民刚到新大陆时忙于生存,故文学发展缓慢。
最早发表关于北美的作品是游记、日记类文字。
作者都是英国人。
英国殖民地建立后,统治者利用宗教,主要是清教作为控制殖民地思想意识的主要手段,因此许多出版物是关于神学的研究。
著名作家有科顿·马瑟(1663~1728)和乔纳森·爱德华兹(1703~1758)等。
随着工业、贸易和民族意识的增涨,宗教自由的呼声提高,清教主义的神权统治走向衰亡,为人本主义与自由民主等民族独立的意识所代替。
3、诗歌创作:北美出版首部诗集《海湾圣诗》以民歌形式写成。
迈克尔·威格尔斯沃思(1631~1705)的诗全是解释加尔文教的教义,成了宗教性的普及读物。
美国文学史名词解释

1、Romanticism浪漫主义a movement of the 18th and 19th century that affected the whole of Europe and America.It is the predominance of imagination over reason and formal rules and over the sense of fact or the actual, a psychological desire to escape from unpleasant realities.Romanticism was a movement in literature, philosophy, music and art which developed in Europe in the late 18th and early 19th centuries.It emphasized individual values and aspirations above those of society as a reaction to the Industrial Revolution.It looked to the Middle Ages and to direct contact with nature for inspiration的特点:frequently shared certain general characteristics, moral enthusiasm, faith in the value of individualism and intuitive perception, and a presumption that he natural world was a source of corruption.浪漫主义之间大多是相通的,都注重道德,强调个人主义价值观和直觉感受,并且认为自然是美的源头,人类社会是腐败之源。
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American Puritanism: Puritanism was a religious reform movement that arose within the Church of England in the late sixteenth century. Under siege from church and crown, it sent an offshoot in the third and forth decades of the seventeenth century to the northern English colonies in the New World--- a migration that laid the foundation for the religious, intellectual, and social order of New England, Puritanism, however,was not only a historically specific phenomenon coincident with the founding of New England; it was also a way of being in the world---a style of response to lived experience---that has reverberated through American life ever since. Doctrinally, Puritans adhered to the Five Points of Calvinism as codified at the Synod of Dort in 1619:(1) unconditional election ( the idea that God had decreed who was damned and who was saved from before the beginning of the world); (2) limited atonement ( the idea that Christ died for the elect only); (3) total depravity (humanity's utter corruption since the Fall); (4) irresistible grace (regeneration as entirely a work of God, which cannot be resisted and to which the sinner contributes nothing); and (5) the perseverance of the saints (the elect, despite their backsliding and faintness of heart , cannot fall away from grace).American Dream: The American Dream is the faith held by many in the United States of America that through hard work, courage, and determination one can achieve a better life for oneself, usually through financial prosperity. These were values held by many early European settlers, and have been passed on to subsequent generations. Nowadays the American Dream has led to an emphasis on material wealth as a measure of success and\ or happiness.Gothic tradition: Gothic novel or Gothic romance is a story of terror and suspense, usually set in a gloomy old castle or monastery. In an extended sense, many novels that do not have a medievalized setting, but which share a comparably sinister, grotesque, or chaustrophobic atmosphere have been classed as Gothic. It contributed to the new emotional climate of Romanticism.Historical novel: a novel in which the action takes place during a specific historical period well before the time of writing ( often one or two generations before, sometimes several centuries), and in which some attempt is made to depict accurately the customs and mentality of the period. The central character---real or imagined---is usually subject to divided loyalties within a larger historic conflict of which readers know the outcome. The pioneers of this genre were Walter Scott and James Fenimore CooperAmerican Romanticism:Romanticism refers to an artistic and intellectual movement originating in Europe in the late 18th century and characterized by a heightened interest in nature, emphasis on the individual's expression of emotion and imagination, departure from the attitudes and forms of classicism, and rebellion against established social rules and conventions. The romantic period in American literature stretched from the end of the 18th century through the outbreak of the CivilWar. It was an age of great westward expansion, of the increasing gravity of the slavery question, of an intensification of the spirit of embattled sectionalism in the South, and of a powerful impulse to reform in the North. In literature it was America 's first great creative period. A full flowering of the romantic impulse on American soil. Although foreign influences were strong, American romanticism exhibited from the very outset distinct features of its own. First, American romanticism was in essence the expression of "a real new experience " and contained " an alien quality " for the simple reason that " the spirit of the place " was radically new and alien. Second, Puritan influence over American romanticism was conspicuously noticeable. Emerging as new writers of strength and creative power were the novelists Hawthorne, Simms, and Melville; the poets Poe, Whittier, Holmes, Longfellow, Lowell. Dickinson, and Whitman; the essayists Thoreau, Emerson, and Holmes. These American writers had made a great literary period by capturing on their pages the enthusiasm and the optimism of that dream.Transcendentalism:Transcendentalism is literature, philosophical and literary movement that flourished in New England from about 1836 to 1860. In originated among a small group of intellectuals who were reacting against the orthodoxy of Calvinism and the rationalism of the Unitarian Church, developing instead their own faith centering on the divinity of humanity and the natural world. Transcendentalism derived some of its basic idealistic concepts from romantic German philosophy, and from such English authors as Carlyle, Coleridge, and Wordsworth. Its mystical aspects were partly influenced by Indian and Chinese religious teachings. Although transcendentalism was never a rigorously systematic philosophy, it had some basic tenets that were generally shared by its adherents, The beliefs that God is immanent in each person and in nature and that individual intuition is the highest source of knowledge led to an optimistic emphasis on individualism, self-reliance, and rejection of traditional authority. The ideas of Transcendentalism were most eloquently expressed by Ralph Waldo Emerson in such essays as Nature, and Self-Reliance and by Henry David Thoreau in his book Walden.American Renaissance:American Renaissance the name sometimes is given to a flourishing of distinctively American literature in the period before the Civil War. This renaissance is represented by the work of Ralph Waldo Emerson, H.D. Thoreau, Nathaniel Hawthorne, Herman Melville, and Walt Whitman. Its major works are Hawthorne 's The Scarlet Letter, Melville's Moby-Dick, and Whitman's Leaves of Grass. The American Renaissance may be regarded as a delayed manifestation of Romanticism, especially in Emerson's philosophy of Transcendentalism. Unitarianism:Unitarianism as, in general, the form of Christianity that denies the doctrine of the Trinity, believing that God exists only in one person. While there were previous anti-Trinitarian movements in the early Christian Church, like Arianism and Monarchianism, modern Unitarianism originated in the period of the ProtestantReformation.Realism:It is, in literature, am approach that attempts to describe life without idealization or romantic subjectivity. In part, Realism was a reaction against the Romantic emphasis on the strange, idealistic, and long-ago and far-away. Although realism is not limited to any one century or group of writers, it is most often associated with the literary movement in 19th-century France, specifically with the French novelists Flaubert and Balzac. George Eliot introduced realism into England, and William Dean Howells introduced it into the United States, Realism has been chiefly concerned with the commonplaces of everyday life among the middle and lower classes, where character is a product of social factors and environment is the integral element in the dramatic complications. Later writers felt that realism laid too much emphasis on ecternalteality. Many, notably Henry James, turned to a psychological realism that closely examined the complex working of the mind.。