9 Unit 4 Lions and Tigers and Bears
绿野仙踪(Wizard-of-Oz)英语话剧剧本

第一幕〔女主,稻草人,坏女巫〕[旁白斜坐在舞台左侧,面朝右前方,舞台全黑,打一束白光给旁白]Narrator: Sometimes the reality is so baffling and boring, so people turn their faces to colorful dreams and imaginations. Well, our little heroine is now at the age of fantasy, so she is much eager to see the extraordinary world. Listen!DOROTHY[enters from the left side of the stage, sings]左边出场〔穿醒目的鞋子〕(Somewhere, over the rainbow, way up high,There's a land that I heard of once in a lullaby.Somewhere, over the rainbow, skies are blue,And the dreams that you dare to dream really do come true)Why then -- oh, why can't I?If happy little bluebirds fly beyond the rainbowWhy can't I?(exit from the right side)Narrator: Oh what a poor girl! Maybe I could help her. Let me see, just a little magic.[all lights off.音效风声storming and winding.]Dorothy :What’s happening? Oh, the house is flying! Help! Help!][all sounds disappears]Narrator: Actually, Dorothy’s house lands on a fresh new world, full of adventures and miracles, called OZ. Then our sweet heart learns that her house just landed on the wicked witch of the east which happened to free all the people who suffered a lot from her. So they hold spectacular pageant to thank her. [play the music of festival]. But unfortunately, the dead witch has a sister, who is much more wicked. And she wants to get the powerful pair of red slippers of her sister which is now are on Dorothy’s feet.[the witch坏女巫says, I’ll get you. I’ll get the slippers. Just wait, my sweetie, just when you are on my way. Ahhhhh]Meanwhile,another witch who is good told Dorothy to go to the Emerald City and get the Wizard of Oz to help her go home. So the journey starts!(exit)[lights on]DOROTHY〔enters from the right side of the stage右边出场〕:Follow the Yellow Brick Road?〔困惑表情〕Now which way shall I go?SCARECROW (右手指路) That way would be nice.DOROTHY ( look at him, frightened): Who said that? ( whirls and turns her back to the SACRECROW) SCARECROW (伸左手指路): It's pleasant down that way, too.DOROTHY (quickly turns back): That's funny. Wasn't he pointing the other way?SCARECROW (交叉双手): Of course, people do go both ways!DOROTHY: Why.... (steps forward) you did say something, didn't you?Scarecrow (摇头后点头)DOROTHY: Are you doing that on purpose, or can't you make up your mind?SCARECROW :That's the trouble. I can't make up my mind. I haven't got a brain --only straw.You see, it's very boring being stuck up here all day long with a pole up your back.DOROTHY: Oh, dear -- that must be terribly uncomfortable. Can't you get down? Let me help you. (Moves to Scarecrow’s back)SCARECROW: Oh, that's very kind of you -- very kind.Narrator:Dorothy looses the string and the Scarecrow falls to the ground.SCARECROW&DOROTHY:Ohh!SCARECROW: Did I scare you?DOROTHY: No, No, of course not.SCARECROW (sad): You see, I can't even scare a crow! They come from miles around just to eat in my field and laugh in my face! Oh, I'm a failure, because I haven't got a brain.DOROTHY: Well, what would you do with a brain if you had one?SCARECROW: Do? Why, if I had a brain, I could think of things I never think before,and then I'd sit and think some more.,if I only had a brain!DOROTHY: Wonderful! I'm going to Emerald City to get the Wizard of Oz to help me get back home.So... SCARECROW: If I went with you ,would he give me some brains?DOROTHY:I couldn't say. But even if he didn't, you'd be no worse off than you are now. SCARECROW: Yes -- that's true. Won't you take me with you?DOROTHY: But I've got a witch mad at me, and you might get into trouble.SCARECROW:I won't be any trouble, because I don't eat a thing -- and I won't try to manage things, because I can't think. Won't you take me with you?DOROTHY: Why, of course I will!Narrator: So Dorothy and the Scarecrow rise from the road [ the Scarecrow jumpsup -- yells -- Dorothy holds him up] The two friends are so happy to set out for the Wizard that they even start to sing. [扶着跳出场]SCARECROW:Hooray! We're off to see a Wizard!第二幕〔稻草人,女主,铁人,坏女巫〕Narrator:Dorothy and Scarecrow walk on the road .Suddenly.they notice that there’s something out there.So Dorothy goes forward and sees a tin foot.[目光上移] She knocks on it and stands up. The tin man seems to wanna say something.[张口动作,手臂前伸]DOROTHY: Why, it's a man! A man made out of tin!SCARECROW: What?DOROTHY: Yes. Oh -- look --TIN MAN: Oil can.....Oil can....DOROTHY: Did you say something?TIN MAN: Oil can....DOROTHY: Oil can? Oh -- oh, here it is! (picks up the oil can道具油桶) Where do you want to be oiled first?TIN MAN: My mouth -- my mouth!SCARECROW: He said his mouth.DOROTHY: Here -- here --TIN MAN: Mm.....mm...mm....my, my, my, my goodness -- I can talk again! Oh -- oil my arms, please – oil my elbows.DOROTHY: Oh, goodness! How did you ever get like this?TIN MAN: Oh -- well, about a year ago -- I was chopping that tree when suddenly it started to rain and right in the middle of a chop, I...I rusted solid. And I've been that way ever since.DOROTHY: Well, you're perfect now.TIN MAN: 转动脖子,机械化My...my neck. My...my neck.[Scarecrow oils his neck] Perfect? Oh-- bang on my chest if you think I'm perfect. Go ahead -- bang on it![Narrator:Dorothy bangs on tin man’s chest,only to hear the empty echo.]DOROTHY:(做打开胸腔动作往里探,惊讶状) Oh --!TIN MAN:It's empty. The tinsmith forgot to give me a heart.DOROTHY &SCARECROW: No heart?TIN MAN: No heart.DOROTHY: Oh –悲哀状[Narrator:The tin man can’t stand straight and they move around the stage. Finally the tin man stops.铁人僵硬移动一周后停止]DOROTHY: Oh, oh, oh, oh, oh, oh, oh, are you all right?TIN MAN: I'm afraid I'm a little rusty yet.DOROTHY: You know we were just wondering why you couldn't come to Emerald City with us to ask the Wizard of Oz for a heart.TIN MAN: Emerald City? Why, that's a long and dangerous journey. And it might rain on the way. SCARECROW: But you've just been saying how much you want a heart.DOROTHY: And I'll keep the oil-can handy.(Witch laughs.)坏女巫笑出场TIN MAN: Oh -- what's that? Oh --WITCH(stands on a high place): Forgotten about me..eh? Well, I haven't forgotten about you! Helping the little lady along, are you, my fine gentlemen? Well, stay away from her! (points at the Scarecrow) Or I'll stuff a mattress with you! (points at the tin man) And you! I'll use you for a bee-hive! (laughs, throws a ball of fire道具准备红色物体to the Scarecrow) Here, Scarecrow! Want to play ball? [Dorothy, tin man tries to put out the fire] And as for you, my little Dorothy, I wish you luck with the Wizard of Oz! (laughs and leaves)女巫笑退场SCARECROW: I'm not afraid of her.TIN MAN: I'll see you reach the Wizard, whether I get a heart of not. Bee-hive -- bah! Let her try and make a bee-hive out of me! You know -- Hmm? What's that?[Narrator:There comes a group of bees and then they go away.音效:蜜蜂声]TIN MAN: Oh! They're - they're gone now.DOROTHY: Oh, goodness! Did any of them sting you?TIN MAN: I - I guess they tried to, but they bent their stingers.[Tin Man looks at dead bee in hisHand 铁人看手中的虫子]Oh, see ?I killed it. Oh, I killed that poor little honey bee! (cries悲伤状) It's only a man without a head who could do a thing like that. Poor little bee.DOROTHY: Oh, there....there. Don't cry.SCARECROW: Well,don’t you think it’s time to move forward?TIN MAN: Oh, yes,sir! 上前一步走SCARECROW: To Oz! [退场]第三幕〔稻草人,铁人,女主,狮子,坏女巫〕Narrator:Unconsciously,Dorothy and her friends have already covered most of the journey.Now,Dorothy, Scarecrow and Tin Man walk close to each other in the dark forest. [The light is weak.灯光微暗] DOROTHY: I don't like this forest! It's -- it's dark and creepy! Do you suppose we'll meet any wild animals? TIN MAN: We might.DOROTHY: Oh --SCARECROW: Animals that -- that eat straw?TIN MAN: Some -- but mostly lions, and tigers, and bears.DOROTHY: Lions?SCARECROW: And tigers?TIN MAN: And bears.TIN MAN -- SCARECROW AND DOROTHY: Lions and tigers and bears!〔三人同说〕(音效尖叫screams)DOROTHY: What’s that?LION[jumps out and roaring at the Scarecrow and the Tin Man.扑向稻草和铁人The Scarecrow falls down稻草人倒] Which one of you first? I'll fight you both together if you want![Tin Man trembling. The loin begins to chases after them. 追逐铁人Dorothy comes forward over to Scarecrow and Tin Man and slaps the lion’s hand. 女主挺身而出追打狮子The lion cries.] DOROTHY: Shame on you!LION: What -- what did you do that for? I didn't bite him.DOROTHY: Well, you're nothing but a big coward!LION: You're right -- I am a coward. I haven't any courage at all. I even scare myself. Look at the circles under my eyes. I haven't slept in weeks. 动作配合TIN MAN: Why don't you try counting sheep?LION: That doesn't do any good -- I'm afraid of them.SCARECROW: Oh, that's too bad. Don't you think the Wizard could help him, too?DOROTHY: I'm sure he could give you some courage.LION: Well, wouldn't you feel degraded to be seen in the company of a cowardly lion?DOROTHY: No, of course not.If the Wizard is a Wizard who will serve.SCARECROW:Then I'm sure to get a brainTIN MAN:A heartDOROTHY:A homeLION:The nerve.ALL (sing)Oh, we're off to see the WizardThe Wonderful Wizard of Oz.We hear he is a whiz of a WizIf ever a Wiz there wasIf ever, oh ever, a Wiz there wasThe Wizard of Oz is one becauseBecause, because, because, because, becauseBecause of the wonderful things he does!We're off to see the WizardThe Wonderful Wizard of Oz!Narrator:At this time,however,the witch appeared with her servant. The four stops.WITCH: Hi, my sweetie, nice to meet you again. And this time, you have no way to escape. Come on, catch her![仆从带走女主the servant takes away Dorothy. Lion is frightened. 狮子后退害怕状Scarecrow and Tin Man try to save her争抢反抗]WITCH: you’d better not move anymore, gentlemen, or I’ll freeze U![Scarecrow and Tin Man are worried but can’t step forward.]DOROTHY: Help! Oh, no. Help!LION: Well, if I don’t do something, Dorothy will be taken by the wicked witch. But…but I’m scared. Scarecrow: Hey, Lion, just do something. Dorothy is in danger. You’re the king of the forest. Just show your power!TIN MAN: Save her, please!LION: Oh, my goodness![Narrator:In order to save Dorothy,the lion call up all his courage to fight with the witch and finally defeats her.]Dorothy: oh, thank you, lion! You have saved my life. How brave you are!LION: Oh, I’m just afraid of your death.SCARECORW: Look, the Emerald City! Oh, we're almost there at last!TIN MAN: Let’s run!第四幕〔女主,狮子,铁人,稻草人,魔法师〕DOROTHY: Good afternoon, your honor. We come here just to ask for your mercy…WIZARD:Come, come, my children. I’ve already know why you are here. You, Scarecrow, you want a brain, and you, tin man, you want a heart. Lion ask for brave and you, my girl Dorothy, you want to go home.ALL: Yes, yes, yes.WIZARD (to scarecrow): SCARECROW, come here. Actually, you do not need a brain. Experience is the only thing that brings knowledge and longer you are on earth, the more experience you are sure to get. But you must excuse me for taking your head off in order to put your brains in. 稻草人低头,拿棉花放他帽子里SCARECROW: thanks, I feel wise now! 愉悦WIZARD: come here, Lion.LION: How about my courage? 羡慕看下稻草人上前问WIZARD: You have plenty of courage I’m sure. All you need is confidence in your self and the true courage is facing danger when you are afraid. Well, I will give what you need. Drink it. 拿出瓶子LION: Oh – what’s that?WIZARD: The courage portion. 狮子喝下LION: I’m full of courage now! It’s so kind of you, thank you.WIZARD: As for you, TIN MAN, you want a heart! I think you are wrong to have a heart. It makes most people unhappy. If you only knew it, you are in luck not to have a heart.TIN MAN: But I still want one.WIZARD: Yes – I have to open your chest to put a heart. 红心道具贴铁人身上TIN MAN: Ahh --- Oh, Listen! 女主上前听铁人心跳DOROTHY: Yes...!TIN MAN: Well -- how about Dorothy? 问魔法师焦急其他人围上前WIZARD: And now my little girl, you don't need any help. You've always had the power to go back to Kansas.DOROTHY: I have?WIZARD: Yes, the slippers. Remember, they have magical power. Just close your eyes, and tap your heels together three times, with the strong will of going home, your wish will come true.DOROTHY: Oh, dear -- that's too wonderful to be true! Oh, it's -- it's going to be so hard to say goodbye. I love you all, too. Goodbye, Tin Man. Oh, don't cry. You'll rust so dreadfully. Here -- here's your oil-can. Goodbye.TIN MAN: Now I know I've got a heart -- 'cause it's breaking.DOROTHY: Oh -- Goodbye, Lion. You know, I know it isn't right, but I'm going to miss the wayyou used to holler for help before you found your courage.LION: Well -- I would have never found it if it hadn't been for you.WIZARD: Are you ready now?DOROTHY: Yes. Goodbye. [tap the heels跺脚3次] There’s no place like home.By the way today is Christmas Eve. Let’s sing! 音乐准备所有演员出场跳简单舞蹈唱圣诞歌。
时代英语试题及答案

时代英语试题及答案一、选择题(每题1分,共10分)1. What is the capital of France?A. LondonB. ParisC. BerlinD. Rome答案:B2. Which of the following is not a fruit?A. AppleB. BananaC. TomatoD. Orange答案:C3. How do you say "你好" in English?A. HelloB. GoodbyeC. Thank youD. Yes答案:A4. The opposite of "big" is:A. smallB. largeC. tallD. short答案:A5. What does "abandon" mean?A. To leave something behindB. To pick up somethingC. To keep somethingD. To look for something答案:A6. The phrase "break the ice" is used to describe:A. Making someone feel comfortableB. Literally breaking iceC. Stopping a conversationD. Freezing something答案:A7. "A picture is worth a thousand words" means:A. A picture can be very expensive.B. A picture can express many ideas without words.C. A picture is heavy.D. A picture can be very light.答案:B8. What is the past tense of "do"?A. DoB. DoesC. DidD. Done答案:C9. Which of the following is a type of music?A. JazzB. PaintingC. SculptureD. Dance答案:A10. "I am very hungry" can be expressed as:A. I am very full.B. I am very hungry.C. I am very thirsty.D. I am very tired.答案:B二、填空题(每题1分,共10分)1. The _______ of the United States is Washington, D.C.答案:capital2. If you want to express that something is very easy, you can say it's a _______.答案:piece of cake3. The word "photograph" can be shortened to _______.答案:photo4. The word "advertisement" is often shortened to _______.答案:ad5. If you are asked to "take a seat," you should _______.答案:sit down6. The word "university" is often shortened to _______.答案:uni7. "I have no idea" can be expressed as _______.答案:I don't know8. The phrase "a piece of the action" means to have _______.答案:a share9. "I can't help it" means _______.答案:I can't resist it10. "It's raining cats and dogs" is a way to say it's _______.答案:pouring三、阅读理解(每题2分,共20分)阅读下面的短文,然后回答问题。
现代大学英语精读4第四课正文lions and tigers and bears解读

●Such fine particles suspend readily in water . ●They decided to suspend trade with that country. ●The policeman was suspended while the complaint was
● 9.用在一个解释性的分句或句子前面。eg:How lucky the girls nowadays are!—they can go anywhere,say anything.今天的女孩子多幸福啊!她们哪都能去,什么话都能说。
● 10.用来表示从……到……的概念,尤指生卒年份。eg:William Shakespeare,1564—1616.
• raise oneself upon a tiptoe: 踮起脚尖站着
• on tiptoe: 踮脚
• tiptoe position:足尖站立
• tiptoe gait :脚尖步
• 译:我踮着脚尖走过去在石 头上坐了下来,又一次欣赏 这令人安心的城市的美景。
look around:朝四周看
● scan : 细查,扫视 ● glimpse : 瞥见,简短的一瞥 ● glare : 怒目而视 ● stare : 凝视 ● gaze : 集中注意力看,凝视 ● glance :粗略的看一下,扫视 ● peep : 窥视,偷窥 ● peek :瞥一眼,偷窥 ● peer : 细看
Paragraph 6
About fifteen feet into……above the stern.
●About fifteen feet into the lake , there was a large boulder , with a heap of branches leading to it.
Lions andTigers and Bears

Para. 15
magnify
Magnification n. Synonym: enlarge exaggerate
Para. 15
pulse:
to move or flow with strong regular beats, movements or sounds A vein pulsed in his wrist.
Thanks!
Synonym: throb
Para. 15
North Meadow源自A bridle path in Central Park
atop:
on top of; at the top of A flag high atop a pole.
Para. 16
scurry:
to run quickly with short steps He grabbed a piece of bread and scurried back to work. Synonym: scuttle
Para. 22
resume:
to continue to do something again after stopping or being interrupted He resumed his career after an interval of six months. Resumption n.
wind one’s way:
The brook wound its way through the fields.
advance tortuously -- like the wriggling motion of a snake
Para. 15
magnify:
现代大学英语(第二版)Unit4 Lions and Tigers and Bears

to allow New Yorkers to experience a day in the
pastoral country without leaving the island city. • Another style is Classicism characterized by formal symmetry and the use of straight lines, evident in the south end of the Park.
The founding commissioners of Central Park were the
landscape architects Frederick Law Olmsted and Calvert Vaux. The two designed and oversaw the first-phase
our citywide campus and
our common backyard. “a garden for all as private Eden”
Lions and Tigers and Bears
Lions and Tigers and Bears
The Delacorte Theater
Lions and Tigers and Bears
Introduction to Bill Buford
Lions and Tigers and Bears
Introduction to Bill Buford
Bill Buford is a staff writer and European correspondent for the New Yorker, where he was previously the fiction editor for eight years. He was the editor-in-chief for Granta magazine for sixteen years and was also the publisher of Granta Books. He is the author of Among the Thugs. He lives in New York City.
精读4unit4tigers-and-lions-and-bears

cliché; banal remarks
WB TR
Warming up Objectives
1.Learn to appreciate travel writing 2.Learn more about American society and culture
through reading about Central Park 3.Acquire words and expressions for detailed
leisure
Text Analysis Detailed Analysis
Para 3 – Para 4 Drawing inferences
• Summer-stock Shakespeare production anywhere in America
– Stock: usually kept in stock and regular available, 常备的 ,e.g. one of our stock items 常备项目;Toothpaste is a
Text Analysis Detailed Analysis
Para 1- Para 2 Vocabulary development
- heavy; muggy; founding commissioners; city administrators
- Drop off to a peaceful, outdoorsy sleep - names for criminal offenders (para.2)
Background The Central Park
The founding commissioners of Central Park • the city officials who were appointed to establish Central Park. •A commissioner is an important official who has responsibility in a government department or an organization: There is a commissioner in charge of the London police force.
Lions and Tigers and Bears
George Templeton Strong
• George Templeton Strong (1820 – July 21, 1875) was an American lawyer and diarist. His 2,250-page diary, discovered in the 1930s, provides a striking personal account of life in the 19th century, especially during the events of the American Civil War.
• The black-and-white mosaic was created by Italian craftsmen and given as a gift by the city of Naples. Based on a Greco-Roman design, it bears the word of another of Lennon's songs: Imagine • Along the path near the mosaic, you'll find a bronze plaque that lists the 121 countries that endorse Strawberry Fields as a Garden of Peace.
Beginning at the age of fifteen, Strong wrote almost every day of his life for nearly forty years. Excerpts from this diary are featured in Ken Burns1990 documentary The Civil War and in Ric Burns's New York: A Documentary Film. Extensive selections from the diary were published in four volumes in 1952, and remain of interest to historians of New York City, as well as to bibliographic collectors.
现代大学英语精读4第四课正文lions and tigers and bears段落
• 1.徘徊,在…附近转来转去,四处流浪的 • 2.回想到,想起 • 3.偏离,从…离开 • 4.迷失,离群,走散,偏离正途 • 5.漫步在,闲逛
Drift v..漂移,漂流;流浪,漂泊 n.流动,趋势;雪堆;主旨大意;偏航;不作为
• 1.drift out • 2.drift away • 3.drift down • 4.drift apart
• 例:他在巴黎期间,与他的朋源自在一起。• During he was in Paris , he lived whit his friends.
(F)
• During he stay in Paris , he lived whit his friends.
(T)
During …
• 2.During和for的区别。
night.
1.Or so : 大约,左右 2.Wander around: 徘徊,在…前后转来转去 3.Reassure: v.使安心,使消除疑虑 4.Drift:v..漂移,漂流;流浪,漂泊 n.流动,趋势
During …
• 1.During表示 在....期间 ,是介词,不要将其误用成连词。
When, after turning this way and that , I was on a winding trail in impenetrable foliage , and , within minutes , I was lost.
• 当时,我转来转去,走到了一条被密不透风的树叶遮挡的蜿蜒小 路上,然后,不到几分钟,我就迷路了。
• 散开,蔓延 • 慢慢飘走,逐渐离去 • 飘落,珊珊离去,随波逐流而去 • 分开,疏远,各奔东西
During my first hour or so ,I wandered around the Delacorte ,reassured by the light ,the laughter ,the line of Shakespeare that drifted out into the summer
The_Wizard_of_OZ_-绿野仙踪
L.Frank Baum
(1856-1919)
Born in 1856 in upstate New York, Baum was a classic "late bloomer" who tried acting, selling, and editing. Finally, in his late 30s he took the advice of his mother-in-law, suffragist leader Matilda Gage, and turned his attention to selling the stories he'd been telling to his sons and their friends. After a few books were published with varying success, The Wonderful Wizard of Oz (originally titled The Emerald City) was released in 1900. It quickly became a bestseller and has remained so ever since.
During her journey, she meets a Scarecrow, a Tin Man and a Cowardly Lion who join her, hoping to receive what they lack themselves (a brain, a heart, and courage, respectively). They brave many dangers in search of the Wonderful Wizard in his Emerald City at the heart of Oz to ask him to grant each of them what they most desire - only to find that they alrear I stood there I had time to think that greatest loss had known was loss of my heart.
现代大学英语Unit 4 lions and tigers and bears 课文原文
Unit 4Lions and Tigers and Bears1.So I thought I'd spend the night in Central Park and, having stuffed my small rucksackwith a sleeping bag, a big bottle of mineral water, map, and a toothbrush, I arrived one heavy, muggy Friday evening in July to do just that: to walk around until I got so tired that I'd curl up under a tree and drop off to a peaceful, outdoorsy sleep. Of course, anybody who knows anything about New York knows the city's essential platitude-that you don't wander around Central Park at night-and in that, needless to say, was the appeal: it was the thing you don't do. And from what I can tell, it has always been the thing you don't do, ever since the Park's founding commissioners, nearly a hundred and fifty years ago, decided that the place should be closed at night. Ogden Nash observed in 1961:If you should happen after darkTo find yourself in Central Park,Ignore the paths that beckon youAnd hurry, hurry to the zoo,And creep into the tiger's lair.Frankly, you'll be safer there.2.Even now, when every Park official, city administrator, and police officer tells us that thePark is safe during the day, they all agree in this: only a fool goes there at night. Or a purse snatcher, loon, prostitute, drug dealer, murderer-not to mention bully, garrotter, highway robber.3.I arrived at nine-fifteen and made for the only nocturnal spot I knew: the DelacorteTheatre. Tonight's show was The Taming of the Shrew,Lights out, applause, and the audience began exiting. So far, so normal, and this could have been an outdoor summer-stock Shakespeare production anywhere in America, except in one respect: a police car was now parked conspicuously in view, its roof light slowly rotating. The police were there to reassure the audience that it was being protected; the rotating red light was like a campfire in the wild, warning what's out there to stay away.4.During my first hour or so, I wandered around the Delacorte, reassured by the lights, thelaughter, the lines of Shakespeare that drifted out into the summer night. I was feeling a certain exhilaration, climbing the steps of Belvedere Castle all alone, peeking through the windows of the Henry Luce Nature Observatory, identifying the herbs in the Shakespeare Garden, when ,after turning this way and that ,I was on a winding trail in impenetrable foliage, and within minutes, I was lost.5.There was a light ahead ,and as I rounded the corner I came upon five men, all wearingwhite T-shirts, huddled around a bench. I walked past, avoiding eye contact, and turned down a path, a narrow one, black dark, going down a hill, getting darker, very dark. ThenI heard a great shaking of the bushes beside me and froze. Animal? Mugger? WhateverI was hearing would surely stop making that noise, I thought. But it didn't. How can thisbe? I'm in the Park less than an hour and already I'm lost, on an unlighted, Shit! What amI doing here? And I bolted ,not running, exactly, but no longer strolling-and certainly notlooking back-turning left, turning right ,all sense of direction obliterated, the crashing continuing behind me, louder even, left ,another man in a T-shirt, right, another man, when finally I realized where I was -in the Ramble. As I turned left again, I saw the lake, and the skyline of Central Park South. I stopped, I breathed. Relax, I told myself. It's only darkness.6.About fifteen feet into the lake, there was a large boulder, with a heap of branchesleading to it. I tiptoed across and sat, enjoying the picture of the city again, the very reassuring city. I looked around .There was a warm breeze, and heavy clouds overhead, but it was still hot ,and I was sweating. Far out in the lake, there was a light-someone rowing a boat, a lantern suspended above the stern. I got my bearings. I was on the West Side, around Seventy-seventh. The far side of the lake must be near Strawberry Fields, around Seventy-second. It was where, I realized, two years ago ,the police had found the body of Michael McMorrow ,a forty-four-year-old man(my age), who was stabbed thirty-four times by a group of boys .After he was killed, he was disemboweled, and his intestines ripped out so that his body would sink when rolled into the lake-a detail that I've compulsively reviewed in my mind since I first heard it. And then his killers, with time on their hands and no witnesses, just went home.7.One of the first events in the park took place 140 years ago almost to the day: a handconcert. The concert, pointedly, was held on a Saturday, still a working day, because the concert, like much of the Park then, was designed to keep the city's rougher elements out. The Park at night must have seemed luxurious and secluded-a giant evening garden party. The Park was to be strolled though, enjoyed as an aesthetic experience, like a walk inside a painting. George Templeton Strong, the indefatigable diarist ,recognized, on his first visit on June 11, 1859, that the architects were building two different parks at once, One was the Romantic park, which included the Ramble, the carefully ''designed'' wilderness ,wild nature re-created in the middle of the city .The other, the southern end of the park, was more French: ordered, and characterized by straight lines8.I climbed back down from the rock. In the distance, I spotted a couple approaching. Yourfirst thought is: nutcase? But then I noticed, even from a hundred feet, that the couple was panicking: the man was pulling the woman to the other side of him, so that he would be between her and me when we passed. The woman stopped, and the man jerked her forward authoritatively. As they got closer, I could see that he was tall and skinny, wearinga plaid shirt and black horn-rimmed glasses; she was a blonde, and looked determinedlyat the ground, her face rigid. When they were within a few feet of me, he reached out and grabbed her arm. I couldn't resist: just as we were about to pass each other, Iaddressed them , forthrightly: ''Hello, good people!'' I said, ''And how are you on this fine summer evening?'' At first, silence, and then the woman started shrieking uncontrollably-''Oh, my God! Oh my God!''-and they hurried away.9.This was an interesting discovery. One of the most frightening things in the Park at nightwas a man on his own. One of the most frightening things tonight was me .I was emboldened by the realization: I was no longer afraid; I was frightening.10.Not everyone likes the Park, but just about everyone feels he should. This was at theheart of Henry James's observations when he visited the Park, in 1904.The Park, in James's eyes, was a failure, but everyone, as he put it, felt the need to ''keep patting the Park on the back.'' By then, the Park's founders had died, and the Park, no longer the domain of the privileged, had been taken over by immigrants. In fact, between James's visit and the nineteen-thirties, the Park might have been at its most popular, visited by ten to twenty million a year. The Park in fact was being destroyed by overuse, until 1934, when the legendary Robert Moses was appointed the Park's commissioner. Moses was responsible for the third design element in the Park-neither English nor French, neither Romantic nor classical, but efficient, purposeful, and unapologetically American. He put in baseball diamonds, volleyball courts, and swimming pools. He even tried to turn the Ramble intoa senior citizen's recreation center, but was stopped by the protesting bird-watchers. Theirony was that by the end of the Moses era the Park was dangerous.11.In my new confidence I set out for the northern end of the Park. Near the reservoir, agang of kids on bicycles zoomed across the Eighty-fifth Street Transverse, hooting witha sense of ominous power. A little later, there was another gang, this one on foot-abouta dozen black kids, moving eastward, just by the running track. I kept my head down andpicked up my pace, but my mind involuntarily called up the memory of the 1989 incident, in which a young investment banker was beaten and sexually assaulted by a group of kids on a rampage.12.Around Ninety-fifth Street, I found a bench and stopped .I had taken one of the trailsthat run alongside the Park's West Drive, and the more northern apartments of Central Park West were in view ,I sat as residents prepared for bed: someone watching television ,a woman doing yoga, a man stepping into the shower. Below me was the city, the top of the Empire State Building peeking over the skyline. George Templeton Strong discovered the beauty of Central Park at night on July 30, 1869, on a ''starlit drive'' with his wife. But tonight, even if it weren't clouding over, there'd be no stars. Too much glare.The Park is now framed, enveloped even, by the city , but there was no escaping the recognition that this city--contrived, man-made, glaringly obtrusive, consuming wasteful and staggering quantities of electricity and water and energy -was very beautiful. I'm not sure why it should be so beautiful; I don't have the vocabulary to describe its appeal. But there it was: the city at night, viewed from what was meant to be an escape from it, shimmering.13.I walked and walked. Around one-thirty, I entered the North Woods, and made my waydown to what my map would later tell me was a stream called the Loch. The stream was loud, sounding more like a river than a stream. And for the first time that night the city disappeared: no buildings, no lights, no sirens.14.I was tired. I had been walking for a long time. I wanted to unroll my sleeping bag, outof view of the police, and fall asleep. I was looking forward to dawn and being awakened by birds.15.I made my way down a ravine. A dirt trail appeared on my left .This looked promising. Ifollowed it, and it wound its way down to the stream. I looked back: I couldn’t see the trail; it was blocked by trees. This was good. Secluded. I walked on. It flattened out and I could put a sleeping bag here. This was good, too. Yes: good. There were fireflies, even at this hour ,and the place was so dark and so densely shrouded by the trees overhead that the light of the fireflies was hugely magnified; their abdomens pulsed like great yellow flashlights.16.I eventually rolled out my sleeping bag atop a little rise beside the bridle path by theNorth Meadow, and then I crawled inside my bag and closed my eyes. And then: snap!A tremendous cracking sound. I froze, then quickly whipped round to have a look:nothing. A forest is always full of noises. How did I manage to camp out as a kid? Finally,I fell asleep.17.I know I fell asleep because I awake again. Another branch snapping, but this sound wasdifferent-as if I could hear the tissue of the wood tearing. My eyes still closed , I was motionless .Another branch , and then a rustling of leaves. No doubt: someone was there.I could tell I was being stated at ;I could feel the staring. I heard breathing.18.I opened my eyes and was astonished by what I saw. There were three of them, all withinarm's reach. They looked very big. At first I didn't know what they were, except that they were animals. Maybe they were bears, small ones. Then I realized; they were-what do you call them? Those animals that Daniel Boone made his hat out of.19.They weren't moving; I wasn't moving. They just stared, brown eyes looking blankly intomy own. They were obviously very perplexed to find me here. Suddenly, I was very perplexed to find me here, too. ''Imagine this,'' one of them seemed to be saying. ''A grown man sleeping out in Central Park!''20.''Obviously, not from New York.'21.''Hi, guys,'' I muttered. I said this very softly.22.My voice startled them and they scurried up the tree in front of me. Then they stoppedand resumed staring. And then, very slowly, they inched farther up. They were now aboutforty feet directly above me, and the tree was swaying slightly with their weight.23.It was starting to drizzle. I heard a helicopter, its searchlight crisscrossing the path onlyten feet away. So maybe there were bad guys.24.I looked back at the raccoons. ''Are there bad guys here?'' I asked them. It was stupid tospeak. My voice startled them and, directly overhead, one of them stared peeing. And then, nature finding herself unable to resist, it started to pour.25.But not for long. The rain stopped, and I fell sleep. I know I fell asleep because the nextthing I heard was birds. A naturally beautiful sound.。
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任教课程:《综合英语》(二)年月日Unit 4一、授课时间:第9--10周二.授课类型:课文分析10课时;习题讲解2课时三.授课题目:Lions and Tigers and Bears四.授课时数:12五.教学目的和要求:通过讲授课文使学生了解美国中央公园的有关知识,并以此游记展开对美国社会、文化的讨论,认识到美国文化的优势和不足之处,更好地有利于跨文化交际。
要求学生主动地预习课文,课前准备练习,学会分析文章体裁和进行段落划分。
六.教学重点和难点:1)背景知识的传授:Central Park; Ogden Nash; The Taming of the Shrew; Henry James; the Empire State Building; Daniel Boone2)文章的体裁分析及段落划分;3)语言点的理解:Word study: stuff sth. with sth.; muggy; curl up; drop off; outdoorsy; needless to say; observe; beckon; snatch; not to mention; make for sth; nocturnal; tame; conspicuous Grammar Focus: Identify the subject; Learn more about the function and use of except 七.教学基本内容和纲要Part One Warm – up1.1 Warm-up Questions1. Why do you think the author wrote this essay? To describe the history of Central park? To describe the beauty of the park? To tell the story of how he spent an unforgettable night in the park once? To lament what a terrible place the park had become with all those purse-snatchers, loons, prostitutes, drug dealers, bullies, garrotters, highway robbers and murderers lurking somewhere? To prove that all those terrible rumors about the park at night are ungrounded? Or a combination of all of these?Part Two Background Information2.1 Author2.2 Central Park; Ogden Nash; The Taming of the Shrew; Henry James; the Empire State Building; Daniel BoonePart Three Text Appreciation3.1 Text Analysis3.1.1 Theme of the text3.1.2 Structure of the text3.2 Writing Devices3.2.1 The essay is a good example of rhythmic writing, crisp conciseness, remarkable accuracy and delightful humor. It also presents a good opportunity to learn the terms of onomatopoeia, words denoting different ways of walking and running, and many specific words for minute任教课程:《综合英语》(二)年月日descriptions.3.3 Sentence ParaphrasePart Four Language Study4.1 Phrases and Expressions4.1.1 Word list:4.1.2 Phrases and expressions list:4.1.3 Word Building4.2 Grammar4.2.1 ObjectPart Five Extension5.1 Group discussion5.2 Debating八、教学方法和措施本单元将运用黑板、粉笔、多媒体网络辅助教学设备等教学手段,主要采用以学生为主体、教师为主导的任务型、合作型等教学模式,具体运用教师讲授法、师生讨论、生生讨论等方法进行教学。
九.作业,讨论题,思考题完成课后练习;多看英语报刊杂志及英语经典小说,扩大阅读量;精听与泛听相结合,逐步提高自己的听力水平;积极参加英语角等有助于提高英语口语的活动;坚持用英语写日记;做一些专四相关练习;十.参考资料:1)杨立民主编,《现代大学英语精读》(4)第二版,学生用书。
北京:外语教学与研究出版社,2012。
2)杨立民主编,《现代大学英语精读》(4)第二版,教师用书。
北京:外语教学与研究出版社,2012。
3)李观仪主编,《新编英语教程》(第三、四册)。
上海:上海外语教学研究出版, 1999。
4)黄源深,虞苏美等主编,《综合英语教程》(1-4册)。
北京:高等教育出版社,1998。
5)《高等学校英语专业英语教学大纲》,北京:外语教学研究出版社,2000。
6)Judy Pearsall主编,《新牛津英语词典》。
上海:上海外语教育出版社,1998。
7)丁往道、吴冰等编著,《英语写作手册》。
北京:外语教学与研究出版社。
8)张道真,《现代英语用法词典》(重排本)。
北京:外语教学与研究出版社,1994。
9)张道真,温志达, 《英语语法大全》上、下卷。
北京:外语教学与研究出版社,1998。
十一、课后小结任教课程:《综合英语》(二)年月日Unit 4Text A Lions and Tigers and BearsPart One Warm – up1.1 Warm-up Questions1. Do you think this story will interest American readers? What kind of people are likely to find the story appealing? For what reasons?2. Do you like similar stories in our own literature? Why do people usually write or read about places they have visited or would like to visit? Have you read any travel notes that are particularly interesting?3. How is the story organized? Does the author simply narrate his experience that night chronologically? How does he combine the narration of his experience with descriptions of the park’s history? Do you find it clever? How does the narration end? Why do you think the author decides to end the narration with the raccoons? What kind of effect does he aim to create?4. What is the author’s overall attitude towards Central Park?5. Do you agree that travel notes often reveal a lot about the author? What kind of person do you think this author is judging by the text?Part Two Background Information2.1 Ogden Nashan American poet ; well known for his light verse; best-known producer of humorous poetry 2.2The Delacorte Theaterestablished in 1962, is an open-air theater located in Manhattan's Central Park and has a seating capacity of 1,800. The Delacorte is owned by the City of New York and operated by The Public Theater. It is an open-air amphitheater, with the Turtle Pond and Belvedere Castle as its backdrop. It primarily serves as the venue for The Public Theater’s annual Shakespeare in the Park summer series2.3 Belvedere-castleBuilt as a Victorian folly in 1869, the castle caps Vista Rock, the park's second-highest natural elevation[1] Constructed of Manhattan schist quarried in the park and dressed with gray granite, it tops the natural-looking woodlands of The Ramble, as seen from the formal Bethesda Terrace. It was designed as an additional feature of the Central Park "Greensward" plan by the architects Calvert Vaux and Jacob Wrey Mould after they, along with Frederick Law Olmsted, were reappointed to oversee the park's construction in 1865.2.4 Shakespeare GardenA Shakespeare garden is a themed garden that cultivates plants mentioned in the works of William Shakespeare. In English-speaking countries, particularly the United States, these are often public gardens associated with parks, universities, and Shakespeare festivals. Shakespeare gardens are sites of cultural, educational, and romantic interest and can be locations for outdoor weddings.任教课程:《综合英语》(二)年月日Part Three Text Appreciation3.1 Text Analysis3.1.1 Theme of the text1) By traveling the Centr al Park at night, the author’s ambivalence makes clear New Yorkers’ attitude to the Park. On one hand, there is love and pride New Yorkers have for the cultural richness and the beauty the Park offers; on the other hand, the crime and fear they have associated with the Park.3.1.2 Structure of the textPart 1 (Paras.1-2 ) : The author decided to camp in the Central Park .When?Friday evening in July; 9:15What’s the weather like?Heavy, muggy.What do you know about Central Park?1) It is known that the park is a dangerous place.2) Ordinary people don’t wander around Central Park at night.3) Only fool or bad people go there at night.Evidence: the poem by Ogden NashWhat did the poem try to tell us?The poem tries to tells us that the tiger’s lair i s the most safe place in the Park.Why did the author decide to camp in Central Park at night?Human psychology—wishing to do sth. precisely because it is something people normally don’t do.Part 2 (Paras. 3-6) : The first or two hours and his feeling and the fear Central Park inspired (Paras. 3—4)What did he do in the first two hours?he visited:1.The Delacorte Theatre2.Belvedere Castle3.The Henry Luce Nature Observatory4.Shakespeare GardenWhat was his generally feeling? Why did he feel like that?Exhilaration; enjoy/experience the rich cultures leisurely in the park(Paras. 5—6) He was lostWhat happened to him?He was scared by five men huddling around the bench.Why was he so scared? What did he see?任教课程:《综合英语》(二)年月日the reassuring city, New York Skylinea light, someone rowing boat on the lakeWhat did he recall?a dreadful crimeWhy do people have such constant fear in thePark?•darkness in the wild (Ramble)•witnessed dreadful crimes (lake)Part 3 (Paras.7-12 ) : Central Park history and another scare(Para. 7)the first period in Central Park’s history1st stage: 1857—1878What was the Park like?1.in terms of function:the domain of the privileged;band concert on Saturday;keep the rougher element out;luxurious and secluded2. in architectural terms:a combination of Romanticism and French classicism(Paras. 8—9) an encounter with a coupleDo you find the little episode interesting?How did the couple react when they saw the author?panicking, jerked, her face rigid, shrieking uncontrollably, away from a hundred feetWhat was it about the author that made him so frightening?I couldn’t resist when passing the couple;Addressed them forthrightly(Para. 10) 2nd stage in Central Park’s history (1900—1934 )What changes took place in the Park in the first three decades of twentieth century?Who transformed the Park later on?What was the author’s attitude to this reform?(Para. 11) another scare at the northern end ofthe Parkthe 3rd period in the Central Park’s history3rd stage: 1934—1960What did he see at the Reservoir?Near the reservoir a group of kids on bicycles cycled across the Eighty-fifth Transverse, ringing the horn loudly.What made him keep his head down and pick up his pace?The young investment banker was beaten and sexually assaulted by a group of kids on a任教课程:《综合英语》(二)年月日rampage.(Para. 12) another aesthetic experienceWhat struck the author as very beautiful?The city at night, viewed from what was meant to be an escape from it (shimmering).What kind of beauty is it? Can the author describe it? Why can’t he find the vocabulary to describe the appeal of the city?Does he like the city? Or hate the city?Sum up his attitude toward the Park.Mixed feeling toward Central Park.(More examples)Part 4 (Paras.13-25 ) : My sleep over in the woodWhen and where was he now?The North Woods at 1:30 a.m.(Paras. 18—24) my encounter with raccoonsDo you find the ending of the essay interesting?What kind of effect did the author want to create by describing the raccoons?Can you understand his imaginary dialogue with raccoons?(Para. 25) the endingI woke up after rain and chirps of birds.A natural, naturally beautiful sound.How do you sum up the author’s attitude to t he park?Ambivalence/ mixed feelings:1) the pride and love of the city and the park for its cultural richness and its beauty (both natural and man-made);2) the fear of the crime associated; the darkness in the wild3.1.3 Plot: travel descriptions combined with everything he has heard, read, observed and experienced in connection with the place: his movements in Central Park, the events and famous people associated with its history, the beauty of New York at night, the crime of fear it’s inspired 3.1.4 Setting: Central Park in New York3.2 Writing Devices3.2.1 Onomatopoeia;3.2.2 Euphemisms are mild, pleasant or indirect words or phrases in place of harsh, unpleasant, more direct or accurate ones.3.2.3 Irony: a strange, funny or sad situation in which things happen in the opposite way to what you would expect.The basic element of irony is a discrepancy between what is expected and what actually happens. (unexpectedness)任教课程:《综合英语》(二)年月日3.3 Sentence Paraphrase1. Anybody who knows anything about New York knows the city’s essential platitude—that you don’t wander around Cent ral Park at night—and in that, needless to say, was the appeal: it was the thing you don’t do.(Para. 1)Everybody who knows New York knows that you should not wander in Central Park at night because it is too dangerous. (Essential platitude:) This is known to all and has been said over and over. ( In that was the appeal:) However, precisely because of the risk there are always people lured to visit Central Park at night. They just wish to do what people normally don’t do.appeal: a quality that something has that makes people like it or want itExamples:the appeal of horror movieBut that’s the appeal of the place, say many residents and visitors. It’s a place where many come to find a slower pace for a lifetime or just a weekend.Parties on river-boats have lost their appeal since one sank last year killing thirty-three people.2. If you should happen after dark to find yourself in Central Park… (Para. 1)“Should” is used after “if”, “in case” or with subject and verbs inverted to suggest that an event i s not likely to happen.Examples:If you should change your mind, do let me know.Should Tom phone, can you tell him I’ll phone back later?He could persuade her to stay should this be necessary.3.… and this could have been an outdoor summer-stock Shakespeare production anywhere in America, except in one respect. (Para. 3)And tonight’s performance could be any outdoor performance of Shakespeare’s play one regularly finds in summer in America (It’s a cultural tradition in America to put on free Shakespeare productions in summer). There was only one difference.Note:stock: used as an adjective, meaning “usually keptin stock and regularly available” 常备的Examples:Intensive Reading is one of our stock courses.Toothpaste is stock merchandise in a drugstore.4. One of the first events in the Park took place 140 years ago almost to the day: a band concert. The concert, pointedly, was held on a Saturday, still a working day, because the concert, like much of the Park then, was designed to ke ep the city’s rougher elements out. (Para. 7)One of the first events in the Park took place almost exactly on this day 140 years ago: a band concert. The concert was deliberately held on a Saturday when ordinary people were all working so as to keep them out.任教课程:《综合英语》(二)年月日5. The Park at night must have seemed luxurious and secluded—a giant evening garden party. The Park was to be strolled through, enjoyed as an aesthetic experience, like a walk inside a painting. (Para. 7)①quiet and private; a w ay from ordinary laboring people②a formal party for a lot of people, held in a large garden③an occasion to enjoy beautiful scenery and music as well as the company of well-dressed People, behaved in refined Manners, talking about arts: painting, musical,etc.6. The irony was that by the end of the Moses era the Park was dangerous. (Para. 10) Moses did a lot to turn Central Park into an efficient people’s park. But the outcome was quite unexpected and sad: by the end of his era the Park was dangerous.7. But there was no escaping the recognition that this city—contrived, man-made, glaringly obtrusive, consuming wasteful and staggering quantities of electricity and water and energy—was very beautiful. (Para. 12)①cleverly made but not natural②very conspicuous or showy with everything glittering or shining③shockingBut there was no denying the fact (you have to admit) that the city was very beautiful, although it was not a natural kind of beauty, it was artificial and showy, and it used up a great amount of water and energy.8.But there it was: the city at night, viewed from what meant to be an escape from it, shimmering. (Para. 12)there it is/was: used to summarize a situationPeople come to the Park to escape from the hustle and bustle of the city. But it was precisely in the Park that day that I found the city at night was extremely beautiful.Part Four Language Study4.1 Phrases and Expressions4.1.1 Word list:1. bolt; curl; drizzle; embolden; obliterate; perplex; platitude; scurry; secluded; shriek1. boltvi. a)to run away quickly 猛冲,逃跑b) to move; to break away 迅速移动vt. c)to fasten with strong rods and bar 拴住,使······和在一块d) to swallow food or drink hurriedly 匆匆吞下,咽下Examples:a) He bolted out of his house.b) Eyes bolted towards the stranger.c) He bolted the door on the inside.d) He bolted down a hurried breakfast.a bolt from (out of) the blue 晴天霹雳,意外的事任教课程:《综合英语》(二)年月日bolt upright 笔直make a bolt (for it) 赶快逃走2. curlv. a)to form into a spiral or curved shape卷曲,扭曲;缠绕b) to grow in or form curls or ringlets(烟)缭绕升起;蜷曲Examples:The hairdresser curled Mary’s hair.She kept curling her handkerchief around one finger.Smoke curled from the chimney.A snake curled around the trunk of a tree.3. drizzlev. to rain in fine dropsExamples:It drizzled throughout the night.The insecticide drizzled over the plants.The dew on the branches drizzled our hair.4. emboldenv. to give courage or confidence to sb.Examples:He smiled and this emboldened her to ask him for help.Emboldened by drink, he walked over to speak to her.5. obliteratev. to rub out or blot outExamples:The heavy rain obliterated all footprints.Anne was eager to obliterate her error.They tried to obliterate the enemy’s bomb base.6. perplexv.to cause to be puzzled or bewildered over what is not understood or certain; to make complicated and confusedExamples:The question perplexed him.The boy perplexed his parents.to perplex an issueadj.perplexed/perplexingn.perplexity7. platituden.(fml.) (derog.)boring and meaningless commonplace remark or statement, esp. when it is said as if it were new or interesting because it has been said so many times before任教课程:《综合英语》(二)年月日陈腐平凡的,老生常谈,陈词滥调Example:This speech was full of empty platitudes about (of) peace and democracy.adj.platitudinousv.platitudinizen.platitudinarian8. scurryv. / n.to run with short quick stepsExamples:It began to rain and we scurried home.We heard mice scurrying about in the kitchen.Dark clouds were being scurried across a greysky by the wind.a scurry of footsteps in the passage 急促脚步声Huge snow scurries.9. secludedadj.not visited or seen by many people; away from the company of othersExamples:This is the quietest and most secluded area of the city.secluded life/monk/valleyv. seclude (from)n. seclusionadj. seclusive10. shriekv. / n.to shout in a loud high voice because you are frightened, excited, or surprised Examples:The woman trapped under the piles of debris raised her voice to a shriek.She shrieked an alarm at him.4.1.2 Phrases and expressions list:1. come upon; curl up; drift out; drop off; in view2. not to mention; on one’s hands; on the/a rampage; to the day; wind one’s way1. come upon碰上,偶然遇上; 冲向,袭来Examples:I came upon an old friend when I was shopping in the store.Fear came upon her as she waited.2. curl up 卷起,撅起(嘴唇);(因恐惧、羞愧、厌恶)使蜷缩,扭曲身体Examples:She curled her mouth up in anger.She curled herself up in the big armchair with a good book.任教课程:《综合英语》(二)年月日3. drift out(口)不经意(慢吞吞)走出来,走开,离开Example:The smoke pall drifted out to reveal the blackened shell of the building.4. drop off(口)入睡,睡着;(逐个)走开,消失;放下,下降,掉下Examples:She dropped off in front of the fire while watching TV.Her friends dropped off into the shadows.Can you drop me off at a supermarket?5. in view在能看见的范围内;在考虑中;在注意中Examples:The sea came in view as we came out of the forest.Dream pursuer has kept his goal in view.in view of 鉴于,由于to the view 在展出with a view to 以······为目标come in view of 出现在······视线中come /burst into view (突然)出现在眼前disappear/be lost from view 看不见了block/obstruct/shut off/spoil the view 挡住某人的视线6. not to mention; without mentioning更不必说······,除······以外还Examples:We are served French champagne, not to mention the usual cocktails.David is handsome and smart, not to mention being a good athlete.7.on one’s hands受照顾;需要负责;可自由支配Examples:She has a large family on her hands.她有许多子女要照顾。