二十世纪英美文学流派名词解释

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英美文学流派

英美文学流派

英美文学玄学派:是指17世纪英国文坛出现的一个独特的诗歌流派。

英国诗人约翰·邓恩是这个流派的代表人物,他因在诗歌中精妙地运用“奇喻”的比喻手法而蜚声文坛。

它们往往以精致典雅的形式表现情感与观念的矛盾,把古典主义的性情与浪漫主义的风骨很好地融合到了一起。

骑士文学盛行于西欧,反映了骑士阶层的生活理想。

骑士精神和道德是上层社会的贵族文化精神,它是以个人身份的优越感为基础的道德与人格精神,但它也积淀这西欧民族远古尚武精神的某些积极因素。

三联剧:在古希腊悲剧创作中,有一类悲剧均由三部分组成,每部分即能独立存在,各部之间又有紧密联系。

这种剧合则为一,分则为三,代表作家为埃斯库罗斯。

文艺复兴:是指13世纪末在意大利各城市兴起,以后扩展到西欧各国,于16世纪在欧洲盛行的一场思想文化运动,带来一段科学与艺术革命时期,揭开了近代欧洲历史的序幕,被认为是中古时代和近代的分界。

人文主义:是文艺复兴核心思想,是新兴资产阶级反封建的社会思潮,也是资产阶级人道主义的最初形式。

它肯定人性和人的价值,要求享受人世的欢乐,要求人的个性解放和自由平等,推崇人的感性经验和理性思维。

七星诗社:是16世纪中期法国的一个文学团体,是由七位人文主义诗人组成的文学团体。

他们中以龙沙和杜贝莱最著名。

七星诗社的诗人们从事过各种创作,他们的诗声望很高,但他们的主要贡献却是对于法语改革的主张。

狂飙突进运动:是18世纪德国文学界的运动,是文艺形式从古典主义向浪漫主义过渡时的阶段,也可以说是幼稚时期的浪漫主义。

但其中心代表人物是歌德和席勒,歌德的《少年维特的烦恼》是其典型代表作品,表达的是人类内心感情的冲突和奋进精神。

伤感主义:18世纪后期欧洲资产阶级启蒙运动中的一种文艺思潮,也称为“主情主义”。

该派的得名,源与英国作家斯特恩的小说《在法国和意大利的感伤的旅行》。

该派作家崇尚感情,把感情看的高于“理性”,因而强调文学的主要任务是细致刻画任务的心理动态和描写人物的不幸遭遇,以便唤起读者在感情上的同情和共鸣,表达出对当时贵族阶级的理性主义和古典主义的反抗。

20世纪现代主义文学名词解释

20世纪现代主义文学名词解释

1.现代主义
(1)象征主义:
象征主义最早于19世纪70—90年代流行于法国。20世纪20—40年代象征主义走出法国波及全欧,形成了具有国际影响的后期象征主义流派。
后期象征主义仍然坚持以象征暗示的方法表现内心“最高的真实”。反对过多强调主观精神的自由与无限,以至走向过分抽象化,也反对过于强调客观事物的形象、具体而走向平淡无意蕴,同时又反对前期象征主义的隐晦艰深,主张情与理、主观与客观、有限与无限的统一,从而、30年代流行于英、法、美等国的一种现代主义文学流派。
意识流小说不重视描摹客观世界,而着力于表现人的内心真实,特别是着力于表现人的意识流程,从而打破了传统小说的叙事模式和结构方法,用心理逻辑去组织故事。
法国小说家马赛尔·普鲁斯特是西方意识流小说的奠基者,现代主义文学先驱,代表作《追忆似水年华》。
后期象征主义在文学上的主要成就是诗歌创作。英国的艾略特是后期象征主义的代表。代表作《荒原》
(2)表现主义:
表现主义是20世纪西方现代主义文学中出现最早的一个思潮流派,表现主义的中心在德国,20—40年代达到鼎盛,成为20世纪头30年最有声势、最为重要的先锋派文艺运动。 表现主义文学善于透过事物的外层表象,展现内在的本质,从人的外部行为揭示内在的灵魂;善于直接表现人物的心灵体验,展现内在的生命冲动。奥地利的弗朗茨·卡夫卡是表现主义的代表作家。此外还有美国的尤金·奥尼尔 ,是表现主义戏剧的代表作家。代表作《琼斯皇》、《毛猿》。
代表作家有尤奈斯库、贝克特(《等待戈多》)等人。
(3)魔幻现实主义(im )
魔幻现实主义是20世纪中期风行于拉丁美洲的一种小说流派。
代表作家是萨特、加缪等人。萨特代表作是写于1944年的《禁闭》。
(2)荒诞派戏剧(im)

二十世纪文学名词解释

二十世纪文学名词解释

二十世纪文学名词解释(一)现代主义1.现代主义(先锋派文学)2.后期象征主义3.未来主义4.超现实主义5.表现主义文学6.叙事剧与间离效果7.意识流小说8.存在主义文学9.荒诞派戏剧10.新小说派11.黑色幽默12.魔幻现实主义13.卡夫卡小说14.境遇剧1.现代主义是十九世纪末二十世纪初以来在欧美出现的各种文学艺术思潮流派的总称(1分)。

它是西方垄断资本主义时代的产物,从不同角度反映了现当代资本主义社会的危机与人的精神迷惘、困惑(1分)。

在思想内容、审美追求与表现形式上都表现出反传统的倾向。

具有标新立异、大胆实验、追求奇异的风格特点。

故称为先锋派、实验派。

重要流派有:超现实主义、意识流小说、荒诞派戏剧等(1分)。

2.二十世纪二十年代以瓦雷里、里尔克、艾略特为代表的诗歌流派(1分),是十九世纪末象征主义的继续和发展。

创作上主张用象征、暗示、意象、比喻、自由联想等手法表现微妙复杂的体验与主观感受(2分),较前期象征主义更趋哲理化与神秘性(1分)。

代表作家作品:艾略特《荒原》、里尔克《杜伊诺哀歌》(1分)。

3.二十世纪源于意大利,影响整个欧洲的诗歌流派(1分)。

其基本特征是:否定一切,主张彻底废除一切艺术遗产与传统文化,主张变革,歌颂混乱、速度美、力量美,用自由不羁的语句颠覆传统艺术规范,具有虚无主义、无政府主义倾向(2分)。

代表人物:马里内蒂、帕拉采斯基(1分)。

4.两次世界大战期间源于法国影响欧美的文学流派(1分),主张表现超现实、超理性的无意识心理、梦幻世界,用纯精神的自动反应进行写作(2分)。

最大限度展示自我的内在真实。

具有神秘晦涩的特点(1分)。

主要代表人物有布勒东、阿拉贡、艾吕雅(1分)。

5.第一次世界大战后源于法国影响欧美的现代主义文学流派(1分),创作上强调表现主观感受,注重内在心灵、感觉体验的表现,主张透过事物的表面揭示内在本质,不注重环境写实与性格刻画(2分)。

表现手法多采用象征、隐喻、抽象、夸张、变形以突出主观感受(2分)。

20世纪欧美现代主义文学重要的流派

20世纪欧美现代主义文学重要的流派

20世纪欧美现代主义文学重要的流派
现代主义是19世纪末诞生并流行于20世纪的许多文学流派的总称,前期主要包括象征主义、表现主义、未来主义、超现实主义、意识流小说等10多种文学流派。

现代主义植根于20世纪的社会现实,其思想基础是19世纪末期以来流行的非理性主义哲学。

现代主义的基本特点是主张反传统,着力表现的是人在现代社会中的扭曲和异化;表现手法上追求新奇和怪诞,语言往往晦涩难懂;人物形象的塑造不再遵循典型化和个性化规律,甚至只是某种抽象概念的符号;特别重视内心世界的挖掘,人物的活动日益从外部世界退回到内部世界。

二战以后出现的后现代主义主张把文学拉回到“现实”,但就表现生活的异化和人生的迷惘而言,它与前期现代主义一脉相承。

后现代主义主要包括存在主义、荒诞派戏剧、新小说派、垮掉的一代、黑色幽默、魔幻现实主义等。

外国文学史(下)名词解释汇总

外国文学史(下)名词解释汇总

长河小说1.20世纪欧美现实主义文学时期产生的,通过一两个人的一生经历去反映一个时代的变迁的多卷本小说。

优点是描写集中,容量较大。

2.罗兰认为,生活就像一条长河那样,连续不断地流动,小说也应反映这种丰富、博大、不停地发展的状态。

3.这种“长河小说”,气势雄浑,具有史诗的规模。

同时,发展脉络清楚,一气呵成,从结构上来说显得更为完整。

愤怒的青年1.20世纪欧美现实主义文学的一个文学派别。

这个派别的作家塑造了一种新的任务类型:他们是出身工人家庭或中下层社会的大学毕业生,所受的教育高于所出身的阶层,可是他们并不想成为绅士;他们对掌权者的特殊享受津津乐道,但又把权力看成可笑而又不道德的游戏。

这是一种反英雄人物。

2.代表作品有艾米斯的《幸运的吉姆》,约翰·奥斯本的《愤怒的回顾》迷惘的一代1.20世纪20年代产生于美国的文学流派,海明威在《太阳照样升起》的题词中引用斯泰恩的一句话:你们都是迷惘的一代,该流派因此而得名。

2.特点是痛恨帝国主义战争,关心战后青年一代的命运,反映当时美国青年普遍的迷惘情绪,以此为出发点,表现帝国主义精神危机。

3.代表作家海明威和菲次杰拉德,代表作品是海明威的《太阳照样升起》。

冰山原则A.1932年海明威在《午后之死》中第一次提出文学创作的“冰山原则”B.即用简洁的文字塑造鲜明的形象,并且把自己的感受和思想最大限度地藏在形象中,使之情感丰富却含而不露,思想深沉且隐而不晦,让读者通过鲜明形象的感受去发掘作品的思想意义。

C.简洁的文字、鲜明的形象、丰富的情感和深刻的思想构成冰山原则的四要素,也是海明威的基本创作风格。

D.代表作品有海明威的《老人与海》《乞力马扎罗山上的雪》硬汉形象1.海明威作品中出现的一系列人物形象。

这些人物有拳击师、斗牛士、猎人、渔人等,他们都具有一种百折不挠、坚强不屈的性格,面对暴力和死亡,面对不可改变的命运,都表现出一种从容、镇定的意志力,保持了人的尊严和勇气。

英美文学名词解释

英美文学名词解释

英美文学名词解释英美文学是指英国和美国地区的文学作品和文学传统。

在这个领域中,存在着许多特殊的术语和概念,有助于我们理解和欣赏这些文学作品。

本文将解释和介绍一些常见的英美文学名词,以帮助读者深入理解和掌握这些文学作品。

一、1.文学流派(Literary Genre):指文学作品按照特定主题、风格或结构的类别进行分类。

常见的文学流派包括小说、诗歌、戏剧、散文等。

不同的文学流派具有独特的特点和写作风格,反映了不同的文学趣味和审美观念。

2.现实主义(Realism):是19世纪中期兴起的一种文学流派,强调对现实生活的逼真描写和展示。

现实主义文学追求真实、客观和可信的表达方式,通过描绘日常生活和社会环境来反映现实社会的不同层面。

3.自然主义(Naturalism):自然主义是现实主义的一种延伸,强调环境和遗传因素对人的行为和命运的决定性作用。

自然主义文学突出了人类生存环境对人性的影响,对人类行为进行科学观察和探索。

4.浪漫主义(Romanticism):浪漫主义强调个体情感、想象力和超验的体验,追求自由和独立的精神境界。

浪漫主义文学追求充满激情、抒发个人感受和探索内心世界的形式。

二、1.象征主义(Symbolism):象征主义是19世纪末20世纪初出现的一种文学和艺术运动,强调使用象征性的意象和隐喻来表达深层的情感和思想。

象征主义文学倾向于表达个体的情感体验和心灵探索。

2.现代主义(Modernism):现代主义是20世纪初兴起的一种文学和艺术运动,强调对传统形式和观念的挑战和颠覆。

现代主义文学追求形式上的创新和实验,探索自我意识、哲学思考和社会变革。

3.后现代主义(Postmodernism):后现代主义是现代主义的继承和超越,强调文化多样性、相对主义和戏仿。

后现代主义文学打破传统的叙事和结构规则,以戏仿和颠覆的方式探索权力、真实性和历史观念。

4.现实主义小说(Realistic Novel):现实主义小说以真实的描写和社会批判为特征,通过塑造现实人物的经历和命运来反映社会问题。

英美文学名词解释

1.古英语:(Old English或Anglo-Saxon)是指从450年到1150年间的英语。

古英语和现代英语无论在读音、拼写、词汇和语法上都很不一样。

古英语的语法和德语比较相近,形态变化很复杂。

公元410年,罗马人结束了对英国的占领,随后,来自德国北部平原的三个日耳曼部落:昂格鲁人(Angles),撒克逊人,和朱尔特人开始到不列颠定居.英语就是盎格鲁_撒克逊的人的语言.语言史家一般把英语的历史分为三个时期:古英语,中英语,现代英语.古英语的名词有数和格的分别。

数分为单数、复数;格分为主格、所有格、与格、宾格。

因此一个名词加起来共有8种变化形式。

此外,名词还分阳性、中性和阴性。

但是比较奇怪的是,这些性的区分并不是以性别来判断的,而且没有性别的事物也未必是中性。

例如妇女就是阳性的。

2. 头韵(Alliteration):是英语语言学分支文体学的重要术语。

头韵是英语语音修辞手段之一,它蕴含了语言的音乐美和整齐美,使得语言声情交融、音义一体,具有很强的表现力和感染力.从应用范围、结构特征以及审美价值三个方面对其进行分析讨论,将有助于我们理解和欣赏这一辞格. 头韵在英语里叫alliteration,又叫initial rhyme,或head rhyme,是从拉丁语短语ad literam (根据字母)转化而来的,指两个单词或两个单词以上的首字母相同,形成悦耳的读音,最常见的押头韵的短语有:first and foremost(首先)、(with)might and main (尽全力地)、saints and sinners (圣人与罪人)、(in)weal and (or) woe(无论是福是祸)。

若追本探源的话,恐怕押头韵手法可以上溯到古英语(Old English)时期。

大约五世纪时,盎格鲁萨克逊( Anglo-Saxons)入侵者给英国人带来了作为现代英语(Modern English)基础的盎格鲁萨克逊语,或许就在那时还带来一种新的诗歌形式,其主要特征就是频繁使用押头韵手法。

英美文学名词解释总结中文版(东北师大重点)

名词解释1. Abby Theatre 阿贝剧院阿贝剧院是爱尔兰的国家剧院,由爱尔兰著名诗人William Butler Yeats和Lady Augusta Gregory创建。

该剧院上演爱尔兰剧作家的作品。

Lady Gregory是阿贝剧院的导演,同时也是个剧作家(dramatist)。

2.Aestheticism 唯美主义基本原则:Art for art’s sake.基本人物:英国运用该美学理论的第一人士Walter Pater。

Oscar Wilder(Picture of Dorian Gray)是该理论的杰出代表。

基本思想:唯美主义崇尚艺术高于生活,生活应该模仿艺术,而不是艺术模仿生活。

这是对Victorian工业发展时期宣扬的物质崇拜(materialism)和商业主义(commercialism)的一种反抗,也是艺术为道德或金钱而服务(art for money’s sake)的维多利亚传统的挑战。

3. Age of Enlightenment 启蒙时代1. 英国的18世纪又被称为启蒙时代,总的来说是资本主义反对封建主义的时代。

2. 启蒙运动是一场进步的思想运动,盛行于法国后传播到西欧。

3. 启蒙运动是15和16世界文艺复兴运动的延续和深入,它的目的是用现代哲学和艺术观点启蒙整个世界。

4. 崇尚理性,平等,和科学,倡导大众教育。

文学在当时变成了非常受欢迎的公众教育的手段,带有强烈的说教和道德教育性质。

5. 代表人物:Alexander Pope,Jonathan Swift。

4. Age of Realism现实主义时期1. 现实主义是对浪漫主义时期一种反抗,并铺就了通往现代主义文学的道路。

2. 在这一时期,新一代的作家对于老一辈的浪漫主义和感伤主义的思想非常不满,提出一个新的灵感,其特点就是在生活现实方面有着极大的兴趣。

它的目标是描写生活每一方面的现实,抛弃主观偏见,理想主义或者任何浪漫的色彩。

英美文学名词解释最全版

英美文学名词解释最全版01. Humanism(人文主义)1>Humanism is the essence of the Renaissance.2> it emphasizes the dignity of human beings and the importance of the present life. Humanists voiced their beliefs that man was the center of the universe and man did not only have the right to enjoy the beauty of the present life, but had the ability to perfect himself and to perform wonders.02. Renaissance(文艺复兴)1>The word “Renaissance”means “rebirth”, it me ant the reintroduction into western Europe of the full cultural heritage of Greece and Rome.2>the essence of the Renaissance is Humanism. Attitudes and feelings which had been characteristic of the 14th and 15th centuries persisted well down into the era of Humanism and reformation.3> the real mainstream of the English Renaissance is the Elizabethan drama with William Shakespeare being the leading dramatist.03. Metaphysical poetry(玄学派诗歌)1>Metaphysical poetry is commonly used to name the work of the 17th century writers who wrote under the influence of John Donne.2>with a rebellious spirit, the Metaphysical poets tried to break away from the conventional fashion of the Elizabethan love poetry.3>the diction is simple as compared with that of the Elizabethan or the Neoclassical periods, and echoes the words and cadences of common speech.4>the imagery is drawn fromactual life.04. Classicism(古典主义)Classicism refers to a movement or tendency in art, literature, or music that reflects the principles manifested in the art of ancient Greece and Rome. Classicism emphasizes the traditional and the universal, and places value on reason, clarity, balance, and order. Classicism, with its concern for reason and universal themes, is traditionally opposed to Romanticism, which is concerned with emotions and personal themes.05. Enlightenment(启蒙运动)1>Enlightenment movement was a progressive philosophical and artistic movement which flourished in France and swept through western Europe in the 18th century.2> the movement was a furtherance of the Renaissance from 14th century to the mid-17th century.3>its purpose was to enlighten the whole world with the light of modern philosophical and artistic ideas.4>it celebrated reason or rationality, equality and science. It advocated universal education.5>famous among the great enlighteners in England were those great writers like Alexander pope. Jonathan Swift. etc.06.Neoclassicism(新古典主义)1>In the field of literature, the enlightenment movement brought about a revival of interest in the old classical works.2>this tendency is known as neoclassicism. The Neoclassicists held that forms of literature were to be modeled after the classical works of the ancient Greek and Roman writers such as Homer and Virgil and those of the contemporary French ones.3> they believed that the artistic ideals should be order, logic,restrained emotion and accuracy, and that literature should be judged in terms of its service to humanity.07. The Graveyard School(墓地派诗歌)1>The Graveyard School refers to a school of poets of the 18th century whose poems are mostly devoted to a sentimental lamentation or meditation on life. Past and present ,with death and graveyard as themes.2>Thomas Gray is considered to be the leading figure of this school and his Elegy written in a country churchyard is its most representative work.08. Romanticism(浪漫主义)1>In the mid-18th century, a new literary movement called romanticism came to Europe and then to England.2>It was characterized by a strong protest against the bondage of neoclassicism, which emphasized reason, order and elegant wit. Instead, romanticism gave primary concern to passion, emotion, and natural beauty.3>In the history of literature. Romanticism is generally regarded as the thought that designates a literary and philosophical theory which tends to see the individual as the very center of all life and experience. 4> The English romantic period is an age of poetry which prevailed in England from 1798 to 1837. The major romantic poets include Wordsworth, Byron and Shelley.09. Byronic Hero(拜伦式英雄)1>Byronic hero refers to a proud, mysterious rebel figure of noble origin.2> with immense superiority in his passions and powers, this Byronic Hero would carry on his shoulders the burden of righting all the wrongs in a corrupt society. And would rise single-handedly against any kind of tyrannical rules either in government, in religion, or in moral principles with unconquerable wills and inexhaustible energies.3> Byron’s chief contribution to English literature is his creation of the “Byronic Hero”10. Critical Realism(批判现实主义)1>Critical Realism is a term applied to the realistic fiction in the late 19th and early 20th centuries.2> It means the tendency of writers and intellectuals in the period between 1875 and 1920 to apply the methods of realistic fiction to the criticism of society and the examination of social issues.3> Realist writers were all concerned about the fate of the common people and described what was faithful to reality.4> Charles Dickens is the most important critical realist.11. Aestheticism(美学主义)1>The basic theory of the Aesthetic movement--- “art for art’s sake” was set forth by a French poet, Theophile Gautier, the first Englishman who wrote about the theory of aestheticism was Walter Pater.2> aestheticism places art above life, and holds that life should imitate art, not art imitate life.3> According to the aesthetes, all artistic creation is absolutely subjective as opposed to objective. Art should be free from any influence of egoism. Only when art is for art’s sake, can it be immortal. They believed that art should be unconcerned with controversial issues, such as politics and morality, and that it should be restricted to contributing beauty in a highly polished style.4> This is one of the reactions against the materialism andcommercialism of the Victorian industrial era, as well as a reaction against the Victorian convention of art for morality’s sake, or art for money’s sake.美学运动的基本原则”为艺术而艺术”最初由法国诗人西奥费尔.高缔尔提出,英国运用该美学理论的第一人是沃尔特.佩特.美学主义崇尚艺术高于生活,认为生活应模仿艺术,而不是艺术模仿生活.在美学主义看来,所有的艺术创作都是绝对主观而非客观的产物.艺术不应受任何功利的影响,只有当艺术为艺术而创作时,艺术才能成为不朽之作.他们还认为艺术不应只关注一些热点话题如政治和道德问题,艺术应着力于以华丽的风格张扬美.这是对维多利亚工业发展时期物质崇拜的一种回应,也是向艺术为道德或为金钱而服务的维多利亚传统的挑战.12.The Victorian period(维多利亚时期)1>In this period, the novel became the most widely read and the most vital and challenging expression of progressive thought. While sticking to the principle of faithful representation of the 18th century realist novel, novelists in this period carried their duty forward to criticism of the society and the defense of the mass.2> although writing from different points of view and with different techniques, they shared one thing in common, that is, they were all concerned about the fate of the common people. They were angry with the inhuman social institutions, the decaying social morality as represented by the money-worship and Utilitarianism, and the widespread misery, poverty and injustice.3>their truthful picture of people’s life and bitter and strong criticism of the society had done much in awakening the public consciousness to the social problems and in the actual improvement of the society.4> Charles Dickens is the leading figure of the Victorianperiod.13. Modernism(现代主义)1>Modernism is comprehensive but vague term for a movement , which begin in the late 19th century and which has had a wide influence internationally during much of the 20th century.2> modernism takes the irrational philosophy and the theory of psycho-analysis as its theoretical case.3> the term pertains to all the creative arts. Especially poetry, fiction, drama, painting, music and architecture.4> in England from early in the 20th century and during the 1920s and 1930s, in America from shortly before the first world war and on during the inter-war period, modernist tendencies were at their most active and fruitful.5>as far as literature is concerned, Modernism reveals a breaking away from established rules, traditions and conventions. fresh ways of looki ng at man’s position and function in the universe and many experiments in form and style. It is particularly concerned with language and how to use it and with writing itself.14. Stream of consciousness(意识流)(or interior monologue)In literary criticism, Stream of consciousness denotes a literary technique whic h seeks to describe an individual’s point of view by giving the written equivalent of the character’s thought processes. Stream of consciousness writing is strongly associated with the modernist movement. Its introduction in the literary context, transferred from psychology, is attributed to May Sinclair. Stream of consciousness writing is usually regarded as a special form of interior monologue and is characterized by associative leaps in syntax and punctuation that can make the prose difficult to follow, tracing as they do a character’sfragmentary thoughts and sensory feelings. Famous writers to employ this technique in the English language include James Joyce and William Faulkner.学术界认为意识流是一种通过直接描述人物思维过程来寻求个人视角的文学写作技巧。

名词解释(汇总)(20世纪外国文学)

1、表现主义 (1)2、营造幻象 (1)3、虚拟现实 (1)4、意识流: (1)5. 意识流小说 (1)6. 心理时间 (1)8. 自由联想 (1)9. 存在主义 (1)10. 自由选择 (1)11. 荒诞体验 (1)12. 零度写作 (1)13. 新小说派 (1)14. 反小说 (1)15. 人物内心独白中的复调模式 (1)16. 魔幻现实主义 (1)17. 拉美“文学爆炸” (1)18. 魔幻现实主义的“陌生化” (1)19. 黑色幽默 (1)20. 后现代主义 (1)21. 元小说 (1)22. 社会主义现实主义 (1)23. 内心独白 (1)24. 蒙太奇 (1)25. 消解深度 (1)26. 瓦解叙事 (1)27. 物化 (1)28. 超现实主义 (1)29. 潜对话(或叫做人物内心狐白中的复调模式) (1)1、表现主义:“表现”的概念最初是运用在绘画评论中,表现主义是一种反传统的现代主义的流派,它在绘画、文学、音乐、电影等艺术形式中均有不同的表现。

“但他们也有一些共同的想想倾向和艺术特点,即不满足于对客观事物的摹写,要求进而表现事物的内在实质:要求突破对人的行为和人所外的环境的描绘而提示人的灵魂;要求不再停留在对暂时现象的偶然现象的记叙而展示其永恒的品质”。

2、营造幻象:营造幻象是卡夫小说创作的方法与特点。

他的小说在总体上呈现出一个超现实的世界,一个想象的梦幻的世界,一个并不存在的荒诞世界。

这个幻象的世界看似不合逻辑但却并非虚妄,揭示了人类生存更本真的图景。

3、虚拟现实:虚拟现实也是卡夫卡小说创作的方不可能存在,但又合逻辑上的存在的可能性的现实,是未必发生却可能发生的情境。

4、意识流:“意识流”这一概念最初是心理学术语,是由美国心理学家威谦·詹姆斯在《心理学原理》一书中提出来的。

梅·辛克莱在评论多萝西·理查逊的小说《旅程》时,最早把“意识流”这一术语引入了文学评论,此后,作为一个文学术语的“意识流”被文学家们广泛运用,前通告三层意思:一、指一个现代主义小说流派;二、一种小说文体;三、表现人物心理和意识活动的一种技巧。

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1、stream of consciousnessThe continuous flow of sense, perceptions, thoughts, feelings, and memories in the human mind; or a literary method of representing such a blending of mental processes in fictional characters, usually in an unpunctuated or disjointed form of interior monologue.The term is often used as a synonym for interior monologue, but they can also be distinguished, in two ways. In the first (psychological) sense, the stream of consciousness is the subject-matter while interior monologue is the technique for presenting it;2、The Theatre of the AbsurdA term coined by the critic Martin Esslin in 1961 to refer to a number of dramatists of the 1950s. The theatre of the absurd came about as a reaction to World War II. It took the basis of existential philosophy and combined it with dramatic elements to create a style of theatre which presented a world which can not be logically explained, and in which life is in one word, ABSURD!3、ExistentialismA current in European philosophy distinguished by its emphasis on lived human existence. Although it had an important precursor先驱on the Danish theologian神学者Kierkegaard in the 1840s, its impact was fully felt only in the mid-20th century in France and Germany: the German philosophers Martin Heidegger and Karl Jaspers prepared some of the ground in the 1920s and 1930s for the more influential work of Jean-Paul Sartre and the other French existentialists including Simone de Beauvoir, Albert Camus, and Maurice Merleau-Ponty.4、The Lost Generation(Also termed the Sad Young Men, which was created by F. Scott Fitzgerald in his book All the Sad Young Men.) In general, the term refers to the post-World War I generation, but specifically a group of U. S. writers who came of age成年,够岁数了during the war and established their literary reputations in the 1920s. It seems from a remark made by Gertrude Stein to Ernest Hemingway, “You are all a lost generation.” Hemingway used it as an epigraph题词to The Sun Also Rises (1926), a novel that captures the attitudes of a hard-drinking, fast-living set of disillusioned young expatriates放弃本国国籍的人in postwar Paris.The generation was “lost” in the sense that its spiritual alienation from a U. S. that, basking under President Harding’s “back to normalcy常态” policy, seem ed to its members to be hopelessly provincial, materialistic, and emotionally barren. The term embraces Hemingway, F. Scott Fitzgerald, John Dos Passos, E. E. Cummings, and many other writers who made Paris the center of their literary activities in the 1920s. They were never a literary school. In the 1930s, as these writers turned in different directions, their works lost the distinctive stamp of the postwar period.5、Parodypiece of) writing intended to amuse by imitating the style of writing used by somebody else. Literary or musical composition imitating the characteristic style of some other work or of a writer or composer, but treating a serious subject in a nonsensical manner, as in ridicule6、SymbolismThe term refers to the use of symbols, or to a set of related symbols; however, it is also the name given to an important movement on late 19th century and early 20th century poetry. One of the important features of Romanticism and succeeding phases of Western literature was a much more pronounced reliance upon enigmatic难以理解的, 神秘的symbolism in both poetry and prose fiction, sometimes involving obscure private codes of meaning, as in the poetry of Blake or Yeats.A well-known early example of this is the albatross信天翁in Ancient Mariner”(1798). Manynovelists-notably Herman Melville and D. H. Lawrence-have used symbolic methods: in Melville’s Moby-Dick(1815) the White Whale (and indeed almost every object and character in the book) becomes a focus for many different suggested meanings. Melville’s extravagant symbolism was encouraged partly by the importance which American Transcendentalism gave to symbolic interpretation of the world.William Butler Yeats often uses symbols like the winding stairs, swan, gyre, etc. in his poems.7、Oedipus Complex 心理学用来比喻有恋母情结的人,有跟父亲作对以竞争母亲的倾向,同时又因为道德伦理的压力,而有自我毁灭以解除痛苦的倾向A Freudian term to design to attraction on the part of the child toward the parent of the opposite sex and rivalry敌对, 竞争, 对抗and hostility toward the parent of its own. Freud introduced the concept in his Interpretation of Dreams (1899). The term derives from the Theban hero Oedipus of Greek legend, who unknowingly slew his father and married his mother; its female analogue, the Electra complex, is named for another mythological figure, who helped slay her mother.8、Hemingway HeroHemingway Hero, also called code hero, is one who, wounded but strong, more sensitive, enjoys the pleasures of life(sex, alcohol, sport) in the face of ruin and death, and maintains, through some notion of a code, an ideal of himself.9、American dreamAmerican dream refers to the dream of material success, which assume that one best serves God and man by acquiring wealth. In The Great Gatsby, Gatsby comes from the west to the east with the dream of material success. By bootlegging and other illegal means he fulfilled his dream but ended up being killed.10、ImagismThe doctrine and poetic practice of a small but influential group of American and British poets calling themselves imagists or imagistes between 1912 and 1917.Imagism came into being as a reaction to the traditional English poetry to express the sense of fragmentation and dislocation混乱, 紊乱.The Imagists hold that the most effective means to express these momentary impressions is through the use of one dominant image. The image is a representation of a physical object, and the reader is made to react to it.Imagism is characterized by the following three poetic principles:i) to use absolutely no word that does not contribute to the presentation;ii) as regards rhythm, to compose in the sequence of the musical phrase, not in the sequence of metronome节拍器节拍器.11、Black HumorIn contemporary literary criticism, black humor is a term applied to a large group of American novels beginning in the 1950s. Although the writers of black humor did not intentionally form a school of literary movement, there is in their novels a common core of satire which is directed against hypocrisy, materialism, racial prejudice, and above all, the dehumanization of the individual by a modern society12/FeminismFeminism refers to political, cultural ,and economic movements seeking greater, equal ,or among a minority ,superior rights and participation in society for women and girls. These rights and means of participation include legal protection and inclusion in politics ,business and scholarship andrecognition and building of women’s cultures and power. Its concepts overlap with those of women’s rights.13/Anti-heroAn anti-hero/heroine appears more frequently in modern and contemporary literature. This type of characters lacks the qualities of nobility and magnanimity宽宏大量. The image of Don Quixote in Cervantes’s Don Quixote (1605) may give the readers a clear view.14/multi-narrator。

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