了不起的盖茨比_英文书评

Book Review on The Great Gatsby Reading experience:I start to read the book about 3 weeks ago. At first, I searched for some information about the author from the Internet, and then glanced at the basic content of novel. When I read the several chapters ahead of the novel, I felt it was so boring. The complex relationship would kill me. When I nearly finished the novel, everything was suddenly enlightened.Information about this novel:The novel tells us the story of Gatsby by Nick’s tone. Nick came to New York from his hometown the America Middle West, and he rent a small house nearby Gatsby’s luxurious mansion where hold a grand banquet every night.The story began with the meet between Nick and Gatsby. And Nick had an exploratory interest to Gatsby and understood that there was a lost love in Gatsby’s deep heart. Gatsby and Daisy loved each other when Gatsby was young, but because of Gatsby’s poor family they were broken up. Then G. joined the First W orld War. While Daisy was married to Tom who was a rich dandy, but her marriage was not happy because Tom had a mistress. Therefore, the material couldn’t satisfy her spiritual empty.Gatsby was very painful and he believed that Daisy betrayed the pure heart for the money, so he resolved to be a man of wealth and a few years later he managed it. What’s more, in the opposite direction of Daisy’s house Gatsby built a mansion. In order to attract Daisy and aroused the lost love, Gatsby spent money like water.Nick was moved by Gatsby’s passion of love, so he visited to his young female cousin Daisy and told her Gatsby’s mind. Then Gatsby made date with Daisy, often. Finally, Gatsby found Daisy’s vanity, vulgar and selfish. Gatsby’s pink dream finally broke up, but he still insisted it, still retained any illusion about Daisy, and even led to his tragedies.One day Daisy was in a drunken driving Gatsby’s car ran over and caused an accident that killed Tom’s mistress, and she planned a plot with Tom to put the cr ime to Gatsby. It led to the mistress’ husband shot Gatsby. Gatsby died, only his father and Nick attended the funeral.Nick witnessed the virtual mood of human reality. At the end, Nick backed to his hometown with a tragedy mood.Introduction of the author:The Great Gatsby is written by F. Scott Fitzgerald, who was born in1896 and died in Hollywood in 1940, and grew up in St. Paul, Minnesota. He is the mostimportant representative of the “Jazz Age”. He published the novel Tender is the Night, Paradise, The Last Tycoon and so on; and published over 160 short novels, for instance, Benjamin’s Fantasy Trip, Ice Palace, Winter Dream and so on. During the twentieth century, the United States academic community selected 100 the best novels in the river of English literature. The Great Gatsby and Tender is the Night are the list. And The Great Gatsby is second. He first published The Great Gatsby on April 10, 1925, a story set in Island’s North Shore and New York City during the summer of 1922.Impression on the novel:After reading the novel, I was deeply shocked by Gatsby’s persistence dream, and his miserable ending, and impressed more about the “Jazz Age”.In American history, maybe “it was the best of times, it was the worst of times, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way”.Gatsby was young and full of passion to realize all his dreams, which could have been a perfect character in any times. However, he was poor, and this, which made him become a tragic character, also was the focus in that age-“Jazz Age”. “There was a faint, barely perceptible movement of the water as the fresh flow from one end urged its way toward the drain at the other. With little ripples that was hardly the shadows of waves, the laden mattress moved irregularly down the pool.” A hopeless ending indicates that the most beautiful dream in that age was eventually destroyed by the reality, the social. We can clearly know that Daisy did not choose Gatsby although he had become much more affluent than Tom, but choose her previous life-living with Tom, it may be a bad choice, but it was really the decision made by Daisy herself, a selfish, disingenuous and vain girl, the girl which Gatsby always loved and was willing to pay everything he has for, even she betrayed more than once, and this can be inferred when Gatsby showed his love and she hesitated.Shutting the book, I am deep in thought. The author tries to describe the social, the so-called upper class, the so-called prosperous country, and certainly the shattered “the American dream”. In my opinion, the author not only wants to attack the luxury and hypocrisy of the classes, but also to appeal to people to pursue true love, not the greed of money and hypocrisy, although this book has a desperate ending.。

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了不起的盖茨比_英文书评

了不起的盖茨比_英文书评

The Great GatsbyInformation about this novel :The novel is told us the story of Gatsby by Nick ' s tone. Nickcameto NewYork from his hometownthe America Middle West, and he rent a small house nearby Gatsby' s luxurious mansion where hold a grand banquet every night.The story began with the meet between Nick and Gatsby. And Nick had an exploratory interest to Gatsby and understood that there was a lost love in Gatsby's deep heart. Gatsby and Daisy loved each other when Gatsby was young, but because of Gatsby 's poor family they were broken up. Then G. joined the First World War. While Daisy was married to Tom who was a rich dandy, but her marriage was not happy because Tom had a mistress. Therefore, the material couldn 't satisfy her spiritual empty.Gatsby was very painful and he believed that Daisy betrayed the pure heart for the money, so he resolved to be a man of wealth and a few years later he managed it. What 's more, in theopposite direction of Daisy 's house Gatsby built a mansion.In order to attract Daisy and aroused the lost love, Gatsby spent money like water.Nick was moved by Gatsby ' s passion of love, so he visited to his young female cousin Daisy and told her Gatsby' s mind. ThenGatsby made date with Daisy, often. Finally, Gatsby found Daisy ' s vanity, vulgar and selfish. Gatsby 's pink dream finally broke up, but he still insisted it, still retained any illusion about Daisy, and even led to his tragedies.One day Daisy was in a drunken driving Gatsby 's car ran over and caused an accident that killed Tom ' s mistress, and she planned a plot with Tom to put the crime to Gatsby. It led to the mistress ' husband shot Gatsby. Gatsby died, only his father and Nick attended the funeral.Nick witnessed the virtual mood of human reality. At the end, Nick backed to his hometown with a tragedy mood.Introduction of the author :The Great Gatsby is written by F. Scott Fitzgerald, who was born in1896 and died in Hollywood in 1940, and grew up in St. Paul, Minnesota. He is the most important representative of the “Jazz Age” . He published the novel Tender is the Night,Paradise, the Last Tycoon and so on; and published over 160 short novels, for instance, Benjamin 's Fantasy Trip, Ice Palace, Winter Dream and so on. The twentieth century, the United States academic community selected 100 the best novels in the river of English literature. The Great Gatsby and Tender is the Night are the list. And The Great Gatsby is second. He first published The Great Gatsby on April 10, 1925, a story set in Island ' s North Shore and New York City during the summer of 1922.Themes, Motifs & SymbolsThemesThe Decline of the American Dream in the 1920sOn the surface, The Great Gatsby is a story of the thwarted love between a manand a woman.The main theme of the novel, however, encompasses a much larger, less romantic scope. Though all of its action takes place over a mere few months during the summer of 1922 and is set in a circumscribed geographical area in the vicinity of Long Island, NewYork, The Great Gatsby is a highly symbolic meditation on 1920s America as a whole, in particularthe disintegration of the American dream in an era of unprecedented prosperity and material excess.Fitzgerald portrays the 1920s as an era of decayed social and moral values, evidenced in its overarching cynicism, greed, and empty pursuit of pleasure. The reckless jubilance that led to decadent parties and wild jazz music — epitomized in The GreatGatsby by the opulent parties that Gatsby throws every Saturday night — resulted ultimately in the corruption of the American dream, as the unrestrained desire for money and pleasure surpassed more noble goals. WhenWorld WarI ended in 1918, the generation of young Americans who had fought the war became intensely disillusioned, as the brutal carnage that they had just faced made the Victorian social morality ofearly-twentieth-century America seem like stuffy, empty hypocrisy. The dizzying rise of the stock market in the aftermath of the war led to a sudden, sustained increase in the national wealth and a newfound materialism, as people began to spend and consume at unprecedented levels. A person from any social background could, potentially, make a fortune, but the American aristocracy —families with old wealth —scorned thenewly rich industrialists and speculators. Additionally, the passage of the Eighteenth Amendment in 1919, which banned the sale of alcohol, created a thriving underworld designed to satisfy the massive demand for bootleg liquor among rich and poor alike.Fitzgerald positions the characters of The Great Gatsby as emblems of these social trends. Nick and Gatsby, both of whom fought in World WarI, exhibit the newfound cosmopolitanism and cynicism that resulted from the war. The various social climbers and ambitious speculators who attend Gatsby 'sparties evidence the greedy scramble for wealth. The clash between “old money” and “new money” manifests itself in the novel 's symbolic geography: East Egg represents the established aristocracy, West Egg the self-made rich. Meyer Wolfshiem and Gatsby'sfortune symbolize the rise of organized crime and bootlegging.As Fitzgerald saw it (and as Nick explains in Chapter IX), the American dream was originally about discovery, individualism, and the pursuit of happiness. In the 1920s depicted in the novel, however, easy money and relaxed social values have corrupted this dream, especially on the East Coast. The main plotline of the novel reflects this assessment, as Gatsby 'sdream ofloving Daisy is ruined by the difference in their respective social statuses, his resorting to crime to make enough money to impress her, and the rampant materialism that characterizes her lifestyle. Additionally, places and objects in The Great Gatsby have meaning only because characters instill them with meaning: the eyes of Doctor T. J. Eckleburg best exemplifythis idea. In Nick 's mind, the ability to create meaningful symbols constitutes a central component of the American dream, as early Americans invested their new nation with their own ideals and values.Nick compares the green bulk of America rising from the ocean to the green light at the end of Daisy 's dock. Just as Americans have given America meaning through their dreams for their own lives, Gatsby instills Daisy with a kind ofidealized perfection that she neither deserves nor possesses. Gatsby's dream is ruined by the unworthiness of its object, just as the American dream in the 1920s is ruined by the unworthiness of its object —moneyand pleasure. Like 1920s Americans in general, fruitlessly seeking a bygone era in which their dreams had value, Gatsby longs to re-create a vanished past —his time inLouisville with Daisy — but is incapable of doing so. When hisdream crumbles, all that is left for Gatsby to do is die; all Nick can do is move back to Minnesota, where American values have not decayed.The Hollowness of the Upper ClassOne of the major topics explored in The Great Gatsby is the sociology of wealth, specifically, how the newly minted millionaires of the 1920s differ from and relate to the old aristocracy of the country 's richest families. In the novel, West Egg and its denizens represent the newly rich, while East Egg and its denizens, especially Daisy and Tom, represent the old aristocracy. Fitzgerald portrays the newly rich as being vulgar, gaudy, ostentatious, and lacking in social graces and taste. Gatsby, for example, lives in a monstrously ornate mansion, wears a pink suit, drives a Rolls-Royce, and does not pick up on subtle social signals, such as the insincerity of the Sloanes ' invitation to lunch. In con trast, the old aristocracy possesses grace, taste, subtlety, and elegance, epitomized by the Buchanans ' tasteful home and the flowing white dresses of Daisy and Jordan Baker.What the old aristocracy possesses in taste, however, it seemsto lack in heart, as the East Eggers prove themselves careless, inconsiderate bullies who are so used to money 's ability toease their minds that they never worry about hurting others. The Buchanans exemplify this stereotype when, at the end of the novel, they simply move to a new house far away rather than condescend to attend Gatsby 's funeral. Gatsby, on the other hand, whose recent wealth derives from criminalactivity, has a sincere and loyal heart, remaining outside Daisy ' s window until four in the morning in Chapter VII simply to make sure that Tom does not hurt her. Ironically, Gatsby 's goodqualities (loyalty and love) lead to his death, as he takes the blame for killing Myrtle rather than letting Daisy be punished, and the Buchanans' bad qualities (fickleness and sel fishness) allow them to remove themselves from the tragedy not only physically but psychologically.MotifsGeographyThroughout the novel, places and settings epitomize the various aspects of the 1920s American society that Fitzgerald depicts. East Eggrepresents the old aristocracy, West Egg thenewly rich, the valley of ashes the moral and social decay of America, and New York City the uninhibited, amoral quest for money and pleasure. Additionally, the East is connected to the moral decay and social cynicism of NewYork, while the West (including Midwestern and northern areas such as Minnesota) is connected to more traditional social values and ideals. Nick 's analysis in Chapter IX of the story he has related reveals his sensitivity to this dichotomy: though it is set in the East, the story is really one of the West, as it tells how people originally from west of the Appalachians (as all of the main characters are) react to the pace and style of life on the East Coast.WeatherAs in much of Shakespeare 's work, the weather in The Great Gatsby unfailingly matches the emotional and narrative tone of the story. Gatsby and Daisy 's reunion begins amid a pouring rain, proving awkward and melancholy; their love reawakensjust as the sun begins to come out. Gatsby 's climactic confrontation with Tomoccurs on the hottest day of the summer, under the scorching sun (like the fatal encounter between Mercutio and Tybalt in Romeo and Juliet). Wilson kills Gatsby on the first day of autumn, as Gatsby floats in his pooldespite a palpable chill in the air — a symbolic attempt to stop timeand restore his relationship with Daisy to the way it was five years before, in 1917.SymbolsThe Green LightSituated at the end of Daisy 's East Egg dock and barely visible from Gatsby 's West Egg lawn, the green light represents Gatsby's hopes and dreams for the future. Gatsby associates it with Daisy, and in Chapter I he reaches towardit in the darkness as a guiding light to lead him to his goal. Because Gatsby's quest for Daisy is broadly as sociated with theAmerican dream, the green light also symbolizes that more generalized ideal. In Chapter IX, Nick compares the greenlight to how America, rising out of the ocean, must have looked to early settlers of the new nation.The Valley of AshesFirst introduced in Chapter II, the valley of ashes between West Egg and New York City consists of a long stretch of desolate land created by the dumping of industrial ashes. It represents the moral and social decay that results from theuninhibited pursuit of wealth, as the rich indulge themselves with regard for nothing but their own pleasure. The valley of ashes also symbolizes the plight of the poor, like George Wilson, who live among the dirty ashes and lose their vitality as a result.The Eyes of Doctor T. J. EckleburgThe eyes of Doctor T. J. Eckleburg are a pair of fading, bespectacled eyes painted on an old advertising billboard over the valley of ashes. They may represent God staring down upon and judging American society as a moral wasteland, though the novel never makes this point explicitly. Instead, throughout the novel, Fitzgerald suggests that symbols only have meaning because characters instill them with meaning. The connection between the eyes of Doctor T. J. Eckleburg and God exists only in George Wilson 's grief -stricken mind. This lack of concrete significance contributes to the unsettling nature of the image.Thus, the eyes also come to represent the essential meaninglessness of the world and the arbitrariness of the mental process by which people invest objects with meaning. Nick explores these ideas in Chapter VIII, when he imagines Gatsby's final thoughts as a depressed consideration of theemptiness of symbols and dreams。

了不起的盖茨比英语读后感及翻译

了不起的盖茨比英语读后感及翻译

了不起的盖茨比英语读后感及翻译了不起的盖茨比英语读后感及翻译《了不起的盖茨比》是美国作家弗·司各特·菲茨杰拉德1925年所写的一部以20世纪20年代的纽约市及长岛为背景的中篇小说。

下面是yjbs作文网小编为您收集整理的了不起的盖茨比英语读后感及翻译,希望对您有所帮助。

了不起的盖茨比英语读后感及翻译篇1Recently read "the great gatsby, a story of hegemony set up dawn. The north American continent, is hundred years ago, the economic development of the train sped forward; Friction machines roar, but also too much to hide a moment of the heart. The book, that history is a little mark.Investigate its likelihood is a persons tragedy, is the tragedy of the society as a whole, may not be important. Wine party smallpox, extravagant luxury residence, colorful gorgeous clothes, just for the sake of his heart love Daisy. Think first, young and beautiful, sketched a period of time; Flies away and alternative fate lane person, in the heart of love is someone elses confidante. The deep love, the injury the farthest, cut; Not reality, immersed in the beautiful dream, but blurred the forward field of vision. Weakness of gunfire, all the dreams and beautiful, vulnerable to burst, scattered in the wind, without trace.Gatsby, his great, because he was the degree of potential energy, but because of his pursuit of the good feelings. He hasnt done anything wrong, but also had to the empty rooms. A dream, how to do, easy, but also how to away, difficult to achieve. In an age of people pursuit of material, to be backed by real emotions. Buckish, stained with money, odour, lost a condition is a pure heart. Leave a piece of pure land, at that time, doomed tooblivion the audacity of commitments.Finally wrote: "we continue to strive to move forward, stream, after being constantly push, until the return to the days of the old one."Heart can not help a Chu. Accustomed to another potential, accustomed to the intrigue, people, really happy? Blundering world, difficult times, disguise the Buddhism, purports to recall the mood like that is like water. This, is the only thing we can do?"Day after day, excitement consumed by gradually." Reality, kill too much like real unreal image. Those beautiful like a castle in the air, and hollow crowd away already. In between dreams and reality, we go from here?Gatsby is the choice of the former. Even if the cruel reality, fate, his image is still great; Pure love is hard to stop, right and wrong about his, also make them in a glorious situation across the sphere of a bygone era. Quietly away, few people look at the light. Through one hundred, is the ray of light, to the left a dark era deserves stay have story.Even if you, in the reality, still mark a dream back without regrets. That is worth pity era, these moving words, bring us infinite daydream.最近在读《了不起的盖茨比》,一个霸权建立破晓时分的故事。

TheGreatGatsby了不起的盖茨比简洁英文影评

TheGreatGatsby了不起的盖茨比简洁英文影评

TheGreatGatsby了不起的盖茨比简洁英文影评第一篇:The Great Gatsby 了不起的盖茨比简洁英文影评Just for love---The Great GatsbyWhen talking about Gatsby many people may think of great house and splendid parties.But it's more than what we have seen.Gatsby was born in a poor family.The fact makes him want more out of destiny in his ambitious mind.So he leaves his home to find what he can do to fight against his destiny and he made it.By saving a rich man from an accident he gains the trust from that man and learnt alot to become a gentleman.After helping the rich man on business he also get benefits from this and fall in love with a beautiful girl named Daisy the cousin of his best friend Nick who helps Gatsby to get close to her by inviting Nick to his amazing party after 5-year struggling from wars and business.During the 5-year time Daisy heard from the war that Gatsby had been killed, the year after his death, she married a rich guy called Tom who had affair with the beautiful wife of the gas store owner.When Gatsby and Daisy get together again, Tom is losing hismistress for the couple is going to move to the town.Knowing the affair between Gatsby and his wife, Tom tries to make Daisy to stay with him.Gatsby was extremely angry and goes back from the town with Daisy driving the car that Tom drove before on the way to the town andseen by the gas store owner and his wife.Knowing the news of moving away, the woman is desperate and eager to meet Tom.Coincidently she sees the car coming and run to it.Out of anger Daisy cannot control her speed and run into the lady and kills her and run away because of fear.Mistakenly the store owner thought it is Tom whokilled his wife, but Tom clears it out.When Gatsby decides to take Daisy away, and then knowing about this T om comes to the Gatsby's to persuade her to go with him.While waiting for the phone call from Daisy about running away Gatsby is killed by the store owner.Knowing this entire Nick tries to contact with Daisy but is rejected by her butler.She leaves with her husband without knowing the fact.There is nobody but Nick on Gatsby's funeral.Story ends here;we can see that the death of Gatsby is just out of the love.He is ambitious, but finally he is just a simple human with great but selfish love.第二篇:了不起的盖茨比英文影评The Great GatsbyThe film is told us the story of Gatsby by Nick’s tone.Nick came to New York from his hometown the America Middle West, and he rent a small house nearby Gatsby’s luxurious mansion where hold a grand banquet every night.The story began with the meet between Nick and Gatsby.Nick had an exploratory interest to Gatsby and understood that there was a lost love in Gatsby’s deep heart.Gatsby and Daisy loved each other when Gatsby was young, but because of Gat sby’s poor family they were broken up.Then G.joined the First World War.While Daisy was married to Tom who was a rich dandy, but her marriage was not happy because Tom had a mistress.Therefore, the material couldn’t satisfy her spiritual empty.Gatsby was v ery painful and he believed that Daisy betrayed the pure heart for the money, so he resolved to be a man of wealth and a few years later he managed it.What’s more, in the opposite direction of Daisy’s house Gatsby built a mansion.In order to attract Daisy and aroused the lost love, Gatsby spent money like water.Nick was moved by Gatsby’s passion of love, so he visited to his youngfemale cousin Daisy and told her Gatsby’s mind.Then Gatsby made date with Daisy, often.Finally, Gatsby found Daisy’s vanity, vul gar and selfish.Gatsby’s pink dream finally broke up, but he still insisted it, still retained any illusion about Daisy, and even led to his tragedies.One day Daisy was in a drunken driving Gatsby’s car ran over and caused an accident that killed Tom’s mistress, and she planned a plot with Tom to put the crime to Gatsby.It led to the mistress’ husband shot Gatsby.Gatsby died, only his father and Nick attended the funeral.Nick witnessed the virtual mood of human reality.At the end, Nick backed to his hometown with a tragedy mood.第三篇:了不起的盖茨比(影评)了不起的盖茨比我一直相信,在这个世界上的一切事物都是存在因果和缘分的。

《了不起的盖茨比》的英文读后感

《了不起的盖茨比》的英文读后感

《了不起的盖茨比》的英文读后感500字《The Great Gatsby》is one of the world's most iconic and widely-known books, and for good reason. Written by American author F. Scott Fitzgerald, the book follows a man named Jay Gatsby in his pursuit of happiness as he attempts to win back the love of his life, Daisy Buchanan. The novel is set during the Roaring Twenties era, when the American Dream was all anyone could think about.Having read the novel, I find it captivating and filled with complex characters, colorful settings, and timeless themes that are still applicable today. The novel serves as a criticism of the American Dream and its pursuit of the “American Ideal”. Throughout the novel, there is an underlying theme of disillusionment, which Gatsby experiences as he comes to terms with the realization that money cannot buy love, nor can it make all of his dreams come true. This is depicted throughout the novel in various ways, such as when Gatsby throws lavish parties yet finds himself feeling lonely and isolated, or when he tries to recreate past memories in a vain attempt to regain the past.Fitzgerald's writing style is also remarkable. He pays close attention to detail and paints vivid images that draw the reader into the story. His use of symbols, such as the green light, further emphasizes the underlying theme of unachievable goals and dreams. The novel is full of metaphors and imagery, and Fitzgerald's diction contributes to the overall mood of the novel, giving it a sense of nostalgia and dream-like quality.Overall, I found this novel to be complex and thought-provoking.It contains themes that are timeless and thought-provoking, making it one of the greatest novels of all time. The novel serves as a powerful reminder that while pursuing the American Dream may bring us material wealth, it cannot bring us true happiness or eternal love.。

了不起的盖茨比 英文书评 PDF

了不起的盖茨比 英文书评 PDF

了不起的盖茨比英文书评 PDFThe Great Gatsby Reading experience I start to read the book about 3 weeks ago At first I searched some information about the author from the Internet then glanced the basic content of novel When I read the several chapters ahead of the novel I feel it was so boring the complex relationship would kill me. When I nearly finished the novel everything was suddenly enlightened. Information about this novel The novel is told us the story of Gatsby by Nick’s tone. Nick came to New York from his hometown theAmerica Middle West and he rent a small house nearby Gatsby’s luxurious mansion where hold a grand banquet every night. The story began with the meet between Nick and Gatsby. And Nick had an exploratory interest to Gatsby and understood that there was a lost love in Gatsby’s deep heart. Gatsby and Daisy loved each other when Gatsby was young but because of Gatsby’s poor family they were broken up. Then G. joined the First World War. While Daisy was married to Tom who was arich dandy but her marriage was not happy because Tom had a mistress. Therefore the material couldn’t satisfy her spiritual empty. Gatsby was very painful and he believed that Daisy betrayed the pure heart for the money so he resolved to be a man of wealth and a few years later he managed it. What’s more in the opposite direction of Daisy’s house Gatsby built a mansion. In order to attract Daisy and aroused the lostlove Gatsby spent money like water. Nick was moved by Gatsby’s passion of love so he visited to his young femalecousin Daisy and told her Gatsby’s mind. Then Gatsby made date with Daisy often. Finally Gatsby found Daisy’s vanity vulgar and selfish. Gatsby’s pink dream finally broke up but he still insisted it still retained any illusion about Daisy and even led to his tragedies. One day Daisy was in a drunken driving Gatsby’s car ran over and caused an accident that killed Tom’s mistress and she planned a plot with Tom to put the crime to Gatsby. It led to the mistress’ husband shot Gatsby. Gatsby died only his father and Nickattended the funeral. Nick witnessed the virtual mood of human reality. At the end Nick backed to his hometown with a tragedy mood. Introduction of the author The Great Gatsby is written by F. Scott Fitzgerald who was born in1896 and died in Hollywood in 1940 and grew up in St. Paul Minnesota. He is the most important representative of the “Jazz Age”. He published the novel Tender is the Night Paradise the Last Tycoon and so on and published over 160 short novels for instance Benjamin’s Fantasy Trip Ice PalaceWinter Dream and so on. The twentieth century the United States academic community selected 100 the best novels in the river of English literature. The Great Gatsby and Tender is the Night are the list. And The Great Gatsby is second. He first published The Great Gatsby on April 10 1925 a story set in Island’s North Shore and New York City during the summer of 1922. Impression on the novel: After reading the novel Iwas deeply shocked by Gatsby’s persistencedream and his miserable endingand impressedmore about the “Jazz Age”.In American history maybe“ it was the best of times it was the worst of times we had everything before us we had nothing before us we were all going direct to Heaven we were all going direct the other way”. The Gates ratio is the 20s models American youthhe was young and full of passion to realize all his dreams which could have been a perfect character in anytimes.However he was poorand thiswhich made him become a tragic character also was the focus in that age-“Jazz Age”. Gates compares in order to pursue the black eyebrow coloring alizarin red to exhaust own sentiment and the ability and wisdom finally ruined own life. “There was a faintbarely perceptible movement of the water as the fresh flow from one end urged its way toward the drain at theother .With little ripples that was hardly the shadows of waves the ladenmattress moved irregularly down the pool.” A hopeless ending indicates that the most beautiful dream in that age was eventually destroyed by the realitythe social.We can clearly know that Daisy did not choose Gatsby although he had become much more affluent than Tom but choose her previous life-living with Tomit may be a bad choisebut it was really the decision made by Daisy herselfa selfish disingenuous and vain girlthe girl which Gastby always loved and was willing to pay everything he has for even she betrayed more than onceand this can be inferred whenGastby showed his love and she hesitated. Shutting the bookI am deep in thought.The author tries to describe the social the so-called up class the so-called prosperous countryand certainly the shatteredthe American dream.In my opinionthe author not only wants to attack the luxury and hypocrisy of the classesbut also to appeal to people to pursue true lovenot the greed of money and hypocrisyalthough this book has a desperate ending.。

了不起的盖茨比英语文学评论

了不起的盖茨比英语文学评论

了不起的盖茨比英语文学评论《了不起的盖茨比》是美国作家F·斯科特·菲茨杰拉德的一部经典之作,被誉为美国现代文学的巅峰之作。

本书以20世纪20年代的纽约为背景,通过主人公盖茨比的故事,展现了美国梦的破灭和社会虚伪的现象。

作为一部英语文学作品,本书不仅在情节和人物设定上吸引人,更在语言运用上独具匠心。

本书在语言运用方面展现了作者的卓越才华。

菲茨杰拉德的笔触流畅而优美,运用了丰富的修辞手法,使整个故事充满了诗意和艺术感。

例如,在描写盖茨比的派对时,作者用了形容词“巨大”的修饰词来形容派对的规模,以及使用了大量的动词和形容词来描绘派对的繁荣和热闹,让读者仿佛置身其中。

此外,作者还巧妙地运用了隐喻和比喻,例如将“绿灯”比喻为盖茨比对黛西的追求,使故事更加深入人心。

本书通过对社会现象的描绘,展现了人性的复杂性和社会的冷酷无情。

在《了不起的盖茨比》中,菲茨杰拉德对20世纪20年代美国社会进行了深刻的剖析。

他通过对“浮华”的描绘,暗示了人们追求虚荣和享乐的本质,以及社会上虚伪和冷漠的现象。

例如,盖茨比为了得到黛西的爱情而炫耀财富,而黛西则出于物质利益选择了另一个富有的男人。

这种冷酷无情的社会现象,让读者对人性和社会产生了深思。

本书通过对人物形象的塑造,展现了人物内心世界的复杂性和矛盾性。

主人公盖茨比是一个富有的神秘人物,他为了追求黛西的爱情,不惜通过各种手段来改变自己的身份和过去。

然而,当他最终得到黛西后,却发现她并不是他所向往的女神,而是一个虚荣和自私的女人。

这种矛盾和追求的无果,使盖茨比最终走向了悲剧的结局。

通过对盖茨比这一形象的塑造,菲茨杰拉德向读者展示了人性的复杂性和对梦想的追求。

本书通过对时间和记忆的描绘,展现了对过去的眷恋和对未来的追求。

整个故事以叙述者尼克的回忆为主线,通过他对盖茨比的回忆,展现了对曾经美好时光的怀念和对未来的憧憬。

尼克通过对盖茨比的故事的叙述,不仅仅是为了还原真相,更是为了告诉读者,人们对过去的眷恋和对未来的追求是人生的一部分。

了不起的盖茨比英文影评书评Money Love and Aspiration in The Great Gatsby

Money, Love, and Aspiration in The Great Gatsbyby Roger LewisOne characteristic of popular American fiction is the implicit separation of love and money. Possession of one does not lead to possession of the other. If the protagonists of Horatio Alger‟s books become rich and win the girl, such winning is an adjunct to their sudden solvency, not a consequence of it. Alger wants his audience to believe, perhaps, that common sense and moral determination secure the love of a worthy partner; but that these qualities of common sense and moral determination are the property of those who must struggle for money is an assumption -not an issue Alger wants to explore. As a result, it is impossible to imagine what happens to Ragged Dick, Frank Fowler, or any of the hundreds of Horatio Alger heroes after their first success.The separation of love and money characterizes serious American fiction too. The guilt that seems to lurk behind the source of Lambert Strether‟s wealth (the firm in Woollett “made something”) unde rscores both his and, I suspect, his creator‟s distaste for tainting the finer emotions with anything so crass as commercialism. If the independence and energy that constitute Strether‟s as well as his earlier prototype‟s, Christopher Newman‟s, most appeal ing facets come from contact with the struggles of business, the novel prefers to treat this matter as background. The inamoratas of Strether and Newman are fascinating more for their richness of background and their exquisiteness of taste than for the fortune that sustains these qualities.What I have said so far seems to me to hold especially true for American fiction before World War I. The laissez-faire democratic ideal that America has always believed it believed is the product of an age when individual effort counted, when a man could rise by his own efforts, and when—if his affairs were not succeeding—hecould at least escape by signing up for a whaling voyage or lighting out for the territory ahead of the rest. When the system failed, it was the fault of rapscallions and crooks; the vision itself remained an ideal and the standard from which criticisms and judgments could be made.World War I shattered this vision. It ended once and for all the faith in individual effort that had been eroding since the Industrial Revolution and had persisted—sometimes naively and sometimes defensively—in the fiction that I have been mentioning. As Mark Schorer has pointed out, disillusionment with the American system and the efficacy of individual effort is the distinguishing characteristic of postwar American writing.Of course, not many, if any, ideals die totally and suddenly even after mortal blows, and during periods of transition the most complex and seminal works are often written. In this respect the 1920s bridge the gap between the older, simpler, more naive and idealistic America and the bewildering, disparate, rootless, cynical America of the present. The Great Gatsby, neatly published in the mid-1920s, is a key work, looking Janus-like in both directions.The opening words of the novel express this double vision.In my younger and more vulnerable years my father gave me someadvice that I‟ve been turning over in my mind ever since.“Whenever you feel like criticising any one,” he told me, “justremember that al l the people in this world haven‟t had the advantagesthat you‟ve had.” (p. 1)The narrator, Nick Carraway, senses that he is too quick to condemn; his father has a perspective from which to make judgments. Nick has to remind himself of his father‟s more b alanced, human appraisal. The younger Carraway has one foot in the past and one in the present; his allegiance to his father‟s older, more careful manner is maintained at the cost of constant surveillance.When, in a following paragraph, Nick declares that after returning from the East he “wanted the world to be in uniform and at a sort of moral attention forever” (p. 2), he connects the war with his cynical, guilty disapproval of the New York the book is about to portray, but he goes on to make an exception for Gatsby, allying Gatsby to an older, more humane America—an ironic identification, since Gatsby “represented everything for which I have unaffected scorn” (p. 2). Thus, not only the narrator but also Gatsby is double, making the novel doubly double.Such doubleness is important, because by it Fitzgerald creates a character whose naivete can be simultaneously touching and absurd, and who can possess the most romantic and crass attitudes at the same time. By the end of the novel, Gatsby and what he stands for reach proportions of mythic profundity.Expressing such resonances was a talent Fitzgerald had to develop. Some indication of his abilities is present in This Side of Paradise, and some of the rhythms of The Great Gatsby appear in embryonic form in t he earlier book, but it is not until “Winter Dreams” in 1923 that Fitzgerald explicitly connects the themes of love and money. In this story, Dexter Green, a figure straight from the work ethic of Horatio Alger, loses Judy Jones, a child of wealth. Yet the relationship between love and money in “Winter Dreams” is not as simple as in Alger. For one thing, Judy Jones, the heroine of the story, is a romantically attractive woman. In Horatio Alger‟s fiction, rich females are cold and cruel and loveless, but Judy Jones is exciting and desirable, capable of exciting love in others, but, once society has corrupted her, not herself capable of loving. Exciting others and promising love, however, matter more than the realizable dreams of wealth necessary to obtain Judy Jones; they give the story all its powerful emotion. The intangibility of the emotion, its transience and fragility, its evanescent illusory quality, and the fact that it is unrealizable account for its enchantment. What sustains the charm is the atmosphere that surrounds Judy Jones, an atmosphere engendered by wealth. This wealth destroys even as it creates; thus, the doubleness of Gatsby is prefigured here.When Dexter Green is aware of how empty and bereft his life is because the dream of the old Judy Jones has gone, he has the impulse to “get very drunk.” There are shades here of Amory Blaine, who similarly responds when Rosalind is not to be his. But not, seemingly, shades of Gatsby; although a bootlegger, Gatsby is abstemious and careful—a man aware of his own doubleness. Both dreamer and vulgarian at the same time, he is, like DexterGreen, a money maker and a romantic; unlike Dexter Green, he seems to balance between the two. He appears able to keep the halves in control.Almost predictably, the obje ct of Gatsby‟s romantic quest, Daisy Buchanan, comes to us in a double way. She is, of course, presented not by Gatsby or Fitzgerald but by Nick Carraway, and she comes to us through his filter of contradictory impressions and emotions. After Nick‟s description of Tom, with the latter‟s conceit and meanness, the reader is prepared to respond instantly to the charm of Daisy. Daisy comes to us laughing “an absurd, charming little laugh” (p. 10) that makes Nick laugh also. The pleasing impression of Daisy is largely vocal:… there was an excitement in her voice that men who had cared for herfound difficult to forget: a singing compulsion, a whispered “Listen,” apromise that she had done gay, exciting things just a while since andthat there were gay, exciting things hovering in the next hour. (p. 11)But then Nick‟s doubleness reasserts itself. Just as we are seduced by her simpering mockery of her husband, captivated by her posturing, her “thrilling scorn” (p. 21), and the romantic glow with which Fitzgerald has surrounded her, Nick pulls us back.The instant her voice broke off, ceasing to compel my attention, mybelief, I felt the basic insincerity of what she had said. It made meuneasy, as though the whole evening had been a trick of some sort toexact a contributory emotion from me. I waited, and sure enough, in amoment she looked at me with an absolute smirk on her lovely face, asif she had asserted her membership in a rather distinguished secretsociety to which she and Tom belonged. (pp. 21-2)This identification with Tom comes as a surprise. So does its limited extension to Nick himself. (A few pages earlier, Nick has referred to the fact that he and Tom “were in the same senior society” [p. 9] at Yale.) The three-way identification of Tom, Nick, and Daisy momentarily demystifies Daisy and consequently makes the reader trust more in Nick‟s judgments. Nick can both glamorize Daisy so that the reader shares Gatsby‟s attraction to her and undercut Daisy so that the reader can see her from without. Such a set of contradictions strengthens the spell Daisy can cast and givesus a view of Daisy that contrasts to the one Gatsby will later present. The double view of Daisy persists throughout the novel, although it is later replaced by the more compelling topic o f Gatsby‟s feeling for her; it certainly continues through Chapter 5, when Gatsby meets Daisy again after five years. At this point, our contradictory feelings are transferred to their relationship. Fitzgerald deliberately recalls our reactions by a reference to the first scene with Daisy when Nick refers to a joke about the butler‟s nose. His description of Daisy‟s voice when Gatsby enters Nick‟s house, also recalls that previous episode:For half a minute there wasn‟t a sound. Then from the living-room Iheard a sort of choking murmur and part of a laugh, followed byDaisy‟s voice on a clear artificial note:“I certainly am awfully glad to see you again.” (p. 104)Just when it seems as though the hollow, mannered, deliberate falseness is going to continue, Fitzgerald effects another peripeteia. When Nick returns after having left Daisy and Gatsby alone for awhile, Daisy is crying, and “every vestige of embarrassment” (p.107) has disappeared. Daisy‟s throat, at this point, “full of aching, grieving beauty, told only of her unexpected joy” (p. 108). Love seems possible, especially for Gatsby. He dominates the rest of the chapter, as “a new well-being radiated from him” (p. 108).It is no accident that this scene falls squarely in the middle of the novel. It might also be the emotional center of it, and it is noteworthy that in a letter to his editor, Maxwell Perkins, Fitzgerald mentioned this scene as his favorite.Yet, moving as it may be, the initial encounter of Gatsby and Daisy cannot really be the emotional center of The Great Gatsby. For one thing, however much we may be charmed by Daisy, Nick‟s previous depiction of her undercuts our ability to give unquestioning credence to her feelings on this occasion. And, more comically, the means by which Gatsby expresses his feelings for Daisy—even though those feelings are sincere—is by showing off his possessions. Urging Daisy and Nick to explore his house, he tells them: “…It took me just three years to earn the money that bought it‟” (p. 109). The very language in which Nick describes Gatsby‟s love for Daisy is commercial: “I think he revalued everything in his houseaccording to the measure of response it drew from her well-loved eyes.” (p. 111). Daisy responds to Gatsby‟s display: she cries over his beautiful shirts.Even when the sentiments are genuine, they are formulated in monetary terms. Gatsby‟s love for Daisy is an intense and worked-out variety of that which lovers of all ages have felt; its expression is distinctively that of postwar America, of a society that consumes.At this point in The Great Gatsby the relationship between love and money has been suggested but not enlarged, as it will be later. For one thing, we do not know about Gatsby‟s impoverished beginnings, and our ignorance is essential to Fi tzgerald‟s plan. It is not simply the case, as Edith Wharton suggested in a letter to Fitzgerald, that Fitzgerald wishes to tell his story in a new fashion just to be “modern”; nor can I wholly accept Fitzgerald‟s explanation that the reason for withholdin g Gatsby‟s past is to augment the sense of mystery surrounding him, although doing so does have such an effect. Rather, withholding exactly who Gatsby is or where he comes from is a method of underscoring the rootlessness of postwar American society, its restless alienation, and its consequent reliance on money as a code for expressing emotions and identity.Fitzgerald seems at every point to emphasize the unconnected-ness of Gatsby. Gatsby has shifting identities according to which party guest one listens to, but most of the identities, even the one that turns out to be “true,” have something of the unreal or fantastic about them. When they do not, they seem fantastic by being juxtaposed with others that do.“Who is he?” I demanded. “Do you know?”“He‟s just a man named Gatsby.”“Where is he from, I mean? And what does he do?”“Now you’re started on the subject,” she answered with a wan smile.“Well, he told me once he was an Oxford man.”A dim background started to take shape behind him, but at her nextremark it faded away.“However, I don‟t believe it.” (p. 59)This rootlessness begins when the war ends. Before he identifies himself, the war is the subject of Gatsby‟s conversation with Nick,and it is the most grounded identity, until the novel‟s denouement, that Gatsby has.How do the members of such a rootless, mobile, indifferent society acquire a sense of who they are? Most of them don‟t. The novel presents large numbers of them as comic, disembodied names of guests at dinner parties: the Chromes, the Backhyssons, and the Dennickers. Some, of course, have some measure of fame, but even Jordan Baker‟s reputation does not do much for her other than get her entree to more parties. A very few, such as Gatsby, stand out by their wealth; his hospitality secures him a hold on many peoples‟ memories, but Fitzgerald is quick to point up the emptiness of this: Klipspringer cares more about his lost tennis shoes than Gatsby‟s death.In this connection, Fitzgerald‟s insistence on Gatsby as a man who “sprang from his own Platonic conception of himself” is important. Conceiving one‟s self would seem to be a final expression of rootlessness. And it has other consequences for love, money, and aspirations as well. When one‟s sense of self is self-created, when one is presen t at one‟s own creation, so to speak, one is in a paradoxical position. One knows everything about oneself that can be known, and yet the significance of such knowledge is unclear, for no outside contexts exist to create meaning. The result is that aself-created man turns to the past, for he can know that. It is an inescapable context. For Gatsby and for the novel, the past is crucial. His sense of the past as something that he not only knows but also thinks he can control sets Gatsby apart from Nick and gives him mythical, larger-than-life dimensions. When he tells Nick that “of course the past can be repeated” (p. 133) or that Tom‟s love for Daisy was “…just personal‟” (p. 182), he may be compensating for his inability to recapture Daisy; but he must believe these things because the postwar world in which he, Gatsby, lives is meaningless and almost wholly loveless.A glance at the relationships in The Great Gatsby proves this latter point. Daisy and Tom‟s marriage has gone dead; they must cover their dissatisfactions with the distractions of the idle rich, Myrtle and Tom are using one another; Myrtle hates George, who is toodull to understand her; the McKees exist in frivolous and empty triviality. Even Nick seems unsure about his feelings for the tennis girl back in the Midwest. His attraction to Jordan Baker is clearly an extension of this earlier relationship (both girls are associated with sports), but occurring as it does in the East, it partakes of the East‟s corruption. It too calls forth the need for money.�In a draft manuscript of The Great Gatsby, Nick makes the link between money and desire explicit: “I thought that I loved her and I wanted money with a sudden physical pang.” Later Nick compares his loveless affair with Jordan to refuse the sea might sweep away, a feeling that Jordan senses and throws back at Nick with cruel irony when she accuses him of being dishonest—leading her on with no intention of marrying her—after lying to him that she is engaged to another man. In brief, the world of The Great Gatsby can seem as sordid, loveless, commercial, and dead as the ash heaps presided over by the eyes of Dr. T. J. Eckleburg. Indeed, this atmosphere is so essential to The Great Gatsby that one of the alternative titles Fitzgerald considered for the novel was Among the Ash-Heaps and Millionaires.Against this backdrop, the Gatsby-Daisy relationship seems to shine. It is at least a shared connection in which both partners respond with equal intensity. For Gatsby it has endured: He has loved Daisy for five years. And if their love is founded upon feelings from the past, these give it, notwithstanding Gatsby‟s insistence on being able to repeat the past, an inviolability. It exists in the world of money and corruption but is not of it.Some implications of the inviolability Gatsby does not see. His very protesting, however, shows his sense of the impossibility of returning and makes at once more poignant and more desperate his effort to win Daisy—a poignancy further increased by the futility of his money in achieving this end.“I‟m going to fix everything just the way it was before,” he said,nodding determinedly. “She‟ll see.”He talked a lot about the past, and I gathered that he wanted to recoversomething, some idea of himself perhaps, that had gone into lovingDaisy. His life had been confused and disordered since then, but if hecould once return to a certain starting place and go over it all slowly,he could find out what that thing was… (p. 133).The last orderly period of Gatsby‟s life, then, was t he period before he was sent to fight in the war, when he was still in the process of self-creation. The period when he loved Daisy and when Daisy loved him preceded his period of fabulous wealth. In this respect, he fits the Alger stereotype.The period when his love becomes most intense, however, is precisely that in which he does not see Daisy. The love born in this period is therefore largely a function of his imagination. The kernel of his experience remains untouched because it is safely embedded in a previous time; the growth of the love is wild and luxuriant. It spurs him on, resulting in the glamorous world of parties and in the “huge incoherent failure” (p. 217) of his house.The romantic and fantastic nature of Gatsby‟s love seems extraordinary and absurd, looked at in worldy, practical terms. Why does he wait so long to arrange a meeting and then use Jordan Baker and Nick Carraway to bring it about? A man with Gatsby‟s resources would surely have a hundred easier ways to do what he does in the course of this story. The answer is that the love becomes more important than the object of it. Gatsby has already started down this path in Louisville when he asks himself, “…What would be the use of doing great things if I could have a better time telling h er what I was going to do?‟” (p. 180).If Gatsby himself is presented as curiously “unreal,” the connection between Daisy and Gatsby—the unobtainable and the insubstantial—is destined to founder in a world as insistently material as the one Fitzgerald details for us. In such a world, Gatsby cannot make love to Daisy. Even earlier, during the war, when Gatsby and Daisy did make love (“took” her [p. 178]), physicalcontact was a limitation of his love: “He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God” (p. 134). And the moments of greatest intimacy between them are those when they neither speak nor make love: “They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat‟s shoulder or when he touched the end of her fingers, gently, as though she were asleep” (p. 180). No wonder, then, that after the five-year hiatus, when Gatsby‟s love has had the chance tofeed upon itself and nourish itself, the possibility of physical intimacy has not grown, but the love has grown beyond the merely “personal.”For these reasons Chapter 7, where Daisy, Tom, Gatsby, Nick and Jordan engage a suite at the Plaza hotel, is of greatest importance. If Daisy‟s love for Gatsby is to endure, it must exist in non-Platonic, physical terms. It must exist in the world of money. The scene in New York demonstrates the impossibility of this transformation and further connects Gatsby‟s love to his sense of fabulous, mythical riches.If Gatsby dominates the first meeting with Daisy—the chapter ends at his house, on his territory—Tom dominates the denouement at the hotel. The change of venue allies Chapter 7 to Chapter 2, the scene of Tom‟s violent party with Myrtle Wilson, a connection Fitzgerald underscores by the telephone conversation about Tom Buchanan‟s selling his car and by the stopping for gasoline at George Wilson‟s station.Daisy sees purposelessness as characterizing her whole life: “…What‟ll we do with ourselves this afternoon?‟ cried Daisy, ‟and the day after that, and the next thirty years?‟” (p. 141). The idleness of this remark doesn‟t threaten Gatsby‟s grandiose feelings, but Daisy inhabits the physical world of Tom, and she wants to act, not just dream, so it is she who proposes that the party move to New York—to Tom‟s territory. Such a move takes the day away from Gatsby. Daisy‟s voice ominously molds the “senselessness [of the heat] in to forms” (p. 142)—i.e., abstract feelings into concrete deeds. It is before the five characters move to New York that (Gatsby makes his famous remark to Nick: “…Her voice is full of money‟” (p. 144). This insight, which Fitzgerald added when the novel was in galley proof, shows Gatsby‟s understanding of the link between love and money. Daisy‟s voice has been described as the seductive, thrilling aspect of her. What Gatsby, with surprising consciousness,states is that Daisy‟s charm is allied to the attract ion of wealth; money and love hold similar attractions.It is true that from Wolfsheim to Nick Carraway, people are in the East to earn their livings, to pursue “the shining secrets thatonly Midas and Morgan and Maecenas knew” (p. 5). But Gatsby, with his boundless capacity for love, a capacity unique in the sterile world he inhabits, sees that the pursuit of money is a substitute for love. He knows himself well enough to see that his own attraction toward wealth is tied to his love for Daisy. The fact that Gatsby‟s money, like his love, should be self-made gives his description of her voice authority and depth.That Daisy‟s voice should be full of money is a remark only Gatsby could make.� It is a statement of someone alive to the possibilities of love and money and sensitive to them—perhaps too much so. Tom could never have provided the description of Daisy. His attraction to Daisy has nothing to do with her wealth. (Her family is well off, but apparently not very rich—certainly not compared to the Buchanan fortune.) And it is impossible to imagine Tom making Gatsby‟s remark because Tom is accustomed to having money. Money qua money holds no interest for him because it does not have to be chased after: His is old money simply there to be used. Tom may buy anything he wishes—from polo ponies to cufflinks—but he understands that polo ponies or cufflinks are all he is buying. His money was divested of dreams before he was even born.Gatsby‟s, on the other hand, is new money, money in the process of being acquired. This newness gives the money some purpose and vitality; what Gatsby buys he buys for a purpose: to win Daisy. But there is a danger for Gatsby in this redeeming purposefulness. When he buys his fantastic house, he thinks he is buying a dream, not simply purchasing property. This direction makes Gatsby a more sympathetic man than Tom, but it is a sympathy he projects at the price of naivete; he is completely innocent of the limits of what money can do, a man who, we feel, would believe every word of an ad vertisement] Daisy even makes this identification: “…You resemble the advertisement of the man‟” (p. 142).In this respect Gatsby embodies the acquisitive, consuming spirit of the rest of the characters in the novel. The characters of The Great Gatsby are pursuing a world of misunderstood elegance, mirrored in a thousand romantic and comic details and apotheosized, perhaps, in Nick‟s description of New York as made of “whiteheaps and sugar lumps all built with a wish out of non-olfactory money” (p. 82).“No n-olfactory” is a curious word. It is Fitzgerald‟s way of using the common locution that “money smells.” He is also reminding us, of course, that Gatsby‟s money does not “smell” right—however explicitly or tacitly condoned by the denizens of Gatsby‟s world, illegal and shifty means (bootlegging, stolen securities) have been used to make that wealth. Gatsby does not see that the corruption at the base of his fortune in effect compromises his vision of life with Daisy. You cannot win the ideal with the corrupt, and you cannot buy integrity or taste with dollars. When late in the story Daisy attends one of Gatsby‟s parties, she is repelled rather than attracted. So stated, this has a moralistic ring, but no reader of The Great Gatsby could ever mistake it for a didactic work. The reader is at many points encouraged to marvel at the glitter, especially as it is the means by which Gatsby chases after Daisy. If such morality as the book conveys comes through most explicitly in the attitudes of its narrator, there are nevertheless many moments when Nick is simply overwhelmed by the astonishing freshness and strength of Gatsby‟s feeling. Indeed, after the remark about Daisy‟s voice, Nick finds himself participating in Gatsby‟s thinking. He finds this moment similar to an earlier one in Chapter 5 when he “was going to ask to see the rubies” (p. 113). He continues Gatsby‟s dream for us, recognizing the strength of Gatsby‟s identification of Daisy‟s voice and money.That was it. I‟d never understood it before. It was full of money -thatwas the inexhaustible charm that rose and fell in it, the jingle of it, thecymbals‟ song of it. … High in a white palace the king‟s daughter, thegolden girl. … (p. 144)Here not only Nick but also we share Gatsby‟s dream. The man who has asked Daisy, “…Can‟t you talk about crops or something?‟” (p. 15) breaks into reverie. We share in the pleasures, in the fantasies; Nick‟s and Gatsby‟s vision becomes ours. And thus the book fosters our appreciation of Gatsby‟s corrupt dream. Yet such part icipation can never be wholehearted and can never be complete: Nick breaks off as Tom returns with a bottle of whiskey, and the scene becomes Tom‟s again.The novel‟s insistence that Tom win the struggle over Daisy is tantamount to denying the realization of the kind of love that Gatsby is offering Daisy and that the novel values above all others. What does remain is the marriage of Tom and Daisy. Ironically, such love as even that relationship may contain is embedded in the past (“that day I carried you do wn from the Punch Bowl‟” [p. 159]). The future, uncertain and without love, is a kind of death -rendering the worldof The Great Gatsby grim indeed. Nick sees the oncoming years as harrowing and lonely ones. What does life hold for a decent man like Nick? He has no love, unlike Gatsby. Nick is thirty, a number that recalls Daisy‟s frightening question, “…What‟ll we do with ourselves … for the next thirty years?‟” (p. 144)One answer to Nick‟s self-doubts might be his liaison with Jordan Baker. That, however, has already been presented to us as a troubled one. If Jordan is “too wise ever to carry well-forgotten dreams from age to age” (p. 163), she is wrapped in almost impenetrable narcissism; after the disturbing events of the day when Myrtle has been killed, Jordan is ready for a date: “…It‟s only half-past nine‟” (p. 171). But Nick, having watched Gatsby‟s love for Daisy effectively terminated, having seen Myrtle violently run down, and wrapped in his own loneliness, cannot accede to compulsive and indeed perverse socializing.The novel‟s sense of duality, of attraction and repellence, diminishes after the hotel scene. Instead the book proceeds with deliberate mechanicalness to work out the consequences of Daisy‟s having run down Myrtle. Wilson‟s dull, self-defensive grief is the embodiment of the sterility of the valley of ashes; lacking a dream, his life itself is a kind of death. Wilson may have been married in a church “…a long time ago,‟” (p. 189), but his present God is the disembodied eyes of Dr. T. J. Eckleburg, an advertisement. For him love has vanished, and he is left without a vision to sustain him. The man who kills Gatsby is already dead when he commits the murder; Nick Carraway describes him as “ashen” (p. 194), and his suicide is simply a belat ed acknowledgment of his condition.Wilson and Gatsby both die by Wilson‟s hand, suggesting an identification. There is one. Both have aspired to marry above their social station. Whereas Wilson borrows a suit for his wedding toconceal his low economic sta tus, Gatsby wears his country‟s uniform while courting Daisy. But there the similarity ends. Yet it is worth noting that Gatsby has tried to do what probably no other developed male character in a major work of American fiction has tried to do. He has tried to marry for love into a class higher than the one he comes from. Usually women make such an attempt, namely, Sister Carrie, Lily Bart, and a host of others.In this respect the difference between Gatsby and the hero of another book published in the same year, Theodore Dreiser‟s An American Tragedy, is instructive. Clyde Griffiths, like Gatsby, tries to rise from humble beginnings in the Midwest to a larger, more glamorous life in the East. Like Gatsby, Clyde attaches himself to a woman (Sondra。

了不起的盖茨比英文总结

了不起的盖茨比英文总结了不起的盖茨比英文总结篇一《了不起的盖茨比英文读书报告》Book Report of The Great GatsbyThe introduction about the author:Francis Scott Key Fitzgerald (September 24, 1896 –December 21, 1940) was an American author of novels and short stories, whose works are the paradigm writings of the Jazz Age, a term he coined himself. He is widely regarded as one of the greatest American writers of the 20th century. Fitzgerald is considered a member of the "Lost Generationof the 1920s. He finished four novels: This Side of Paradise, The Beautiful and Damned, Tender Is the Night, and the most famous one is The Great Gatsby.Fitzgerald also wrote many short stories that treat themes of youth and promise along with despair and age. The Great Gatsby was first published in 1925, and it has been republished in 1945 and 1953. There are two settings for thenovel. The first setting is on LongIsland's North Shore and the second major setting is in New York City. The book is set within the year 1922 from the spring to the autumn.Summary of this book:Nick Carraway, a Midwesterner who had graduated from Yale, moved to New York in the summer of 1922 to learn about the bond business. He rented a house in the West Egg district of Long Island, a group who had made their fortunes too recently to have established social connections and who were prone to garish displays of wealth. Nick’s next-door neighbor in West Egg was a mysterious man named Jay Gatsby, who lived in a gigantic Gothic mansion and threw extravagant parties every Saturday night.Nick was unlike the other inhabitants of West Egg—he was educated at Yale and had social connections in East Egg, a fashionable area of Long Island home to the established upper class. Nick drove out toEast Egg one eveningfor dinner with his cousin, Daisy Buchanan, and her husband, T om, an erstwhile classmate of Nick’s at Yale. Daisy and Tom introduced Nick to Jordan Baker, a beautiful, cynical young woman with whom Nick began a romantic relationship. Nick also leart a bit about Daisy and Tom’s marriage: Jordan told him that Tom had a lover, Myrtle Wilson, who lived in the valley of ashes, a gray industrial dumping ground between West Egg and New York City. Not long after this revelation, Nick travelled to New York City with Tom and Myrtle. At a vulgar, gaudy party in the apartment that Tom kept for the affair, Myrtle began to taunt Tom about Daisy, and Tom responded by breaking her nose.As the summer progressed, Nick eventually garnered an invitation to one of Gatsby’s legendary parties. He encountered Jordan Baker at the party, and they met Gatsby himself, a surprisingly young man who had a remarkable smile and called everyone“old sport.”Gatsby asked to speak to Jordan alone, and through Jordan, Nick later leart more about his mysterious neighbor. Gatsby told Jordan that he knew Daisy in Louisville in 1917 and was deeply in love with her. He spent many nights staring at the green light at the end of her dock, across the bay from his mansion. Gatsby’s extravagant lifestyle and wild parties were simply an attempt to impress Daisy. Gatsby now wanted Nick to arrange a reunion between himself and Daisy, but he was afraid that Daisy would refuse to see him if she knew that he still loved her. Nick invited Daisy to have tea at his house, without telling her that Gatsby would also be there. After an initially awkward reunion, Gatsby and Daisy reestablished their connection. They begin an affair.After a short time, T om grew increasingly suspicious of his wife’s relationship with Gatsby. At a luncheon at the Buchanans’house, Gatsby stared at Daisy with such undisguised passion thatTom realized Gatsby is in love with her. Though Tom involved in an extramarital affair, he was deeply outraged by the thought that his wife could be unfaithful tohim. He forced the group to drive into New York City, where he confronted Gatsby in a suite at the Plaza Hotel. T om asserted that he and Daisy had a history that Gatsby could never understand, and he announced to his wife that Gatsby was a criminal—his fortune came from bootlegging alcohol and other illegal activities. Daisy realized that her allegiance was to Tom, and Tom contemptuously sent her back to East Egg with Gatsby, attempting to prove that Gatsby could not hurt him.When Nick, Jordan, and T om drove through the valley of ashes, however, they discovered that Gatsby’s car had struck and killed Myrtle, Tom’s lover. They rushed back to Long Island, where Nick leart from Gatsby that Daisy was driving the car when it struck Myrtle, butthat Gatsby intended to take the blame. The next day, T om told Myrtle’s husband, George, that Gatsby was the driver of the car. George, who had leapt to the conclusion that the driver of the car that killed Myrtle must have had been her lover, found Gatsby in the pool at his mansion and shoots him dead. He then fatally shot himself. Nick staged a small funeral for Gatsby, ended his relationship with Jordan, and moved back to the Midwest to escape the disgust he felt for the people surrounding Gatsby’s life and for the emptiness and moral decay of life among the wealthy on the East Coast. Nick reflected that just as Gatsby’s dream of Daisy was corrupted by money and dishonesty, the American dream of happiness and individualism had disintegrated into the mere pursuit of wealth. Though Gatsby’s power to transform his dreams into reality made him “great,”Nick reflected that the era of dreaming—both Gatsby’s dream and the American dream—was over.了不起的盖茨比英文总结篇二《了不起的盖茨比分析-英文论文》James (Yang Zhen)ENGL1601-B02Professor: HargraveOct 10th 2009Pursuing the Forbidden loveIn the novel The Great Gatsby and the film The English Patient, both those twoprotagonists were pursuing their ideal love, pursuing the forbidden fruit. Gatsby thought that Daisy loved him so much and she didn‟t love her husband Tom at all and if he could get a great deal of money, he could join the upper class‟s life and then Daisy would leave herhusband for him. Meanwhile, another protagonist Almasy thought he could build a love that transcended nationality, ethnicity and even everything. He could give up everything to pursue his ideal love, that forbidden fruit. But both of their thoughts were too idealistic, simple and naive. The cruel reality andconcrete specific historic period and social environment would not make their dream come true. In my points of view, the huge gap between their ideal love and the cruel reality would make it a certainty that their pursuing for the forbidden love would become a tragedy and their tragedy could be a warning for us.Jay Gatsby was a son of shiftless and unsuccessful farm people in the middle west of USA. When he joined the army, he met Daisy, a beautiful woman from the upper class, and fell in love with her. Then, he took apart in the war and five years later when he came back from the Europe, Daisy had got married with a rich boy Tom. Later, Gatsby began his pursuing for forbidden fruit: a love to woman who had a husband. And Almasy, a Hungarian-born historian, follow the explorer Madox to do some research in the Sahara desert and metGeoffrey Clifton and his wife Katharine Clifton. Katharine‟s charm andflair deeply attracted Almasy. He fell in love with her and began to pursuing his forbidden fruit. Both Gatsby and Almasy believe that they could get the forbidden love they wanted and pursued. But actually, we can find that their pursuing loses contact with the harsh reality was doomed to fail.During the period of pursuing the forbidden love, Gatsby‟s ideal about the society and Daisy went far beyond the real ones. From the novel, we can find that he looked Daisy as the embodiment of beauty, purity and nobility and he thought that being together with her is like the being at wonderland which represented all the beautiful things which actually went far beyond Daisy herself. “The colossal vitality of his illusion had gone beyond her, beyond everything. He had thrown himself into it with a creative passion, adding to it all the time, decking it out with every bright feather that drifted his way”(Fitzgerald, P95). More seriously, he also believed that moneycould help him eliminate the diversity between the upper class and him and buy the past and the love of Daisy. But actually, he was wrong. Like anyone else in that period, as a reality mortal, Daisy wanted not only the life of spirit and love, but also the stability of material life and superiority and immobility of social status. Under the influence of harsh realities, Daisy became more pragmatic. She had refused to leave Tom for five years probably because she had realized some kind of truth from life: the lack of emotion could be patient; paying little attention to emotion could at least provoke less hurt feelings and compared to it, the material enjoyment should play a very crucial role as she was born in a wealthy family. So when she found Gatsby…s money came from illegal way, she wavered because she thought that although Gatsby had a great deal of money, he was only a upstart;being together with him may hurt her social status and when she had tochoose one between Gatsby, a man who loved her so much and would devote his whole emotion and energy to her, and Tom, a man who betrayed her but had a stable social status, she choose the latter. Because she was a typical bourgeois woman who love money and value power with which only Tom could provide and she need more about the material comforts and superiority of social status. Even after the accident happened when Gatsby would like to be responsible to Daisy‟s mistake, Daisy frankly sat face to face with Tom and would sacrifice him anytime and then escape.Meanwhile, what I would like to talk is that the process of Gatsby‟s pursuing the forbidden love to Daisy was also the process of his pursuing for his American dream, because in his mind, Daisy was like a flower: beauty and purity and she could also be the symbol of all the virtue of the upper class. Gatsby did also have an active but naive American dream; he thought the life of the upper class was fullof beauty and glory of love and he could join them through personal struggle. Seen from Gatsby‟s “SCHUDULE”and “GENERAL RESOLVES”(Fitzgerald, P173), we can find that Gatsby was a man who was bright and had great ability and strong enterprise; he believe that he could get fortune through personal struggle and then change his social status. But that the American society was not the pure American dream any more: since 1820s, as the rapid development of capitalism, monopoly-capitalist group had gradually controlled the national economic arteries and every parts of the social life, a normal people could hardly get the chance to earn a great deal of money and join the upper class; meanwhile, as the writer said: that period called “Jazz Age”, is the most voluptuous and gorgeous period in American history; the youth in that timeblindly pursued the enjoyment, aspired after money and were infatuated with wine and sex, so Gatsby‟s idealwould be inconsistent with the society, even after he got a great deal of money, he still could not eliminate the diversity between the upper class and him and still could not join them. In my points of view, Gatsby was a representation of idealism which loses the contact with the harsh reality and Tom was representation of the extremely selfish realism. The process of pursuing the love to Daisy could also be the competition between the idealism who respected spirit and realism who respected the benefits. Although Tom show up the humanity of blackness and obduracy, but he was accepted by the American mainstream society because that society did not advocate personal struggle any more and began to cult the hedonism and extravagance and waste. Meanwhile, Daisy was also the product of that kind of society: pompous,self-serving and shallow. The fundamental diversity of value made Gatsby‟s tragedy. Gatsby, a man who confounded with the dream and thereality, spent his whole life and whole energy to build a mirage, a beautiful world of dream. He realized that “Daisy‟s voice was full of money”(Fitzgerald, P120) but he never understood that they belonged to the different world, standed for different value. So his devotion of his whole life energy and pure emotion to pursue the forbidden love to Daisy was doomed to fail. It is the huge gap between Gatsby‟s ideal life and cruel reality made it a certainty that Gatsby‟s pursuing would be a tragedy.Meanwhile, the English patient‟s protagonist also had the same problem with Gatsby. He was a Hungarian but rejected all the national identity, choosing to shed “the clothes of country. He pursued the freedom: the freedom of love and freedom of everything. After he fell in love with Katharine, passion and obsession overwhelmed him, causing him block outthe outside world and its rules of right and wrong. He sometimes admittedthat he and Katharine are "sinners in a holy city."(The English Patient), but he also believed that love could transcend everything: including nationality, morality and responsibility so he did not ever show his remorse over their deception or betrayal of Geoffrey. Meanwhile, Katharine also showed the lack of regret for hurting her husband. However, I think they were also selfish and unrealistic. Firstly, there was a serious conflict between their pursuing for the forbidden love and Katharine‟s husband, a man, who was hurt seriously due to that forbidden love. Almasy considered only about possessing Katharine, and did not consider Geoffrey‟s feeling: he did not consider what Geoffrey would do after the forbidden love happened. But latter, Geoffrey drove a plane to hit him and wanted to die with him and Katharine. Although Almasy was OK, Katharine was hurt seriously. Another serious conflict happened during his pursuing of the forbidden love wasbetween his ideal, love is the most important thing, it could transcend everything, there is no need to have any national identity in the desert, and concrete specific situation-the cruel world war. In wartime, however, national identity is of great importance. With a casual attitude towards national allegiances, he went to ask the British for help because he thought they would help him undoubtedly. But actually, they didn‟t help him and even arrested him as a war criminal. Because as we can know, in the war, people especially the army would not help the people from the adversary state and even wanted to kill them as soon as possible. Although later, he found Katharine through providing the map of Northern Africa to German army to exchange the oil, she had already died. In sum, we can get a conclusion that Almasy ‟s belief of pursuing the love for Katharine also went far away from the harsh了不起的盖茨比英文总结篇三《了不起的盖茨比读后感(英文)》What Makes The Great Gatsby Great?Recently, I have read a classical novel, The Great Gatsby, Francis Key Fitzgerald is the author, who is one of the most outstanding writers in 20th century.I think all the plots in the novel are similar to the something happens in the today’s society. The story is told by Nick(Daisy’s cousin),who witnesses a lot the ugly aspects of the society and human characters. Here is the story goes: T om and Daisy married for a time and live in East Egg. In their opposite, living a very great wealthy man, called Gatsby. He hold parties day and night and get famous for this. Actually, Daisy and Gatsby fell in love a few years ago. At that time, Gatsby was very poor and dispatched into Europe because of war. Then, they broke up and Daisy married Tom, thesecond-generation rich. Latter, Gatsby comes back with social position and big fortunate, and he continues loving Daisy.At a car accident, Daisy kills the Tom’s mistress. To protect Daisy, Gatsby takes all the responsibility of the accident. Finally, Wilson (the husband of mistress) shoots Gatsby under the instigation of Tom. And Tom and Daisy set foot on Europe’s travelling.I think everyone feels pity for the Gatsby, for his infatuation to Daisy and for his foolish love, like the following two descriptions.①“--Was Daisy driving?---Yes, he said after a moment, but of course I’ll say I was.”(p154) ②“the chauffeur –he was one of Wolfshiem’s protégés-heard the shoots-”(p172).As we can see Gatsby undertakes the responsibility of the accident and that’s his cold ending. So what makes The Great Gatsby Great?I think the answer also is the image of Gatsby. Because of his profound love to Daisy even though the others become selfish and sophisticated in the society. He devotes himself to making big fortune for expecting Daisy’s return; he takeresponsibility of car accident at the expense of being put in the prison. Yes, this great man displays something called Profound Love when the society members’hearts becoming colder and colder. And I always feel sympathetic to Gatsby’s consequence. We may say how stupid he is to pay so much to Daisy, but in other words, how persistent he is to his believing about love. He always thinks that all his behaviors can make Daisy change her mind and come back.Gatsby is a tragic hero in the novel, maybe his profound love and strong faith lead to his bad ending. But I always believe this two valuable things are the writer appeals to in that time, also works in today’s. Here’s my understanding to the question What Makes The Great Gatsby Great?了不起的盖茨比英文总结篇四《《了不起的盖茨比》英文读后感》Pursuit for dreams—after reading The Great GatsbyI have heard of the famous novel TheGreat Gatsby for many years. However, until recently have I got the time and mood to read it. As soon as I finish reading, I find my previous unwarranted assumption of it totally wrong.This is a story about Gatsby and his pursuit for the ‘American dreams’. During the World War One, the poor soldier Gatsby fell in love with an upper class girl named Daisy. But due to the wide gap between them, Daisy decided to marry Tom, a man of her class, instead of Gatsby. Broken-hearted Gatsby then held the conviction that money was of the greatest importance. He strongly believed in the ‘American dreams’, which as we all know, advocates that one can achieve whatever he or she likes through continuous efforts. He strived for five years to become a millionaire and bought a villa near Daisy’s to attract her. He was too addicted to his fantasy to realize that Daisy was no longer the lovely girl she used to be. Eventually, he was killed because of her crime.After reading it, something reverberates in my heart. I can’t help thinking of the theme Fitzgerald trying to convey. One thing may be the lonely void of people’s spiritual world. I am deeply impressed by chapter 3, where a vivid description of a party is given.There were beautiful girls, drunk men, and boisterous crowds there, but none of them perceived the pointless of their lives and the barren of their minds. To see this phenomenon deeper, there were two circumstances underlying it. The first is the lack of dreams. Some people, especially the people of the upper class, lived an aimless life. They wasted their time and money and took an indifferent attitude towards life. They chased for temporary ecstasy but lost their identity in eternity, namely Daisy and Tom. The second is the misleading of dreams. Some others like Gatsby, bravely pursued their dreams, yet going to a diverged way unconsciously. They might mix up the concept of a richer life and ahappier life, viewing a higher social state and a peaceful fulfilled life as equality. Unfortunately, when they were busy chasing their dreams, everything changed with time. When they were anxious about the to-gets, they ignored what they had already had and lost the alert to the constant changes. The excellent use of symbolization illustrates this idea perfectly. The imagery of ‘green light’is the most important symble which occurred three times in the novel. The green-light’s obscure in the mist indicates the dim of Gatsby’s dreams.As far as I am concerned, this story can serve as a reminder for us. To live a meaningful life, we should carefully choose some dreams to pursue. And in the process of fulfilling our dreams, we should always be concious about what we really desire. Anyhow, only by pursuing the proper dreams can we finally get to the deep springs of happiness.了不起的盖茨比英文总结篇五《了不起的盖茨比英文论文》摘要弗朗西斯·司科特·菲茨杰拉德是二十世纪美国最重要的作家之一,被推崇为“爵士时代”的编年史家和桂冠诗人。

书评英文作文带翻译

书评英文作文带翻译Book Review: The Great Gatsby by F. Scott Fitzgerald。

"The Great Gatsby" is a novel written by F. Scott Fitzgerald and published in 1925. It is considered one of the greatest works of American literature and a classic of the Jazz Age. The story is set in the summer of 1922 and follows the life of Jay Gatsby, a wealthy and mysterious man who throws lavish parties in his mansion in West Egg, Long Island. The narrator, Nick Carraway, is a young man who becomes Gatsby's neighbor and friend, and who tells the story of Gatsby's rise to wealth and his doomed love affair with Daisy Buchanan.The novel is a masterpiece of modernist literature,with its complex characters, intricate plot, and vivid descriptions of the social and cultural milieu of the 1920s. Fitzgerald's prose is lyrical and poetic, and his use of symbolism and imagery is masterful. The novel explores themes of love, wealth, power, and the American Dream, aswell as the corruption and decadence of the Jazz Age.One of the most striking aspects of the novel is its portrayal of the American Dream. Gatsby is a self-made man who has risen from poverty to wealth through hard work and determination, and who is driven by his love for Daisy to achieve even greater success. However, his dream is ultimately shattered by the reality of the corrupt and superficial society in which he lives, and by the tragic consequences of his own actions.Another notable aspect of the novel is its depiction of the social and cultural milieu of the 1920s. Fitzgerald portrays the excesses and hedonism of the Jazz Age, as well as the hypocrisy and shallowness of the upper class. The novel also explores the changing role of women in society, as seen through the character of Daisy, who is torn between her desire for love and her need for security and status.Overall, "The Great Gatsby" is a timeless masterpiece of American literature that continues to captivate readers with its powerful themes, vivid characters, and lyricalprose. It is a must-read for anyone interested in the history and culture of the Jazz Age, as well as for those who appreciate great literature.《了不起的盖茨比》书评。

了不起的盖茨比读后感(英文)

What Makes The Great Gatsby Great?Recently, I have read a classical novel, The Great Gatsby, Francis Key Fitzgerald is the author, who is one of the most outstanding writers in 20th century.I think all the plots in the novel are similar to the something happens in the today’s society. The story is told by Nick(Daisy’s cousin),who witnesses a lot the ugly aspects of the society and human characters.Here is the story goes: Tom and Daisy married for a time and live in East Egg. In their opposite, living a very great wealthy man, called Gatsby. He hold parties day and night and get famous for this. Actually, Daisy and Gatsby fell in love a few years ago. At that time, Gatsby was very poor and dispatched into Europe because of war. Then, they broke up and Daisy married Tom, the second-generation rich. Latter, Gatsby comes back with social position and big fortunate, and he continues loving Daisy. At a car accident, Daisy kills the Tom’s mistress. To protect Daisy, Gatsby takes all the responsibility of the accident. Finally, Wilson (the husband of mistress) shoots Gatsby under the instigation of Tom. And Tom and Daisy set foot on Europe’s travelling.I think everyone feels pity for the Gatsby, for his infatuation to Daisy and for his foolish love, like the following two descriptions.①“--Was Daisy driving? ---Yes, he said after a moment, but of course I’ll say I was.”(p154) ②“the chauffeur –he was one of Wolfshiem’sprotégés-heard the shoots-”(p172).As we can see Gatsby undertakes the responsibility of the accident and that’s his cold ending.So what makes The Great Gatsby Great?I think the answer also is the image of Gatsby. Because of his profound love to Daisy even though the others become selfish and sophisticated in the society. He devotes himself to making big fortune for expecting Daisy’s return; he take responsibility of car accident at the expense of being put in the prison. Yes, this great man displays something called Profound Love when the society members’hearts becoming colder and colder. And I always feel sympathetic to Gatsby’s consequence. We may say how stupid he is to pay so much to Daisy, but in other words, how persistent he is to his believing about love. He always thinks that all his behaviors can make Daisy change her mind and come back.Gatsby is a tragic hero in the novel, maybe his profound love and strong faith lead to his bad ending. But I always believe this two valuable things are the writer appeals to in that time, also works in today’s.H ere’s my understanding to the question What Makes The Great Gatsby Great?。

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