英语毕业论文《嘉莉妹妹》中的新女性形象分析
英语本科毕业论文范文欣赏(共7篇)
英语本科毕业论文范文欣赏（共7篇）第一篇：美国文学作品中的女性形象研究摘要：本文以美国文学作品为研究对象，通过分析不同时期作品中的女性形象，探讨女性角色在美国社会历史背景下的变迁。
本文选取了《红字》、《嘉莉妹妹》和《飘》三部作品，分别代表19世纪、20世纪初和20世纪中叶的美国文学，旨在揭示女性在追求独立、自由和平等过程中的心路历程。
一、引言美国文学作品中，女性形象丰富多彩，她们或勇敢追求真爱，或为独立自由而奋斗。
本文将通过分析三部经典作品中的女性角色，带您领略美国文学中的女性魅力。
二、19世纪的女性形象——《红字》中的海丝特·白兰在纳撒尼尔·霍桑的《红字》中，海丝特·白兰勇敢地面对世俗的偏见，坚定地追求真爱。
她的形象代表了19世纪美国女性在封建礼教束缚下，对自由和爱情的渴望。
三、20世纪初的女性形象——《嘉莉妹妹》中的嘉莉西奥多·德莱塞的《嘉莉妹妹》描绘了一个从乡村到城市的女性奋斗史。
嘉莉在追求物质生活改善的过程中，逐渐觉醒，开始寻求精神独立。
她的形象反映了20世纪初美国女性在工业化进程中的困惑与挣扎。
英语本科毕业论文范文欣赏（共7篇）第二篇：跨文化交际中的英语语用失误分析摘要：随着全球化进程的加快，跨文化交际日益频繁。
本文聚焦于英语语用失误，分析其在跨文化交际中的表现形式及其产生的原因。
通过对具体案例的深入探讨，本文旨在为英语学习者提供有效的跨文化交际策略。
四、语用失误的定义与分类语用失误是指在交际过程中，由于语言使用不当导致交际目的未能实现的现象。
本文将语用失误分为两类：语用语言失误和社交语用失误，并分别进行阐述。
五、跨文化交际中的语用语言失误案例分析本章节通过具体案例分析，展示了英语学习者在词汇、语法和语篇层面可能出现的语用语言失误，并探讨了这些失误背后的文化差异。
六、跨文化交际中的社交语用失误案例分析社交语用失误往往涉及交际双方的社交规范和文化习俗。
关于英美文学论文开题报告范文
关于英美文学论文开题报告范文篇一论文题目：The Destiny of Sister Carrie-An Analysis of “New Female Image” in Sister Carrie(嘉莉妹妹的命运-浅析《嘉莉妹妹》中的新女性形象)一、选题动机、可行性分析、意义、重点和创新点：1选题动机：对作者的作品比较感兴趣，而且嘉莉妹妹比较贴近现实生活。
在现今社会中有很多女性的生活与嘉莉很相近，可以引起共鸣。
I am very interested in the author’s writing themes. And Sister Carrie relatively close to real life. In today's society there are many women in the life and Carrie very close, can resonate.2可行性分析：(1)选题意义：反映现今社会的诸多问题，以启示人们树立正确的人生观和价值观。
<嘉莉妹妹>是西奥多•德莱塞的杰出代表作,该小说勾勒了人类历史发展进程中消费主义和自然主义所展示的一幅精彩画面,真实地再现了20世纪初的美国大都市生活。
Reflect the many problems of modern society, is a lesson people establish a correct outlook on life and values.(2)选题重点：对嘉莉这个主要人物的性格以及影响她的外界环境因素的分析。
The main characters of the character of Carrie and her impact on the analysis of environmental factors(3)选题创新点：从侧面反映现实生活From the side of the situation reflects real life二、本选题国内外研究现状There are not so much articles which talk about the Sister Carrie国内外研究此课题的文章并不多见, 在美国文学史上,嘉莉妹妹一直是颇具争议的人物形象.三、毕业论文研究基础及研究方法：(1)研究基础：I have read the novel before and I am very interested in the themethe novel involves ,together with we learned the novel not long before. Afterthe teacher analysizes it for us carefully, I have a further understandingto it.我以前就读过这本小说的中文版本，看完之后我对里面涉及的主题很感兴趣。
《嘉莉妹妹》女性主义探析嘉莉妹妹女性主义论文
《嘉莉妹妹》女性主义探析嘉莉妹妹女性主义论文一时代背景19世纪末20世纪初，美国社会处于由传统工业向现代工业的转型期，工业化和机械化程度日益增强，传统的精神信仰受到了经济发展的冲击，新的精神信仰尚未形成，而女性在当时以男性为中心的社会中仍处于附属地位。
这一时期西方正处于第一次女权运动浪潮之中, 女性开始为争取自身的解放而奋斗，批判男权主义的女权主义应运而生。
2848年，伊丽莎口•凯蒂•斯坦顿和卢科瑞蒂亚•莫特带领女权主义改革者在塞内卡瀑布举行聚会，要求修正法典里许多对妇女不公平的待遇。
纽约州召开了妇女代表大会，争取选举权运动。
这期间，美国社会出现了成千上万的•新女性”。
一般来讲，“新女性”指两类妇女，一类是劳动阶层的年轻女工，另一类是不安于传统女性命运的中产阶级少女和少妇。
“新女性”大都具有强烈的自我意识和独立的个性，受过一定程度的教育，性观念较为开放，不为传统的家庭观念所束缚。
她们常常通过各种方式为自己争取更大的独立权利，并呼吁与男人一样享有平等的权利。
’新女性”的崛起为当时的美国文学提供了全新的素材，注入了新的活力。
大批•新女性”以•自主、独立、蔑视传统”的姿态出现在美国社会，并以否定传统婚姻和家庭观念的大胆行为来挑战男权社会。
但是仍然有许多男性作家，如杰克•伦敦、亨利•詹姆斯等为捍卫男性权威、维护传统妇道而把•新女性”刻画成性情古怪，行为异常，令读者嫌恶的角色。
当时的女性仍然受着清教主义的影响，主流女性形象是温文尔雅的淑女，是虔诚的清教徒，这也就说明，当时的女性在婚后应该全心全意相夫教子，不能毫无顾忌地放纵自我的情感，整天沉溺于男欢女爱。
女性应该是纯洁无瑕的，应该是纯洁高尚的化身，不能读任何有关性和性爱的故事。
尽管德莱塞勇于而对现实，在《嘉莉妹妹》中描绘了以嘉莉为代表的“新女性”的形象，却也未能摆脱遭致恶评的命运。
德莱塞并未像其他世俗之人一样把嘉莉描绘成一个为了虚荣和欲望出卖肉体的低级女性，而是一个•被动的奋斗者”, 属于高层次的女性。
《嘉莉妹妹》女性主义特征解读
《嘉莉妹妹》女性主义特征解读《嘉莉妹妹》是一部由美国作家夏洛特·珍德( Charlotte Perkins Gilman)创作的短篇小说，以第一人称视角讲述了主人公嘉莉在医生、丈夫以及家庭的禁锢下所经历的心灵折磨与抗争的故事。
本文将从女性主义的角度对《嘉莉妹妹》中的特征进行解读。
嘉莉代表了被压迫的女性群体，她在社会中受到了多重的禁锢与限制。
小说中，嘉莉被医生诊断为患有神经衰弱，违背了医生的嘱咐，嘉莉开始展开一系列秘密的活动。
这一点意味着嘉莉试图摆脱被家庭和医学权威所束缚的阻碍，她追求的是自由和个人独立。
小说中对于妇女在家庭中的地位与角色的描绘表现了小说的女性主义倾向。
在小说中，嘉莉是一个合格的主妇，她把照顾丈夫和儿子放在首位，过着尽职尽责的家庭生活。
嘉莉在这样的生活中感到了无尽的压抑与束缚，她对自我的渴望、对自由和个人独立的追求逐渐涌起。
小说中对嘉莉在家庭中的日常生活的描写充满了女性主义的意味。
嘉莉住在一个可以被视为她精神囚禁的房间里，这个房间的窗户被钉死，空气充满了她丈夫和医生所制定的规则和条条框框。
这个房间象征着嘉莉内心的囚禁和她在家庭中的地位的束缚。
嘉莉对这个房间的描述表达了她对于这种束缚的反感和渴望解脱的情感。
小说中描写嘉莉心灵变化的进程，表现了女性主义的意味。
嘉莉在房间的墙壁上看到了一个典型的象征女性被束缚的图案，她称之为“僵局”。
随着故事的发展，嘉莉开始逐渐抗争，并最终撕碎了房间中的墙纸，她释放了自己，摆脱了主人公认同以及社会束缚带来的精神困扰。
这一变革过程代表了嘉莉在女性地位与权利争取中的意识觉醒和抗争精神。
《嘉莉妹妹》体现了女性主义的多个特征。
小说通过主人公嘉莉的经历和内心感受，揭示了女性在家庭和社会中所经历的种种压制与禁锢。
嘉莉的抗争和追求个人独立的故事也呼应了女性主义的核心理念，即追求妇女在社会、家庭和个体生活中的平等和自由。
《嘉莉妹妹》堪称一部充满女性主义特征的经典作品。
(英语论文)嘉莉妹妹解读(英文)
A BRIEF ANALYSIS OF SISITER CARRIE《嘉莉妹妹》解读June, 2007Xiaogan UniversityAbstractSister Carrie tells the story of a small country girl Carrie who moves to Chicago to realize her “American Dream”and eventually becomes a Broadway star in New York. Despite living a luxurious life, she is lost in sprit. Reading the novel, we may easily notice Carrie’different needs and desires arising gradually and also the betrayal of traditional moral code in the process of pursuing material gain. The paper analyzes the reasons why Carrie has various needs at different stages of life, mainly based on Maslow’s hierarchy of needs. One is Carrie’s inner desires; the other is the outside force, including temptations of environment, cities, etc. The interaction between them makes Carrie lose herself eventually. It seems to tell people that in modern society material supplies more and more abundantly, but we should never pursue it blindly and much importance should be attached to happiness and stability created by spirit. It is essential to ponder the significance and the value of life.Key words: Sister Carrie; desire; lost; hierarchy of needs从马斯洛层次需要理论重新解读《嘉莉妹妹》摘要《嘉莉妹妹》讲述一位农村女孩嘉莉不甘贫穷来到芝加哥实现自己的“美国梦”，最终成为纽约百老汇一位著名的演员，享受奢华的物质却陷入精神迷失的故事。
英语论文】《嘉莉妹妹》文学评论(英文)
LITERATURE REVIEW—AN ANALYSIS OF DREISER’S SISTER CARRIE《嘉莉妹妹》文学评论An 18-year-old girl without money or connections ventures forth from her small town in search of a better life in Theodore Dreiser's revolutionary first novel. The chronicle of Carrie Meeber's rise from obscurity to fame--and the effects of her progress on the men who use her and are used in turn--aroused a storm of controversy and debate upon its debut in 1900. The author's nonjudgmental portrait of a heroine who violates the contemporary moral code outraged some critics. A century later, Dreiser's characters continue to fascinate readers. The protagonist Carrie is still a controversial character. Many critics regard Carrie as a “fallen woman”, and there are also some critics regard her a s a “new woman”.Many people hold such an opinion that Sister Carrie is a tragedy, in which carrie is described as an immoral woman and she had an empty life though she succeeded as a famous player at the end of the novel. They conclude that “it is impossible to possess true happiness in a money-oriented capitalism society.”①(Li qi-shan 45).Jiang yu-qin says that “the city changed Carrie,a once innocent country girl into a seemingly successful empty life.”②(Jiang yu-qin 135)In her abstract she points out that Carrie represents the women who “experience desiring,chasing,struggling,falling and disillusioning.” Carrie was successful eventually from material aspect, but still unhappy spiritually.We can find such a paragraph in Peng dan-kui’s “Theodore and his Sister Carrie ”, “She(Carrie) has two persons to help her,but instead of getting better, she goes from bad to worse. Actually there is no one who can be the saviour for Carrie in the society. And she comes to realize it is impossible to be a success by working hard honestly…….Carrie is just one of the many victims of the city’s influence and of the capitalist society.”③(Peng dan-kui 75)From this passage, we can conclude that Mr. Peng takes Carrie as a traditional woman victim in a corrupted society. In other words, he denies that Carrie has her own motivates as an independent person.There are also many critics about the character carrie abroad.For example, in Sister Carrie and the Hidden Longing for Love: Sublimation or Subterfuge?Leon F. Seltzer says, “The thesis of this study is Carrie’s longing is shown by Dreiser(though never clearly understood by him )to be a longling for love and emotional relatedness. Such a longing, however, can never know fulfillment because, on one level, carrie is depicted as deficient in the capacity to love and, on far more essential level, her creator ( a man at once sterile and promiscuous, who….)was incapable of appreciating either the nature orpossibiities of human intimacy.”④(Leon F. Seltzer 192)We notice that seltzer descried carrie as a woman without the capability of love. Here he also attacked dreiser.From so many critics, we can see there are really many people they don’t appreciate Carrie. They think she is degenerate, immoral,cold-blooded, and without a lofty soul.But like everything has two sides, lots of other people have different viewpoints. They don’t take carrie so simply, so traditionally. They argue that carrie, from some aspects, stands for “new woman”, which we can see in Wu hong-yun’s Sister Carrie under the unconventional discourse of feminism. First she declares that “Carrie is not a victim ” of the captilist world, on the contrary, she is a victor, be cause “she (Carrie) proves her ability and realizes her value through her own efforts in the capitalist fatherhood society.”⑤(Wu hong-yun 36) Then Mrs. Wu put forward the idea “Carrie is not a immoral woman”, and she admires Carrie highly with the words like “spirit independently”, “rational and witty”, “hard working”, “a new woman” from the feminist angle. She even justifies Carrie’s desire for material gains. She insists that carrie shows a quality of “modern females”.It’s not superisingly that we can find almost the same words in Wang gang-hua’s article. He even puts Carrie to a new higher level. Here is a paragraph from his Carrie’s desires and motives : “in short, carrie shaped her own perfect image through the reflection in mirror , the discernment and the confirmation of the surrounding people. This kind of self-shaping cultivated carrie’s own consciousness, that is, she regards herself as an independent subject, and keeps an independent position in social activities. Thereafter, carrie gradully stepped into being active from passive.”⑥(Wang gang-hua 92) If we surf on the internet, we can find lots of critics about Sister Carrie. Clare Virginia Eby says in his Cultural and Historical Contexts for Sister Carrie, “Dreiser's evolutionary treatment of ethics in Sister Carrie ultimately verges toward the revolutionary, in that he tries to get readers to suspend judgment on actions that would typically be condemned as immoral, such as Carrie's premarital sex and Hurstwood's theft….. Dreiser discourages readers from viewing Carrie as immoral, instead drawing attention to the obsolescence of traditional moral standards. The ending of the novel is especially significant in this regard, for Dreiser breaks with long-standing literary tradition that "fallen women" must be fully punished, preferably by a grisly death. Carrie, to the contrary, may be unfulfilled or lonely at the novel's end, but she is very much alive and eminently successful in the eyes of the world.”⑦He added, “Carrie is not simply rebelling against her husband(Hurtswood) but more significantly against the role that women were traditionally supposed to follow. As historian Barbara Welter describes the nineteenth century ideal for the white middle class, the "True Woman" was expected to be pious, pure, domestic, and submissive. However a competing model for femininity emerged in the U.S. around the 1880s. The "New Woman" typically had a career and was economically independent. Frequently New Women aligned themselves with members of their own sex rather than in conventional marriages. Carrie follows this pattern …… Yet the typical New Woman was be tter educated and frequently more politically inclined than Carrie, and so we might best thinkof Dreiser's heroine as a transitional figure, moving from the Victorian model of True Woman toward the recognizably modern New Woman.”⑧From these two paragraphs, we can know clearly about Eby’s understanding of Carrie.Too many critics about Carrie exist from 1900 when dreiser finished the novel till now, and I can’t cite them one by one. Here I just classified them into two groups. From the totally different views, we can see that different people does hold different opinions. To me, I also have my own understanding of Carrie.First, I really can’t agree Carrie is a “fallen woman”.Those who criticized that she is greedy for material gains and she loses her sense of morality when she pursues her desire, to me, they failed to understand the novel deeply and they failed to treat carrie equally as well. It’s quite true that carrie had sexual relations with two men, which maybe the most unbearable thing for those who said Carrie is “immoral”, but when we read the novel, actually we can say that Carrie’s intention was to have a good husband.First she met Drouet who attracted her with his beautiful clothes and fine manners which represented he belongs to a high class. That is very nature, as I say. Carrie came from a poor peasant family and she wanted to search a better life in Chigago. When she met such a young man who was “ an experienced traveller, a brisk man of the world”⑨(Dreiser 9) and was so courteous to her. “It disposed her pleasantly toward all he might do.”⑩(10)After Carrie arrived the Hanson’s, she found things disappointing. She did efforts to search a job, but she failed at last. Drived by the desire for survival, she eventually accepted drouet. Here we should notice that though the main reason Carrie accepted Drouet is he had the money to support her, but on the other hand, Carrie did have some good feelings on him. Besides, Drouet promised to marry her. So at the beginning, the story went like lots of other love stories. Poor young beautiful girl comes to a big city and wants a “better life”, then she meets a rich man who makes she believe that they love each other, inevitably she wishes a wedding with the man. That happens a lot now. but in the fact, the man didn’t have a plan to marry her.And later, Carrie found another man who seemed worth her love. Hurtswood stands for a calss higher than Drouet’s. He was more attractive and he knew women’s heart better. Carrie once hesitated, but Drouet really couldn’t touch her heart any longer. Drouet himself was not a guy who really wanted to get married. So Carrie didn’t resist when Hurstwood lied to her and brought her to New York. That happened on a base that Carrie thought Hurstwood would marry her and gave her a happy life. That’s human’s instinct. Carrie’s instinct is to survive and to live better. That’s all. She didn’t have any intrigues like Mrs.Hurstwood. We still can say she is pure. She was just drived by the circumstances. So sexual relations with two men didn’t make carrie a “fallen woman”.Secondly, I do n’t agree completely that Carrie is a “new woman”.When Carrie met the living crisis in New York, at the beginning, she still believed that Hurstwood could made all things right. But later, she found Hurstwood was fallingrapidly. She tried to encourage Hurstwood to find a job to support the family, but he failed. He couldn’t find his place in the bigger city New York at all. But Carrie didn’t want to wait and die. She got a job in a theatre,not so easily, then she left him. Here we can often see many critics said carrie is “stone-hearted”. To me, Carrie’s behavior may be a bit cruel, but still can be forgave. Think what an enviroment she lives in! she needs to live! I also explain her action as a result of her instinct.Next, Carrie made herself successful on the stage by a small chance. She got money and fame gradually. But these can’t make her a “new woman”, because her success has much contingency. Her self-consciousness hadn’t be aroused untill she met Ames, a young engineer. His influence causes Carrie to become disillusioned with her success as an actress in comedy and makes her desire to perform more dramatic works. He introduced some writers to Carrie, and also gave some astonishing views about the surrounding people, which made Carrie think he was a special man. From that, Carrie started to think about lots of other things deeply. I say, Carrie at this moment is still not a“new woman”. She doesn’t has her own understanding of the world. She still can’t think and action as an independent woman.To sum up, I don’t think Carrie is “immoral”. When she is drived by her instinct to find a way to live, she has nothing to blame for. As Jerome Loving said, “For him(dreiser), man-all of humankind—was still halfway between animal instinct and ideal of human morality,and so alack of morality was to be expected.”⑾(Jerome Loving 92 The last titan:a life of theodore dreiser)To some extent, I agree with Eby’s opinion that Carrie is “a transitional figure, moving from the Victorian model of True Woman toward therecognizably modern New Woman”.Notes:⑦⑧Clare Virginia Eby:// /collections/rbm/dreiser/scculhist.htmlBibliography:(1)李其珊.《嘉莉妹妹》中的对比和象征艺术[J]玉林师范学院学报（哲学社会科学）2004(2)姜玉琴. 城市:一个承载事业、绞杀灵魂的谬体-从德莱塞的《嘉丽妹妹》到尤凤伟的《泥鳅》[J]外国文学研究2004(3)彭丹逵. 德莱塞和他的《嘉莉妹妹》[J]嘉兴大学学报1995(4)Leon F. Seltzer. Sister Carrie and the Hidden Longing for Love: Sublimation orSubterfuge?--- Twentieth Century Literature, V ol. 22, No. 2 (May, 1976) , pp. 192-209(5)王刚华. 嘉莉妹妹的欲望和驱动力[J]外国文学研究2002(6)Clare Virginia Eby .Cultural and Historical Contexts for Sister Carrie:// /collections/rbm/dreiser/scculhist.html(7)Dreiser,Theodore. Sister Carrie. Pennsylvania:University of Pennsylvania Press 1981(8)Loving,Jerome. The last titan:a life of theodore dreiser.California :University of California Press 1997(9)Pizer ,Donald. New Essays on Sister Carrie. New York:Cambridge University Press1991(10)Yoshinobu, Hakutani . Sister Carrie and the Problem of Literary NaturalismTwentieth Century Literature, V ol. 13, No. 1 (Apr., 1967) , pp. 3-17绝密文件，核心资料，拒绝盗版支持正版，从我做起，一切是在为了方便大家！。
嘉莉妹妹中嘉莉的人物性格分析
《嘉莉妹妹》中嘉莉的人物性格分析An Analysis of Carrie's Character inSister CarrieAbstract: This thesis will make a brief interpretation to social criticism of Theodore Dreiser's first masterpiece Sister Carrie. It tells a story of a girl, Carrie,who was reduced from an innocent city immigrant to a commodity, andfinally to an actress by the city environment which was permeated with anatmosphere of ceaseless commercialization. Until now, Sister Carrie isstill controversial book. And the thesis will mainly analyse Carrie'scharacter, external and internal factors affecting her and the growth of herindependent consciousness. According to those analyses, we know thisbook is still a wake-up call and its significance of social criticism doesn'tdetract at all with time gone. It is worthwhile to read again.Key words: Carrie; analysis of character; social criticism摘要：这篇论文将对西奥多·德莱塞的第一部代表作《嘉莉妹妹》的社会批判意义做一简要阐述。
（英语毕业论文）浅析《嘉莉妹妹》中新女性形象
（英语毕业论文）浅析《嘉莉妹妹》中新女性形象最新英语专业全英原创毕业论文，都是近期写作1 浅析《动物庄园》中极权主义形成的必然性2 浅析情景教学法对初中英语课堂教学的影响3 从杨必翻译的《名利场》看文学翻译中的归化与异化4 On the Sufferings of the Protagonists in Wilde’s Fairy Tales from the Aesthetic Perspective5 浅析艾米丽?迪金森诗歌的主题思想6 An Analysis of Symbols in Young Goodman Brown7 Cultural Connotation of Color Words in Chinese and Western Culture8 中英文名词性后缀的比较及其对翻译的启示9 《呼啸山庄》中的爱与复仇10 经典英文电影台词的文体分析11 分析《永别了，武器》中Henry的硬汉形象12 《睡谷的传说》中理想与现实的矛盾13 电视公益广告的多模态话语分析14 从《热爱生命》和《马丁?伊登》中透视杰克?伦敦心中对生命的执爱15 浅析英文商务信函的写作格式与文体风格16 Cultural Differences Between English and Chinese by Analyzing Brand Names17 A Comparison of the English Color Terms18 论《呼啸山庄》中希思克利夫的性格19 英汉新词形成因素研究20 翻译中的性别－－《简?爱》几个中译本的女性主义解读21 现实主义和唯美主义的水乳交融—评茨威格《一个陌生女人的来信》22 英汉死亡委婉语的文化差异及其分类对比23 An Analysis of Huckleberry Fi nn’s Personality24 论圣经诗篇的修辞特点25 《嘉莉妹妹》中嘉莉的欲望分析26 浅析《愤怒的葡萄》中主要人物的性格特征27 詹姆斯鲍德温《桑尼的布鲁士》中男主人公桑尼的自我救赎28 解析《爱玛》中女主人公的形象29 从苔丝和曼桢的角色分析中西文化下女性的抗争30 福克纳《我弥留之际》中达尔形象解析31 英语委婉语的表达模式和应用32 A Comparison of the English Color Terms33 英语委婉语及其翻译34 《人性的污点》中主要人物的悲剧命运与社会原因的分析35 从功能对等和文化语境差异角度看商务英语翻译技巧36 小学英语学习策略及研究37 The Loss and Gain in Classical Chinese Poetry Translation38 《外星人》电影海报的多模态话语解析39 A Research of Translation of English Songs into Chinese by Poetic Norms40 论凯瑟琳?曼斯菲尔德短篇小说中的爱情观41 《看不见的人》中的“暗与明”意象探究42 广告中反语现象的关联分析43 《周六夜现场》的幽默剖析44 从《麦琪的礼物》分析欧·亨利的内心世界45 从《哈利波特与火焰杯》看文学翻译中的文化冲突46 A Comparison of the English Color Terms47 从文化角度探析中英基本颜色词的比较和翻译48 探析王尔德童话中的死亡主题49 Miss Havisham: an Imprisoned Woman in Great Expectations50 An Analysis of the Cultural Identity in Amy Tan’s The JoyLuck Club51 华兹华斯诗歌的和谐观52 法国大革命对《西风颂》创作的影响53 英汉习语对比研究及其对高中英语教学的启示54 Cultural Differences Between English and Chinese by Analyzing Brand Names55 论《简爱》中的疯女人56 《宠儿》中塞丝的性格特征分析57 美国英语新词汇特点58 A Comparison of Western and Eastern Privacy Concepts59 从美学角度浅析许渊冲《汉英对照唐诗三首》——“意音形”三美论60 环保宣传语翻译中的文化介入61 从电影《七宗罪》看‘七宗罪’与基督教传统的关系62 英汉委婉语比较研究63 论概念隐喻视角下的隐喻翻译64 海明威《雨中猫》的文体分析65 关于英语口语纠错的研究与建议66 英语电影片名的汉译要求及赏析67 基督教文化对《哈姆莱特》创作的影响68 关于高中生英语听力理解中非语言因素的研究69 《儿子与情人》中扭曲的爱70 (英语系经贸英语)贸易壁垒下中国企业跨国经营的突破之路—以华为为例71 论初中生英语学习资源策略培养72 《了不起的盖茨比》中象征主义的研究73 从《人与鼠》看斯坦贝克艺术风格74 初中英语教学中的角色扮演75 The Alternation of Language: A Study of Microblogging V ocabulary76 永不凋落的玫瑰—从女性主义分析《红字》中的海斯特77 海明威的“冰山原则”与其短篇小说的人物对话78 小学英语教学中的体态语应用79 A Study on Narrative Techniques in A Rose for Emily80 论英语演讲开场的决定性因素和相关策略81 从心理语言学的角度探讨消极情绪的语言表达82 《小妇人》中教养方式的分析83 浅谈罗密欧与朱丽叶的爱情悲剧84 论圣经诗篇的修辞特点85 从主述位理论看奥巴马就职演讲的连贯性86 如何有效地扩展大学生英语词汇87 Text Memorization and English Learning88 Gone with the Wind: From Novel to Film89 从《无名的裘德》看哈代的现代性意识90 广告中的熟语模因探析91 功能目的论视角下的仿拟翻译的应用分析92 浅析《不存在的人》中主人公的觉醒93 法语给英语带来的影响94 英语习语非稳定性结构特征研究95 从《牧师的黑面纱》看霍桑矛盾的宗教情结96 论《麦田里的守望者》中的佛教禅宗因素97 论环境和社会制度对人的行为和品格的影响——以《雾都孤儿》中南希的形象分析为例98 《暮色》两中译本中文化缺省重构的对比研究99 商务英语翻译中的隐喻研究100 中西校园流行语的文化对比101 试比较中美中学历史教育中历史思维的培养102 A Comparative Study of Cultural Connotations of Yellow and Huang in English and Chinese 103 论《一个小时的故事》中马拉德夫人女性意识的觉醒104 论《野性的呼唤》中的自然主义105 威廉?麦克佩斯?萨克雷《名利场》的道德研究106 从礼貌原则分析美国总统就职演说辞的语用特色107 中西思维方式差异对跨文化交际的影响108 Analysis of Cross Cultural Business Communication Failure109 论个人主义对美国英雄电影的影响110 从《印度之行》看福斯特的人文主义思想观111 The Victims of Upper Class: A Comparative Study on the Two Heroes of The Great Gatsby and Tender Is the Night 112 谈商务英语信函的语言特点及其翻译113 凯瑟琳与苔丝悲剧命运的比较114 不同英汉颜色词的象征意义及其翻译115 从公示语的语言特色谈其翻译116 情感教学在初中英语课堂中的理论和实践117 对美国个人主义和中国集体主义的一些讨论118 跨文化交际中的社交语用失误及其对英语教学的启示119 华兹华斯和弗罗斯特自然观的比较120 英语形容词的翻译121 中西方饮食文化对比122 从传统节日庆祝方式的角度比较中英文化差异123 浅谈中西体态语的差异124 A Study on Chinglish of EFL Learners in Junior High Schools in China125 论修辞格在英语广告中的运用126 《女勇士》中的文化冲突与文化融合127 中美面子观比较及其对商务谈判策略的启示128 《杀死一只知更鸟》中主人公的成长危机129 小说《鸡蛋的胜利》中扭曲的“美国梦”130 王尔德童话《快乐王子》中的对比艺术131 女性形象下的女权主义思想——浅析汤亭亭小说《女勇士》132 The Pursuit and Disillusionment of the American Dream—On Martin Eden133 《了不起的盖茨比》中两个女主人公的道德沦丧的探析134 归化和异化在影片名翻译中的应用135 关于《白鲸》中的象征主义手法运用的研究与探讨136 论如何提高初中英语课堂教学效率137 《飘》中斯佳丽的性格特征解读138 埃德加·爱伦·坡幽默小说研究139 《荆棘鸟》的女性主义解读140 《还乡》中游苔莎的悲剧命运分析141 中西面子观的比较研究142 《苏菲的选择》中的人性分析143 Grammatical Analysis of Academic Writing144 从《麦琪的礼物》看欧亨利留给世人的礼物145 分析阿加莎克里斯蒂在其侦探小说《阳光下的罪恶》中的写作手法146 解析《喧哗与骚动》中凯蒂悲剧的必然性147 A Study of Chinglish as Found in Students’ Writings148 论中西婚姻观的差异149 女性社会价值的深情呼唤—小说《到灯塔去》中拉姆齐夫人和莉丽人物形象的对比研究150 A Study on Fuzziness of Advertising Language151 跨文化交际中英语副语言的表现和交际功能152 美国俚语的文化及特征153 多媒体英语教学的优势与劣势154 论口译的原则与技巧155 An Analysis of the Feminism in The Scarlet Letter156 鼓励性教学方法在中学英语教学中的应用157 浅谈来自《圣经》的英语习语158 委婉语的适用性原则和策略159 浅谈中西婚俗的文化差异160 The Joy Luck Club－A Bittersweet Picture of Chinese-Americans across Two Generations 161 狄更斯小说《远大前程》中的批判现实主义特点解读162 从跨文化角度论商标的翻译163 中西商务谈判中的跨文化因素研究164 浅析《双城记》中的牺牲精神165 英国议会制辩论－－探究与实践166 探析《蝴蝶梦》中的悬念写作手法167 从心理学角度看哈克贝利.费恩的性格168 影响中学生英语学习的心理因素分析169 商务英语口译能力的培养与对策170 中美企业文化研究171 论《宠儿》中的象征意象172 中西礼貌用语的语用对比研究173 American Individualism and Its Reflection in the Film Erin Brockovich174 主位推进模式在语篇翻译中的应用175 从功能对等论看中餐菜单的英译176 On the Translation of Communicative Rhetoric in Literature—Analysis of the two Chinese versions of Jane Eyre 177 中西跨文化交际中的礼貌问题之比较分析178 从女性主义角度浅析《诺桑觉寺》179 初中英语课堂教师话语分析180 分析《等待》的悲剧181 中英征婚广告对比分析研究182 英语会话中间接拒绝语的语用研究183 On the Feminist Consciousness Reflected in Pride and Prejudice184 论《卡斯特桥市长》的现实意义185 英语环境的营造对中学生英语学习的影响186 A Study of Beauty in Sound, Form and Meaning Displayed in Zhang Peiji’s Prose Translation 187 关于中国文化教学的文献综述188 英文商务索赔信的人际意义功能分析189 Advertising and Its Application190 商务英语翻译中的跨文化因素191 尼斯湖和西湖—中西方旅游性格差异研究192 解读《小镇畸人》中三位畸形女性193 浅析《还乡》中游苔莎的悲剧根源194 论《白鲸》主角的悲剧实质195 The Tragic Fate of Tess196 从《卡斯特桥市长》看哈代作品中的宿命论色彩197 英汉文化差异对英语俚语汉译的影响198 广告英语修辞特点及其翻译199 撒旦和孙悟空的形象和文化内涵对比200 从中美数字谚语看中美文化的差异。
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(英语毕业论文)《嘉莉妹妹》中的新女性形象分析————————————————————————————————作者：————————————————————————————————日期：2最新英语专业全英原创毕业论文，都是近期写作1 商务合同中的语篇衔接分析2 An Analysis of the Problems on Chinese Early Childhood Education3 论《傲慢与偏见》中婚姻选择的经济动因4 On the Female Image in The Oval Portrait5 从消费心理学角度谈汽车品牌名称的翻译6 论《呼啸山庄》中的象征主义运用7 伊恩.麦克尤恩作品《赎罪》中的成长主题探析8 Three Discriminations to Little Black American Girls in The Bluest Eye9 从麦琪的礼物中折射出欧亨利对已故妻子的爱10 论《德伯维尔家的苔丝》中的环境描写－－－－从视觉和听学的角度11 论中美家庭教育的差异12 外语学习中学习动机的影响13 创世神话与民族特性—《旧约》与中国古代民间传说14 英语演讲语篇中的parallelism及其汉译策略—以奥巴马就职演说稿为例15 论《教授的房子》中圣彼得教授对自我的追求16 The Analysis of the Tragic Fate of Tess in Tess of The D'Urbervilles17 英语教学中非言语交流与跨文化交际中能力的培养18 分析《嘉莉妹妹》中赫斯渥的人物形象19 从《阿甘正传》看美国青年文化20 A Paralysed Wilderness—The Appreciation and Analysis of Symbols in Araby21 男女二元等级对立的颠覆－－《奥兰多》之女性主义解读22 文化差异对英语阅读的影响23 高中英语任务型语法教学初探24 Existentialism in Pride and Prejudice25 从"龙"一词的文化内涵看汉英文化的差异26 归化和异化策略在《红楼梦》文化负载词翻译中的应用27 试析海明威《丧钟为谁而鸣》中的人物形象28 女性社会价值的深情呼唤—小说《到灯塔去》中拉姆齐夫人和莉丽人物形象的对比研究29 音意兼译—外来词中译之首选法30 论《呼啸山庄》中男女主人公对真爱的追求31 欧亨利与马克吐温的讽刺对比——以短篇小说为例32 浅谈涉外谈判礼仪的重要性33 试论班扬《天路历程》中基督徒的精神历程34 广告语的特点及其翻译技巧35 A Probe into Charles Dickens’ Family Values Reflected in A Christmas Carol36 《理智与情感》中的婚姻37 从原型批评理论来看<<哈利波特>>系列小说中的人物原型38 《看不见的人》的主人公形象解析39 A Study on Problems and Strategies in Phonetic Teaching of Spoken English in JEFC40 李白《静夜思》六种英译本的对比研究41 浅析英汉颜色词的文化内涵及翻译42 The differences on advertising translations under the Chinese and Western cultures43 浅析美国传奇总统的共性44 英汉习语翻译中文化意象的转换45 论《儿子与情人》中“花”的象征意义46 论《红字》中海斯特的抗争与命运47 弗吉尼亚.伍尔夫《海浪》的叙事技巧分析48 美国基督新教与中国儒家的伦理道德的比较49 从精神分析学角度探究《呼啸山庄》中的希斯克里夫50 简爱的独立性格剖析51 女性主义视角下的《了不起的盖茨比》52 凯特.肖邦小说《觉醒》中的超验主义思想分析53 《抽彩》和《蝇王》的艺术魅力比较54 撒旦和孙悟空的形象和文化内涵对比55 经典英语电影台词的语言特征和文化态度56 大学英语四级考试的效度57 论《杀死一只知更鸟》中的象征58 解读布莱克的《伦敦》与华兹华斯的《在西敏寺桥上》的诗歌异同59 合作学习在初中英语写作教学中应用的可行性研究60 浅析《最蓝的眼睛》中佩科拉的悲剧根源61 从《绝望主妇》析字幕翻译的目的和归化策略62 从关联理论的角度看科技英语翻译63 中美大学课堂文化比较研究64 《西风颂》两个汉译版本的文体分析65 比较研究王维与华兹华斯的自然观66 习语的文化现象及翻译策略研究67 浅议英语诗歌中的书写变异68 On the Cultural Signification and Translation of Animal Idioms69 On The Narrative Perspective Type of J. M. Coetzee’s Disgrace70 The Characters and Personality of American Slang71 视频辅助和背景知识对听力理解的作用72 浅析《喜福会》中母亲们悲惨遭遇的成因73 《简.爱》的简和《德伯家的苔丝》的苔丝的比较研究74 Cultures and Intercultural Communications75 中英广告宣传方式的比较研究76 论象征主义在《喜福会》中的体现77 英汉颜色词的文化内涵78 从阿里巴巴BB电子商务平台论中小企业的发展趋势79 《了不起的盖茨比》叙述者尼克分析80 中式英语与标准英语的差别81 On the Progressive Awakening of Feminine Consciousness in The Hours82 动物习语中文化意象的比较与翻译83 浅析“红”和“黑”在中英文中的文化及语义对比84 Cultural Differences in Business Negotiations: East and West85 功能对等理论在新闻英语翻译中的应用86 试析英汉颜色习语折射出的中西文化异同87 艾米莉.狄金森的死亡观研究88 对《傲慢与偏见》中伊丽莎白性格的分析89 中式菜名的英译90 从安利（中国）的成功看直销模式在我国的发展91 中西礼貌用语的语用对比研究92 Verification of Soft Term in Letter of Credit93 语言变体的翻译——《哈克贝利费恩历险记》的两汉译本的比较94 《第十二夜》中女性人物特征分析95 从主述位理论看奥巴马就职演讲的连贯性96 Terror of the Soul-Analysis of Features in Poe’s Gothic Fictions97 交际法在大学英语教学中的现状探究98 分析《基督山伯爵》爱德蒙的二重性格99 An Analysis of the Symbolic Meanings of the Letter “A” in T he Scarlet Letter100 A Comparative Study of the Character of Tess and Jane Eyre101 欧亨利《最后一片叶子》解读102 On Freudian Interpretation of Dreams In Sense and Sensibility103 《简爱》中的女性主义意识初探104 Who Stole Our Panda——An Analysis of Cross-Cultural Transmission Through an American Movie Kung Fu Panda105 英汉习语渊源对比及其常用分析方法106 中西跨文化交际中非语言行为的比较研究107 旅游翻译中的文化差异和处理策略108 安妮赖斯小说《夜访吸血鬼》的新哥特世界109 影响英语专业学生阅读理解因素的分析及对策探讨110 从叙事结构分析电影《撞车》中对种族歧视问题的诠释111 The Conflict between Desire and Surroundings：an Analysis of Clyde in An American Tragedy112 歧义的语用研究113 论伍尔夫《到灯塔去》女权主义主题思想及对中国女性文学之影响114 在英语教学中发展学生的自主学习能力115 英语中源于希腊罗马神话主要神祇姓名词汇的认知探索116 从用词的角度分析商务英语信函的翻译117 目的论指导下的英语字幕翻译策略118 《哈姆雷特》中不言而喻的隐喻魅力(开题报告+论文+文献综述)119 英语动结式V+PP的语义整合研究120 目的论视角下的广告翻译121 浅析新闻发布会口译语言的语体学特点122 论《西风颂》背后的精神力量123 《弗洛斯河上的磨坊》中麦琪悲剧原因分析124 从成长教育理论视角解读奥利弗.退斯特的生活经历125 浅论《汤姆琼斯》的现实主义特征126 从玛丽沃斯通克拉夫特的女性主义观点看《傲慢与偏见》的女性形象塑造127 语法翻译法视角下的中学生英语家教辅导128 从文化的角度审视中西习语的来源129 从《成长的烦恼》和《家有儿女》的对比看中西方家庭价值观的差异130 《隐形人》中主人公的性格分析131 论中西方思维方式的差异132 澳大利亚文学中的丛林文化—以亨利.劳森《赶牲畜人的妻子》为例133 解读艾丽斯.沃克《紫色》中的家庭134 女性主义视角下《傲慢与偏见》的情态意义解读135 “Lady First” Reflected in Different Cultures136 从生态女性主义视角解读《喜福会》137 浅析英语语言中的性别歧视现象138 中英姓名文化内涵的探究139 论华裔女星在好莱坞电影中的角色转变140 从《野性的呼唤》浅析杰克伦敦的哲学思想及其哲学倾向141 The Religious Thoughts in The Pilg rim’s Progress142 谈英汉文学作品中数字的模糊性及其翻译143 浅析英语拟声词的功能144 由《红楼梦》中人名的英译看中西文化差异145 浅析《喜福会》中的母女关系146 The Lexical Features of Black English in RAP Music and its Influence147 试析邓恩《别离辞.节哀》中圆规与圆的意象148 小说《黑猫》中双重人格149 《远大前程》中皮普的心路历程150 英语语音学习中的母语负迁移现象研究151 浅析合作学习在英语专业口语教学中的应用152 魔法世界的双重间谍——《哈利波特》西佛勒斯.斯内普的矛盾形象分析153 浅析《最蓝的眼睛》中的创伤和治愈154 图式理论在高中英语阅读中的运用155 春节与圣诞节的对比研究156 日用品广告语言中中西方价值观差异比较研究157 融入与挑战－－从生态角度看《老人与海》与《瓦尔登湖》158 文化视角下的英汉委婉语翻译探讨159 论《爱玛》中简.奥斯丁的女性主义观160 中餐菜谱翻译的错误分析161 On English-Chinese Translation of Automobile Brand Names162 英语广告的语言特点163 从违反合作原则看电影语言的会话含义——以《最后的武士》为例164 女权主义翻译理论关照下的《呼啸山庄》多个译本比较研究165 从功能翻译理论看电影《功夫熊猫》的字幕翻译166167 《卡拉维拉斯县驰名的跳蛙》中的幽默168 The Transcultural Differences in the Translation of Commercial Advertisements 169 傲慢与偏见中的婚姻观170 Psychological Analysis of Stuttering in The King’s Speech171 以马斯洛需求层次理论分析《傲慢与偏见》中的爱情婚姻观172 Sister Carrie—A Woman Lost in the Material World173 以赫索格为代表的索尔贝娄作品中知识分子的困境与出路174 从数字看中西方文化差异175 玛莎.诺曼戏剧中的母女关系研究176 浅析《德伯家的苔丝》中的苔丝悲剧的成因177 广告的翻译178 从鹿鼎记和唐吉诃德的主要人物的较对比来比中西方侠文化179 论《一个温和的建议》中的黑色幽默180 初中英语词汇教学法研究综述181 生态哲人约翰.斯坦贝克182 使用影视片对中学生进行英语听说教学183 对小说《野草在歌唱》的功能文体分析184 英美日常交际礼仪对比分析185 A Comparative Study of Coincidental Plots in Jane Eyre and Tess of the d’Urbervilles186 英语广告语中的隐喻认知187 On Wisdom of Tao in Tao De Jing and the Subjectivity of Translator－－Based upon Translations of Wu（无）and You（有）188 通过《喧哗与骚动》中三兄弟各自对于凯蒂的叙述分析三人各自性格特征189 Gothic Romance: Inheritance and Development of Medieval Romance－－A Case Study of The Castle of Otranto190 解析《红字》中的红与黑191 从《嘉莉妹妹》看德莱塞的女性观192 关于高中生英语阅读策略运用情况的调查193 论戏剧《威尼斯商人》中夏洛克的悲剧形象194 On Characteristic Features of the Main Characters in The Moon and Sixpence195 从认知语言学的视角下浅析隐喻和换喻的异同196 浅谈中学英语教学中交际任务型教学活动的设计197 合作教学理论在初中英语阅读中的运用198 Conversational Humor in American Sitcoms——A Case Study of The Big Bang Theory199 论《红字》中海丝特的女性身份重构200。