英国文学史复习资料
英国文学史选读复习资料
英国文学史选读复习资料英国文学史选读复习资料英国文学史是世界文学史中的重要组成部分，涵盖了从中世纪到现代的众多文学作品和作家。
在这篇文章中，我们将回顾一些英国文学史上的重要时期和作品，以帮助大家更好地理解和复习这一领域。
1. 中世纪文学中世纪文学是英国文学史的起点，以骑士文学和宗教文学为主要形式。
《贝奥武夫》是中世纪英国文学中最重要的作品之一，讲述了贝奥武夫与怪物格伦德尔的战斗。
此外，中世纪还有许多神秘的抒情诗歌和教会文学，如《悲歌》和《坎特伯雷故事集》。
2. 文艺复兴时期文艺复兴时期是英国文学史上的黄金时代，代表作家包括莎士比亚、斯宾塞和培根。
莎士比亚的戏剧作品是世界文学的瑰宝，如《哈姆雷特》、《罗密欧与朱丽叶》和《麦克白》。
斯宾塞的史诗《仙后》也是这一时期的杰作，描绘了亚瑟王的传奇故事。
3. 17世纪文学17世纪是英国文学史上的变革时期，文学形式更加多样化。
约翰·米尔顿的史诗《失乐园》是这一时期的代表作之一，探讨了人类的堕落和救赎。
约翰·唐纳的戏剧作品《魔法师》则展示了他对权力和政治的深刻洞察力。
4. 18世纪文学18世纪是英国文学史上启蒙时代的兴起，代表作家包括亚历山大·蒲柏和塞缪尔·约翰逊。
蒲柏的诗歌作品《伊甸园》和《人类的悲剧》探讨了人类的自由意志和苦难。
约翰逊的《英语词典》对英语语言的规范化和发展起了重要作用。
5. 浪漫主义文学浪漫主义文学是19世纪英国文学的重要流派，代表作家包括威廉·华兹华斯和塞缪尔·泰勒·柯勒律治。
华兹华斯的诗歌作品《抒情诗集》和《普雷德斯》强调了自然和个人情感的重要性。
柯勒律治的《抒情诗集》则表达了对自然的热爱和对社会不公的关注。
6. 维多利亚时代文学维多利亚时代是英国文学史上的繁荣时期，代表作家包括查尔斯·狄更斯和艾米莉·勃朗特。
狄更斯的小说《雾都孤儿》和《双城记》揭示了当时社会的不公和贫困问题。
期末复习专用资料 英国文学史整理
English LiteraturePart 1. The Anglo-Saxon PeriodBeowulf (the national epic of the English people) stricking feature: alliteration, metaphors and understatements. CaedmonParaphrase of the Bible/ (the first known religious poet of England) Cynewulf The Christ /( poet on religious subjects) Part 2. The Anglo-Norman Period Sir Gawain and the Green Knight/ a mixture of Anglo-Saxon poetry and French poetry. (alliterative verse with metrical verse), The poem reflects the ideal of feudal knighthood. A true knight should not only dedicate himself to the church, but also possess the virtues of great courage, of fidelity to his promise, and of physical chastity and purity. Part 3. Geoffrey Chaucer GeoffreyChaucer1340-1400 The House of Fame ; Troilus and Criseyde (long narrative poem);Legend of Good Women (first used heroic couplet); The Parliament of Fowls poetry ：Canterbury Tales / Significance: It gives a comprehensive picture of Chaucer‟s time ; It has a dramatic structure; It reflects Chaucer‟s humor ; It shows Chaucer‟s contribution to the English language and poetry. his contribution to English poetry: introduced from france the rhymed couplet of 5 accents in iambic meter (the heroic couplet), is the first great poet who wrote in the English language. Who making the dialect of London the standard for the modern English speech. He is considered as the founder of English poetry.Part 4. The English renaissanceThomas More Utopia ( He is the outstanding humanist) Lyrical poems Thomas Wyatt(the first to introduce the sonnet into English literature); Henry Howard; Philip Sidney; Thomas Campion Epic poem Edmond Spenser The Faerie Queen Novels John Lyly(Eupheus gives rise to the term euphuism ); Thomas Lode (they dealing with court life and gallantry Thomas Deloney; Thomas Nashe(they are realistic authors devoted to the everyday life of craftsman, merchants and other representatives of the lower classes.) Francis Bacon1561-1626 The philosophical: Advancement of Learning ;Novum Organum 新工具;De Augmentis The literary: Essays(Of Truth, Of Death; Of Revenge, Of Friendship ) The professional: treatises entitled Maxims of the Law and Reading on the Statute of Uses The founder of English materialist philosophy Drama Christopher Marlowe( the greatest pioneer of English drama who made blank verse the principle vehicle of expression in drama); Robert Greene George Green /the Pinner of W akefield William Shakespeare1564-1616 (37plays, two narrative poems, 154sonnets) The Tempest 暴风风雨;The Two Gentlemen of Verona 维罗纳二绅士;The Mercy Wives of Windsor 温莎的风流妇人;Measure for Measure 恶有恶报;The Comedy of Errors 错中错;Much Ado about Nothing 无事自扰;Love ’s Labour ’s Lost 空爱一场;A Midsummer Night ’s Dream 仲夏夜之梦;The Merchant of Venice 威尼斯商人;As Y ou Like It 如愿;The T aming of the Shrew 驯悍记;All ’s Well That Ends Well 皆大欢喜;Twelfth Night 第十二夜;The Winter ’s T ale 冬天的故事;The Life and Death of King John/Richard the Second/Henry the Fifth/Richard the Thir d 约翰王/理查二世/亨利五世/理查三世;The First/Second Part of King Henry the Fourth 亨利四世（上、下）;The First/Second/Third Part of King Henry the Sixth 亨利六世（上、中、下）;The Life of King Henry the Eighth 亨利八世；Troilus and Cressida 脱爱勒斯与克莱西达;The Tragedy of Coriolanus 考利欧雷诺斯;Titus Andronicus 泰特斯·安庄尼克斯;Romeo and Juliet 罗密欧与朱丽叶；Timon of Athens 雅典的泰门;The Life and Death of Julius Caesar ;朱利阿斯·凯撒；The Tragedy of Macbeth 麦克白;The Tragedy of Hamlet 哈姆雷特/王子复仇记;King Lear 李尔王;Othello 奥塞罗;Antony and Cleopatra 安东尼与克利欧佩特拉;Cymbeline 辛白林;Pericles 波里克利斯;Venus and Adonis 维诺斯·阿都尼斯; Lucrece 露克利斯;The Sonnets 十四行诗 The Great Comedies: A Midsummer Night ’s Dream; The Merchant ofVenice; As You Like It ;Twelfth Night;The Great Tragedies: The Tragedy of Hamlet; Othello; King Lear;The Tragedy of Macbeth;The Later Comedies(romances): Pericles; Cymbeline; The Winter’s Tale; The Tempest;Part 5. The English Bourgeois revolution period and RestorationJohnMilton1608-1674 Shorter poems: L‘Allegro欢乐的人;Il Penseroso沉思的人;Comus科马斯;Lycidas;Principle pamphlets: Areopagitica论出版自由; Eikonoklastes; Defense for the English people;Poem: Paradise Lost(The poem was written in blank verse); Paradise Regained;JohnBunyan1628-1688 The Pilgrim‟s Progress(It is the greatest English allegory, its style is simple and biblical)JohnDonne1572-1631 Poetry(love lyrics & religious poems);Sonnets(The founder of the Metaphysical school of poetry)John Dryden Critic, poet and playwright of restoration periodHistory and Anthology of English Literature IPart I The Anglo-Saxon Period（449-1066）（In Chin. Chr.: Northern and Southern Dynasties – Northern Song Dyn.)History of the English LanguageOld English: Anglo-Saxon times —1100Middle English:1150 -- 1500Modern English:1500 – present times(Early Modern English:1500 – 1700)In 43 A.D. the Romans landed in Britain and made south Britain a Roman province When the Roman Empire declined and its troops left England, the tribes of Angles, Saxons and Jutes invaded the island from Northern Europe around the 5th century(about 449 A. D.).*Epic: a long narrative poem about heroic deeds and adventures.The storyAccording to the contents of the story, the poem can be divided into three parts: Part I: the fight against GrendelPart II: the fight against Grend el‘s motherPart III: the fight against the Fire DragonThe artistic featuresAlliteration, metaphor, understatement, vivid poetic diction and parallel expressions for a single ideaThe themesThe chief significance of this epic lies in the vivid portrayal of a great national hero, strong and courageous and selfless and ever helpful to his people and kinsfolk. The Song of Beowulf can be justly termed English national epic and its hero Beowulf – one of the national heroes of the English people.*Alliteration: the deliberate repetition of the first consonants in associated words or next to stressed syllables.Part II The Anglo—Norman Period（1066—1350）(In Chinese chronology: Northern Song Dyn.—Yuan Dyn.)Medieval RomanceIt was a long composition, sometimes in verse, sometimes in prose, describing the life and adventures of a noble hero.1st Canto: Gawain returns the blow2nd Canto: Gawain‘s long journey3rd Canto: Gawain‘ life in the castle4th canto: …gets to the Green Chapel… warned to turn back…terrif ying sound of sharpening ax…Green Knight appears…two swings harmlessly…third one wounds him…Green Knight explains…lord …shame…atone(make repayment)…free gift…Gawain returns to Arthur‘s…tells his story…knights wear a green girdle ever sinceThe themeSir Gawain and the Green knight is the best of the surviving Middle English romances, characterized by passages of beautiful poetry, moments of gentle comedy and keenly observed psychology. It has two motifs (main subject or idea) in the story, one is the testing of faith, courage and purity, the other is the proving of human weakness forself-preservation. The two motifs provide the poem with unmistakable traits of chivalric romances, plus some strong Christian colouring.The artistic features : AlliterationPart III Geoffrey Chaucer（1340?—1400）(In Chinese history: early Ming Dynasty)The Canterbury TalesThe themeIn The Canterbury Tales, one of the most famous works in all literature, Chaucer has given us a picture of contemporary English life, its work and play, its deeds and dreams, its fun and sympathy and hearty joy of living such as no other single work of literature has ever equaled.Chaucer‘s contribution to English poetryChaucer’s contribution to English poetryChaucer‘s contribution to English poetry lies chiefly in the fact that he introduced from France the rhymed stanzas of various types, especially the rhymed couplet of iambic pentameter (to be called later the ―heroic couplet‖) to English poetry, instead of the old Anglo- Saxon alliterative verse. Chaucer also greatly contributed to the founding of the English literary language, the basis of which was formed by the London dialect, so profusely used by the poet.Metre*Metre (格律): the organization of rhythm in verse into various regular patterns or units. In English verse, these units are based on stress, and it is the combination of stressed and unstressed syllables into various patterns or units that gives each poem its rhythm or metre.Iamb (iambic): one unstressed syllable followed by one stressed syllable. __︶（抑扬格）Anapest ( anapestic) __ __ ︶（抑抑扬格）Trochee(trochaic) ︶__ （扬抑格）Dactyl (dactylic) ︶__ __ （扬抑抑格）Spondee (spondaic) ︶︶__ __ （扬扬抑抑格）Foot or Metrical FootFoot (音步): the basic unit of measurement in a line of poetry. Generally a foot consists of two or three syllables, one of which is stressed.Monometre: 1 foot Pentametre: 5 feetDimetre: 2 feet Hexametre: 6 feetTrimetre: 3 feet Heptametre: 7 feetTetrametre: 4 feet Octametre: 8 feetPopular balladsBallads are anonymous narrative songs that have been preserved by oral transmission. The origin of them can be traced back as early as the 13th century, few of them were printed before the 18th Century and some not until the 19th.Analysis of Get up and Bar the DoorForm: Four-line stanzas, rime-scheme of abcb, colloquial language, the use of dialogues and exaggerated actions, story, the length of verse linesContent: This is a good example of the humorous ballad. It is a light tale humorously told, showing the simple life and the innocent fun of the common people.Part IV The RenaissanceThe Renaissance: This word, meaning ―rebirth‖ is commonly applied to the movement or period which marks the transition from the medieval to the modern world in Western Europe.Humanism: Broadly, this term suggests any attitude which tends to exalt the human element or stress the importance of human interests, as opposed to the supernatural, divine elements—or as opposed to the grosser, animal elements. In a more specific sense, humanism suggests a devotion to those studies supposed to promote human culture most effectively—in particular, those dealing with the life, thought, language, and literature of ancient Greece and Rome. In literary history the most important use of the term is to designate the revival of classical culture which accompanied the Renaissance.John Donne（1572-1631）Death Be not proudDeath Be Not Proud is one of Donne‘s 19 holy sonnets, which were believed to have been written before his ordination .The poem reveals his belief in life after death. Here death is compared to rest or sleep. Death is but momentary while happiness after death is eternal. But this religious idea is curiously expressed in the author‘s supposeddialogue with―death‖, a s various reasons are given in the poem to argue against the common belief in death as ―mighty and dreadful‖. In this way the sonnet was a typical work of the school of metaphysical poetry. This is a sonnet written in the strict Petrarchan pattern, with 14 lines of iambic pentameter rhyming abba, abba,cddcee. Donne’s distinguishing artistic featuresDonne‘s originality stems from his freedom to draw on a number of different conventions and to adapt them to his own peculiar voice. In the first place his poetry is in one respect less classical than that of his predecessors. There is far less in it of the superficial evidence of classical learning with which the poetry of the ―universitywits‖abounds, pastoral and mythological imagery. The texture of his poetry is more dialectical, and the imagery is less picturesque, more scientific, philosophic, realistic and homely. Nevertheless, in spite of the closeness of the argument, the abstractness of the ideas, the absence of visual imagery, and the strictly denotative use of words, the effect of his poetry is not abstract in the pejorative sense. Each stanza, in fact is a compressed syllogism the conclusion and the minor premise being reserved, as a kind of surprise, until the end.Image: One of the most distinguishing features of poetry is the employment of image. Image is the soul of poetry. It means that the poet uses specific form/ figure or picture to express what people experience, intellectually or emotionally.(a word picture; putting into words of a sound, sight, smell, taste, etc. by describing it.) Imagery: using images such as metaphors and similes to produce an effect in the reader‘s imagination.Enjambment：a device used in verse when both the sense and the grammatical structure are carried over to the next line, /running on the sense of one line of poetry to the nextConceit:from the Italian concetto, used to mean a precise and detailed comparison of something more remote or abstract with something more present or concrete, and often detailed through a chain of metaphors or similes.Wit:the ability to use contrasting and unlikely associations to express a clever and amusing idea.Donne‘s image ry has always impressed readers by its range and variety and its avoidance of the conventionally ornamental. Donne had a different conception of the function of imagery from that of the other Elizabethan poets. The purpose of an image in his poetry is to define the emotional experience by an intellectual parallel. His images must be followed logically; point by point they fit the emotion illustrated.In short, the poetry of Donne is characterized by complex imagery and irregularity of form. He frequently employs the conceit, an elaborate metaphor making striking syntheses of apparently unrelated objects or ideas. His intellectuality, introspection, and use of colloquial diction, seemingly unpoetic but always uniquely precise in meaning and connotation, make his poetry boldly divergent from the smooth, elegant verse of his day.John Milton（1608—1674）Analysis of Paradise LostParadise Lost is Milton‘s masterpiece, and greatest English epic. It consists of 12 books, containing about ten thousand lines in blank versePlotThe stories were taken from the Old Testament: the creation; the rebellion in Heaven of Satan and his fellow angels; their defeat and expulsion from Heaven; the creation of the earth and of Adam and Eve; the fallen angels in hell plotting aga inst God; Satan‘s temptations of Eve; and departure of Adam and Eve from Eden.*Blank verseunrhymed verse written in iambic pentameter.The themeThe poem, as we are told at the outset, was to ―justify the ways of God to man‖, i.e., to advocate submission to the Almighty. But after reading it one gets the impression that the main idea of the poem is a revolt against God‘s authority.In the poem God is no better than a selfish despot, seated upon a throne with a chorus of angels about him eternally singing his praises. His long speeches are never pleasing. He is cruel and unjust in his struggle against Satan. His Archangel is a bore. His angels are silly. While the rebel Satan who rose against God and, though defeated, still sought for revenge, is by far the most striking character in the poem.Adam and Eve embody Milton‘s belief in the powers of man. Their craving for knowledge, as Milton stresses, adds a particular significance to their characters. This longing for knowledge opens before mankind a wide road to an intelligent and active life.It has been noticed by many critics that the picture of God surrounded by his angels, who never think of expressing any opinions of their own, resembles the court of an absolute monarch, while Satan and his followers, who freely discuss all issues in council, sufficient to prove that Milton‘s revolutionary feelings made him forsake religious orthodoxy.This epic is an eloquent expression of the revolutionary spirit of the English bourgeois revolution, a call to resist tyranny and to continue the fight for freedom.The image of SatanSatan is the central figure in Paradise lost. He is human as well as superhuman. We think of Satan either as an abstract conception or else, more immediately, as someone in whom evil is mixed with good but who is doomed to destruction by the flaw ofself-love. The figure of Satan is undoubtedly impressive, powerful, and immense, looming up as a magnificent figure, a mighty, a terrible, and an immortal Being; he is infinitely superior to man, as well in the dignity of his nature, entirely different from the devil of the miracle plays and completely overshadowing the hero both in interest and in manliness. He has about him the last flickers of heavenly radiance, the traces of his ruined greatness.There is undoubtedly something thrilling as he summons up his defeated powers, collect together the scattered legions of the lost angels, addresses them with words of defiance of God, and draws forth response of militaristic assent as his troops ―Clashe d on their sounding shields the din of war,/ Hurling defiance towards the vault of heaven.‖ Then simple ―Satanist‖ case is, then that Milton allowed the revolutionary in himself to take root in Satan. Though Milton thought of himself as a Christian, his inner sympathies with rebellion, anger and revolution often color the poem. Satan‘s defianceof the Divine will is indispensable to the continuance of his identity, a predicament which raises him to tragic status.John Bunyan（1628—1688）Allegory is a story which teaches a lesson because the people and places in it stand for other ideas. One of the greatest of all allegories is Pilgrim‘s Progress by John Bunyan. The themePilgrim‘s Progress is a biting satire on the English society with which the writer wasfa miliar. It reveals Bunyan‘s Puritan ideal.The success of The Pilgrim’s ProgressThe secret of its success is probably simple. It is, first of fall, not a procession of shadows repeating the author‘s declamations, but a real story, the first extended story in English. The Puritans may have read the story for religious instruction; but all classes of men have read it because they found in it true personal experience told with strength, interest humor, in a word, with all the qualities that such a story should possess. Young people have read it, first for its intrinsic worth, because the dramatic interest of the story lure them on to the very end; and second, because it was their introduction to true allegory. It was the only book having a story interest in the great majority of English and American home for a full century.Bunyan cherished a deep hatred of both the king and his government. He saw and detested the injustice of laws, trials and magistrates, between whom and his saints there was a perpetual war. That is why his Pilgrim‘s Progress had won immediate success among the bakers, weavers, cobblers, tailors, tinkers, shepherds, ploughmen, diary-maids, seamstresses and servant girls of his time, and has become one of the most popular works in the English Language.Bunyan‘s prose is admirable. It is popular speech ennobled by the solemn dignity and simplicity of the language of the English Bible. Spenser‘s allegory in The Faerie Queen appears ornate when compare with Bunyan.The Eighteenth CenturyThe Age of Enlightenment in EnglandClassicism: As a critical term, a body of doctrine thought to be derived from or to reflect the qualities of ancient Greece and Roman Culture, particularly in literature, philosophy, art or criticism.Neoclassicism: In English literature, the stylistic trend between the Restoration（1660）and the advent of romanticism at the beginning of the 19th century is referred to as neoclassicism.Sentimentality and sensibility are two terms frequently used in reference to some literary works of the 18th century. They are today used as mutually exchangeable terms, Poetry and fiction of sentimentality or sensibility, as a literary genre, didn‘t start all of a sudden in the 18th century, though it was not often found earlier than that. It was a direct reaction against the cold, hard commercialism and rationalism which had dominated people‘s life since the last decades of the 17th century.Romanticism: Romanticism was in effect a revolt of the English imagination against the neoclassical reason which prevailed from the days of Pope to those of Johnson. Satire: a piece of writing in which public personalities, current affairs, human weaknesses, etc are mocked using sarcasm and irony.Daniel Defoe （1660-1731）The themeIn Robinson Crusoe the author eul ogizes labour and man‘s indefatigable efforts to conquer nature, but at the same time he beautifies colonialism.The styleThough most of his works are written in the picaresque tradition, Defoe is, in fact, an anti-romantic, anti-feudal realistic writer.Defoe‘s style is characterized by a plain, smooth, easy, direct, and almost colloquial but never coarse language.Jonathan Swift （1667-1745）The themeIt is a satire on the eighteenth century English society, touching upon the political, religious, legal, military, scientific, philosophical as well as literary institutions, about almost every aspect of the society. Bitterly satirical, the book takes great pains to bring to light the wickedness of the then English society, with its tyranny, its political intrigues and corruption, its aggressive wars and colonialism, its religious disputes and persecution, and its ruthless oppression and exploitation of the common people.The ugliness of the eighteenth century society is no elsewhere so thoroughly and forcefully exposed and condemned as in this single book. And, the satire, as it is, is not only of practical significance in its own day in England and Europe but its exposure is also true of all countries, all ages. Its satires are applicable to any class, any society, anywhere in the world and in any period of history.To conclude, Swift‘s Gulliver‘s Travels gives us an unparalleled satirical depiction of the vices of his age and the weaknesses of man.Some narrative featuresThe novel is at once a fantasy and a realistic work of fiction.The Language here, as is typical of all Swift‘s works, is very simple, unadorned, straightforward and effective.The novel is noted for its exceptionally tidy structural arrangement. The four seemingly independent parts are linked up by the central idea of social satire and make up an organic whole. The four parts are complementary, each supporting, adding to and developing the central satire. This is especially true of the first two parts. The narrative pattern of the book is also outstanding.Swift’s point of viewA defender of human freedomAn irreligious clergymanSwift’s styleSwift is one of the greatest writers of satiric prose. No reader of his can escape being impressed by the great simplicity, directness and vigor of his style. Easy, clear, simple, and concrete diction, uncomplicated syntax, economy and conciseness of language mark all his writings. Seldom is there ornament or singularity of any kind. Never is the meaning obscure. Everything is in complete control of the writer.And yet, it seems inadequate to define Swift‘s style simply as what he says: ―proper words in proper pla ces‖, for his is one of great richness and variety. His simplicities, more often than not, are a camouflage for insidious intentions, for big serious matters, and an outward earnestness, simplicity, innocence and an apparently cold impartial tone render his satire all the more powerful and effective. Sometimes even a ferocious joke does the job. His ―A Modest Proposal‖— a ferocious joke really — is generally held as the example of best satirical work in English.But to say that Swift has invented a complete new prose style is to overstate. When we emphasize his abandonment of ―serious‖ or ―lofty‖ styles brought to high refinement by his cousin Dryden and his friend Pope, we do not exclude his cousin Dryden and his friend Pope, we do not exclude his indebtedness to the old tradition, particularly the tradition of Rabelais. It is by adapting and modifying the old forms and techniques, by infusing them with his own strong personality that he is able to play with learned or pseudo-learned ideas, to put forward his own judgment, to carry his parody, satire, ridicule and condemnation until ―the wit of man carry it no further.‖What is more, Swift is in the habit of writing in the capacity of a fictitious character. This provides him opportunities to let out his pent-up emotions, mostly his contempt, disappointment, bitterness and desperate indignation, and also allows him freedom in the choice of an idiom which is appropriate to the assumed character and a style which is most suitable to his theme and purpose.Joseph Addison （1672 - 1719）ContributionThough Addison considered himself a poet and distinguished himself with his tragedy ―Cato‖, and Steele was successful with his many sentimental comedies, they have been remembered chiefly as editors of the two literary periodicals. The Tattler and The Spectator are chief contributors to the English periodical literature of the early eighteenth century. Their new genre of familiar essays, characterized by an informal, easy style, by the creation of characters and by their comments on the manners and morals of the time, which were illustrated by interesting brief sketches and tales pavedthe way for the flourishing of literary periodicals and the arrival of English novels in the days to come.Henry Fielding （1707-1754）The ThemeIn ―Tom Jones‖ Fielding gives a vivid panoramic picture of English society in mid-18th century, and shows his great sympathy for the poor and oppressed and his strong antipathy toward all the wicked and deceitful persons in the story. The character of Blifil is an embodiment of vice, while Tom Jones is an upright, kind-hearted youth in spite of his minor shortcomings and Sophia Western is a courageous young woman who battles successfully against feudal bondage.Features of Fielding’s novels1)Fielding‘s method of relating a story is telling the story directly by the author.2) Satire abounds everywhere in Fielding‘s works.3) Fielding believed in the educational function of the novel. The object of his novels is to present a faithful picture of life, while sound teaching is woven into their texture.4) Fielding is a master of style. His style is easy, unlaboured and familiar, but extremely vivid and vigorous. His sentences are always distinguished by logic and musical rhythm. His command of language is remarkable.Thomas Gray（1716-1771）Analysis of Elegy Written in a Country ChurchyardRelevant information about Elegy Written in a Country ChurchyardElegy Written in a Country Churchyard（1751）, one of the best known lyrics in the English language. The poem once and for all established his fame as the leader of the sentimental poetry of the day, especially ―the Graveyard school.‖ His poems, as awhole, are mostly devoted to a sentimental lamentation or meditation on life, past and present.·Graveyard schoolshow sympathy for the poor and indulge in the meditation of death and loneliness Although neo-classicism dominated the literary scene in 18th century, there were poets whose poetry had some elements that deviated from the rules and regularities set down by neo- classicist poets. These poets had grown weary of the artificiality and controlling ideals of neo-classicism. They craved for something more natural and spontaneous in thoughts and language. In their poetry, emotions and sentiments, which had been repressed, began to play a leading role again. Another factor marking this deviation is the reawakening of an interest in nature and in the natural relations between man and man. Among these poets, one of the representatives was Thomas Gray.Analysis of “Elegy”It is originally in classical Greek and Roman literature, a poem composed of couplets. Classical elegies addressed various subject, including love, lamentation, and politics, and were characterized by their metric form. Since the 16th century elegies have been characterized not by their form but by their content, which is invariably melancholy and centers on death. The best-known elegy in English is Gray‘s―Elegy‖.Milton‘s Lycidas was an elegy to his friend who drowned. Gray‘s Elegy in a Country Churchyard is a sad poem about mankind‘s mortality.Epitaph: Something written on a tombstone, or a poem about someone after their death.Elegy Written in a Country Churchyard is the best-known meditative poem by Thomas Gray. The churchyard is perhaps that of Stoke Poges, where Gray often visited。
英国文学史及选读复习资料
英国文学史及选读复习资料英国文学史及选读复习资料英国文学历史悠久而丰富多样，涵盖了从中世纪到现代的各个时期和流派。
在这篇文章中，我们将探索英国文学史的一些重要时期和作品，并提供一些选读复习资料，帮助读者更好地了解和掌握英国文学。
中世纪文学是英国文学史的起点，其代表作品包括《贝奥武夫》和《坎特伯雷故事集》。
《贝奥武夫》是一部史诗，描写了勇敢的英雄贝奥武夫的冒险故事。
《坎特伯雷故事集》是一部讲述了一群人在前往坎特伯雷朝圣途中分享故事的作品，通过这些故事，揭示了中世纪社会的各个层面。
文艺复兴时期是英国文学史的重要里程碑，该时期的作品受到古希腊罗马文化的影响，充满了人文主义的精神。
莎士比亚是这一时期最杰出的作家之一，他的作品包括诗剧《哈姆雷特》和《罗密欧与朱丽叶》等。
这些作品以其深刻的人物刻画和复杂的情节而闻名，被认为是世界文学的瑰宝。
17世纪是英国文学史上的黄金时代，其中最重要的作家是约翰·米尔顿。
他的史诗《失乐园》被誉为英国文学的巅峰之作，以其对人类自由意志和权力的思考而著称。
此外，约翰·多恩也是这一时期的重要作家，他的诗歌作品以其独特的形式和思想深度而受到赞誉。
18世纪是英国文学史上的启蒙时代，这一时期的作品强调理性和科学思维。
亚历山大·蒲柏是这一时期最重要的作家之一，他的诗歌作品《诗人的墓》和《奥德赛》被广泛阅读和研究。
此外，詹姆斯·汤姆森的长诗《四季》也是这一时期的重要作品，描绘了大自然的美丽和变化。
19世纪是英国文学史上的浪漫主义时期，作家们追求情感和个体的表达。
威廉·华兹华斯和塞缪尔·泰勒·柯勒律治是浪漫主义诗歌的代表作家，他们的作品强调对自然和内心世界的关注。
此外，查尔斯·狄更斯是这一时期最重要的小说家之一，他的作品《雾都孤儿》和《双城记》等揭示了当时社会的不公和人性的复杂性。
20世纪是英国文学史上的现代主义时期，作家们挑战传统文学形式和观念。
英国文学简史复习资料（整理版）
英国文学简史复习资料（整理版）第一篇：英国文学简史复习资料(整理版)I.Old English Literature & the Late Medieval Ages 贝奥武夫:the national epic of the Anglo-SaxonsGeoffrey Chaucer 杰弗里•乔叟1340(?)~1400 The father of English poetry.① 坎特伯雷故事集：first time to use …heroic couplet‟(双韵体)by middle English ②特罗伊拉斯和克莱希德③ 声誉之宫II The Renaissance Period A period of drama and poetry.The Elizabethan drama is the real mainstream of the English Renaissance.Renaissance: the activity, spirit, or time of the great revival of art, literature, and learning in Europe beginning in the 14th century and extending to the 17th century, marking the transition from the medieval to the modern world.Three historical events of the Renaissance – rebirth or revival: 1.new discoveries in geography and astrology 2.the religious reformation and economic expansion 3.rediscovery of ancient Roman and Greek culture The most famous dramatists:Christopher Marlowe William Shakespeare Ben Johnson.William Shakespeare威廉•莎士比亚1564~1616① Historical plays: Henry VI 亨利六世;Henry IV : Richard III 查理三世;Henry V ；Richard II；Henry VIII ②Four Comedies: 皆大欢喜;第十二夜;< A Midsummer Night‟S Dream>仲夏夜之梦;威尼斯商人③Four Tragedies: 哈姆莱特;奥赛罗;李尔王;麦克白④Shakespeare Sonnet :154Three quatrain and one couplet, ababcdcdefefggA sonnet is a lyric consisting of 14 lines, usually iniambic pentameter restricted to a definition rhyme scheme.⑤the comedy of errors 错中错，Titus Andronicus泰特斯·安特洛尼克斯，The Taming of the shrew 驯悍记Love's labour's lost（爱的徒劳）Romeo and Juliet 罗密欧与朱丽叶Much ado about nothing（无事生非）The merry wives of Windsor.温莎的风流娘们King John 约翰王All's well that ends well 终成眷属Measure for measure（一报还一报）Bacon: Of Studies;Of Beauty;Of Marriage and Single Life English Bourgeois Revolution，学术的推进 III：the period of the English bourgeois ton：1608~1674Paradise Lost;Samson Agonistes(力士参孙);On the morning of Christ’s Nativity，复乐园我的失明论出版自由为英国人民声辩Bunyan: 1628~1688 ①Religionary Allegory:天路历程Grace Abounding to the Chief of Sinner;the Holy War John Don: the Metaphysical poet(玄学派诗人).Metaphysical Poetry(玄学诗)：（用语）the diction is simple, the imagery is from the actual,(形式)the form is frequently an argument with the poet’s beloved, with god, or with himself.（主题：love, religious, thought）The Flea;跳蚤Forbbiding Mourning，Songs And Sonnets歌与十四行诗，emergent occasions 突变引起的诚念Hely sonnets IV The 18th Century：EnlightenmentA revival of interest in the old classical works, order, logic, restrained emotion(抑制情感)and accuracy The Age ofEnlightenment/Reason: the movement was a furtherance of the Renaissance of the 15th and 16th centries, a progressive intellectual movement, reason(rationality), equality&science(the 18th century)小说崛起：In the mid-century, the newly literary form, modern English novel rised(realistic novel现实主义小说)Gothic novel(哥特式小说)：mystery, horror, castles(from middle part to the end of century)Jonathan Swift乔纳森•斯威夫特1667~1745（十八世纪杰出的政论家和讽刺小说家 a master satirist。
英国文学史复习资料
1.Classicism(古典主义):A movement or tendency in art, literature, or music th at reflects the principles manifested in the art of ancient Greece and Rome. Cl assicism emphasizes the traditional and the universal, and places value on reas on, clarity, balance, and order.2. Critical Realism 批判现实主义: Realism is a mode of writing that gives the impression of recording or reflecting faithfully an a ctual way of life. The term refers, sometimes confusingly, both to a literary meth od based on detailedaccuracy1of description (i. e. verisimilitude) and to a more gene ral attitude that rejects idealization, escapism, and other extravagant qualities of roma nce in favor of recognizing soberly the actual problems oflife.4. Enlightenment 启蒙主义: Enlightenment is an intellectual movement in Europe in 18th century. It w as an expression of the struggle of the bourgeoisie against feudalism. The enlightener s fought against class inequality, stagnation, prejudices and other feudal survivals. I t was so called because it considered the chief means for the betterment of the societ y was the enlightenment or—educationof the people. 5. Renaissanee文艺复兴：Re naissance marks a transition from the medieval to the modern world. Generally, it ref ers to the period between the 14th and mid 17th centuries. It first started in Italy, wit h the flowering of painting, sculpture and literature. From Italy the movement went t o embrace the rest of Europe. Twofeatures are striking of this movement. The one i s a thirsting curiosity for the classical literature. Another feature of the Renaissance i s the keen interest in the activities of humanity. Hence, humanism, which reflected th e new outlook of the rising bourgeois class, is the key-note of the Renaissance. The gr eatest of the English humanists were Thomas More and William Shakespeare.6 Soliloquy( 独白)： Soliloquy, in drama, means a moment when a character is alone and speaks his or her thoughts aloud.. 7. Neoclassicism 新古典主义:th e Enlightenment brought about a revival of interest in Greek and Roman works. This t endency is known as Neoclassicism.8. Romanticism 浪漫主义: imagination, emoti on and freedom are certainly the focal points of romanticism. The particularcharacteri stics of the literature of romanticism include: subjectivity and an emphasis on individu alism; freedom from rules; solitary life rather then life in society; the beliefs that imag ination is superior to reason; and love of and worship of nature9. . Sentimentalism 感伤主义:it came into being as a result of a bitter discontent on thepart of certain En lighteners in social reality. (The representatives of sentimentalismcontinued to strug gle against feudalism but they vaguely sensed at the same time the contradictions of b ourgeois progress that brought with it enslavement and ruinto the people. ) The phil osophy of the enlighteners, through rational and materialistic in its essence, did not ex clude senses, or sentiments, as a means of perception and learning. Moreover, the cul tof nature and, a cult of a "natural man" whose feelings display themselves in a mos t human and natural manner, contrary to the artful and hypocritical aristocrats1.0. So nnet 十四行诗:Sonnet is a type of poem consisting of one single fourteen-line stanz a. It was perfected by the Italian poet in the 13th century and introduced into Englan d in the early 16th century. English sonnets in terms of structure, largely fall into tw o classes: Italian form (It consists of 14 iambic pentameterlines: the first 8 lines for m the octet, which rhymes, the remaining 6 lines) and the Shakespearian (or English f orm) form. The former divides its 14 lines of iambic pentameters into two parts: one o ctet--- abbaabba and the other sestet--cdecde; while the latter consists of three quatrai ns （abab cdcd efef） and afinal coupl（et gg）. The three quatrains develop thepoem's s ubject consistently and the couplet condenses the emotion into an epigram. Shakespea re and Milton are very good at sonnet1.1.Heroic couplet （英雄双韵体） A heroic coup let is a traditional form for English poetry, commonly used for epic and narrative poet ry; it refers to poems constructed from a sequence of rhyming pairs of iambic pentame ter lines. Traditional form for English poetry, commonly used for epic andnarrative p oetry, a sequence of rhyming paris of iambic pentamete1r.1. Metaphysical poetry 玄学派: Metaphysical poetry is a kind of realistic, oftenironic and witty, verse combi ning intellectual ingenuity and psychological insight written partly in reaction to the c onventions of Elizabethan love poetry by such seventeenth-century poets as John Don ne, George Herbert, Richard Crashaw, ThomasTraherne, and Andrew Marvell. One o f its hallmarks is the metaphysical conceit, a particularly arresting and ingenious typ e of metaphor. The features of the school: philosophical poems, complex rhythms an d strange images.12. The Victorian period（维多禾U亚时期）In this period, the novel became the most widely read and the most vital and challenging express ion of progressive thought. While sticking to the principle of faithful representa tion of realist novel, novelistsin this period carried their duty forward to critic ism of the society and the defense of the mass. They were all concerned abou t the fate of the common people. They were angry with the inhuman social in stitutions, the decaying social morality, and the widespread misery, poverty andinjustice.3>Their truthful picture of people 'lisfe and bitter and strongcriticis m of the society had done much in awakening the public consciousnessto the social problems and in the actualim provement of the society.4> Charles Dick ens is the leading figure of the Victorian period. 13. University Wits（大学才子） :refer to a group of scholars during the Elizabethan Age who graduated fr om either oxford or Cambridge. They came to London with the ambition to be come professional writers. Some of them later became famous poets and playw rights.They were called ”niversity Wits ”4. Gothic novel（哥特式小说）:Gothi c novel, a type of romantic fiction that predominated in the late eighteenth century, w as one phase of the Romantic movement. It is futile to struggle against one's fate. Th e mysterious element plays an enormous rolein the Gothic novel; it is so replete wit h bloodcurdling scenes and unnatural feelings that it is justly called "a novel of ho rror". Its principal elements are violence, horror, and the supernatura1l.5. Historical novel（历史小说）：A novel in which the action takes place during a specitic hi storical well before the time of writing. And in which some attempt to make t o depict accuratlly the customs and mentality of the period. The central charac ter---real or imagined--- is usually subject to divided loyalties within a larger h istoric conflict of which readers know the outcome, the pioneers of this genre were walter scott and cooper. 16.Dramatic monologue （戏居U独白）is a typeof poe m writing style in which a character, at some specific and critical moment, addresse s an identifiable but silent audience, thereby unintentionallyrevealing his or her essen tial temperament and personality.3. ChaucerHis career can be divided into several periods：The Canterbury tales <坎特伯雷故事集>He got his stories from various sources, Greek authors, Roman authors, Italian, Frenc h, but there is no doubt about Chaucer's originality. He retells the stories in his own w ay. The stories are told by a group of people on their way to and back from Canterbur y. Pilgrims tell stories to pass the time. Thejourney is used as a kind of device to unit e the various tales。
英国文学史复习资料
英国文学史复习资料
以下是一些关于英国文学史的复习资料：
1. 《英国文学的发展与演变》（The Development and Evolution of British Literature）：这本书提供了英国文学史的全面概述，从中世纪到现代不同时期的文学作品和文学流派都有介绍。
2. 《英国文学史导论》（Introduction to British Literary History）：这本导论书通过对英国文学史的重要事件、作家和作品进行深入讲解，帮助读者理解英国文学的演变和发展。
3. 《英国文学史简明教程》（A Short History of English Literature）：这本书以简明清晰的语言介绍了英国文学史的重要内容，包括不同时期的文学作品和重要作家的生平和作品。
4. 网络资源：有许多网站提供关于英国文学史的资料和学
术文章，如英国文学史学术网站、大学的文学部门网站等。
你可以在搜索引擎上搜索英国文学史相关的关键词，找到
适合你的学习资料。
5. 学术论文和专著：在学术期刊和图书馆中，你可以找到
许多针对英国文学史的研究论文和专著，这些都是深入了
解英国文学史的重要资源。
无论使用哪种资料，重要的是要有系统地学习和复习英国
文学史，理解各个时期的文学作品和文学流派的特点和发
展趋势，同时熟悉一些重要的作家和作品。
英国文学史复习资料整理
英国文学史复习资料整理篇一：英国文学史复习资料整理(1)? historical background: the making of BritainA. Briton (Celtic tribes)B. the Roman Conquest---Roman Briton1thJulius CaesarA.D.43ClaudiusC. mid-5thAnglo-Saxons (Angles, Saxons, Jutes)Anglo-Saxon periodD. Danish invasionlate 8th, Daneslate 9th, Alfred the Greatthe literaturethe literature of this period falls naturally isto two divisions—pagan and Christianpagan represents the poetry which the Anglo-Saxons probably brought with them in the form of oral sagasChristian represents the writings developed under teaching of the monks..All of the earliest poetry of England was copied by the monks, and seems to have been more or less altered to give it a religious coloring.The angles, an important Teutonis tribe, furnished the name for the new home, which was called Angle-land afterward shortened into England. The language spoken by these tribes is generally called Anglo-Saxon or Saxon.Literary term★ Epic: a long narrative poem telling about the deeds of a great hero and reflecting the values of the society from which it originated. Many epics were drawn from an oral tradition and were transmitted by song and recitation before they were written down.(examples: Iliad, Odyssey, Chanson de Roland)2. Beowulf– national epic★ the longest and most monument of A-S poems★ the oldest surviving epic in British literature.? oral form (6th), earliest written record (7th or 8th)? set in Denmark and SwedenBeowulf1. 3183 lines2. contents:Beowulf centers on the narration of the exploits of the heroic figure beowulf.3 adventuresMonster---GrendelGrendel’s motherfiery dragonTheme: primitive peo ple’s struggle against hostile forces of the natural world under a wise and mighty leader.Beowulf is not simply a man of great military prowess but he is forever eager to help others in distress and in his last adventure with the dragon he shows himself a worthy leader ready to sacrifice his own life for the welfare of his people.Features:＊part-historical and part legendary＊heathen tribal society, feudal elements, Christian coloring＊A-S or old English; alliteration metaphorIn the year 1066, at the battle of Hastings, the Normans headed by William, Duke of Normandy, defeated the Anglo-Saxons.Brought to England is remarkable for its bright, romantic tales of love and adventure.England literature is also a combination of French and Saxon elements.The three chief effects of the conquest were1. the bringing of Roman civilization to England2. the growth of nationality a strong centralized government, instead of the loose union of Saxon tribes3. the new language and literature were proclaimed in Chaucer1the Norman conquest accelerated the development of feudalism.? on land: the ruling class possessed large tracts of land? on society: distinct class division, miseries of peasants? on language: scholar wrote in French and Latin; eiched English.The developmentof romance and knights’ legends★ Romance: A long composition, sometimes in verse, sometimes in prose, describing the life and adventures of a noble man. The central character is the Knight, who has a noble birth, is skillful in the use of weapon and devotes to the church or King. The rules governing the manners and morals of a knight are known as chivalry.? Themes of romance:the matter of Britain— king Arthur and his knights of the Round Table (Arthurian romances) the matter of France— Charlemagne and his knights (Chanson deRoland)the matter of Rome— from the Trojan War to Alexander the GreatKing Arthur:＊historical figure of Celts; mythological figure in Welsh literature;＊legendary hero in ? Geoffery of Monmouth: “History of the Kings of Britain” ?Layamon:“Brut”? Sir Tomas Malory: “Le Morte D?Arthur”? Anglo-Saxon? Later legends about a hero named Arthur were placed in this period of violence. The invaders were variously Angles, Saxons, Frisians, Jutes, but were similar in culture and eventually identified themselves indifferently as Angles or Saxons.The most outstanding single romance on the Arthurian legend—―Sir Gawain and the Green Knig ht‖ (four sections)a.The fight between Sir Gawain and the Green Knight at King Arthur?s Christmas feast.b. Gawain?s adventures on the way to find the Green Knight of the Green Chapel篇二：英国文学史及选读__复习要点总结《英国文学史及选读》第一册复习要点1. Beowulf: national epic of the English people; Denmark story; alliteration, metaphors and understatements （此处可能会有填空，选择等小题）2. Romance （名词解释）3. “Sir Gawain and the Green Knight”: a famous roman about King Arthur’s story4. Ballad（名词解释）5. Character of Robin Hood6. Geoffrey Chaucer: founder of English poetry; The Canterbury Tales (main contents; 124 stories planned, only 24 finished; written in Middle English; significance; form: heroic couplet)7. Heroic couplet (名词解释)8. Renaissance（名词解释）9.Thomas More——Utopia10. Sonnet（名词解释）11. Blank verse（名词解释）12. Edmund Spenser“The Faerie Queene”13. Francis Bacon “essays” esp. “Of Studies”（推荐阅读，学习写正式语体的英文文章的好参照，本文用词正式优雅，多排比句和长句，语言造诣非常高，里面很多话都可以引用做格言警句，非常值得一读）14. William Shakespeare四大悲剧比较重要，此外就是罗密欧与朱立叶了，这些剧的主题，背景，情节，人物形象都要熟悉，当然他最重要的是Hamlet这是肯定的。
英国文学史选读复习资料
英国文学简史复习资料General introduction of English literature1. 1) Old English Literature (449-1066) 古英语时期文学——The Song of Beowulf 《贝奥武甫》2) Medieval English Literature (1066-15th century) 中世纪英语时期文学——Geoffrey Chaucer (1340_1400) 杰弗里·乔叟2. Renaissance English literature (late 15th century ~ early 17th century) 文艺复兴——Francis Bacon 弗朗西斯·培根——William Shakespeare 威廉·莎士比亚——Ben Jonson 本·琼生——Christopher Marlowe 克里斯托弗·马洛3. English Literature of the Revolution and Restoration Period (1640-1688) 资产阶级革命与王朝复辟时期的文学——John Milton约翰·弥尔顿——John Bunyan 约翰·班扬4. 18th century English literature-the age of Enlightenment 启蒙运动时期——Daniel Defoe丹尼尔·笛福——Jonathan Swift乔纳森·斯威夫特——Henry Fielding亨利·菲尔丁——William Blake威廉·布莱克——Robert Burns罗伯特·彭斯5. Romantic English Literature (1798-1832) 浪漫主义时期——William Wordsworth, 威廉·华兹华斯——Samuel Taylor Coleridge, 塞缪·泰勒·柯勒律治——George Gordon Byron, 乔治·戈登·拜伦——Percy Bysshe Shelley 佩西·比舍·雪莱——John Keats, 约翰·济慈——Walter Scott 沃尔特·司各特——Jane Austen简·奥斯汀6. Critical Realistic Literature in the 19th Century 维多利亚时期（批判现实主义）——W.M. Thackeray, 萨克雷——C harles Dickens, 查尔斯·狄更斯——Robert Browning 罗伯特·布朗宁——Bronte sisters：Charlotte Bronte, Emily Bronte, Ann Bronte——George Eliot乔治·艾略特——Matthew Arnold 马修·阿诺德——Thomas Hardy 托马斯·哈代——Oscar Wilde 奥斯卡·王尔德7. 20th Century English Literature——George Bernard Shaw乔治·萧伯纳——Joseph Conrad 约瑟夫·康拉德——William Butler Y eats 威廉·巴特勒·叶芝——Virginia Woolf弗吉尼亚·沃尔夫——James Joyce詹姆斯·乔伊斯——D. H. Lawrence劳伦斯——T. S. Eliot 爱略特一、The Anglo-Saxon period (449-1066)1、这个时期的文学作品分类：pagan(异教徒) ，Christian(基督徒)2、代表作：The Song of Beowulf《贝奥武甫》( national epic 民族史诗) 采用了隐喻metaphor手法3、Alliteration 头韵（写作手法）例子：of m an was the m ildest and m ost beloved,To his k in the k indest, k eenest for praise.二、The Anglo-Norman period (1066-1350) 盎格鲁—诺曼时期1、romance 传奇文学2、代表作：Sir Gawain and the Green Knight (高文爵士和绿衣骑士) 是一首押头韵的长诗三、Geoffrey Chaucer (1340-1400) 杰弗里·乔叟时期1、the father of English poetry 英国诗歌之父2、heroic couplet 英雄双韵体：a verse unit consisting of two rhymed(押韵) lines in iambic pentameter(五步抑扬格)3、代表作：The Canterbury Tales 《坎特伯雷的故事集》(英国文学史的开端)大致内容：the pilgrims are people from various parts of England, representatives of various walks of life and social groups. 朝圣者都是来自英国的各地的人,代表着社会的各个不同阶层和社会团体小说特点：each of the narrators tells his tale in a peculiar manner, thus revealing his own views and character. 这些叙述者以自己特色的方式讲述自己的故事，无形中表明了各自的观点，展示了各自的性格。
- 1、下载文档前请自行甄别文档内容的完整性，平台不提供额外的编辑、内容补充、找答案等附加服务。
- 2、"仅部分预览"的文档,不可在线预览部分如存在完整性等问题,可反馈申请退款(可完整预览的文档不适用该条件!)。
- 3、如文档侵犯您的权益，请联系客服反馈,我们会尽快为您处理(人工客服工作时间：9:00-18:30)。
Blank verse - John Milton(master)(Brit.) Free verse - Walt Whitman( Amer.)Geoffery Chaucer●Born in 1340●1066---1500 Middle English Period●Medieval Realism●<The Romaunt of the Rose> <Troilus and Griseyde> <The Canterbury Tales>●The Canterbury Tales:这部作品虽然没写完，但是这部作品刻画了当时英国社会的全景，故事讲了30个要去坎特伯雷教堂朝圣的人，路上无聊便一个人讲一个故事，这三十个人里有社会上层的骑士、神职人员，也有下层：磨坊主、农民等等，这也就说：他们是当时社会的缩影。
More than a mere collection of true-to-life pictures. His tales expose and satirize the evils of the time, affirm people’s right to pursue their happiness and opposes the dogma of asceticism. Praise man’s energy, intellect, quick wit and love of life.● 1.Messenger of Humanism; 2. The founder of English Realism; 3. the Father of EnglishPoetry; 4. the founder or master of the modern English Language, the pioneer of the English Renaissance.●Main significances of Chaucer and his works：They show a true life picture of his time.They indicate the rising of bourgeoisie of Britain.They sing the praises of man’s energy, intellect, wit and love of life.They satirize the evil of the time and degeneration of the noble and corruption of the church They give us the first smooth English.They introduce the French rhymed stanza, esp. the heroic couplet to English poetry.They create the famous terza rima三行诗节押韵法in English poetry writing.They foreshadow the coming the English Renaissance.William Shakespeare●Born in 1564●1500---1660 The Renaissance (or Early Modern)●Comedy:< A midsummer Night’s Dream>; <The Merchant of V enice>; <As you like it>;<Twelfth Night> Tragedy: <Hamlet>; <Othello>;< King Lear>;< Macbeth>●《哈姆莱特》是莎士比亚最主要的悲剧作品之一，叙述了丹麦王子哈姆莱特在德国读书时，他的叔父克劳狄斯毒死老哈姆莱特，篡夺了王位，并霸占了哈姆莱特的母亲。
哈姆莱特回国后，通过父亲的鬼魂，叙说自己致死的原因。
他遵照鬼魂嘱咐，决定为父报仇，这时叔父国王克劳狄斯，开始对哈姆莱特产生了怀疑。
在大臣波洛涅斯的策划下，利用其女哈姆莱特的情人奥菲利娅去试探他，又指使哈姆莱特两同学(罗森格兰兹和吉尔登斯吞)前去打探，都被哈姆莱特识破。
哈姆莱特利用剧团在宫廷演戏的机会，准备杀死国王。
结果他误杀了情人奥非利娅的父亲，奥菲利娅因为父亲被哈姆莱特杀死，疯癫自尽。
国王乘机挑拨波洛涅斯的儿子雷欧提斯以比剑为名，设计用毒剑刺死了哈姆莱特，该剧的结尾，哈姆莱特、国王、王妃、雷欧提斯同归于尽。
Hamlet is a hero of the Renaissance. His learning, wisdom, noble, nature, limitation and tragedy are all representative of the humanists at the turn of the 16th and 17th centuries.●Shakespeare has been universally acknowledged to be the summit of the English Renaissance,and one of the greatest writers the world over.He is a great master of English language and isa great treasure of English language.John Milton●1500---1660 The Renaissance & the period of the English Bourgeois Revolution●<Paradise Lost>, <Paradise Regained>, <Samson Agonistes>●Paradise Lost:《失乐园》以史诗一般的磅礴气势揭示了人的原罪与堕落。
诗中叛逆之神撒旦，因为反抗上帝的权威被打入地狱，却毫不屈服，为复仇寻至伊甸园。
亚当与夏娃受被撒旦附身的蛇的引诱，偷吃了上帝明令禁吃的知识树上的果子。
最终，撒旦及其同伙遭谴全变成了蛇，亚当与夏娃被逐出了伊甸园。
该诗体现了诗人追求自由的崇高精神，是世界文学史、思想史上的一部极重要的作品。
The main idea of the poem is a revolt against God’s authority.●Milton was political in both his life and his art. He wrote the greatest epic in Englishliterature. Milton is a master of the blank verse. He is a great stylist. He has always been admired for his sublimity of thought and majesty of expression.John Bunyan●17th-18th the period of the English Bourgeois Revolution & The Neoclassical Period●<The Pilgrim’s Progress>: It tells of the spiritual pilgrimage of Christian, who flies from theCity of Destruction, meets with the perils and temptations of the Slough of Despond, Vanity Fair, and Doubting Castle, faces and overcomes the demon Appollyon, and finally comes to the Delectable Mountains and the Celestial City.《天路历程》展示了复辟时期The restoration复杂的英国社会，表现了班扬对当时的社会历史的看法，也反映了基督徒在当时社会中的窘境，一方面是对清教的虔诚，一方面是世俗世界的自私和道德堕落。
●Bunyan’s prose is admirable and. It is popular speech ennobled by the solemn dignity andsimplicity of the language of the English Bible.Alexander Pope●The 18th century●Neo-Classicism●<Essay on Criticism><The Rape of the Lock><The Dunciad><Essay on Man>●Essay on Man 意义：It is a philosophical poem in heroic couplets. Essay on Criticism: It tellsthe poets and critics to write and appreciate poetry according to the principles set up by the old Greek and Roman writers.确立了新古典主义时期文学标准。
●Pope is the most important representative of the English classical poetry. He was at his bestin satire and epigram隽语. He was an example of conscious literary artistJonathan Swift●The 18th century●Realism & Neo-Classicism●<A Tale if a Tub><The Battle of the Books><Gulliver’s Travels><A Modest Proposal>●Gulliver’s Travels:小说以外科医生格列佛的四次出海航行冒险的经历为线索写成，一共由四部分组成。