Digital watermarking for telltale tamper proofing and authentication

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数字化交流的作用英语作文

数字化交流的作用英语作文

数字化交流的作用英语作文Title: The Role of Digital Communication。

In today's fast-paced world, digital communicationplays a pivotal role in connecting people, disseminating information, and fostering collaboration. The advent of digital technology has revolutionized the way we interact, enabling seamless communication across vast distances. This essay explores the multifaceted impact of digital communication on various aspects of our lives.Firstly, digital communication has significantly enhanced global connectivity. Through platforms such as social media, email, and instant messaging apps,individuals can effortlessly communicate with others irrespective of geographical barriers. This interconnectedness has facilitated cross-cultural exchanges, allowing people from diverse backgrounds to share ideas, experiences, and perspectives. As a result, digital communication has contributed to the formation of a globalcommunity where information flows freely, transcending borders and fostering mutual understanding.Moreover, digital communication has revolutionized the dissemination of information. With the rise of online news portals, blogs, and social media platforms, information can be shared instantaneously to a vast audience. This democratization of information empowers individuals to stay informed about current events, access educational resources, and engage in informed discourse on various topics. Additionally, digital communication platforms have become indispensable tools for organizations and businesses to reach their target audience, advertise products and services, and stay relevant in an increasingly competitive market.Furthermore, digital communication has transformed the way we collaborate and work. Remote work has become increasingly prevalent, enabled by digital tools such as video conferencing, cloud storage, and project management software. This flexibility in work arrangements not only enhances productivity but also promotes work-life balanceby eliminating the constraints of traditional office spaces. Additionally, digital communication facilitates seamless collaboration among team members located in different parts of the world, enabling them to work together efficiently on projects in real-time.In addition to its benefits in personal andprofessional spheres, digital communication has also played a crucial role in advancing education and healthcare.Online learning platforms have democratized access to education, allowing individuals to acquire new skills and knowledge from anywhere in the world. Similarly, telemedicine has transformed healthcare delivery byenabling remote consultations, monitoring, and diagnosis, especially in underserved areas where access to healthcare facilities is limited. Digital communication has thus bridged the gap between healthcare providers and patients, improving healthcare outcomes and increasing accessibility.However, amidst its numerous benefits, digital communication also presents challenges such as information overload, privacy concerns, and digital divide. Theabundance of information available online can be overwhelming, making it difficult to discern credible sources from misinformation. Moreover, concerns about privacy and data security have become increasingly prevalent in an era where personal information is readily shared and exploited for various purposes. Additionally, the digital divide exacerbates inequalities, with marginalized communities lacking access to reliableinternet connectivity and digital resources.In conclusion, digital communication has become an integral part of our lives, reshaping the way we connect, communicate, and collaborate. Its impact extends across various domains, from personal relationships and education to healthcare and business. While it offers immense opportunities for connectivity and innovation, it also poses challenges that need to be addressed. By harnessing the power of digital communication responsibly and inclusively, we can leverage its potential to create a more connected, informed, and equitable society.。

英语作文预测未来数字世界的演变

英语作文预测未来数字世界的演变

英语作文预测未来数字世界的演变全文共3篇示例,供读者参考篇1The Digital World of TomorrowI can still remember the days when I would beg my parents for "just five more minutes" on the family computer or game console. Back then, those clunky machines with pixelated graphics and whirring fan noises were the peak of technological achievement in my young mind. Little did I know that we were still in the Stone Age of the digital revolution that was just beginning to gather steam.Now, as I approach the end of my high school years, I can't even fathom a world without ubiquitous connectivity and powerful computing devices in every pocket. The digital landscape has evolved at a blistering pace, becoming seamlessly intertwined with every aspect of modern life. And yet, I can't help but feel that we've only scratched the surface of what the future digital world has in store.Imagining that world is both electrifying and daunting. On one hand, the pace of innovation and disruption shows no signsof slowing, promising sci-fi levels of convenience, augmented abilities, and insights. But that future could also bring existential risks, from the erosion of privacy and social cohesion to the potential for digital systems to spiral out of human control.The Internet of EverythingIf current trajectories hold, the "Internet of Things" will give way to the "Internet of Everything" in the coming decades. Not just our homes, cars, and workplaces, but every object and environment around us will be blanketed with intelligent sensors. Cities will become massively connected hives, optimizing traffic flows, energy use, safety, and quality of life measures inreal-time.Our bodies and minds will be enmeshed in this web too, with wearable tech monitoring our health, augmented reality informing our perceptions, and direct brain-computer interfaces allowing us to control digital experiences via thought alone.We'll shift from being surrounded by rigid objects and inert spaces to inhabiting a world of boundless digital information and computing potential.While incredibly powerful, this hyperconnected world raises major concerns around security, hacking vulnerabilities, and how all the data streams will be managed and monetized. There arealso profound moral questions about increasingly blurring the line between human and machine.Artificial Intelligence EverywhereHand-in-hand with the rise of ubiquitous computing will be the proliferation of artificial intelligence into every domain. AI capabilities are already expanding at an exponential rate, with machine learning systems rapidly outpacing human performance on analysis, content creation, coding, and decision optimization tasks.In the coming years and decades, as hardware becomes more powerful and datasets grow ever vaster, I expect AI to become general and multi-modal, able to engage in any cognitive activity with human-like flexibility and cross-domain intelligence. We likely haven't conceived of even a fraction of the eventual capabilities and use cases.AI could become an awesome tool for solving humanity's greatest challenges, from scientific mysteries to existential risks like climate change and pandemics. But it also poses risks as an immense concentration of power, one that could be misused for surveillance, social control, or if an advanced AI system becomes misaligned with human ethics and values.The majority of today's AI systems are "narrow" in scope, designed for specific tasks. But as they become more general and autonomous, very difficult questions arise about their moral and legal status. When AI becomes as intelligent as humans, how will we define personhood and grant rights? It's a Pandora's box of ethical quandaries.A Digital DivideAs transformative as the coming digital era will likely be, my greatest concern is that it will exacerbate inequalities and create an insurmountable divide between the technology "haves" and "have nots."Today's digital playing field is already vastly uneven, with billions lacking reliable internet access and digital literacy skills. And as digital capabilities grow more powerful and integrated into every realm, those on the outside could find themselves further marginalized and unable to participate in the mainstream economy and society.I worry that increasingly intelligent AI systems, digital worlds, and personal augmentation technologies will be shaped and owned by a small number of powerful companies and nations. Without vigilant efforts to make the digital future accessible anddemocratic, most of humanity could get relegated to the sidelines as tenants rather than stakeholders.There's already a growing polarization and cynicism as many feel left behind by the pace of technological disruption. If the digital world continues concentrating wealth and power rather than uplifting all people, the societal backlash could be severe. We need to be intentional about making this an equitable transition.Navigating the Digital FutureDespite all the concerns and uncertainties, my dominant feeling about the trajectory of the digital world is one of optimism and awe. So much of what was pure science fiction during my parents' and grandparents' youth has already become reality, from AI assistants to seamless global communication to computers exponentially more powerful than those that propelled the Apollo missions.I believe humanity is still at the beginning of harnessing the potential of information technology to reshape our capabilities and experience of the world. The frontiers of brain-computer interfaces, molecular nanotechnology, quantum computing and networks offer almost unimaginable vistas just over the horizon.What I do know is that the youth of today are the first generations being raised as true digital natives. We've adapted to rapid technological change as the norm, learning to be flexible and analytically adept. My cohort will be the pioneers tasked with navigating this digital frontier and shaping its future applications and ethical frameworks.While the changes ahead could be as disruptive and risky as any transition humanity has faced, I'm confident we have the resourcefulness and fortitude to blaze a trail toward a digital future that is inclusive, enriching, and liberating. There will be thrilling discoveries beyond our wildest imaginings today.But ensuring a flourishing digital tomorrow will require bold vision, wisdom, and collective moral courage to construct ethical guardrails that keep these exponential technologies in service to humanity's shared hopes and ideals. With both apprehension and optimism, I eagerly await stepping into that unknowable but boundless digital world.篇2The Digital World of TomorrowAs a student in the 2020s, I have grown up immersed in the digital world. Technology is woven into every aspect of my life -how I learn, socialize, entertain myself, and even how I understand the world around me. However, as transformative as the digital revolution has already been, I can only imagine the incredible changes that will take place in the decades to come as technology continues its relentless advancement.One area I expect to see radical transformation is in how we interface with digital technology. While keyboards, mice, and touchscreens have served us well, I anticipate we will move towards more seamless and integrated ways of interacting with devices and digital environments. Wearable technology like augmented reality glasses could become the primary way we engage with computing, blending the digital and physical worlds.Rather than inputting commands through rigid hardware interfaces, we may simply need to think or speak naturally, with artificial intelligence understanding our intentions and executing the desired actions. Imagine wanting to look up information and having it appear before your eyes through an augmented overlay. Or collaborating in a shared virtual workspace simply by mentally directing your inputs.As AI becomes more advanced with human-like reasoning and processing of natural language, the lines between humanand machine could blur substantially. We may develop symbiotic relationships with AI entities, working as integrated teams with the AI handling data synthesis, analysis, and even aspects of open-ended problem solving while we provide high-level framing, context, and creative direction.In such human-AI partnerships, the AI's role could extend far beyond simply executing commands to deeply understanding us as individuals - our thought processes, communication styles, personalities, and even our emotional states. This could allow the AI to tailor its responses and outputs in precise ways to optimally collaborate with each person.Beyond individual AI assistants, I can envision decentralized AI networks that combine the efforts of countless AI agents in a form of hyper-intelligence unlike anything yet conceived. Like neurons making up the human mind, these distributed AI networks could rapidly share information and insights, incrementally advancing and building upon each other's work in powerful ways.Such a network could be leveraged to tackle enormously complex challenges like scientific breakthroughs, environmental restoration efforts, logistical optimization acrossĀ global supply chains, and even high-level social coordination and urbanplanning in smart cities. The possibilities seem limitless when you combine the ability of AIs to process vast troves of data with fundamentally new insights and connections that transcend what any individual human mind could accomplish.Of course, the rise of increasingly intelligent and autonomousĀ machines is not without its risks and ethical quandaries. We will need robust frameworks and controls to ensure AI systems remain aligned with human values and do not cause unintended harm, whether through issues of bias, lack of transparency, or emerging properties we fail to anticipate.Perhaps one of the most consequential questions we will grapple with is the potential development of artificial general intelligence (AGI) that matches or exceeds human-level cognition across all domains. If achieved, it could be an existential crossroads for humanity - do we treat these superintelligent AGIs as a new form of life to co-exist with? As powerful tools to be carefully constrained and controlled? The implications would be profound on virtually every level - technological, philosophical, social, and more.Regardless of how the AGI conversation unfolds, I have no doubt AI capabilities will become increasingly intertwined with our daily lives in the coming decades. From smart homeenvironments that dynamically adapt to our needs to intelligent tutoring systems that customize the learning experience, AI could usher in new levels of convenience, efficiency, and personalization.On a societal level, AI and automation may dramatically reshape workforce dynamics and the nature of many jobs and industries. While some roles may be supplanted by machines, I also see vast potential for new forms of human labor, creativity, and entrepreneurialism in an AI-driven landscape. Roles like prompt engineering, AI management, and ethical oversight could become crucially important.Of course, the impact of AI will likely reverberate well beyond pure workforce shifts. Our digital footprints, behaviordata, and historical records could feed machine learning models that attempt to understand human psychology, societal dynamics, market forces, and more at unprecedented scale and depth. Imagine an AI with insights into consumer behavior, able to hyper-optimize products, marketing, and sales.For better or worse, privacy and data rights may become an even bigger ethical and legal battleground as we grapple with allowing AIs to utilize personal data while preventing misuse orinfringement on civil liberties. Navigating these tensions will likely be one of the great challenges of the digital era.While much of my prediction has focused on the implications of artificial intelligence, the future digital world will be shaped by numerous other technological forces too. Extended reality (XR) environments blending virtual and physical may become rich digitally-infused spaces for work, play, social connection, and creative expression. We could spend substantial portions of our lives in immersive virtual worlds enabled by technologies like photorealistic 3D spatial computing.The Internet of Things and ambient computing could lead to a world of hyper-connectivity and intelligent environments. From self-driving cars to self-monitoring health, our digital and physical realities may merge in ubiquitous ways currently hard to imagine. City streets could become smart infrastructure hubs with self-adjusting traffic patterns and dynamic signage based on real-time data flows.Perhaps one of the most exciting (and daunting) potential breakthroughs would be a transition toward quantum computing and communication technologies. If the inherent paradoxes and physics of quantum mechanics can be sufficiently harnessed, we may see incredible computational leaps enablingnew classes of optimization, cryptography, materials science, and more. Information could achieve unbreakable encryption and data transfer at the speed of light.Of course, projecting too far into the future inevitably leads to pitfalls of inaccuracy or failing to account for "unknown unknowns" - seismic technological or scientific developments we simply cannot yet conceptualize or predict. With the blistering pace of change, I would not be surprised if the 2040s or 2050s rendered my forward outlook here as hopelessly narrow and rudimentary as someone in the 1990s envisioning the world of 2023.Ultimately though, whether my particular vision is accurate or not, one trend feels abundantly clear - the digital world will become an increasingly immense part of the human experience for my generation and those to follow. Navigating that world will likely be one of the great callings and challenges we will face in the decades ahead, demanding incredible thoughtfulness, resilience, and care for how we wield technologies of such awesome power.As digitally-fluent students and the innovators of tomorrow, I believe a great burden will be placed on us to be responsible stewards of the technologies we help catalyze and create. Wewill carry a mandate to push the envelope of progress while ensuring we retain our fundamental humanity, upholding ethics alongside achievement. It will be a delicate balance, but one my generation must get right for the sake of forging a brighter digital future.篇3The Digital Future: Navigating the Uncharted Waters of Technological TransformationAs I gaze into the crystal ball of tomorrow, the digital landscape stretches out before me like an infinite expanse, brimming with possibilities and challenges alike. In this era of relentless innovation, the future of our digital world is poised to undergo a metamorphosis that will redefine the very fabric of our existence. Buckle up, for the ride promises to be exhilarating, disruptive, and utterly transformative.At the forefront of this digital revolution stands the unstoppable force of artificial intelligence (AI). Once confined to the realms of science fiction, AI has now burst forth into reality, its tentacles permeating every aspect of our lives. From virtual assistants that anticipate our every need to self-driving vehiclesthat navigate the intricate labyrinths of city streets, AI is rapidly becoming the invisible hand that guides our digital experiences.But AI's influence extends far beyond mere convenience. In the realms of healthcare, AI-powered diagnostic tools will revolutionize the way we detect and treat diseases, harnessing the power of vast data sets and machine learning algorithms to uncover patterns and insights that elude even the most brilliant human minds. Precision medicine will become the norm, tailoring treatments to an individual's unique genetic makeup and medical history.Education, too, will undergo a seismic shift, as AI-driven adaptive learning platforms personalize the educational experience for each student, catering to their strengths, weaknesses, and learning styles. Gone will be the days ofone-size-fits-all curricula, replaced by a dynamic, data-driven approach that nurtures each child's potential to the fullest.In the realm of cybersecurity, AI will wage a constant battle against ever-evolving threats, leveraging its ability to detect anomalies and predict attack vectors with uncanny accuracy. Cyber warfare will escalate to new heights, with nations and organizations alike vying for digital supremacy in an increasingly interconnected world.Yet, as we bask in the brilliance of AI's capabilities, we must also confront the ethical quandaries that arise from its rapid proliferation. Issues of privacy, bias, and accountability will demand our utmost attention, lest we inadvertently create a digital dystopia where machines hold sway over human agency.Beyond AI, the future of our digital world will be shaped by a constellation of emerging technologies, each with the potential to disrupt and transform. Quantum computing, once a theoretical concept, will become a reality, unleashing computational power that dwarfs even the mightiest of today's supercomputers. Industries ranging from cryptography to materials science will be revolutionized, as we harness the enigmatic properties of quantum mechanics to solve problems once deemed insurmountable.The metaverse, a seamless blend of physical and virtual realities, will redefine the boundaries of human experience. Imagine stepping into a fully immersive digital world, where the lines between the real and the simulated blur, opening up new frontiers for entertainment, education, and social interaction. Virtual workspaces, digital classrooms, and hyper-realistic gaming environments will become the new normal, challenging our notions of what it means to be present and engaged.Seamless connectivity will be the lifeblood of this digital future, with the Internet of Things (IoT) weaving an intricate tapestry of interconnected devices, sensors, and systems. From smart cities that optimize energy usage and traffic flow to intelligent homes that anticipate our every need, the IoT will usher in a new era of efficiency, convenience, and sustainability.Yet, with this unprecedented level of interconnectivity comes the specter of cyber threats, as malicious actors seek to exploit vulnerabilities in our digital infrastructure. Cybersecurity will become a paramount concern, with robust encryption protocols, advanced authentication methods, and proactive threat monitoring becoming the bulwarks against digital incursions.In the realm of data, we will witness a veritable deluge of information, as the digital footprints we leave behind multiply exponentially. Big data analytics will emerge as a crucial tool, enabling us to extract insights and patterns from these vast troves of information, driving decision-making processes across industries and sectors.However, the responsible management of data will be a critical challenge, as we grapple with issues of privacy, ownership, and ethical use. Regulatory frameworks will need to evolve,striking a delicate balance between enabling innovation and protecting individual rights and freedoms.Amidst this whirlwind of technological change, the very nature of work will undergo a profound transformation. Automation and AI will disrupt traditional job markets, rendering some roles obsolete while giving birth to entirely new professions and skill sets. Lifelong learning and adaptability will become the currency of the future, as we strive to keep pace with the ever-shifting demands of the digital economy.Moreover, the digital future will reshape the very fabric of our social interactions and cultural norms. Social media platforms will evolve, fostering new modes of communication, self-expression, and community-building. Virtual influencers and digital personas will vie for our attention, blurring the line between reality and simulation.As we navigate these uncharted waters, we must remain vigilant against the potential pitfalls that lurk beneath the surface. The proliferation of misinformation and deep fakes, enabled by sophisticated algorithms and digital manipulation techniques, poses a grave threat to the integrity of our information ecosystems. Media literacy and critical thinking skillswill be paramount, empowering us to discern truth from fiction in an increasingly complex digital landscape.Ultimately, the digital future will be a tapestry woven from the threads of innovation, disruption, and adaptation. As we stand at the precipice of this technological revolution, we must embrace the possibilities while remaining grounded in the ethical principles and human values that have guided us thus far.For me, as a student poised to enter this brave new world, the digital future promises both exhilaration and trepidation. I am in awe of the potential that emerging technologies hold, from revolutionizing healthcare and education to unlocking new frontiers of human experience. Yet, I am also acutely aware of the challenges that lie ahead, from navigating the ethical quagmires of AI to safeguarding our digital rights and freedoms.It is incumbent upon my generation to approach this digital future with a spirit of innovation tempered by wisdom and responsibility. We must embrace change while remaining steadfast in our commitment to ethical conduct, privacy protection, and the preservation of human agency.As I gaze into the digital crystal ball, I see a future brimming with promise, a future where technology serves as a catalyst for human progress and empowerment. It is a future that demandsour active participation, our critical thinking, and our unwavering determination to shape the digital landscape in a manner that uplifts humanity and safeguards our most cherished values.The digital revolution is upon us, and the future beckons. Let us embark on this journey with open minds and resolute spirits, confident in our ability to harness the power of technology for the betterment of all.。

语言数字画的影响英语作文

语言数字画的影响英语作文

语言数字画的影响英语作文Digital painting makes traditional painting more universal. Since the rise of digital painting, it has directly promoted the animation of painting and the birth of filter effect, and in a certain way has had a great impact on traditional painting creation and appreciation. Digital painting started the popularization of painting. As far as traditional painting is concerned, the appreciators can only get in touch with the works of art through art galleries, galleries, books, newspapers, albums and other channels, with a single way of appreciation. Appreciative activities are easily influenced by the objective environment, and painting art only exists in a small group of people, so it can't really be integrated into the life of the public like other forms of works of art. However, since the emergence of digital painting, this situation has been changed quickly. With the help of the Internet, images and other means, the spread of painting has become more rapid and universal. This kind of new appreciation method, which is basically free of cost and extremely convenient, can be described as a great progress in the development of fine arts.。

Secure spread spectrum watermarking for multimedia

Secure spread spectrum watermarking for multimedia

Secure Spread SpectrumWatermarking for MultimediaIngemar J.Cox,Senior Member,IEEE,Joe Kilian,F.Thomson Leighton,and Talal Shamoon,Member,IEEEAbstract—This paper presents a secure(tamper-resistant)al-gorithm for watermarking images,and a methodology for digital watermarking that may be generalized to audio,video,and multimedia data.We advocate that a watermark should be constructed as an independent and identically distributed(i.i.d.) Gaussian random vector that is imperceptibly inserted in a spread-spectrum-like fashion into the perceptually most signifi-cant spectral components of the data.We argue that insertion of a watermark under this regime makes the watermark robust to signal processing operations(such as lossy compression,filtering, digital-analog and analog-digital conversion,requantization,etc.), and common geometric transformations(such as cropping,scal-ing,translation,and rotation)provided that the original image is available and that it can be succesfully registered against the transformed watermarked image.In these cases,the watermark detector unambiguously identifies the owner.Further,the use of Gaussian noise,ensures strong resilience to multiple-document,or collusional,attacks.Experimental results are provided to support these claims,along with an exposition of pending open problems. Index Terms—Intellectual property,fingerprinting,multime-dia,security,steganography,watermarking.I.I NTRODUCTIONT HE PROLIFERATION of digitized media(audio,image, and video)is creating a pressing need for copyright enforcement schemes that protect copyright ownership.Con-ventional cryptographic systems permit only valid keyholders access to encrypted data,but once such data is decrypted there is no way to track its reproduction or retransmission. Therefore,conventional cryptography provides little protection against data piracy,in which a publisher is confronted with unauthorized reproduction of information.A digital watermark is intended to complement cryptographic processes.It is a visible,or preferably invisible,identification code that is permanently embedded in the data and remains present withinManuscript received January14,1996;revised January24,1997.Portions of this work were reprinted,with permission,from the Proceedings of the IEEE Conference on Image Processing,1996,and from the Proceedings of the First International Conference on Data Hiding(Springer-Verlag,1996). The associate editor coordinating the reivew of this manuscript and approving it for publication was Prof.Sarah Rajala.I.J.Cox and J.Kilian are with NEC Research Institute,Princeton,NJ08540 USA(e-mail:ingemar@;joe@).F.T.Leighton is with the Mathematics Department and Laboratory for Computer Science,The Massachusetts Institute of Technology,Cambridge, MA02139USA(e-mail:ftl@).T.Shamoon is with InterTrust STAR Laboratory,Sunnyvale,CA94086 USA(e-mail:talal@).Publisher Item Identifier S1057-7149(97)08460-1.the data after any decryption process.In the context of this work,data refers to audio(speech and music),images (photographs and graphics),and video(movies).It does not include ASCII representations of text,but does include text represented as an image.Many of the properties of the scheme presented in this work may be adapted to accommodate audio and video implementations,but the algorithms here specifically apply to images.A simple example of a digital watermark would be a visible“seal”placed over an image to identify the copyright owner(e.g.,[2]).A visible watermark is limited in many ways.It marrs the imagefidelity and is susceptible to attack through direct image processing.A watermark may contain additional information,including the identity of the purchaser of a particular copy of the material.In order to be effective,a watermark should have the characteristics outlined below. Unobtrusiveness:The watermark should be perceptually invisible,or its presence should not interfere with the work being protected.Robustness:The watermark must be difficult(hopefully impossible)to remove.If only partial knowledge is available (for example,the exact location of the watermark in an image is unknown),then attempts to remove or destroy a watermark should result in severe degradation infidelity before the watermark is lost.In particular,the watermark should be robust in the following areas.•Common signal processing:The watermark should still be retrievable even if common signal processing oper-ations are applied to the data.These include,digital-to-analog and analog-to-digital conversion,resampling, requantization(including dithering and recompression), and common signal enhancements to image contrast and color,or audio bass and treble,for example.•Common geometric distortions(image and video data): Watermarks in image and video data should also be im-mune from geometric image operations such as rotation, translation,cropping and scaling.•Subterfuge attacks(collusion and forgery):In addition, the watermark should be robust to collusion by multiple individuals who each possess a watermarked copy of the data.That is,the watermark should be robust to combining copies of the same data set to destroy the watermarks.Further,if a digital watermark is to be used in litigation,it must be impossible for colluders to combine their images to generate a different valid watermark with the intention of framing a third party.1057–7149/97$10.00©1997IEEEUniversality:The same digital watermarking algorithm should apply to all three media under consideration.This is potentially helpful in the watermarking of multimedia products.Also,this feature is conducive to implementation of audio and image/video watermarking algorithms on common hardware.Unambiguousness:Retrieval of the watermark should un-ambiguously identify the owner.Furthermore,the accuracy of owner identification should degrade gracefully in the face of attack.There are two parts to building a strong watermark:the watermark structure and the insertion strategy.In order for a watermark to be robust and secure,these two components must be designed correctly.We provide two key insights that make our watermark both robust and secure:We argue that the watermark be placed explicitly in the perceptually most significant components of the data,and that the watermark be composed of random numbers drawn from a Gaussian distribution.The stipulation that the watermark be placed in the per-ceptually significant components means that an attacker must target the fundamental structural components of the data, thereby heightening the chances offidelity degradation.While this strategy may seem counterintuitive from the point of view of steganography(how can these components hide any signal?),we discovered that the significant components have a perceptual capacity that allows watermark insertion without perceptual degradation.Further,most processing techniques applied to media data tend to leave the perceptually significant components intact.While one may choose from a variety of such components,in this paper,we focus on the perceptually significant spectral components of the data.This simultane-ously yields high perceptual capacity and achieves a uniform spread of watermark energy in the pixel domain.The principle underlying our watermark structuring strategy is that the mark be constructed from independent,identically distributed(i.i.d.)samples drawn from a Gaussian distribu-tion.Once the significant components are located,Gaussian noise is injected therein.The choice of this distribution gives resilient performance against collusion attacks.The Gaussian watermark also gives our scheme strong performance in the face of quantization,and may be structured to provide low false positive and false negative detection.This is discussed below,and elaborated on in[13].Finally,note that the techniques presented herein do not provide proof of content ownership on their own.The focus of this paper are algorithms that insert messages into content in an extremely secure and robust fashion.Nothing prevents someone from inserting another message and claiming owner-ship.However,it is possible to couple our methods with strong authentication and other cryptographic techniques in order to provide complete,secure and robust owner identification and authentication.Section III begins with a discussion of how common sig-nal transformations,such as compression,quantization,and manipulation,affect the frequency spectrum of a signal.This discussion motivates our belief that a watermark should be embedded in the data’s perceptually significant frequency components.Of course,the major problem then becomes how to imperceptibly insert a watermark into perceptually significant components of the frequency spectrum.Section III-A proposes a solution based on ideas from spread spectrum communications.In particular,we present a watermarking algorithm that relies on the use of the original image to extract the watermark.Section IV provides an analysis based on pos-sible collusion attacks that indicates that a binary watermark is not as robust as a continuous one.Furthermore,we show that a watermark structure based on sampling drawn from multiple i.i.d Gaussian random variables offers good protection against collusion.Ultimately,no watermarking system can be made perfect.For example,a watermark placed in a textual image may be eliminated by using optical character recogni-tion technology.However,for common signal and geometric distortions,the experimental results of Section V suggest that our system satisfies most of the properties discussed in the introduction,and displays strong immunity to a variety of attacks in a collusion resistant manner.Finally,Section VI discusses possible weaknesses and potential enhancements to the system and describes open problems and subsequent work.II.P REVIOUS W ORKSeveral previous digital watermarking methods have been proposed.Turner[25]proposed a method for inserting an identification string into a digital audio signal by substituting the“insignificant”bits of randomly selected audio samples with the bits of an identification code.Bits are deemed “insignificant”if their alteration is inaudible.Such a system is also appropriate for two-dimensional(2-D)data such as images,as discussed in[26].Unfortunately,Turner’s method may easily be circumvented.For example,if it is known that the algorithm only affects the least significant two bits of a word,then it is possible to randomlyflip all such bits,thereby destroying any existing identification code.Caronni[6]suggests adding tags—small geometric pat-terns—to digitized images at brightness levels that are imper-ceptible.While the idea of hiding a spatial watermark in an image is fundamentally sound,this scheme may be susceptible to attack byfiltering and redigitization.The fainter such watermarks are,the more susceptible they are such attacks and geometric shapes provide only a limited alphabet with which to encode information.Moreover,the scheme is not applicable to audio data and may not be robust to common geometric distortions,especially cropping.Brassil et al.[4]propose three methods appropriate for document images in which text is common.Digital watermarks are coded by1)vertically shifting text lines,2)horizontally shifting words,or3)altering text features such as the vertical endlines of individual characters.Unfortunately,all three proposals are easily defeated,as discussed by the authors. Moreover,these techniques are restricted exclusively to images containing text.Tanaka et al.[19],[24]describe several watermarking schemes that rely on embedding watermarks that resemble quantization noise.Their ideas hinge on the notion that quan-tization noise is typically imperceptible to viewers.TheirCOX et al.:SPREAD SPECTRUM WATERMARKING 1675first scheme injects a watermark into an image by using a predetermined data stream to guide level selection in a predictive quantizer.The data stream is chosen so that the resulting image looks like quantization noise.A variation on this scheme is also presented,where a watermark in the form of a dithering matrix is used to dither an image in a certain way.There are several drawbacks to these schemes.The most important is that they are susceptible to signal processing,especially requantization,and geometric attacks such as cropping.Furthermore,they degrade an image in the same way that predictive coding and dithering can.In [24],the authors also propose a scheme for watermarking facsimile data.This scheme shortens or lengthens certain runs of data in the run length code used to generate the coded fax image.This proposal is susceptible to digital-to-analog and analog-to-digital attacks.In particular,randomizing the least significant bit (LSB)of each pixel’s intensity will completely alter the resulting run length encoding.Tanaka et al.also propose a watermarking method for “color-scaled picture and video sequences”.This method applies the same signal transform as the Joint Photographers Expert Group (JPEG)(discrete cosine transform of8pairs of image points,,and increases thebrightnessat by one unit while correspondingly decreasing the brightnessofpairs of points isthenbits with theLSB of each pixel.If the LSB is equal to the corresponding mask bit,then the random quantity is added,otherwise it is subtracted.The watermark is subtracted by first computing the difference between the original and watermarked imagesand then by examining the sign of the difference,pixel by pixel,to determine if it corresponds to the original sequence of additions and subtractions.This method does not make use of perceptual relevance,but it is proposed that the high frequency noise be prefiltered to provide some robustness to lowpass filtering.This scheme does not consider the problem of collusion attacks.Koch,Rindfrey,and Zhao [14]propose two general methods for watermarking images.The first method,attributed to Scott Burgett,breaks up an image into88DCT block.The choice ofthe eight frequencies to be altered within the DCT block is based on a belief that the “middle frequencies...have moderate variance,”i.e.they have similar magnitude.This property is needed in order to allow the relative strength of the frequency triples to be altered without requiring a modification that would be perceptually noticeable.Superficially,this scheme is similar to our own proposal,also drawing an analogy to spread spectrum communications.However,the structure of their watermark is different from ours,and the set of frequencies is not chosen based on any direct perceptual significance,or relative energy considerations.Further,because the variance between the eight frequency coefficients is small,one would expect that their technique may be sensitive to noise or distortions.This is supported by the experimental results that report that the “embedded labels are robust against JPEG compression for a quality factor as low as about 50%.”By comparison,we demonstrate that our method performs well with compression quality factors as low as 5%.An earlier proposal by Koch and Zhao [15]used not triples of frequencies but pairs of frequencies,and was again designed specifically for robustness to JPEG compression.Nevertheless,they state that “a lower quality factor will increase the likelihood that the changes necessary to superimpose the embedded code on the signal will be noticeably visible.”In a second method,designed for black and white images,no frequency transform is employed.Instead,the selected blocks are modified so that the relative frequency of white and black pixels encodes the final value.Both watermarking procedures are particularly vulnerable to multiple document attacks.To protect against this,Zhao and Koch propose a distributed8,for example)thatare selected based on the binary digit to be transmitted.Thus,1676IEEE TRANSACTIONS ON IMAGE PROCESSING,VOL.6,NO.12,DECEMBER1997 Adelson’s method is equivalent to watermark schemes thatencode information into the LSB’s of the data or its transformcoefficients.Adelson recognizes that the method is susceptibleto noise and therefore proposes an alternative scheme whereina2l e v e l s a n d t h e h i g h f r e q u e n c y c o e ffic i e n t s,COX et al.:SPREAD SPECTRUM WATERMARKING1677be immune to intentional manipulation by malicious parties. These manipulations can include combinations of the above distortions,and can also include collusion and forgery attacks, which are discussed in Section IV-E.A.Spread Spectrum Coding of a WatermarkThe above discussion illustrates that the watermark should not be placed in perceptually insignificant regions of the image (or its spectrum),since many common signal and geometric processes affect these components.For example,a watermark placed in the high-frequency spectrum of an image can be easily eliminated with little degradation to the image by any process that directly or indirectly performs lowpassfiltering. The problem then becomes how to insert a watermark into the most perceptually significant regions of the spectrum in afidelity preserving fashion.Clearly,any spectral coefficient may be altered,provided such modification is small.However, very small changes are very susceptible to noise.To solve this problem,the frequency domain of the image or sound at hand is viewed as a communication channel, and correspondingly,the watermark is viewed as a signal that is transmitted through it.Attacks and unintentional signal distortions are thus treated as noise that the immersed signal must be immune to.While we use this methodology to hide watermarks in data,the same rationale can be applied to sending any type of message through media data.We originally conceived our approach by analogy to spread spectrum communications[20].In spread spectrum commu-nications,one transmits a narrowband signal over a much larger bandwidth such that the signal energy present in any single frequency is undetectable.Similarly,the watermark is spread over very many frequency bins so that the energy in any one bin is very small and certainly undetectable.Nevertheless, because the watermark verification process knows the location and content of the watermark,it is possible to concentrate these many weak signals into a single output with high signal-to-noise ratio(SNR).However,to destroy such a watermark would require noise of high amplitude to be added to all frequency bins.Spreading the watermark throughout the spectrum of an image ensures a large measure of security against unintentional or intentional attack:First,the location of the watermark is not obvious.Furthermore,frequency regions should be selected in a fashion that ensures severe degradation of the original data following any attack on the watermark.A watermark that is well placed in the frequency domain of an image or a sound track will be practically impossible to see or hear.This will always be the case if the energy in the watermark is sufficiently small in any single frequency coefficient.Moreover,it is possible to increase the energy present in particular frequencies by exploiting knowledge of masking phenomena in the human auditory and visual systems. Perceptual masking refers to any situation where information in certain regions of an image or a sound is occluded by perceptually more prominent information in another part of the scene.In digital waveform coding,this frequency domain (and,in some cases,time/pixel domain)masking isexploitedFig.2.Stages of watermark insertion process. extensively to achieve low bit rate encoding of data[9],[12].It is known that both the auditory and visual systems attach more resolution to the high-energy,low-frequency,spectral regions of an auditory or visual scene[12].Further,spectrum analysis of images and sounds reveals that most of the information in such data is located in the low-frequency regions.Fig.2illustrates the general procedure for frequency domain watermarking.Upon applying a frequency transformation to the data,a perceptual mask is computed that highlights per-ceptually significant regions in the spectrum that can support the watermark without affecting perceptualfidelity.The wa-termark signal is then inserted into these regions in a manner described in Section IV-B.The precise magnitude of each modification is only known to the owner.By contrast,an attacker may only have knowledge of the possible range of modification.To be confident of eliminating a watermark,an attacker must assume that each modification was at the limit of this range,despite the fact that few such modifications are typically this large.As a result,an attack creates visible(or audible)defects in the data.Similarly,unintentional signal distortions due to compression or image manipulation,must leave the perceptually significant spectral components intact, otherwise the resulting image will be severely degraded.This is why the watermark is robust.In principle,any frequency domain transform can be used. However,in the experimental results of Section VI we use a Fourier domain method based on the DCT[16],although we are currently exploring the use of wavelet-based schemes as a variation.In our view,each coefficient in the frequency domain has a perceptual capacity,that is,a quantity of additional1678IEEE TRANSACTIONS ON IMAGE PROCESSING,VOL.6,NO.12,DECEMBER 1997information can be added without any (or with minimal)impact to the perceptual fidelity of the data.To determine the perceptual capacity of each frequency,one can use models for the appropriate perceptual system or simple experimentation.In practice,in order to place alengthimage,we computedthe DCT of the image andplaced the watermark intothe.In practice,we create a watermark where eachvalue is chosen independentlyaccordingtodenotes a normaldistribution withmeana sequence ofvaluesto obtain an adjusted sequence ofvalues.toobtain a watermarkeddocumentandfor statistical significance.Weextract)and thengenerating.Frequency-domain based methods forextracting andinsertinginto,which determines the extent towhich.Three natural formulae forcomputing(2),which holds in all of our experiments.Given.Equation (1)may not be appropriate whenthe values vary widely.Ifadding 100will distortthis value unacceptably.Insertion based on (2)or (3)are more robust against such differences in scale.We note that (2)and (3)give similar resultswhenmay not be applicable for perturbingall of thevalues ,since different spectral components may exhibit more or less tolerance to modification.More generally one can have multiple scalingparametersCOX et al.:SPREAD SPECTRUM WATERMARKING 1679can perceptually “get away”withaltering by a large factor without degrading the document.There remains the problem of selecting the multiple scaling values.In some cases,the choiceof may be based on some general assumption.For example,(2)is a special case of the generalized(1),extract the correspondingvalueswhenever.One way to combine this constraint with the empirical approach would be toset accordingto.When we computed JPEG-based distortionsof the original image,we observed that the higher energy frequency components were not altered proportional to their magnitude [the implicit assumption of (2)].We suspect that we could make a less obtrusive mark of equal strength by attenuating our alterations of the high-energy components and amplifying our alterations of the lower energy components.However,we have not yet performed this experiment.C.Choosing theLength,dictates the degree to which the watermarkis spread out among the relevant components of the image.In general,as the number of altered components are increased the extent to which they must be altered decreases.For a more quantitative assessment of this tradeoff,we consider watermarks of theformwhere are chosen accordingto independent normal distributions with standarddeviationis proportionalto.Even the act ofrequantizing the watermarked document for delivery willcause.We measure the similarityofbysim(4)Many other measures are possible,including the standard correlation coefficient.Further variations on this basic metric are discussed in IV-D2.To decidewhether match,one determines whethersim ,whereand(eitherthrough the seller or through a watermarked document).Then,even conditioned on any fixed valueforisindependentofis a ing the well-knownformula for the distribution of a linear combination of variables that are independent and normallydistributed,will be distributed accordingtois distributed accordingtothen the probability thatsimequal to six will cause spurious matchings tobe extremely rare.Of course,the number of tests to be performed must be considered in determining what false positive probability is acceptable.For example,if one tests an extracted watermark watermarks,then the probability of a false positive is increased by a multiplicative factor of 10,the size of thewatermark.However,is generatedin the prescribed manner.As a rule of thumb,larger valuesofand),1680IEEE TRANSACTIONS ON IMAGE PROCESSING,VOL.6,NO.12,DECEMBER1997Fig.4.Bavarian couple image courtesy of Corel Stock Photo Library.without causing larger similarity valueswhenare independent.This benefit must be balanced against the tendency for the document to be more distortedwhenis generated with only finite pre-cisions.However,this effect is caused only by the arithmetic precision,and not on the constraints imposed by the document.Ifeach is stored as a double-precision real number,the difference between the calculated value of sim and its “ideal”value will be quite small for anyreasonablefrom,denoted,differed substantially from zero,due to the effectsof a dithering procedure.While this artifact could be easily eliminated as part of the extraction process,it provides a motivation for postprocessing extracted watermarks.We found that the simpletransformation yielded superior values of sim .The improved performance resulted from the decreased valueofcouldbe greatly distorted for some valuesofiftoleranceAgain,the goal of such a transformation is tolowerorCOX et al.:SPREAD SPECTRUM WATERMARKING1681(a)(b)Fig.7.(a)Lowpass filtered,0.5scaled image of Bavarian couple.(b)Rescaled image showing noticeable loss of fine detail.procedure forextractingandmultiple wa-termarkedcopiesto produce anunwatermarkeddocumentthwatermark is the same forallis generated byeitheraddingat randomto .Then as soon as one finds two documents with unequal valuesfordocuments one can,on average,eliminate all buta,whereas determin-ing a fidelity/undetectability tradeoff curve and the valueofby a linear update rule,thenan averaging attack,whichsetswill resultinwill beroughlywill be1682IEEE TRANSACTIONS ON IMAGE PROCESSING,VOL.6,NO.12,DECEMBER1997Fig.8.JPEG encoded version of Bavarian couple with 10%quality and 0%smoothing.roughly .Thus,the similarity measure can be shrunk bya factor ofreduction in the similarity measure.V.E XPERIMENTAL R ESULTSIn order to evaluate the proposed watermarking scheme,we took the Bavarian couple 2image of Fig.4and produced the watermarked version of Fig.5.We then subjected the watermarked image to a series of image processing and collusion style attacks.These experiments are preliminary,but show resilience to certain types of common processing.Of note is our method’s resistance to compression such as JPEG,and data conversion (printing,xeroxing and scanning).Note that in the case of affine transforms,registration to the original image is crucial to successful extraction.In all experiments,a watermark length of 1000was used.We added the watermark to the image by modifying 1000of the more perceptually significant components of the image spectrum using (2).More specifically,the 1000largest coeffi-cients of the DCT (excluding the DC term)were used.A fixed scale factor of 0.1was used throughout.A.Experiment 1:Uniqueness of WatermarkFig.6shows the response of the watermark detector to 1000randomly generated watermarks of which only one matches the watermark present in Fig.5.The positive response due to the correct watermark is very much stronger that the response to2Thecommon test image Lenna was originally used in our experiments,and similar results were obtained.However,Playboy Inc.refused to grant copyright permission for electronicdistribution.Fig.9.JPEG encoded version of Bavarian couple with 5%quality and 0%smoothing.Fig.10.Dithered version of the Bavarian couple image.incorrect watermarks,suggesting that the algorithm has very low false positive response rates.B.Experiment 2:Image ScalingWe scaled the watermarked image to half of its original size,as shown in Fig.7(a).In order to recover the watermark,the quarter-sized image was rescaled to its original dimensions,as shown in Fig.7(b),in which it is clear that considerable fine detail has been lost in the scaling process.This is to be expected since subsampling of the image requires a lowpass spatial filtering operation.The response of the watermark detector to the original watermarked image of Fig.5was 32.0,which compares to a response of 13.4for the rescaled version of Fig.7(b).While the detector response is down by over 50%,the response is still well above random chance。

数字时代图书馆的价值英语作文

数字时代图书馆的价值英语作文

数字时代图书馆的价值英语作文The Value of Libraries in the Digital Age.Libraries have always been a sanctuary of knowledge, a haven for seekers of wisdom, and a repository of human thought and creativity. However, in the digital age, their relevance and value are often questioned, with some arguing that digital technologies have rendered them obsolete. This argument is far from the truth, as libraries continue to hold immense value in our society, despite the rise of digital information.Firstly, libraries are repositories of physical books and other media that cannot be replicated digitally. While digital copies of books and articles are available online, there is still a significant value attached to the physical copy. For instance, many rare books and manuscripts are preserved in libraries, and their physical existence is crucial for historical and cultural research. Additionally, some people prefer reading from physical books, findingthem more tangible and engaging than digital texts.Libraries also provide a sense of community and ashared space for learning and discovery. Libraries are not just about books; they are about the people who use them. Libraries offer a quiet, serene environment where peoplecan focus on their studies, conduct research, or simply enjoy a good book. The social aspect of libraries is often overlooked, but it is an integral part of their value. Libraries provide a space where people can come together, share ideas, and learn from each other.Moreover, libraries have extensive collections of books, journals, and other resources that are carefully curatedand organized. This wealth of knowledge is available to everyone, regardless of their financial status or location. Libraries offer equal access to information, ensuring that everyone has the opportunity to learn and grow. In contrast, digital information can be scattered and difficult to access, especially for those without the necessarytechnical skills or resources.Libraries also play a crucial role in literacy and education. They provide a safe and welcoming environmentfor children and adults to learn how to read, write, anduse information effectively. Libraries often host literacy programs, workshops, and events that aim to improveliteracy rates and foster a culture of reading and learning.Libraries are also stewards of cultural heritage and memory. They preserve and protect historical documents, art, and other cultural artifacts that are vital tounderstanding a community's identity and heritage.Libraries are not just repositories of knowledge; they are also guardians of our cultural past and future.In the digital age, libraries have also adapted and evolved to meet the changing needs of their users. Many libraries now offer digital services, such as e-books,online databases, and virtual reference desks. They also provide training and resources to help users navigate the digital world and make informed decisions about the information they encounter online.In conclusion, libraries remain invaluable institutions in our society, despite the rise of digital technologies. They are repositories of physical books and cultural heritage, providers of a shared space for learning and discovery, and stewards of literacy and education.Libraries are not obsolete; they are evolving and adapting to meet the challenges of the digital age. They continue to play a crucial role in fostering a culture of learning and reading, and in preserving our cultural past and future.。

数字遗产介绍英文作文

数字遗产介绍英文作文

数字遗产介绍英文作文英文:Digital inheritance refers to the transfer of digital assets such as social media accounts, email accounts,digital photos, and cryptocurrencies after a person's death. In today's digital age, it has become increasinglyimportant for individuals to consider what will happen to their digital assets when they pass away.One of the challenges of digital inheritance is that many digital assets are password-protected, and it can be difficult for loved ones to access them after someone has passed away. This is why it's important to have a plan in place for your digital assets, just as you would for your physical assets.There are several ways to plan for digital inheritance. One option is to create a digital will, which outlines how you want your digital assets to be handled after your death.Another option is to use a password manager that allows you to share your passwords with trusted individuals in the event of your death.It's also important to consider the tax implications of digital inheritance, particularly when it comes to cryptocurrencies. In some cases, the transfer of cryptocurrencies after death may be subject to capitalgains taxes.Overall, digital inheritance is an important consideration for anyone who has digital assets. Byplanning ahead and taking steps to ensure that your loved ones can access your digital assets after your death, you can provide peace of mind for yourself and your family.中文:数字遗产指的是在一个人去世后,数字资产(如社交媒体账户、电子邮件账户、数字照片和加密货币等)的传承。

数字排毒对高中生的好处英语作文

The Benefits of Digital Detox for High SchoolStudentsIn the modern era, technology has become an integral part of our daily lives, especially for high school students. From学术作业到社交娱乐, digital devices and online platforms play a crucial role in their academic, social, and personal development. However, excessive use of digital devices can have negative impacts on their health, well-being, and academic performance. This is where the concept of digital detox comes into play. Digital detox refers to the practice of taking a break from digital devices and technology to focus on other aspects of life. For high school students, digital detox can offer numerous benefits.Firstly, digital detox can improve physical health. High school students often spend long hours studying and engaging in extracurricular activities, leading to stress and fatigue. By taking a break from digital devices, they can give their bodies and minds a chance to rest and rejuvenate. This can help reduce eye strain, neck pain, and other physical discomforts caused by prolonged screen use.Secondly, digital detox can boost mental health. The constant stream of information and social media updates can be overwhelming for high school students, leading toanxiety and stress. By disconnecting from technology, they can take a break from the constant noise and focus on their own thoughts and feelings. This can help them reduce stress levels, improve their mood, and enhance their overallmental well-being.Thirdly, digital detox can improve academic performance. High school students often find themselves multitasking between academic work and social media, which can lead to decreased concentration and efficiency. By limiting digital device use, they can focus better on their academic tasks and improve their performance. Additionally, digital detox can help students develop better time management skills by encouraging them to plan their study and leisure time more effectively.Lastly, digital detox can promote social interaction.In the age of social media, it's easy for high school students to become isolated and disconnected from real-world social interactions. By taking a break fromtechnology, they can reconnect with their friends andfamily members, engage in face-to-face conversations, and develop stronger social bonds. This can help them build a support system that can provide emotional support and encouragement during challenging times.In conclusion, digital detox can offer numerousbenefits for high school students, including improved physical and mental health, enhanced academic performance, and stronger social interactions. By encouraging studentsto take regular breaks from digital devices and focus on other aspects of life, we can help them lead healthier,more balanced lives that are conducive to their overall development and success.**数字排毒对高中生的好处**在当今时代,科技已经成为我们日常生活的重要组成部分,尤其是对于高中生来说。

数字水印技术在数字图书馆中的应用研究(程细柱)

分类号 TP391 密级U D C 学号 3202095024Xi’an Jiaotong University硕士学位论文Dissertaion for Master’s Degree数字水印技术在数字图书馆中的应用研究学位申请人:程细柱指导教师:申建中副教授学科名称:电子与通信工程学位类别: 硕士2007 年9月Research and Implementation of Digital Watermark Technologyfor the Digital libraryDissertation Submitted toXi’an Jiaotong UniversityIn partial fulfillment of the requirementfor the degree ofElectronics and Communication engineeringByCheng xizhu(Electronics and Communication engineering) Dissertation Supervisor: Associate professor Shen JianzhongSeptember, 2007摘要论文题目:数字水印技术在数字图书馆中的应用研究学科专业:电子与通信工程申 请 人:程细柱指导教师:申建中 副教授摘 要随着信息数字化技术的发展,特别是Internet的普及,数字图书馆的规模也在不断的扩大,用户借助网络可以方便地从数字图书馆中获得更多的信息资源,但对数字作品的侵权也随之更加容易,非法复制、篡改也更加方便,这极大地损害了作者及版权所有者的利益。

如何有效的地保护数字作品的版权成为信息安全领域的一个热门问题。

数字水印技术为数字作品版权保护提供了一个崭新的方法,近年来在国际上引起了人们极大的兴趣和注意。

本文根据数字图书馆的网络特性,提出一种将数字水印技术应用到数字图书馆中的方案。

假设你是李华宣传数字媒发展写英语作文

假设你是李华宣传数字媒发展写英语作文全文共3篇示例,供读者参考篇1Promoting the Development of Digital Media by Li HuaDigital media has become an integral part of our lives, with social media platforms, websites, and online streaming services dominating our daily interactions. As a passionate advocate for the growth and evolution of digital media, I, Li Hua, firmly believe in the immense potential it holds for revolutionizing the way we communicate, create, and consume content. In this essay, I will discuss the importance of promoting the development of digital media and propose strategies to enhance its reach and impact.First and foremost, one of the key reasons why we should promote the development of digital media is its ability to democratize information and give a voice to those who are traditionally marginalized. Unlike traditional media forms such as newspapers and television, digital media platforms offer a space for individuals from diverse backgrounds to share their stories, opinions, and perspectives with a global audience. Thisdemocratization of content creation not only fosters inclusivity and diversity but also promotes dialogue and understanding between people from different cultures and societies.Moreover, digital media has the power to drive social change and inspire activism on a global scale. From grassroots movements to online petitions, digital platforms have played a pivotal role in organizing protests, raising awareness about social issues, and holding governments and corporations accountable for their actions. By promoting the development of digital media, we can empower individuals to speak out against injustice and advocate for positive change in their communities.Furthermore, the growth of digital media presents exciting opportunities for creative expression and innovation. Artists, filmmakers, musicians, and other content creators can now reach a wider audience and experiment with new forms of storytelling and presentation through digital platforms. Virtual reality, augmented reality, and interactive media are just a few examples of innovative technologies that have transformed the way we engage with content and experiences. By investing in digital media education and resources, we can nurture a new generation of creators and innovators who will push the boundaries of what is possible in the digital realm.To promote the development of digital media, it is essential to create a supportive ecosystem that fosters creativity, collaboration, and engagement. This can be achieved through partnerships between government agencies, educational institutions, and industry stakeholders to provide funding, training, and resources for digital media initiatives. By investing in digital literacy programs, we can ensure that people of all ages and backgrounds have the skills and knowledge to navigate the digital landscape safely and responsibly.Additionally, it is crucial to prioritize diversity and representation in digital media content to ensure that a wide range of voices and perspectives are heard and valued. By promoting inclusivity and equity in the digital sphere, we can build a more inclusive and equitable society where everyone feels empowered to share their stories and experiences.In conclusion, promoting the development of digital media is essential for creating a more connected, informed, and inclusive society. By leveraging the power of digital platforms to democratize information, drive social change, inspire creativity, and foster diversity, we can build a brighter future for all. As an advocate for the growth and evolution of digital media, I am committed to raising awareness about its potential and workingtowards a more equitable and innovative digital landscape. Together, we can harness the transformative power of digital media to shape a better world for generations to come.篇2Promoting the Development of Digital MediaAs technology advances, digital media has become an increasingly important component of our daily lives. From social media platforms to online news outlets, digital media plays a crucial role in how we communicate, consume information, and entertain ourselves. As a digital media enthusiast, I am excited to share my thoughts and ideas on how we can further promote the development of digital media.One of the key ways to promote the development of digital media is to increase awareness and understanding of its importance. Many people may not fully grasp the impact that digital media has on our society or the vast opportunities it presents. By educating the public on the benefits and challenges of digital media, we can create a more supportive environment for its growth. This can be done through workshops, seminars, and other educational initiatives that aim to improve digital literacy and critical thinking skills.Another important aspect of promoting the development of digital media is fostering innovation and creativity. The digital media landscape is constantly evolving, with new technologies and trends shaping the way we interact with content. To stay ahead of the curve, we must encourage experimentation and exploration in the digital media industry. This can be achieved by providing resources and support for startups, entrepreneurs, and content creators who are pushing the boundaries of what is possible in digital media.Furthermore, collaboration and partnerships are essential for the advancement of digital media. By working together with different stakeholders, such as governments, businesses, and non-profit organizations, we can create a more vibrant and sustainable digital media ecosystem. This can involve sharing resources, expertise, and best practices to enhance the quality and reach of digital media content.In addition, ethical considerations are crucial when promoting the development of digital media. With the rise of fake news, cyberbullying, and privacy concerns, it is essential to uphold ethical standards and promote responsible use of digital media. This can be achieved through policies, guidelines, andregulations that safeguard the rights and well-being of digital media users.Overall, promoting the development of digital media requires a concerted effort from all stakeholders. By increasing awareness, fostering innovation, fostering collaboration, and upholding ethical standards, we can create a more dynamic and inclusive digital media landscape. As a digital media enthusiast, I am committed to advocating for the continued growth and success of digital media in our society. Together, we can harness the power of digital media to create positive change and make a difference in the world.篇3Promoting the Development of Digital Media by Li HuaAs we step into the digital age, the role of digital media in our lives is becoming increasingly important. In this context, promoting the development of digital media has become a key focus for many individuals and organizations. In this essay, I will explore the ways in which we can promote the development of digital media and the benefits that it can bring to society.First and foremost, promoting the development of digital media requires a clear understanding of its potential andsignificance. Digital media encompasses a wide range of technologies and platforms, including social media, websites, mobile apps, and online videos. These platforms have the power to reach a global audience and provide a platform for communication, collaboration, and creativity.One of the key ways in which we can promote the development of digital media is through education and training. By providing individuals with the skills and knowledge they need to create and consume digital media, we can empower them to become active participants in the digital world. This can help to bridge the digital divide and ensure that everyone has access to the benefits of digital media.Another important way to promote the development of digital media is through collaboration and partnerships. By working together with other individuals and organizations, we can create a more diverse and inclusive digital media landscape. This can help to promote innovation, creativity, and diversity in digital media, and ensure that everyone has a voice in the digital world.Furthermore, promoting the development of digital media requires a focus on ethical and responsible use of digital technology. As digital media becomes more pervasive in ourlives, it is important to consider the impact that it can have on individuals, communities, and society as a whole. By promoting ethical and responsible use of digital media, we can ensure that it serves the greater good and contributes to a more just and equitable society.In conclusion, promoting the development of digital media is essential for the future of our society. By educating individuals, fostering collaboration, and promoting ethical use of digital technology, we can create a vibrant and inclusive digital media landscape that benefits everyone. Let's work together to build a better digital future for all.。

blindwatermark使用

blindwatermark使用Blindwatermark是一种常用的数字图像水印技术,它可以在图像中嵌入不可见的信息,以确认图像的版权和完整性。

与传统的数字图像水印技术相比,Blindwatermark有更高的容忍度和更强的鲁棒性。

以下是一些与Blindwatermark相关的参考内容。

1. "Digital Image Watermarking Techniques: A Comprehensive Review" - 这篇论文对数字图像水印技术进行了全面的综述,包括Blindwatermark在内。

它讨论了不同的数字图像水印算法,并对它们的优缺点进行了比较和分析。

2. "BlindWaterMarking Algorithm for Image Authentication" - 这篇研究论文提出了一种基于Blindwatermark的图像认证算法。

它介绍了该算法的原理和实现细节,并对算法的性能进行了评估。

3. "A Robust Blind Watermarking Scheme Based on Discrete Wavelet Transform and Singular Value Decomposition" - 这篇论文提出了一种基于离散小波变换和奇异值分解的鲁棒性Blindwatermark方案。

它讨论了该方案的安全性和抗攻击能力,并进行了实验验证。

4. "Blind Watermarking for Image Tampering Detection and Recovery" - 这篇论文介绍了一种基于Blindwatermark的图像篡改检测和恢复方法。

它详细说明了该方法的步骤和流程,并通过实验结果验证了算法的有效性。

5. "A Survey on Digital Watermarking Techniques and its Applications" - 这篇综述性文章对数字水印技术及其应用进行了调研和总结。

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Digital Watermarking for Telltale TamperProofing and AuthenticationDEEPA KUNDUR,STUDENT MEMBER,IEEE,AND DIMITRIOS HATZINAKOS,SENIOR MEMBER,IEEE Invited PaperIn this paper,we consider the problem of digital watermarking to ensure the credibility of multimedia.We specifically address the problem of fragile digital watermarking for the tamper proofing of still images.Applications of our problem include authentication for courtroom evidence,insurance claims,and journalistic pho-tography.We present a novel fragile watermarking approach which em-beds a watermark in the discrete wavelet domain of the image by quantizing the corresponding coefficients.Tamper detection is pos-sible in localized spatial and frequency regions.Unlike previously proposed techniques,this novel approach provides information on specific frequencies of the image that have been modified. This allows the user to make application-dependent decisions concerning whether an image,which is JPEG compressed for instance,still has credibility.Analysis is provided to evaluate the performance of the technique to varying system parameters.In addition,we compare the performance of the proposed method to existing fragile watermarking techniques to demonstrate the success and potential of the method for practical multimedia tamper proofing and authentication. Keywords—Authentication,data hiding,digital watermarking, steganography,telltale tamper proofing.I.I NTRODUCTIONResearch in the area of digital watermarking has focused primarily on the design of robust techniques for the copy-right protection of multimedia data.In such methods a watermark is imperceptibly embedded in a host signal such that its removal using common distortions on the marked signal is difficult without degrading the perceptible data content itself.Watermarking can also be used to address the equally important,but underdeveloped,problem of tamper proofing.As a great deal of multimedia is stored in digital for-mat,it has become easier to modify or forge information using widely available editing software.In fact,almost all Manuscript received February27,1998;revised December1,1998. This work was supported in part by the Natural Sciences and Engineering Research Council(NSERC)of Canada and by the Communications and Information Technology Ontario(CITO).The authors are with the Department of Electrical and Computer Engineering,University of Toronto,Toronto,Ont.M5S3G4Canada(e-mail:deepa@;dimitris@). Publisher Item Identifier S0018-9219(99)04950-6.published imagery is edited to some extent using computer-based tools.A problem arises when the possibly tampered data are to be used as evidence;in such situations,the multimedia data must be credible.By“credible”we mean that the signal source is authentic and that the information content in the signal has not been modified in transit to its destination.In this paper,we present a technique for signal tamper proofing.Previously proposed methods for images[1]–[5] place the watermark in the spatial domain of the signal; they provide information on the spatial location of the changes but fail to give a more general characterization of the type of distortion applied to the signal.In contrast, our scheme places the watermark in the discrete wavelet do-main,which allows the detection of changes in the image in localized spatial and frequency domain regions.This gives our approach the versatility to detect and help characterize signal modifications from a number of distortions such as substitution of data,filtering,and lossy compression.In addition,we embed the mark by quantizing the coefficients to a prespecified degree,which provides theflexibility to make the tamper-proofing technique as sensitive to changes in the signal as desired.We call such a method a telltale tamper-proofing scheme.The main objectives of this paper are:1)to introduce a set of well-defined goals for a telltaletamper-proofing scheme;2)to present a novel tamper-proofing and authenticationtechnique which provides more complete information on how the image is modified;3)to demonstrate the potential of tamper-proofing meth-ods through implementations of our method and ex-isting techniques;4)to provide a comparative study of the strengths andlimitations of the proposed and existing tamper-proofing methods.In Section II we define the specific problems we address in this paper and provide a review of existing techniques for the tamper proofing of images.We propose and intro-0018–9219/99$10.00©1999IEEEFig.1.The traditional tamper-proofing problem.duce a set of objectives for the novel problem of telltale tamper proofing.The proposed technique is developed and analyzed using concepts from signal detection the-ory in Section III.Implementation issues are discussed in Section IV.Simulation results and comparisons of the performance of the technique to previously proposed meth-ods are provided in Section V,followed by concluding statements in Section VI.II.P ROBLEM F ORMULATIONA.Tamper Proofing Versus Telltale Tamper ProofingThe problem we address is that of the telltale tamper-proofing of multimedia signals for authentication.The traditional problem of tamper-proofing can be stated as follows.Consider the existence of an original or authenticdigital multimediasignal,which is a possibly modified versionofwithout explicit knowledgeof the originalsignalis equaltois considered to be credible .Thereare two basic stages to the process of tamper proofing.In the first stage (at the source)the original signal is passed through a hash function to produce a piece of data separate from the signal 1;these data are then used in the second stage (at the receiver)to verify that the received image has not been modified.Alternatively,it has been shown that the verification data can be directly embedded imperceptibly into the signal [2].These data are extracted from the signal itself in the second stage to check for tampering.Fig.1gives an overview of the tamper-proofing problem.Several approaches have been recently proposed to ad-dress the issue of tamper proofing.In [1],Friedman de-scribes a “trustworthy digital camera”in which a digital camera image is passed through a hash function and then is encrypted using the photographer’s private key to produce a piece of authentication data separate from the image.These data are used in conjunction with the image to ensure that no tampering has occurred.Specifically,the photographer’s public key is used to decrypt the hashed original image and the result is compared to the hashed version of the received1Thesedata can also be an encrypted author ID independent of thesignal.image to ensure authentication.In [2],Walton proposes a technique in which a separate piece of data is not required for authentication.The method requires the calculation of the checksums of the seven most significant bits of the image (or a transformed version of the image),so that they may be embedded into randomly selected least significant bits.The major disadvantage of the techniques in [1]and [2]is that they produce a dichotomous result (i.e.,“yes-or-no”solution)to the question of tampering;it is not straightforward to determine how the image is tampered which makes the scheme highly susceptible to random bit errors during data transmission.For the tamper proofing of multimedia signals there is an additional issue of incidental distortions the signal may undergo due to compression,enhancement,or transmission errors.For many applications,such transformations of the signal are necessary and still maintain the integrity of the signal information.Thus,in this paper,we consider the more practical issue of identifying whether or not the tampering on the signal,if any,has an effect on its “credibility.”A few techniques which attempt to address this problem have been proposed in the literature.In [3],Schneider and Chang propose a method for content-based image verification in which they define a continuous interpretation of the concept of authenticity which measures the closeness of specific features of a possibly modified image to the original one.The procedure is comprised of three stages in which:1)the relevant signal content is extracted;2)the results of stage 1)are hashed to reduce size;and 3)the result of stage 2)is encrypted with the author’s private key.The image content extraction could be localized histogram information,discrete cosine transform (DCT)coefficients,or edge information.The advantage of the method is that signals that undergo incidental distortions can still be deemed credible.However,the process of selecting the image content extraction functions used in stage 1)is not straightforward for a given application.Wolfgang and Delp in [4]proposed a fragile watermark-ing technique involving the addition oftwo-dimensional sequence and the imagewhich gives a relative measure of the tampering of a particular image block.The major disadvantage is that itis possible to modify the data without disturbing the lower significant bits which contains the verification information. Similarly in[5],Yeung and Mintzer discuss a digital wa-termarking technique which tries to detect the modification of individual pixels.The technique requires the use of a look-up table(LUT)which maps image colors to binary numbers.The original image pixel colors are modified such that the associated binary numbers determined from the LUT equal the watermark bit values.Although the techniques in[4]and[5]give information about spatially localized changes in the image,they do not provide more explicit information on how the image is tampered.For example,if the image is innocently lossy compressed for convenience,then the entire image may appear tampered and its usefulness ignored.We argue that traditional authentication approaches for data are not well suited for images,sound,and video;to be practically useful a tamper-proofing technique must not only detect the presence of modifications in a signal but should also provide information helpful to characterize the distortions.A telltale tamper proofing method must be able to do the following:1)indicate with high probability that some form oftampering has or has not occurred;2)provide a measure of the relative degree of distortionof the signal;3)characterize the type of distortion,such asfiltering,compression or replacement,without access to theoriginal host signal or any other signal-dependent information;it should be possible to detect changes due to compression or random bit errors and make application-dependent decisions concerning whether or not the signal still has credibility;4)validate the signal and authenticate the source withoutrequiring the maintenance and synchronization of additional data separate from the signal.There has been a recent trend toward addressing the problems of tamper proofing and authentication using a digital watermarking approach.The attraction of such an approach is that no additional data are required for signal verification.In addition,the verification information is discretely watermarked which adds an additional level of security against attacks to modify both the signal and the verification data.In the next section,we discuss the digital watermarking problem.B.The Digital Watermarking ApproachTraditionally,digital watermarking has been used to embed author and copyright identification into a multimedia signal[6]–[11].The watermark must be retained in the signal even under intentional signal distortion attacks to remove it.In contrast,fragile watermarking refers to the process of marking a signal such that any modification causes the extracted mark to be different than the original which indicates that tampering has taken place.We briefly discuss some terminology and requirements for a successful fragile watermarking method.We assume without loss of generality that the signal to be marked is a still image.A fragilewatermark.The modification must be imperceptible in the sense that the owner and recipient of the signal show no preference to the information content in either the original or marked signal.Watermark extraction is the process of detecting the presence of watermark information in a given image and is performed to recover the mark and to assess whether tampering has been performed.Some recent work in fragile watermarking[2],[4],[5] has demonstrated the potential of the approach.We specif-ically define the problem of fragile watermarking for the application of telltale tamper-proofing as follows.Given a digital multimediasignal,embed by imperceptiblymodifyingsuch that:1)thewatermark without requiring explicit knowledgeofis unmodified,then the extracted watermark exactlymatchesis modified,then is different from the embed-ded with a probability vanishing close to one;4)the differences between the embedded and extractedwatermarks provide useful information to assess whether the signal modification maintains or destroys credibility.We present a watermarking technique which attempts to address the above criteria.III.P ROPOSED T ECHNIQUEA.General ApproachOur technique is described in the context of watermarking still images,but it also works for general multimedia sig-nals.We make use of the discrete wavelet domain opposed to spatial or DCT domains to embed the watermark because it provides both a simultaneous spatial localization and a frequency spread of the watermark within the host image. The localization of the watermark gives the ability to iden-tify distinct regions of the watermarked image which have undergone tampering and the global spreading of the mark makes it sensitive to large-scale signal distortions.We argue that characterizing the modifications in terms of localized space-frequency distortions is more effective and practical for tamper proofing than attempting to parameterize the distortion.Parametric models can be highly inaccurate in estimating a wide class of image transformations and are often costly to compute for larger images.(a)(b)Fig.2.Proposed telltale tamper-proofing approach:(a)embedding process and (b)tamper as-sessment process.The fundamental advantage of our technique lies in its ability to detect,with high probability,the spatial and frequency components of the image which are untampered and,hence,still credible.We embed the mark by quantizing the coefficients to a prespecified degree which provides the flexibility to make the tamper-proofing technique as sensi-tive to changes in the signal as desired.The general scenario is shown in Fig.2(a).A validation key comprised of the author’s watermark,a coefficient selection key (which we describe later),the quantizationparameterth-level discretewavelet decomposition of the host image to produce a sequence ofthreeresolution levels,and a gross approximation of the image at the coarsest resolution level.The valueofth detail image componentatthe(which stands for “horizontal,”“ver-tical,”and “diagonal”detail coefficients,respectively),and.The gross approximation is representedbyis used insteadof,,th watermarkbit is givenby .Each elementof is distinct so that two bits are not marked at the same location,causing an ambiguity or error.In addition,the selection of the coefficients is random and well spread spatially and throughout each resolution level to be able to assess changes to these imagecomponents.In the simulations for thispaper,was generated by randomly selecting a coefficient from thesetforeach .The watermarkbitis embedded into thecoefficient throughFig.3.The quantization function.Each possible real value of the detail coefficient has an associated binary number given by Q (1).an appropriate quantization procedure.The specifics of the quantization are discussed in the next section.In the final stage,thecorrespondingth-level discrete wavelettransform (DWT)is applied to the given image and thecoefficient selectionkeyis used to determine the marked coefficients.A quantizationfunction(also discussed in the next section)is applied to each of these coefficients to extract the watermark values.For authenti-cation,the author’s public key is applied to the extracted watermark to obtain the author identification code.Almost any tampering of the image will cause the authentication procedure to fail as the decryption procedure is highly sensitive to changes in the watermark.Thus,authentication is possible only if the extracted watermark is identical to the embedded.If public key authentication fails,then we employ tamper assessment to determine the credibility of the modified multimedia content.To assess the extent of tampering,we compute the following function which we call the tamper assessment function (TAF)TAF(1)whereis theexclusive-OR (XOR)operator.The value ofTAF,then the modifications on the imageare considered to be incidental and negligible.For higher securityapplications,can be used to assess theextent of tampering.We show in Section V that if JPEGcompression is applied to an image,the method can assess that most of the changes have occurred to the details at the higher resolution levels.If a part of the image has been replaced/changed in addition to compression,the watermark in the lower resolutions will not remain the same.Hence,the lower resolution image can be authenticated.In addition,when filtering is applied to an image the technique can assess the frequency regions most tampered with [12].B.Details of the Quantization ProcessFor an arbitrary wavelet transform,the detailcoefficientsare real numbers.We perform quantization onthe wavelet coefficients in the following manner.Every real number is assigned a binary number,as shown in Fig.3.Wedenote this functionbywhich maps the real number set to {0,1}.Specificallyis a positive real number called the quantizationparameter and is shown in Fig.3.The following assign-ment rule is used to embed the watermarkbitinto the selectedcoefficient.We denote the coefficient selectedbyas ,then no change in thecoefficient is necessary.2)Otherwise,change,using the following assign-ment:ifis the same parameter as in Fig.3and (2),andis the assignment operator.The nature of the assignment in (3)has been experimentally found to change the image with the least visual degradationfor a given magnitudeofis userFig.4.Effect of noise on the extracted watermark bit.Perturbation of the wavelet coefficient from tampering can cause the extracted watermark to be different than the embedded.defined and is set to establish an appropriate sensitivityto changes in the image.A smaller valueofin the same way in whichit appears in the original watermarked image so that theforgery appears authentic.We discuss how to overcome thishandicap in Section IV with the use of an image-dependentquantization key.C.Performance AnalysisIn this section,we assess the performance of our generaltechnique as a function of the system parameters.Weconcentrate on two types of degradations on a given regionof the image.1)Mild distortion,in which we model the degradationon the associated wavelet coefficients as additivenoise with a probability density function(pdf)withrapidly decaying tails.2We specifically model thedistortion on the wavelet coefficients as zero meanadditive Gaussian noise(AGN)withvariancegiventhat.Without lossof generality we assumethat(6)whereas shown in Fig.4.We simplify the expressionfor as follows byusing the assumptionthat(7)(8)is evenly distributed between zeroand(11)(13)(14).Equation (15)gives us the averageprobability of tamper detectionforwavelet coefficients have been modified.We see that the valueof;hence,the smaller the valueofis user-defined so that thetechnique is flexible for a variety of applications.Equation (15)also reveals that there is a geometric increase in the change in the TSFascoefficients aremodified(16)(19)whereisthe ceiling operator,and it is assumedthatand the probability of tamper detec-tion giventhatand .2)Sensitivity of the Technique to Severe Distortion:As discussed in the beginning of Section III-C,we assume that the extracted mark is essentially independent of the embedded watermark value for severe distortion sothat(20)(21)Since the distortion is unpredictable,(21)is independentof.The average probability of tamper detectionfor giventhat(22)wherecan be decreasedto increase the probability of tamper detection.When a geometric transformation such as shearing or rescaling is applied to a marked image,the locations of the fragile watermark bits become “unsynchronized.”Therefore,we can model this distortion as severe since the probability of a false negative is essentially 1/2as a watermark bit is extracted from a completely different location in the image and its value is unpredictable.Our scheme,as proposed in this paper,cannot be used to estimate the particular geometric transformation applied to the image;the tampering is merely detected.IV.I MPLEMENTATION I SSUES FOR T AMPER P ROOFING A.The AlgorithmIn this section,we discuss the major implementation issues of realizing our telltale tamper-proofing technique and our strategies to overcome them.We present the specific algorithm implemented.The two main obstacles in implementing the method are its numerical sensitivityand its susceptibility to forgery.1)Numerical Sensitivity:The fragile watermarking of images is somewhat different than robust watermarking because the design of the technique must be intrinsically sensitive to detect tampering.Existing fragile watermarking methods deal with the addition of integers to the spatial domain pixels of the image[2],[4],[5].Our proposed method involves embedding the watermark in the wavelet domain.When the marked wavelet coefficients are modified and the inverse DWT is applied,the resulting marked image pixels must be rounded to integer values to form a digital image.This rounding operation is an image modification that may cause the watermark in the marked image to differ from the original due to numerical sensitivity.To avoid these numerical difficulties,we propose an algorithm in which the changes to the wavelet coefficients guarantee integer changes in the spatial domain.We make use of the Haar wavelet transform,in which the coefficientsat each resolutionlevelwhere.This specific typeof quantization guarantees that inverse DWT produces animage with integer pixel values;no rounding,which mayjeopardize the accuracy of the method,is necessary.We use the following modified quantization function toembed the watermark suchthatifis odd(23)where is thefloor function.2)Susceptibility to Forgery:As discussed in Section III-B,knowledge of the specific wavelet transform used toembed the watermark can jeopardize the security of themethod.However,during implementation,we make ex-clusive use of the Haar wavelet,which is a discloseddetail of the algorithm.To combat this,we introduce animage-dependent key called the quantizationkeyis a functionof a localized component of the image.The purpose of the quantization key is to make theforgery of an untampered image virtually impossible with-out knowledgeof.Instead of embedding the water-mark directly into the wavelet coefficients,weembedwhere is dependent on the image.Ifwe wanted to make the tamper proofing especially sensitiveto changes in horizontal edges of the image,then thevalueof could be a functionofcan be dependent onlocalized averages of the image intensity.The introductionof improves security against forgery and provides theflexibility to monitor specific changes to the image.Algorithmic forms of the watermark embedding,andextraction and tamper assessment routines are provided inTables1and2,respectively.The choice of the user-definedparameters are discussed in Section V.B.Key Features of the AlgorithmWe discuss and review the main characteristics of thetechnique which distinguish it from previously proposedmethods for watermarking.1)Our technique differs from existing fragile water-marking techniques in that the mark is embedded inthe discrete wavelet domain.This allows informationconcerning the frequencies of the image that haveundergone tampering and their relative degree ofdistortion.2)There is a relationship between the value of themaximum wavelet decompositionlevelthe more localized the information thatis extracted concerning changes to lower frequenciesof the image.Thus,there exists a tradeoff between thevisibility of the mark and the ability to detect changesin lower image frequencies.Analogously,increasingthe valueof8block of the image,then can depend directly on this quantity so thatany change in the mean willscramble and hencecause the extracted watermark value to differ from theembedded with high probability.It should be notedthat the presenceof maintains the integrity of thetamper-proofing scheme against forgery even underthe condition that the coefficient sensitivityfunctionis disclosed.These properties make the method appealing for othermultimedia security applications.Related work has demon-strated the usefulness of telltale watermarking for tamperrecovery[12]and watermark attack characterization[15].In[12]the authors demonstrated how telltale watermarkingcan be used for semiblind image restoration.In this problemthe marked image undergoes unknown blurring and mustbe recovered using information on how the correspondingfragile watermark is distorted.In[15]the authors demon-strate how a fragile watermark can be embedded in additionto a robust watermark to characterize image tampering.Thecharacterization process allows optimal robust watermarkextraction which improves security for copyright-protectionapplications.V.S IMULATION R ESULTS AND C OMPARISONSA.Basis of ComparisonWe evaluate the fragile watermarking techniques basedon their ability to detect undesired tampering such asThe Proposed Telltale Tamper-Proofing Technique for WatermarkEmbeddingreplacement of specific image regions and their robustness to incidental image distortions such as high quality JPEG compression.In addition,we study the introduction of arti-facts,if any,into the image as a result of the watermarking procedure using both qualitative observations and the peak signal-to-noise ratio (PSNR)which is defined asPSNR(24)The Proposed Telltale Tamper-Proofing Technique for Watermark Extraction and TamperAssessmentin decibels,where256image of Lena shown in Fig.5(a).We tamperproof the image using our proposed technique and use the followingparameters:and .3Thewatermarkmaps the amplitude of the selected detail coefficientsto binary numbers.The valuesofare set randomly for each argument with runs of zeros and ones no greater than two to avoid visual artifacts in the marked image.We specifiedthein this way to make the method equally sensitive to all distortions to obtain a general sense of the behavior of our technique.The resulting watermarked3Theseparameters were chosen as they provide no noticeable visualchange in the image.From experience,we find that =1is appropriate for smooth photographic images.For highly varying images, =2can also be used.As a rule of thumb,L may be set such that log 2(N=8) L log 2(N=4),where N is the largest dimension of the image.。

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