浅谈《荆棘鸟》中西方女性对爱情的信仰

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《荆棘鸟》中的三个女性形象

《荆棘鸟》中的三个女性形象

《荆棘鸟》中的三个女性形象内容摘要:考琳·麦卡洛的《荆棘鸟》通过克利里家的祖孙三代悲怆的感情历程来揭示真正的爱与一切的美好都是需要用沉痛的巨创去换取的。

小说中三位女性为了追求幸福,踏上了一条布满荆棘的爱情之路,背后隐藏着的是她们各自隐秘的内心世界。

关键词:《荆棘鸟》女性形象内心世界荆棘鸟的传说是这部作品的核心,它凄惨悲怆的歌声带我们走进小说主人公梅吉与神父拉尔夫之间那执着刻骨的爱情纠葛。

故事持续了半个多世纪,横跨了两次世界大战,但三位女性对爱情追求丝毫没因为时间的流逝而淡去。

那无怨无悔,只为拉尔夫那根最长最尖“荆棘”的梅吉;那无声无息,虽无情冷漠却隐藏着宽容、体贴、奉献之心的菲奥娜以及那个性鲜明,自我意识觉醒的朱丝婷,她们无疑是三只最显眼的“荆棘鸟”,用生命共同演绎了一段弥久于人心的爱情故事。

梅吉:坚韧执着的荆棘鸟小说一开始便以4岁的小梅吉的生日为背景,描写了这个普通牧工家庭生活的种种琐事。

梅吉的母亲菲奥娜并没有像其他母亲疼小女儿一样关注她,就连送个生日礼物也漫不经心;小梅吉对于洋娃娃“艾格尼丝”的感情,以至于遭到哥哥们欺负后紧张的伤心难过都是那样纯真善良;以及之后她上学所承受修女的藤条的欺辱、面对母亲过度的劳累同时感受着父兄之间的一触即发的矛盾都为她这只坚韧执着的“荆棘鸟”的出现埋下了伏笔。

梅吉对拉尔夫产生了好感,但那只是对一个不幸孩子溺爱后的升华。

加之母亲在受到弗兰克死讯的打击之后对她的婚姻更加漠视,梅吉把自己对拉尔夫的爱深埋心底。

这爱使她荒废了多少年的光阴,在漫漫的等待和寻觅后,她的执着终于换回了拉尔夫的深爱与戴恩的到来。

然而,谁都无法想到也是拉尔夫铸就了梅吉一生的悲剧。

拉尔夫对神之爱彻底扼杀了她几乎倾尽一生追求坚守的爱。

直到最后当她认为可以永远拥有的戴恩也被教会夺走,死在了海边,她终究战胜不了神灵!但她无怨无悔,为了这份她一辈子都无法得到的爱,为了她心爱的人,梅吉愿意放弃一切,哪怕牺牲一生的幸福也坚韧执着地走下去。

《荆棘鸟》的爱情悲剧读后感

《荆棘鸟》的爱情悲剧读后感

《荆棘鸟》的爱情悲剧读后感《<荆棘鸟>的爱情悲剧读后感》《荆棘鸟》是澳大利亚作家考琳·麦卡洛创作的一部长篇小说,以女主人公梅吉和神父拉尔夫之间的禁忌爱情为主线,展现了一段充满痛苦与挣扎的爱情悲剧。

读完这部作品,我的内心久久不能平静,被书中所描绘的爱情的无奈和命运的无常深深触动。

梅吉,一个美丽、善良而又坚强的女孩,她的一生都在追寻着真爱。

从她还是个小女孩时,第一次见到拉尔夫神父,就被他的英俊外表和温柔气质所吸引。

然而,拉尔夫却是一个将自己的灵魂献给了上帝的神职人员,他深知与梅吉的爱情是不被允许的。

但爱情的力量是如此强大,让他在信仰与爱情之间陷入了无尽的挣扎。

拉尔夫神父,他一方面深爱着梅吉,另一方面又无法舍弃自己在教会中的地位和权力。

他在内心的矛盾中徘徊,试图在两者之间找到平衡,却最终无法兼得。

他的选择,不仅伤害了梅吉,也让自己的心灵饱受折磨。

他们的爱情从一开始就注定了是一场悲剧。

宗教的束缚、社会的压力以及命运的捉弄,让他们的爱情之路布满了荆棘。

然而,正是这种明知不可为而为之的勇气,让他们的爱情显得更加凄美和动人。

梅吉为了爱情,默默地承受着一切痛苦。

她经历了婚姻的失败,独自抚养孩子,却从未放弃对拉尔夫的爱。

而拉尔夫,在追求权力的道路上越走越远,却始终无法忘记梅吉。

他们的爱情,就像那只传说中的荆棘鸟,为了唱出最动人的歌声,不惜将自己的身体扎进荆棘之中。

书中所展现的爱情悲剧,并不仅仅是两个人的故事,更是反映了当时社会的种种问题。

宗教对人性的压抑,社会等级的森严,以及女性在那个时代的无奈和悲哀。

梅吉作为一个女性,在爱情和生活中都处于被动的地位,她无法自主地选择自己的命运,只能在命运的洪流中随波逐流。

这部作品让我深刻地体会到了爱情的复杂性和无奈。

爱情并非总是甜蜜和美好的,它往往伴随着痛苦和牺牲。

梅吉和拉尔夫的爱情,让我明白了有时候为了爱,人们可以付出一切,甚至是自己的幸福。

但同时,也让我思考在现实生活中,我们应该如何去平衡爱情与责任、理想与现实。

解读《荆棘鸟》中弗兰克的“俄狄浦斯情结”

解读《荆棘鸟》中弗兰克的“俄狄浦斯情结”

解读《荆棘鸟》中弗兰克的“俄狄浦斯情结”[摘要]俄狄浦斯情结是精神分析学的术语,源自于古希腊神话俄狄浦斯杀父娶母的故事,一直是作家较为关注的文学主题之一。

笔者结合弗洛伊德的精神分析法,全面诠释了弗兰克独特的“俄狄浦斯情结”的内蕴。

[关键词]弗兰克; 《荆棘鸟》; 俄狄浦斯情结“俄狄浦斯情结”又称“恋母情结”,是精神分析学的专业术语,也是弗洛伊德心理学理论的基石。

这一词语源于古希腊神话中俄狄浦斯杀父娶母的故事,弗洛伊德由此得出理论假说,俄狄浦斯王杀父娶母正是童年时期小男孩所具有的情结所致,故称“俄狄浦斯情结”。

《荆棘鸟》中的弗兰克是个典型的“俄狄浦斯情结”固着者,对母亲的过度爱恋,自恃菲的宠爱与纵容,再加上其自身的弱点,未能合理消除焦虑克服恋母情结,从而无法确立正确的性别身份,反而因为受到这种情结的影响而排斥社会和他人,日渐形成了和其他兄弟截然相反的性格特征。

一、恋母与仇父俄狄浦斯情结的两个最基本特征就是恋母与仇父,这种特征在弗兰克身上体现尤其明显。

弗兰克在文中一出场就已经十六岁了,他和父亲一起承担着养家的重任,从事着与他的年龄极不相称的打铁职业。

作为长子他在母亲菲身上倾注了更多的注意力,能完全理解每天忙得像陀螺一样的菲,在繁琐的家庭生活中所承受的重担。

和母亲之间的依恋感是相互的,总有一种特殊的默契,好像是儿子和母亲在一起分担着生活的繁琐和沉重,而不是丈夫和妻子。

无论是在生活上还是在精神上,弗兰克都是把自己放在与母亲平等的地位上与她相处,并期望在某种程度上替代父亲成为母亲真正的伴侣。

他对母亲的爱是迷恋的,更是畸形的,不是像一个儿子那样以景仰的目光去爱母亲,而更像一个丈夫那样平等地去爱妻子。

充满非议、嘲笑和冷漠的灰色童年,使他意识到只有母亲颤抖的肩膀才是他温暖的港湾,因此外界的冷眼加剧了他对母亲的依恋之情,从而进入“俄狄浦斯情结”的最初阶段,当被父亲扫地出门之后,对母亲的感情由单纯的母子之情深化为相依为命的依恋之情,母亲在这个没有父亲的孩子眼中地位极其重要,自己也理所应当的希望成为母亲的一切。

《荆棘鸟》关于爱情观的探究

《荆棘鸟》关于爱情观的探究

关于《荆棘鸟》爱情观的探索《荆棘鸟》以德罗海达牧场为背景,以罗马大主教拉尔夫和女主人公梅吉之间缠绵悱恻、刻骨铭心的爱情故事为主线,讲述了克利里家族三代人传奇式的人生经历和情感历程。

作者试图通过克利里家族的沧桑命运和感情历程揭示这样一个道理:真正的爱和一切美好的东西是需要用难以想象的代价去换取的。

六七十年代以来的女性主义运动属于西方女性主义运动的第二阶段,这一阶段女性运动的特征是对于男权中心主义的批判和女性意识的觉醒。

随着时代的进步,背负着千年精神枷锁的女性在蒙昧中逐渐觉醒,她们独立自主的意识愈来愈强,开始追求自己独立的人格,肯定女性的价值和尊严,表达自己的情感。

这种女性意识与男权文化的冲突成为20世纪西方女性文学的重要题材。

而《荆棘鸟》就写于这个时期,其中的四位女性:玛丽·卡森、菲奥娜、梅吉及朱丝婷因其身处不同的时代以及各自不同的性格在面对命运和爱情时采取了不同的态度,作者通过讲述她们的人生历程揭示了女性在探索、追求自主命运的艰难坎坷中所表现出来的矛盾、迷惘和反抗,留下的是对女性如何寻求自主命运、如何树立正确爱情观的重要思考。

一、玛丽·卡森自私疯狂的爱梅吉的姑妈,玛丽·卡森是一个很有心计的女人,一个靠嫁给有钱人来改变自己命运的女人。

她寡居了33年,唯一的儿子还在摇篮中就死去了。

为了舞权弄势,她宁愿弃绝肉欲,享受着以自我为中心的高高在上的优越地位,可是爱情是没有年龄界限的,当这个65岁的女人遇到了有着高高的身材、匀称的体魄、英俊的富于贵族气派容貌的比她小27岁的神父拉尔夫时,她陷入了一场没有结果的爱情之中。

面对拉尔夫不经意的冷漠甚而透露出来的那份对她的厌恶与鄙视,她既痛苦又不甘。

她敏锐地觉察到了拉尔夫对梅吉的爱,她痛恨自己的年龄,时常用嫉妒的眼神追随着拉尔夫和梅吉的身影。

但是,衰老和年龄并不能熄灭她对拉尔夫爱情的火焰,像她说的那样,“在这个蠢笨的身体之内,我依然是年轻的,我仍然有感情,依然有愿望,依然有梦想,依然生机盎然。

英语论文

英语论文

A Comment on Women’s faith in love in The Thorn BirdsWANG Hai-yanAbstract:This paper attempts to explore the novel The Thorn Birds, which shows the different values of love between women and men around the Clearys. The goal of exploring it is not only t o state that women‟s faith is love, while men‟s faith is anything but love, but also to set off the heroine—Meggie, who longs for love and strives perseveringly for love in all her life. Although Meggie suffers a lot when searching for her faith, she alway s keeps loyal to love. What‟s more, in order to create the beautiful and moving voice of her love, she would rather offer her life as the greatest sacrifice. The paper also aims at tracing back to Western women‟s faith by describing the heroines‟ love stories in some great works written by some famous women novelists. Compared with other heroines‟ attitudes and behaviors to their faith, Meggie is stronger, braver, purer and nobler to her faith, for she enriches love with endless vivid vigor and color. She is a perfect woman. However, although Meggie dedicates her life to love, what she gains is just a tragedy; although the Western women go all out for their faith, they are always deeply hurt by the cost of great pain. Therefore, this topic subtly delineates the fact that the women‟s voice for love is still too faint. No matter how wonderful voice they create, they are still incapable of changing men‟s non-love faith and overcoming the unequal values of traditional society. This is an unavoidable tragedy not only to Meggie and the Western women, but also to all women in the world from ancient times. They get temporary happiness from love, but with infinite misery. Their voice is too faint to resist tragedy in love. However, women‟s lofty faith brings them a mea ningful and significant life, just like the voice of the thorn birds.Key Words:women; love; faith; voice; The Thorn Birds摘要:本文通过对长篇小说《荆棘鸟》的分析,分别描述了以克利里家族为中心的女性与男性不同的爱情价值观,体现了女性视爱情为终生信仰,而男性却常常选择非爱情的信仰,从而衬托出女主人公梅吉对爱情执着的高贵情操。

《荆棘鸟》中的爱情与信仰冲突你如何评价

《荆棘鸟》中的爱情与信仰冲突你如何评价

《荆棘鸟》中的爱情与信仰冲突你如何评价《<荆棘鸟>中的爱情与信仰冲突你如何评价》《荆棘鸟》是澳大利亚作家考琳·麦卡洛创作的一部长篇小说,这部作品以细腻的笔触和深刻的洞察描绘了一段跨越几代人的爱情传奇,同时也展现了爱情与信仰之间激烈的冲突。

故事的核心人物梅吉和拉尔夫神父之间的爱情,犹如在荆棘中绽放的花朵,美丽却充满了痛苦。

梅吉是一个美丽、善良且坚强的女性,她在家庭的贫困和生活的艰辛中成长。

拉尔夫神父则是一位英俊、富有魅力且充满野心的神职人员。

他们的相遇仿佛是命运的安排,然而,他们的爱情从一开始就注定要面临重重困难。

拉尔夫神父的信仰要求他将自己的身心完全奉献给上帝,追求精神上的纯洁和超脱。

然而,当他遇到梅吉时,内心深处的人性欲望被唤醒。

他在爱情与信仰之间痛苦地挣扎,一方面,他深深地爱着梅吉,无法抗拒她的魅力;另一方面,他又害怕因为这份爱情而失去自己在教会中的地位和前途。

这种内心的冲突使得他陷入了无尽的痛苦之中。

对于梅吉来说,她对拉尔夫的爱是纯粹而坚定的。

她不顾世俗的眼光和宗教的束缚,勇敢地追求自己的爱情。

但她的爱情始终得不到完整的回应,拉尔夫在信仰和爱情之间的摇摆让她备受伤害。

然而,梅吉并没有放弃,她用自己的方式坚守着这份爱情,即使这份爱带给她的是无尽的痛苦和磨难。

这种爱情与信仰的冲突,不仅仅体现在个人的内心挣扎上,还反映在社会和文化的层面。

在当时的社会背景下,宗教的权威至高无上,神职人员被视为神圣不可侵犯的存在。

他们被要求摒弃世俗的情感和欲望,全身心地投入到宗教事业中。

因此,梅吉和拉尔夫的爱情被视为对宗教权威的挑战,是不被社会所接受的。

这种社会压力进一步加剧了他们之间的冲突,使得他们的爱情之路更加崎岖坎坷。

从另一个角度来看,这种冲突也展现了人性的复杂性和脆弱性。

拉尔夫神父在信仰的道路上一直追求着完美和崇高,但他终究无法摆脱人性的弱点。

他对权力和地位的渴望,以及对爱情的向往,都揭示了他内心深处的矛盾和挣扎。

梅伊拉尤埃尔荆棘鸟中的女性角色

梅伊拉尤埃尔荆棘鸟中的女性角色《梅伊拉尤埃尔荆棘鸟》是法国作家阿尔贝·加缪于1942年出版的小说,以它独特的叙述方式和深刻的哲理成为了世界文学的经典之作。

而在这部小说中,虽然主要围绕男性角色展开,但女性角色却在其中扮演着非常重要的角色。

本文将对梅伊拉尤埃尔荆棘鸟中的女性角色进行探讨,展现她们在小说中的形象和作用。

1. 梅伊拉尤埃尔的妻子梅伊拉尤埃尔是小说的主人公,他的妻子在整个故事中起到了推动剧情发展的重要作用。

尽管她的名字在小说中并未被明确提及,但她的存在却在梅伊拉尤埃尔的生活中扮演着不可忽视的角色。

她是梅伊拉尤埃尔内心挣扎和孤独的一面的化身,通过她的存在,读者可以更好地理解梅伊拉尤埃尔的内心纷扰和对生活的困惑。

2. 卡米耶的母亲卡米耶是梅伊拉尤埃尔的朋友和同事雷蒙的未婚妻。

她的母亲在小说中并没有出场,但她的角色却在小说中留下了深刻的印象。

卡米耶的母亲以她的宗教信仰和道德观念为小说增添了道德冲突和哲学思考的元素。

她的存在让人思考关于人的存在意义的问题,并引发了梅伊拉尤埃尔对宗教和道德的思考。

3. 玛丽亚玛丽亚是梅伊拉尤埃尔的情人,她的角色给小说带来了爱情和性欲的氛围。

她以其勇敢和冲动的性格成为了小说中令人难以忽视的存在。

通过描写玛丽亚与梅伊拉尤埃尔之间的关系,读者可以深刻领悟到爱情的复杂性和人性的弱点。

4. 尼诺尼诺是梅伊拉尤埃尔的前妻,在小说中她虽然没有出场,但她的存在对于梅伊拉尤埃尔的心理影响是无法忽视的。

她是梅伊拉尤埃尔失去幸福和陷入孤独的根源,通过描写他们的婚姻和分离,阐述了人与人之间情感的复杂性和无法调和的矛盾。

5. 雷蒙的未婚妻们雷蒙这个角色在小说中也以他的女性伴侣们而闻名。

他先后与三位未婚妻结婚,其中每一位都在小说中扮演了不同的角色。

她们给小说带来了对于婚姻和家庭的思考,使读者能够更好地理解男性角色的心理变化和社会问题。

通过对于以上女性角色在《梅伊拉尤埃尔荆棘鸟》中的分析,我们可以看到她们的存在对于小说的情节和主题发展起到了重要作用。

《荆棘鸟》读后感

《荆棘鸟》读后感《荆棘鸟》是由法国作家Collette编写的一部小说,小说描述了一个女孩从追求自由到痛苦婚姻的生活历程,是一篇极具现实主义色彩的小说。

小说中的主人公Alphonse Daudet Ferrary 的人物形象鲜明,小说构思精妙,描写细致入微,令人读后深有感触,也使我深深地理解了自己的生命轨迹。

小说以真实的人生为蓝本,通过主人公的遭遇展现了一个女人在男性社会中的追求与失败。

她没有得到自由,而是陷入到了婚姻中,这让她丧失了自我。

在这个过程中,作家Collette揭示了当时法国女性的处境,揭示了女性在男性主义社会中无力挣脱束缚的困难。

同时,也给人以启示,应该勇于追求自己真正的梦想,也不要忘记自己的初心。

小说中的主人公Ferrary,是一位独立、自由的女孩,她深深地迷恋着荆棘鸟这个自由而强壮的生物形象,她也渴望拥有自己的翅膀,在空中飞翔。

她不惧怕挫折,勇敢地生活在自己的想象中,她不喜欢受到社会的束缚,希望自由地去追求自己的梦想。

她是一个主张独立自主和自由思考的女孩,她的人生信条是“这世界上没有比自由更好的东西了”。

然而,现实却给了她无情的打击。

她为了追求自由,违背了家庭的期望,离开了父母老家来到了巴黎。

但是在巴黎,她并没有找到自己想要的自由,反而被社会所压迫,被男人所控制。

她被迫结婚,婚后的生活却远不如她想象中的如此美好。

她的丈夫不是她所想象中的那个人,他不关心她的想法,不尊重她的感受。

她被迫放弃自己的理想和追求,感到生活中已经没有了意义。

小说的主题是自由和婚姻,作家Collette通过对Alphonse Daudet Ferrary这个人物的刻画展现了这两个最关键的主题。

在小说的结尾,当Ferrary终于缓解了她心中的痛苦,发现自己更加强大时,她开始重新思考自己的生活。

她恢复了自己原有的样子,重新追求自由,重新审视了自己的生活问题,并开始思考自己的未来。

小说中,我们可以看到作家Collette深刻的洞见和对女性命运的深刻把握。

从女性主义视角解读《荆棘鸟》中的女性

从女性主义视角解读《荆棘鸟》中的女性摘要:考琳·麦卡洛的《荆棘鸟》以主人公梅吉和神父拉尔夫的爱情为主线,描述了克利里家族三代女性追求爱情和与命运抗争的过程,女性从沉默屈服于命运到极端的斗争,再到两性的和谐发展,实现女性主义的终极目标。

关键词:《荆棘鸟》女性主义解放一、引言《荆棘鸟》是澳大利亚女作家考琳·麦卡洛的代表作,讲述了克利里家族三代女性不同的命运和情感经历,女性在男权社会中不断成长与解放,从沉默到觉醒再到成熟的艰难历程,体现了女性提升自己的历程。

二、女性解放之旅“有一个传说,说的是有那么一只鸟,它一生只唱一次……从离开巢窝的那一刻起,它就在寻找着荆棘树,……它把自己的身体扎进最长最尖的棘刺上,……放开了歌喉……这是一曲无比美好的歌,曲终而命竭……因为最美好的东西只能用深痛巨创来换取……”正如小说的开篇讲述的传奇故事,四位女性人物为了获得真爱即使付出巨大的牺牲仍然执着地追寻着。

(一)菲奥娜·克利里奥娜·克利里菲奥娜·克利里奥娜·克利里和玛丽·卡森是小说中最早出现的两位女性,虽处同一时代,但她们的性格却截然不同,通过对二人的分析,揭示了她们所受压迫和早期的觉醒。

菲奥娜·克利里是克利里家族的第一个重要女性形象,她美丽、勤劳,受过良好的教育。

菲奥娜·克利里出生在新西兰一个传统的父权制贵族家庭,父权意识在新西兰和澳大利亚根深蒂固,女性只能作为“他者”或“从属者”依附于男性。

菲奥娜·克利里的出身注定她在那个时代和其他女性一样,不能自由地决定自己的生活,她必须顺从父辈为其选择的门当户对的婚姻。

然而作为家中独生女,菲奥娜·克利里并没有遵循父亲的安排,而是爱上了有妇之夫帕吉汉,菲奥娜·克利里的不幸从她爱上已婚男人那天开始,这种悲剧的根源实际上是父权制度对人性的压迫,尤其对女性的压迫。

这段恋情显然违反了传统社会规范,为了维护家族的声望和自己的爱人,未婚先孕被迫嫁给了贫穷低微的剪羊毛工帕迪。

爱情 女人经世的宿命 ——解读《荆棘鸟》中女性的命运

爱情女人经世的宿命——解读《荆棘鸟》中女性的命运有一个传说,说的是有那么一只鸟,它一生只唱一次,那歌声比世界上所有一切生灵的歌声都更加优美动听。

从离开巢穴的那一刻起,它就在寻找着荆棘树,直到如愿以偿,才歇下来。

然后,它把自己的身体扎进最长、最尖的棘刺上,在那荒蛮的枝条之间放开了歌喉。

在奄奄一息的时刻,它超脱了自身的痛苦,而那歌声竟然使云雀和夜莺都黯然失色。

这是一曲无比美好的歌,曲终而命竭。

然而,整个世界都在静静地谛听着,上帝也在苍穹中微笑。

因为最美好的东西只能用沉痛的巨创来换取……反正那个传说是这么讲的。

这是澳大利亚女作家考琳·麦卡洛在上个世纪七十年代末期创作的一部长篇小说《荆棘鸟》中的作者题记。

自古以来爱情是人类不变的一个话题,作者试图通过克利里家几代人的沧桑和情感历程来揭示这样一个亘古不变的道理:真正的爱和一切美好的东西是需要难以想象的代价去换取的。

通过荆棘鸟的寓言阐释克里利家族中的女性为追寻至死不渝的爱情,甘愿承受任何痛苦。

在考琳·麦卡洛的笔下,菲、梅吉与朱丝婷就是那只荆棘鸟,这三代人都遵循着“荆棘鸟”的命运。

不管是菲还是梅吉都不是一个懦弱、依赖他人的女人,她们耗尽了一生的精力,与爱情留下的创痛艰难地搏斗。

对于菲与梅吉而言帕克哈与拉尔夫就是那颗又尖又长的棘刺,她们为了追求短暂而美好的爱情,毕生都付出了惨痛的代价。

朱丝婷的叛逆与独立的性格使她大胆的追求属于她自己的幸福,并最终获得了幸福。

一《荆棘鸟》中人物对命运的反抗与斗争1.1、对无望爱情追求屈服于命运的菲菲奥娜是个端庄漂亮,聪明睿智的女人。

出生豪门的她沉默寡言,不喜欢随意讲话。

菲家人的社会地位在新西兰首屈一指,她就像贵族一样过着无忧无虑的生活。

在年轻时菲疯狂地爱上了年长于她的有妇之夫帕克哈。

书中对帕克哈的介绍也只是从菲与梅吉的谈话中得知他的身份:“他是一个有地位的政治家。

全新西兰都有以他的名字命名的街道,也许还有一两个市镇。

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浅谈《荆棘鸟》中西方女性对爱情的信仰[Abstract] This paper attempts to explore the novel The Thorn Birds, which shows the different values of love between women and men around the Clearys. The goal of exploring it is not only to state that women‟s faith is love, while men‟s faith is anything but love, but also to set off the heroine—Meggie, who longs for love and strives perseveringly for love in all her life. Although Meggie suffers a lot when searching for her faith, she always keeps loyal to love. What‟s more, in order to create the beautiful and moving voice of her love, she would rather offer her life as the greatest sacrifice. The paper also aims at tracing back to Western women‟s faith by describing the heroines‟ love stories in some great works written by some famous women novelists. Compared with other heroines‟ attitudes and behaviors to their faith, Meggie is stronger, braver, purer and nobler to her faith, for she enriches love with endless vivid vigor and color. She is a perfect woman. However , although Meggie dedicates her life to love, what she gains is just a tragedy; although the Western women go all out for their faith, they are always deeply hurt by the cost of great pain. Therefore, this topic subtly delineates the fact that the women‟s voice for love is st ill too faint. No matter how wonderful voice they create, they are still incapable of changing men‟s non-love faith and overcoming the unequal values of traditional society. This is an unavoidable tragedy not only to Meggie and the Western women, but also to all women in the world from ancient times. They get temporary happiness from love, but with infinite misery. Their voice is too faint to resist tragedy in love. However, women‟s lofty faith brings them a meaningful and significant life, just like the voice of the thorn birds.[Key Words] women; love; faith; voice; The Thorn Birds【摘要】本文通过对长篇小说《荆棘鸟》的分析,分别描述了以克利里家族为中心的女性与男性不同的爱情价值观,体现了女性视爱情为终生信仰,而男性却常常选择非爱情的信仰,从而衬托出女主人公梅吉对爱情执着的高贵情操。

梅吉始终忠诚于她的爱情,甘愿像荆棘鸟那样成为信仰的献祭,谱写了一曲凄婉动人而又崇高、悲壮的爱情主旋律。

本文从《荆棘鸟》追溯到其西方女性信仰的源头,通过分析早期西方杰出女作家主要作品中女主人公追寻荆棘的历程,展示了西方女性对爱情的信仰,同时更加突出了梅吉集勇气、高洁、坚强、博爱于一身的完美形象。

但是,纵然梅吉为了爱而奉献一生,纵然西方女性为了爱而殚精竭虑,她们最终得到的总是悲剧性的爱情结局;即使最终能够如愿以偿,可在追寻的过程中也付出了沉重的代价。

从中揭示了一个道理:即使女性对信仰的呼喊动听而绝美,她们的声音始终是微弱的:她们改变不了男性的爱情观,也战胜不了社会的传统观念。

她们得到了短暂的幸福,却承受了一生的痛苦。

这不仅仅是梅吉和西方女性的悲剧,也是从古到今全人类女性所无法阻挡的悲剧。

但是不管怎样,梅吉她们这种崇高的信仰让她们作为女性的一生熠熠生辉,就像荆棘鸟的歌声永远震撼人心。

【关键词】女性;爱情;信仰;呼喊;《荆棘鸟》1. IntroductionThere is a saying that literature somehow aims at studying human, which gives a faithful representation of the life and the thought of mankind. What’s more, each works of literature has its own theme,emblem and fascination, which brings the readers endless aftertaste and consideration, including the The Thorn Birds, written by Colleen Mccullough. The enchantment ofthis book first lies in its subject─love and destiny, and its symbol—the thorn bird.There is a legend about a bird, which sings just once in its life, more sweetly than any other creature on the earth.“From the moment it leaves the nest it searches for a thorn tree, and does not rest until it has found one. Then singing among the savage branches, it impales itself upon the longest, sharpest spine. And, dying, it rises above its own agony to out-carol the lark and the nightingale. One superlative song, existence the price. But the whole world stills to listen, and God in His heaven smiles. For the best is only bought at the cost of great pain….”[1]The bird, called the thorn bird, follows an immutable law, namely love, filled with solemn and stirring voice.The book tells readers a story, b eginning in 1915 and ending more than half a century later, “of a singular family, the Clearys, who leave New Zealand to live on vast Australian sheep station, where their triumphs and tragedies are interwoven with the wonder and terror of a land ravaged by cycles of drought, fire and torrential flood. But most of all, it is the story of Meggie, who falls madly in love with a man she can never marry, and of Ralph, a truly beautiful man, whose ambition takes him from outback parish priest to the inner circles of the V atican—but whose love for Meggie Cleary will lead to a passion he cannot control.”[2]It is considered that the writer, Colleen Mccullough, condenses every aspect of life into a brilliant book. By describing the Clearys‟ frustrations of emotional experiences, she tries to show a truth that it‟s necessary to pay an unimaginable cost for the true love and any other magnificent things. Undoubtedly, in the story, Meggie is the most conspicuous thorn bird, whose longest, sharpest spine is Ralph. No matter how difficult and mournful the experience is, and how slim the hope is, she never gives up her faith—being loyal to love and making her love significant. She knows she has chosen a tortuous road, but she would rather devote all her effort to searching for her thorn tree—Ralph, and having her faith glitter.2. Women‟s faith in love in The Thorn Birds“If love is the everlasting theme of literature, then female is also an unfailing topic, for love story can‟t lie in the world without women.”[3] The Thorn Birds tells a penetrative love story between Meggie and Ralph. It also shows the particular love story about the Clearys‟ three female generations, from which the writer portrays four characteristic women who are brave to fight against their fate and social custom for their faith.2.1 Meggie‟s love storyThe story begins with the day of Meggie’s four-year birthday, on which she receives an unexpected present─a pretty doll, from her mother. She, born poor, is an attractive and lovely girl with vivid hair, but she also has a strong personality. When her dear doll is spoilt by her elder brothers, it does not occur to her to seek help; when she is strictly but unequally punished by Sister Agatha in the school, she does not surrender; when her dear brother Frank leaves her, she doesn‟t weep, for “Something in her little sou l was old enough and woman enough to feel the irresistible, stinging joy of being needed”[4].Her self-control is phenomenal and her pride formidable. Besides, she is a quaint mixture of ignorance and morality. She is worth more, but she is not born to be more. Nobody knows what will happen to her, what kind of life she will have, and what sort of fate she will encounter.When she is nine years old, she moves to the vast Australian sheep station─Drogheda from NewZealand with her family, which really changes her fate and brings her a new life. The first time Ralph meets her, she begins to tug at his nonexistent heart, though she is only nine years old while he is already twenty-eight years old. Maybe at the beginning, Meggie just views him as a cherished elder brother, for he is glad to do everything that her mother, her father and her brothers can‟t do for her, and she depends on him so much. As she grows up, her adoration of Father Ralph has turned into an ardent, very girlish crush. But after Mary‟s death, he chooses to obey Mary‟s arrangement to realize his dream and give up Meggie by marrying to the Church. She knows it is forbidden to have a priest as husband or lover, and Ralph can‟t love her as a husband and will never abandon his job as a priest, but she still dreams of him, yearns for him and wants him. However, besides love, she thinks she also needs a husband and babies, and she considers that though she means little to Ralph, there is still some man who loves her before all else. She believes that not all men love some inanimate thing more than they can love a woman. Therefore, she marries Luke, mostly because Luke looks like Ralph so much, which can remind her of Ralph, and will give her children similar in type to those she may have had with Ralph. But she does not love Luke at all, and she is not able to fall in love with him, as she never weakens her deep love for Ralph. Because of the celibacy of priests, she has to go away from Ralph, make her home and her life with another man, and have someone else‟s baby. So she becomes to hate the Church‟s implication that her loving Ralph or his loving her is wrong. What is worse, to her disappointment, Luke does not need her, either. He never respects her feelings. However, after having the daughter of Luke─Justine, she wants to give her daughter a real family. Assuming that the love to Ralph can’t occur, she will have to love her children, and the love she receives will have to come from those children, so she tries forgetting Ralph and persuading herself that Ralph is the past.But when she decides not to waste time dreaming of the man and children she can never have, Ralph comes to find her on Matlock Island, which kindles her hope again, and makes her decide to challenge God for her faith. She can never have Ralph, but there she does get the part of Ralph the Church can never have─she has Ralph’s son Dane, who is as perfect as Ralph. Then she chooses to leave Luke to go back to Drogheda, in order to guard her son. She thinks that she has beaten God. But to her sadness, she has to admit that there is never a woman born who can beat God. That day when Dane tells her that he is going to be a priest, which is as if her death sentence, she has to compromise, crying to her son,“…To the Church thou belongest, to the Church thou shalt be given. Oh, it‟s beautiful, beautiful. God rot God, I say! God the sod! The utmost Enemy of women, that‟s what God is! Everything we seek to do, He seeks to undo!‟ ”[5]She sends her son to Ralph, but she doesn‟t tell him that Dane is his son until Dane‟s death. As Anne, Meggie‟s good friend and former mast er, worries, the gods have not done with her yet. After he is ordained without her mother‟s presence in Rome, Dane decides to come down to the Peloponnese, getting up his courage to meet his mother. Y et before seeing his mother for the last time, he is drowned in Crete, rescuing some women from the sea. Meggie does her best to love Ralph‟s son with the purity of the Blessed Mother herself, but she doesn‟t realize that “The object of her love was struck down in the very fullness of His flower”[6]. After Dane‟s funeral, Ralph consequently dies in her arms. They steal what he has vowed to God, and they have to pay, which is a fatal attack to Meggie. She suffers so much, and it seems that she fails and is unhappy, yet she is really a great and successful woman. In her eyes, the tragedies are a comfort, once the pain dies down, “I did it all to myself, I have no one else to blame. And I cannot regret one single momentof it.” [7] She knows what she wants and tries her best to pursue it, in spite of high expense, a nd her inimitable voice is so plaintive and sacred.2.2 The love stories about the other women in The Thorn BirdsMary is Meggie‟s aunt. She takes possession of a large amount of property and lives in Drogheda, a great pasture. She has been a widow for so many years, but she refuses to marry again. “Not Mary Carson‟s idea of living, to play second fiddle. So she had abjured the flesh, preferring to wield power”[8]. She was not born into money or is not so charming, but besides her genius, the great effort makes her lead a superior life. When she meets Ralph, she has already been an old woman, but she crazily falls in love with him, who has remarkable appearance and uncommon intelligence. On her deathbed, she asserts her true feeling to Ralph,“‘I have loved you. God, how much! Do you think my years automatically preclude it? Well, Father de Bricassart, let me tell you something. Inside this stupid body I’m still young─I still feel, I still want, I still dream, I still kick up my heels and chafe at restrictions like my body. Old age is the bitterest vengeance our vengeful God inflicts upon us.‟ ”[9]She believes that there are no bounds of age in love, but she is clear that Ralph is not likely to love her, who knows that only Meggie is his lover. As a result, she becomes to hate her old age and envy Meggie. Moreover, she can‟t bear Ralph and Meggie to get together, and she also cannot stand others possessing the things she hungers for but could not gain. She has said to Ralph,“‘I’ll be like the Devil, and offer you─Enough said! But never doubt I’ll make you writhe. Y ou’re the most fascinating man I’ve ever met. Y ou throw your beauty in our teeth, contemptuous of our foolishness. But I’ll make you sell yourself like any painted whore.‟ ”[10]Therefore, she chooses to retaliate by separating Ralph from Meggie. The reprisal works after her death, but it really changes the fate of Ralph and Meggie. She knows Ralph very well, and she is sure that if the church inherits her abundant legacy, Ralph will quit Meggie to be the bishop of Catholicism, who can never marry. In the letter given to him, she says,“…Ralph, I love you, so much I would have killed you for not wanting me, except that this is a far better form of reprisal. I‟m not the noble kind; I love you but I want yo u to scream in agony. Because, you see, I know what your decision will be. I know it as surely as if I could be there, watching. Y ou‟ll scream, Ralph, you‟ll know what agony is.‟ ”[11]If she never knows how to do anything else, she actually knows how to make the ones she loves suffer. Just as the sayings go, if you love him, send him to New Y ork, because it is a heaven; if you hate him, send him to New Y ork, because it is a hell. Mary does so and she succeeds finally. Ralph accepts Mary‟s will which makes his dream come true, so he reaches the heaven; Ralph betrays Meggie in order to get the money, which means that there will be an everlasting gulf between them from then on, so he arrives in the hell. If Mary is a thorn bird, Ralph is her sharp spine. However, because of the interlacement of love and hate, she chooses to destroy him.Fiona, Meggie‟s mother, was born in Armstrongs, a passport to colonial aristocracy. She is a very handsome, very fair woman a little under medium height, but rather hard-faced a nd stern. “She was a silent woman, not given to spontaneous conversation. What she thought, no one ever knew, even her husband”[12]. She is a hardworking housewife, but who can imagine that she used to be well-bred girl from an honorable family, and marries the poor hired herdsman─Paddy. It goes without saying that she has contracted a shocking mesalliance. What is worse, she doesn’t love Paddy, but she deeply loves another handsome married man, named Pakeha, with whom she has the son Frank. Fiona thinks the man is everything Paddy isn’t─cultured, sophisticated, verycharming. She loves him to the point of madness, and she thinks she will never love anyone else. However, he is impossible to marry her, though they have a son, so she is forced to marry Paddy by her family. It is a legal marriage but without love. Although Paddy loves her so much and tries his best to make her happy, she never feels happy, and she always keeps silent, which means she never belongs to Paddy until his death. Among the family members, she only loves Frank, or loves Frank more than the rest of others put together, because she loves his father. In the family, Frank is her only spiritual mainstay, but he cannot get along with Paddy well. When Frank manages to drop away from home after the furious quarrel with Paddy,“There had not been a flick of emotion in those soft grey eyes, not hardening nor accusation, hate or sorrow. As if she had simply been waiting for the blow to fall like a condemned dog for the killing bullet, knowing her fate and powerless to avoid it.”[13]She keeps herself folded up with quietness, and a total undemonstrativeness. In fact, Fiona has led an impassible life since she left Frank‟s father and lost her love. When she loses Frank, it means that she loses all her hope.“If the days were long and bitter with a sense of failure, she must bear it in silence…. She was one of those people whose feelings were so intense they became unbearable, unlivable, and her lesson had been a harsh one. For almost twenty-five years she had been crushing emotion out of existence, and she was convinced that in the end persistence would succeed.”[14]Therefore, there is no doubt that Frank‟s father is her longest spine, for her life loses colors without him. The love between her and him is so transient, yet she puts in all her life for it. She knows that Paddy hasn‟t been the man of her choice, but a better man than Paddy never lives. The moment she hears that Paddy died unexpectedly in the fire, she suddenly senses that she loves him, like all of her life. But it is too late for him, and too late for her, as she has wallowed in the former delusion so long and leaves it too late. Finally, she chooses to get herself under that iron control once more, as if she is determined to elongate her periods of darkness until the light shires no more in her lifetime. She is really a very unhappy woman who cannot live with the man she loves, and loses the man who loves her. But on the other hand, she is somewhat lucky, for she has loved someone, and been loved by someone.When Meggie gives birth to Justine, she has gone through death and life, which implies that Justine will be out of the ordinary, will never be Meggie‟s , Luke‟s or anyone else‟s, and will always belong to herself. Compared with her mother and her grandmother, Justine lives in a new age, and is more enlightened than them. What‟s more, she has her own life style that she will not like to have changed by others, which usually cannot be understood by her family. In Drogheda, Dane gets far more emotion from the family, especially their mother than Justine, who thinks she will never love anyone and need other‟s love. But actually she longs for love in her heart of hearts, and the reason she pretends to be indifferent to love is that she is terrified of committing herself to the kind of love which marriage will entail. She only chooses to stand on the stage to make her full emotions release. However, because of her younger brother Dane‟s death, she plunges into a helplessness and distress, which urges her to recognize herself again and to reflect how to treat her life again. Finally, she becomes brave to confront and accept her love and her lover Rainer. Although her final is not a tragedy as her mother‟s, her experience of searching for love also shows that the best is only bought at the cost of great pain.2.3 Meggie‟s noble faithIn the story about The Thorn Birds, women do not want to submit themselves to men‟s authorityand old customs. They do their utmost to strive for their faith. As the thorn birds, their faith is love; as the thorn birds which sing just once in their life, these women love only once in their life. They will not like to change their faith and they appeal to men for understanding and valuing their love. No matter how difficult and painful the experiences will be, they do not care at all. They also believe that the real happiness comes after the extremely suffering experiences. They have the same faith, and love occupies their dream for all their life, but they treat their faith with different attitudes and pursue their love with different behaviors. Meggie does not ruin her faithful lover that she cannot get as Mary does; she does not just keep waiting for her hopeless lover as her mother Fiona does; she is not too timid to accept her lover as her daughter Justine is. Therefore, Mary‟s love is selfish, for she kills her lover‟s love ruthlessly; Fiona‟s love is passive, for she just lives in the past, leading a hopeless and lonely life; Justine‟s love is fainthearted, for she cannot be brave enough to bear the expectation of love. But Meggie pursues her faith indefatigably and sublimates her love to the utmost. Her happiness is based on her anguish. The more sorrowful she is, the happier she will feel. Actually, Meggie‟s pursuit of love is the stro ngest, and her voice is the most moving and tragic.2.4 Meggie‟s influence on the other women in The Thorn BirdsAs a member of the Clearys, Meggie actually affects the other three women unconsciously in her family. When Ralph introduces Meggie to her, Mary instantaneously discerns that Ralph is infatuated with Meggie, which is intolerable to her. She senses that she must lose Ralph to Meggie, but she wants to make sure that Meggie doesn‟t get Ralph, either. So she decides to change her former will, of which Pad dy is the beneficiary. It‟s Meggie that makes her change her lover‟s fate. Meggie is the only girl of Fiona, but Fiona does not envy her or pity her. She thinks that a daughter is just a reminder of the pain and she tries to forget that she has a daughter. However, with little maternal love, Meggie always spreads her angelical love to others. She loves her family, loves her brothers, loves her children, loves her friends, and loves Ralph. What she has done really makes Fiona change her former attitude to Meggie. Her manner toward Meggie becomes tempered with respect and affection. In some way, she admires and adores her daughter for Meggie‟s humanities and noble faith. As Meggie‟s daughter, Justine has a quite different personality from her mother. It‟s difficult for her to accept her mother‟s philosophy. When her mother advises her to marry,“Justine looked scornful. …Not bloody likely! Spend my life wiping snotty noses and cacky bums? Salaaming to some man not half my equal even though he thinks he‟s better? Ho ho ho, not me!‟ ”[15]However, Meggie understands what her daughter really longs for in her inner world. Though she needs Justine after Dane‟s death, she cares Justine‟s happiness more, so she tries her best to persuade Justine to accept Rainer‟s love. It is Meggie that brings Justine a happy life. Meggie leads Mary to change her mind, makes Fiona change her notion, and has Justine envisage her actuality bravely.2.5 The faint voice of MeggieJust as what it says at the end of the novel, “At the very i nstant the thorn enters there is no awareness in it of the dying to come; it simply sings and sings until there is not the life left to utter another note. But we, when we put the thorns in our breasts, we know. We understand. And still we do it. Still we do it.”[16] Meggie creates her own thorn, never stops to count the cost. All she can do is to suffer the pain, and to tell herself that it is well worth it. However , she does not sensethat her voice is not only beautiful but also faint, so do the writer and the readers. Living in the traditional society, dominated by men, Meggie is still unable to persuade the society to attach great importance to her faith, and it is impossible for her to make the society accept her faith. She has challenged God, but she fails, and if she challenges the traditional society, there is no doubt that she will be beaten, too. Because her voice for love is too faint to overstep men‟s authority, and too faint to change the custom of the society, as her aunt and her mother, Meggi e‟s love tragedy is also unavoidable, no matter how much hardship she suffers and how great efforts she makes. Moreover, the more perseveringly she strives for perfection of faith, the more sorrow she will suffer. Meggie‟s peak of poetic perfection shakes up many other women a lot, but to arouse the society‟s reverence for female‟s faith is still beyond her power. Though she does her utmost to raise her voice, it‟s still too faint.3. Men‟s faith in The Thorn BirdsEither in reality or in literature, there are always countless tragedies about love between men and women. It‟s natural for most women to equate love with their valuable life wholeheartedly, while it seems so difficult for men, who welcome love, but can‟t value love as the most important and essential thing in their life. They think that the need of women is a kind of weakness, and they often choose anything but love at a critical moment, which the novel also proves so comprehensively.3.1 Ralph‟s faithNo matter who meet Ralph for the first time, they will never forget his beauty.“the height and perfect proportions of his body, the fine aristocratic features, the way every physical element had been put together with a degree of care about the appearance of the finished product God lavished on few of His creations. From the loose black curls of his head and the startling blue of his eyes to the small, slender hands and feet, he was perfect. ”[17]But there is an aloofness about him, which makes him never be enslaved by his beauty, nor ever will be. Besides, he has barded and subtle mind, outstanding political consciousness and remarkable diplomatic talent. He is brought up from his cradle to be a priest, and he is filled with God. He is sure that no earthly things come between him and his state of mind—not love of a woman, nor love of money. He accepts chastity without finding it difficult to maintain. Truly he will make a magnificent cardinal before meeting Meggie.However, when little Meggie looks up at him with silver-grey eyes of such a lambent purity, like melted jewels, he cannot help falling in love with her at first sight, which becomes to waver in his former determination, vowing to give his life to God. Meggie has moved him unbearably, and he doesn‟t really know why. He views her as a perfec t female, having the gift of acceptance. He has to admit that Meggie fills an empty space in his life, which his God cannot. Therefore, he becomes to battle with his own thoughts. He starts to be puzzled by the confrontation between his divinity and his humanity; he begins to be afflicted with the dispute between his demand for love and his lust for power. However, he just tries his best to deceive himself that Meggie is only the rose of his life, and only an idea, but not a lover. Finally, he accepts Mary‟s will, which relates to the fate of his life and his soul. Between God and Meggie, he chooses the former; between authority and love, he chooses the former. Though he still loves Meggie so much, he chooses to forsake her, selling her for thirteen million pieces of silver. Before saying goodbye, he suggests Meggie search for another man as her husband and love her children, but he is clear that it‟s his punishment. The painof love does not fade, and it seems to grow worse, which makes him unable to be fully pious to God. When he hears that Meggie has married Luke, he is upset, spitting mad. He decides to go to Matlock Island to see her.There he becomes to realize that he is a man, can never be God, and he is made for Meggie. He breaks his vows. He will miss Meggie as long as he lives, but he still will not leave his Church, for he belongs to the Church all along. He really suffers a lot, because of his conflictive mentality. When Meggie has his son—Dane, she does not tell him the truth. He considers that she gives birth to a great son for Luke, which makes him so envious. As Dane is determined to be a priest, Meggie has to send him to Ralph. In the letter, she says to Ralph, “ …I charge you with his well-being, his happiness. What I stole, I give back. It is demanded of me.‟ ”[18] But he still doesn‟t know Dane is his son until Dane‟s accidental death, which wears him down thoroughly.At last, he comes to realize that he is wrong, “Pride, ambition, a certain unscrupulousness. And love for Meggie flowering among them. But the crowing glory of that love he had never known.”[19] Meggie is the mirror in which he is forced to view his mortality, but he never pays attention to it until he dies. Only in death will he find the peace he cannot find here in this life. He hurts Meggie profoundly and loses his excellent son. He loves Meggie deeply, but he can‟t treat love as his faith as Meggie does. He cares God more. So he creates an extreme tragedy for Meggie and himself.3.2 The other men‟s faith in The Thorn BirdsWhen he falls in love with Fiona, Pakeha has been married already, and he has been an important politician. Though Fiona loves him deeply and so does him, “Divorce was out of the question for him. He was one of the first people of his race to attain political greatness”[20]. He has to choose between his people and Fiona. The same as Ralph, he chooses the former, which really stifles Fiona‟s faith and deprives her of her zeal for life.Meggie has eight brothers, two of whom dies young, but none of the ones left alive seem to have any intention of ever getting married. They treat their mother with a tender, absorbed care no amount of indifference on her part can banish. But they are frightened of the power a woman might have over them. They would rather devote all their silent love to the fertile land—Drogheda. “The land brings them men‟s self-confidence and dignity; the land compensate them for the lack of mother‟s love; the land gives them rich nourishment of life.”[21] They love the land deeply, which weakens their intention of marriage.Luke is infatuated with money beyond any other thing, including love, and he thinks he does not need women at all. At heart he loves hard cash far more than what it may eventually buy him. The reason he leaves no stone unturned in his effort to marry Meggie is that he feels like getting her property. As Meggie evaluates him before she leaves,“…Y ou haven‟t any intention of spending it, have you? Y ou want to adore it, like a golden calf. Admit it, Luke, you‟re a miser. And what a n unforgivable idiot you are into the bargain! To treat your wife and daughter the way you wouldn‟t dream of treating a pair of dogs, to ignore their existences, let alone their needs!‟ ”[22]Because of his faith for money, Meggie is only a transient figure in his mind, let alone love.How can a man resist a chance like that to be noble? Just as Ralph chooses the Church, Pakeha chooses his people. Meggie and her mother think they don‟t care. They will take what they can get of the men. They will have their children to love at least. However, if they can‟t keep their lovers, how can they keep their sons? That is just what God cannot allow, so both of them lose their sons。

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