presentation 诗歌 Stopping by Woods on a Snowy Evening
Stopping by Woods on a Snowy Evening赏析
Stopping by Woods on a Snowy Evening赏析版本一1) The theme: This is a deceptively simple poem in which the speaker literally stops his horse in the winter twilight to observe the beauty of the forest scene, and then is moved to continue his journey. Philosophically and symbolically, it stems from the ambiguity of the speaker's choice between safety and the unknown.2)setting:"Stopping by Woods on a Snowy Evening" is a poem written in 1922 by Robert Frost, and published in 1923 in his New Hampshire volume. Imagery and personification are prominent in the work. Frost wrote this poem about winter in June, 1922 at his house in Shaftsbury, Vermont that is now home to the "Robert Frost Stone House Museum." Frost had been up the entire night writing the long poem "New Hampshire" and had finally finished when he realized morning had come. He went out to view the sunrise and suddenly got the idea for "Stopping by Woods on a Snowy Evening." He wrote the new poem in just a few minutes and later stated that "It was as if I'd had a hallucination." "Stopping by Woods on a Snowy Evening" was Frost's favorite of his own poems and Frost in a letter to Louis Untermeyer called it "my best bid for remembrance."3)sound and rhyme:The poem is written in iambic tetrameter in the Rubaiyat stanza created by Edward Fitzgerald. Each verse (save the last) follows an a-a-b-a rhyming scheme, with the following verse's a's rhyming with that verse's b, which is a chain rhyme. Overall, the rhyme scheme is AABA-BBCB-CCDC-DDDD. There was also a song written for this poem.4)Form:The poem consists of four (almost) identically constructed stanzas. Each line is iambic, with four stressed syllables: Within the four lines of each stanza, the first, second, and fourth lines rhyme. The third line does not, but it sets up the rhymes for the next stanza. For example, in the third stanza, queer, near, and year all rhyme, but lake rhymes with shake, mistake, and flake in the following stanza.The notable exception to this pattern comes in the final stanza, where the third line rhymes with the previous two and is repeated as the fourth line.Do not be fooled by the simple words and the easiness of the rhymes; this is a very difficult form to achieve in English without debilitating a poem's content with forced rhymes.5)symbol:This poem suggests deep thought about death and about life. The strange attraction of death to man is symbolized by the dark woods silently filled up with the coldness of snow. Frost frequently uses the technique of symbolism in his poetry. Some critics think that the "village" stands for the human world, "woods" for nature, "horse" for the animal world, and "promises" for obligations. The poem represents a moment of relaxation from the burdensome journey of life, an almost aesthetic enjoyment and appreciation of natural beauty which is wholesome and restorative against the chaotic existence of modern man.版本二Summary:On the surface, this poem is simplicity itself. The speaker is stopping by some woods on a snowy evening. He or she takes in the lovely scene in near-silence, is tempted to stay longer, but acknowledges the pull of obligations and the considerable distance yet to be traveled before he or she can rest for the night. Form:The poem consists of four (almost) identically constructed stanzas. Each line is iambic, with four stressed syllables:Within the four lines of each stanza, the first, second, and fourth lines rhyme. The third line does not, but it sets up the rhymes for the next stanza. For example, in the third stanza, queer, near, and year all rhyme, but lake rhymes with shake, mistake, and flake in the following stanza.The notable exception to this pattern comes in the final stanza, where the third line rhymes with the previous two and is repeated as the fourth line.Do not be fooled by the simple words and the easiness of the rhymes; this is a very difficult form to achieve in English without debilitating a poem's content with forced rhymes.Commentary:This is a poem to be marveled at and taken for granted. Like a big stone, like a body of water, like a strong economy, however it was forged it seems that, once made, it has always been there. Frost claimed that he wrote it in a single nighttime sitting; it just came to him. Perhaps one hot, sustained burst is the only way to cast such a complete object, in which form and content, shape and meaning, are alloyed inextricably. One is tempted to read it, nod quietly in recognition of its splendor and multivalent meaning, and just move on. But one must write essays. Or study guides.Like the woods it describes, the poem is lovely but entices us with dark depths--of interpretation, in this case. It stands alone and beautiful, the account of a man stopping by woods on a snowy evening, but gives us a come-hither look that begs us to load it with a full inventory of possible meanings. We protest, we make apologies, we point to the dangers of reading poetry in this way, but unlike the speaker of the poem, we cannot resist.The last two lines are the true culprits. They make a strong claim to be the most celebrated instance of repetition in English poetry. The first "And miles to gobefore I sleep" stays within the boundaries of literalness set forth by the rest of the poem. We may suspect, as we have up to this point, that the poem implies more than it says outright, but we can't insist on it; the poem has gone by so fast, and seemed so straightforward. Then comes the second "And miles to go before I sleep," like a soft yet penetrating gong; it can be neither ignored nor forgotten. The sound it makes is "Ahhh." And we must read the verses again and again and offer trenchant remarks and explain the "Ahhh" in words far inferior to the poem. For the last "miles to go" now seems like life; the last "sleep" now seems like death.The basic conflict in the poem, resolved in the last stanza, is between an attraction toward the woods and the pull of responsibility outside of the woods. What do woods represent? Something good? Something bad? Woods are sometimes a symbol for wildness, madness, the pre-rational, the looming irrational. But these woods do not seem particularly wild. They are someone's woods, someone's in particular--the owner lives in the village. But that owner is in the village on this, the darkest evening of the year--so would any sensible person be. That is where the division seems to lie, between the village (or "society," "civilization," "duty," "sensibility," "responsibility") and the woods (that which is beyond the borders of the village and all it represents). If the woods are not particularly wicked, they still possess the seed of the irrational; and they are, at night, dark--with all the varied connotations of darkness.Part of what is irrational about the woods is their attraction. They are restful, seductive, lovely, dark, and deep--like deep sleep, like oblivion. Snow falls in downy flakes, like a blanket to lie under and be covered by. And here is where many readers hear dark undertones to this lyric. To rest too long while snow falls could be to lose one's way, to lose the path, to freeze and die. Does this poem express a death wish, considered and then discarded? Do the woods sing a siren's song? To be lulled to sleep could be truly dangerous. Is allowing oneself to be lulled akin to giving up the struggle of prudence and self-preservation? Or does the poem merely describe the temptation to sit and watch beauty while responsibilities are forgotten--to succumb to a mood for a while?The woods sit on the edge of civilization; one way or another, they draw the speaker away from it (and its promises, its good sense). "Society" would condemn stopping here in the dark, in the snow--it is ill advised. The speaker ascribes society's reproach to the horse, which may seem, at first, a bit odd. But the horse is a domesticated part of the civilized order of things; it is the nearest thing to society's agent at this place and time. And having the horse reprove the speaker (even if only in the speaker's imagination) helps highlight several uniquely human features of the speaker's dilemma. One is the regard for beauty(often flying in the face of practical concern or the survival instinct); another is the attraction to danger, the unknown, the dark mystery; and the third--perhaps related but distinct--is the possibility of the death wish, of suicide.Not that we must return too often to that darkest interpretation of the poem. Beauty alone is a sufficient siren; a sufficient protection against her seduction is an unwillingness to give up on society despite the responsibilities it imposes. The line "And miles to go before I sleep" need not imply burden alone; perhaps the ride home will be lovely, too. Indeed, the line could be read as referring to Frost's career as a poet, and at this time he had plenty of good poems left in him.。
Stopping by Woods on a Snowy Evening
"Stopping by Woods on a Snowy Evening" is written by Robert Frost, a Modernist American poet . In the poem, the poet stops at a wood in“the darkest evening of the year”. He is attracted by “the woods fill up with snow". Then the bell of his "little horse" reminds him of his responsibility that he must go on his way before he sleeps. This essay will analyze its form, imagery, theme, rhetoric methods and other poetic devices.A.imagery and themes:In the poem Frost presents coldness, darkness, and emptiness in images of snow, ice, woods, empty fields and dark evening. The snow and ice represent the feeling of coldness; the empty fields represent the feeling of isolation and loneliness; and the “darkest evening of the year” represents the last stage of the speak er’s life. The speaker feels that he is in his last stage of life, which is lonely and helpless, in which condition he thinks of death.From this perspective, one can infer that the image of “lovely, dark and deep” woods represents the world of death. The n, “sleep” in the last stanza becomes the image of death.Based on this understanding, we get a general picture what the poet intends to present: Living an extremely hard and lonely life, the poet begins to think of death. However, he decides to live on because he has to finish his obligation.B. rhyme and schemeThe poem is constructed in four stanzas and the rhythmic scheme of the poem is basically iambic tetrameter. T he rhyme scheme of the whole poem is designed as “aaba, bbcb, ccdc, dddd”.C. rhetoric methods and other poetic devices.The major rhetoric method used in this poem is personification: the little horse is depicted as a person, who communicates with the poet. This not only moves the poet’s frozen thought forward, but also adds to the image of loneliness: with no friends around, the only “person” he can communicate with is his horse.Poetically, the images in the poem function as symbols. The winter evening is the symbol of old age. Snow and ice symbolize the cold, indifferent society. The empty field is the symbol of loneliness. “Miles to go” is the image of road that symbolizes future life, and “sleep” is the image and symbol of death.1) Summary of the main points;2) Your judgment;In summary, "Stopping by Woods on a Snowy Evening" depicts the human experience of making choice between life and death. Frost holds that one should not give up his life before achieving his goal, no matter how hard the life is. The poem is not only an overflow of his personal feelings, but also an instruction for active attitude toward life.。
StoppingbyWoodsonaSnowyEvening赏析
Stopping by Woods on a Snowy Evening赏析版本一1） The theme： This is a deceptively simple poem in which the speaker literally stops his horse in the winter twilight to observe the beauty of the forest scene， and then is moved to continue his journey. Philosophically and symbolically， itstems from the ambiguity of the speaker’s choice between safety and the unknown。
2）setting:”Stopping by Woods on a Snowy Evening” is a poem written in 1922 by Robert Frost，and published in 1923 in his New Hampshire volume。
Imagery and personification are prominent in the work. Frost wrote this poem about winter in June, 1922 at his house in Shaftsbury, Vermont that is now home to the ”Robert Frost Stone House Museum." Frost had been up the entire night writing the long poem ”New Hampshire” and had finally finished when he realized morning had come。
StoppingbyWoodsonaSnowyEvening专业知识讲座
And miles to go before I sleep,
须行完旅程才干安眠，
采用重叠句
旳形式以强
And miles to go before I sleep. 调担负责
须行完旅程才干安眠。
任之重大。
诗人承担起自己所应担负旳社会责任， 谋求自己人生旳真正意义。
• This stanza reveals the woods’ attraction
The woods are lovely, dark and deep,
树林幽深，景色迷人， 1）Alliteration
头韵
2）强调树林旳幽暗和深邃
But I have promises to keep,
但是，我有约要赴， 社会职责和义务
诗人来自社会，尽管大自然旳魅力使他流连忘返， 但他最终决定回归社会。
The first stanza tells us that the man is stopping in front of the woods owned by another person in the village--the village and the owner can both represent human society. Only the man is watching the woods being filled up with snow. The woods and snow can both hint at natural occurrences.
The only other sound’s the sweep,
另外别无他声，
1)Alliteration
头韵
2)连续旳[s]音令人似乎耳闻风吹
Stopping by Woods on a Snowy Evening
Background
Frost wrote the poem in June, 1922 at his house in Shaftsbury, Vermont. He had been up the entire night writing the long poem New Hampshire and had finally finished when he realized morning had come. He went out to view the sunrise and suddenly got the idea for Stopping by Woods on a Snowy Evening. He wrote the new poem "about the snowy evening and the little horse as if I'd had a “hallucination" in just "a few minutes without strain."
Personification: By ascribing human emotions to the
horse， “My little horse must think it queer to stop without a farmhouse near”, and “To ask if there is some mistake” , the poet describes the horse as a human being who can think and ask.
《鲁拜集》 波斯诗人 欧玛尔 ·海亚姆
Typelyric poem NhomakorabeaTheme
Stopping by Woods on a Snowy Evening译文对比赏析
余 的译文中的韵式为 Ａ Ｂ ，Ｂ Ｂ Ｃ Ａ ，Ａ Ａ 虽没有严 Ａ Ｃ Ｂ Ａ ，Ｃ Ａ Ａ Ａ ，
格与原诗对应 ， 却也在努力 达到原诗的效果 ， 可读起来还是 略显
生硬 。
筹 ，仅有 的音 响， “ 只是轻风一 阵， 和白絮般飘飘落下 的雪片” 将原
诗 的内容恰 到好 处地 再现 了出来 ， “ｏ ｎ ａｅ 落在 了最后 ， 把 ｄ ｗ ｙｆ ｋ ” ｌ 非常美妙 。
传达 的； 字面上看 ， 从 江译“ 在这一年最黑的一个黑夜” 没有问题 ，
体， 使得 难以实现 的４ ３诗押同一尾韵 ， 创造了音韵的奇迹。 曾经有 多位 译者将 Ｓｏｐｎ ｙＷｏｄ ｎａＳｏ ｙ ｖｎｎ 泽 ｔ ｉ ｂ ｏｓ ｎｗ ｅｉｇ ｐ ｇ ｏ Ｅ
２ 译 作
成中文。在众 多的译本之 中， 笔者选取 了余光 中、 江枫 、 覃军的译
文进行对 比赏析 ， 探讨 ｉ篇译 文之 间的异 同。
但始终却不觉得意思如此。另 ，冻结 的湖泊 ” “ 显然不如“ 冰湖” 来
得更有力度 ， 更具气 势。
余 、 、 ｉ位译者都能准确地把握诗人的思想 脉路 ， 江 覃 完整地 再现了原诗 的思想 内容 ， 但在 具体的细节处理 上 ， 各家 又表现 了 不同的特点。我们将从 以下几个方面进行对 比分析 ：
者意味深长的感慨 。
的“ 小驻 ” 不够契合 。看他林 中积雪的美景” “ 与原诗想要传达的以 树林为主的景 象不 太符合 ， 而江译 为“ 观赏 第 二节 中 ， 和江不约而同地都将 “ ｙｌｔ ｏｓ” 余 Ｍ ｔｅ ｒ 直译为 ｉｌｈ ｅ “ 的小 马” 堪称 是一笔 好墨 ， 比覃 的 “ 我 ， 要 马驹 ” 更胜 一筹 。而
stopping by woods on a snowy evening翻译及赏析
1Stopping by Woods on a Snowy Evening[雪夜林边小驻]Whose woods these are I think I know,我知道林子的主人是谁，His house is in the village though.虽村落是他所居之地。
He will not see me stopping here,他不会看到我停留于此，To watch his woods fill up with snow.凝视他的林子雪花纷飞。
My little horse must think it queer,我的小马一定以我为怪，To stop without a farmhouse near,近无房舍，为何停伫。
Between the woods and frozen lake,况只有林子与冰湖，The darkest evening of the year.和一年中最黑之夜。
He gives his harness bells a shake,他轻摇铃具To ask if there is some mistake.询问有错与否。
The only other sound's the sweep,唯一的回复来自，Of easy wind and downy flake.软雪和清风。
The woods are lovely, dark and deep.林子很美——昏暗而幽深，But I have promises to keep,但我已有约定。
And miles to go before I sleep.沉醉前还有一段路要走And miles to go before I sleep沉醉前还有一段路要走。
Summary:On the surface, this poem is simplicity itself. The speaker is stopping by some woods on a snowyevening.Heorshetakesinthelovelysceneinnear-silence,istemptedtostaylonger,butacknowledges the pull of obligations and the considerable distance yet to be traveled before he orshe can rest for the night.Form:The poem consists of four (almost) identically constructed stanzas. Each line is iambic, with fourstressed syllables:Do not be fooled by the simple words and the easiness of the rhymes; this is a very difficult formto achieve in English without debilitating a poem's content with forced rhymes.Commentary:Thebasicconflictinthepoem,resolvedinthelastanza,isbetweenattractiontowardthewoo ds and the pull of responsibility outside of the woods. What do woods represent? Somethinggood? Something bad? Woods are sometimes a symbol for wildness, madness, the pre-rational,theloomingirrational.Butthesewoodsdonotseemparticularlywild.Theyaresomeone'sw oods,someone's in particular--the owner lives in the village. But that owner is in the village on this, thedarkest evening of the year--so would any sensible person be. That is where the division seems tolie, between the village (or "society," "civilization," "duty," "sensibility," "responsibility") and thewoods (that which is beyond the borders of the village and all it represents). If the woods are notparticularly wicked, they still possess the seed of the irrational; and they are, at night, dark--withall the varied connotations of darkness.Part of what is irrational about the woods is their attraction. They are restful, seductive, lovely,dark,anddeep--likedeepsleep,likeoblivion.Snowfallsindownyflakes,likeablankettolieunder and be covered by. And here is where many readers hear dark undertones to this lyric. Torest too long while snow falls could be to lose one's way, to lose the path, to freeze and die. Doesthis poem express a death wish, considered and then discarded? Do the woods sing a siren's song?To be lulled to sleep could be truly dangerous. Is allowing oneself to be lulled akin to giving upthe struggle of prudence and self-preservation? Or does the poemmerely describe the temptationto sit and watch beauty while responsibilities are forgotten--to succumb to a mood for a while?The woods sit on the edge of civilization; one way or another, they draw the speaker away fromit(anditspromises,itsgoodsense)."Society"wouldcondemnstoppinghereinthedark,inth esnow--it is ill advised. The speaker ascribes society's reproach to the horse, which may seem, atfirst, a bit odd. But the horse is a domesticated part of the civilized order of things; it is the nearestthing to society's agent at this place and time. And having the horse reprove the speaker (even ifonly in the speaker's imagination) helps highlight several uniquely human features of the speaker'sdilemma. One is the regard for beauty (often flying in the face of practical concern or the survivalinstinct); another is the attraction to danger, the unknown, the dark mystery; and the third--perhapsrelated but distinct--is the possibility of the death wish, of suicide.Notthatwemustreturntoooftentothatdarkestinterpretationofthepoem.Beautyalo neisasufficientsiren;asufficientprotectionagainstherseductionisanunwillingnesstogive uponsociety despite the responsibilities it imposes. The line "And miles to go before I sleep" need notimply burden alone; perhaps the ride home will be lovely, too. Indeed, the line could be read asreferring to Frost's career as a poet, and at this time he had plenty of good poems left in him.2This poem is written by the American poet Robert Frost whose works are mostly concerned withnature. In this poem, he describes a little incident happening in a snowy evening. As a traveler, thepoet is fascinated by the beautiful scene in the woods. He stops to enjoy it, but his mind urges himto go on, because there is still a long way ahead of him, an unfinished duty waiting for him. Thispoemisplainwords,butprofoundinmeaning.Sinceitisfullofsymbolicconstructs,itisth ought- provoking, and the readers can get great fun in developing the subtext.In the first stanza, the poet leads us to a piece of beautiful woods filled up with snow. Asweallknowthatthewoodsareusuallylinkedwithmyth,theunknownworld,andtheutmostt ranquillity. We can guess that, in this poem, the poet takes the woods as the eternal life, thebliss,thatistosaytheHeaven.Heisfedupwitheroutineduties,andwantstorestforever.The woods happens to provide an ideal place.In the third stanza, the little horse wonders why the poet stops when he should have go on.Only “the easy wind” and “downy flake” answer it with soft sweep. We can imagin the scene:the“downy flake” is so light and gentle that it flies in the soft wind. Thus we can get the idea:thepoet’s answer is as slight and uncertain as theflakes, because he himself doesn’tknow why hestops suddenly in the woods.In this poem, Robert Frost discusses the relation between mortal obligations and the eternalrest. One leaves no regrets after he dies, as long as one has reached his goal.3In the poem,“Stopping by Woods on a Snowy Evening,” the speaker stops by some woods ona snowy evening and absorbs the lovely scene. The speaker is tempted to stay longer, butThe poem consists of four almost identically constructed quatrains. Each line has iambictetrameter. Within the four lines of each stanza, the first, second, and fourth lines rhyme. Thethird line does not, but it sets up the rhymes for the next stanza. The rhyme scheme is asfollows:a,a,b,a;b,b,c,b. For example, in the second stanza, lines five through eight, queer,near, and year all rhyme, but lake rhymes with shake, mistake, and flake in the followingstanza. The only exception is the last stanza in which the third line rhymes with the previoustwo lines and is repeated as the fourth line, therefore the rhyme scheme:d,d,d,d.depression or loneliness. The third stanza of the poem brings the strangeness of the situationto a head. The only other living being in this cold lonely landscape, the speaker's horse takesaction to find the reason for the odd stopping. The noise from the inquisitive harness bellsprovide contrast to the quiet of the scene, where the only other sounds a wind and snow. Thedescriptions of the sounds provide a little insightto the speaker's mindset and position. He is sostill that he can here the soft fall of the downy flake and hear the movement of the easy wind.This also shows a great calm and patience that the speaker must posses. The final stanza of thepoem brings all the sentiments of the poem together, an intense love and awe of nature, anever ending patience and some unknown task or problem that robs the speaker of rest. Thedark and deep woods seem to reflect the speaker, his dark emotion and depth of character.There stillness also contrasts with the need of the repeated closing lines And miles to go beforeI sleep/ And miles to go before I sleep. These final lines represent the problem that has plaguedthe speaker and that is most likely responsible for his dark mood. It is something that isundefined that does not demand a rush to deal with, but is important enough to demandattention. The poem as a whole, is a simple effigy of a quiet thoughtful night. I can easily relateto the poem, the emotions it describes and the way that the images are presented. The carelessease with which the poem is read is vital to the poem as a whole. Also this is my favorite poem,I didn't have to open the book to rember it, only to see its format again. It reminds me of themoods I feel on snowy nights or early mornings. I live in the woods and before I drove; I oftenwalked through them as a shortcut to visit friends, so I have many memories of stopping by aneighbors wood on an easy walk home, and watching the snow slowly fall.。
英诗鉴赏 Stopping by Woods on a Snowy Evening
The Interpretation of Stopping by Woods on a Snowy Evening Stopping by Woods on a Snowy Evening was written in 1923 by Robert Frost in his New Hampshire volume. Imagery and personification are prominent in the work.Robert Frost is a well-known American pastoral poet. For his achievement, Frost got awarded the Pulitzer Prize four times in his life. Nature and his rural surroundings were for him a source to create, that’s why he made a great many pastoral poems. Frost’s poems show deep appreciation of natural world and sensibility about the human aspirations and realizations. The images like woods, stars, roads, houses, brooks are usually taken from everyday life. Readers always find it is easy to follow the poet into deeper truths about life or the author himself. Stopping by Woods on a Snowy Evening is generally regarded as Frost’s masterpiece one which he viewed a s his “best bid for remembrance.”The poet expressed the symbolic meaning by describing nature. In his poems, a theme: of using natural scenery as a symbol to display some feelings; emotions; interests and liking of readers and feelings of the poet can be reflected and the plain of ultra-naturalism and the aesthetic sense of symbolism can be shown by the poet.The poem is written in iambic tetrameter. It consists of four identically constructed stanzas. The poet employs the drawing back the rhyme, i.e. in the first stanza the third line is b, while in the second stanza the poem draws back to continue the rhyme b. Within the four lines of each stanza, the first, second, and fourth lines rhyme. The third line does not, but it sets up the rhymes for the next stanza. For example, in the third stanza, queer, near, and year all rhyme, but lake rhymes with shake, mistake, and flake in the following stanza. The notable exception to this pattern comes in the final stanza, where the third line rhymes with the previous two and is repeated as the fourth line. It gives the poem a tone of hesitation, which shows the poet's deliberate consideration.On the surface, this poem is simplicity itself. The speaker is stopping by some woods on a snowy evening. He or she takes in the lovely scene in near-silence, is tempted to stay longer, but acknowledges the pull of obligations and the considerable distance yet to be traveled before he or she can rest for the night. Like the woods it describes, the poem is lovely but entices us with dark depths--of interpretation, in this case.The first stanza leads us to a piece of beautiful woods filled up with snow. The speaker is captivated by the beauty and stops in such a fascinating pastoral landscape. In the deep mind of him, perhaps the woods means wealth, beauty or other attractions, and he just cannot refuses these allure. He is fed up withthe routine duties, and wants to rest forever. The woods happens to provide an ideal place. The second stanza depicts the surro undings of the woods through the speaker’s little horse’s eye.“The darkest evening of the year” tell us that the snow is cold and the evening dark, all of which indicate that the poet is depressed inside. And now is the darkest time of the sp eaker’s life, so when he meets the good views in the traveling, he couldn’t help to enjoying the world of fair allure and loneliness. In the third stanza, the little horse wonders why the poet stops when he should have go on. He cannot understand why the speaker—his owner stops there and gazes at the woods. The extreme quietness actually reflects the speaker’s confusing mind. The little horse actually represents another self of speaker and the two speakers have the conversation in heart to decide what he should do. The last stanza is the speaker’s decision and conclusive idea. Finally, the speaker makes his mind to go back to the world with responsibilities. “The promise” could be an obligation or a goal. It represents responsibilities in the human world. The last two repeated lines emphasize the speaker’s determination and he has to keep all the promises and takes the responsibilities. “Sleep” means death, the end of one’s life. The speaker has to deal with chores and promises in the rest of his life.In this poem, Robert Frost gives the effect of sighting. The narrator wants to rest but he cannot, and the horse is reminding him to come back. And he discusses the relation between mortal obligations and the eternal rest. One leaves no regrets after he dies, as long as one has reached his goal. The speaker is tempted toward death which he considers “love,dark and deep”.。
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雪夜林畔小驻
（译）余光中
想来我认识这座森林， 林主的庄宅就在邻村， 却不会见我在此驻马， 看他林中积雪的美景。
Stopping by Woods on a Snowy Evening
By Robert Frost
Robert Frost (1874-1963)
A famous American modernist poet The winner of 4 Pulitzer Prizes (普利策奖) A poet of the New England countryside
• 我的小马一定颇惊讶， • 四望不见有什么农家， • 偏是一年最暗的黄昏， • 寒林和冰湖之间停下。
queer：deviating from the expected or normal; strange
Literary Style
Profound meanings are hidden underneath the plain language and simple form.
(1) He wrote about the natural world and rural life, especially the New England landscape.
Collection of poems
A Boy’s Will （1913） 《一个男孩的意愿》 North of Boston （1914） 《波士顿以北》 New Hampshire （1923 ） 《新罕布什尔》
Poems
Stopping by Woods on a Snowy Evening 《雪夜林边小驻》 The Road Not Taken 《未选择的路 》 After Apple-Picking 《摘罢苹果 》
我的小马一定颇惊讶， 四望不见有什么农家， 偏是一年最暗的黄昏， 寒林和冰湖之间停下。
他摇一摇身上的串铃， 问我这地方该不该停。 此外只有轻风拂雪面， 再也听不见其他声音。
森林又暗又深真可羡， 但我还要守一些承诺， 还要赶多少路才安眠， 还要赶多少路才安眠。
Stopping by Woods on a Snowy Evening
By Robert Frost
• Whose woods these are I think I know,
• His house is in the village though,
• He will not see me stopping here,
• To watch his woods fill up with snow.
Stopping by Woods on a Snowy Evening By Robert Frost
Whose woods these are I think I know, His house is in the village though, He will not see me stopping here, To watch his woods fill up with snow.
represent human society.
• Only the man is watchiith snow. The woods
and snow can both hint at natural occurrences.
Stopping by Woods on a Snowy Evening
My little horse must think is queer, To stop without a farmhouse near, Between the woods and frozen lake, The darkest evening of the year.
He gives his harness bells a shake, To ask if there is some mistake. The only other sound’s the sweep, Of easy wind and downy flake.
By Robert Frost
• The first stanza tells us that the man is stopping in front of the woods owned by another person in the village--the village and the owner can both
(2) He often used simple language, a graceful style and traditional forms in his poems.
(3) Symbolism (the images—woods, stars and houses are taken from everyday life to express profound ideas)
By Robert Frost
• My little horse must think is queer,
• To stop without a farmhouse near,
• Between the woods and frozen lake,
• The darkest evening of the year.
• 想来我认识这座森林， • 林主的庄宅就在邻村， • 却不会见我在此驻马， • 看他林中积雪的美景。
Woods refers the nature; village refers human society. “He” refers the owner of the woods.
Stopping by Woods on a Snowy Evening