自考英美文学要点
（10）强调结构
1. 强调句的定义
强调是有效地进行思想交流的重要手段之一。人们在交际过程中，为了使自己的思想能为听者或读者恰当的理解，必须突出重要的内容，这就需要运用强调的手段。
2. 强调的构成
在现代英语中，人们可以通过语音手段、词汇手段、语法手段来进行强调。
（1）语音手段
在口语中，人们可以根据交流的需要，通过语句重音来对不同的词语进行强调。例如He speaks English well 这句话，可以通过语句重音来分别对不同的词进行强调：
A：We need a good student to host the evening party.
B：Well，he speaks English well. （侧重“他”）
A：He's been living in Canada for years.
B：He speaks English well but his writing is not very good. （侧重“说”）
A：He speaks fluent French.
B：He speaks English well，too. （侧重“英语”）
A：Do you think he is fit for the job？
B：Certainly. He speaks English well. （侧重“好”）
（2）词汇手段
人们常用一些形容词、副词、否定词等词汇手段来较强语气。例如：
This is a most interesting TV play. 这是一部非常有趣的电视剧。
Grace is tall，but Catherine is still taller. 格雷斯个子很高，但是凯瑟林个子更高。
War and peace is the best novel that l have ever read.《战争与和平》是我曾
经读过的最好小说。
The last thing that a lazy student wishes is examination. 懒学生最不愿意的事
情就是考试。
At that very moment the policemen came. 就在那时警察到了。
I can't even remember the name of that old friend of mine. 我甚至连那位老
朋友的名字都不记得了。
Where in the world did you go just now ？你刚才究竟去哪儿了？
What on earth are you doing？你究竟在干什么？
She's not in the least angry with me. 她一点也不生我的气。
The president himself will chare the meeting. 总统将亲自主持这个会议。（反
身代词作主语同位语表示强调）
（3）语法手段
1. 用It is／was…that／who…句型表示强调。
被强调的部分（通常是句子的主语、状语、宾语或宾语补足语）放在is／was的后面，如被强调的是人，则后面可用who，whom等代替。例如：
He met an old friend in the park yesterday. 他昨天在公园碰见一个老朋友。
上述句子可以通过强调句型对除谓语以外的不同成分进行强调。如：
It was he who/that met an old friend in the park yesterday. （强调主语）
It was an old friend that/who he met in the park yesterday. （强调宾语）
It was in the park that he met an old friend yesterday. （强调地点状语）
It was yesterday that he met an old friend in he park. （强调时间状语）
2. 用助动词do，does或did来强调谓语动词。例如：
Do come early. 一定早点来。
He did send you a letter last week. 他上周确实给你寄过一封信。
We're pleased that she does intend to come. 她的确打算来，我们非常高兴。
3.用主语从句+BE+被强调部分，主语从句常用what引导。例如：
John wants a ball. 约翰想要一个球。
What John wants is a ball. 约翰想要的是一个球。
Mary gives piano lessons every day. 玛丽每天教钢琴。
What Mary does every day is （to）give piano lessons. 玛丽每天干的工作是
教钢琴。
4. 用修辞疑问句，表示强调。
疑问句转用作加强语气的陈述句时，即可称为修辞性疑问句。需要注意的是：肯定的修辞疑问句其意义相当于强调的否定陈述句；而否定的修辞疑问句其意义则相当于强调的肯定
陈述句。如：
Can anyone doubt the truth of his statement？谁能怀疑他陈述的真实性？（＝
Surely no one can / would doubt it.）
Who doesn't know the sun rises in the east？谁不知道太阳从东方升起？（＝
Everyone knows…）
5 人们还可以通过改变句子结构或颠倒正常语气的手段来进行强调。例如：
Never will China be the first to use nuclear weapons. 中国决不会第一个使用
核武器。
Only in this way can we catch up with and surpass the world's advanced level of science and technology. 只有这样，我们才能赶上并超过世界先进科技水平。
Happy are those who are content. 知足常乐。
1. It is／was…that… 强调句型的强调部分必须是对that / who 之后句子的某一成分表示强调，如果把“It is （was）……that ”去掉，该句应该意思完整，不缺任何句子成
分。区分下例两句：
It was 7 o'clock when he came back. 他回来时7点钟了。（it指时间）
It was at 7 o'clock that he came back. 他是7点钟回来的。（强调句，强调at 7
o'clock）
只能由because引导，不能由since、as或why引导。例如：
It was because the water had risen that they could not cross the river. 正是由于水涨了，他们没有渡过河去。（不用because或since）
3.注意“ not …… until ” 强调句型的变化。比较下列三个句子：
She didn't remember her appointment with the doctor until she had arrived
home.
It was not until she had arrived home that she remembered her
appointment with the doctor.
Not until she had arrived home did she remember her appointment with the
doctor.
4. It is／was…that…强调句型中，that作宾语时可以省略，例如：
It was a new dictionary （that）Father bought for me. 父亲给我买的是一本
新字典。
Was it her （that）you were talking about？你刚才是和她在谈话吗？
5. 如果强调的是特殊疑问句，要用“特殊疑问词+is/was + it + that +…”结构，表
示“究竟是谁……，到底在哪里……”等等。例如：
Who was it that you want to see？你究竟想见谁？
Where was it that you saw the teacher？你到底在哪里看见老师的？
Why is it that you want to change your mind？你究竟为什么要改变主意？
I.单项选择从A、B、C、D四个选项中，选出可以填入空白处的最佳*************：
1. It _____ Mike and Mary who helped the old man several days ago .
A. was
B. are
C. were
D. had been
2. It was not until 1920 _____ regular radio broadcasts began.
A. which
B. when
C. that
D. since
3. She said she would go and she ________ go.
A. didn't
B. did
C. really
D. would
4. It was the training _____ he had as a young man _____ made him such
a good engineer.
A. what；that
B. that；what
C. that；which
D. which；that
5. —— Were all three people in the car injured in the accident？
—— No，______ only the two passengers who got hurt.
A. there were
B. it were
C. there was
D. it was
II.句型转换改写下列各句，强调黑体字部分：
1. Bill made a kite at school yesterday.
2. John sells potatoes.
3. The mother loves her baby dearly.
4. I painted the door white.
5. She left her gloves in your room.
6. Mr Smith gave a new pen to me.
******************：
I. ACBDD
II.
1. It was Bill who made a kite at school yesterday.
2. What John wants is a book.
3. The mother does love her baby dearly.
4. It was white that I painted the door.
5. It was in your room that she left her gloves.
6. It was me that Mr Smith gave me a pen to.
（21）省略句
1. 省略句的定义
省略是为了避免重复、突出新信息并使上下文紧密连接的一种语法修辞手段。省略在语言中，尤其在对话中，是一种十分普遍的现象。
2. 小品词的省略
（1）省略介词
He spent four hours （in）going over his lessons. 他花了四个小时复习功课。
I've studied Eng1ish （for）five years.我已学五年英语了。
（2）省略连词that
I believe （that）you will succeed. 我相信你们会成功的。
It's a pity （that）he's leaving. 他要走，真遗憾。
I'm sure （that）she will help you. 我肯定她会帮你的。
（3）省略关系代词
I'll give you all （that）I have. 我要把我所有的一切都给你。
He read the book （which）I got yesterday. 他看过我昨天买的书了。
3. 句子成分的省略
（1）省略主语
Beg your pardon. （我）请你原谅。（Beg前省略了主语I）
Take care！当心！（Take前省略了主语you）
Looks as if it will rain. 看起来象要下雨。（Looks前省略了主语it）
（2）省略谓语
Who next？该谁了？（Who后面省略了谓语comes）
The river was deep and the ice thin. （ice后面省略了was）
We'll do the best we can. 我们将尽力而为。（can后面省略了动词do）
（3）省略表语
Are you ready？Yes，I am. 你准备好了吗？我准备好了。（am后面省略了
ready）
He was a lover of sports as he had been in his youth. 他还是象年轻时那样，是一位运动爱好者。（had been后面省略了a lover of sports）
（4）省略宾语
Let's do the dishes. I'll wash and you'll dry. 让我们洗碗吧，我来洗，你来揩干。
（wash和dry后面省略了宾语dishes）
（5）省略定语
He spent part of the money，and the rest he saved. 那钱他花了部分，其余的他都存了起来。（the rest后面省略了定语of the money）
（6）省略状语
He was not hurt. Strange！他没有受伤，真奇怪！（Strange前面省略了状语how）
1. 省略句可同时省掉句子几个成份
What exciting news！（= What exciting news it is！）多么令人激动的消息啊！
Pity he's failed. （= It is a pity that he's failed.）很遗憾，他失败了。
I like him more than her. （= I like him more than I like her.）我喜欢他更
甚于喜欢她。
2. 英语中有一些固定的省略结构：
a）在以if，when，though，as if（好象）等连词引导的从句中，如从句中的主要动词是be ，常将主语和动词be 省略。
If necessary，we shall send a telegram home. 如有必要，我们就往家里打电
报。
Whenever possible，he will come to my help. 他一有可能就来帮助我。
While cycling，don't forget the traffic lights. 骑车时，不要忘记看红绿灯。
b）由固定词组引导的疑问句：
What about having a game of chess？下盘棋怎么样？
How come they left you alone here？他们怎么会把你一人留在这里呢？
What if it's raining？如果天下雨怎么办？
Why not try again？为什么不再试试呢？
c）在口语中，为了避免重复，不定式可以省去和句子前部重复的动词原形而只留下不
定式符号to.
He may leave if he wishes to. 他可以走，如果他愿意的话。
Don't go till I tell you to. 等我叫你走你再走。
3. 被省略的部分一般可以在句子中补上，但有时省略结构已经定型，如果把省略部分
补上，反而不合乎习惯。
He is taller than I am. 他比我高。（am之后省略tall，补上不合习惯）
No parking. 禁止停车。（告示用语= No parking is allowed here.）
有一些习惯表达很难补上所省略的部分：
Not at all. 不用谢。
No matter. 不要紧。
Thanks. 谢谢。
I. 改写句子使用省略手段避免下面各句重复与冗赘：
1. Someone has used my mobile phone，but I don't know who has used it.
2. John worked hard but his brother did not work hard.
3. I have lazy students and hardworking students in my class.
4. —— Has he ever been abroad？
—— No，he has never been abroad.
5. If it is necessary，we will finish it ahead of time.
6. You must not be late and you must not be absent.
7. Give me your name and address，please.
8. It is well done.
9. Mother can take a rest，Mother should take a rest but Mother won't take
a rest after long hours of work.
10.He could answer the questions very well if he would answer the
questions but he didn't answer the questions.
II. 单项选择从A、B、C、D四个选项中，选出可以填入空白处的最佳********：
1. —— I won't do it any more. —— ________？
A. Why don't
B. Why don't do it any more
C. Why not
D. Why not to
2. Although ________ to stop，he kept on working.
A. tell
B. telling
C. having told
D. told
3. —— Will you waste your time and money on that？—— Certainly
________.
A. I not
B. don't
C. not
D. no
4. —— Mary didn't attend the lecture，did she？—— Yes，she ________.
A. attended
B. didn't attend
C. didn't
D. did
5. —— What's Joan doing？
—— _________ newspapers in the room.
A. She reading
B. She reads
C. To read
D. Reading
6. _________ always succeed.
A. Honest and clever students
B. Students who honest and clever
C. Honest students and clever
D. Students are honest and clever
7. —— Can you climb that tree，my boy？—— __________ ？
A. I
B. Myself
C. Mine
D. Me
8. Some people are against the plan but _______ support it.
A. any more
B. many more
C. much more
D. no more
9. —— I'll be away on a business trip. Would you mind looking after my
cat？
—— Not at all. _________.
A. I've no time
B. I'd rather not
C. I'd like to
D. I'd be happy to
10. —— Why not go and have dinner in a restaurant？—— _________. It's
too expensive.
A. Why not
B. I agree
C. I'm afraid not
D. I'm sure
************************************：
CDCDD ADBDC
（6）不定式的构成
1. 不定式的构成
不定式是由不定式符号to+动词原形构成，在某些情况下to也可省略。
不定式一般有时式和语态的变化，通常有下表中的几种形式（以do为例）：
主动式
被动式
一般式
to do
to be done
完成式
to have done
to have been done
进行式
to be doing/
完成进行式
to have been doing/
1）不定式的一般式
不定式的一般式所表示的动作通常与主要谓语的动作同时或几乎同时发生，或是在它之
后发生。如：
They invited us to go there this summer. 他们邀请我们今年夏天去那儿。
He stood aside for me to pass. 他站到一边让我通过。
2）不定式的完成式
不定式的完成式所表示的动作在谓语所表示的动作之后发生，它在句中可作表语、状语、宾语，有时也可作主语、定语等。如：
She seemed to have heard about this matter. 她似乎已听说过这件事。
I am sorry to have kept you waiting so long. 我很抱歉让你等了这么久。
I meant to have told you about it，but I happened to have an important thing
to do.
我本来想告诉你这件事的，但我碰巧有一件重要的事要做。
It has been an honor for me to have traveled so much in your country.
对我来说，在你们国家旅行这么多地方是一件很荣幸的事情。
3）不定式的进行式
不定式的进行式表示正在进行的与谓语动词同时发生的动作。它在句中可以用作除谓语
以外的所有成分。如：
It's nice of you to be helping us these days. 你真好，这些天一直帮我们。
He pretended to be listening to the teacher carefully. 他假装在认真地听老师
讲课。
We didn't expect you to be waiting for us here. 我们没料到你一直在这儿等我
们。
4）不定式的完成进行式
如果不定式表示的动作是谓语所表示时间之前一直进行的动作，就需要用完成进行式。
如：
They are said to have been working in Tibet for 20 years. 据说他们已经在西
藏工作20年了。
We are happy to have been helping each other these days. 我们很高兴这些
天能互相帮助。
5）动词不定式的否定形式是由not或never加不定式构成。如：
Try not to be late again next time. 尽量下次不要再迟到。
He wished us never to meet her again. 他希望我们永远不要再见到她。
6）疑问词+动词不定式：
不定式和疑问词whether，what，which，whom，where，when，how，why等连用可以在句中起名词的作用，通常跟在tell，know，show，decide，learn，wonder，explain，advise，teach，discuss，find out等动词后面作宾语，有时也可以充当主语、
表语等。如：
On hearing the news，he didn't know whether to laugh or to cry.
听到这个消息，他不知道该哭还是该笑。
When to hold the meeting has not decided. 什么时候开会还没有决定。
The most important problem is how to get so much money.
最重要的事情是如何搞到这么多钱。
介词后一般不直接接不定式，但可以接疑问词+不定式短语作宾语。如：
Mary gave some advice on how to learn English. 玛丽提了一些如何学习英语的
建议。
I have no idea of how to do it. 我不知道该怎么做。
7）不定式的被动式：
当不定式逻辑上的主语是这个不定式所表示的动作的承受者时，不定式一般要用被动形式，to be +过去分词和to have been +过去分词。这些形式可以用来作主语、表语、宾
语、定语、状语、补语。如：
It's a good thing for him to have been scolded by the teacher. 对他来说，被
老师责备是一件好事。
They seemed to be satisfied with the result. 他们似乎对结果很满意。
He asked to be sent to work in the countryside. 他要求被派往农村工作。
She was the last person to have been mentioned at the meeting.
她是会上最后一个被提到的人。
I had to shout to be heard. 我不得不大喊才能被听到。
We don't like our friends to be laughed at from time to time. 我们不喜欢我们
的朋友不时地被嘲笑。
2. 不定式的语法作用
1）不定式作主语：
To see once is better than to hear a hundred times. 百闻不如一见。
To master a foreign language is not an easy thing. 掌握一门外语不是一件容易
的事。
在很多情况下，人们通常用it作为形式上的主语，而把不定式短语移到谓语之后，使
句子显得平稳一些。如：
It's good manners to wait in line. 排队等候是很有礼貌的。
It made us very angry to hear him speak to his mother like that. 听到他那
样跟他妈妈说话我们很生气。
2）不定式作表语：
The most important thing is to put theory into practice. 最重要的事情是把理
论付诸实践。
The greatest happiness is to work for the happiness of all. 最大的幸福就是为
大家的幸福而工作。
3）不定式作宾语：
He wanted to know the truth. 他想知道真相。
I prefer to be starved to death rather than beg. 我宁愿被饿死也不愿乞讨。
He pretended to have read the book when I asked him about it.
我问到他的时候，他假装读过这本书。
另外，不定式在某些复合宾语中作宾语时，人们常常用it代表不定式，而将真实宾语
放在补足语之后。如：
Do you think it better to translate it in this way？你认为这样翻译是不是更好？
I feel it a great honor to be invited to speak at the meeting before so many
students.
我觉得被邀请在会上面对这么多学生发言是一件很光荣的事情。
自考英美文学选读要点总结第一章
Chapter I The Renaissance Period Definitions of the Literary Terms: 文艺复兴时期的界定 1. The Renaissance: The Renaissance marks a transition from the medie val to the modern world. Generally, it refers to the period between the 14 th & 17th centuries. 历史文化背景It first started in Italy, with the flowering of painting, sculpture & literature. From Italy the movement went to emb race the rest of Europe. The Renaissance, which means "rebirth" or "reviva l," is actually a movement stimulated by a series of historical events, such as the re-discovery of ancient Roman & Greek culture, the new discoverie s in geography & astrology, the religious reformation & the economic expa nsion. The Renaissance, therefore, in essence is a historical period in whic h the European humanist thinkers & scholars made attempts to get rid of those old feudalist ideas in medieval Europe, to introduce new ideas that e xpressed the interests of the rising bourgeoisie, & to recover the purity of the early church from the corruption of the Roman Catholic Church. 2. 文艺复兴到英国比较晚的原因The Renaissance was slow in reaching Englan d not only becaus e o f England?s separation from the Continent but also be cause of its domestic unrest. It was not until the reign of Henry VIII that the Renaissance really began to show its effect in England. With Henry VII I?s encouragement the Oxford reformers, scholars and humanists introduc ed classical literature to England. 15th century, began the English Renaissa nce, which was perhaps England?s Golden Age, especially in literature. 人文主义H umanism: Humanism is the essence of the Renaissance. It sprang from the endeavor to restore a medieval reverence for the ancient author s and is frequently taken as the beginning of the Renaissance on its consci ous, intellectual side, for the Greek and Roman civilization was based on s uch a conception that man is the measure of all things. Through the new l earning, humanists not only saw the arts of splendor and enlightenment, b ut the human values represented in the works. Renaissance humanists fou nd in the classics a justification to exalt human nature and came to see th at human beings were glorious creatures capable of individual development in the direction of perfections, and that the world they inhabited was thei rs not to despise but to question, explore, and enjoy. Thus, by emphasizin g the dignity of human beings and the importance of the present life, they voiced their beliefs that man did not only have the right to enjoy the bea uty of this life, but had the ability to perfect himself and to perform wond ers. Thomas More, Christopher Marlowe and William Shakespeare are the b est representatives of the English humanists. The first period of the English Renaissance was one of imitation and assimi lation.
自考英美文学选读 第一章 文艺复兴时期(英国)(课文翻译)
英美文学选读翻译（英语专业自考） 第一部分：英国文学 第一章文艺复兴时期 文艺复兴标志着一个过渡时期,即中世纪的结束和现代社会的开始。一般来说,文艺复兴时期是从十四世纪到十七世纪中叶。它从意大利兴起,伴随着绘画、雕塑和文学领域的百花齐放,而后文艺复兴浪潮席卷了整个欧洲。文艺复兴,顾名思义即重生、复苏,是由一系列历史事件激发推动的,其中包括对古希腊罗马文化的重新发现。地理天文领域的新发现,宗教改革及经济发展。因此,文艺复兴从本质上是欧洲人文主义者竭力摒弃中世纪欧洲的封建主义,推行代表新兴城市资产阶级利益的新思想,并恢复早期宗教的纯洁性,远离腐败的罗马天主教廷的一场运动。 文艺复兴浪潮影响到英国的速度比较慢,不仅因为英国远离欧洲大陆,而且还因为其国内的动荡不安。乔叟去世后的一个半世纪是英国历史上最动荡不安的时期。好战的贵族篡取了王位,使英国走上自我毁灭之路。著名的玫瑰之战就是极好的例子。后来理查三世的恐怖统治标志着内战的结束,在都铎王朝的统治下英国的民族情感又成长起来。然而直到亨利八世统治期间(1509-1547),文艺复兴的春风才吹入英国。在亨利八世的鼓励下,牛津的改革派学者和人文主义者们将古典文学引入英国。基于古典文学作品及《圣经》的教育重获生机,而十五世纪就被广泛传阅的文学作品则更加流行了。自此,英国的文艺复兴开始了。英国,尤其是英国文学进入了黄金时代。这个时期涌现出莎士比亚、斯宾塞、约翰逊、锡德尼、马洛、培根及邓恩等一大批文学巨匠。但英国的文艺复兴并未使新文学与旧时代彻底决裂,带有十四、十五世纪特点的创作态度与情感依然贯穿在人文主义与改革时代。 人文主义是文艺复兴的核心。它源于努力恢复中世纪产生的对古希腊罗马文化的尊崇。人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以"人"为中心,人是万物之灵。通过这些对古代文化崭新的研究,人文主义者不仅看到了光彩夺目的艺术启明星,还在那古典作品中寻求到了人的价值。在中世纪的社会中,个人完全隶属于封建统治,没有独立和自由可言;在中世纪的神学理论中,人与周围世界的关系仅仅是人消极适应或消极遁世,不允许追求快乐,以备死后灵魂得以超脱。然而人文主义者们却从古代文化遗产中找到了充足的论据,来赞美人性,并开始注意到人类是光荣的生命,人自己可以不断发展,至善至美,而且人们生存的世界是属于他们的,供他们怀疑、探索以及享受。由此,人文主义者通过强调人类的尊严、强调今生今世的重要性,喊出了他们的信仰,即人类不仅有权利在今生今世美好生活,而且还有能力完善自我,创造奇迹。人文主义遍布英国思想领域的。标志是荷兰学者伊拉斯谟先后到牛津大学与剑桥大学讲授古典文化研究。托马斯·漠尔、克利斯朵夫·马洛和威廉·莎士比亚是英国人文主义的代表。
全国2014年4月自考英美文学选读真题
绝密★考试结束前 全国2014年4月高等教育自学考试 英美文学选读试题 课程代码：00604 请考生按规定用笔将所有试题的答案涂、写在答题纸上。全部题目用英文作答。 选择题部分 注意事项： 1．答题前，考生务必将自己的考试课程名称、姓名、准考证号用黑色字迹的签字笔或钢笔填写在答题纸规定的位置上。 2．每小题选出答案后，用2 B铅笔把答题纸上对应题目的答案标号涂黑。如需改动，用橡皮擦干净后，再选涂其他答案标号。不能答在试题卷上。 I. Multiple Choice(40 points in all, 1 for each) Select from the four choices of each item the one that best answers the question or completes the statement. Mark your choice by blackening the corresponding letter A, B, C or D on the answer sheet. 1. Shakespeare has established his giant position in world literature with his ______ plays, 154 sonnets and 2 long poems. A. 27 B. 38 C.47 D. 52 2. john Milton’s literary achievement can be divided into three groups: the early poetic works, the middle prose pamphlets and the last ______. A. romances B. dramas C. great poems D. ballads 3. The novels of ______ are the first literary works devoted to the study of problems of the lower— class people. A. John Milton B. Daniel Defoe C. Henry Fielding D. Jonathan Swift
自考英语本科英美文学选读教你投机取巧过英美文学整理加强版
美文学这门科目庞大之极，堪称英本自考之最。自己一个人看那么厚的一本书，不用说能不能看下来，能记住多少实在不好说！ 我在复习的时候，总结了一些规律，与大家分享，望对你有用，帮你顺利通过！ 1.题型分析： 一般来讲，肯定是这种类型：a.单项选择题（40道，40分） b.引文简析（无非就是问问作者是谁，出自哪个作品，主题意象什么的，4道，16分）c.简答题（4道，24分）d.论述题（无非就是分析加读后感，20分） 经验：你应该可以看出来了，重点当然是单选了，分数大，又好得分，实在不行还可以蒙。建议尽可能把书看一遍，但不要看作者生平，那肯定不会考。有个印象就可以了，不用去背，如果你汉语文学功底好，可以省去不少时间。 2.比例分析 据本人统计，历年来英美文学的国考试卷中英国文学占52%，美国文学占48%。（2003年4月例外，其中英国部分58%）其中，可以看出 单选题：前22题肯定为英国部分，其余为美国部分。 大题部分：基本上是一人一半，各占50% 经验：书上共652页，英国411页，美国241页。英国作家共38位，美国15位。其中，美国部分中，诗歌作品也比较少，比较好确认。结论：死学美国，顺带英国。 3.内容分析 历年命题的趋势逐渐由课文内容向选读作品转移，选读的比重越来越大。 经验：课文内容作到大体了解，但要特别重视作家艺术特色。选读部分加大力度，多注意书上的注释及选文大意和某些细节，尽量作到能用英语复述。实在不行，也至少作到能用汉语复述。 4.真题解析及预测 自学考试的一大特点就是重复率高，所以历年试题是必惫的复习材料，不可缺少。有人说：“一套真题等于3套模拟题！”这话绝对没错。所以要花大力气在上面。记得我考那回就有一道10分大题和前一年的一模一样。 注：马克吐温的《哈克贝里费恩历险记》的分析在2000~2002年中，连续考了三次。 经验：注意历年真题，尤其是去年的。去年的10分大题大致如下： a.《傲慢与偏见》中的三种婚姻 b.《白鲸》选文作品复述几分析象征意义。 ================================================ 4月14日]投机取巧教你过英美文学[压题篇] 本文是投机取巧过英美文学的最后一篇，收录北京市2004年4月10日英美文学考试的试题(除选择题外)，是我在北京自考论坛处网友处所得，特此对提供帮助的朋友表示感谢。 二、1、Thomas Gray：Elegy in the Country Churchyard的第一段 2、Yeats的Down by the sallen garden，考的是他俩站在河边，那个女孩*在他肩头，他觉得自己年轻懵懂，而且泪流满面。 3、Emyly Bronte的Whuthering Heights里面Hethcliff在他lover临死之前的那段表现，还问了narrator 是谁 4、Emlily Dikinson的I Heard a Fly Buzz--When I died，问那个blue Buzz是什么意思
自考英美文学选读要点总结整理出考点26位作家完整教学内容
英美文学选读要点总结精心整理(只考26位作家) [英国』Chapter1 The Renaissance period（14世纪至十七世纪中叶）文艺复兴 1. Humanism is the essence of the Renaissance.人文主义是文艺复兴的核心。 2. the Greek and Roman civilization was based on such a conception that man is the measure of all things.人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心，人是万物之灵。 3. Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy.人文主义者们却从古代文化遗产中找到充足的论据，来赞美人性，并开始注意到人类是崇高的生命，人可以不断发展完善自己，而且世界是属于他们的，供他们怀疑，探索以及享受。 4. Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English humanists.托马斯.摩尔，克利斯朵夫.马洛和威廉.莎士比亚是英国人文主义的代表。 5. Wyatt introduced the Petrarchan sonnet into England.怀亚特将彼特拉克的十四行诗引进英国。 6. The first period of the English Renaissance was one of imitation and assimilation.英国文艺复兴初期只是一个学习模仿与同化的阶段。 7. The goals of humanistic poetry are: skillful handling of conventions, force of language, and, above all, the development of a rhetorical plan in which meter, rhyme, scheme, imagery and argument should all be combined to frame the emotional theme and throw it into high relief.人文主义诗歌的主要目标是对传统习俗的熟练运用，语言的力度与气概，而最重要的是发展了修辞模式，即将格律，韵脚（式），组织结构，意象（比喻，描述）与议论都结合起来勾画出情感主题，并将其极为鲜明生动的表现出来。 8. The most famous dramatists in the Renaissance England are Christopher Marlowe, William Shakespeare, and Ben Jonson.文艺复兴时期英国最著名的戏剧家有克利斯朵夫.马洛，威廉.莎士比亚与本.约翰逊。 9. Francis Bacon (1561-1626), the first important English essayist.费兰西斯.培根是英国历史上最重要的散文家。(III)William Shakespeare威廉.莎士比亚 17. The first period of his dramatic career, he wrote five history plays: Henry VI, Parts I, II, and III, Richard III, and Titus Andronicus; and four comedies: The Comedy of Errors, The Two Gentlemen of Verona, The Taming of the Shrew, and Love’s Labour’s Lost.在他戏剧创作生涯的第一个阶段，他创作了五部历史剧：《亨利六世》，《理查三世》，《泰托斯.安东尼》以及四部喜剧：《错误的戏剧》，《维洛那二绅士》，《驯悍记》和《爱的徒劳》。 18. In the second period, he wrote five histories: Richard II, King John, Henry IV, Parts I and II, and Henry V; six comedies: A Midsummer Night’s Dream, The Merchant of Venice, Much Ado About Nothing, As You Like It, Twelfth Night, and The Merry Wives of Windsor; and two tragedies: Romeo and Juliet and Julius Caesar.在第二阶段，他写了五部历史剧：《理查三世》，《约翰王》，《亨利四世》，《亨利五世》以及六部喜剧《仲夏夜之梦》，《威尼斯商人》，《无事生非》，《皆大欢喜》，《第十二夜》，《温莎的风流娘儿们》，还有两部悲剧：《罗密欧与朱丽叶》和《裘利斯.凯撒》。 19. Shakespeare’s third period includes his greatest tragedies and his so-called dark comedies. The tragedies of this period are Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Troilus and Cressida, and Coriolanus. The two comedies are All’s Well That Ends and Measure for Measure.第三阶段诞生了莎翁最伟大的悲剧和他自称的黑色喜剧（或悲喜剧），悲剧有：《哈姆雷特》，《奥赛罗》，《李尔王》《麦克白》《安东尼与克利奥佩特拉》《特罗伊勒斯与克利西达》及《克里奥拉那斯》。两部喜剧是《终成眷属》和《一报还一报》。 20. The last period of Shakespeare’s work includes his principle romantic tragicomedies: Pericles, Cymbeline, The Winter’s Tale and The Tempest; and his two plays: Henry VIII and The Two Noble Kinsmen.最后一个时期的作品主要有浪漫悲喜剧：《伯里克利》《辛白林》《冬天的故事》与《暴风雨》。他最后两部剧是《亨利八世》与《鲁克里斯受辱记》。21. Shakespeare’s sonnets are the only direct expression of the poet’s own feelings.这些十四行诗都是莎翁直抒胸臆的成果。 22. Shakespeare’s history plays are mainly written under the principle that national unity under a mighty and just sovereign is a necessity.莎翁的历史剧都有这样一个主题：在一个强大英明的君主统领下的国家，统一是非常必要的。 23. In his romantic comedies, Shakespeare takes an optimistic attitude toward love and youth, and the romantic elements are
自考英美文学选读要点总结精心整理
自考英美文学选读要点总结精心整理 [英国』Chapter1 The Renaissance period（14世纪至七世纪中叶）文艺复兴 1、Humanism is the essence of the Renaissance、人文主义是文艺复兴的核心。 2、 the Greek and Roman civilization was based on such a conception that man is the measure of all things、人文主义作为文艺复兴的起源是因为古希腊罗马文明的基础是以“人”为中心，人是万物之灵。 3、 Renaissance humanists found in then classics a justification to exalt human nature and came to see that human beings were glorious creatures capable of individual development in the direction of perfection, and that the world they inhabited was theirs not to despise but to question, explore, and enjoy、人文主义者们却从古代文化遗产中找到充足的论据，来赞美人性，并开始注意到人类是崇高的生命，人可以不断发展完善自己，而且世界是属于他们的，供他们怀疑，探索以及享受。 4、 Thomas More, Christopher Marlowe and William Shakespeare are the best representatives of the English
自考答案英美文学选读试题
自考答案英美文学选读试题
绝密★考试结束前 全国 4月高等教育自学考试 英美文学选读试题 课程代码：00604 请考生按规定用笔将所有试题的答案涂、写在答题纸上。全部题目用英文作答。 选择题部分 注意事项： 1．答题前，考生务必将自己的考试课程名称、姓名、准考证号用黑色字迹的签字笔或钢笔填写在答题纸规定的位置上。 2．每小题选出答案后，用2 B铅笔把答题纸上对应题目的答案标号涂黑。如需改动，用橡皮擦干净后，再选涂其它答案标号。不能答在试题卷上。 I. Multiple Choice(40 points in all, 1 for each) Select from the four choices of each item the one that best answers the question or completes the statement. Mark your choice by blackening the corresponding letter A, B, C or D on the answer sheet.
1. Shakespeare has established his giant position in world literature with his ______ plays, 154 sonnets and 2 long poems.B A. 27 B. 38 C.47 D. 52 2. john Milton’s literary achievement can be divided into three groups: the early poetic works, the middle prose pamphlets and the last ______.C A. romances B. dramas C. great poems D. ballads 3. The novels of ______ are the first literary works devoted to the study of problems of the lower— class people.C A. John Milton B. Daniel Defoe C. Henry Fielding D. Jonathan Swift
自考(英语专业) 英美文学选读——作家作品
C.威廉莎士比亚《威尼斯商人》《哈姆雷特》 《暴风雨》 十四行诗 F.约翰弥尔顿 《利西达斯》 《失乐园》 《复乐园》 《力士参孙》 C.丹尼尔笛福 《鲁滨逊漂流记》D.乔纳森斯威夫特《格列佛游记》 E.亨利菲尔丁 《汤姆琼斯》 A.威廉布莱克 B.威廉华兹华斯 E.珀比雪莱 G.简奥斯汀 《傲慢与偏见》 A.查尔斯狄更斯《雾都孤儿》 B.布朗蒂姐妹 《简爱》 《呼啸山庄》 F.托马斯哈代 《德伯家的苔丝》A.萧伯纳 《华伦夫人的职业》D.T.S.艾略特 《荒原》 E.戴维赫伯特劳伦斯《儿子与情人》 C.纳撒尼尔霍桑《红字》 《小伙子布朗》 D.华尔特惠特曼《草叶集》 E.赫尔曼麦尔维尔《白鲸》 A.马克吐温 《哈克贝里费恩》B.亨利詹姆斯
《黛西米勒》 C.艾米莉狄金森 D.西奥多德莱塞 《嘉丽妹妹》 B.罗伯特弗洛斯特 《摘苹果后》 《未选择的路》 《雪夜停马在林边》 D.司各特菲兹杰拉德 《了不起的盖茨比》 E.欧内斯特海明威 《在我们的时代里》 网格本下载地址《外国文学名著丛书》上海译文出版社 https://www.360docs.net/doc/8412007371.html,/topics/2749655/ 目录: 【外国文学名著丛书】·网格本 【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(上册)[德]亨利希·曼董问樵.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(下册)[德]亨利希·曼董问樵.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】亨利四世(中册)[德]亨利希·曼董问樵.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】呼啸山庄[英]艾米莉·勃朗特方平.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】红与黑[法]司汤达郝运.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】红字[美]霍桑侍桁等.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】斯巴达克思.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】死魂灵[俄]果戈理满涛等.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】谁在俄罗斯能过好日子[俄]涅克拉索夫飞白.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】鲵鱼之乱[捷克]卡·恰佩克贝京.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】唐璜[英]拜伦查良铮.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】堂吉诃德[西]塞万提斯杨绛译上.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】堂吉诃德[西]塞万提斯杨绛译下.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】汤姆大伯的小屋[美]斯陀夫人黄继忠.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】特利斯当与伊瑟[法]贝迪耶罗新璋.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】变形记[古罗马]奥维德杨周翰.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】悲剧二种[古希腊]埃斯库罗斯罗念生.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】悲剧二种[古希腊]欧里庇得斯罗念生.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】悲剧二种[古希腊]索福克勒斯罗念生.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】沙恭达罗[印度]迦梨陀娑季羡林.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】社会毒瘤[菲律宾]何塞·黎萨尔陈尧光.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】神曲地狱篇[意大利]但丁朱维基.pdf 【外国文学名著丛书】·网格本\【外国文学名著丛书】神曲地狱篇[意大利]但丁田德望.pdf
自考英美文学选读复习资料
1. …I glaneed back once. A wafer of a moon was shining over Gatsby's house, making the ni ght fine as before, and survi ving the laughter and the sound of his still glowing garden. A sudden emptiness seemed to flow now from the windows and the great doors, endowing with complete isolation the figure of the host, who stood on the porch, his hand up in a formal gesture of farewell. A. lden tify the author and the title of the no vel from which this passage is take n. F. Scott Fitzgerald, The Great Gatsby B. The passage describes the end of an eve nt. What is it? It is a description of the end of a big party C. What implied meaning can you get from read ing this passage? The passage hints at the meaninglessness, spiritual emptiness and vanity of such a life of pleasure-seeking. There is a tragic sense that the party ”will be over. 2. My ton gue, every atom of my blood, form'd from this soil, this air, Born here of pare nts born here from pare nts the same, and their pare nts the same, I, now thirty-seve n years old in perfect health begi n, Hoping to cease not till death. A. Iden tify the poet and the title of the poem. Whitman, Song of Myself B. What do "soil" and "air" represe nt in the first line? America, his coun try, his n ative land C. What does the poet try to say in the above four lin es? I was born and nurtured by this land and shall from now on devote my whole life to the coun try. 3. I celebrate myself, and sing myself, And what I assume you shall assume, For every atom bel onging to me as good bel ongs to you. I loafe and inv ite my soul, I lea n and loafe at my ease observ ing a spear of summer grass. ” (From Walt Whitman ' So ng of Myself ”) A. Who does myself ” refer to ? The poet himself and the America n people. B. How do you un dersta nd the line I loafe and in vite my soul? ” The line in dicates a separati on of the body and the soul. C. What does a spear of summer grass "symbolize? The phrase in dicates Whitma n ' optimism and experie nee. 4. "A nd the n ative hue of resoluti on/Is sicklied o 'r with the pale cast of thought." (Shakespeare, Humlet) A. What does the "n ative hue of resoluti on" mea n? determ in ati on (determ inedn ess, actio n, activity, ...) B. What does the "pale cast of thought" sta nd for? con siderati on (in decisi on, in activity, hesitati on,...) C. What idea do the two lines express? Too much thi nking (con siderati on,...) made (makes) activity (acti on) impossible. 5. "Wild Spirit, which art moving everywhere; /Destroyer and Preserver; hear, O hear!" A. Ide ntify the poem and the poet. Shelley ' Ode to the West Wind B. What is the "Wild Spirit"? The West Wind; "breath of Autumn ' being" C. What does the "Wild Spirit" destroy and preserve? It destroys things that are dead, it preserves new life. 6. "Whe n the mini ster spoke from the pulpit, with power and fervid eloque nee, and, with his hands on the ope n bible, of the sacred truths of our religi on, and of sain t-like lives and triumpha nt deaths, and of future bliss or misery unu tterable, the n did Goodma nBrow n turn pale, dreadi ng, lest the roof should thun der dow n upon the gray blasphemer and his hearers. A. Ide ntify the title of the short story from which this part is take n. Hawthorne ' Young Goodman Brown B. What had happe ned in the story before this church sce ne? Brow n had atte nded a witches ' party where he saw many prom inent people of the village, the mini ster in cluded. C. Why was Goodma n Brow n afraid the roof might thun der dow n? Brow n was shocked by the mini ster, secretly a member of the evil club, who could talk about sacred truths of the religi on ope nly and un ashamedly. He thought God would punish such hypocrites dow n on them. 7. (A lot of comm on objects have bee n enu merated before, and here are the last two lines of There Was a Child Went Forth :) The horizon ' edge, the flying sea-crow, the fragranee of salt marsh and shore mud. These became part of that child who went forth every day, and who now goes, and will always go forth every day. A. Who is the author of this poem? What is the title of the poem? Whitma n. There was a Child Went Forth B. What does the "Child" sta nd for in the poem? The young grow ing America. C. In one or two senten ces, i nterpret the implied meaning of the two lin es. The poet uses his childhood experie nee of grow ing up and lear ning about the world around him to imply that young America will grow and develop like that. D. How do you un dersta nd These became part of the child ”？ It is interesting to reexamine the sequenee of the items list in this poem which became part of the child ". They reflect the natural process of a boy ' growth. At first, his world was limited within the barnyard. Later, he sought into fields and streets. Then, he became interested in something more mysterious —his fellow huma n bein gs. Fin ally, he was on the symbolic threshold of the outside world, the sea. He had grow n in to a young man from a boy. 8. And when I am formulated, sprawling on a pin, Whe n I am pinned and wriggli ng on the wall. Then how should begi n